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Yamaha RX-V495RDS

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If the socket outlets in the home are not suitable for the plug supplied with this appliance, it should be cut off and an appropriate 3 pin plug fitted. For details, refer to the instructions described below. Note: The plug severed from the mains lead must be destroyed, as a plug with bared flexible cord is hazardous if engaged in a live socket outlet.
Special Instructions for U.K. Model
IMPORTANT THE WIRES IN MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE: Blue: NEUTRAL Brown: LIVE As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows: The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. Making sure that neither core is connected to the earth terminal of the three pin plug.
This unit is not disconnected from the AC power source as long as it is connected to the wall outlet, even if this unit itself is turned off. This state is called the standby mode. In this state, this unit is designed to consume a very small quantity of power.
10. Be sure to read the TROUBLESHOOTING section regarding common operating errors before concluding that the unit is faulty. 11. When not planning to use this unit for long periods of time (ie., vacation, etc.), disconnect the AC power plug from the wall outlet. 12. To prevent lightning damage, disconnect the AC power plug and disconnect the antenna cable when there is an electrical storm. 13. Grounding or polarization Precautions should be taken so that the grounding or polarization of an appliance is not defeated. 14. AC outlet Do not connect audio equipment to the AC outlet on the rear panel if that equipment requires more power than the outlet is rated to provide.
FEATURES OF SOUND EFFECTS

Introduction

Welcome to the exciting world of digital home entertainment. This unit is one of the most complete and advanced AV receivers available. Some of the more advanced features may not be familiar to you, but they are easy to use. State-of-the-art technologies such as Dolby Digital and Digital Theater Systems (DTS) may be new to your home, but you have probably experienced the amazing realism they bring to feature films in theaters around the world. To make the listening experience even more enjoyable, this unit includes a number of exclusive, digitally created listening environments known as digital sound fields. Choosing a sound field program is like transporting yourself to such venues as an outdoor arena, a European church, or a cozy jazz club. Take some time now to read more about these features and enjoy the new experiences this unit brings to your home theater.

The following original functions make the surround-sound effect of Dolby Digital become the most suitable for your audio system and the listening conditions. Manufactured under license from Dolby Laboratories. Dolby, Pro Logic and the double-D symbol are trademarks of Dolby Laboratories.
CINEMA DSP: Dolby Surround + DSP
The Dolby Surround sound system shows its full ability in a large movie theater, because movie sounds are originally designed to be reproduced in a large movie theater using many speakers. It is difficult to create a sound environment similar to that of a movie theater in your listening room, because the room size, materials of inside walls, the number of speakers, etc. of your listening room are very different from those of a movie theater. YAMAHA DSP technology made it possible to present you with nearly the same sound experience as that of a large movie theater in your listening room by compensating for the lack of presence and dynamics in your listening room with its original digital sound fields combined with the Dolby Surround sound system.

CINEMA DSP

The YAMAHA CINEMA DSP logo indicates those programs that are created by the combination of Dolby Surround and YAMAHA DSP technology.
Dolby Pro Logic + 2 Digital Sound Fields
Digital sound fields are created on the presence side and the rear surround side of the Dolby Pro Logic Surround-decoded sound field, respectively. They create a wide acoustic environment and emphasize the surround effect in the room, letting you feel as much presence as if you are watching a movie in a popular Dolby Stereo theater. This combination is available when the DOLBY PRO LOGIC ENHANCED/DOLBY DIGITAL ENHANCED, 70 mm MOVIE THEATER/DIGITAL MOVIE THEATER or TV SPORTS sound field program is selected, and the input signal of source is analog, PCM audio or encoded with Dolby Digital sound in 2-channel.
Dolby Digital + 3 Digital Sound Fields
Digital sound fields are created on the presence side and the independent left and right surround sides of the Dolby Digitaldecoded sound field, respectively. They create a wide acoustic environment and strong surround effect in the room without losing high-channel separation. With the wide dynamic range of Dolby Digital sound, this sound field combination lets you feel as if you are watching a movie in the newest Dolby Stereo Digital theater. This will be the most ideal home theater sound at the present time. This combination is available when the DOLBY PRO LOGIC ENHANCED/DOLBY DIGITAL ENHANCED, 70 mm MOVIE THEATER/DIGITAL MOVIE THEATER or TV SPORTS sound field program is selected, and the input signal of source is encoded with Dolby Digital sound (except in 2-channel).
CONTROLS AND THEIR FUNCTIONS

FRONT PANEL

1 STANDBY/ON
Press this switch to turn on the power to this unit. Press it again to set this unit to the standby mode. Standby mode In this state, this unit consumes a very small quantity of power to receive infrared-signals from the remote control transmitter.

r SPEAKERS

Set A or B (or both A and B) to the ON position for the main speaker system (connected to this unit) that you want to use. Set the button(s) for the main speaker system you dont want to use to the OFF position.

d TIME/LEVEL

Press this button to select the item in the TIME/LEVEL mode.

t A/B/C/D/E

Press this button to select one of a group (A to E) of preset stations.
These buttons are used to adjust the settings of the SET MENU mode and the TIME/LEVEL mode. In the TIME/LEVEL mode, press + to increase the delay time or speaker output level. Press to decrease the delay time or speaker output level.
y Preset station number selector
Each of these buttons selects a preset station number (1 to 8).

g SET MENU

Press this button to select functions in the SET MENU mode.

u Tone controls

These controls are only effective for the sound from the main speakers. BASS Use this control to increase or decrease the low-frequency response. The 0 position produces flat response. TREBLE Use this control to increase or decrease the high-frequency response. The 0 position produces flat response.

h PROGRAM selector

Press or to select the DSP program. The name of the selected program appears on the display.

j EFFECT

This button switches on and off the output from the center and rear speakers so that the sound becomes the normal 2-channel. * Even if the output from the center and rear speakers is off, when the Dolby Digital is decoded, the signals on all channels are distributed to the main channels and output from the main speakers.

i BALANCE

This control is only effective for the sound from the main speakers. Turn the control to adjust the balance of the output volume to the left and right speakers to compensate for sound imbalance caused by the speaker location or listening room conditions.

k VIDEO AUX terminals

Connect an auxiliary video or audio input source unit such as a camcorder to these terminals. The source connected to these terminals can be selected by INPUT.

These buttons are for adjusting various settings.
* They only function when AMP<TUNER>, DVD MENU or CBL/ DBS on the component selector has been pressed.

SPEAKER SETUP

SPEAKERS TO BE USED
This unit is designed to provide the best sound-field quality with a 5-speaker configuration, using main speakers, rear speakers and a center speaker. The main speakers are used for the main source sound plus the effect sounds. They will probably be the speakers from your present stereo system. The rear speakers are used for the effect and surround sounds, and the center speaker is for the center sounds (dialog, vocals, etc.). If for some reason it is not practical to use a center speaker, you can do without it. Best results, however, are obtained with the full system. The main speakers should be high-performance models and have enough power-handling capacity to accept the maximum output of your audio system. The other speakers do not have to be equal to the main speakers. For precise sound localization, however, it is ideal to use high-performance models that can reproduce sounds over the full-range for the center speaker and the rear speakers. Use of a subwoofer expands your sound field It is also possible to further expand your system with the addition of a subwoofer and amplifier. The use of a subwoofer is effective not only for reinforcing bass frequencies from any or all channels, but also for reproducing the LFE (low frequency effect) sound with high fidelity when playing back a source that is Dolby Digital-decoded. You may wish to choose the convenience of a YAMAHA Active Servo Processing Subwoofer System, which has its own built-in power amplifier.

SPEAKER CONFIGURATION

5-Speaker Configuration
This configuration is the most effective and recommended one. When playing back a source using the DSP program, DOLBY PRO LOGIC/DOLBY DIGITAL, DOLBY PRO LOGIC ENHANCED/DOLBY DIGITAL ENHANCED, 70 mm MOVIE THEATER/DIGITAL MOVIE THEATER, MONO MOVIE or TV SPORTS, or when playing back a source which contains center-channel signals (dialog, vocals, etc.) using any DSP program that is Dolby Digital-decoded, conversations will be output from the center speaker and the ambience will be excellent. Note: Set the CNTR (CENTER SPEAKER) mode to the LARGE or SMALL position. (See page 21 for details.)

Connecting to the MAIN SPEAKERS terminals
Connecting to the REAR and CENTER SPEAKERS terminals
Red: positive (+) Black: negative ()
1 Unscrew the knob. 2 Remove approx. 5 mm (1/4) of insulation from each of the speaker wires and insert the bare wire into the terminal. 3 Tighten the knob to secure the wire.
1 Press the tab. 2 Remove approx. 5 mm (1/4) of insulation from each of the speaker wires and insert the bare wire into the terminal. 3 Release the tab to secure the wire.
IMPEDANCE SELECTOR SWITCH
WARNING Do not change the IMPEDANCE SELECTOR switch setting while the power to this unit is on, otherwise this unit may be damaged. If this unit fails to turn on when the STANDBY/ON switch is pressed, the IMPEDANCE SELECTOR switch may not be fully set to either end. If so, set the switch to either end fully when this unit is in the standby mode. Select the position whose requirements your speaker system meets.
(Upper position) Main: If you use one pair of main speakers, the impedance of each speaker must be 4 or higher. If you use two pairs of main speakers, the impedance of each speaker must be 8 or higher.
IMPEDANCE SELECTOR (Europe model)
Center: The impedance of the speaker must be 6 or higher. Rear: The impedance of each speaker must be 6 or higher.
(Lower position) Main: If you use one pair of main speakers, the impedance of each speaker must be 8 or higher. If you use two pairs of main speakers, the impedance of each speaker must be 16 or higher.
Center: The impedance of the speaker must be 8 or higher. Rear: The impedance of each speaker must be 8 or higher.

ANTENNA CONNECTIONS

Each antenna should be correctly connected to the designated terminals, referring to the following diagram. Both AM and FM indoor antennas are included with this unit. In general, these antennas will probably provide sufficient signal strength. Nevertheless, a properly installed outdoor antenna will give clearer reception than an indoor one. If you experience poor reception quality, an outdoor antenna may result in improvement. Indoor FM antenna (included) Outdoor AM antenna

Outdoor FM antenna

75-ohm/300-ohm antenna adapter 75-ohm coaxial cable
AM loop antenna (included)
75-ohm/300-ohm antenna adapter 300-ohm feeder

Ground

Connecting the AM loop antenna
Orient so that the best reception is obtained.
* The AM loop antenna should be placed away from this unit. The antenna may be hung on a wall. * The AM loop antenna always should be connected, even if an outdoor AM antenna is connected to this unit.

GND TERMINAL

For maximum safety and minimum interference, connect the GND terminal to a good earth ground. A good earth ground is a metal stake driven into moist earth.

DESCRIPTION OF RDS DATA

This unit can receive PI, PS, PTY, RT, CT, and EON data when receiving RDS broadcast stations.
PS (Program Service name) mode:
The name of the RDS station being received is displayed.

RT (Radio Text) mode:

Information about the program (such as the title of a song, name of the singer, etc.) on the RDS station being received is displayed by a maximum of 64 alphabetical characters, including the umlaut sign. If other characters are used for the RT data, they are displayed with under-bars.

PTY (Program Type) mode:

The type of program on the RDS station being received is displayed. There are 15 program types to classify RDS stations. You can make this unit search for a station which is broadcasting a program of the desired type. See page 37 for details.

CT (Clock Time) mode:

The current time is displayed in the following form and updated every minute.

Minute

If the data is accidentally cut off, CT WAIT may appear.
EON (Enhanced Other Networks):

See page 39.

CHANGING THE RDS MODE
When an RDS station is received, PS, PTY, RT and/or CT that correspond to the RDS data services employed by the station light up on the display. By pressing RDS MODE, you can change the display mode among the RDS modes employed by the received station in the order shown below. Illumination of the RDS mode indicator shows that the corresponding RDS mode has been selected. * When an RDS station is received, do not press RDS MODE until one or more names of RDS modes light up on the display. If the button is pressed before one or more names light up on the display, the mode cannot be changed. This is because the unit has not yet received all of the RDS data on the station. * If no RDS mode lights up on the display, the mode cannot be changed. * An RDS mode not employed by the station cannot be selected.

PS mode

PTY mode

RT mode

CT mode
Notes The RDS data service cannot be utilized by this unit if the received signal is not strong enough. In particular, the RT mode requires a large amount of data to be received, so it is possible that the RT mode cannot be displayed even if other RDS modes (PS, PTY, etc.) are displayed. There may be a case that RDS data reception is not possible due to poor reception conditions. If so, press TUNING MODE so that the AUTO TUNING indicator goes off from the display. Although the reception mode is changed to monaural by this operation, when you change the display to RDS mode, RDS data may be displayed. If the signal strength is weakened by external interference during the reception of an RDS station, the RDS data service may be cut off suddenly and.WAIT will appear on the display.

The unit will be switched to the standby mode automatically at the selected SLEEP time.
USING THE DIGITAL SOUND FIELD PROCESSOR (DSP)
This unit incorporates a sophisticated, multi-program digital sound field processor. The processor allows you to electronically expand and change the shape of the audio sound field from both audio and video sources, creating a theater-like experience in your listening room. You can create outstanding audio sound by selecting a suitable sound field program (this will, of course, depend on what you are listening to) and adding any desired adjustments. The following list gives you a brief description of the sound fields produced by each of the DSP programs. Keep in mind that most of these are precise digital re-creations of actual acoustic environments. The data for these sound fields were recorded at actual locations using sophisticated sound field measurement equipment. Note The channel level balance between the left and right rear speakers may vary depending on the sound field you are listening to. This is due to the fact that most of these sound fields are a re-creation of actual acoustic environments.
BRIEF OVERVIEW OF DIGITAL SOUND FIELD PROGRAMS
No. 1 PROGRAM DOLBY PRO LOGIC ( ) This functions when the input signal is analog or PCM audio, or encoded with Dolby Digital in 2-channel. Speaker output: main, center, rear DOLBY DIGITAL ( ) This functions when the input signal is encoded with Dolby Digital (not in 2-channel). Speaker output: main, center, rear FEATURES This reproduces video discs, video tapes and similar sources which are Dolby Surround encoded and bear the DOLBY SURROUND logo. The built-in Dolby Pro Logic Surround decoder or Dolby Digital decoder precisely reproduces the sounds and sound effects of a source encoded with Dolby Surround. The realization of a highly efficient decoding process improves crosstalk and channel separation and makes sound positioning smoother and more precise. Note: If the main channel sound is considerably altered by overadjusting BASS or TREBLE, it may not produce suitable surround sound. 2 DOLBY PRO LOGIC ENHANCED ( ) This functions when the input signal is analog or PCM audio, or encoded with Dolby Digital in 2-channel. Speaker output: main, center, rear DOLBY DIGITAL ENHANCED ( ) This functions when the input signal is encoded with Dolby Digital (not in 2-channel). Speaker output: main, center, rear mm MOVIE THEATER ( ) This functions when the input signal is analog or PCM audio, or encoded with Dolby Digital in 2-channel. Speaker output: main, center, rear DIGITAL MOVIE THEATER ( ) This functions when the input signal is encoded with Dolby Digital (not in 2-channel). Speaker output: main, center, rear This reproduces video discs, video tapes and similar sources which are Dolby Surround encoded and bear the DOLBY SURROUND logo. This program ideally simulates the multi-surround speaker systems of the 35 mm film theater. Dolby Surround decoding is precisely performed without altering the original sound orientation. The surround effects produced by this sound field fold around the viewer naturally from the rear to the left and right and toward the screen.

This is ideal for reproducing video discs, video tapes and similar sources which are Dolby Surround encoded and bear the DOLBY SURROUND logo. This program is ideal for precisely reproducing the sound design of the newest 70 mm/Dolby Digital multi-track films. The sound field is similar to that of the newest movie theaters, so the reverberations of the sound field itself are restrained as much as possible. The three-dimensional feeling of the sound field is emphasized, and dialog is precisely oriented on the screen. You can enjoy watching Sci-Fi, adventure movies, etc. with considerable presence.
PROGRAM MONO MOVIE ( ) This functions when the input signal is analog or PCM audio, or encoded with Dolby Digital in 2-channel. Speaker output: main, center, rear ( ) This functions when the input signal is encoded with Dolby Digital (not in 2-channel). Speaker output: main, center, rear TV SPORTS ( ) This functions when the input signal is analog or PCM audio, or encoded with Dolby Digital in 2-channel. Speaker output: main, center, rear ( ) This functions when the input signal is encoded with Dolby Digital (not in 2-channel). Speaker output: main, center, rear DISCO ( ) This functions when the input signal is analog or PCM audio, or encoded with Dolby Digital in 2-channel. Speaker output: main, rear ( ) This functions when the input signal is encoded with Dolby Digital (not in 2-channel). Speaker output: main, center, rear ROCK CONCERT ( ) This functions when the input signal is analog or PCM audio, or encoded with Dolby Digital in 2-channel. Speaker output: main, rear ( ) This functions when the input signal is encoded with Dolby Digital (not in 2-channel). Speaker output: main, center, rear CONCERT HALL ( ) This functions when the input signal is analog or PCM audio, or encoded with Dolby Digital in 2-channel. Speaker output: main, rear ( ) This functions when the input signal is encoded with Dolby Digital (not in 2-channel). Speaker output: main, center, rear
FEATURES This program is designed specifically to enhance mono audio sources. Compared to a strictly mono setting, the sound image created in this mode is wider and slightly forward of the speaker pair, lending an immediacy to the overall sound. It is particularly effective when used with old mono movies, news broadcasting and dialog.

D.RNG (Adjusting the dynamic range)
Choices: MAX/STD/MIN Preset position: MAX * This adjustment is effective only when Dolby Digital is decoded. MAX: Dynamic range is the difference between the maximum level and the minimum level of sounds. Sounds on a movie originally designed for movie theaters feature very wide dynamic range. Dolby Digital technology can modify the original sound track into a home audio format with this wide dynamic range unchanged. In this position, a source encoded with Dolby Digital is reproduced in the original sound tracks wide dynamic range providing you with powerful sounds just like those in a movie theater. Selecting this position will be even better if you can listen to a source at a high output level in a room specially soundproofed for audio/video enjoyment. STD (Standard): Powerful sounds of extremely wide dynamic range are not always suitable for home use. Depending on the condition of your listening environment, it may not be possible to increase the sound output level as high as that in a movie theater. However, at the normal level suitable for listening to in your room, the low-level parts of source sound often cannot be heard well because they will be lost among noise in your environment. Dolby Digital technology has also made it possible to reduce an original sound tracks dynamic range for a home audio format by compressing the sound data. In this position, a source encoded with sound Dolby Digital is reproduced in the compressed dynamic range of sound that is suitable for low-level listening. MIN: In this position, the dynamic range is more reduced than in the STD position. Selecting this position will be effective when you must listen to a source at a low level.
LFE [Adjusting the output level of the LFE (low frequency effect) channel]
Control range: 20 dB to 0 dB (in 1 dB steps) Preset value: 0 dB * This adjustment is effective only when Dolby Digital is decoded and the signals of the selected source encoded with Dolby Digital contain LFE signals. This adjusts the output level of the LFE channel. If the LFE signals are mixed with signals of other channels to output them from the same speakers, the ratio of the LFE signal level to the level of the other signals is adjusted. (See page 5 for details about the LFE channel.)
C.DELAY [Adjusting the delay of center sounds (dialog, etc.)]
Control range: 0 ms to 5 ms (in 1 ms steps) Preset value: 0 ms * This adjustment is effective only when Dolby Digital is decoded and the signals of the selected source encoded with Dolby Digital contain center-channel signals. This adjusts the delay between the main sound (on the main channels) and dialog, etc. (on the center channel). The larger the value, the later the dialog, etc. is generated. This is for making sounds from the left main, center and right main speakers reach your listening position at the same time. This is achieved by delaying the sound from the center speaker if the distance from the center speaker to your listening position is shorter than the distance from the left or right main speaker to your listening position.

Press POWER (or any other button) on the remote control transmitter to check if you have preset the code correctly. If the component cannot be controlled by the remote control transmitter, try entering another code for the same manufacturer.

DVD player 0008 YAMAHA

Press POWER (or any other button) on the remote control transmitter to check if you have preset the code correctly. If the VCR cannot be controlled by the remote control transmitter, try entering another code for the same manufacturer.
We recommend that you write all code numbers you have preset on the Quick Reference Card.

TROUBLESHOOTING

If the unit fails to operate normally, check the following points to determine whether the fault can be corrected by the simple measures suggested. If it cannot be corrected, or if the fault is not listed in the SYMPTOM column, disconnect the power cord and contact your authorized YAMAHA dealer or service center for help. SYMPTOM The unit fails to turn on when STANDBY/ON is pressed, or set in the standby mode suddenly soon after the power has been turned on. The unit does not work normally. CAUSE The power cord is not plugged in or the plug is not completely inserted. The IMPEDANCE SELECTOR switch on the rear panel is not fully set at the upper or lower end. The internal microcomputer has been frozen by an external electric shock (lightning, excessive static electricity, etc.) or by a power supply with low voltage. Incorrect output cord connections. REMEDY Firmly plug in the power cord. Slide the switch fully to the upper or lower end. Set the unit in the standby mode and disconnect the AC power cord from the AC outlet. After about 30 seconds have passed, connect the power cord and operate the unit again. Connect the cords properly. If the problem persists, the cords may be defective. Select an appropriate program source by INPUT. Set SPEAKERS corresponding to the speakers in use to the ON position. Secure the connections. Set the unit in the standby mode and then switch on again to reset the protection circuit. Cancel the SLEEP timer. Adjust it to the appropriate position. Connect the cords properly. If the problem persists, the cords may be defective. Firmly connect the audio plugs. If the problem persists, the cords may be defective. Make the GND connection between the turntable and this unit. The turntable should be connected to the unit through the MC head amplifier. Turn on the power to the component.

No sound or no picture.

Appropriate program source has not been selected. SPEAKERS have not been set properly. The speaker connections are not secure. The sound suddenly goes off. The protection circuit has been activated because of a short circuit, etc. The SLEEP timer has functioned. Only one side speaker outputs sound. Incorrect setting of BALANCE. Incorrect cord connections.

Amplifier

Check the antenna connections. Try using a high-quality directional FM antenna. Set TUNING MODE to the manual tuning mode. Adjust antenna position to eliminate multipath interference. Use the manual tuning method. Use a high-quality directional FM antenna. Repeat the presetting procedure. Tighten the AM loop antenna connections and rotate it for best reception. Use the manual tuning method. Use an outdoor antenna and a ground wire. This will help somewhat, but it is difficult to eliminate all noise. Relocate this unit away from the TV. Change the position of the unit.
There is distortion and clear reception cannot be obtained even with a good FM antenna. The desired station cannot be tuned in with the automatic tuning method. Previously preset stations can no longer be tuned in. The desired station cannot be tuned in with the automatic tuning method.

The station is too weak.

This unit has been unplugged for a long period. The signal is weak or antenna connections are loose.
There are continuous crackling and hissing noises. There are buzzing and whining noises (especially in the evening).
Noise will result from lightning, fluorescent lamps, motors, thermostats and other electrical equipment. A television set is being used nearby. Direct sunlight or lighting (from an inverter type of fluorescent lamp, etc.) is striking the remote control sensor of the this unit. The manufacturers code has not been set properly. The proper manufacturers code for the component to be controlled has not been set. The component to be controlled has not been selected.
Remote control transmitter
The remote control transmitter does not work.
Set the code again. Try entering another code for the same manufacturer. Press the component selector which matches the component to be controlled.
SYMPTOM The sound is degraded when listening with the headphones to a CD player or tape deck that is connected to this unit. There is noise interference from digital or high-frequency equipment or the unit.
CAUSE The unit is in the standby mode.
REMEDY Turn on the power to the unit.

Others

The unit is too close to the digital or high-frequency equipment.
Move the unit further away from those equipment.

SPECIFICATIONS

AUDIO SECTION
Minimum RMS Output Power 8 ohms, 20 Hz to 20 kHz, 0.04% THD MAIN L/R.. 60 W + 60 W CENTER.. 60 W REAR L/R.. 60 W + 60 W 8 ohms, 1 kHz, 0.07% THD MAIN L/R.. 70 W + 70 W CENTER.. 70 W REAR L/R.. 70 W + 70 W Dynamic Power per Channel (by IHF Dynamic Headroom measuring method) MAIN L/R 8/6/4/2 ohms. 80/100/120/145 W DIN Standard Output Power per Channel [Europe model only] 4 ohms, 1 kHz, 0.7% THD.. 100 W IEC Power [Europe model only] 8 ohms, 1 kHz, 0.04% THD. 65 W + 65 W Power Band Width 8 ohms, 30 W, 0.1% THD. 10 Hz to 50 kHz Damping Factor MAIN L/R 8 ohms, 20 Hz to 20 kHz.. 60 or more Input Sensitivity/Impedance PHONO MM. 2.5 mV/47 k-ohms CD/TAPEMD/DVDLD/TVDBS/VCR/ VIDEO AUX. 150 mV/47 k-ohms EXT. DECODER MAIN L/R.. 150 mV/47 k-ohms CENTER/SURROUND L/R/SUBWOOFER. 150 mV/40 k-ohms Maximum Input Signal PHONO MM 1 kHz, 0.1% THD. 100 mV or more CD/TAPEMD/DVDLD/TVDBS/VCR/ VIDEO AUX (EFFECT ON) 1 kHz, 0.5% THD.. 2.2 V or more Output Level/Impedance REC OUT. 150 mV/1.2 k-ohms SUBWOOFER (MAIN SP: SMALL). 4.0 V/1.2 k-ohms Headphones Jack Rated Output/Impedance CD/TAPEMD/DVDLD/TVDBS/VCR/ VIDEO AUX input, 1 kHz, 150 mV, 8 ohms. 0.4 V/390 ohms Frequency Response (20 Hz to 20 kHz) CD/TAPEMD/DVDLD/TVDBS/VCR/ VIDEO AUX to MAIN L/R SP OUT.. 00.5 dB RIAA Equalization Deviation PHONO MM.. 00.5 dB Total Harmonic Distortion (20 Hz to 20 kHz) PHONO MM to REC OUT 1 V.. 0.02% or less CD/TAPEMD/DVDLD/TVDBS/VCR/ VIDEO AUX (EFFECT OFF) to MAIN SP OUT 30 W/8 ohms. 0.025% or less Signal-to-Noise Ratio (IHF-A Network) PHONO MM to REC OUT (5 mV, Input Shorted).. 81 dB or more CD/TAPEMD/DVDLD/TVDBS/VCR/ VIDEO AUX (EFFECT OFF) to MAIN SP OUT (150 mV, Input Shorted). 96 dB or more Residual Noise (IHF-A Network) MAIN L/R SP OUT. 150 V or less Channel Separation (Vol. 30 dB, EFFECT OFF) PHONO MM (Input Shorted, 1 kHz/10 kHz).. 60 dB or more/55 dB or more CD/TAPEMD/DVDLD/TVDBS/VCR/ VIDEO AUX (Input 5.1 k-ohms Terminated, 1 kHz/10 kHz).. 60 dB or more/45 dB or more Tone Control Characteristics BASS: Boost/cut. 10 dB (50 Hz) Turnover Frequency. 350 Hz TREBLE: Boost/cut. 10 dB (20 kHz) Turnover Frequency. 3.5 kHz Filter Characteristics MAIN L/R, REAR L/R (SPEAKER: SMALL) (H.P.F). fc = 90 Hz, 12 dB/oct. SUBWOOFER (L.P.F). fc = 90 Hz, 18 dB/oct.

VIDEO SECTION

Video Signal Type. PAL Video Signal Level. 1 Vp-p/75 ohms Maximum Input Level.. 1.5 Vp-p or more Signal-to-Noise Ratio.. 50 dB or more Monitor Out Frequency Response.. 5 Hz to 10 MHz, 3 dB

FM SECTION

Tuning Range. 87.50 to 108.00 MHz Usable Sensitivity (DIN) Mono (S/N 26 dB).. 0.9 V Stereo (S/N 46 dB).. 28 V Selectivity (two signals, 40 kHz Dev. 300 kHz).. 55 dB Signal-to-Noise Ratio (DIN-Weighted, 40 kHz Dev.) Mono/Stereo.. 75 dB/69 dB Harmonic Distortion (1 kHz) Mono/Stereo. 0.1%/0.2% Stereo Separation (1 kHz).. 48 dB Frequency Response 20 Hz to 15 kHz.. 01 dB Antenna Input. 75 ohms, Unbalanced Output Level (40 kHz Dev., 1 kHz). 550 mV

GENERAL

Power Supply.. AC 230 V, 50 Hz Power Consumption.. 230 W AC Outlets 2 SWITCHED OUTLETS [Europe model].. 100 W max. total 1 SWITCHED OUTLET [U.K. model].. 100 W max. Dimensions (W x H x D).. 435 x 151 x 391 mm (17-1/8 x 5-15/16 x 15-3/8) Weight. 11.5 kg (25 lbs. 6 oz.) Accessories.. AM loop antenna Indoor FM antenna 75-ohm/300-ohm antenna adapter (U.K. model only) Remote control transmitter Batteries Specifications are subject to change without notice.

AM SECTION

Tuning Range.. 531 to 1,611 kHz Usable Sensitivity.. 300 V/m Signal-to-Noise Ratio.. 52 dB Antenna. Loop antenna Output Level (30% mod., 1 kHz).. 150 mV
LIST OF MANUFACTURERS CODES LISTES DES CODES FABRICANT VERZEICHNIS DER HERSTELLERCODES LISTA VER TILLVERKARKODER ELENCO DEI CODICI DEL FABBRICANTE LISTA DE CDIGOS DE FABRICANTES LIJST VAN CODES VAN FABRIKANT
Admiral Aiko Akai 0411, 0451, 0911, 1021, 0061, 0101, 0231, 1191, 1351, 1591, 1641, 1791, 1891, 1981 Akura 1331 Alba 1241, 1331, 2361 Albiral 1971 Amstrad 1301, 1511 Anam 1171 Arc En Ciel 0571 Arcam 0571, 0761 Aristona 0751 Arthur Martin 0451, 1641 ASA 0411, 0451, 0521, 0781, 0871, 1021, 1081, 1421, 2051, 2091, 2151, 2551 Astra 1511 Atantic 0761 Atlantic 0761 Atori 1511 Audiosonic 1181, 1321, 1511 Ausind 0491, 1411 Autovox 0091, 0351, 0481, 0491, 0601, 0781, 0951, 1051, 1081, 1391, 1421 Baird 1101, 1351 Bang & Olufsen 1081 Basic Line 1321, 1331 Bauer 1451 Baur 0041, 0061, 0121, 0131, 0221, 1561 Beko 2491, 2501 Blaupunkt 0221, 0231, 0241, 0251, 0471, 0741, 2201, 2211, 2221, 2231, 2241, 2261, 2571, 2581 Brandt 0571, 0651, 0731, 0901, 1821 Brionvega 1021, 1051, 1081 Britannia 0761 Bruns 0821, 0991, 1021, 1081 BSR 0391, 0691, 1621, 1901, 1981 Bush 0451, 1241, 1331, 1641, 1741, 2131, 2151 Bush (UK) 0481, 1561, 1611 Candle 0791 Century 1021, 1081 CGE 0491, 0811, 0981, 1401, 1531, 1611, 1621, 1981, 2201, 2251, 2271 Citizen 0791

Fisher

08RX-V495RDS-CODE(EU) 411 6/22/99, 12:45 PM

Hyper Imperial

0591, 0601, 1511, 1621 0451, 0491, 0811, 0981, 1401, 1611, 1621, 2201, 2251, 2271 Ingersol 1511 Inno Hit 0581, 0601, 0841, 1101, 1331, 1371, 1511, 2011 Innovation 2591, 2601, 2611, 2621, 2641, 2651, 2661, 2711, 2721, 2761, 2771, 2781 Interfunk 0031, 0041, 0061, 0121, 0181, 0451, 0491, 1081, 1641, 1791, 1821, 1981, 2231 Irradio 0491, 1321, 1331, 1371, 1411, 1511, 2011 Isukai 1331 ITT 0031, 0041, 0051, 0061, 0071, 0081, 0181, 0411, 0451, 0491, 1241, 1291, 1351, 1501, 1601, 1641, 1741, 1921, 1981, 2091, 2331, 2431 ITT-nokia 0031, 0041, 0051, 0061, 0071, 0081, 0181, 0411, 0451, 0491, 1241, 1291, 1351, 1501, 1601, 1641, 1741, 1921, 1981, 2091, 2331, 2431 JVC 0071, 0721, 1441, 1581, 1591, 1741, 1791 Kaisui 0591, 1321, 1331 Kamosonic 0601 Karcher 0591, 0601, 0841, 1091, 1321, 1511, 1561, 2051 Kawasho 0761 Kendo 0261 Kennedy 0021, 0351, 0951, 1981 Konka 2701 Korting 0431, 1011, 1021, 1081, 1541 KTV 0601, 1171 Lenoir 0601, 1511 Leyeo 1181 Lifetec 2591, 2601, 2611, 2621, 2641, 2651, 2661, 2671, 2681, 2691, 2711, 2761, 2771, 2781 Loewe Opta 0121, 0131, 0581, 0611, 1081 Logic 1691, 2281 Logik 0551, 1681, 2281 Lowewe 0831 Luma 0351, 0451, 1901 Luxman 0791 Luxman Stereo Tuner 0791 Luxor 0001, 0061, 0181, 0341, 0421, 0451, 0461, 0491, 0601, 0671, 1351, 1371, 1561, 1601, 1911, 1921, 1981 Lyco 1181 Magnadyne 0021, 0061, 0261, 0581, 0641, 0771, 1021, 1081, 1621, 1981

Magnafon

0261, 0491, 0581, 0591, 0641, 0761, 1091, 2001 Manesth 0101 Marantz 0101 Marelli 1081 Mark 0101 Matsui 0061, 0451, 0601, 0691, 1101, 1151, 1241, 1271, 1301, 1511, 1561, 1681, 1691 Maximal 0071, 1981 McMichael 1281 Medion 2591, 2601, 2611, 2621, 2641, 2651, 2661, 2671, 2681, 2691, 2711, 2721, 2761, 2771, 2781 Memorex 1511 Metz 0231, 0741, 1001, 1041, 1081, 1481, 2071, 2081 MGA 1231 Micromaxx 2591, 2621, 2641, 2651, 2711, 2761, 2771, 2781 Minerva 0221, 0231, 0491, 1381, 2141, 2151 Mistral 2281 Mitsubishi 0141, 0201, 0231, 0661, 1191, 1201, 1231, 1671, 1691, 1741 Mivar 0491, 0501, 0581, 0591, 0761, 0771, 1371, 1431, 2031 MTC 0791 Multitech 0261, 0581, 0601, 0641, 0981, 1321, 1511 Murphy 0451, 2091 Murphy (UK) 0081, 1031 N.E.I. 0101, 0961 NAD 1341 NEC 0141, 1711, 1721, 1731 Neckermann 0451, 0601, 0981, 1081, 1561, 1931, 1981, 2211, 2231, 2241 Nediator 0101 Nicamagic 0761 Nikkai 1101, 1331, 1641, 1701, 2011 Nobliko 0261, 0491, 0591, 0641, 1381, 1411 Nogamatic 0571 Nokia 0031, 0041, 0051, 0061, 0071, 0081, 0181, 0411, 0451, 0491, 1241, 1291, 1351, 1501, 1601, 1641, 1741, 1921, 1981, 2091, 2331, 2431, 2461, 2791 Nordmende 0031, 0291, 0331, 0451, 0531, 0541, 0571, 1051, 1131, 1591, 1791, 1811, 1821, 1891, 1941, 2631 Oceanic 0321, 1651, 1981 Oceanic (F) 0031, 0061, 0321, 0441, 1661 Onceas 0601 Onwa 1171

 

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603 Plus LMV1630 KX-TG2431 Automatic-2004 Hd 5850 Series MC115T96 XJ900S-2002 ZHP615W Cartrek 600 BH-208 98160 Navigator Indicator LE40B750 VGN-TZ21mn-N Timer Omnia I900 DW621 Forester CDE-102RI Review PRO-510HD DX4400 5820 XL Lexmark C530 Bt77R PSS-31-PSS-21-pss-11 Multimedia YC HTR-5790 Satego A100 P4V533-MX Microwave CLX-6210FX XEN CLD50 120SW T8510 XE-A120 FPS1800 TM-733A SKY-watcher HEQ5 BMW X1 PCV-RX406 4 0 V2288 Recorder AQ09A5ME RC-850 VPL-CS4 59X13 KX-T3910 ZW5000 X422 MFP 400 ABS MHC-GNZ88D Silve 8080 PC Radio-reveil PLC-XU48 SC-PM91D SRM-300AE Navigon 2510 Trooper KDL-46NX700 ML-1641K KDC-W5544U City-NEW York With USB KDC-BT60U SC-HT330 KX-TC1701B RSS-10 Shiver 750 F700P-fb790g-ul- Commander IV Lb563t-ea Feeder Sapphire N SA-PM47 Romeo GT RTH221 IC-701 DXZ545MP TL-SF1008P RH7900 CPC-210 XL1XU Hp 450 Bk C6-NGT Sounder Roland GT-3 Classic MA-1350-1 LDH1370 MH060fxea3A Gr-d230 Easyshare C503 85818 Monitor

 

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