RX-V530/RX-V430

AV Receiver

OWNERS MANUAL

0100V530(U)-cv1

12/27/01, 10:30 PM

SAFETY INSTRUCTIONS

CAUTION

RISK OF ELECTRIC SHOCK DO NOT OPEN CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
Explanation of Graphical Symbols
The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert you to the presence of uninsulated dangerous voltage within the products enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons. The exclamation point within an equilateral triangle is intended to alert you to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance.
WARNING TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS UNIT TO RAIN OR MOISTURE. Read Instructions All the safety and operating instructions should be read before the product is operated. Retain Instructions The safety and operating instructions should be retained for future reference. Heed Warnings All warnings on the product and in the operating instructions should be adhered to. Follow Instructions All operating and use instructions should be followed. Cleaning Unplug this product from the wall outlet before cleaning. Do not use liquid cleaners or aerosol cleaners. Use a damp cloth for cleaning. Attachments Do not use attachments not recommended by the product manufacturer as they may cause hazards. Water and Moisture Do not use this product near water for example, near a bath tub, wash bowl, kitchen sink, or laundry tub; in a wet basement; or near a swimming pool; and the like. Accessories Do not place this product on an unstable cart, stand, tripod, bracket, or table. The product may fall, causing serious injury to a child or adult, and serious damage to the product. Use only with a cart, stand, tripod, bracket, or table recommended by the manufacturer, or sold with the product. Any mounting of the product should follow the manufacturers instructions, and should use a mounting accessory recommended by the manufacturer. A product and cart combination should be moved with care. Quick stops, excessive force, and uneven surfaces may cause the product and cart combination to overturn.
Ventilation Slots and openings in the cabinet are provided for ventilation and to ensure reliable operation of the product and to protect it from overheating, and these openings must not be blocked or covered. The openings should never be blocked by placing the product on a bed, sofa, rug, or other similar surface. This product should not be placed in a built-in installation such as a bookcase or rack unless proper ventilation is provided or the manufacturers instructions have been adhered to. Power Sources This product should be operated only from the type of power source indicated on the marking label. If you are not sure of the type of power supply to your home, consult your product dealer or local power company. For products intended to operate from battery power, or other sources, refer to the operating instructions. Grounding or Polarization This product may be equipped with a polarized alternating current line plug (a plug having one blade wider than the other). This plug will fit into the power outlet only one way. This is a safety feature. If you are unable to insert the plug fully into the outlet, try reversing the plug. If the plug should still fail to fit, contact your electrician to replace your obsolete outlet. Do not defeat the safety purpose of the polarized plug. Power-Cord Protection Power-supply cords should be routed so that they are not likely to be walked on or pinched by items placed upon or against them, paying particular attention to cords at plugs, convenience receptacles, and the point where they exit from the product. Lightning For added protection for this product during a lightning storm, or when it is left unattended and unused for long periods of time, unplug it from the wall outlet and disconnect the antenna or cable system. This will prevent damage to the product due to lightning and power-line surges. Power Lines An outside antenna system should not be located in the vicinity of overhead power lines or other electric light or power circuits, or where it can fall into such power lines or circuits. When installing an outside antenna system, extreme care should be taken to keep from touching such power lines or circuits as contact with them might be fatal. Overloading Do not overload wall outlets, extension cords, or integral convenience receptacles as this can result in a risk of fire or electric shock. Object and Liquid Entry Never push objects of any kind into this product through openings as they may touch dangerous voltage points or short-out parts that could result in a fire or electric shock. Never spill liquid of any kind on the product. Servicing Do not attempt to service this product yourself as opening or removing covers may expose you to dangerous voltage or other hazards. Refer all servicing to qualified service personnel. Damage Requiring Service Unplug this product from the wall outlet and refer servicing to qualified service personnel under the following conditions: a) When the power-supply cord or plug is damaged, b) If liquid has been spilled, or objects have fallen into the product, c) If the product has been exposed to rain or water,

I CAUTION

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SAFETY INSTRUCTIONS SAFETY INSTRUCTIONS
If the product does not operate normally by following the operating instructions. Adjust only those controls that are covered by the operating instructions as an improper adjustment of other controls may result in damage and will often require extensive work by a qualified technician to restore the product to its normal operation, e) If the product has been dropped or damaged in any way, and f) When the product exhibits a distinct change in performance - this indicates a need for service. Replacement Parts When replacement parts are required, be sure the service technician has used replacement parts specified by the manufacturer or have the same characteristics as the original part. Unauthorized substitutions may result in fire, electric shock, or other hazards. Safety Check Upon completion of any service or repairs to this product, ask the service technician to perform safety checks to determine that the product is in proper operating condition. Wall or Ceiling Mounting The unit should be mounted to a wall or ceiling only as recommended by the manufacturer. Heat The product should be situated away from heat sources such as radiators, heat registers, stoves, or other products (including amplifiers) that produce heat.
Outdoor Antenna Grounding If an outside antenna or cable system is connected to the product, be sure the antenna or cable system is grounded so as to provide some protection against voltage surges and built-up static charges. Article 810 of the National Electrical Code, ANSI/ NFPA 70, provides information with regard to proper grounding of the mast and supporting structure, grounding of the lead-in wire to an antenna discharge unit, size of grounding conductors, location of antenna discharge unit, connection to grounding electrodes, and requirements for the grounding electrode.
EXAMPLE OF ANTENNA GROUNDING

ANTENNA LEAD IN WIRE

GROUND CLAMP
ANTENNA DISCHARGE UNIT (NEC SECTION 81020)
ELECTRIC SERVICE EQUIPMENT
GROUNDING CONDUCTORS (NEC SECTION 81021) GROUND CLAMPS
Note to CATV system installer: This reminder is provided to call the CATV system installers attention to Article 820-40 of the NEC that provides guidelines for proper grounding and, in particular, specifies that the cable ground shall be connected to the grounding system of the building, as close to the point of cable entry as practical.
POWER SERVICE GROUNDING ELECTRODE SYSTEM (NEC ART 250. PART H)
NEC NATIONAL ELECTRICAL CODE
FCC INFORMATION (for US customers only)
1. IMPORTANT NOTICE : DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. IMPORTANT : When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA. NOTE : This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class B digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit OFF and ON, please try to eliminate the problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to coaxial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Electronics Corp., U.S.A. 6660 Orangethorpe Ave, Buena Park, CA 90620. The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.

3 MUTE indicator

Flashes while the MUTE function is on.

q TUNED indicator

Lights up when this unit is tuned to a station.

4 VOLUME level indicator

Indicates the volume level.

w MEMORY indicator

Flashes to show a station can be stored.

5 v indicator

Lights up when this unit is reproducing PCM (pulse code modulation) digital audio signals.

e AUTO indicator

Shows that this unit is in the automatic tuning mode.

6 SILENT indicator

Lights up when headphones are connected while the digital sound field processor is on.

r SLEEP indicator

Lights up while the sleep timer is on.
t Input channel indicator
Indicates the channel components of input signals being received.

7 Headphones indicator

Lights up when headphones are connected.

8 DSP program indicators

The name of the selected DSP program lights up when the ENTERTAINMENT, MOVIE THEATER 1, MOVIE THEATER 2 or V/DTS SURROUND DSP program is selected.
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SPEAKER SETUP

Speakers
This unit has been designed to provide the best soundfield quality with a 5-speaker system, using main left and right speakers, rear left and right speakers and a center speaker. If you use different brands of speakers (with different tonal qualities) in your system, the tone of a moving human voice and other types of sound may not shift smoothly. We recommend that you use speakers from the same manufacturer or speakers with the same tonal quality. The main speakers are used for the main source sound plus effect sounds. They will probably be the speakers from your present stereo system. The rear speakers are used for effect and surround sounds. The center speaker is for the center sounds (dialog, vocals, etc.). The main speakers should be high-performance models and have enough power-handling capacity to accept the maximum output of your audio system. The other speakers do not have to be equal to the main speakers. For precise sound localization, however, it is ideal to use the models of equivalent performance with the main speakers.

The cut-off frequency of the SUBWOOFER jack is 90 Hz. If you do not use a subwoofer, designate the signals to the main left and right speakers by changing the setting of SPEAKER SET item 1D BASS on the SET MENU to MAIN. Use the control on the subwoofer to adjust its volume level. It is also possible to adjust the volume level by using this units remote control (see ADJUSTING THE LEVEL OF THE EFFECT SPEAKERS on page 49).

0103V530_9-19_EN(U)

12/27/01, 10:31 PM

AC OUTLETS

SPEAKERS

REAR L (SURROUND)

CENTER
I IMPEDANCE SELECTOR switch
WARNING Do not change setting of the IMPEDANCE SELECTOR switch when the power of this unit is on, this may damage the unit. If this unit fails to turn on when STANDBY/ON (or SYSTEM POWER) is pressed, the IMPEDANCE SELECTOR switch may not be fully slid to either position. If so, slide the switch all the way to either position when this unit is in the standby mode. Select the switch position (left or right) according to the impedance of the speakers in your system. Be sure to move this switch only when this unit is in the standby mode.

Switch position

Speaker

Impedance level

SPEAKERS
The impedance of each speaker must be 4 or higher. The impedance must be 6 or higher. The impedance of each speaker must be 6 or higher. The impedance of each speaker must be 8 or higher. The impedance must be 8 or higher. The impedance of each speaker must be 8 or higher.

Center

IMPEDANCE SELECTOR SET BEFORE POWER ON MAIN CENTER REAR : 4MIN. /SPEAKER : 6MIN. /SPEAKER : 6MIN. /SPEAKER MAIN CENTER REAR : 8MIN. /SPEAKER : 8MIN. /SPEAKER : 8MIN. /SPEAKER
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CONNECTIONS

Before connecting components
Do not connect this unit or other components to the mains power until all connections between the components have been completed. Be sure all connections are made correctly, that is to say L (left) to L, R (right) to R, + to + and to. Some components require different connection methods and have different jack names. Refer to the operation instructions for each component to be connected to this unit. When you connect other YAMAHA audio components (such as a tape deck, MD recorder and CD player or changer), connect them to the jack with the same number labels as !, #, $ etc. YAMAHA applies this labeling system to all its products. After you have completed all connections, check them again to make sure they are correct. The name of jack corresponds to input selector.
I Connecting to digital jacks
This unit has digital jacks for direct transmission of digital signals through either coaxial or fiber optic cables. You can use the digital jacks to input PCM, Dolby Digital and DTS bitstreams. To enjoy multi-channel sound track of DVD software, etc. with DSP effect, you need to make digital connection. All digital input jacks are acceptable for 96-kHz sampling digital signals.

The AUDIO jacks are available for an CD recorder or MD recorder which does not have optical digital input or output jack.
RX-V530 DIGITAL OUTPUT jack and analog OUT (REC) jacks are independent. Only digital signals are output from DIGITAL OUTPUT jack and analog signals from OUT (REC) jacks.
The AUDIO jacks are available for a CD player which does not have coaxial digital output jack.
I Connecting a CD recorder or MD recorder
RX-V530 Connect the optical digital signal input jack on your CD recorder or MD recorder to the DIGITAL OUTPUT MD/CD-R jack for digital recording. Connect the optical digital output jack on your CD recorder or MD recorder to the DIGITAL INPUT MD/CD-R jack to play a source from your recording component. RX-V430 Connect the input jacks on your CD recorder or MD recorder to the MD/CD-R OUT (REC) jacks for analog recording. Connect the output jacks on your CD recorder or MD recorder to the MD/CD-R IN (PLAY) jacks to play a source from your recording component.

CD player

COAXIAL OUTPUT

CD SURROUND COAXIAL

OPTICAL D-TV/CBL
GND VCR DVD OUT 75 UNBAL. MD/CD-R IN (PLAY) MD /CD-R OUT (REC) D-TV /CBL FM ANT
CD recorder or MD recorder

OPTICAL INPUT

(RX-V530) indicates signal direction
indicates left analog cables indicates right analog cables indicates coaxial cables indicates optical cables
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Connecting the antennas

Both AM and FM indoor antennas are included with this unit. In general, these antennas should provide sufficient signal strength. Connect each antenna correctly to the designated terminals.
AM loop antenna (included) Indoor FM antenna (included)
I Connecting the AM loop antenna
Set up the AM loop antenna, then connect it.
Press and hold the tab to insert the AM loop antenna lead wires into the AM ANT and GND terminals.

GND DVD

75 UNBAL. FM ANT

D-TV /CBL

MONITO OUT
VIDEO R OUT FREQUENCY STEP
Ground (GND terminal) For maximum safety and minimum interference, connect the antenna GND terminal to a good earth ground. A good earth ground is a metal stake driven into moist earth.
Orient the AM loop antenna for the best reception.
75-ohm/300-ohm antenna adapter (U.K. model) 1 2
11 (7/16) 8 (5/16) 6 (1/14)
The AM loop antenna should be placed away from this unit. The AM loop antenna should always be connected, even if an outdoor AM antenna is connected to this unit.

In this mode, the input signal is selected automatically as follows: 1) Digital signal 2) Analog signal DTS: In this mode, only the digital input signal encoded with DTS is selected, even if another signal is input at the same time. ANALOG: In this mode, only the analog input signal is selected, even if a digital signal is input at the same time.
When AUTO is selected, this unit automatically determines the type of signal. If this unit detects a Dolby Digital or DTS signal, the decoder automatically switches to the appropriate setting. When playing a disc encoded with Dolby Digital or DTS on some LD or DVD players, the sound output delays for a moment when playback resumes after a search because the digital signal is selected again. When playing a LD source that has not been digitally recorded, the sound may not be output for some LD players. In this case, set the input mode to ANALOG.
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Selecting a sound field program
You can enhance your listening experience by selecting a DSP program. For details about each program, see pages 29 to 33.
After selecting the desired program, press the same button repeatedly to select the desired sub-program if available. Example: Pressing MOVIE THEATER 1 repeatedly switches the sub-program between Sci-Fi and Spectacle.
HALL JAZZ CLUB ROCK CONCERT

PROGRAM l / h

Program name

PRO LOGIC /

MOVIE THTR 1
DVD D-TV/CBL V-AUX 6CH INPUT

DGTLzSci-Fi

Sub-program name

C R RR

LFE RL
Press one of the DSP program buttons on the remote control to select the desired program. The name of the selected program appears on the front panel display.
There are 9 programs with sub-programs available with this unit. However, the selection depends on the input signal format and not all sub-programs can be used with all input signal formats. The digital sound field processor cannot be used when a source connected to the 6CH INPUT jacks of this unit is selected or when 96-kHz sampling digital signals are input to this unit. The acoustics of your listening room affect the DSP program. Minimize the sound reflections in your room to maximize the effect created by the program. When you select an input source, this unit automatically selects the last DSP program used with that source. When you set this unit in the standby mode, the current source and DSP program are memorized and are automatically selected when you turn on the power again. If a Dolby Digital or DTS signal is input when the input mode is set to AUTO, the DSP program (No. 79) automatically switches to the appropriate decoding program. When a monaural source is being played with PRO LOGIC/ Normal or PRO LOGIC/Enhanced, or PRO LOGIC Movie, no sound will be heard from the main speakers and the rear speakers. Sound can only be heard from the center speaker. (If 1A CENTER on the SET MENU is set to NON, the center channel sound is output from the main speakers.)

INTRODUCTION PREPARATION

I Recreating a sound field
Recreating the sound field of a concert hall or an opera house requires localizing the virtual sound sources in your listening room. The traditional stereo system that uses only two speakers is not capable of recreating a realistic sound field. YAMAHAs DSP requires three effect speakers to recreate sound fields based on the measured sound field data. The processor controls the strength and delay time of the signals output from the three effect speakers to localize the virtual sound sources and fully encompass the listener.

Hi-Fi DSP programs

The following list gives you a brief description of the sound fields produced by each of the DSP programs. Keep in mind that most of these are precise digital recreations of actual acoustic environments.
No. 1 Program CONCERT HALL Features A large round concert hall with a rich surround effect. Pronounced reflections from all directions emphasize the extension of sounds. The sound field has a great deal of presence, and your virtual seat is near the center, close to the stage.
This is the sound field at stage front in The Bottom Line, a famous New York jazz club, that seats up to 300 people. Its wide left to right seating arrangement offers a real and vibrant sound. The ideal program for lively, dynamic rock music. The data for this program was recorded at LAs hottest rock club. The listeners virtual seat is at the center-left of the hall. This program recreates the acoustic environment of a lively disco in the heart of a big city. The sound is dense and highly concentrated. It is also characterized by a high-energy, immediate sound.

ENTERTAINMENT/ Disco

ENTERTAINMENT/ 5ch Stereo
Using this program increases the listening position range. This is a sound field suitable for background music at parties, etc.
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CINEMA-DSP

Sound design of CINEMA-DSP
Filmmakers intend for the dialog to be located right on the screen, the effect sound a little farther back, the music spread even farther back, and the surround sound around the listener. Of course, all of these sounds must be synchronized with the images on the screen. CINEMA-DSP is an upgraded version of YAMAHA DSP specially designed for movie soundtracks. CINEMA-DSP integrates the DTS, Dolby Digital, and Dolby Pro Logic surround sound technologies with YAMAHA DSP sound field programs to provide a surround sound field. It recreates comprehensive movie sound design in your audio room. In CINEMA-DSP sound field programs, YAMAHAs exclusive DSP processing is added to the Main left and right, and Center channels, so the listener can enjoy realistic dialogue, depth of sound, smooth transition between sound sources, and a surround sound field that goes beyond the screen. When a DTS or Dolby Digital signal is detected, the CINEMA-DSP sound field processor automatically chooses the most suitable sound field program for that signal.

(1) DVD (2) CD AUTO 0 OFF
C (optical input) D (coaxial input) INPUT MODE DISPLAY SET DIMMER
Press j / i once to enter the setup mode of the selected item. The last setting you adjusted appears on the front panel display. Depending on the item, press u/d to select a sub item.

10 MEM. GUARD

In the descriptions for each item from the following page, the default setting is indicated in bold.
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Press j / i repeatedly to change the setting of the item.
1 SPEAKER SET (speaker mode settings)
Use this feature to select suitable output modes for your speaker configuration.
Press u/d repeatedly until the menu disappears or simply press one of the DSP program group buttons to exit SET MENU.
When 96-kHz sampling digital signals are input to this unit, some items are not affected. When 6CH INPUT is selected as the input source, level adjustments in items 1A through 1D are not affected.
I 1A CENTER (center speaker mode)
By adding a center speaker to your speaker configuration, this unit can provide better dialog localization for several listeners and superior synchronization of sound and images. Choices: LRG (large), SML (small), NON (none)
Memory back-up The memory back-up circuit prevents the stored data from being lost even if this unit is in the standby mode. However, if the power cord is disconnected from the AC outlet, or the power supply is cut for more than one week, the stored data will be lost. If so, adjust the items again.
LRG Select this if you have a large center speaker. The entire range of the center channel signal is directed to the center speaker. SML Select this if you have a small center speaker. The lowfrequency signals (90 Hz and below) of the center channel are directed to the speakers selected with 1D BASS. NON Select this if you do not have a center speaker. All of the center channel signal are directed to the main left and right speakers.
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I 1B MAIN (main speaker mode)
Choices: LARGE, SMALL LARGE Select this if you have large main speakers. The entire range of the main left and right channel signal is directed to the main left and right speakers. SMALL Select this if you have small main speakers. The lowfrequency signals (90 Hz and below) of the main channel are directed to the speakers selected with 1D BASS.
I 1D BASS (LFE/bass out mode)
LFE signals carry low-frequency effects when this unit decodes a Dolby Digital or DTS signal. Low-frequency signals are defined as 90 Hz and below. The Lowfrequency signals can be directed to both main left and right speakers, and the subwoofer (subwoofer can be used for both stereo reproduction and the DSP program). Choices: SWFR (subwoofer), MAIN, BOTH SWFR Select this if you use a subwoofer. The LFE signals are directed to the subwoofer. MAIN Select this if you do not use a subwoofer. The LFE signals are directed to the main speakers. BOTH The LFE signals are directed to the subwoofer. Lowfrequency signals designated to the main channels in accordance with other speaker mode settings are directed to both main speakers and a subwoofer.

Press d/u to select the item to be adjusted. Press j to adjust the LFE level.
Adjust the LFE level according to the capacity of your subwoofer or headphones.
Press j / i to increase or decrease the delay of the center channel sounds.

Center speaker image

C L C R
Increasing the delay by 1 ms simulates moving the speakers about 30 cm (one foot) farther away from the listening position.
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4 D. RANGE (dynamic range)
Use this feature to adjust the dynamic range. This setting is effective only when this unit is decoding Dolby Digital signals. Choices: MAX, STD (standard), MIN (minimum) MAX Select the MAX for feature films. STD Select the STD for general use. MIN Select the MIN for listening to sources at low volume levels.
7 I/O ASSIGN (input/output assignment)
It is possible to assign jacks according to the component to be used if this units COMPONENT VIDEO input jack or DIGITAL INPUT/OUTPUT jack settings (component names for jacks) differ from that component. This makes it possible to change the jack assignment and effectively connect more components. Once you assign, you can select that component with INPUT l / h (or the input selector buttons on the remote control).
7A CMPNT-V INPUT for COMPONENT VIDEO INPUT jacks

Choices:

5 L/R BALANCE (balance of the main left and right speakers)
Use this feature to adjust the balance of the output level from the main left and right speakers. Control range: 20 steps for L/R Initial setting: 0 dB for L/R
[A] DVD, V-AUX, VCR, D-TV/CBL [B] DVD, V-AUX, VCR, D-TV/CBL
RX-V530 7B OPTICAL OUT for OPTICAL OUTPUT jack
(1) MD/CD-R, CD, V-AUX, VCR, D-TV/CBL, DVD
I 7C OPTICAL IN for OPTICAL INPUT jacks
Press i to decrease the output level for the main left speaker. Press j for the main right speaker.
6 HP TONE CTRL (headphone tone control)
Use this feature to adjust the level of the bass and treble when you use your headphones. Control range (dB): BASS.. TRBL (treble). Initial setting: BASS.. TRBL.. 6 to +to +dB 0 dB
(2) MD/CD-R, CD, V-AUX, VCR, D-TV/CBL, DVD (3) MD/CD-R, CD, V-AUX, VCR, D-TV/CBL, DVD (4) MD/CD-R, CD, V-AUX, VCR, D-TV/CBL, DVD

I 7D COAXIAL IN for COAXIAL INPUT jack
(5) MD/CD-R, CD, V-AUX, VCR, D-TV/CBL, DVD
(2) MD/CD-R, CD, V-AUX, VCR, D-TV/CBL, DVD
You cannot select an item more than once for the same type of jack. When you connect a component to both the COAXIAL and OPTICAL jacks, priority is given to the input signals from the COAXIAL jack.
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8 INPUT MODE (initial input mode)
Use this feature to designate the input mode for sources connected to the DIGITAL INPUT jacks when you turn on this unit (see page 25 for details about the input mode). Choices: AUTO, LAST AUTO Select this to allow this unit to automatically detect the type of input signal and select the appropriate input mode. LAST Select this to set this unit to automatically select the last input mode used for the respective source.

9 DISPLAY SET

I DIMMER
You can adjust the brightness of the front panel display. Control range: 4 to 0 Initial setting: 0
10 MEM. GUARD (memory guard)
Use this feature to prevent accidental changes to settings on this unit. Choices: ON, OFF Select ON to protect the following features: All SET MENU items Center, rear speakers, and subwoofer levels DSP program parameters
When this item is set to ON, you cannot use the test tone. When this item is set to ON, you cannot select any other SET MENU items.
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REMOTE CONTROL FEATURES

In addition to controlling this unit, the remote control can operate other A/V components made by YAMAHA and other manufacturers. To control other components, you must set up the remote control with the manufacturer codes.

Control area

I Controlling this unit
The shaded areas below can be used to control this unit when the AMP mode is selected. Press AMP to select the AMP mode.
I Controlling other component
The shaded areas below can be used to control other components. Each button has a different function depending on the selected components. Select the component to be controlled by pressing an input selector button.
/ buttons and input selector buttons Press AMP to control this unit.
The buttons in the dotted lines (SYSTEM POWER, STANDBY, SLEEP, 6CH INPUT, VOLUME +/ and MUTE) function in any mode.
/ buttons and input selector buttons switch the control area for each component. * / buttons are to operate the other components that are not connected to this unit. Factory setting:.VCR.TV
Component control area You can control up to 9 different components. You can set up manufacturer code and program other remote control functions for each component (see page 48).
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Setting the manufacturer code
You can control other components by setting a manufacturer code. Codes can be set for each of the 9 component controls. The following table shows factory-set component (Library: component category) and the manufacturer code for each component control.

Once you press LEVEL, you can also select the speaker(s) to be adjusted by pressing d / u.
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ADJUSTING THE DELAY TIME

You can adjust the time difference between the beginning of the sound from the main speakers and the beginning of the sound effect from the rear speakers. The larger the value, the later the sound effect is generated. The delay time can be individually adjusted to all DSP programs. The following table shows factory-set delay time.
Program CONCERT HALL JAZZ CLUB ROCK CONCERT DISCO GAME CONCERT VIDEO TV SPORTS MONO MOVIE 70 mm SPECTACLE DGTL SPECTACLE DTS SPECTACLE Spectacle 6.mm SCI-FI Sci-Fi 6.1 DGTL SCI-FI DTS SCI-FI 70 mm ADVENTURE DGTL ADVENTURE DTS ADVENTURE Adventure 6.mm GENERAL DGTL GENERAL DTS GENERAL General 6.1 PRO LOGIC/NORMAL DOLBY DIGITAL/NORMAL DTS DIGITAL SUR./NORMAL Matrix 6.1 PRO LOGIC/ENHANCED DOLBY DIGITAL/ENHANCED DTS DIGITAL SUR./ENHANCED Enhanced 6.1 PRO LOGIC Movie PRO LOGIC Music Preset value (ms) 15 5

1. 2. 3. 4.

5. 6. 7.
Select a DSP program you want to adjust the delay time. Press u / d so that DELAY appears on the front panel display.
Press j / i to adjust the delay time.
Adding too much delay will cause an unnatural effect with some sources. The sound is momentarily interrupted while adjusting the delay time.
Memory back-up The memory back-up circuit prevents the stored data from being lost even if this unit is in the standby mode. However, if the power cord is disconnected from the AC outlet, or the power supply is cut for more than one week, the stored data will be lost. If so, adjust the delay time again.
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ADJUSTING THE PARAMETER SETTINGS FOR PRO LOGIC
Changing parameter settings
You can adjust the values of PRO LOGIC Music parameters so the sound fields are recreated accurately in your listening room. Adjustments should be made with the remote control.
You cannot change parameter values when 10 MEM. GUARD on the SET MENU is set to ON.
Memory back-up The memory back-up circuit prevents the stored data from being lost even if this unit is set in the standby mode, the power cord is disconnected from the AC outlet, or the power supply is temporarily cut due to power failure. However, if the power is cut for more than one week, the parameter value you edited will return to the factory setting. If so, edit the parameter value again.

I Tuner

FM stereo reception is noisy.
The characteristics of FM stereo broadcasts may cause this problem when the transmitter is too far away or the antenna input is poor.
Check the antenna connections. Try using a high-quality directional FM antenna. Use the manual tuning method.
There is distortion, and clear reception cannot be obtained even with a good FM antenna. The desired station cannot be tuned in with the automatic tuning method. Previously preset stations can no longer be tuned in. The desired station cannot be tuned in with the automatic tuning method.
There is multipath interference.
Adjust the antenna position to eliminate multipath interference.

The station is too weak.

Use a high-quality directional FM antenna. Use the manual tuning method.
This unit has been disconnected for a long period.

Re-store the stations.

35, 36
The signal is weak or the antenna connections are loose.
Tighten the AM loop antenna connections and orient it for best reception. Use the manual tuning method.
There are continuous crackling and hissing noises. There are buzzing and whining noises (especially in the evening).
Noises result from lightning, fluorescent lamps, motors, thermostats and other electrical equipment. A TV set is being used nearby.
Use an outdoor antenna and a ground wire. This will help somewhat, but it is difficult to eliminate all noise. Move this unit away from the TV.

I Remote control

The remote control does not work nor function properly.

Wrong distance or angle.

The remote control will function within a maximum range of 6 m (20 feet) and no more than 30 degrees off-axis from the front panel. Reposition this unit.
Direct sunlight or lighting (from an inverter type of fluorescent lamp, etc.) is striking the remote control sensor of this unit. The batteries are weak. The manufacture code has not correctly set.
Replace all batteries with new ones. Set the code correctly. Try setting another code of the same manufacturer.
Even if the manufacturer code is correctly set, there are some models that do not respond to the remote control.
0110V530_52-59_EN(U) 55 12/27/01, 10:33 PM

GLOSSARY

I Dolby Surround
Dolby Surround uses a 4 channel analog recording system to reproduce realistic and dynamic sound effects: 2 main left and right channels (stereo), a center channel for dialog (monaural), and a rear channel for special sound effects (monaural). The rear channel reproduces sound within a narrow frequency range. Dolby Surround is widely used with nearly all video tapes and laser discs, and in many TV and cable broadcasts as well. The Dolby Pro Logic decoder built into this unit employs a digital signal processing system that automatically stabilizes the volume on each channel to enhance moving sound effects and directionality.

I Sampling frequency and number of quantized bits
When digitizing an analog audio signal, the number of times the signal is sampled per second is called the sampling frequency, while the degree of fineness when converting the sound level into a numeric value is called the number of quantized bits. The range of rates that can be played back is determined based on the sampling rate, while the dynamic range representing the sound level difference is determined by the number of quantized bits. In principle, the higher the sampling frequency, the wider the range of frequencies that can be played back, and the higher the number of quantized bits, the more finely the sound level can be reproduced.
BASIC OPERAIONT ADVANCED OPERATION ADDITIONAL INFORMATION APPENDIX English
0110V530_52-59_EN(U) 57 12/27/01, 10:33 PM

SPECIFICATIONS

AUDIO SECTION
Minimum RMS Output Power for Main, Center, Rear 20 Hz to 20 kHz, 0.06% THD, 8 [U.S.A. and Canada models]... 75 W [Other models]... 65 W 1 kHz, 0.06% THD, 8 [U.S.A. and Canada models]... 80 W [Other models]... 70 W DIN Standard Output Power 1 kHz, 0.7% THD, 4 ... 110 W Maximum Power (EIAJ) [China, Korea and General models] 1 kHz, 10% THD, 8 ... 95 W Dynamic Power (IHF) 8/6/4/2 [U.S.A. and Canada models].. 95/115/140/160 W [Other models].. 90/110/130/150 W Damping Factor 20 Hz to 20 kHz, 8 ... 80 or more Frequency Response CD to Main L/R.. 10 Hz to 100 kHz, 3 dB Total Harmonic Distortion 20 Hz to 20 kHz, 40 W, 8 , Main L/R.. 0.06% Signal to Noise Ratio (IHF-A Network) CD (250 mV, shorted) to Main L/R, Effect Off.. 100 dB Residual Noise (IHF-A Network) Main L/R... 150 V or less Channel Separation (1 kHz/10 kHz) CD (5.1 k terminated) to Main L/R. 60 dB/45 dB Tone Control (Main L/R) BASS Boost/Cut.. 10 dB/50 Hz TREBLE Boost/Cut.. 10 dB/20 kHz Phones Output... 0.34 V/560 Input Sensitivity CD, etc... 150 mV/47 k 6CH INPUT.. 150 mV/47 k Output Level OUT (REC)... 150 mV/1.2 k OUTPUT SUBWOOFER.. 4.0 V/1.2 k

FM SECTION

Tuning Range [U.S.A. and Canada models].. 87.5 to 107.9 MHz [Other models]... 87.50 to 108.00 MHz 50 dB Quieting Sensitivity (IHF, 100% mod.) Mono/Stereo. 2.0 V (17.3 dBf) /25 V (39.2 dBf) Selectivity (400 kHz)... 70 dB Signal to Noise Ratio (IHF) Mono/Stereo.. 76 dB/70 dB Harmonic Distortion (1 kHz) Mono/Stereo... 0.2%/0.3% Stereo Separation (1 kHz).. 45 dB Frequency Response.. 20 Hz to 15 kHz +0.5, 2 dB

NEW PRODUCT BULLETIN

RX-V530

Digital Input/Output.

Digital Home Theater Receiver
Versatile and Powerful A/V Receiver Features 21 Surround Programs (41 Variations), SILENT CINEMA, Enjoyment of Dolby Surround EX, DTS-ES Matrix 6.1 Movies and QuadField CINEMA DSP, Dolby Pro Logic II Decoding, and Versatile
21 Surround Programs for Enjoying Dolby Digital EX and DTS-ES Sound Formats and Dolby Pro Logic II Decoding, Plus the Benefits of Quad-Field CINEMA DSP SILENT CINEMA for Headphone Enjoyment and Virtual CINEMA DSP Yamahas Exclusive YSS-938 32-Bit LSI (the Same Used in the Flagship Receiver) 3 Optical/1 Coaxial Digital Inputs (Assignable) 4 A/V S-Video Inputs 96kHz/24-Bit D/A Conversion
The RX-V530 is also offered with a black finish in some areas.

1/4 (R/T)

Digital Home Theater Receiver This high cost/performance A/V center allows enjoyment of the latest movie sound formats and Dolby Pro Logic II, and even including Dolby Digital EX and DTS-ES.
Yamahas Exclusive YSS938 32-Bit Floating Point Quantization LSI This powerful LSI performs Dolby Digital and DTS decoding with extreme accuracy, as well as all digital sound field processing, capabilities that previously required two or more chips. It also outperforms other chips in the precise synchronization of images and sound.
Advanced Yamaha Digital Technology and Versatile Surround Programs 21 Surround Programs (41 Variations) SILENT CINEMA for Headphone Enjoyment Virtual CINEMA DSP for Versatile Surround Enjoyment Yamahas Exclusive YSS-938 32-Bit Floating-Point Quantization System LSI (the Same Used in the Flagship Receiver) Quad-Field CINEMA DSP for Enjoying Formats such as Dolby Surround EX and DTS-ES Matrix 6.1 in Phantom Mode (Rear Center Matrix Processing) 96-kHz/24-Bit Digital-to-Analog Converters for All Channels High Sound Quality Multi-Function Processing Board High Quality Power Amplification 5-Channel Discrete Power Amplfication
Digitally Regulated Volume Control for All Channels High Dynamic Power, Low Impedance Drive Capability Linear Damping Circuit Prevents Unwanted Speaker Cone Movement Finest Parts Used Throughout Extra-Large Block Electrolytic Capacitors Large, Low-Impedance Transformer Black Electrolytic Capacitors for Preamplifier Stage Ensure stable Current Supply Twin Direct Signal Path Speaker Relays for Stable Signal Path and Speaker Protection High Performance Myca Capacitors and Film Capacitors ART (Anti-Resonance and Tough) Base One-Point Grounding
Optimum Space Utilization The use of highly integrated LSIs allows an interior design that maximizes power and sound quality by positioning all the digital processors and related circuitry in one small area. This leaves most of the space open for the power amplifier components: transformers, capacitors, heat sink and so on. This means that these parts can be much larger than usual for greater power, that they can be separated for minimum chance of interference, and that circuits can be arranged in straight lines for maximum signal purity.
Individual Video PC Board for Reduced Signal Interference Wide-Range Frequency Response for DVD-Audio/SACD Compatibility Convenient Operating Features Auto Priority Input Selection and Auto Decoder Selection Convenient Set Menu with Parameter Control Functions Speaker Set Functions LFE Level Speaker Delay Time Dynamic Range Controls L/R Balance Headphone Tone Controls I/O Assignments Input Mode Memory Guard Precise Electronic-Type Rotary Encoder Volume Control Test Tone Generator for Speaker Settings with Subwoofer Output Bass/Treble Tone Controls Sleep Timer Preset Remote Control Unit
Auto Priority Input Terminal Selection and Auto Decoder Selection Digital input terminals are provided to handle any kind of digital input. Functions are programmed to select priority in order of coaxial digital, optical digital and analog when different digital formats are input from the same source. The sound decoder is also automatically selected and processed according to the combination of the format of input signals and the selected sound field programs.

2/4 (R/T)

High Performance Tuner 40-Station AM/FM Random Access Preset Tuning Auto Preset Tuning (FM Station Memory and Editing)
6-Channel External Decoder Input Terminals for Future Sound Formats 4 A/V (with S-Video) and 2 Audio Input, and 1 A/V and 1 Audio Output Terminals 2 Component Video Input Terminals (fixed and assignable) and 1 Monitor Output Terminal with HDTV Compatibility
Versatile, Extensive Connections 3 Optical and 1 Coaxial Digital Input Terminals (fixed and assignable) 1 Optical Output Terminal (fixed and assignable) 2 Component Video Input Terminals (fixed and assignable) and 1 Monitor Output Terminal with HDTV Compatibility 4 A/V (with S-Video) and 1 Audio Input Terminals 1 A/V and 1 Audio Output Terminals 6-Channel External Decoder Input Terminals for Future Sound Formats Subwoofer Output Terminal
High Quality Inputs/Outputs S-Video input terminals let you connect high quality digital devices such as a DVD player or certain cable or satellite boxes. Optical and coaxial digital inputs also ensure high quality. Component Video offers the best quality, taking full advantage of the progressive scan capabilities of high-end DVD players.
3 Optical and 1 Coaxial Digital Input Terminals, 1 Optical Output Terminal (fixed and assignable)
Subwoofer Output Terminal with LowPass Filter
40-Station AM/FM Random Access Preset Tuning
Banana-Plug Compatible Speaker Terminals
RX-V530 Inputs and Outputs [Fixed (), Fixed/Assignable () and Assignable () Terminals] Analog Digital Video Coaxial Optical Composite S Video Component Video In Out In Out In Out In Out In Out In Out CD MD/CD-R DVD D-TV/CBL VCR Video Aux Monitor Out *
* HDTV Compatible Component Video Out The frequency response of the Component Video Monitor Out signal is DC 30MHz, making it compatible with HDTV monitors. Fixed and Assignable Terminals Yamaha offers terminals that can be either independently assigned to sources or defaulted to fixed settings.
RX-V530 Surround Programs: 21 Programs (41 Variations) HiFi DSP Programs CONCERT HALL JAZZ CLUB ROCK CONCERT ENTERTAINMENT Program Subtotal 5 Concert Hall Jazz Club Rock Concert Disco 6 Ch Stereo Variations Variations Variations 41
Two Unique Yamaha Features Made Possible by CINEMA DSP
SILENT CINEMA: Enjoy Movies Without Disturbing Others. The SILENT CINEMA mode allows private listening enjoyment of multichannel music or movie sound, including Dolby Digital and DTS Digital Surround, through ordinary headphones. All the listener needs to do is connect a pair of headphones and they will enjoy an accurate simulation of 6-channel surround sound in complete privacy. They can even select from among the many CINEMA and HiFi DSP programs to vary the sound field. Virtual CINEMA DSP: Surround Sound from Only Two Speakers. Virtual CINEMA DSP will create virtual center and rear left/right speakers, giving listeners the sense of being in a full-scale surround sound field. So even in rooms with no space for rear speakers, they can enjoy the full effects of Dolby Digital and DTS Digital Surround movie sound formats. If the system includes a center speaker, Virtual CINEMA DSP will provide the rear channel sound.

CINEMA DSP Programs ENTERTAINMENT MONO MOVIE TV SPORTS MOVIE THEATER 1 MOVIE THEATER 2 ENHANCED Program Subtotal 9 Surround Formats 7 21
Game Concert Video Mono Movie TV Sports Spectacle Sci-Fi Adventure General Enhanced
Dolby Digital Dolby Digital/Matrix 6.1 DTS Digital Surround DTS/Matrix 6.1 Dolby Pro Logic Dolby Pro Logic II Music Dolby Pro Logic II Movie
Program Subtotal Program Total Remarks
: HiFi DSP Programs : A/V Programs : CINEMA DSP : Tri-Field CINEMA DSP Capable : Quad-Field CINEMA DSP Capable (Phantom Mode)
SILENT CINEMA Sound Field Imaging
Virtual CINEMA DSP Sound Field Imaging

3/4 (R/T)

Conventional 5.1-Channel/6.1-Channel System vs. CINEMA DSP Conventional 5.1-channel/6.1-channel audio reproduction systems base their sound on Dolby Digital and DTS decoding, using matrix and steering technologies to create surround sound effects. Yamaha CINEMA DSP is much more advanced, actually creating richly realized independent sound fields that merge to envelop you in an unmatched surround sound experience. With dialogue, music and effects from the presence (front) and rear sound fields (plus rear center with 6.1-channel Quad-Field CINEMA DSP), it will seem as if the walls of your room have disappeared and you are in the middle of your own immense theater!
Conventional 6.1-Channel Systems
Presence (Front) Sound Field

Quad-Field CINEMA DSP

Rear Left Surround/ Effect Sound Field

Effect Dialogue

Rear Center Surround/ Effect Sound Field Rear Right Surround/Effect Sound Field
Yamahas unique technology for the creation of sound fields is capable of powerfully reproducing the three-dimensional environment that movie sound engineers aim to convey, in any audio format from monaural to the latest 6.1-channel digital surround. It is compatible with DVD and all other A/V sources. Yamaha CINEMA DSP technology has received a patent in the U.S. (Patent No. 5,261,005).
RX-V530 Main Specifications Min. RMS Output Power (8 ohms, 2020,000 Hz, 0.06% THD) Main Ch 65 W + 65 W Center Ch 65 W Rear Ch 65 W + 65 W (With rear center phantom mode) Maximum Power Main Ch 95 W + 95 W Center Ch 95 W Rear Ch 95 W + 95 W (With rear center phantom mode)
Dynamic Power/Ch (Main Ch) 130/150 W (4/2 ohms) Damping Factor (Main Ch) 80 (8 ohms, 2020,000 Hz, sp A) Frequency Response 10100,000 Hz +0, 3 dB Total Harmonic Distortion (CD, 2020,000 Hz) 0.06% Signal-to-Noise Ratio (250 mV) 100 dB Monitor Out Frequency Response (Component Video) DC-30 MHz 3 dB Dimensions (W x H x D) 435 x 151 x 387 mm Weight 10 kg
For details please contact:
Dolby Digital and Double D are trademarks of Dolby Laboratories Corporation. DTS, ES and DTS Digital Surround are trademarks of Digital Theater Systems, Inc. Product designs and specifications are subject to change without notice.

Visit us at our website: http://www.yamaha.co.jp/

APB574R-RXV530@228

YAMAHA CORPORATION
P.O. Box 1, Hamamatsu, Japan

4/4 (R/T)