3. Never open the cabinet. If something drops into the set,

contact your dealer.

Special Instructions for U.K. Model
IMPORTANT THE WIRES IN THE MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE: Blue: NEUTRAL Brown: LIVE As the colours of the wires in the main lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows: The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. Make sure that neither core is connected to the earth terminal of the three pin plug.
4. Do not use force on switches, controls or connection wires.
When moving the unit, first disconnect the power plug and the wires connected to other equipment. Never pull the wires themselves.
5. The openings on the cabinet assure proper ventilation of
the unit. If these openings are obstructed, the temperature inside the cabinet will rise rapidly and eventually damage the circuits. Therefore, avoid placing objects against these openings and do not install the unit where the flow of air through the ventilation openings could be impeded.
6. Always set the VOLUME control to before starting
the audio source play. Increase the volume gradually to an appropriate level after playback has been started. this might damage the finish. Use a clean, dry cloth.
7. Do not attempt to clean the unit with chemical solvents; 8. Be sure to read the TROUBLESHOOTING section
regarding common operating errors before concluding that the unit is faulty. The apparatus is not disconnected from the AC power source as long as it is connected to the wall outlet, even if the apparatus itself is turned off.
9. When not planning to use this unit for long periods of time
(ie., vacation, etc.), disconnect the AC power plug from the wall outlet.
10. To prevent lightning damage, disconnect the AC power
plug and disconnect the antenna cable when there is an electrical storm.
11. Grounding or polarization Precautions should be taken
so that the grounding or polarization of an appliance is not defeated.

12. AC outlet

Do not connect audio equipment to the AC outlet on the rear panel if that equipment requires more power than the outlet is rated to provide.

IMPORTANT Please record the serial number of this unit in the space below. Serial No.: The serial number is located on the rear of the unit. Retain this Owners Manual in a safe place for future reference. WARNING TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS UNIT TO RAIN OR MOISTURE.

PROFILE OF THIS UNIT

You are the proud owner of a Yamaha stereo receiver an extremely sophisticated audio component. The Digital Sound Field Processor (DSP) built into this unit takes full advantage of Yamahas undisputed leadership in the field of digital audio processing to bring you a whole new world of listening experiences. Follow the instructions in this manual carefully when setting up your system, and this unit will sonically transform your room into a wide range of listening environments movie theater, concert hall, and so on. In addition, you get incredible realism from Dolby-encoded video sources using the built-in Dolby Pro Logic Surround Decoder. Please read this operation manual carefully and store it in a safe place for later reference.
Digital Sound Field Processing
What is it that makes live music so good? Todays advanced sound reproduction technology lets you get extremely close to the sound of a live performance, but chances are youll still notice something missing: the acoustic environment of the live concert hall. Extensive research into the exact nature of the sonic reflections that create the ambience of a large hall has made it possible for Yamaha engineers to bring you this same sound in your own listening room, so youll feel all the sound of a live concert. Whats more, our technicians, armed with sophisticated measuring equipment, have even made it possible to capture the acoustics of a variety of venues such as an actual concert hall, theater, etc. to allow you to accurately recreate one of several actual live performance environments, all in your own home.

Dolby Pro Logic Surround

The Dolby Pro Logic Surround Decoder program lets you experience the dramatic realism and impact of Dolby Surround movie theater sound in your own home. Dolby Pro Logic gets its name from its professional-grade steering logic circuitry, which provides greater effective front and rear channel separation for a much higher degree of realism than the passive Dolby Surround circuits found in less sophisticated home audio/video equipment. Dolby Pro Logic Surround provides a true center channel, so that there are four independent channels, unlike passive Dolby Surround which has in effect only three channels: left, right, and rear. This center channel allows listeners seated in even less-than-ideal positions to hear the dialog originating from action on the screen while getting a stereo effect as well. This Dolby Pro Logic Surround Decoder employs a digital signal processing system. This system increases sound stability at each channel and minimizes crosstalk between channels compared to conventional analog Dolby signal processing. In addition, this unit features a built-in automatic input balance control. This circuit always presents you the best surround conditions without performing manual adjustments.

Front: Front R Center Front L TV set Rear R
In normal position. (The position of your present stereo speaker system.) Rear: Behind your listening position, facing slightly inward. Nearly six feet (approx. 1.8 m) up from the floor. Center: Precisely between the front speakers. (To avoid interference with TV sets, use a magnetically shielded speaker.)

Rear L

CONNECTIONS
Before attempting to make any connections to or from this unit, be sure to first switch OFF the power to this unit and to any other components to which connections are being made.
CONNECTIONS WITH OTHER COMPONENTS
When making connections between this unit and other components, be sure all connections are made correctly, that is to say L (left) to L, R (right) to R, + to + and to. Also, refer to the owners manual for each component to be connected to this unit.

Turntable

Monitor TV
LD player, TV tuner, etc.
Video cassette recorder 2

VIDEO OUT

VIDEO OUT AUDIO OUT VIDEO IN

AUDIO OUT

VIDEO IN

OUTPUT

AUDIO IN

(Europe model)

8MIN. /SPEAKER

FRONT REAR CENTER REAR

75 UNBAL.

AC OUTLETS

SWITCHED l20W MAX. TOTAL

CENTER

FM ANT VIDEO SIGNAL
MONITOR LD/TV OUT VCR 1 IN OUT VCR 2 IN OUT
C D:4MIN./SPEAKER SINGLE:8MIN./SPEAKER

C DUAL SINGLE

LOW PASS fc:200Hz

GND AM ANT

S VIDEO VCR 2 MONITOR IN OUT OUT

SPEAKERS SPEAKERS

A OR B:8MIN. /SPEAKER A B:l6MIN. /SPEAKER

TAPE REC PB OUT TAPE

IN LD/TV

OUT VCR 1

OUT VCR 2

-l0 dB 0 dB FRONT LEVEL

AUDIO SIGNAL
To AC outlet AUDIO OUT VIDEO OUT LINE OUT AUDIO IN VIDEO IN OUTPUT

CD player

Tape deck

LINE IN

Video cassette recorder 1
: Refer to ABOUT THE ACCESSORY TERMINALS on page 11.
CONNECTING TO S VIDEO TERMINALS
If you have a video cassette recorder and a monitor equipped with S (high-resolution) video terminals, those terminals can be connected to this units S VIDEO terminals. Connect the video cassette recorders S video input and output terminals to this units S VIDEO VCR 2 IN and OUT terminals respectively, and connect the monitors S video input terminal to this units S VIDEO MONITOR OUT terminal. Otherwise, connect the video cassette recorders composite video terminals to this units composite video terminals, and connect the monitors composite video input terminal to this units composite MONITOR OUT terminal. Note If video signals are sent to both S VIDEO input and composite input terminals, the signals will be sent to their respective output terminals independently.

FRONT OUTPUT terminals

These terminals are for front channel line output. There is no connection to these terminals when you use the built-in amplifier. However, if you drive front speakers with an external stereo power amplifier, connect the input terminals of the external amplifier (MAIN IN or AUX terminals of a power amplifier or an integrated amplifier) to these terminals.

REAR OUTPUT terminals

These terminals are for rear channel line output. There is no connection to these terminals when you use the built-in amplifier. However, if you drive rear speakers with an external stereo power amplifier, connect the input terminals of the external amplifier (MAIN IN or AUX terminals of a power amplifier or an integrated amplifier) to these terminals.
GND terminal (For turntable use)
Connecting the ground wire of the turntable to this terminal will normally minimize hum, but in some cases better results may be obtained with the ground wire disconnected.

LOW PASS terminal

This terminal is for output to a monaural amplifier driving a subwoofer. Only frequencies below 200 Hz from the front and center channels are output.

CENTER OUTPUT terminal

This terminal is for center channel line output. There is no connection to this terminal when you use the built-in amplifier. However, if you drive a center speaker with an external power amplifier, connect the input terminal of the external amplifier to this terminal.
ADDING A SUBWOOFER You may wish to add a subwoofer to reinforce the bass frequencies. Connect the LOW PASS terminal to the INPUT terminal of the subwoofer amplifier, and connect the speaker terminals of the subwoofer amplifier to the subwoofer. With some subwoofers, including the Yamaha Active Servo Processing Subwoofer System, the amplifier and subwoofer are in the same unit.

FRONT CENTER REAR

Subwoofer system

ANTENNA CONNECTIONS

Each antenna should be connected to the designated terminals correctly, referring to the following diagram. Both AM and FM indoor antennas are included with this unit. In general, these antennas will probably provide sufficient signal strength. Nevertheless, a properly installed outdoor antenna will give clearer reception than an indoor one. If you experience poor reception quality, an outdoor antenna may result in improvement.

TAPE MONITOR TUNER CD PHONO
If desired, adjust the BASS, TREBLE, BALANCE controls, etc. (refer to page 18) and use the digital sound field processor. (Refer to page 29.)
* The name of the selected input source will appear in the display.
Notes on using the input selector buttons Note that pressing on each input selector button selects the source which is connected to the corresponding input terminals on the rear panel. * To select the source connected to the VIDEO AUX terminals on the front panel, press VIDEO AUX. q The selection of TAPE MONITOR cannot be canceled by pressing another input selector button. To cancel it, press TAPE MONITOR again. When you select a button other than TAPE MONITOR, make sure that TAPE MONITOR is not also selected. q If you select the input selector button for a video source without canceling the selection of TAPE MONITOR, the playback result will be the video image from the video source and the sound from the audio tape. q Once you play a video source, its video image will not be interrupted even if the input selector button for an audio source is selected.

To turn off the power

Press the POWER switch again. * If you use two front speaker systems, press both the A and B switches.
TO RECORD A SOURCE TO TAPE (OR DUB FROM TAPE TO TAPE)
Select the source to be recorded.
Note DSP, VOLUME, BASS, TREBLE and BALANCE control settings have no effect on the material being recorded.
Play the source and then turn the VOLUME control up to confirm the input source. (For detailed information on the tuning operations, refer to page 19.)
Set the tape deck or VCR to the recording mode.
If the tape deck is used for recording, you can monitor the sounds being recorded by pressing TAPE MONITOR.
Selecting the SPEAKER system
Because one or two speaker systems (as front speakers) can be connected to this unit, the SPEAKERS switches allow you to select speaker system A or B, or both at once.
Adjusting the BASS and TREBLE controls

BASS l l TREBLE l 0 l 4

: Turn this clockwise to increase (or counterclockwise to decrease) the low frequency response.
Adjusting the BALANCE control

Adjust the balance of the output volume to the left and right speakers to compensate for sound imbalance caused by speaker location or listening room conditions. TREBLE : Turn this clockwise to increase (or counterclockwise to decrease) the high frequency response.
Note These controls are effective only for the sound from the front speakers.
Note This control is effective only for the sound from the front speakers.
When you listen with headphones
Connect the headphones to the PHONES jack. You can listen to the sound to be output from the front speakers through headphones. When listening with headphones privately, set both the SPEAKERS A and B switches to the OFF position and switch off the digital sound field processor (so that no DSP program name is illuminated on the display) by pressing the EFFECT switch.

PHONES

TUNING OPERATIONS
Normally, if station signals are strong and there is no interference, quick automatic-search tuning (AUTOMATIC TUNING) is possible. However, if signals of the station you want to select are weak, you must tune to it manually (MANUAL TUNING).
AUTOMATIC TUNING MANUAL TUNING
Select the reception band (FM or AM) while watching the display.
TUNING MODE AUTO TUNING AUTO/MANL MONO

TUNING MODE

AUTO/MANL MONO

AUTO TUNING goes off.

TUNING
Tune to a desired station manually.

DOWN TUNING UP

To tune to a higher frequency, press the right side once. To tune to a lower frequency, press the left side once. * If the station where tuning search stops is not the desired one, press again. * If the tuning search does not stop at the desired station (because the signals of the station are weak), change to the MANUAL TUNING method.
* To continue tuning search, press and hold the button. Note If you tune to an FM station manually, it is received in monaural mode automatically to increase the signal quality.

Display information

PRESET

STEREO

Displays the band and frequency of the received station. * If an RDS station is received, the frequency is then replaced by the station name. (However, if the PS data cannot be received within 5 seconds, NO PS flashes, and then it returns to the frequency display.) Refer to page 24 for details. Lights up when an FM stereo broadcast is received in stereo. Indicates the signal level of the received station.

PRESET TUNING

MANUAL PRESET TUNING
This unit can store station frequencies (selected by tuning operation) by using the preset station buttons. With this function, you can select any desired station by only pressing the corresponding preset station button. Up to 40 stations (8 stations x 5 pages) can be stored.
2, 1 4, 2 (Preset station buttons) 3
To store stations To recall a preset station
Tune to a desired station. (Refer to the previous page for tuning procedure.)
Select the page of preset station buttons.

A/B/C/D/E

Select a desired page (A E) of preset station buttons while watching the display.
Select the desired preset station button.

l PRESET STATIONS 8

MEMORY MEMORY MANL/AUTO FM
Flashes on and off for about 5 seconds.
Press a preset station button before MEMORY goes off from the display.
Notes q A new setting can be programmed in place of the former one. q For presets, the setting of the reception mode (stereo or monaural) is stored along with the station frequency.

AUTO TUNING

Shows the displayed station has been programmed to A1. * * In the same way, program other stations to A2, A3. A8. You can program more stations to the preset station buttons on other pages in the same way by selecting other pages in step 2.
Memory back-up The memory back-up circuit prevents the programmed data from being lost even if the POWER switch is set off or the power plug is disconnected from the AC outlet or the power is cut due to temporary power failure. If, however, the power is cut for more than one week, the memory may be erased. If so, it can be re-programmed by simply following the PRESET TUNING steps.

AUTOMATIC PRESET TUNING

You can also make use of an automatic preset tuning function for RDS stations only. By this function, this unit performs automatic tuning and stores RDS stations with strong signals sequentially. Up to 40 stations are stored automatically in the same way as in the manual preset tuning method on page 20. * Refer to page 2326 for details on RDS stations.

To store stations

When the automatic preset tuning is finished
The display shows the frequency of the last preset station. Check the contents and the number of preset stations by following the procedure of the section To recall a preset station on page 20.
To recall a preset station

Flashes

Next, recall the preset station on A5 by following the same method with step 1. Shows the exchange of stations is completed.

RECEIVING RDS STATIONS

RDS (Radio Data System) is a data transmission system gradually being introduced by FM stations in many countries. Stations using this system transmit an inaudible stream of data in addition to the normal radio signal. RDS data contains various information, such as AF (Alternative Frequencies for the same program station), PI (Program Identification), PS (Program Service station name), PTY (Program Type name), etc. RDS function is carried out among the network stations. * This unit utilizes PI, PS and PTY to receive RDS broadcast stations.

Displaying RDS data

This unit can be turned into the following two modes to display RDS data.
PS (Program Service station name) mode:
Displays the name of the RDS station now being received instead of the frequency.

BBC R3

PTY (Program Type name) mode:
Displays the program type of the RDS station now being received. There are 15 program types to classify RDS stations as follows.
News: Short accounts of facts, events and publicly expressed views, reportage and actuality.

VARIED

AFFAIRS
Current affairs: Topical program expanding or enlarging upon the news, generally in different presentation style or concept, including documentary debate, or analysis Information: Program whose purpose is to impart advice in the widest sense, including meteorological reports and forecasts, consumer affairs, medical help, etc. Sport: Program concerned with any aspect of sport.
Varied: Used for mainly speech-based programs usually of light-entertainment nature, not covered by above categories. Examples are: quizzes, panel games, personality interviews, comedy and satire. Pop: Commercial music, which would generally be considered to be of current popular appeal, often featuring in current or recent record sales charts. Rock: Contemporary modern music, usually written and performed by young musicians.

ROCK M

EDUCATE
Education: Program intended primarily to educate, of which the formal element is fundamental.
M.O.R.: (Middle of the Road Music). Common term to describe music considered to be easylistening, as opposed to Pop, Rock or Classical. Music in this category is often but not always, vocal, and usually of short duration (<5 min.) Light classics: Classical Musical for general, rather than specialist appreciation. Examples of music in this category are instrumental music, and vocal or choral works.

Drama: All radio plays and serials.

LIGHT M

CULTURE
Culture: Programs concerned with any aspect of national or regional culture, including religious affairs, philosophy, social science, language, theatre, etc. Science: Programs about the natural sciences and technology.
CLASSICS Serious classics: orchestral works, Performances of major
symphonies, chamber music etc., and including Grand Opera.

SCIENCE

OTHER M
Other music: Musical styles not fitting into any of the above categories. Particularly used for specialist music, of which Jazz, Rhythm & Blues, Folk, Country, and Reggae are examples.
To turn the unit into the PS mode or PTY mode
Press the FREQ/PS/PTY button. Whenever pressed, the mode changes into the PS mode, PTY mode and returns to usual mode in turn. * When an RDS station is received, the display is automatically turned into the PS mode. Do not press the FREQ/PS/PTY button until the display is turned into the PS mode. If the button is pressed before the display mode is changed, it may occur that NO PS flashes on the display. This is because the unit has not received all of the RDS data on the station yet.

PS mode

The name of the station being received is displayed. If the station is not an RDS station, NO PS flashes on the display and then returns to usual mode.

PS/PTY SEEK

FREQ/PS/PTY

PTY mode

A program type for the station being received is displayed. If the RDS station does not employ the PTY data service, NO PTY flashes on the display and then returns to the usual mode. If the station is not an RDS station, NO PTY flashes on the display and then returns to usual mode.

Usual mode

The frequency of the station being received is displayed.
Note When PS or PTY data reception is not possible due to poor reception conditions, NO PS or NO PTY flashes on the display in each mode. In such a case, press the TUNING MODE button so that AUTO TUNING goes off from the display. Though the reception mode is changed to monaural by this operation, when you changes to the PS or PTY mode, PS or PTY data may be displayed.
Calling a preset RDS station by the station name (PS SEEK)
You can call a desired RDS station stored in this unit by only inputting the name of the station in the PS mode. By this operation, this unit searches all preset stations for the station. You do not have to input a full name, even only the first letter can be used for calling. As many as 8 letters and/or numerals can be selected for inputting a name.

2 3, 1 4, 2

Repeat steps 4 and 5 for other letters and/or numerals, if necessary.
Turn the unit into the PS mode.
When inputting the name is finished, press the ENTER button.

A station name is displayed or NO PS flashes.
* If NO PS flashes, proceed to the next step while flashing. If NO PS disappears before you proceed to the next step, press the FREQ/PS/PTY button again.

Press once.

Flashes. Select the first letter or numeral of the station name.
The unit begins searching for the station, and it is continued until the station is found.
You do not have to input a full name for searching for the station
You may input only the first letter of the station name. If doing so, you can skip steps 5 and 6. In step 8, the unit searches for and calls a nearest station which has the letter you input. If the station is not the desired one, press the TUNING button again. The unit will begin searching for another station which has the same letter.
* By pressing the TUNING button repeatedly or by pressing and holding it, the display will change letters and numerals in sequence. * If you will not input the second letter, skip to step 7.

To cancel this function

When the first letter or numeral of the station name appears, press the SHIFT button to proceed to the selection of the next letter or numeral.
Press the FREQ/PS/PTY, SHIFT, ENTER, FM/AM or MEMORY button. Note This function is useful especially for calling a station with weak signals which cannot be received by the automatic tuning method. By only storing such a station, you can call it any time easily.
A will flash on the second letter or numeral position.
Calling a preset RDS station by the program type (PTY SEEK)
By designating a program type, the unit automatically searches all preset stations for RDS stations of that program type. * There are 15 program types to classify RDS stations. For details, refer to page 23.
Turn the unit into the PTY mode.

3, 5 4

When the desired program type appears, press the ENTER button.
Press once or twice until a program type is displayed or NO PTY flashes.
* If NO PTY flashes, proceed to the next step while flashing. If NO PTY disappears before you proceed to the next step, press the FREQ/PS/PTY button once or twice.
The program type of the station now being received or NEWS flashes on the display.
Select the desired program type.
The unit begins searching all preset stations, and calls a station of the program type if such a station is found. * When the right side of the TUNING button is pressed, the search is performed from A1 toward higher numbers of the preset stations (A1, A2. A8, B1, B2,.). If, however, A3 is currently being called for example, the search begins from the next station A4. When the left side of the TUNING button is pressed, the search is performed in reverse order. If the called station is not the desired one, press the TUNING button again to search for another station of the same program type.

If the digital sound field program CONCERT VIDEO, MONO MOVIE, STADIUM, DISCO, ROCK CONCERT or CONCERT HALL is selected, the CENTER LEVEL control cannot function. Once the output level is adjusted, the level value will be the same in the DOLBY PRO LOGIC and DOLBY PRO LOGIC ENHANCED programs. If a digital sound field program is not used, the CENTER LEVEL control will not function.
Adjustment of the REAR LEVEL
If desired, you can adjust the sound output level of the rear speakers even if the output level is already set in SPEAKER BALANCE ADJUSTMENT on page 15. Lights up.
By continuously pressing + or on the REAR LEVEL control, the level value changes continuously. However, the value stops changing momentarily at the preset point (80).
Once the output level is adjusted, the level value will be the same in all the digital sound field programs. If DOLBY PRO LOGIC or a digital sound field program is not used, the REAR LEVEL control will not function.

Adjustment of DELAY TIME

You can adjust the time difference between the beginning of the source sound and the beginning of the effect sound with the DELAY TIME control. The DELAY TIME control is effective with all programs. By applying more or less delay, sound effects, background noise, and ambient noise coming at you from the rear speakers can be enhanced or subdued for extra effect. : from 15 to 30 milliseconds (Preset value: 20 milliseconds) 2. PRO LOGIC : from 15 to 30 milliseconds ENHANCED (Preset value: 20 milliseconds) 3. CONCERT VIDEO : from 1 to 100 milliseconds (Preset value: 28 milliseconds) 4. MONO MOVIE : from 1 to 100 milliseconds (Preset value: 20 milliseconds) 5. STADIUM : from 1 to 50 milliseconds (Preset value: 45 milliseconds) 6. DISCO : from 1 to 100 milliseconds (Preset value: 14 milliseconds) 7. ROCK CONCERT : from 1 to 100 milliseconds (Preset value: 17 milliseconds) 8. CONCERT HALL : from 1 to 100 milliseconds (Preset value: 30 milliseconds) 1. PRO LOGIC By continuously pressing + or on the DELAY TIME control, the value changes continuously. However, the value stops changing momentarily at the preset point.

AM SECTION

Tuning Range..531 to 1,611 kHz Usable Sensitivity..100 V/m Selectivity..32 dB Signal-to-Noise Ratio..50 dB Image Response Ratio..40 dB Spurious Response Ratio..50 dB Harmonic Distortion (1 kHz)..0.3%
Output Level/Impedance FM (1 kHz, 40 kHz Dev.)..400 mV/2.2 k-ohms AM (30% mod., 1 kHz)..150 mV/2.2 k-ohms

GENERAL

Power Supply [U.K. model]..AC 240V, 50 Hz [Europe model]..AC 230V, 50 Hz Power Consumption.300W AC Outlets 2 SWITCHED OUTLETS [Europe model]..120W max. total 1 SWITCHED OUTLET [U.K. model]..120W max. total Dimensions (W x H x D)..435 x 146 x 386 mm (17-1/8 x 5-3/4 x 15-3/16) Weight..10 kg (22 lbs. 0 oz.) Accessories.AM loop antenna Indoor FM antenna Remote control transmitter Batteries

VIDEO SECTION

Video Signal Level.1 Vp-p/75 ohms S-Video Signal Level Y..1 Vp-p/75 ohms C..0.286 Vp-p/75 ohms Maximum Input Level.1.5 Vp-p or more Signal-to-Noise Ratio.50 dB or more Monitor Out Frequency Response..5 Hz to 10 MHz, 3 dB

FM SECTION

Tuning Range.87.5 to 108.0 MHz Usable Sensitivity (75 ohms) DIN, Mono (S/N 26 dB)..0.9 V DIN, Stereo (S/N 46 dB).24 V Image Response Ratio..80 dB IF Response Ratio..80 dB Spurious Response Ratio..70 dB AM Suppression Ratio..55 dB Capture Ratio..1.5 dB Selectivity (two signals, 40 kHz Dev.)...70 dB Signal-to-Noise Ratio (DIN-Weighted, 40 kHz Dev.) Mono/Stereo..74 dB/69 dB Harmonic Distortion (1 kHz, 40 kHz Dev.) Mono/Stereo..0.1/0.2%
Specifications are subject to change without notice.
YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA
ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A. CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, D-25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, VSTRA FRLUNDA, SWEDEN MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA

VT04810