Special Instructions for U.K. Model
IMPORTANT THE WIRES IN THE MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE: Blue: NEUTRAL Brown: LIVE As the colours of the wires in the main lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows: The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. Make sure that neither core is connected to the earth terminal of the three pin plug.
This unit is not disconnected from the AC power source as long as it is connected to the wall outlet, even if this unit itself is turned off. This state is called the standby mode. In this state, this unit is designed to consume a very small quantity of power.
10. Be sure to read the TROUBLESHOOTING section regarding common operating errors before concluding that the unit is faulty. 11. When not planning to use this unit for long periods of time (ie., vacation, etc.), disconnect the AC power plug from the wall outlet. 12. To prevent lightning damage, disconnect the AC power plug and disconnect the antenna cable when there is an electrical storm. 13. Grounding or polarization Precautions should be taken so that the grounding or polarization of an appliance is not defeated. 14. AC outlet Do not connect audio equipment to the AC outlet on the rear panel if that equipment requires more power than the outlet is rated to provide.

FEATURES ON SOUND EFFECT

This unit incorporates a sophisticated, multi-program digital sound field processor. The processor allows you to electronically expand and change the shape of the audio sound field from both audio and video sources, creating a theater-like experience in your listening room. This unit has a total of 8 digital sound field processor (DSP) modes. You can create an excellent audio sound field by selecting a suitable sound field (this will, of course, depend on what you will be listening to), and adding desired adjustments. In addition, this unit incorporates a Dolby Pro Logic Surround decoder and Dolby Digital decoder for multi-channel sound reproduction of Dolby Surround encoded video sources. The operation of the Dolby Pro Logic Surround or Dolby Digital decoder can be controlled by selecting a corresponding DSP program including combined operations of the YAMAHA DSP and the Dolby Pro Logic Surround or Dolby Digital decoder.

Digital Sound Field Processing
What is it that makes live music so good? Todays advanced sound reproduction technology lets you get extremely close to the sound of a live performance, but chances are youll still notice something missing, the acoustic environment of the live concert hall. Extensive research into the exact nature of the sonic reflections that create the ambience of a large hall has made it possible for YAMAHA engineers to bring you this same sound in your listening room, so youll feel all the sound of a live concert. Furthermore, our technicians, armed with sophisticated measuring equipment, have even made it possible to capture the acoustics of a variety of actual concert halls, theaters, etc. from around the world, to allow you to accurately re-create any one of these live performance environments, all in your home.

Dolby Pro Logic Surround

This unit employs a Dolby Pro Logic Surround decoder similar to professional Dolby Stereo decoders used in many movie theaters. By using the Dolby Pro Logic Surround decoder, you can experience the dramatic realism and impact of Dolby Surround movie theater sound in your own home. Dolby Pro Logic employs a four channel five speaker system. The Pro Logic Surround system divides the input signal into four levels: the left and right main channels, the center channel (used for dialog), and the rear surround sound channels (used for sound effects, background noise, and other ambient noises). The center channel allows listeners seated in even less-than-ideal positions to hear the dialog originating from the action on the screen while experiencing good stereo imaging. Dolby Surround is encoded on the sound track of pre-recorded video tapes, laser discs, and some TV/cable broadcasts. When you play a source encoded with Dolby Surround on this unit, the Dolby Pro Logic Surround decoder decodes the signal and distributes the surround-sound effects. This Dolby Pro Logic Surround decoder employs a digital signal processing system. This system improves the stability of sound at each channel and crosstalk between channels, so that positioning of sounds around the room is more accurate compared with conventional analog signal processing systems. In addition, this unit features a built-in automatic input balance control. This always assures you the best performance without manual adjustment.

w SLEEP indicator

Lights up while the built-in SLEEP timer is functioning.

7 RDS mode indicators

The name(s) of RDS mode(s) employed by the currently received RDS station light(s) up. Illumination of the indicator on the head of a name shows that the corresponding RDS mode is now selected.
01RX-V595RDS-6/23/99, 1:11 PM

SPEAKER SETUP

SPEAKERS TO BE USED
This unit is designed to provide the best sound-field quality with a 5-speaker configuration, using main speakers, rear speakers and a center speaker. The main speakers are used for the main source sound plus the effect sounds. They will probably be the speakers from your present stereo system. The rear speakers are used for the effect and surround sounds, and the center speaker is for the center sounds (dialog, vocals, etc.). If for some reason it is not practical to use a center speaker, you can do without it. Best results, however, are obtained with the full system. The main speakers should be high performance models and have enough power handling capacity to accept the maximum output of your audio system. Other speakers do not have to be equal to the main speakers. For precise sound localization, however, it is ideal to use high performance models that can reproduce sounds in the full range for the center speaker and the rear speakers. Use of a subwoofer expands your sound field It is also possible to further expand your system with the addition of a subwoofer and amplifier. The use of a subwoofer is effective not only for reinforcing bass frequencies from any or all channels, but also for reproducing the LFE (low frequency effect) sound with high fidelity when playing back a source with the Dolby Digital decoded. You may wish to choose the convenience of a YAMAHA Active Servo Processing Subwoofer System, which has its own built-in power amplifier.

SPEAKER CONFIGURATION

5-Speaker Configuration
This configuration is the most effective and recommended one. When playing back a source using the DSP program, DOLBY PRO LOGIC/DOLBY DIGITAL, DOLBY PRO LOGIC ENHANCED/DOLBY DIGITAL ENHANCED, 70 mm MOVIE THEATER/DIGITAL MOVIE THEATER, MONO MOVIE or TV SPORTS, or when playing back a source which contains center-channel signals (dialog, vocals, etc.) using any DSP program with the Dolby Digital decoded, conversations will be output from the center speaker and the ambience will be excellent. Note: Set the CNTR (CENTER SPEAKER) mode to the LARGE or SMALL position. (For details, see page 20.)

MAIN OUTPUT terminals

These terminals are for the main channel line output. There is no connection to these terminals when you use the built-in amplifier. However, if you drive the main speakers with an external stereo power amplifier, connect the input terminals of the external amplifier (MAIN IN or AUX terminals of a power amplifier or an integrated amplifier) to these terminals. * Output signals from the MAIN OUTPUT terminals are affected by the use of BASS, TREBLE, and BALANCE.
SUBWOOFER OUTPUT terminal
This terminal is for connecting to the input terminal of an amplifier for driving a subwoofer. When the input signals to this unit are in normal 2-channel stereo, this terminal outputs only frequencies below 90 Hz from the main and center channels. When discrete signals are input to this unit and are selected as the input source, this terminal outputs signals from the subwoofer channel. Note Output levels of signals from all of these terminals are adjusted by the use of VOLUME on the front panel or VOLUME ( ) on the remote control transmitter.

CENTER OUTPUT terminals

These terminals are for the center channel line output. There is no connection to these terminals when you use the built-in amplifier.
IMPEDANCE SELECTOR SWITCH
WARNING Do not change the IMPEDANCE SELECTOR switch setting while the power of this unit is on, otherwise this unit may be damaged. IF THIS UNIT FAILS TO TURN ON WHEN THE STANDBY/ ON SWITCH IS PRESSED, the IMPEDANCE SELECTOR switch may not be fully set to either end. If so, set the switch to either end fully. Select the position whose requirements your speaker system meets.
(Upper position) Main: If you use one pair of main speakers, the impedance of each speaker must be 4 or higher. If you use two pairs of main speakers, the impedance of each speaker must be 8 or higher.
IMPEDANCE SELECTOR (Europe model)
Center: The impedance of the speaker must be 6 or higher. Rear: The impedance of each speaker must be 6 or higher.
(Lower position) Main: If you use one pair of main speakers, the impedance of each speaker must be 8 or higher. If you use two pairs of main speakers, the impedance of each speaker must be 16 or higher.
Center: The impedance of the speaker must be 8 or higher. Rear: The impedance of each speaker must be 8 or higher.

ANTENNA CONNECTIONS

Each antenna should be correctly connected to the designated terminals, referring to the following diagram. Both AM and FM indoor antennas are included with this unit. In general, these antennas will probably provide sufficient signal strength. Nevertheless, a properly installed outdoor antenna will give clearer reception than an indoor one. If you experience poor reception quality, an outdoor antenna may result in improvement. Outdoor FM antenna Indoor FM antenna (included) Outdoor AM antenna
75-ohm/300-ohm antenna adapter 75-ohm coaxial cable

4. BASS (LFE/BASS OUT)

Choices: SW/MAIN/BOTH Preset position: SW MAIN: Select this position if your system does not include a subwoofer. In this position, full range signals present at the main channels, signals from the LFE channel and other low bass signals that are selected on 1. CNTR to 3. MAIN to be distributed from other channels are output from the main speakers. SW/BOTH: Select either the SW or BOTH position if your system includes a subwoofer. In either position, signals at LFE channel and other low bass signals that are selected on 1. CNTR to 3. MAIN to be distributed from other channels are output from the SUBWOOFER OUTPUT terminal. When the LARGE position is selected on 3. MAIN, in the SW position, no signal is distributed from the main channels to the SUBWOOFER OUTPUT terminal, however in the BOTH position, low bass signals from the main channels are output to both of the main speakers and the SUBWOOFER OUTPUT terminal.

2. REAR (REAR SPEAKER)

Choices: LARGE/SMALL Preset position: LARGE LARGE: Select this position if your rear speakers have a high ability for bass reproduction, or a subwoofer is connected to the rear speaker in parallel. In this position, full range signals are output from the rear speakers. SMALL: Select this position if your rear speakers do not have a high ability for bass reproduction. In this position, low bass signals (below 90 Hz) at the rear channels are output from the SUBWOOFER OUTPUT terminal (or the main speakers if the MAIN position is selected on 4. BASS).

5. M.LVL (MAIN LEVEL)

Choices: NORMAL (NRML)/10 dB Preset position: NORMAL (NRML) NORMAL (NRML): Normally select this position. 10 dB: Select this position if the sound output from the main speakers is too loud and cannot be balanced with the sound output from the center and rear speakers. In this position, the sound output from the main speakers is attenuated.
Choices: LARGE/SMALL Preset position: LARGE LARGE: Select this position if your main speakers have a high ability for bass reproduction. In this position, full range signals present at the main channels are output from the main speakers. SMALL: Select this position if your main speakers do not have a high ability for bass reproduction. However, if your system does not include a subwoofer, do not select this position. In this position, low bass signals (below 90 Hz) at the main channels are output from the SUBWOOFER OUTPUT terminal if the SW or BOTH position is selected on 4. BASS.

Input mode

Note This control is effective only for the sound from the main speakers. * If you use two main speaker systems, press both A and B.
Adjusting the BASS and TREBLE controls
BASS: Turn this clockwise to increase (or counter-clockwise to decrease) the low frequency response.
Play the source. (For detailed information on tuning, see page 29.)
TREBLE: Turn this clockwise to increase (or counter-clockwise to decrease) the high frequency response. Adjust the volume to the desired output level.
Note These controls are effective only for the sound from the main speakers.

To play a tape or an MD

Press TAPE/MD MON / EXT. DECODER so that the TAPE/MD MON indicator lights up on the display, then play the tape or MD.
Once you play a video source, its video image will not be interrupted even if INPUT for an audio source is selected. When you select an input source by using INPUT, the DSP program (or no DSP program) that was used when the same input source was selected the last time, will be automatically recalled.
Switching the input mode (for DVD/LD and TV/DBS)
This unit allows you to switch the input mode only for sources connected to the DVD/LD and TV/DBS input terminals (on the rear panel of this unit) that input two or three types of signals. The following two input modes are provided. AUTO: For the source connected to the DVD/LD input terminals: This mode is automatically selected when you turn the power of this unit on. In this mode, input signal is automatically selected in the following order of priority. 1. Digital input signal from the COAXIAL terminal 2. Digital input signal from the OPTICAL terminal 3. Analog input signal For the source connected to the TV/DBS input terminals: This mode is selected when you turn the power of this unit on if the AUTO position is selected on 10. INPUT in the SET MENU mode. (For details, see page 47.) In this mode, input signal is automatically selected in the following order of priority. 1. Digital input signal from the OPTICAL terminal 2. Analog input signal ANALOG: In this mode, only analog input signal is selected even if a digital signal is input at the same time. Select this mode when you want to use the analog input signal instead of the digital input signal.
To stop playing the tape or MD, press TAPE/MD MON / EXT. DECODER twice so that the TAPE/MD MON indicator and EXT. DECDR disappear from the display and the play stops (or press TAPE/MD once on the remote control transmitter).

DESCRIPTION OF RDS DATA

This unit can receive PI, PS, PTY, RT, CT, and EON when receiving RDS broadcast stations.
PS (Program Service name) mode:
The name of the RDS station now being received is displayed.

RT (Radio Text) mode:

Information about the program (such as title of the song, name of the singer, etc.) on the RDS station now being received is displayed using a maximum of 64 alphabetical characters, including umlaut sign. If other characters are used on the RT data, they are displayed with under-bars.

PTY (Program Type) mode:

The type of the program on the RDS station now being received is displayed. There are 15 program types to classify RDS stations. You can make this unit search for a station which is broadcasting a program of your desired program type. For details, see page 36.

CT (Clock Time) mode:

Current time is displayed in the following form. The CT data from the station being received changes every minute.

Minute

If the data is accidentally cut off, CT WAIT may appear.
EON (Enhanced Other Networks):

See page 38.

CHANGING THE RDS MODES
When an RDS station is received, PS, PTY, RT and/or CT that correspond to the RDS data services employed by the station light up on the display. By pressing RDS MODE, you can change the display mode among the RDS modes employed by the received station in the order shown below. Illumination of the RDS modes indicator shows that the corresponding RDS mode is now selected. * When an RDS station is received, do not press RDS MODE until one or some names of RDS modes light up on the display. If the button is pressed before one or some names light up on the display, the mode cannot be changed. This is because the unit has not received all of the RDS data on the station yet. * If no RDS mode lights up on the display, the mode cannot be changed. * An RDS mode not employed by the station cannot be selected.

PS mode

PTY mode

RT mode

CT mode
Notes RDS data service cannot be utilized by this unit if the received signal is not strong enough. Especially, the RT (Radio Text mode) requires a large amount of data to be received, so it is possible that the RT mode cannot be displayed even if other RDS modes (PS, PTY, etc.) are displayed. There may be a case that RDS data reception is not possible due to poor reception conditions. If so, press TUNING MODE so that the AUTO TUNING indicator goes off from the display. Though the reception mode is changed to monaural by this operation, when you change the display to an RDS mode, RDS data may be displayed. If the signal strength is weakened by external interference during reception of an RDS station, the RDS data service may be cut off suddenly and.WAIT will appear on the display.

By designating a program type, the unit automatically searches all preset RDS stations that is broadcasting a program of that type. * There are 15 program types to classify RDS stations. For details, see page 37.
Press PTY SEEK MODE to turn the unit into the PTY SEEK mode.
Press PTY SEEK START to begin searching all preset RDS stations.
The program type of the station now being received or NEWS flashes on the display.
Press TUNING (UP side or DOWN side) to select the desired program type.

Front panel Flashes.

* The PTY HOLD indicator lights up on the display. * If the station that is broadcasting a program of the program type is found, the unit stops at the station and displays the frequency of the station. * If the called station is not the desired one, press PTY SEEK START once more. The unit begins searching for another station that is brodcasting a program of the same program type.

To cancel this function

Press PTY SEEK MODE twice.
PROGRAM TYPES IN THE PTY MODE
News: Short accounts of facts, events and publicly expressed views, reportage and actuality. Current affairs: Topical program expanding or enlarging upon the news, generally in different presentation style or concept, including documentary debate, or analysis. Information: Program whose purpose is to impart advice in the widest sense, including meteorological reports and forecasts, consumer affairs, medical help, etc. Sport: Program concerned with any aspect of sport.

AFFAIRS

Pop: Commercial music, which would generally be considered to be of current popular appeal, often featuring in current or recent record sales charts. Rock: Contemporary modern music, usually written and performed by young musicians. M.O.R.: (Middle of the Road Music). Common term to describe music considered to be easylistening, as opposed to Pop, Rock or Classical. Music in this category is often but not always, vocal, and usually of short duration (<5 min.) Light classics: Classical Musical for general, rather than specialist appreciation. Examples of music in this category are instrumental music, and vocal or choral works. Serious classics: Performances of major orchestral works, symphonies, chamber music etc., and including Grand Opera. Other music: Musical styles not fitting into any of the above categories. Particularly used for specialist music, of which Jazz, Rhythm & Blues, Folk, Country, and Reggae are examples.

ROCK M

M.O.R. M

SPORT EDUCATE

LIGHT M
Education: Program intended primarily to educate, of which the formal element is fundamental. Drama: All radio plays and serials. Culture: Programs concerned with any aspect of national or regional culture, including religious affairs, philosophy, social science, language, theatre, etc. Science: Programs about the natural sciences and technology. Varied: Used for mainly speech-based programs usually of light-entertainment nature, not covered by above categories. Examples are: quizzes, panel games, personality interviews, comedy and satire.

DRAMA CULTURE

CLASSICS

OTHER M

SCIENCE

VARIED

EON FUNCTION
This function uses the EON (Enhanced Other Networks) data service on the RDS station network. By simply selecting a desired program type (NEWS, INFO, AFFAIRS or SPORT), the unit will automatically monitor all preset RDS stations that broadcasts a program of that type and switch (from the program currently received) to that program when the broadcast starts. * This function can be used only when an RDS station that employs the EON data service is received. (When such a station is received, the EON indicator lights up on the display.)
Make sure that the EON indicator lights up on the display.
When the broadcast of the called program ends, the previously received program (or another program on the same station) is recalled.
* If the EON indicator does not light up on the display, tune in to another RDS station so that the EON indicator lights up on the display.
Press EON once or more so that no program type name lights up on the display.
Press EON once or more to select a desired program type, NEWS, INFO, AFFAIRS or SPORT.
If a preset RDS program of a designated type starts broadcasting, the unit will automatically switch (from the program currently received) to that program.

SETTING THE SLEEP TIMER

If you use the SLEEP timer of this unit, you can make this unit automatically switch to the standby mode. When you are going to sleep while enjoying a broadcast or other desired input source, this timer function is useful. The SLEEP timer can be controlled only with the remote control transmitter. Notes To set the SLEEP timer for this unit, set the SELECTOR DIAL to a position other than the TV position. To set the SLEEP timer for your TV, set the SELECTOR DIAL to the TV position. The components on which the SLEEP timer is effective are the sources connected to the SWITCHED AC OUTLET(S) on the rear panel of this unit.

To set the SLEEP time To cancel the selected SLEEP time
Press SLEEP once or more to select the desired SLEEP time.
Press SLEEP once or more so that SLEEP OFF appears on the display. (It will soon disappear and the SLEEP indicator will go off from the display.)
Indicates the SLEEP time.
Note The SLEEP timer setting can also be canceled by tuning this unit into the standby mode with STANDBY/ON on the front panel (or STANDBY on the remote control transmitter) or disconnecting the power plug of this unit from the AC outlet.
Whenever SLEEP is pressed, the SLEEP time will change as follows.

(Minutes)

The SLEEP timer is off (SLEEP OFF). (The state before SLEEP is pressed.)
After a while, the SLEEP indicator lights up and the display returns to the indication before the SLEEP timer was set.
The unit will be switched to the standby mode automatically at the selected SLEEP time.
01RX-V595RDS-6/23/99, 1:13 PM
USING DIGITAL SOUND FIELD PROCESSOR (DSP)
This unit incorporates a sophisticated, multi-program digital sound field processor. The processor allows you to electronically expand and change the shape of the audio sound field from both audio and video sources, creating a theater-like experience in your listening room. You can create an excellent audio sound field by selecting a suitable sound field program (this will, of course, depend on what you are listening to), and adding any desired adjustments. The following list gives you a brief description of the sound fields produced by each of the DSP programs. Keep in mind that most of these are precise digital recreations of actual acoustic environments. The data for these sound fields was recorded at actual locations using sophisticated sound field measurement equipment. Note The channel level balance between the left and right rear speakers may vary depending on the sound field you are listening to. This is due to the fact that most of these sound field are re-creation of actual acoustic environments.
BRIEF OVERVIEW OF DIGITAL SOUND FIELD PROGRAMS
No. 1 PROGRAM DOLBY PRO LOGIC ( ) Functions when the input signal is analog or PCM audio, or encoded with the Dolby Digital in 2-channel. Speaker output: main, center, rear DOLBY DIGITAL ( ) Functions when the input signal is encoded with the Dolby Digital (not in 2-channel). Speaker output: main, center, rear 2 DOLBY PRO LOGIC ENHANCED ( ) Functions when the input signal is analog or PCM audio, or encoded with the Dolby Digital in 2-channel. Speaker output: main, center, rear DOLBY DIGITAL ENHANCED ( ) Functions when the input signal is encoded with the Dolby Digital (not in 2-channel). Speaker output: main, center, rear FEATURE Reproduces video discs, video tapes and similar sources which are Dolby Surround encoded and bear the DOLBY SURROUND logo. The built-in Dolby Pro Logic Surround decoder or Dolby Digital decoder precisely reproduces sounds and sound effects of a source encoded with Dolby Surround. The realization of a highly efficient decoding process improves crosstalk and channel separation and makes sound positioning smoother and more precise. Reproduces video discs, video tapes and similar sources which are Dolby Surround encoded and bear the DOLBY SURROUND logo. This program ideally simulates the multi-surround speaker systems of the 35 mm film theater. The Dolby Surround decoding and the digital sound field processing is precisely performed without altering the original sound orientation. The surround effects produced by this sound field folds around the viewer naturally from the rear to the left and right and toward the screen. Note: If the main channel sound is considerably altered by overadjustment of BASS or TREBLE, the relationship with the rear channels may produce an unnatural effect. mm MOVIE THEATER ( ) Functions when the input signal is analog or PCM audio, or encoded with the Dolby Digital in 2-channel. Speaker output: main, center, rear DIGITAL MOVIE THEATER ( ) Functions when the input signal is encoded with the Dolby Digital (not in 2-channel). Speaker output: main, center, rear Ideal for reproducing video discs, video tapes and similar sources which are Dolby Surround encoded and bear the DOLBY SURROUND logo. This program is ideal for precisely reproducing the sound design of the newest 70 mm/Dolby Digital multi-track films. The sound field is made to be similar to that of the newest movie theaters, so the reverberations of the sound field itself are restrained as much as possible. The three dimensional feeling of the sound field is emphasized, and dialog is precisely oriented on the screen. You can enjoy watching Sci-Fi, adventure movies, etc. with considerable presence.

No sound or no picture.

Appropriate input source is not selected. SPEAKERS are not set properly. Speaker connections are not secure. No picture. There is no S video terminal connection between this unit and the TV, though S video signals are input to this unit. The protection circuit has been activated because of short circuit etc. The SLEEP timer has functioned. Only one side speaker outputs sound. Incorrect setting of BALANCE. Incorrect cord connections.
The sound suddenly goes off. Amplifier
A humming sound can be heard.
Incorrect cord connections.
No connection from the turntable to the GND terminal. The volume level is low while playing a record. The volume level cannot be increased, or the sound is distorted. No sound from the rear speakers. The record is being played on a turntable with an MC cartridge. The component connected to the REC OUT terminals of this unit is in the standby mode. The sound output level of the rear speakers is set to minimum. A monaural sound source is being played in DOLBY PRO LOGIC or DOLBY PRO LOGIC ENHANCED mode. No sound from the center speaker. The sound output level of the center speaker is set to minimum. The center channel mode is in NONE mode. Incorrect sound field program selection.
Raise the sound output level of the rear speakers. Select another sound field program suitable for the monaural sound source.
Raise the sound output level of the center speaker. Select LARGE or SMALL. Select the appropriate program.
SYMPTOM FM stereo reception is noisy.
CAUSE Because of the characteristics of FM stereo broadcasts, this is limited to cases where the transmitter is too far away or the antenna input is poor. There is multipath interference.
REMEDY Check the antenna connections. Try using a high quality directional FM antenna. Set TUNING MODE to the manual tuning mode. Adjust antenna placement to eliminate multipath interference. Use the manual tuning method. Use a high quality directional FM antenna. Repeat the presetting procedure. Tighten the AM loop antenna connections and rotate it for best reception. Use the manual tuning method. Use an outdoor antenna and a ground wire. This will help somewhat but it is difficult to eliminate all noise. Relocate this unit away from the TV. Change the position of the main unit.

VIDEO SECTION

Video Signal Type. PAL Video Signal Level. 1 Vp-p/75 ohms S-Video Signal Level Y... 1 Vp-p/75 ohms C.. 0.286 Vp-p/75 ohms Maximum Input Level.. 1.5 Vp-p or more Signal-to-Noise Ratio.. 50 dB or more Monitor Out Frequency Response.. 5 Hz to 10 MHz, 3 dB

FM SECTION

Tuning Range.. 87.5 to 108.0 MHz Usable Sensitivity (75 ohms) DIN, Mono (S/N 26 dB).. 0.9 V DIN, Stereo (S/N 46 dB). 28 V Selectivity (two signals, 40 kHz Dev. 300 kHz).. 55 dB Signal-to-Noise Ratio (DIN-Weighted, 40 kHz Dev.) Mono/Stereo.. 75 dB/69 dB Harmonic Distortion (1 kHz) Mono/Stereo.. 0.1/0.2% Stereo Separation (1 kHz).. 48 dB Frequency Response 20 Hz to 15 kHz.. 01 dB Antenna Input. 75 ohms, Unbalanced Output Level (40 kHz Dev., 1 kHz). 550 mV

AM SECTION

Tuning Range.. 531 to 1,611 kHz Usable Sensitivity.. 300 V/m Signal-to-Noise Ratio.. 52 dB Antenna. Loop antenna Output Level (30% mod., 1 kHz).. 150 mV

GENERAL

Power Supply.. AC 230 V, 50 Hz Power Consumption.. 300 W AC Outlets 2 SWITCHED OUTLETS [Europe model].. 100 W max. total 1 SWITCHED OUTLET [U.K. model]. 100 W max. total Dimensions (W x H x D).. 435 x 151 x 391 mm (17-1/8 x 5-15/16 x 15-3/8) Weight. 12.5 kg (27 lbs. 8 oz.) Accessories.. AM loop antenna Indoor FM antenna 75-ohm/300-ohm antenna adapter (U.K. model only) Remote control transmitter Batteries Specifications are subject to change without notice.
LIST OF MANUFACTURERS CODES LISTE DES CODES FABRICANTS VERZEICHNIS DER HERSTELLER CODES LISTA VER TILLVERKARKODER ELENCO DEI CODICI DEL FABBRICANTE LISTA DE CDIGOS DE FABRICANTES LIJST VAN CODES VAN FABRIKANT
Manufacturer Abex Acura Admiral Adyson Akai Akura Alaron Alba Code
0093, 0163, 0213 0217, 0032 0208, 0361 0218, 0264, 0037, 0218, 0371, 0009, 0036, 0235 Allorgan 0294 Amplivision 0217 Amstrad 0371, 0009, 0362, 0369 Anam 0009, 0068 Anitech 0009, 0068, 0076 Arcam 0216, 0217 Asberg 0076 Asuka 0218 Atlantic 0206 Audiosonic 0037, 0109 Autovox 0206, 0076, 0336 BPL 0282 BSR 0294 BTC 0218 Baird 0343 Basic Line 0218, 0009 Baur 0037, 0010, 0554, 0349, 0361 Beko 0370 Beon 0037 Binatone 0217 Blaupunkt 0554, 0191, 0195, 0200, 0213, 0327, 0328 Blue Sky 0218 Blue Star 0282 Bondstec 0247 Boots 0217 Brandt 0109, 0196, 0198, 0205, 0333, 0335 Brionvega 0362 Britannia 0216 Bush 0037, 0218, 0374, 0371, 0294, 0009, 0282, 0036, 0349 CCE 0037, 0217 CGE 0074, 0076, 0084, 0247, 0306 CS Electronics 0216 CTC 0247

Carrefour 0036 Cascade 0009 Cathay 0037 Centurion 0037 Century 0213 Cimline 0009 Clarivox 0037 Clatronic 0370, 0076, 0247 Condor 0370, 0320 Contec 0216, 0009, 0036, 0157 Continental Edison 0196, 0198, 0205, 0333 Crosley 0074, 0076, 0084, 0213 Crown 0037, 0370, 0418, 0009, 0076 Crystal 0431 Curtis Mathes 0093 Cybertron 0218 Daewoo 0037, 0374, 0009 Dainichi 0218, 0215 Dansai 0037 Dayton 0009 De Graaf 0208 Decca 0037, 0072 Dixi 0037, 0009 Dual 0336, 0352 Dual Tec 0217 Dumont 0070 Elbe 0259 Elin 0037 Elite 0218, 0320 Elta 0009 Emerson 0282, 0213, 0361 Erres 0037, 0012 Expert 0206 Ferguson 0037, 0109, 0005, 0073, 0190, 0238, 0287, 0335, 0343 Fidelity 0216, 0361 Finlandia 0208, 0346, 0359 Finlux 0037, 0072, 0070, 0105, 0346 Firstline 0216, 0217, 0294, 0009, 0321, 0247 Fisher 0370, 0217, 0208, 0303 Flint 0455 Formenti 0037, 0320, 0213 Frontech 0264, 0431, 0163, 0247 Fujitsu 0072, 0206 Funai 0294, 0264, 0303 GE 0282, 0093 GEC 0037, 0217, 0072, 0043, 0205
GPM Geloso Genexxa GoldStar
0218 0009, 0213 0218, 0163 0037, 0217, 0109, 0032, 0290 Goodmans 0037, 0217, 0374, 0371, 0072, 0036, 0235, 0317, 0343 Gorenje 0370 Gradiente 0053 Graetz 0163, 0361 Granada 0037, 0217, 0072, 0146, 0208, 0339, 0359 Grandin 0282 Grundig 0037, 0554, 0070, 0191, 0195, 0205 HCM 0009, 0282 Hanseatic 0037, 0320, 0361 Harley Davidson 0043 Harvard 0068 Hinari 0037, 0218, 0009, 0036 Hisawa 0282, 0455 Hitachi 0217, 0036, 0109, 0032, 0043, 0044, 0105, 0163, 0196, 0198, 0225, 0306, 0349 Huanyu 0216, 0374 Hypson 0037, 0282, 0264 ICE 0217, 0371, 0264 ICeS 0218 ITS 0371 ITT 0163, 0361 Imperial 0370, 0418, 0074, 0076, 0084, 0247 Indiana 0037 Ingelen 0163 Inno Hit 0072 Interbuy 0068 Interfunk 0037, 0163, 0247, 0361 Intervision 0037, 0217, 0264, 0102, 0068 Isukai 0218 JVC 0371, 0036, 0053, 0190, 0192 KTV 0217 Kaisui 0216, 0217, 0218, 0009, 0282 Kamp 0216 Kapsch 0206, 0163 Kawasho 0216 Kendo 0037, 0235, 0362 Kingsley 0216 Kneissel 0259
08RX-V595RDS-CODE 397 6/23/99, 3:02 PM
Korpel 0037 Koyoda 0009 Leyco 0037, 0294, 0072, 0264 Liesenk & Tter 0037 Lloytron 0032 Loewe 0075 Luma 0206 Luxor 0349, 0361 M Electronic 0037, 0217, 0374, 0009, 0109, 0068, 0105, 0163, 0287, 0346 MGA 0150 MTC 0216, 0349 Magnadyne 0102, 0247 Magnafon 0102, 0076, 0213 Magnavox 0036 Manesth 0217, 0320, 0264, 0235 Marantz 0037 Mark 0037 Matsui 0037, 0217, 0371, 0294, 0009, 0072, 0036, 0035, 0011, 0208, 0235 Matsushita 0250 McMichael 0043 Mediator 0037, 0012 Memorex 0009, 0250, 0150 Memphis 0337 Metz 0213, 0367 Midland 0032 Minerva 0554, 0070 Minoka 0369 Mitsubishi 0036, 0093, 0108, 0150 Mivar 0216, 0290, 0291, 0292 Motion 0076 Motorola 0093 Multitech 0216, 0217, 0009, 0102, 0076 NEC 0455, 0036 NEI 0037, 0431, 0337 Neckermann 0037, 0554, 0191, 0213, 0349 Nikkai 0037, 0216, 0218, 0072, 0264, 0035, 0032, 0337 Nikko 0317 Nobliko 0102, 0076 Nokia 0361 Nordmende 0109, 0196, 0198, 0213, 0287, 0343 Oceanic 0163, 0215, 0361 Optimus 0250 Optonica 0093 Orion 0037, 0294, 0320, 0321, 0235 Osaki 0217, 0218, 0072, 0264, 0032 Oso 0218 Osume 0072, 0032, 0157 Otake 0317 Otto Versand 0037, 0217, 0320, 0036, 0010, 0554, 0191, 0213, 0343, 0349 Palladium 0370, 0418 Panama 0217, 0264 Panasonic 0250, 0163, 0213, 0214, 0226, 0367

TECHNIK 2009

Regie 1 Kinomischung
- Regie (ca. 50qm, 12 Sitzpltze), lizensiert fr Kinomischungen in Dolby Digital Surround EX 6.1, Dolby Digital 5.1und Dolby Stereo SR, sowie DTS - SSL Avant Plus Mischpult, 192 Kanle, vollautomatisiert, volldigitalisiert - Pro Tools HD auf Mac OSX, 96 Spuren (192 Kanle), SDI Mojo, mit Waves Gold Bundle, Altiverb, Speakerphone - Kinoton Projektor FP 38EC 16mm, Super 16, 35mm alle Formate - Leinwand 2x4m - Fernsehmischung mit Bild von Digibeta, Betacam SP, SDI Mojo, Bonsai - Videobeamer Panasonic PT-D4000 - Grobildmonitor Sony KL50W2 - (2) Genelec 1031A - Steenbeck Perfolufer ST7230 16mm/17,5mm Mono/Stereo - Sondor MO35 Perfolufer 35mm bis 4-Spur - Alle Aufnahme- und Wiedergabekanle mit Dolby A/SR - Dolby DMU - Dolby Processor CP65 - Dolby Surround Adapter SA 10 - Dolby Soundtrack Loudness Meter 737 - Sony PCM 7040 DAT mit Timecode - Tascam DA-98 mit Timecode - (2) Tascam DA-88 8-Spur mit Timecode - Denoiser/Filter: BSS Deesser Behringer Denoiser Urei Little Dipper Notch Filter - Kompressor/Limiter: TC Electronics M 6000 Hf Audio Dynamic Master Valley People Dynamite - Hallgerte: Lexicon 480L mit Larc TC Electronics M 6000 Lexicon PCM70 Yamaha SPX900 Dynacord DRP20 - Enhancer/Exciter: Aphex C Aural Exciter BBE 822 Sonic Maximizer Behringer Edison Stereo Image Processor

Regie 2

TV-Mischung/Aufnahme
- Aufnahmeraum ca. 40qm mit Innen- und Aussenakustik fr Sprache und Musik - Aufnahmeraum ca. 16qm fr Sprachaufnahmen (Kommentar und Voiceover) - Regie ca. 35qm - SSL Avant Plus Mischpult, 192 Kanle, vollautomatisiert, volldigitalisiert - Pro Tools HD auf Mac OSX, 96 Spuren (192 Kanle), SDI Mojo, mit Waves Gold Bundle, Altiverb, Speakerphone - Panasonic Plasmamonitor 107cm mit Bild von Digibeta, Betacam SP, SDI Mojo, Bonsai - (2) Genelec 1031A - Safety-DAT-Recorder Tascam DA30 - Strven Taker System - TC Electronics M 5000 - Tube Tech MEC 1A Recording Channel - SSL X-Logic Super Analogue Channel

Regie 3

Sounddesign/DVD-Mastering
- Pro Tools HD auf Mac OSX, digitale Workstation 32 Spuren (192 Kanle) - Pioneer DVR-S201 DVD-Video und DVD-Audio Recorder - (2) Genelec 1031A - (5) Yamaha NS10M - Yamaha YST-SW40 Subwoofer - Yamaha Verstrker RX-V595RDS - Denon DVD-Player DVD-3000 - Sony Monitor PVM-20M4E

Regie 4

- Aufnahmeraum ca. 80qm mit Innen- und Aussenakustik fr Gerusche - Aufnahmeregie ca. 15qm - Yamaha O2R Mischpult, 32 Kanle, vollautomatisiert - Pro Tools HD auf Mac OSX, digitale Workstation 32 Spuren (192 Kanle) mit Command 8 - (2) Genelec 1031A - Oztronic 8-Kanal Mikrophonvorverstrker - DBX 286A Mic Preamp/Processor - Symetrix Vorverstrker SX 202 EP - Symetrix Equalizer SX201 - (2) DBX160 Kompressor/Limiter - DBX166 Stereo-Kompressor/Limiter - Mikrophone: (2) Neumann U87, AKG 414, (5) Schoeps CCM4 - div. Sampler, Sequencer, Synthesizer - Gerusch- und Musikarchiv

berspielung

- Steenbeck Perfolufer ST7230 16mm, 17,5mm Mono/Stereo - Steenbeck Perfolufer ST1 16mm - Sondor MO35 Perfolufer 35mm bis 4-Spur - Nagra IV-S mit Pilot, Nagra 4.2, Sony PCM 7040, Fostex D20, Tascam DA30, Revox PR99, Harman Kardon CD-Player, Akai DD1000, Tascam DA98 mit TC, (2) Tascam DA88 mit TC, Aiwa Cassettendeck, Technics SLBD-3 Plattenspieler - (12) Dolby A/SR - Eela 4-Kanal Mischpult - Colin Broad Biphase Synchronizer BS-1 - Alpermann & Velte TC15 Timecode Reader/Generator/Inserter - Audiokinetics ES 1.11 Synchronizer - Digibeta TTV3450P, Betacam SP BVW 70, Betacam UVW 1600P, (3) Panasonic VHS - Tandberg Super DLT II Tape streamer
Zweigstelle Richmodstr. 31
- Pro Tools HD auf Mac OSX, digitale Workstation 32 Spuren (192 Kanle) mit Mojo SDI, Broadcast Bundle, Limiter Waves BCL - C24 Digidesign Mischpult - Philips LCD Monitor - (2) Genelec 1031A - (2) Neumann Mikrophone