Yamaha RX-V640 Home Cinema Amplifier, size: 2.4 MB
Yamaha RX-V640rds Remote Control Code List For Rx V640RDS
The RX-V640 is a full-featured home theater receiver ready for all formats and for custom installation. Major features include 6-channel discrete amplification (85W x6), Yamaha's Digital ToP-ART design concept, Quad-Field CINEMA DSP, 24 surround program, SILENT CINEMA, and a preset remote control. It delivers high power to six channels and provides DTS ES Discrete 6.1, Neo:6, and DTS ES Matrix 6.1 decoding as well as Dolby Digital EX and Dolby Pro Logic II decoding.
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RX-V640 NEW PRODUCT BULLETIN
Digital Home Theater Receiver
High performance, extremely versatile receiver designed to serve as the core component of any high quality home theater system. Major features include 6-channel discrete amplification (85W x 6, FTC), Yamahas Digital ToP-ART design concept, Quad-Field CINEMA DSP, 24 surround programs and SILENT CINEMA. Compatible with the newest 6.1-channel movie sound formats including Dolby Digital EX, DTS-ES Matrix 6.1, DTS-ES Discrete 6.1, Dolby Pro Logic II and DTS Neo:6.
Enjoy Home Theater the Way You've Always Imagined It: Dynamic, Realistic Surround Sound with Many Program Variations.
Superior Technology and Design for Flawless Performance and Comprehensive System Control.
High power 6-channel discrete amplifier configuration (125W x 6 Max) Digital ToP-ART (Total Purity Audio Reproduction Technology) High Current Amplification for high sound quality Easy setup and operation Compatibility with latest movie sound formats including Dolby Digital EX, Dolby Pro Logic II, DTS-ES Discrete 6.1, and DTS Neo:6 Powerful 32-bit Yamaha LSI (YSS-938) for CINEMA DSP processing 24 surround programs (44 variations) with SILENT CINEMA and Night Listening mode Extensive input capability including 4 optical/1 coaxial digital, 5 S-video, 5 A/V and 2 audio inputs
Digital ToP-ART Digital ToP-ART (Total Purity Audio Reproduction Technology) is the name Yamaha has given to a design philosophy whose goal is to maximize digital quality while minimizing analog circuitry. The culmination of the best digital engineering and design possible today, it brings together several key elements to create the best-sounding, easiest-to-use A/V components available Advanced Decoding Circuitry Including Yamahas Exclusive YSS-938 32-Bit Floating Point Quantization LSI The decoding circuitry performs Dolby Pro Logic II, Dolby Digital, Dolby Digital EX, DTS Digital Surround, DTS-ES (DTSES Matrix 6.1 and DTS-ES Discrete 6.1), and DTS Neo:6 decoding with extreme accuracy, as well as all digital sound field processing. It also outperforms other systems in the precise synchronization of images and sound. Its low 3V power consumption minimizes digital noise.
96kHz/24-Bit DACs for All Channels The RX-V640s vitally important digital-toanalog converters use an extremely 96kHz/24-bit high performance. They perform accurate sound field reproduction for high quality multi-channel sources, and for two-channel stereo, provide outstanding separation and precise musical delineation. They deliver superior low level linearity with excellent full-scale performance under varying operation conditions. 4-Layer DSP Processing Board All of the DSP IC chips and related circuitry are located together on a 4-layer board. This is the first time a 4-layer board has been used, and it provides a number of advantages. The dimensions
Yamahas Exclusive Digitally Regulated Volume YSS-938 32-Bit Floating Control Device (Yamaha Point Quantization LSI Original YAC-520 LSI)
32-Bit High-Density Cinema DSP Circuitry
High Performance Digital Circuitry
High Current Amplification
From digital input, through digital processing, to amplification, maximum signal quality is maintained every step of the way.
Advanced Decoding Circuitry Including 32-Bit DSP LSI (YSS-938)
96 kHz/ 24-Bit DACs for All 9* Channels
Accurate Touch Volume Control (0-99dB, 0.5 dB Step) for 6 Channels*
6-Ch High Output Power Main L Main R Center Rear L Rear R Rear Center
Minimal Analog Processing
* In addition to the six channels (Main L/R, Center, Rear L/R, Rear Center) there is a subwoofer output (hence 6.1-channel format compatibility) and two front effect channels (a total of 9 DACs). The front effect channel signals, unique to Yamaha CINEMA DSP, are mixed with the main channel signals to achieve more precise separation of dialogue, music and effects on the front sound stage and a superior sense of presence as compared to other systems.
are smaller (2/3 previous types), so signal paths are shorter and there is more space for the large power supply components. Digital interference is reduced and impedance is lower as well. Accurate Touch Volume Control No one expects more from a volume
control than up and down except Yamaha. We decided that controlling the volume could be made both easier and more accurate, and the result is the Accurate Touch Volume Control. It lets you make delicate adjustments within a narrow range, yet enables you to move to very high or low levels more quickly.
Its extreme accuracy is due to a highsignal-resolution analog design in conjunction with an ultra-precise digital control circuit (Yamaha original YAC-520 LSI). The wide control range extends from 0dB to 99dB, with narrow 0.5dB steps throughout the entire range for delicate control, even at low volumes.
Brief Guide to Movie Sound Formats
Dolby Pro-Logic Dolby Labs basic 4-channel format, widely used in ordinary theaters and for home videos. Dolby Pro Logic II Improved version of Dolby Pro-Logic for music and movies. With a more intelligent matrix decoder, it is suitable for both stereo and surround-encoded sources. It offers bass management as well as the option of incorporating width, dimension and panorama controls. Dolby Digital The most popular 5.1-channel home theater sound system. An improvement over Dolby Pro-Logic in that it offers: 1) Full frequency response in all channels (3Hz 20kHz), 2) discrete surround channels, and 3) a separate track for bass only, called the Low Frequency Effects channel. Dolby Digital EX Dolby's latest surround format, this is Dolby Digital with an added center rear channel. The rear center channel is actually matrixed into the two rear channels, and is extracted upon playback. (Formerly called Dolby Digital Surround EX, or Dolby Digital Matrix 6.1.) DTS Digital Surround The basic DTS 5.1 channel sound format. Uses a higher data rate than Dolby Digital. DTS-ES Matrix 6.1 In this format, the back surround channel is matrix encoded into the left and right surround channels. For playback, the three channels are separately decoded. DTS-ES Discrete 6.1 DTS-ES uses its large bandwidth to provide a fully discrete rear center channel, as opposed to a matrixed one. DTS Neo:6 Provides 5.1 or 6.1 channels of matrix decoding from stereo matrix material. Also decodes Extended Surround matrix soundtracks and has a Music mode to expand stereo non-matrix recordings to 5.1 or 6.1 channels.
High Current Amplification Achieves Low Impedance/ High Current Power from Input to Output.
The Importance of High Current Although power rating is often the first thing customers look at in a receiver, high power output does not necessarily mean good sound. High current level is a much more important factor. Yamaha receivers has always had fairly high current levels, but with the RX-V640, we have further improved this performance. What It Does In brief, Yamaha High Current Amplification achieves low impedance, high current power from input (power supply circuit) to output (speaker terminals). This drives the speakers much more smoothly and dynamically, for better sound from all sources, including 2channel audio. Specific Improvements The first problem to be overcome was the difference in voltage that ordinary receivers suffer between the power supply and amplifier circuits, caused by current
fluctuations. This was solved by using custom-made, high-grade block electrolytic capacitors and a copper grip for one-point grounding. Another current drop is generally seen between the amplifier circuit and the speaker terminals, caused by the cables, speaker output relays, copper circuit boards, and so on. To increase current here, we used an extra-large, low-impedance transformer and gold-plated speaker relay contacts. 6-Channel High Power, Discrete Amplifier Configuration The RX-V640 will deliver as much as 85W of power to each of six channels (two main, two rear, one center and one rear center). This is more than enough to fill even the largest rooms with vibrant music and Richter-scale sound effects. 6-4 mixdown is also provided, for enjoying 6channel input sources from four or five speakers you already have on hand with or without a subwoofer.
High Dynamic Power Capability The RX-V640 is capable of delivering large amounts of reserve power for accurate reproduction of the high energy peaks that are especially prevalent in digital audio sources. This emphasizes the musics dynamic qualities and provides a sharper sound image. Linear Damping (Main L/R Channels) Level variations due to high amp impedance tend to reduce an amplifiers damping factor, and frequency variations cause it to fluctuate. This circuit cancels the effect of these variations, maintaining a high, stable damping factor, for superior articulation of all sounds and better frequency response. Anti-Resonance ToP-ART Base Supporting the heavy heat sinks and circuit board is Yamahas ToP-ART base, which has exceptional anti-resonance and damping characteristics. Beneath this base is the bottom of power amplifier, part of the
High Current Amplification Principle
The voltage (A) of Block Electrolytic Capacitors and voltage (B) of Power Transistor Collector should be ideally at the same level. However, when the current become large, there will be a big difference in the level of each voltages. There is also a level difference between Output of the Power Amplifier (C) and Speaker Terminals (D), which is reflected by coppers of PCB, Speaker out put relays, cables and so on, resulting damaging the sound quality.
Power Supply Circuit
GND Amplifier Circuit Power Supply Circuit GND Amplifier Circuit
Voltage level difference between A (power supply circuit) and B (amplifier circuit).
Voltage level difference between C (amplifier circuit output) and D (speaker terminals).
heavy chassis which is also designed for maximum vibration damping. Anti-Resonance Aluminum-Extruded Heat Sink The large, anti-resonance, aluminumextruded heat sink is located on the base frame with the power amplifier circuit boards to prevent interference with the preamplifier and digital processing sections. The power block is equipped with a fan, but it is only used for extreme heat build-up and is not activated during normal operation, preventing the occurrence of even the slightest unwanted noise. Wide-Range Frequency Response for DVD-Audio and SACD With an extremely wide frequency range of 10 to 100,000Hz, this receiver is capable of delivering the full potential of the new digital audio sources DVD-Audio and SACD. Optimum Space Utilization The use of highly integrated LSIs allows an interior design that maximizes power and sound quality by positioning all the digital processors and related circuitry in one small area. This leaves most of the space open for the power amplifier components: transformers, capacitors, heat sink and so on. This means that these parts can be much larger than usual for greater power, that they can be separated for minimum chance of interference, and that circuits can be arranged in straight lines for maximum signal purity. For example, the tone control circuit layout is straighter and shorter than ever. Finest Parts Used Throughout In order to realize the goals of massive power and superlative sound quality, Yamaha technicians completely reevaluated all the parts used in previous receivers. As a result, many were replaced with more expensive or customdesigned units.
Extra-Large Custom-Made Block Electrolytic Capacitors Developed specifically for the RX-V640, the 12,000F block electrolytic capacitors use low-magnification foil and are exceptionally high quality. Direct Signal Path Speaker Relays with Gold-Plated Crossover Connection and Shielding Speaker switching is accomplished by relays right in front of the speaker terminals, rather than at the switch position. This results in a shorter signal path and minimum output impedance. High Performance Myca Capacitors and Film Capacitors At this level of sound quality, even these small parts make a difference. The high precision FE mica and metallic mylar film capacitors use polypropylene material and are the highest performance types on the market.
RX-V640 High Quality Parts
Extra-Large Low-Impedance Transformer The large 4.4 kg low-impedance transformer is an important factor in the RX-V640s extremely stable power supply. Thick PC Board Wiring with 1.6mm (5/8) Copper Jumper Cables The audio signal is routed within the amplifier through exceptionally thick, top quality wire, ensuring that signal purity is maintained.
RX-V640 Interior View and Signal Flow (
No Other Surround Sound System Can Match for Rich, Detailed, Realistic Sound.
Going Beyond Conventional MultiChannel Systems Conventional 5.1-channel/6.1-channel audio reproduction systems base their sound on Dolby Digital and DTS decoding, using matrix and steering technologies to create surround sound effects. Yamaha CINEMA DSP is much more advanced, actually creating richly realized independent sound fields that merge to envelop you in an unmatched surround sound experience. With dialogue, music and effects from the presence (front), rear and rear sound fields, you will hear sound with highly accurate localization, smooth movement, exceptional clarity and richness, and startlingly realistic presence. It will seem as if the walls of your room have disappeared and you are in the middle of your own immense theater!
Quad-Field and Tri-Field CINEMA DSP Tri-Field CINEMA DSP projects three sound fields into the home theater: a Presence sound field in the front and two Surround sound fields in the left rear and right rear, resulting in a powerfully realistic three-dimensional soundscape. And now Yamaha also offers Quad-Field CINEMA DSP. It adds an additional rear center sound field to the Tri-Field system, in order to enjoy the new 6.1-channel formats, Dolby Digital EX and DTS-ES. CINEMA DSP Programs One of the main advantages of CINEMA DSP is the large choice of sound field programs available. The basic program for movies is Enhanced, which greatly improves the sound of the surround fields. The "largest" of these sound
fields is Spectacle, which recreates the open feeling of large-scale, epic motion pictures. The Sci-Fi is designed to reproduce all the complex, dynamic sounds of space/science fiction movies. Adventure and General are also included. Center Graphic Equalizer In addition to the many audio parameters that can be adjusted, the RX-V640 provides an even greater degree of sound field control with the inclusion of a Center Graphic Equalizer. This lets you finely tune the overall balance of the sound field to achieve the optimal imaging for movie sound. Night Listening Mode for All Surround Programs When youre listening to movies late at night and turn down the volume during loud scenes, dynamic range suffers and
RX-V640 Surround Programs: 24 Surround Programs (44 Variations) HiFi DSP Programs CONCERT HALL JAZZ CLUB ROCK CONCERT ENTERTAINMENT Program Subtotal CINEMA DSP Programs ENTERTAINMENT MUSIC VIDEO TV THEATER 1 MOVIE THEATER 1 MOVIE THEATER 2 ENHANCED Program Subtotal Surround Formats Dolby Digital Dolby Digital EX DTS Digital Surround DTS-ES Matrix 6.1 DTS-ES Discrete 6.1 Dolby Pro-Logic Dolby Pro Logic II Music Dolby Pro Logic II Movie DTS Neo:6 Music DTS Neo:6 Cinema 5 Concert Hall Jazz Club [The Bottom Line] Rock Concert [The Roxy Theatre] Disco 6 Ch Stereo Variations Variations Variations A circular hall with an expansive sound field. A popular New York club seating 300. The well known L.A. rock showcase seating 460. Designed to emphasize the exciting rhythms of disco music. For reproducing stereo sources via six channels.
Game Pop/Rock Mono Movie Variety/Sports Spectacle Sci-Fi Adventure General Enhanced
Adds a deep, spacious feeling to video game sounds. For 2 to 6.1 channel live music sources For old monaural video sources. For 2 to 6.1 channel music and sports shows. Emphasizes the excitement of scenes with high visual/audio impact. For reproducing the expansive, supernatural effects of high-tech SF movie soundtracks. A powerful three-dimensional sound field with superb clarity. Provides clear dialogue, with a soft, expansive sound. A wide, all-enveloping surround sound field as in a theater.
For precise reproduction of the various movie sound formats.
Program Subtotal Program Total
: HiFi DSP Programs
: CINEMA DSP
: Tri-Field CINEMA DSP Capable
: Quad-Field CINEMA DSP Capable
you may miss some dialogue and other sounds. By engaging the Night Listening mode, you can reduce the volume and still enjoy proper tonal balance and dynamic range. You hear dialogue clearly and the music and action are just as exciting (without the screams and explosions disturbing others). Auto Priority Input Terminal Selection and Auto Decoder Selection Digital input terminals are provided to handle any kind of digital input. Functions are programed to select priority in order of coaxial digital, optical digital and analog when different digital formats are input from the same source. The sound decoder is also automatically selected and processed according to the combination of the format of input signals and the selected
sound field programs, while DSP sound field processing is optimized at the same time. SILENT CINEMA and Virtual CINEMA DSP The SILENT CINEMA mode gives you private listening enjoyment of multi-channel music or movie sound, including Dolby Digital and DTS surround, through ordinary headphones. Its automatically selected when the headphones are plugged in. Virtual CINEMA DSP lets you enjoy the effects of CINEMA DSP surround sound without using rear speakers (handy for use in custom installations where some rooms dont have rear speakers). It can be used with the main/center/front effect speakers or even with just the two main left and right speakers.
SILENT CINEMA Sound Field Imaging
Virtual CINEMA DSP Sound Field Imaging
Quad-Field CINEMA DSP
Presence (Front) Sound Field
Conventional 6.1-Channel Systems
Rear Left Surround/ Effect Sound Field
Rear Center Surround/ Effect Sound Field Rear Right Surround/ Effect Sound Field
All the A/V Connections Needed for the Present and Into the Future! Plus a Host of Convenient Features.
Easy Setup and Operation
The RX-V640 has an ergonomic design that ensures simple, convenient operation. Everything from the layout of the controls to the display menus has been planned to make using the unit easy and enjoyable. Convenient Setup Menu and Controls Extensive yet easily understandable setup menus make it easy to select and adjust desired functions. Especially useful is a speaker display in the Speaker Test mode that makes it easy to balance the levels of all speakers. DSP programs can be selected with the remote control so their effects can be judged from the listening position. A rotary encoder Input Selector makes source selection quick and easy.
Program Name and Surround Sound Indications The front panel display shows a variety of surround sound status indications, so you always know what modes you are in. The Program name is displayed, including the word Night if the Night Listening mode is selected. Six sound field modes including Quad-Field and Tri-Field are also indicated. An Extensive Range of Useful Menus The RX-V640 gives you extensive control over audio and operational modes through a selection of parameters that can be adjusted from
the on-screen menus. The Basic modes are Setup and Speaker Level, while the Sound modes feature a Center Graphic Equalizer, Speaker Set, Speaker Distance, LFE Level, Dynamic Range and Headphone Tone Control. The Input modes are I/O Assignment and Input function. Options include Display Set, Memory Guard, and two new functions, Variable Audio Mute and Zone Set. All of these parameters can be selected and adjusted from either the front panel or the remote control. Extensive Input Terminals This versatile receiver provides terminals for four optical and one coaxial digital inputs, three S-Video inputs, five AV and two audio inputs. It also offers a Video Conversion connection (S-Video to Composite) and Aux inputs including S-Video on the front panel.
RX-V640 Extensive Connections
4* Optical and 1 Coaxial Digital Inputs, and 1 Optical Digital Outputs (fixed and assignable) 5 A/V (with SVideo) and 2 Audio Inputs, and 2 A/V (with S-Video) and 1 Audio Outputs 2 Component Video Inputs (fixed and assignable) and 1 HDTV compatible Component Video Output Main L/R, Center, Rear L/R and Rear Center Preout, and Subwoofer Output Terminals
RX-V640 Inputs and Outputs
Analog In Out Digital Coaxial Optical Composite In Out In Out In Out Video S Video In Out Compo. V.* In Out
CD MD/CD-R DVD D-TV/CBL VCR 1 VCR 2/DVR VIDEO AUX** MONITOR OUT
* Comp. V: Component Video ** Video Aux terminals are on front panel. *: Component Video Out is compatible with HDTV. : Fixed Terminals : Fixed and Assignable Terminals : Assignable Terminals
6-Channel External Decoder Input for Enjoying DVDAudio/Video or SACD
S-Video and Composite Monitor Output Terminals
40-Station AM/FM Preset Tuning
2-Way Binding-Post Speaker Terminals (Banana-Plug Compatible)
* Including front panel video aux terminal (fixed)
Preout Terminals for All Channels Preout terminals are provided for the two main, two rear, center, rear center and subwoofer channels so these outputs can be fed to one or more additional amplifiers for those desiring even higher levels of power. HDTV Compatible Component Video Out The frequency response of the Component Video Monitor Out signal is 5Hz60MHz, making it compatible with HDTV monitors. Front Panel Video Aux Input Terminals Front Panel Video Aux Input Terminals includes S-video and optical digital input terminals for connecting game machines, digital equipment, and so on. Fixed and Assignable Terminals Yamaha offers terminals that can be
either independently assigned to sources or defaulted to fixed settings. Speaker A, B or A+B Selection Speaker A, B or A+B Selection gives you the advantage of listening to either or both of two pairs of speakers. Preset Remote Control Unit It is preset with control codes for TV, DVD, VCR, CDR, and other components. It also provides control of subwoofer level. Tuner Section Features High Quality, Easy Operation In addition to utilizing a Direct PLL IF Count Synthesizer Tuning system, the RX-V640 also makes station selection easy. Users can preset as many as 40 stations for instant one-touch tuning, and with each one the tuning mode (auto or mono) is also memorized. Auto
FM Station Memory will automatically preset the 40 strongest stations on the dial. The Preset Editing function can then be used to rearrange them into groups. Other Notable Features 6-Channel External Decoder Input Terminals Sleep Timer
RX-V640 Main Specifications AUDIO SECTION Maximum Power Main Channels 125 W + 125 W Center Channel 125 W Rear Channels 125 W + 125 W Rear Center Channel 125 W Minimum RMS Output Power (8 ohms, 2020,000 Hz, 0.06% THD, FTC) Main Channels 85 W + 85 W Center Channel 85 W Rear Channels 85 W + 85 W Rear Center Channel 85 W High Dynamic Power, Low-Impedance Drive Capability Yes Dynamic Power/Channel 8 ohms 115 W 6 ohms 140 W 4 ohms 180 W 2 ohms 225 W Linear Damping Yes Damping Factor (8 ohms, 2020,000 Hz) 100 (speaker A) Input Sensitivity/Impedance Phono (MM) 2.5 mV/47 k-ohms CD 150 mV/47 k-ohms Frequency Response 10100,000 Hz +0, -3 dB Total Harmonic Distortion (2020,000 Hz) CD (Main Sp Out) 0.06% Signa-to-Noise Ratio (CD, 250 mV) 100 dB Tone Control Characteristics Bass Boost/Cut 10 dB 50 Hz Turnover Frequency 350 Hz Treble Boost/Cut 10 dB 20 kHz Turnover Frequency 3.5 kHz
VIDEO SECTION Video Signal Level S-Video Signal Level Component Video Signal Level
Y C Y Pb/Cb, Pr/Cr
Signal-to-Noise Ratio Monitor Out Frequency Response Composite/S-Video Signal Component Video Signal TUNER SECTION FM 50dB Quieting Sensitivity (1 kHz, 100% Modulation) Mono Stereo FM Selectivity 400 kHz FM Signal-to-Noise Ratio Mono/Stereo FM Frequency Response 2015,000 Hz GENERAL Standby Power Consumption Dimensions Weight (W x H x D)
1 Vp-p/75 ohms 1 Vp-p/75 ohms 0.286 Vp-p/75 ohms 1 Vp-p/75 ohms 0.7 Vp-p/75 ohms 50 dB 5 Hz10 MHz -3 dB 5 Hz60 MHz -3 dB
2 V (17.3 dBf) 25 V (39.2 dBf) 70 dB 76 dB/70 dB +0.5/2 dB
Less than 1 W 435 x 171 x 390 mm 13 kg
RX-V640 Notable Features
1 Optical Output Terminal (fixed and assignable) 5 A/V (with S-Video) and 2 Audio Input Terminals 2 A/V and 1 Audio Output Terminals Front Panel Video Aux Input Terminals with Optical Digital and S-Video Terminals Preout Terminals for Main, Center, Rear and Rear Center Channels Subwoofer Output Terminal 6-Channel External Decoder Input Terminals for Future Sound Formats 2-Way Binding-Post Speaker Terminals (banana-plug compatible, all terminals)
High Performance Digital Circuitry 96 kHz/24-Bit D/A Conversion for All Channels Accurate Touch Digitally Regulated Volume Control Governs All Channels (Yamaha YAC-520 LSI) 4-Layer DSP Processing Board to Prevent Digital Interference 2 High Density CINEMA DSP Circuitry Powerful Original 32-Bit Floating-Point Quantization System LSI (YSS-938) for CINEMA DSP Processing Compatibility with Latest Movie Sound Formats including Dolby Digital EX, Dolby Pro Logic II, DTS-ES Matrix 6.1, DTS-ES Discrete 6.1, and DTS Neo:6 Center Graphic Equalizer for Fine Tuning Sound Field Balance 24 Surround Programs (44 Variations) including New Music Video Programs Night Listening Mode with Indication for All Programs Quad-Field CINEMA DSP for 6.1-Channel Digital Surround SILENT CINEMA for Headphone Enjoyment Virtual CINEMA DSP for Versatile Surround Enjoyment 3 High Current Amplification 6-Channel High Power Discrete Amplifier Configuration (85W x 6 [2020,000 Hz, FTC]) High Dynamic Power, Low Impedance Drive Capability Linear Damping Circuit Prevents Unwanted Speaker Cone Movement Wide-Range Audio Frequency Response (10100,000 Hz +0/-3 dB) for DVD-Audio/SACD Compatibility Finest Parts Used Throughout Extra-Large, Low-Impedance Transformer (4.4 kg) Extra-Large Custom-Made Block Electrolytic Capacitors (12,000 F) Anti-Resonance, Aluminum-Extruded Heat Sink Direct Signal Path Speaker Relays with Gold-Plated Crossover Connection and Shielding for Stable Signal Path and Speaker Protection One-Point Grounding for Improving Linearity and Damping Factor ToP-ART Base for Reduced External Resonance High Performance Myca Capacitors and Film Capacitors Thick PC Board Wiring with 1.6mm Copper Jumper Cables Versatile, Extensive Connections 4 Optical and 1 Coaxial Digital Input Terminals (fixed and assignable, Video Aux: fixed)
Yamahas unique technology for the creation of sound fields is capable of powerfully reproducing the three-dimensional environment that movie sound engineers aim to convey, in any audio format from monaural to the latest 6.1-channel digital surround. It is compatible with DVD and all other A/V sources. Yamaha CINEMA DSP technology has received a patent in the U.S. (Patent No. 5,261,005).
High Video Quality HDTV(720p/1080i) Compatibility Wide-Range Video Power Bandwidth (5Hz60MHz -3 dB) 2 Component Video Input Terminals (fixed and assignable) and 1 Monitor Output Terminal Video Conversion (S-Video to Composite, Monitor Out)
Video Conversion is not offered on models in some areas.
Convenient Operating Features Program Name and Sound Field Indications Auto Priority Input Selection and Auto Decoder Selection Rotary Encode Input Selector Easy Menu Setup - Basic Modes: Setup and Speaker Level (Balance Adjustment) - Sound Modes: Speaker Set, Speaker Distance, LFE Level, Dynamic Range, 5-Band Center Graphic Equalizer and Headphone Tone Control - Input Modes: I/O Assignment and Input Mode - Options: Display Set, Memory Guard, Audio Mute (3 steps: Mute, -20dB, -50dB) and Zone Set Easy Menu Setup Can Control with Remote Control and Front Panel 6-4 Mixdown (6-Channel Input) Speaker A+B and A/B Selector Test Tone Generator Sleep Timer Preset Remote Control Unit with Preset Code for DVD, TV, VCR, etc. High Quality, Stable Reception Tuner 40-Station AM/FM Random Access Preset Tuning Auto Preset Tuning
Dolby Digital and Double D are trademarks of Dolby Laboratories Corporation. DTS, ES and DTS Digital Surround are trademarks of Digital Theater Systems, Inc. Product designs and specifications are subject to change without notice.
For details please contact:
Visit us at our website: http://www.yamaha.co.jp/
P.O.Box 1, Hamamatsu, Japan
03.1.10, 6:49 PM
IMPORTANT SAFETY INSTRUCTIONS
RISK OF ELECTRIC SHOCK DO NOT OPEN CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
Explanation of Graphical Symbols
The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert you to the presence of uninsulated dangerous voltage within the products enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons. The exclamation point within an equilateral triangle is intended to alert you to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance.
Read Instructions All the safety and operating instructions should be read before the product is operated. Retain Instructions The safety and operating instructions should be retained for future reference. Heed Warnings All warnings on the product and in the operating instructions should be adhered to. Follow Instructions All operating and use instructions should be followed. Cleaning Unplug this product from the wall outlet before cleaning. Do not use liquid cleaners or aerosol cleaners. Use a damp cloth for cleaning. Attachments Do not use attachments not recommended by the product manufacturer as they may cause hazards. Water and Moisture Do not use this product near water for example, near a bath tub, wash bowl, kitchen sink, or laundry tub; in a wet basement; or near a swimming pool; and the like. Accessories Do not place this product on an unstable cart, stand, tripod, bracket, or table. The product may fall, causing serious injury to a child or adult, and serious damage to the product. Use only with a cart, stand, tripod, bracket, or table recommended by the manufacturer, or sold with the product. Any mounting of the product should follow the manufacturers instructions, and should use a mounting accessory recommended by the manufacturer. A product and cart combination should be moved with care. Quick stops, excessive force, and uneven surfaces may cause the product and cart combination to overturn.
Ventilation Slots and openings in the cabinet are provided for ventilation and to ensure reliable operation of the product and to protect it from overheating, and these openings must not be blocked or covered. The openings should never be blocked by placing the product on a bed, sofa, rug, or other similar surface. This product should not be placed in a built-in installation such as a bookcase or rack unless proper ventilation is provided or the manufacturers instructions have been adhered to. Power Sources This product should be operated only from the type of power source indicated on the marking label. If you are not sure of the type of power supply to your home, consult your product dealer or local power company. For products intended to operate from battery power, or other sources, refer to the operating instructions. Grounding or Polarization This product may be equipped with a polarized alternating current line plug (a plug having one blade wider than the other). This plug will fit into the power outlet only one way. This is a safety feature. If you are unable to insert the plug fully into the outlet, try reversing the plug. If the plug should still fail to fit, contact your electrician to replace your obsolete outlet. Do not defeat the safety purpose of the polarized plug. Power-Cord Protection Power-supply cords should be routed so that they are not likely to be walked on or pinched by items placed upon or against them, paying particular attention to cords at plugs, convenience receptacles, and the point where they exit from the product. Lightning For added protection for this product during a lightning storm, or when it is left unattended and unused for long periods of time, unplug it from the wall outlet and disconnect the antenna or cable system. This will prevent damage to the product due to lightning and power-line surges. Power Lines An outside antenna system should not be located in the vicinity of overhead power lines or other electric light or power circuits, or where it can fall into such power lines or circuits. When installing an outside antenna system, extreme care should be taken to keep from touching such power lines or circuits as contact with them might be fatal. Overloading Do not overload wall outlets, extension cords, or integral convenience receptacles as this can result in a risk of fire or electric shock. Object and Liquid Entry Never push objects of any kind into this product through openings as they may touch dangerous voltage points or short-out parts that could result in a fire or electric shock. Never spill liquid of any kind on the product. Servicing Do not attempt to service this product yourself as opening or removing covers may expose you to dangerous voltage or other hazards. Refer all servicing to qualified service personnel. Damage Requiring Service Unplug this product from the wall outlet and refer servicing to qualified service personnel under the following conditions: a) When the power-supply cord or plug is damaged, b) If liquid has been spilled, or objects have fallen into the product, c) If the product has been exposed to rain or water,
CAUTION: READ THIS BEFORE OPERATING YOUR UNIT.
1 To assure the finest performance, please read this manual carefully. Keep it in a safe place for future reference. 2 Install this sound system in a well ventilated, cool, dry, clean place away from direct sunlight, heat sources, vibration, dust, moisture, and/or cold. Allow ventilation space of at least 30 cm on the top, 20 cm on the left and right, and 20 cm on the back of this unit. 3 Locate this unit away from other electrical appliances, motors, or transformers to avoid humming sounds. 4 Do not expose this unit to sudden temperature changes from cold to hot, and do not locate this unit in a environment with high humidity (i.e. a room with a humidifier) to prevent condensation inside this unit, which may cause an electrical shock, fire, damage to this unit, and/or personal injury. 5 Avoid installing this unit where foreign object may fall onto this unit and/or this unit may be exposed to liquid dripping or splashing. On the top of this unit, do not place: Other components, as they may cause damage and/or discoloration on the surface of this unit. Burning objects (i.e. candles), as they may cause fire, damage to this unit, and/or personal injury. Containers with liquid in them, as they may fall and liquid may cause electrical shock to the user and/or damage to this unit. 6 Do not cover this unit with a newspaper, tablecloth, curtain, etc. in order not to obstruct heat radiation. If the temperature inside this unit rises, it may cause fire, damage to this unit, and/or personal injury. 7 Do not plug in this unit to a wall outlet until all connections are complete. 8 Do not operate this unit upside-down. It may overheat, possibly causing damage. 9 Do not use force on switches, knobs and/or cords. 10 When disconnecting the power cord from the wall outlet, grasp the plug; do not pull the cord. 11 Do not clean this unit with chemical solvents; this might damage the finish. Use a clean, dry cloth. 12 Only voltage specified on this unit must be used. Using this unit with a higher voltage than specified is dangerous and may cause fire, damage to this unit, and/or personal injury. YAMAHA will not be held responsible for any damage resulting from use of this unit with a voltage other than specified. 13 To prevent damage by lightning, disconnect the power cord from the wall outlet during an electrical storm. 14 Do not attempt to modify or fix this unit. Contact qualified YAMAHA service personnel when any service is needed. The cabinet should never be opened for any reasons. 15 When not planning to use this unit for long periods of time (i.e. vacation), disconnect the AC power plug from the wall outlet. 16 Be sure to read the TROUBLESHOOTING section on common operating errors before concluding that this unit is faulty. 17 Before moving this unit, press STANDBY/ON to set this unit in standby mode, and disconnect the AC power plug from the wall outlet. 18 VOLTAGE SELECTOR (China and General models only) The VOLTAGE SELECTOR on the rear panel of this unit must be set for your local main voltage BEFORE plugging into the AC main supply. Voltages are 110/120/220/240 V AC, 50/60 Hz.
I Types of video jacks
VIDEO S VIDEO
PR PB Y
Use the AUDIO jacks on this unit for a video component which does not have optical digital output jack. However, multi-channel reproduction cannot be obtained with audio signals input from the AUDIO jacks.
1 VIDEO jack Conventional composite video signal. 2 S VIDEO jack Transmits color and luminance separately and achieves high-quality color reproduction. 3 COMPONENT VIDEO jacks Transmit color difference (PB, PR) and luminance separately and provide the best quality picture. Use the commercially available cable type specified for connecting each jack.
I Connecting a recording component
Connect the audio signal input jacks on your video component to the AUDIO OUT jacks on this unit. Then connect the video signal input jack on the video component to the VIDEO OUT jack on this unit for picture recording. Connect the audio signal output jacks on your component to the AUDIO IN jacks on this unit. Then connect the video signal output jack on the component to the VIDEO IN jack on this unit to play a source from your recording component. A second VCR or DVD recorder can be connected using the VCR 2/DVR jacks.
Signals received through the S VIDEO input jacks can be converted to composite signals in this unit and output through its VIDEO MONITOR OUT as well. (With the exception of China and General models) Signals received through the VIDEO jack on this unit can be output through the S VIDEO MONITOR OUT jack by setting V CONV. in OPTION 1 DISPLAY SET on the set menu to ON. When the unit receives signals through both S VIDEO and VIDEO jacks, signals input through the S VIDEO jack have priority. You can designate the input for the COMPONENT VIDEO A and B jacks to suit your components by using INPUT 1 I/O ASSIGNMENT on the set menu.
Signal flow inside this unit Input
COMPONENT VIDEO S VIDEO
Once you have connected a recording component to this unit, keep its power turned on while using this unit. If the power is off, this unit may distort the sound from other components.
Output (MONITOR OUT)
Only when V CONV. in OPTION 1 DISPLAY SET is set to ON on the set menu.
I Connecting a video monitor
Connect the video input jack on your video monitor to the MONITOR OUT VIDEO jack.
If you connect this unit with a source component using Component video jacks, you also need to connect your video monitor using Component video jacks.
TV/digital TV/ cable TV
MAIN AM ANT REAR (SURROUND) REAR CENTE
SUB WOOFER CENTER
VCR indicates audio signal direction
indicates left analog cables indicates right analog cables indicates optical cables indicates video signal direction
Speaker Main L/Main R
Main L/Center/Main R
1 L-R Adjusts the balance between the main left and right speakers. 2 C Adjusts the balance between the main left and center speakers. 3 RL Adjusts the balance between the main left and rear left speakers. 4 RC Adjusts the balance between the rear left and rear center speakers. 5 RR Adjusts the balance between the rear left and rear right speakers. 6 SWFR Adjust the balance between the main left speaker and the subwoofer.
Main L/Main R/Rear L/ Rear R Main L/Center/Main R/ Rear L/Rear R Main L/Center/Main R/ Rear L/Rear Center/Rear R
L C R RL RR
L C R RL RC RR
Rotate the INPUT selector (or press one of the input selector buttons on the remote control) to select the input source. The selected input source name and input mode appear on the front panel display for a few seconds.
CD MD/CD-R TUNER
Selected input source
To select the audio source connected to the 6CH INPUT jacks Select the input to which the video source component is connected before selecting an audio source. Press 6CH INPUT until 6CH INPUT appears on the front panel display.
Press STANDBY/ON (SYSTEM POWER on the remote control) to turn on the power.
or Remote control
Turn on the video monitor connected to this unit. Press SPEAKERS A or B to select the main speakers you want to use. If you are using two sets of main speakers, press both A and B.
SPEAKERS A B
If 6CH INPUT is shown on the front panel display, no other source can be played. To select another input source, first press 6CH INPUT so that 6CH INPUT disappears from the front panel display.
0105RX-V640_22-27_EN-U.p03.1.10, 6:53 PM
Start playback or select a broadcast station on the source component. Refer to the operation instructions for the component. Adjust the volume to the desired level. The volume level is displayed digitally. Example: 70 dB Control range: VOLUME MUTE (minimum) to 0 dB (maximum) The volume level indicator also shows the current volume level as a bar graph. If desired, use BASS and TREBLE. These controls only effect the sound from the main speakers.
I BGV (background video) function
The BGV function allows you to view images from a video source together with sounds from an audio source. For example, you can enjoy listening to classical music while watching beautiful scenery from a video source on the video monitor. Select a source from the video group, then select a source from the audio group using the input selector buttons on the remote control.
Selecting a sound field program
You can enhance your listening experience by selecting a DSP program. For details about each program, see pages 28 30.
After selecting the desired program, press the same button repeatedly to cycle through sub-programs if available. Example: Pressing MOVIE THEATER 2 repeatedly switches the sub-program between Adventure and General.
PROGRAM l / h
L C R LFE RL RR
Press one of the numeric buttons on the remote control to select the desired program. The name of the selected program appears on the front panel display.
There are 9 programs with sub-programs available with this unit. However, the selection depends on the input signal format and not all sub-programs can be used with all input signal formats. You cannot use the digital sound field processor with a source connected to the 6CH INPUT jacks of this unit or when the unit is reproducing a digital source with a sampling frequency greater than 48 kHz. The acoustics of your listening room affect the DSP program. Minimize the sound reflections in your room to maximize the effect created by the program. When you select an input source, this unit automatically selects the last DSP program used with that source. When you set this unit in standby mode, it stores the current source and DSP program in memory and automatically selects them when you turn on the power again. If the unit receives a Dolby Digital or DTS signal when the input mode is set to AUTO, the DSP program (No. 79) automatically switches to the appropriate decoding program. When the unit is reproducing a monaural source with PRO LOGIC or PRO LOGIC/Enhanced, or PRO LOGIC II Movie, no sound is output from the main and rear speakers. Sound can only be heard from the center speaker. (If 1A CENTER on the set menu is set to NON, the center channel sound is output from the main speakers.)
You can also select DSP program by pressing PROGRAM l / h on the front panel. Select a program based on your listening preference. Program names are just for reference.
I Selecting PRO LOGIC, PRO LOGIC II or Neo:6
Press STEREO/EFFECT to turn off the sound effect for normal stereo reproduction. Press STEREO/EFFECT again to turn the sound effect back on.
(Format): The display shows the signal format. When the unit cannot detect a digital signal it automatically switches to analog input. in: The display shows the number of input signal source channels, as follows: For multi-channel soundtrack such as front 3 channels, rear 2 channels and LFE, the display shows 3/2/ LFE. For bilingual broadcasts where the signal is split into 2 channels, the display shows 1+1. For signals with more than 3 channels the display shows MLT. fs: The display shows the sampling frequency. When the unit is unable to detect the sampling frequency Unknown shows in the front panel display. rate: The display shows the bit rate. When the unit is unable to detect the bit rate Unknown shows in the front panel display. flg: The display shows the flag - data encoded in a DTS or Dolby Digital signal that causes this unit to automatically switch to the appropriate decoder for playback.
DIGITAL SOUND FIELD PROCESSING (DSP)
Understanding sound fields
A sound field is defined as the characteristic sound reflections of a particular space. In concert halls and other music venues, we hear early reflections and reverberations as well as the direct sound produced by the artist(s). The variations in the early reflections and other reverberations among the different music venues is what gives each venue its special and recognizable sound quality. YAMAHA sent teams of sound engineers all around the world to measure the sound reflections of famous concert halls and music venues, and collect detailed sound field information such as the direction, strength, range, and delay time of those reflections. Then we stored this enormous amount of data in the ROM chips of this unit.
I Recreating a sound field
Recreating the sound field of a concert hall or an opera house requires localizing the virtual sound sources in your listening room. The traditional stereo system that uses only two speakers is not capable of recreating a realistic sound field. YAMAHAs DSP requires four effect speakers to recreate sound fields based on the measured sound field data. The processor controls the strength and delay time of the signals output from the four effect speakers to localize the virtual sound sources and fully encompass the listener.
Hi-Fi DSP programs
The following list gives you a brief description of the sound fields produced by each of the DSP programs. Keep in mind that most of these are precise digital recreations of actual acoustic environments.
No. 1 Program CONCERT HALL Features A large round concert hall with a rich surround effect. Pronounced reflections from all directions emphasize the extension of sounds. The sound field has a great deal of presence, and your virtual seat is near the center, close to the stage. This is the sound field at stage front in The Bottom Line, a famous New York jazz club, that seats up to 300 people. Its wide left to right seating arrangement offers a real and vibrant sound. The ideal program for lively, dynamic rock music. The data for this program was recorded at LAs hottest rock club. The listeners virtual seat is at the center-left of the hall. This program recreates the acoustic environment of a lively disco in the heart of a big city. The sound is dense and highly concentrated. It is also characterized by a high-energy, immediate sound. Using this program increases the listening position range. This is a sound field suitable for background music at parties, etc.
ENTERTAINMENT/ Disco ENTERTAINMENT/ 6ch Stereo
0106RX-V640_28-31_EN-U.p03.1.10, 6:53 PM
Sound design of CINEMA-DSP
Filmmakers intend for the dialog to be located right on the screen, the effect sound a little farther back, the music spread even farther back, and the surround sound around the listener. Of course, all of these sounds must be synchronized with the images on the screen. CINEMA-DSP is an upgraded version of YAMAHA DSP specially designed for movie soundtracks. CINEMA-DSP integrates the DTS, Dolby Digital, and Dolby Pro Logic surround sound technologies with YAMAHA DSP sound field programs to provide a surround sound field. It recreates comprehensive movie sound design in your audio room. In CINEMA-DSP sound field programs, YAMAHAs exclusive DSP processing is added to the Main left and right, and Center channels, so the listener can enjoy realistic dialogue, depth of sound, smooth transition between sound sources, and a surround sound field that goes beyond the screen. When a DTS or Dolby Digital signal is detected, the CINEMA-DSP sound field processor automatically chooses the most suitable sound field program for that signal.
Press FM/AM to select the FM band.
Press TUNING MODE (AUTO/MANL MONO) until the AUTO indicator lights up on the front panel display.
Press and hold MEMORY (MANL/AUTO FM) for at least 3 seconds. The preset number and the MEMORY and AUTO indicators flash. After about 5 seconds, automatic preset tuning starts, beginning at the frequency currently displayed and moving toward the higher frequencies.
MEMORY MAN`L/AUTO FM
A1:FM 89.9 MHz
When automatic preset tuning is completed, the front panel display shows the frequency of the last preset station.
I Manually presetting stations
You can store up to 40 stations (8 stations x 5 groups) manually.
Press PRESET/TUNING l / h to select a preset station number (1 to 8) while the MEMORY indicator is flashing. Press h to select a higher preset station number. Press l to select a lower preset station number.
C3:AM 1440 kHz
Tune in to a station. See page 32 for tuning instructions.
Press MEMORY (MANL/AUTO FM) on the front panel while the MEMORY indicator is flashing. The station band and frequency appear on the front panel display with the preset group and number you have selected.
When tuned to a station, the front panel display shows the frequency of the station received.
Press MEMORY (MANL/AUTO FM). The MEMORY indicator flashes for about 5 seconds.
Shows the displayed station has been stored as C3.
Repeat steps 1 to 5 to store other stations.
Press A/B/C/D/E repeatedly to select a preset station group (A to E) while the MEMORY indicator is flashing. The group letter appears. Check that the colon (:) is showing on the front panel display.
Any stored station data existing under a preset number is cleared when you store a new station under that preset number. The reception mode (stereo or monaural) is stored along with the station frequency.
C :AM 1440 kHz
Selecting a preset station
You can recall any desired station simply by selecting the preset station number under which it was stored.
I Exchanging preset stations
You can exchange the assignment of two preset stations. The example below describes the procedure for exchanging preset station E1 with A5.
PRESET/CH SET MENU
Select preset station E1 by using the A/B/C/D/E and PRESET/TUNING l / h. See Selecting a preset station at left.
Press A/B/C/D/E (A/B/C/D/E on the remote control) to select the preset station group. The preset group letter appears on the front panel display and changes each time you press A/B/C/D/E.
Press and hold PRESET/TUNING (EDIT) for at least 3 seconds. E1 and the MEMORY indicator flash on the front panel display.
If you playback a video source that uses scrambled or encoded signals to prevent it from being dubbed, the picture itself may be disturbed due to those signals.
I Special considerations when recording DTS material
The DTS signal is a digital bitstream. Attempting to digitally record the DTS bitstream will result in noise being recorded. Therefore, if you want to use this unit to record sources that have DTS signals recorded on them, the following considerations and adjustments need to be made. For LDs, DVDs and CDs encoded with DTS, follow the operating instructions of your player to set it to output an analog signal, if it is compatible with the DTS format.
Turn on the power of this unit and all connected components. Select the source component you want to record from.
Start playback (or select a broadcast station) on the source component. Start recording on the recording component.
You can set the following parameters on the set menu to obtain a better sound from the unit. Change the settings to reflect the needs of your listening environment.
Adjusting the items on the set menu
Use the remote control to make adjustments.
Set menu list
The set menus are divided by use and function into the 4 categories listed here.
The BASIC area contains the basic parameters that you must set before using this unit. It consists of the following menus. See pages for a detailed explanation. 1 SETUP 2 SP LEVEL (Speaker level)
2 3,5,8 4,6,7
The SOUND area contains parameters for altering sound output. It consists of the following menus that you can use to alter the quality and tone of the sound output by the system. 1 SPEAKER SET 2 SP DISTANCE (Speaker distance) 3 LFE LEVEL (Low frequency effect level) 4 D. RANGE (Dynamic range) 5 CENTER GEQ (Center graphic equalizer) 6 HP TONE CTRL (Headphone tone control)
You can change set menu parameters while the unit is reproducing sound. You can use NEXT and SET MENU +/ on the front panel to change these settings, if the unit is not set to TUNER mode. Press NEXT to select the category or field you wish to change, and SET MENU +/ to change the parameters.
You cannot change some set menu parameters while the unit is in night listening mode.
The INPUT area contains parameters concerned with signal input. It consists of the following menus that you can use to change the assignment of input jacks. 1 I/O ASSIGN 2 INPUT MODE
Press SET MENU to enter the set menu.
This is a supplementary set up menu provided for your convenience. It consists of the following menus that you can use to change display brightness, protect existing settings, and perform other non-essential functions. 1 DISPLAY SET 2 MEM. GUARD 3 AUDIO MUTE 4 ZONE SET 5 REC OUT (U.S.A., Canada and Australia models only)
*3VCR stop Enter
Stop Index Display
*1 This button functions only when the original remote control of the component has a POWER button. *2 These buttons can operate your TV without switching the input if the manufacturer code is set in D-TV/CBL or ##. When the manufacturer code for your TV is set up in the both D-TV/CBL and ## areas, priority is given to the signal in the D-TV/CBL area. *3 These buttons can operate your VCR without switching the input to VCR if the manufacturer code is set in VCR.
SETTING THE SPEAKER LEVELS
Adjusting the volume during playback
You can adjust the volume of the speakers while listening to sound playback.
Using the test tone
Use the test tone to set speaker levels so that the volume from each speaker is identical when heard from your listening position.
HALL JAZZ CLUB MUSIC VIDEO
Press AMP. Press LEVEL repeatedly to select the speaker you want to adjust. The unit cycles through the speakers in the following order each time you press LEVEL: MAIN LCENTERMAIN RR SUR. (rear R)REAR CT (rear center)L SUR. (rear L)SWFR (subwoofer)..
Press AMP. Press TEST. The unit will output a test tone. Press u / d repeatedly to select a speaker to adjust. Each time you press d, the unit will cycle through the speakers in the following order: TEST LEFT(main L)TEST CENTER(center)TEST RIGHT(main R)TEST R SUR.(rear R)TEST REAR CNTR(rear center)TEST L SUR.(rear L)TEST SUBWOOFER(subwoofer).. (Press u to cycle the speakers in the reverse order.) Press j / i to adjust speaker volumes. Press TEST when you have completed your adjustment. The test tone halts.
Pressing LEVEL once opens the level display. Press u / d at this time to select a speaker.
Press j / i to adjust the speaker volume. The center and rear speakers can be adjusted by a maximum of 10dB ~ +10dB. The main speakers and subwoofer can be adjusted by a maximum of 20dB ~ 0dB.
You cannot adjust speaker levels if the SOUND 1 SPEAKER SET parameter in the set menu is set to NON. You cannot adjust the subwoofer level if the 1E BASS parameter in SOUND 1 SPEAKER SET in the set menu is set to MAIN. If you use LEVEL to adjust speaker levels, the speaker levels you previously set with the test tone will also change. If you select BASIC 1 SETUP in the set menu and then select SET, speaker levels change in response to any changes you make in BASIC 1 SETUP.
I Remote control
The remote control does not work nor function properly.
Wrong distance or angle.
The remote control will function within a maximum range of 6 m (20 feet) and no more than 30 degrees off-axis from the front panel. Reposition this unit.
Direct sunlight or lighting (from an inverter type of fluorescent lamp, etc.) is striking the remote control sensor of this unit. The batteries are weak. The manufacture code has not correctly set.
Replace all batteries with new ones. Set the code correctly. Try setting another code of the same manufacturer.
Even if the manufacturer code is correctly set, there are some models that do not respond to the remote control.
I Dolby Surround
Dolby Surround uses a 4 channel analog recording system to reproduce realistic and dynamic sound effects: 2 main left and right channels (stereo), a center channel for dialog (monaural), and a rear channel for special sound effects (monaural). The rear channel reproduces sound within a narrow frequency range. Dolby Surround is widely used with nearly all video tapes and laser discs, and in many TV and cable broadcasts as well. The Dolby Pro Logic decoder built into this unit employs a digital signal processing system that automatically stabilizes the volume on each channel to enhance moving sound effects and directionality.
I DTS (Digital Theater Systems) Digital Surround
DTS digital surround was developed to replace the analog soundtracks of movies with a 6-channel digital sound track, and is now rapidly gaining popularity in movie theaters around the world. Digital Theater Systems Inc. has developed a home theater system so that you can enjoy the depth of sound and natural spatial representation of DTS digital surround in your home. This system produces practically distortion-free 6-channel sound (technically, a left, right and center channels, 2 rear channels, plus an LFE 0.1 channel as a subwoofer, for a total of 5.1 channels). The unit incorporates DTS-ES decoder that enables 6.1channel reproduction by adding the rear center channel to existing 5.1-channel format.
I Dolby Digital
Dolby Digital is a digital surround sound system that gives you completely independent multi-channel audio. With 3 front channels (left, center, and right), and 2 rear stereo channels, Dolby Digital provides 5 full-range audio channels. With an additional channel especially for bass effects, called LFE (low frequency effect), the system has a total of 5.1 channels (LFE is counted as 0.1 channel). By using 2-channel stereo for the rear speakers, more accurate moving sound effects and surround sound environment are possible than with Dolby Surround. The wide dynamic range (from maximum to minimum volume) reproduced by the 5 full-range channels and the precise sound orientation generated using digital sound processing provide listeners with previously unheard of excitement and realism. With this unit, any sound environment from monaural up to a 5.1-channel configuration can be freely selected for your enjoyment. Dolby Digital EX creates 6 full-bandwidth output channels from 5.1-channel sources. This is done using a matrix decoder that derives 3 surround channels from the 2 in the original recording. For the best results, Dolby Digital EX should be used with movie sound tracks recorded with Dolby Digital Surround EX. With this additional channel, you can experience more dynamic and realistic moving sound especially with scenes with flyover and fly-around effects.
Neo:6 decodes the conventional 2-channel sources for 6 channel playback by a specific decoder. It enables playback with the full-range of channels with higher separation just like digital discrete signal playback. Two modes are available; Music mode for playing music sources and Cinema mode for movies.
I LFE 0.1 channel
This channel is for the reproduction of low bass signals. The frequency range for this channel is 20 Hz to 120 Hz. This channel is counted as 0.1 because it only enforces a low frequency range compared to the full-range reproduced by the other 5 channels in a Dolby Digital or DTS 5.1 channel systems.
I CINEMA DSP
I Dolby Pro Logic II
Dolby Pro Logic II is an improved technique used to decode vast numbers of existing Dolby Surround software. This new technology enables a discrete 5channel playback with 2 main left and right channels, 1 center channel, and 2 rear left and right channels (instead of only 1 rear channel for conventional Pro Logic technology). A music mode is also available for 2-channel sources in addition to the movie mode.
OPTIMUS ONKYO PHILIPS PIONEER REVOX SANSUI SHARP SHERWOOD SONY TEAC TECHNICS WARDS YAMAHA
0034, 0064, 0204, 0334 0364, 0034, 0044, 0094, 0334 0054, 0084, 0324 0194, 0254 0074, 0004, 0014, 0104, 0114, 0164, 0174, 0264
HITACHI JVC (VICTOR) MARANTZ PHILIPS PIONEER YAMAHA 0484, 0454 0414
KENWOOD PIONEER SHARP SONY YAMAHA 0024, 0394, 0404, 0514
AIWA AKAI CARVER DENON FISHER GARRARD JVC (VICTOR) KENWOOD MAGNAVOX MARANTZ MITSUBISHI 0094, 0214, 0144 0194, 0204 0274, 0284, 0294 0124, 0134, 0154, 0234, 0244, 0094, 0344 0184
YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA
ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A. CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, VSTRA FRLUNDA, SWEDEN MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA
Printed in Malaysia
03.1.10, 6:50 PM
|Product Type||AV receiver|
|Available Body Colors||Black, gold|
|Built-in Decoders||Dolby Pro Logic, Dolby Pro Logic II, Dolby Digital Surround EX, DTS Neo:6, DTS-ES Matrix 6.1, DTS-ES Discrete 6.1, Dolby Digital, DTS decoder|
|Audio D/A Converter||24bit / 96kHz|
|Surround Sound Effects||Virtual CINEMA DSP, Tri-Field CINEMA DSP, Quad-Field CINEMA DSP, CINEMA DSP, SILENT CINEMA DSP|
|Digital Sound Processor (DSP)||Yes|
|DSP Preset Qty||24|
|DSP Presets||Disco, Jazz club, Game, Mono Movie, Rock Concert, 6ch stereo, Sci-Fi, Adventure, Concert Hall, Spectacle, General, Enhanced, Pop/Rock, Variety/Sports|
|Surround System Class||6.1 channel|
|Response Bandwidth||10 - 100000 Hz|
|Signal-To-Noise Ratio||100 dB|
|Input Impedance||47 kOhm|
|Input Sensitivity||150 mV|
|Total Harmonic Distortion||0.06%|
|Amplifier Output Details||85 Watt - 8 Ohm - 20 - 20000 Hz - THD 0.06% - 6 channel(s) ( surround )|
|Additional Features||Digital signal format auto detection / auto switching, on-screen display, A/B/A+B speaker switch, Midnight Mode, source direct, Yamaha Parametric Room Acoustic Optimizer (YPAO)|
|Signal Processing Features|
|Video Conversion/Scaling||Composite video to S-Video conversion|
|Coaxial Digital Input||Yes|
|Optical Digital Input||Yes|
|Optical Digital Output||Yes|
|Type||Radio tuner - AM/FM - digital|
|Tuning Display||Fluorescent display|
|Preset Station Qty||40 preset stations|
|Antenna Form Factor||Loop AM / wire FM|
|Response Bandwidth||20 - 15000 Hz|
|Signal-To-Noise Ratio||76 dB|
|Auto Preset Memory||Yes|
|Type||Universal remote control - infrared|
|Supported Devices||MD recorder, CD recorder, TV, VCR, DVD player, CD player, MD player|
|Connector Type||1 x composite video/audio input ( RCA phono x 3 ) - front 1 x headphones - front 1 x S-Video input ( 4 pin mini-DIN ) - front 1 x SPDIF input ( TOSLINK ) - front 1 x audio line-out ( RCA phono x 2 ) - rear 2 x audio line-in ( RCA phono x 2 ) - rear 1 x 5.1 channel audio line-in ( RCA phono x 6 ) - rear 1 x 6.1 channel audio line-out ( RCA phono x 7 ) - rear 2 x S-Video output ( 4 pin mini-DIN ) - rear 4 x S-Video input ( 4 pin mini-DIN ) - rear 2 x composite video/audio output ( RCA phono x 3 ) - rear 4 x composite video/audio input ( RCA phono x 3 ) - rear 1 x component video output ( RCA phono x 3 ) - rear 2 x component video input ( RCA phono x 3 ) - rear 1 x monitor output ( RCA phono ) - rear 1 x monitor output ( 4 pin mini-DIN ) - rear 3 x SPDIF input ( TOSLINK ) - rear 1 x SPDIF input ( RCA phono ) - rear 1 x SPDIF output ( TOSLINK ) - rear 8 x speakers output ( banana/spade x 2 ) - rear 1 x AM antenna ( click-fit x 2 ) - rear 1 x FM antenna ( F connector ) - rear|
|Included Accessories||AM antenna, FM antenna|
|Power Device||Power supply - internal|
|Power Consumption Stand by / Sleep||0.1 Watt|
|Universal Product Identifiers|
Series I LE26A456 193P Plus EVA700 Touch 320 AR-5415 BM 220 DP-508 TC4200 Motorola E6E ZR750-H Battlefront Mailbox 4635 SDJ-1 HDR-XR200E DV4006 Hedgehog MAX-ZJ650 Dvdr9000H BHP452 C410DN HL-5040 5150C Laserjet 1200 ZCV782 IP500pbxw Bluetooth HUB Gz-mc500 Saitek ST90 12070 W SL-SV570 X3 2005 KX-FP373FX 15065D DWS-1008 SW500 2243LNX 300 350 Light Alesis QSR 2720 Fold AW08ECB8 HP3701 ES-7101 Yeti SE XC-NS1 Photo 890 Desktop PC Becker Z215 NWZ-E355 Kxtg7574C Kangoo CDP-XE700 EN6200 Sdrs26 Tecra M9 XT350-2000 PV-M2046 Seiko 5J22 VS900 Ericsson C902 Fostex 600 Debut III BT621fsst KX-TG6052 OLE Co80 TX-SR576E M893 IS WS9635 LA-80 L U 1 0 HTX-11 Lrtpc1831T VPL-HS3 QB5026W BH-602 DMC-FX580 CD960 Review Intuis IT Coolpix S225 AOS-33 225MD DTH 8657 TS-WX22A Voyager 510S FAX-phone L80 SGH-I620 Serie GPS 80 32LB130S5 MB-10 SA-BX500 220-240v Ferrari Catalogue 2005 Duty 5 Induction HOB ITD 71 WS-FV10D
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