EXAMPLE OF ANTENNA GROUNDING

ANTENNA LEAD IN WIRE

GROUND CLAMP
ANTENNA DISCHARGE UNIT (NEC SECTION 81020)
Note to CATV system installer:
This reminder is provided to call the CATV system installers attention to Article 820-40 of the NEC that provides guidelines for proper grounding and, in particular, specifies that the cable ground shall be connected to the grounding system of the building, as close to the point of cable entry as practical.
ELECTRIC SERVICE EQUIPMENT
GROUNDING CONDUCTORS (NEC SECTION 81021) GROUND CLAMPS POWER SERVICE GROUNDING ELECTRODE SYSTEM (NEC ART 250. PART H)
NEC NATIONAL ELECTRICAL CODE
SPECIAL NOTES FOR FCC COMPOSITE DEVICE (for US customers only)
This device is a composite system. The digital device component may not cause harmful interference.
FCC INFORMATION (for US customers only)
1. IMPORTANT NOTICE : DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT : When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA. 3. NOTE : This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class B digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit OFF and ON, please try to eliminate the problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to coaxial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Electronics Corp., U.S.A. 6660 Orangethorpe Ave, Buena Park, CA 90620. The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.

Dolby Pro Logic Surround + DSP
Dolby Surround sound system shows its full ability in a large movie theater, because movie sounds are originally designed to be reproduced in a large movie theater using many speakers. It is difficult to create a sound environment similar to that of a movie theater in your listening room, because the room size, materials of inside walls, the number of speakers, etc. of your listening room is much different from those of a movie theater. Yamaha DSP technology made it possible to present you with nearly the same sound experience as that of a large movie theater in your listening room by compensating for lack of presence and dynamics in your listening room with its original digital sound fields combined with Dolby Surround sound field. The combination of Dolby Pro Logic Surround and DSP is used on the sound field program PRO LOGIC ENHANCED. RX-V692 only This combination is used on sound field programs PRO LOGIC ENHANCED, 70 mm MOVIE THEATER and TV SPORTS.

CINEMA DSP

The YAMAHA CINEMA DSP logo indicates these programs are created by the combination of Dolby Pro Logic and YAMAHA DSP technology.

SPEAKER SETUP

SPEAKERS TO BE USED
This unit is designed to provide the best sound-field quality with a 5 speaker configuration. The most effective speakers to use with this unit are main speakers, rear speakers and a center speaker. You may omit the center speaker. (Refer to the 4-Speaker Configuration shown below.) The main speakers are used for the main source sound plus the effect sounds. They will probably be the speakers from your present stereo system. The rear speakers are used for the effect and surround sounds, and the center speaker is for the center sounds (dialog etc.) within programs encoded with Dolby Surround. The center speaker needs to be equal in power to the main speakers, although the rear speakers should not be equal. However, all the speakers should have high enough power handling to accept the maximum output of this unit.

SPEAKER CONFIGURATION

5-Speaker Configuration
This configuration is the most effective and recommended one. In this configuration, the center speaker is necessary as well as the rear speakers. If one of the programs shown below is selected, conversations will be output from the center speaker and the ambience will be excellent. PRO LOGIC PRO LOGIC ENHANCED 70 mm MOVIE THEATER RX-V692 only

4-Speaker Configuration

The center speaker is not used in this configuration. If one of the programs shown below is selected, the center sound is output from the left and the right main speakers. However, the sound effect of other programs can be the same as that of the 5-speaker configuration. PRO LOGIC PRO LOGIC ENHANCED 70 mm MOVIE THEATER RX-V692 only
TV SPORTS RX-V692 only Note: Set the center channel mode to the NORMAL or WIDE position. (For details, refer to page 21.)
Front L Main Center Front R Main R
TV SPORTS RX-V692 only Note: Be sure to set the center channel mode to the PHANTOM position. (For details, refer to page 21.)
Front L Main Main R Front R

Dialogue

Surround sound Rear L Rear R

SPEAKER PLACEMENT

The recommended speaker configuration, the 5-speaker configuration, will require two speaker pairs: main speakers (your normal stereo speakers), and rear speakers, plus a center speaker. When you place these speakers, refer to the following.
Main: Front R Main R Center Main L Front L TV set Rear R
In normal position. (The position of your present stereo speaker system.) Rear: Behind your listening position, facing slightly inward. Nearly six feet (approx. 1.8 m) up from the floor. Center: Precisely between the main speakers. (To avoid interference with TV sets, use a magnetically shielded speaker.)

Rear L

CONNECTIONS
Never plug in this unit and other components until all connections are completed.
CONNECTIONS WITH OTHER COMPONENTS
When making connections between this unit and other components, be sure all connections are made correctly, that is to say L (left) to L, R (right) to R, + to + and to. Also, refer to the owners manual for each component to be connected to this unit. * If you have YAMAHA components numbered as 1, 2, 3, etc. on the rear panel, connections can be made easily by making sure to connect the output (or input) terminals of each component to the same-numbered terminals of this unit.

Turntable

Monitor TV

LD player etc.

AUDIO OUT

OUTPUT

75 UNBAL.

VIDEO IN

VIDEO OUT

(U.S.A. model)

CENTER
6CH DISCRETE INPUT DVD/LD TV/DBS

MAIN CENTER SURROUND

REAR (SURROUND)

IMPEDANCE SELECTOR

REAR 6MIN. /SPEAKER CENTER SINGLE:6MIN. /SPEAKER DUAL:3MIN. /SPEAKER MAIN A OR B:4MIN. /SPEAKER A B:8MIN. /SPEAKER

FM ANT

SUB WOOFER

CENTER C DUAL D

REAR 8MIN. /SPEAKER CENTER SINGLE:8MIN. /SPEAKER DUAL:4MIN. /SPEAKER MAIN A OR B:8MIN. /SPEAKER SUB A B:I6MIN. /SPEAKER

VIDEO SIGNAL GND AM ANT

SINGLE

WOOFER

CAUTION SEE INSTRUCTION MANUAL FOR CORRECT SETTING.
MONITOR DVD/LD TV/DBS OUT VIDEO

AUDIO SIGNAL

PHONO CD
REC 3 TAPE 4 OUT PB TAPE ( MD ) DVD/LD TV/DBS

IN VCR

SWITCHED I20V 60Hz I00W MAX. TOTAL

SPEAKERS AC OUTLETS

To AC outlet AUDIO OUT AUDIO OUT VIDEO OUT VIDEO OUT LINE OUT AUDIO IN VIDEO IN OUTPUT

CD player

LINE IN
Tape deck, MD recorder, etc.

TV/Satellite tuner

Video cassette recorder

: See the next page.

AC OUTLET(S) (SWITCHED)
(U.S.A., Canada, Singapore and General models)... 2 SWITCHED OUTLETS (Australia model).. 1 SWITCHED OUTLET Use these to connect the power cords from your components to this unit. The power to the SWITCHED outlets is controlled by this units POWER switch or the provided remote control transmitters POWER key. These outlets will supply power to any component whenever this unit is turned on. The maximum power (total power consumption of components) that can be connected to the SWITCHED AC OUTLET(S) is 100 watts.
GND terminal (For turntable use)
Connecting the ground wire of the turntable to the GND terminal will normally minimize hum, but in some cases better results may be obtained with the ground wire disconnected.
CONNECTING TO VIDEO AUX TERMINALS (ON THE FRONT PANEL)
These terminals are used to connect any video input source such as a camcorder to this unit.

VIDEO AUX

S VIDEO

L AUDIO R

AUDIO OUT R

AUDIO OUT L

VIDEO OUT S VIDEO OUT

Camcorder

: S VIDEO terminal is provided for RX-V692 only.
Connecting with a Dolby Digital (AC-3) Decoder
If you have a Dolby Digital (AC-3) Decoder unit or an LD player etc. which incorporates a Dolby Digital (AC-3) Decoder, its discrete outputs can be connected to this unit.

6CH DISCRETE OUTPUT

Dolby Digital (AC-3) Decoder unit

DIGITAL IN

DIGITAL OUT

VIDEO SIGNAL

RF Demodulator

GND AM ANT

MONITOR IN OUT VCR OUT S VIDEO

AC-3 RF IN

IN DVD/LD TV/DBS VCR OUT
REC 3 TAPE 4 OUT PB TAPE ( MD )
AC-3 RF OUT VIDEO OUT AUDIO OUT Laserdisc player with AC-3 RF output or another unit with AC-3 RF output

Notes The laserdisc player (or another unit) must be also connected to the DVD/LD (or TV/DBS) AUDIO SIGNAL input terminals of this unit for playing a source with the Dolby Pro Logic Surround decoded or in normal stereo (or monaural). The discrete signals input to this unit cannot be recorded by a tape deck, MD recorder or VCR. To record a source played on the laserdisc player (or another unit), it must be connected to the DVD/LD (or TV/DBS) AUDIO/VIDEO SIGNAL input terminals of this unit.
If you made no connection to the SUBWOOFER input terminal of this unit or you will not use a subwoofer, you should make a setting for distributing signals at the LFE channel to the right and left MAIN output terminals on the Dolby Digital (AC-3) Decoder unit. For details, refer to the owners manual for the Dolby Digital (AC-3) Decoder unit.

RX-V692 only

CONNECTING TO S VIDEO TERMINALS
If you have a video cassette recorder and a monitor equipped with S (high-resolution) video terminals, those terminals can be connected to this units S VIDEO terminals. Connect the video cassette recorders S video input and output terminals to this units S VIDEO VCR IN and OUT terminals respectively, and connect the monitors S video input terminal to this units S VIDEO MONITOR OUT terminal. Otherwise, connect the video cassette recorders composite video terminals to this units composite video terminals, and connect the monitors composite video input terminal to this units composite MONITOR OUT terminal. Note If video signals are sent to both S VIDEO input and composite input terminals, the signals will be sent to their respective output terminals independently.

Monitor TV VIDEO IN

ON SCREEN SELECTOR

S VIDEO IN

PAL NTSC S VIDEO VIDEO

S VIDEO OUT

: Provided for General model only.

ON SCREEN DISPLAY

If you connect a video cassette recorder, LD player, video monitor, etc. to this unit, you can display DSP program names and information about other settings and adjustments on the video monitor screen which is connected to the composite VIDEO (or S VIDEO) MONITOR OUT terminal of this unit. Information is superimposed over the video image. If there is no program material on the monitor, the information will be displayed over a monochromatic background. By using the S VIDEO/VIDEO switch, select the video monitor connected to the S VIDEO or composite VIDEO MONITOR OUT terminal on which you want to display the screen display information.

Unscrew the knob. Insert the bare wire.
[Remove approx. 5mm (1/4) insulation from the speaker wires.] Tighten the knob and secure the wire.
Press the tab. Insert the bare wire.
[Remove approx. 5mm (1/4) insulation from the speaker wires.] Release the tab and secure the wire.
Banana Plug connections are also possible (except for Singapore model). Simply insert the Banana Plug connector into the corresponding terminal.

For Custom Installer

For U.S.A. and Canada models of RX-V692 only REMOTE CONTROL (IN, OUT) terminals
These terminals are used for custom installation system. When this unit is connected to the components for custom installation system, you can operate this unit with the system remote control. Connect the REMOTE CONTROL IN terminal of this unit to the output terminal of the central controller for custom installation system. By connecting the REMOTE CONTROL OUT terminal of this unit to the REMOTE CONTROL IN terminal of the other component, you can also operate it with the system remote control. In this way, up to 6 components can be connected in series.

UT DVD/LD TV/DBS

ER SURROUND

REMOTE CONTROL

S VIDEO VIDEO
OUTPUT terminals (for driving speakers with external amplifiers)
MAIN CENTER REAR (SURROUND)
REAR (SURROUND) OUTPUT terminals
These terminals are for rear channel line output. There is no connection to these terminals when you use the built-in amplifier. However, if you drive rear speakers with an external stereo power amplifier, connect the input terminals of the external amplifier (MAIN IN or AUX terminals of a power amplifier or an integrated amplifier) to these terminals.

MAIN OUTPUT terminals

These terminals are for main channel line output. There is no connection to these terminals when you use the built-in amplifier. However, if you drive main speakers with an external stereo power amplifier, connect the input terminals of the external amplifier (MAIN IN or AUX terminals of a power amplifier or an integrated amplifier) to these terminals. * Output signals from the MAIN OUTPUT terminals only are affected by the use of BASS, TREBLE, BALANCE controls and BASS EXTENSION switch.
SUBWOOFER OUTPUT terminal
This terminal is for connecting with the input terminal of an amplifier for driving a subwoofer. When the input signals to this unit are in normal 2-channel stereo, this terminal outputs only frequencies below 200 Hz from the main and center channels. When discrete signals are input to this unit and are selected as the input source, this terminal outputs signals from the subwoofer channel.

CENTER OUTPUT terminal

This terminal is for center channel line output. There is no connection to this terminal when you use the built-in amplifier. However, if you drive a center speaker with an external power amplifier, connect the input terminal of the external amplifier to this terminal.

Center

Rear (L and R)

Main (R)

The test tone from the left rear speaker and the right rear speaker will be heard at the same time.
Adjust the BALANCE control so that the effect sound output level of the left main speaker and the right main speaker are the same.

CONTINUED

PRO LOGIC ENHANCED CONCERT VIDEO 3 DISCO 6 PHONO V-AUX 1 MONO MOVIE 2 STADIUM 5 HALL 8 +TEST EFFECT ON/OFF
PRO LOGIC ENHANCED MOVIE THEATER 1 TV SPORTS 4 ROCK 7 HALL STADIUM DISCO 6 PHONO V-AUX

4 ROCK

JAZZ CLUB CHURCH 8 +9 TEST EFFECT ON/OFF

MASTER VOLUME MUTE

Adjust the sound output levels of the center speaker and the rear speakers so that they become almost as same as that of the main speakers.

Cancel the test tone.

Press once or more so that CENTER or REAR appears on the display. * Select CENTER to adjust the output level of the center speaker, and select REAR to adjust the output level of the rear speakers.

Disappears.

Adjust its level. * Pressing the + side raises and the side lowers the level.
Notes Once you have completed these adjustments, you can adjust whole sound level on your audio system by using the VOLUME control (or the MASTER VOLUME keys on the remote control transmitter) only. q If you use external power amplifiers, you may also use their volume controls to achieve proper balance. q In step 10, if the center channel mode is in the PHANTOM position, the sound output level of the center speaker cannot be adjusted. This is because in this mode, the center sound is automatically output from the left and right main speakers.

BASIC OPERATIONS

TO PLAY A SOURCE
Play the source. (For detailed information on the tuning operation, refer to page 26.)
Adjust to the desired output level.
Select the desired input source by using the input selector buttons. (For video sources, turn the TV/monitor ON.)

VCR TV/DBS DVD/LD

If desired, adjust the BASS, TREBLE, BALANCE controls, etc. (refer to page 25) and use the digital sound field processor. (Refer to page 32.)
* The name of the selected input source will appear on the display.
Notes on using the input selector buttons Note that pressing on each input selector button selects the source which is connected to the corresponding input terminals on the rear panel. * To select the source connected to the VIDEO AUX terminals on the front panel, press VIDEO AUX. q The selection of TAPE (MD) MON cannot be canceled by pressing another input selector button. To cancel it, press TAPE (MD) MON again so that TAPE MONITOR disappears from the display. When you select a button other than TAPE (MD) MON, make sure that TAPE MONITOR is not illuminated on the display. q If you select the input selector button for a video source without canceling the selection of TAPE (MD) MON, the playback result will be the video image from the video source and the sound from the audio tape (or MD etc.). q Once you play a video source, its video image will not be interrupted even if the input selector button for an audio source is selected.

Brief Overview of Digital Sound Field Programs
The following list gives you a brief description of the sound fields produced by each of the DSP programs. Keep in mind that most of these are precise digital recreations of actual acoustic environments. The data for these sound fields was recorded at actual locations using sophisticated sound field measurement equipment. Note The channel level balance between the left and right rear effect speakers may vary depending on the sound field you are listening to. This is due to the fact that most of these sound field recreations are actual acoustic environments.

PROGRAM

FEATURE This program is used for playback of sources encoded with Dolby Surround. The application of a sophisticated digital signal processing system reduces crosstalk and directs or steers the sound source more smoothly and precisely, as compared to conventional types. This program is also used for playback of sources encoded with Dolby Surround. Enhancing the Normal Dolby Pro Logic, the DSP technology simulates the multi-surround speaker systems of a 35 mm movie theater. This effect creates a wide surround sound field, and expands the sound stage with an improved presence image. This program is used for musical based movies, as well as drama and comedy based movies. This program gives you long delays between direct sounds and effect sounds, and extraordinarily spacious feel of a large stadium. This program recreates the acoustic environment of a lively disco in the heart of a very lively city. The sound is dense and highly concentrated. It is also characterized by a high-energy, immediate sound. This program is ideally suited for rock music. You will experience a very dynamic or lively sound field. In this program, the center will appear to be deep behind the main speakers, creating an expansive large hall ambience. Orchestra and opera music are suited for this sound field.

PRO LOGIC ENHANCED

DISCO ROCK CONCERT CONCERT HALL
PROGRAM FEATURE This program is effective for playback of sources encoded with Dolby Surround. The Yamaha DSP technology is ideally combined with the Dolby Pro Logic to present you incredible listening experience of the 70 mm film movie theater. This program is ideal for precisely reproducing the sound design of the newest movies. The sound field is made according to the design of the newest movie theaters, so the reverberations of the sound field itself are restrained as much as possible. The three dimensional feeling of the sound field is emphasized, and dialog is precisely oriented on the screen. You can enjoy watching Sci-Fi, adventure movies, etc. with this program. This program is furnished with a tight sound field in which the sound will not spread excessively on the front side, but the rear surround side produces a dynamic sound expansion. This program is the most suitable for sports programs encoded with Dolby Surround. This is a small, cozy jazz club with a low ceiling. The sound is very close and intimate. This program recreates the acoustic environment of a big church with a high pointed dome and columns along the sides. This interior produces very long reverberations.

JAZZ CLUB CHURCH

RX-V592 only
PROGRAM CONCERT VIDEO FEATURE This program is effective for music videos and gives excellent depth and clarity for vocals. For opera, the orchestra and stage are ideally recreated, letting you feel as if you were in an actual concert hall. This program is designed specifically to enhance mono source programs. Compared to a strictly mono setting, the sound image created in this mode is wider and slightly forward of the speaker pair, lending an immediacy to the overall sound. It is particularly effective when used with old mono movies, news broadcasts and dialog.
To play a source with the digital sound field processor
PRO LOGIC ENHANCED MOVIE THEATER STADIUM DISCO 6 PHONO V-AUX
PRO LOGIC ENHANCED STADIUM 5 HALL 8 +0
TV SPORTS 4 ROCK 7 HALL 0

MONO MOVIE 4 ROCK 7

Follow steps shown in BASIC OPERATIONS on page 23. Select the desired program that is suitable for the source.
Notes Program selection can be made to individual input sources. Once you select a program, it is linked with the input source selected at that time. So, when you select the input source next time, the same program is automatically called. If you prefer to cancel the DSP, press the EFFECT button. The sound will be the normal 2-channel stereo without surround sound effect. RX-V692 only When STADIUM, DISCO, ROCK CONCERT, JAZZ CLUB, CHURCH or CONCERT HALL is selected, no sound is heard from the center speaker.
RX-V592 only When CONCERT VIDEO, MONO MOVIE, DISCO, STADIUM, ROCK CONCERT or CONCERT HALL is selected, no sound is heard from the center speaker.
The selected program name is shown on the display.
If desired, adjust the delay time and the output level of each speaker. (For details, refer to the corresponding descriptions on page 33 and 34.)
When a monaural sound source is played with DOLBY PRO LOGIC or DOLBY PRO LOGIC ENHANCED, no sound is heard from the main speakers and the rear speakers. Sound is heard only from the center speaker. However, if the center channel mode is in PHANTOM, the main speakers output the sound of the center channel. When this units Dolby Pro Logic Surround decoder is used, if the main-source sound is considerably altered by overadjustment of the BASS or TREBLE control, the relationship between the center and rear channels may produce an unnatural effect.

TRANSMIT

CLEAR LEARN MACRO

TRANSMIT /LEARN

REMOTE CONTROL TRANSMITTER TAPE

Input selector keys

70 mm PRO LOGIC ENHANCED MOVIE THEATER V-AUX 1 TV SPORTS 2 STADIUM DISCO 6 PHONO V-AUX

OPERATION CONTROL keys

4 ROCK 7 HALL 0

EFFECT OPERATION CONTROL

(+1 0)

Lid is closed.

: These keys are originally empty. If these keys have learned functions, pressing them executes those learned functions.
When the lid is closed, the OPERATION CONTROL keys substitute for the keys numbered 1, 2, 3 and the (+10) key on the left illustration. To use these keys, you do not have to switch the A/B/C switch. The functions which the OPERATION CONTROL keys carry out are determined by which input selector key was pressed before you used the OPERATION CONTROL keys. Note When the lid is closed, the EFFECT, MASTER VOLUME, MUTE (RX-V692 only), TV and VCR keys will function in the same way as when the lid is open. * If the MACRO switch on the side of the remote control transmitter is set to OFF, when the lid is closed, the SYSTEM POWER and OFF keys also will function in the same way as when the lid is open.
Examples of operations controlled by using the OPERATION CONTROL keys To operate a Yamaha CD player 1. Press the CD input selector key. 2. Use the OPERATION CONTROL keys. (They carry out the functions in area A of keys 2.)

OPERATION CONTROL

Play Skip to next track Pause or Stop

Skip to previous track

To operate your VCR 1. Press the VCR input selector key. 2. Use the OPERATION CONTROL keys. (They carry out the functions in area B of keys 1. This area is originally preset with no function. You must store the functions related to controlling the VCR in area B of keys 1 beforehand.)

Play Fast forward

Rewind

Pause or Stop

See the table below for a combination of an input selector key and key functions which the OPERATION CONTROL keys carry out. (Also, refer to the table on page 38.)

Selected input selector

Key functions which the OPERATION CONTROL keys carry out Functions in area A of keys 1 (except REC/PAUSE, A/B, DIR A and B) Functions in area A of keys 2 (except STOP, DISC, Functions in area A of keys 3 and (+10) and )
Functions in area B of keys 1 (except REC/PAUSE, A/B, DIR A and B) Functions in area B of keys 2 (except STOP, DISC, Functions in area B of keys 3 and (+10) and )
Functions in area C of keys 1 (except REC/PAUSE, A/B, DIR A and B) Functions in area C of keys 2 (except STOP, DISC, Functions in area C of keys 3 and (+10) and )

H RC U CH 9

About 510 cm (24 in.)
(Press by using the point of a mechanical pencil, etc.)

Flashes slowly.

* When learning is finished, the TRANSMIT/LEARN indicator stops lighting and then begins flashing slowly. * If a signal is not successfully received, the TRANSMIT/LEARN indicator flashes rapidly and the mode prior to step 4 is restored. If this occurs, restart from step 4. * If memory capacity is full, the TRANSMIT/LEARN indicator flashes rapidly to show you that learning is impossible, and then the mode before you began learning operations is restored.
Repeat step 35 to store more functions.
If necessary, select the memory area by using the A/B/C switch on the side panel of the remote control transmitter.
When you finish the learning operation, press the LEARN button.
Press the key on this remote control transmitter in which you will store a new function.
* If a key which cannot learn another function is pressed, the TRANSMIT/LEARN indicator flashes rapidly and the current mode is canceled. If this occurs, repeat this step. * If there is no operation for about 30 seconds after a key is pressed, the TRANSMIT/LEARN indicator flashes rapidly and the mode before you began learning operations is restored. If this occurs, restart from step 2.
Notes q Newly learned functions will replace previously learned functions. q If there is no more room in the memory area for a function to be learned, the TRANSMIT/LEARN indicator will flash rapidly. In this case, even if some keys are not occupied with functions from other remote control transmitters, no further learning is possible. q If the lid is closed while learning and about 5 seconds pass, the TRANSMIT/LEARN indicator flashes rapidly and the mode before you began learning operations is restored. If this occurs, restart from step 2. However, if the lid is opened within 5 seconds, the mode before the lid was closed is restored. q There may occasionally be instances in which, due to the signal-coding and modulation employed by the other remote control transmitter, this remote control transmitter will not be able to learn its signals.
P 3 CO IS D H M IU RC AD U ST CH 5 UB TV RTS ST CL O TE ZZ JA 8 H N O O T C FE F EF /OF ON

-A V U X

MAKING A NEW MACRO

A new macro can be programmed onto any preset macro key in place of preset functions. (See page 41 to know what keys are preset macro keys.) You can make as many as 13 new macro keys. A macro key can learn as many as seven functions of other keys. Note If you store a continuous command such as lowering of volume level, it will become a short command when it is carried out as a part of macro.
Repeat step 3 to store the second, the third and more functions. You can store up to seven key functions in series as a macro.
* If there is no operation for about 30 seconds after the MACRO button is pressed, the TRANSMIT/LEARN indicator flashes rapidly and the mode before you pressed the MACRO button is restored. If this occurs, press the MACRO button again.
* If the seventh key function has been learned, the TRANSMIT/LEARN indicator flashes rapidly and the mode before you began learning operations is restored. (This shows that the key has completed learning a series of functions as a macro.) If this occurs, you do no have to follow the next step.
When you finish learning, press the MACRO button.
Press a preset macro key on which you want to make a new macro.
Lights up. * If a key other than a preset macro key is pressed, the TRANSMIT/LEARN indicator flashes rapidly and the current mode is canceled. If this occurs, repeat this step.
It is recommended to write down new key functions you stored on the provided user function stickers and paste them on the reverse side of the remote control transmitter or the reverse side of the remote control transmitters lid.
Press a key whose function you want to store as the first function of the new macro.
Goes off. (When learning is finished, this indicator lights up again.)
* If a key whose function cannot be stored as a command of macro is pressed, the TRANSMIT/LEARN indicator flashes rapidly and the current mode is canceled. If this occurs, repeat this step. * If about 30 seconds pass before a key is pressed, the TRANSMIT/LEARN indicator flashes rapidly and the mode before you began learning operations is restored. If this occurs, restart from step 1.

Memory back-up

All of the learned functions will be retained while you replace the batteries. However, if no batteries are installed for a few hours, the learned functions will be erased and will have to be learned again.
CLEARING LEARNED FUNCTIONS
To Clear a Learned Function To Clear All Learned Functions
To clear a learned key function, press the LEARN button using the point of a mechanical pencil, etc. To clear a macro you made, press the MACRO button. or
Select the kind of key functions all of which you want to clear by using the MACRO switch on the side panel of the remote control transmitter.

TROUBLESHOOTING

If the unit fails to operate normally, check the following points to determine whether the fault can be corrected by the simple measures suggested. If it cannot be corrected, or if the fault is not listed in the SYMPTOM column, disconnect the power cord and contact your authorized YAMAHA dealer or service center for help.
SYMPTOM The unit fails to turn on when the POWER switch is pressed, or turns off suddenly soon after the power is turned on. CAUSE Power cord is not plugged in or is not completely inserted. The IMPEDANCE SELECTOR switch on the rear panel is not set to the upper or the lower end exactly. Incorrect output cord connections. Appropriate input source is not selected. The SPEAKERS switches are not set properly. Speaker connections are not secure. The sound suddenly goes off. The protection circuit has been activated because of short circuit etc. The SLEEP timer has functioned. Amplifier Only one side speaker outputs the sound. Incorrect setting of the BALANCE control. Incorrect cord connections. Sound hums. Incorrect cord connections. No connection from the turntable to the GND terminal. The volume level is low while playing a record. The volume level cannot be increased, or sound is distorted. No sound from the rear speakers. The record is being played on a turntable with an MC cartridge. The power to the component connected to the REC OUT terminals of this unit is off. The sound output level to the rear speakers is set to 0. The monaural sound source is played in DOLBY PRO LOGIC or DOLBY PRO LOGIC ENHANCED mode. No sound from the center speaker. The sound output level to the center speaker is set to 0. The center channel mode is in PHANTOM mode. Incorrect sound field program selection. FM stereo reception is noisy. Because of the characteristics of FM stereo broadcasts, this is limited to cases where the transmitter is too far away or the antenna input is poor. There is multipath interference. The station is too weak. This unit has been unplugged for a long period. Weak signal or loose antenna connections. REMEDY Firmly plug in the power cord. Set the switch to the upper or the lower end exactly.

No sound or no picture.

Connect the cords properly. If the problem persists, the cords may be defective. Select an appropriate input source with the input selector buttons. Set the SPEAKERS switch which corresponds to the speakers to be used to the ON position. Secure the connections. Turning the unit off and then on will reset the protection circuit. Cancel the SLEEP timer function. Adjust it to the appropriate position. Connect the cords properly. If the problem persists, the cords may be defective. Firmly connect the audio plugs. If the problem persists, the cords may be defective. Make the GND connection between the turntable and this unit. The player should be connected to the unit through the MC head amplifier. Turn the power to the component on. Raise the sound output level to the rear speakers. Select another program suitable for the monaural sound source. Raise the sound output level to the center speaker. Select NORMAL or WIDE. Select the appropriate program. Check the antenna connections. Try using a high quality directional FM antenna. Set the TUNING MODE button to the manual tuning mode. Adjust antenna placement to eliminate multipath interference. Use the manual tuning method. Use a high quality directional FM antenna. Repeat the presetting procedure. Tighten the AM loop antenna connections and rotate it for best reception. Use the manual tuning method. Use an outdoor antenna and a ground wire. This will help somewhat but it is difficult to eliminate all noise. Relocate this unit away from the TV. Change the position of the main unit.

Demo Company HIRE Manufacturer
BRYSTON CROWN HAFLER HAFLER HOT HOUSE QSC YAMAHA
18 JUN 2009 AMPLIFIERS Description
250-400 W/CH. STEREO POWER AMP 520W/CH:8 OHMS POWER AMP 120W/CH STEREO POWER AMP 300W/CHANNEL STEREO POWER AMP 400W STEREO MOSFET POWER AMP 90W INTO 2 OHMS STEREO AMP 120W STEREO TUNER/AMP
4BST MT2400 PRO2400 PRO5000 SRXV692

per day per week

40.00 40.00 30.00 40.00 40.00 15.00 25.00 160.00 160.00 120.00 160.00 160.00 60.00 100.00

HIRE Manufacturer

COUNTRYMAN DEMETER WHIRLWIND
DIRECT BOXES/LEVEL MATCHERS Description
TYPE 85 FET ACTIVE DIRECT BOX STEREO TUBE DIRECT BOX 4 CHANNEL PASSIVE DIRECT BOX
10.00 35.00 15.00 40.00 140.00 60.00
DIRECT BOX STDB1 MULTI DIRECTOR

AKAI AKAI AKAI ROLAND

MPC2000 MPC3000 MPC60II MC505
DRUM MACHINES/SOUND MODULES Description
MIDI PROD. CENTER:8-OUT:32MB RAM MIDI PRODUCTION CENTER:V3.11:16MB RAM SAMPL./SEQU/MIDI/V2.2/EXP/SCSI GROOVEBOX
100.00 125.00 100.00 40.00 400.00 500.00 400.00 160.00
A + D AKG ALESIS ALESIS AMS AMS ANTARES BEHRINGER DESPER DIGITECH DOLBY LABS DOLBY LABS DYNACORD DYTRONICS EMT ENSONIQ ENSONIQ EVENTIDE EVENTIDE EVENTIDE EVENTIDE EVENTIDE EVENTIDE EVENTIDE EVENTIDE GAMMA SYSTEMS KLARK TEKNIK LEXICON LEXICON LEXICON LEXICON LEXICON LEXICON LEXICON LEXICON LEXICON LEXICON LEXICON LEXICON LEXICON
EFFECTS UNITS Description
STEREO AUTO PANNER DIGI REV/SAMPLING/MIDI/VER 4.0 MULTI EFFECTS PROCESSOR/MIDI MULTI EFFECTS PROCESSOR/MIDI DIGITAL REVERB 6.4S STEREO DIGITAL DELAY/MIDI AUTOTUNE INTONATION PROCESSOR EX1 STEREO IMAGE PROCESSOR REAL-TIME 3D SOUND PROCESSOR VOCAL HARMONY PROCESSOR SURROUND SOUND DECODER SURROUND SOUND ENCODER STEREO LESLIE CABINET EFFECT TRI STEREO CHORUS/SPLITTER THE FIRST EVER DIGITAL REVERB! PARALLEL FX PROCESSOR/MIDI PARALLEL FX PROCESSOR/MIDI EFFECTS PROC./DIGITAL I-O/V2.000 LIMITED EDITION ULTRA HARMONIZER GUITAR/INSTRUMENTAL FX:DSP4000 12S STEREO:24S MONO SAMPLING ULTRA HARMONISER/VAI/MOD FAC 47SEC STEREO/95 SEC MONO SAMPLING SAMPLING HARMONISER/47.5 SEC STEREO REVERB/EFFECTS PROCESSOR BEDINI AUDIO SPACIAL PROCESSOR DIGITAL REVERB/FX PROC./MIDI MULTI-PROGRAM STEREO REVERB DIGITAL REVERB/LARC/2 IN 4 OUT 2CH TIME COMP/EXPANDER-VER.4.0 MULTI FX PROCESSOR-VER.3.5 MULTI FX PROCESSOR-VER.3.5 INTERFACE ADAPTOR DIGITAL FX PROC./V4.0/LARC/MIDI REMOTE CABLE FOR LEXICON 480L STEREO DIGITAL MULTI-FX/MIDI 1 CHANNEL DIGITAL DELAY + MEO DIGITAL REVERB:VER 2.0 DIGITAL FX/V3.0/V2.0 SOUNDS DIGITAL EFFECTS PROCESSOR/MIDI
35.00 160.00 35.00 35.00 150.00 175.00 50.00 25.00 175.00 45.00 75.00 75.00 40.00 45.00 200.00 50.00 60.00 150.00 175.00 20.00 100.00 75.00 125.00 125.00 150.00 100.00 100.00 100.00 175.00 250.00 125.00 150.00 20.00 175.00 40.00 35.00 35.00 40.00 40.00 50.00 140.00 640.00 140.00 140.00 600.00 700.00 200.00 100.00 700.00 180.00 300.00 300.00 160.00 180.00 800.00 200.00 240.00 600.00 700.00 80.00 400.00 300.00 500.00 500.00 600.00 400.00 400.00 400.00 700.00 1000.00 500.00 600.00 80.00 700.00 160.00 140.00 140.00 160.00 160.00 200.00
PANSCAN ADR68K MIDIVERB 4 MIDIVERB II RMX16 SDMX ATR-1 EDISON SPATIALIZER 8 STUDIO VOCALIST SDU4 SEU4 DLS223 CSDP4 DP4+ DSP4000 DSP4500 GTR PRESET LIBRARY H3000SE/S H3000SE/V H3500DFX H3500DFX/E SP2016 FIRST BASE DN224XL 300L 480L DIGI I/O 480L LARC CABLE LXP15 PCM42 PCM60 PCM70 PCM80

Demo Company

LEXICON LEXICON LEXICON LEXICON LEXICON MIDNIGHT DESIGNS MUTRON MUTRONICS LTD MXR MXR MXR MXR PUBLISON PUBLISON QUANTEC ROLAND ROLAND ROLAND ROLAND ROLAND ROLAND ROLAND ROLAND ROLAND SHERMAN SONGBIRD SONY SONY SONY SPL STUDIO TECH. TC ELEC. TC ELEC. TC ELEC. TC ELEC. TC ELEC. TC ELEC. TC ELEC. TC ELEC. TC ELEC. TUBE WORKS URSA MAJOR YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA

18 JUN 2009

PCM80 PITCH FX V1.0 PITCH FX ALGORITHM CARD:100 PRESETS PCM80 POST FX CARD SCOTT MARTIN GERSHIN 100 PRESETS PCM81 DIGITAL FX PROC./MIDI/DIGI I-O PCM90 DIGITAL REVERB/MIDI PCM91 DIGITAL REVERBERATOR/MIDI 321-24 AES/SDIF-2 FORMAT CONV:480L BI-PHASE DUAL PHASOR FX UNIT MUTATOR MIDI STEREO ANALOGUE EFFECTS UNIT AUTO FLANGER 2 LITTLE BLUE FLANGER MODULES AUTO FLANGER:1 MODUL 1 LITTLE BLUE FLANGER MODULE AUTO PHASER 2 LITTLE BLUE PHASER MODULES FLANGER/DOUBLER MODEL 126 FLANGER/DOUBLER DHM89B2 DIGITAL REV/SIGNAL PROCESSOR IM90 21S STEREO SAMPLER/FX/MIDI QRS ROOM SIMULATOR DIGITAL REVERB DEP5 DIGITAL REVERB/EFFECTS UNIT SBF325 STEREO FLANGER SDD320 DIMENSION D PHASER/CHORUS UNIT SDE3000 DIGITAL DELAY+ONE-SHOT MOD SDE330 DIMENSIONAL SPACE DELAY SDX330 DIMENSIONAL EXPANDER SRV2000 DIGITAL REVERB SRV330 4-D DIGITAL REVERB SVC350 ANALOG VOCODER FILTERBANK DUAL MULTIMODE ANALOG FILTER BANK FS1 CYCLOSONIC STEREO PANNER DPSV77 MULTI-EFFECT PROCESSOR/MIDI DRE2000 DIGITAL REVERB MUR201 DIGITAL REV/100 PRESETS/MIDI VITALIZER 2 CH PSYCHOACOUSTIC EQ: SX-2 AN2 STEREO SIMULATOR 1210 SPATIAL EXPANDER/CHORUS/FLANGER SEC SAMPLER/ DELAY FINALIZER 96K WIZARD STUDIO MASTERING PROCESSOR FINALIZER PLUS WIZARD STUDIO MASTERING PROCESSOR FIREWORX WIZARD MULTI-EFFECTS PROCESSOR M2000 STEREO REVERB:DIGI I/O:MIDI M3000 STUDIO REVERB PROCESSOR M5000 STEREO REVERB:DIGI I/O:3.5" DD SCF STEREO CHORUS/FLANGER RT921 STEREO TUBE 12 SPRING REVERB SST282 SPACE STATION REVERB REV5 DIGITAL MULTI-FX PROC/MIDI REV7 DIGITAL MULTI-FX PROC/MIDI SPX1000 DIGITAL MULTI-FX PROC/MIDI SPX90II DIGITAL MULTI-FX PROC/MIDI SPX990 PRO MULTI-FX PROCESSOR/MIDI

40.00 40.00 340.00 300.00 340.00 140.00 120.00 300.00 200.00 100.00 200.00 80.00 600.00 700.00 600.00 140.00 120.00 140.00 160.00 160.00 160.00 140.00 160.00 200.00 200.00 180.00 200.00 600.00 160.00 200.00 140.00 140.00 400.00 340.00 340.00 300.00 300.00 300.00 600.00 60.00 100.00 140.00 180.00 140.00 160.00 140.00 160.00
10.00 10.00 85.00 75.00 85.00 35.00 30.00 75.00 50.00 25.00 50.00 20.00 150.00 175.00 150.00 35.00 30.00 35.00 40.00 40.00 40.00 35.00 40.00 50.00 50.00 45.00 50.00 150.00 40.00 50.00 35.00 35.00 100.00 85.00 85.00 75.00 75.00 75.00 150.00 15.00 25.00 35.00 45.00 35.00 40.00 35.00 40.00
API API API BSS DBX DOLBY LABS FOCUSRITE GML KLARK TEKNIK MANLEY LABS MERCENARY AUDIO MERCENARY AUDIO NEVE NEVE NEVE NEVE NEVE NIGHTPRO PULTEC PULTEC SUMMIT AUDIO

EQUALISERS Description

RACK FOR 4 API MODULES/PHANTOM 1 CH. 4 BAND PARAMETRIC EQ MOD 1 CH.10 BAND GRAPHIC EQ MODULE 1 CHANNEL DYNAMIC EQUALISER SUBHARMONIC SYNTHESIZER SPECTRAL PROCESSOR DYNAMIC EQ 2 CHANNEL "NEVE" EQUALISER STEREO 5 BAND PARAMETRIC EQ 3RD OCTAVE SPECTRUM ANALYSER MONO ENHANCED ALL TUBE EQ RACK FOR 1-2 NEVE 1073 MODULES RACK FOR 1-EQ/MIC PRES 1066 PREAMP/EQ 3-BAND EQ/MIC PRE MODULE 4-BAND EQ/MIC PRE MODULE V-SERIES 4 BAND PARAMETRIC EQ RACK/PSU FOR 10 PRISM MODULES STEREO EQUALISER 1 CHANNEL FULL RANGE TUBE EQ 1 CHANNEL FULL RANGE TUBE EQ STEREO TUBE EQUALISER
0.00 25.00 25.00 35.00 20.00 50.00 75.00 60.00 75.00 50.00 0.00 0.00 35.00 35.00 35.00 25.00 25.00 75.00 40.00 40.00 50.00
500B4 550B 560B DPR901 120XP 740 REDDN60 PULTEC EQP1A TYPE 1073-2 RACK 1081-2 RACK 1081 PRISM EQ PRISM RACK EQ3 EQP1A EQP1A3S EQP200B
100.00 100.00 140.00 80.00 200.00 300.00 240.00 300.00 200.00
140.00 140.00 140.00 100.00 100.00 300.00 160.00 160.00 200.00
TUBE-TECH TUBE-TECH PE1B PE1C
1CH FULL RANGE PROGRAM TUBE EQ 1CH FULL RANGE PROGRAM TUBE EQ
35.00 35.00 140.00 140.00
AKG AKG AKG AKG AKG AKG AKG AUDIO-TECHNICA AUDIO-TECHNICA B + K B + K CALREC CROWN CROWN DEMETER ELECTROVOICE MICROTECH GEFELL NEUMANN NEUMANN NEUMANN NEUMANN NEUMANN NEUMANN NEUMANN NEUMANN NEUMANN NEUMANN RCA SCHOEPS SENNHEISER SHURE SHURE SHURE SHURE SONY TELEFUNKEN

MICS/PADS/MOUNTS Description
9 PATTERN TUBE MICROPHONE NUVISTOR CONDENSER MICROPHONE VARIABLE STEREO TUBE MIC TRANSFORMERLESS 4PAT CONDENSER 4 PATTERN CONDENSER MICROPHONE UNIDIR. CARDIOID CONDENSER MIC "EGG" BASS DRUM MICROPHONE 3-PATTERN CAPACITOR MICROPHONE STEREO CONDENSER MICROPHONE OMNI CONDENSER MICROPHONE > CARDIOID CONDENSER MICROPHONE STEREO AMBISONIC SURROUND MIC PZM MICROPHONE STEREO AMB. SAMPLING PZM MIC STEREO TUBE MICROPHONE PREAMP VARIABLE-D DYNAMIC CARD. MIC 3 PATTERN TUBE CONDENSER MIC CARDIOID CONDENSER MICROPHONE CARDIOID CONDENSER MICROPHONE 9-PATTERN TUBE CONDENSER MIC VARIABLE PATTERN TUBE MIC TRANSFORMERLESS CONDENSER MIC DIFF. FIELD SPEC. PRESSURE MIC OMNI/CARDIOID CONDENSER MIC OMNI/CARDIOID TUBE MIC+VF14 VARIABLE PATTERN TUBE MIC 3 PATTERN CONDENSER MICROPHONE RIBBON MICROPHONE 2 PATTERN CARDIOID/OMNI MIC CARDIOID DYNAMIC MICROPHONE SUPERCARDIOID CONDENSER MIC UNIDIRECTIONAL DYNAMIC MIC UNIDIRECTIONAL DYNAMIC MIC CARDIOID CONDENSER MICROPHONE DUAL DIAPHRAGM TUBE MICROPHONE VARIABLE PATTERN TUBE MIC
125.00 50.00 125.00 30.00 25.00 20.00 15.00 20.00 20.00 25.00 30.00 135.00 20.00 30.00 50.00 20.00 100.00 15.00 15.00 125.00 100.00 30.00 100.00 30.00 150.00 125.00 30.00 50.00 35.00 15.00 20.00 10.00 20.00 15.00 125.00 175.00 500.00 200.00 500.00 120.00 100.00 80.00 60.00 80.00 80.00 100.00 120.00 540.00 80.00 120.00 200.00 80.00 400.00 60.00 60.00 500.00 400.00 120.00 400.00 120.00 600.00 500.00 120.00 200.00 140.00 60.00 80.00 40.00 80.00 60.00 500.00 700.00
C12 TUBE C12A C24 TUBE C414B-TLII C414EB C451EB/CK1 D112 AT4050 AT4011 SOUNDFIELD MKIV PZM30F SASS-P VTMP2A RE20 UM92S KM140 KM84 M149 TUBE M249B TUBE TLM170 TLM50 U47 FET U47 TUBE U67 TUBE U87A 77DX CMC5/MK5 MD421 BETA87 SM58 SM7 SM81 C800G ELAM251
DUNLOP FENDER ROLAND TAKAMINE
GUITAR/AMPS/ACC. Description
ORIGINAL CRYBABY WAH WAH PEDAL 6 STRING ELECTRIC/WAMMY BAR 2 X 12" 120W COMBO AMPLIFIER CLASSICAL ACOUSTIC/ELECTRIC GUITAR.
10.00 40.00 45.00 50.00 40.00 160.00 180.00 200.00

CRYBABY STRATOCASTER JC120 CLASSICAL/ELECTRIC
AKG AKG BEHRINGER BEYER DYNAMIC BEYER DYNAMIC BEYER DYNAMIC FOSTEX IJAM MYTEK REDCO AUDIO
K141 K240 HA4000 DT102 DT770 PRO DT990 PRO T20 HEADBOX PRIVATE Q LRCB
HEADPHONES + ACCESSORIES Description
STEREO HEADPHONES STEREO HEADPHONES 4 CH H'PHONE DISTRIBUTION AMP ONE-SIDED HEADPHONES:400 OHMS STEREO HEADPHONES 600 OHMS STEREO HEADPHONES 600 OHMS STEREO HEADPHONES 2 OUT HEADPHONE BOX WITH VOLUME CO. 12 CHANNEL/8 STATION CUE MIXER 4 OUT H/PHONE BOX+VOL.CONTROLS
5.00 6.00 20.00 10.00 10.00 10.00 5.00 5.00 200.00 10.00 20.00 24.00 80.00 40.00 40.00 40.00 20.00 20.00 800.00 40.00

ALESIS CLAVIA

KEYBOARDS Description
64 VOICE/61 KEY SYNTHESIZER VIRTUAL ANALOG SYNTH
75.00 125.00 300.00 500.00

QS6 NORD LEAD 2

CLAVIA ENSONIQ ENSONIQ ENSONIQ KORG KORG KORG KORG KORG KORG KURZWEIL KURZWEIL ROLAND ROLAND ROLAND ROLAND YAMAHA YAMAHA
NORD LEAD KEYBOARD VIRTUAL ANALOG SYNTH ASR10 SAMPLING SYNTH/MIDI/SCSI/16MB RAM EPS 16 PLUS KEYBOARD SAMPLING KEYBOARD/MIDI/SCSI OEX6SR OUTPUT EXPANDER FOR ASR10 O1WFD WORKSTATION KBD/3.5" DD/MIDI PROPHECY MONO LEAD KEYBOARD T3 WORKSTATION KBD/3.5" DD/MIDI TRINITY PLUS MUSIC WORKSTATION DRS/VER.1.3.3 SO. TRINITY PRO MUSIC WORKSTATION DRS/76 KEYS TRINITY PRO X MUSIC WORKSTATION DRS/88 KEYS K2500XS VAST SAMPLING SYNTH/88 KEYS PC88MX PERFORMANCE CONTROLLER/PIANO JD800 PROGRAMMABLE SYNTHESIZER/MIDI JP8000 ANALOG MODELING SYNTH/MIDI XPVOICE MUSIC WORKSTATION/MIDI XPVOICE/76 WEIGHTED KEYS/MIDI DX7IID+ 16 VOICE FM SYNTH/3.5" DD/MIDI SY99 AWM/AFM DIGITAL SYNTH/MIDI
500.00 500.00 400.00 100.00 400.00 300.00 400.00 500.00 540.00 600.00 1000.00 400.00 400.00 400.00 400.00 500.00 300.00 500.00
125.00 125.00 100.00 25.00 100.00 75.00 100.00 125.00 135.00 150.00 250.00 100.00 100.00 100.00 100.00 125.00 75.00 125.00
AVALON BSS DBX DBX DBX DBX DBX DBX DRAWMER EAR EMPIRICAL LABS FAIRCHILD FOCUSRITE FOCUSRITE MANLEY LABS NEVE NEVE SMART SSL SUMMIT AUDIO TELETRONIX TUBE-TECH TUBE-TECH TUBE-TECH UREI UREI UREI VALLEY
LIMITERS/COMPRESSORS/ETC Description
DUAL MONO OPTO COMPRESSOR 2CH COMP/PEAK LIM/DE-ESSER COMPRESSOR/LIMITER OVER EASY COMPRESSOR/LIMITER OVER EASY COMPRESSOR/LIMITER 1 CHANNEL DE-ESSER MODULE RACK/PSU FOR 1-8 DBX MODULES 2 MODULE 900 SERIES RACK/PSU 2 CHANNEL NOISE GATE 1 CHANNEL TUBE LIMITER 1 CH CLASSIC KNEE COMPRESSOR:MODEL. STEREO TUBE LIMITER RACK/PSU FOR 4 ISA130/110 MOD DUAL COMPRESSOR/LIMITER STEREO VARIABLE-MU LIMITER/COMPRESSOR 2 VINTAGE COMP/LIMITERS PRECISION STEREO COMP/LIMITER DUAL/STEREO COMPRESSOR STEREO COMPRESSOR 2 CH. TUBE COMPRESSOR/LIMITER 1 CHANNEL TUBE LIMITING AMP MONO TUBE COMPRESSOR STEREO TUBE COMPRESSOR STEREO TUBE COMPRESSOR/LIMITER LIMITING AMPLIFIER LIMITING AMPLIFIER/BLACK FRONT 1 CHANNEL AUDIO LEVELER 4 CHANNEL NOISE GATE

150.00 35.00 20.00 20.00 25.00 20.00 0.00 0.00 30.00 75.00 50.00 200.00 0.00 75.00 90.00 60.00 60.00 90.00 90.00 75.00 35.00 35.00 75.00 75.00 25.00 35.00 25.00 35.00 600.00 140.00 80.00 80.00 100.00 80.00
AD2044 DPR160XT 165A 902 F900 FS900 DS201 EAR 660 DISTRESSOR 670 RACK RED3 STEREO 10DB LIMITER 2254E 33609C SMART C2 LOGIC FX G384 DCL200 LA2A CL1B LCA2A LCA2B 1176LN 1176LN/B LA3A GATEX
120.00 300.00 200.00 800.00 300.00 360.00 240.00 240.00 360.00 360.00 300.00 140.00 140.00 300.00 300.00 100.00 140.00 100.00 140.00
AMEK API AVALON AVALON AVALON AVALON FOCUSRITE FOCUSRITE FOCUSRITE FOCUSRITE JENSEN/HARDY JENSEN/HARDY JOHN HARDY MANLEY LABS PRESONUS
9098 512B 737SP M4 M5 R4 BLUE215 ISA115 PSU120 RED1 990/2 990/4 M-1 VOXBOX M80
MIC PREAMPS/PHANTOM PSU Description
1 CHANNEL EQ/MIC PREAMP 1 CH. MICROPHONE PREAMP MODULE 1CH. TUBE MIC PRE/COMP/EQ 1CH CLASS A MIC PRE:130V PHANTOM 1CH. PURE CLASS A MIC PREAMP REMOTE CONTROL FOR M4 MIC PREAMP 2 CHANNEL NEVE EQ/MIC PREAMP 2 CHANNEL NEVE EQ/MIC PREAMP PSU FOR 1 OR 2 ISA115 MODULES 4 CHANNEL MIC PREAMP 2 CH. TWIN SERVO MIC PREAMP 4 CH. TWIN SERVO MIC PREAMP 4 CHANNEL MIC PREAMP/VU METERS TUBE MICPRE/COMP/EQ/DE-ESSER 8 CHANNEL MIC PRE
50.00 20.00 100.00 75.00 75.00 20.00 100.00 100.00 0.00 75.00 60.00 85.00 85.00 125.00 125.00 200.00 80.00 400.00 300.00 300.00 80.00 400.00 400.00 300.00 240.00 340.00 340.00 500.00 500.00

MIDI CONTROL Description

ALESIS DATADISK
MIDI TO DISK/UNIVERSAL DATA STORAGE

35.00 140.00

ASHLY MACKIE MACKIE MACKIE MACKIE MACKIE MACKIE NEVE SOUNDCRAFT SOUNDCRAFT SOUNDCRAFT TASCAM YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA
MIXING CONSOLES Description
8 IN ST/16 IN MONO LINE MIXER 24 CHANNEL 8-BUS CONSOLE 32 CHANNEL 8 BUS CONSOLE 16-4-2 MIC/LINE MIXER+XLR10 16-4-2 MIC/LINE MIXER/3 BAND EQ 12-4 MIC/LINE MIXER 14 CHANNEL MIC/LINE MIXER 12 CHANNEL SIDECAR CONSOLE 16-4-2 /SWEEP EQ/PHANTOM POWER SPARE POWER SUPPLY 12 INPUT MIXER LATEST FABBY WABBY CONSOLE 20-2 KEYBOARD MIXER/MIDI AES/EBU CARD FOR O2R CONSOLE 8-2 DIGI AUTOMATED MIXER/MIDI METER BRIDGE FOR O2R CONSOLE 8CH MIC/LINE ADAPTOR FOR DMP7 40-IN DIG MIXER/FX:VER2.0 INTERFACE CARDS FOR O2R TO ADAT INTERFACE CARDS FOR O2R TO AES INTERFACE CARDS FOR O2R TO TDIF 18 INPUT DIGITAL MIXER/FX 16CH AUTOMATED DIGITAL MIXER/FX
30.00 100.00 175.00 45.00 50.00 30.00 35.00 250.00 125.00 25.00 25.00 1000.00 25.00 25.00 75.00 40.00 15.00 200.00 20.00 20.00 20.00 100.00 75.00 120.00 400.00 700.00 180.00 200.00 120.00 140.00 1000.00 500.00 100.00 100.00 7000.00 100.00 100.00 300.00 160.00 60.00 800.00 80.00 80.00 80.00 400.00 300.00
LXX X 8 CR1604 CR1604-VLZ MS1202-VLZ MS1402-VLZ PRO MELBOURNE 200B-SEQ16 CPS150 SPIRIT FOLIO LITE SSL MM1 CD8-AE DMP7 MB02 MLA7 O2R O2R/ADAT CARDS O2R/AES CARDS O2R/TDIF CARDS O3D PROMIX 01

SOUND IDEAS SOUND IDEAS SOUND IDEAS
SOUND FX CD'S Description
3000 STEREO SOUND FX - 28 CD'S 2200 STEREO SOUND FX - 5 CD'S 7500 DIGITAL SOUND FX - 40 CDS
25.00 25.00 75.00 100.00 100.00 300.00
SERIES 1000 SERIES 4000 SERIES 6000

WHIRLWIND

MEDUSA
SOUND REINFORCEMENT Description

24 CHANNEL MIC SPLITTER

75.00 300.00
ANCHOR AUDIO FOSTEX GENELEC GENELEC GENELEC GENELEC GENELEC KRK PROAC TANNOY TANNOY TANNOY YAMAHA

SPEAKERS Code

AN1000X 6301B 1030AP 1031A 1031AP 1032A 1092A 9000B STUDIO 100 SGM10B SYSTEM 12 DMT SYSTEM 12 DMTII NS10M STUDIO

Description

PAIR 50W POWERED MONITORS 2 SELF-POWERED MINI MONITORS 2-WAY BI-AMPED 6" MONITORS 2-WAY BI-AMPED 8" MONITORS 2-WAY BI-AMPED 8" MONITORS 2-WAY BI-AMPED 10" MONITORS 2 X 8" POWERED SUBWOOFER PAIR MONITOR SPEAKERS 7" WOOFER/1" TWEETER MONITORS PAIR SUPER GOLD 10" MONITORS PAIR 12" MONITORS PAIR 12" MONITORS PAIR HI-FI MONITORS
20.00 15.00 85.00 125.00 125.00 145.00 85.00 85.00 75.00 90.00 150.00 150.00 25.00 80.00 60.00 340.00 500.00 500.00 580.00 340.00 340.00 300.00 360.00 600.00 600.00 100.00

AKG AKG ATLAS BRAUCKE

STANDS-VARIOUS Description
5.00 2.00 3.00 5.00 5.00 2.00 2.00 5.00 15.00 20.00 8.00 12.00 20.00 5.00 8.00 8.00 20.00 60.00
KONIG + MEYER KONIG + MEYER
MIC STAND FLOOR MIC STAND WITH BOOM MIC STEREO BAR STEREO MIC BAR MIC DESK STAND DS7E DESK TOP MIC STAND:4"-8" BOOM POLE 4' BOOM POLE RUXXAC 275LB CAPACITY FOLD-FLAT CART GS5 5" POP FILTER/GOOSENECK/CLAMP GUITAR STAND BLACK GUITAR STAND MIC STAND-SHORT+BOOM 12" TALL MIC STAND/18" BOOM MIC STAND-TALL+LONG 8' TALL MIC STAND/8' BOOM
QUIKLOK QUIKLOK QUIKLOK ROLAND SCHOEPS STARBIRD ULTIMATE SUPPORT ULTIMATE SUPPORT UNICOL VDB
PIANO BENCH KT-214 KEYBOARD BENCH QUIKLOK STAND X-TYPE KEYBOARD STAND Z/722 ADJUSTABLE "Z" KEYBOARD STAND RS80 STAND ADJUSTABLE KEYBOARD STAND UMS20 UNIVERSAL STEREO BRACKET STAND-TALL TALL MIC STANDS MIC BOOM STAND-LARGE TALL MIC STAND/LONG BOOM APEX STAND TWO TIER KEYBOARD STAND SPEAKER STAND 6' TRIPOD SPEAKER STAND VIDEO STAND 45" VIDEO DECK + MONITOR STAND MIC BOOM POLE MODEL 805 11'5" /17OZ POLE X-STAND QUIK LOK X-TYPE KEY STAND
5.00 10.00 10.00 10.00 25.00 15.00 25.00 10.00 5.00 20.00 15.00 10.00 20.00 40.00 40.00 40.00 100.00 60.00 100.00 40.00 20.00 80.00 60.00 40.00

AKAI AKAI AKAI AKAI AKAI AKAI AKAI AKAI AKAI EMU EMU EMU EMU EMU EMU EMU ENSONIQ ENSONIQ KORG KORG KURZWEIL NOVATION ROLAND ROLAND ROLAND ROLAND ROLAND STUDIO ELEC.
SYNTH +/OR SAMPLING MODULES Description
AUDIO/MIDI TRIG.-S950/S1000 STEREO SAMPLER/V4.4/SCSI/MIDI HD/V4.4/SCSI/DIGI I-O/MIDI MIDI/SCSI/DIGI I-O/32 MEG RAM MIDI/SCSI/DIGI I-O/32 MEG RAM 16BIT/SMPTE/SCSI/32MB RAM MIDI/SCSI/DIGI I-O/256 MB RAM MIDI/SCSI/DIGI I-O/256 MB RAM 12 BIT SAMPLER/MIDI/2.5MB RAM PRO DIGITAL SAMPLING SYNTH:128MB RAM THE DANCE PLANET SOUND MODULE THE SWING SYSTEM SOUND MODULE 128 VOICE EXPANDABLE SOUND MODULE MULTI TIMBRAL SOUND MOD/MIDI MULTI TIMBRAL SOUND MOD/MIDI VINTAGE KEYBOARD MOD/EXPANDED SAMPLING MODULE/MIDI/SCSI/16MB RAM 64 VOICE EXPANDABLE SYNTH MODULE EXPANDED ACCESS MODULE AV SYNTH MODULE/MIDI SAMPLER/MIDI/SCSI/DIGI I-O/ORCH ROM ANALOGUE SYNTH MODULE/MIDI SUPER JD SYNTH MODULE/MIDI MULTI-TIMBRAL SYNTH MODULE MULTI-TIMBRAL SYNTH MODULE MULTI-TIMBRAL SYNTH MODULE SAMPLING SYNTH MODULE/32MB RAM SYNTH MODULE/MIDI
25.00 100.00 125.00 150.00 150.00 175.00 150.00 185.00 75.00 175.00 50.00 50.00 50.00 50.00 75.00 50.00 125.00 75.00 100.00 85.00 225.00 50.00 110.00 175.00 200.00 85.00 125.00 75.00 100.00 400.00 500.00 600.00 600.00 700.00 600.00 740.00 300.00 700.00 200.00 200.00 200.00 200.00 300.00 200.00 500.00 300.00 400.00 340.00 900.00 200.00 440.00 700.00 800.00 340.00 500.00 300.00
ME35T S1000 S1000HD S3000 S3000XL S3200XL S5000 STUDIO S6000 S950 E4X TURBO ORBIT V2 PLANET PHATT PROTEUS 2000 PROTEUS/1-XR PROTEUS/2-XR VINTAGE KEYS ASR10R MR RACK TR RACK WAVESTATION SR K2500RS BASS STATION RACK JD990 JV1080 JV2080 JV880 S760 SE1
GEMINI GEMINI NEXT TECHNICS
PDM7008 PS727 CMX460 SL1200MK2
TURNTABLES/PREAMPS Description
DJ MIXER TURNTABLE PREAMP/MIXER TURNTABLE PREAMP/MIXER TURNTABLE+HEAVY DUTY CARTRIDGE
25.00 25.00 25.00 35.00 100.00 100.00 100.00 140.00
REDCO AUDIO TIMELINE TIMELINE
CABLES/SNAKES/LEADS (NC) Description
3XINPUT/3XOUTPUT SNAKES:UFC-24 SYNC CABLE:STUDER A800 SYNC CABLE:SONY PCM3324/PCM3348
20.00 25.00 25.00 25.00 80.00 100.00 100.00 100.00
DA88 SYNC CABLE UFC-24 AES SNAKES LYNX/A800 LYNX/PCM3324/48
CABLE/HARNESS (CHARGABLE) Description
48.00 2.00 16.00 32.00 32.00 32.00 192.00 8.00 64.00 128.00 128.00 128.00
ALESIS ALESIS COOL CABLES
24 WAY XLR/XLR SNAKE 25' XLR/XLR MIC 8 WAY FXLR/BANTAM ADAT SNAKE/.25"TRS ELCO/.25" BAL+4 SNAKE FOR ADAT ADAT SNAKE/BANTAM ELCO/BANTAM +4 SNAKE FOR ADAT 16 PAIR XLR/BANTAM 16 CHANNELS OF XLR TO BANTAM(TT)
COOL CABLES HORIZON MUSIC HORIZON MUSIC HORIZON MUSIC HORIZON MUSIC HORIZON MUSIC HORIZON MUSIC SONY 8 PAIR.25"/BANTAM 24 WAY 20' FXLR/BANT 24 WAY 20' MXLR/BANT D-SUB/.25"TRS SNAKE DA88 D-SUB/BANTAM SNAKE DA88 D-SUB/FXLR SNAKE DA88 D-SUB/MXLR SNAKE DA88 PCM3348/DL

16.00 48.00 24.00 16.00 16.00 16.00 15.00 96.00 64.00 192.00 96.00 64.00 64.00 64.00 60.00 384.00
+4DB/BAL.25" SNAKE +4DB/BANTAM SNAKE +4DB/FEMALE XLR SNAKE +4DB/MALE XLR SNAKE

OTHER Manufacturer

MISCELLANEOUS Description
POWER CONDITIONER/LIGHT MODULE 110-240V 500VA TRANSFORMER 3PN1010 VARIABLE TRANSFORMER 12-OUTPUT POWER CONDITIONER
10.00 8.00 15.00 10.00 40.00 32.00 60.00 40.00
FURMAN PL8 MAGNETEK TRIAD TRANSFORMER STACO ENERGY PRODUCTS VARIAC TRIPP LITE IBR12
AVID AVID GLYPH IOMEGA IOMEGA IOMEGA MITSUBISHI PRODIRECT PRODIRECT PRODIRECT

STORAGE Code Description

50.00 60.00 40.00 40.00 20.00 25.00 50.00 40.00 40.00 40.00 200.00 240.00 160.00 160.00 80.00 100.00 200.00 160.00 160.00 160.00
9 GIG DRIVE 9GB,5400RPM FIXED HARD DRIVE 9 GIG FW SHUTTLE 9GB FAST/WIDE SHUTTLE DRIVE 9GB FW HOTSWAP DRIVE 9 GIG FAST/WIDE HOTSWAP DRIVE JAZ DRIVE 1 GIG REMOVABLE DRIVE/SCSI ZIP DRIVE 100MB REMOVABLE DRIVE/SCSI ZIP PLUS 100MB REMOVABLE DRIVE/SCSI 3.5" OPTICAL DRIVE:1 128/230MB 3.5" OPTICAL DRIVE 4 GIG PROTOOLS DRIVE 4.3GB,7200RPM FIXED HARD DRIVE 9 GIG FW PROTOOLS DR 9.1GB SEAGATE CHEETAH DRIVE 9 GIG PROTOOLS DRIVE 9.1GB SEAGATE BARRACUDA DRIVE

CONSUMABLES Description

4.15 0.00 16.60
NEUTRIK TT CONNECTOR STUDIO REPLACEMENT D

RECORDING Manufacturer

AKAI AMPEX ATR FOSTEX OTARI OTARI OTARI OTARI OTARI OTARI OTARI OTARI STUDER STUDER STUDER STUDER STUDER TASCAM TASCAM TASCAM
ANALOG RECORDING EQUIPMENT Description
12 TRACK RECORDER+AUTOLOCATOR 2 TRACK.5" ANALOG RECORDER TUBE REPRO AMP FOR ATR100/TK.5" 15IPS REC/DOLBY C 2TK.5" OR 25"(WITH CTC) 4/2TK.5"/2 TRACK.25" RECORDER 16TK 2" HEADBLOCK FOR MTR90 8TK 1" HEADBLOCK/KIT FOR MTRTRACK 2" ANALOG RECORDER 24TK 2" 15/30IPS ANALOG REC. 2TK.25" 7.5/15IPS ANALOG REC. 8TK.5" 7.5/15IPS ANALOG REC. 16TK 2" HEADBLOCK FOR ATRACK.5" 15/30IPS RECORDER 2 TRACK.5"/.25" CTC RECORDER 16 TRK 2" HEADSTACK:A827/ATRACK 2" ANALOG RECORDER STEREO CASSETTE DECK+VARISPEED STEREO CASSETTE DECK+VARISPEED 16TK.5" 7.5/15IPS REC+DBX NR
125.00 150.00 75.00 125.00 125.00 125.00 75.00 50.00 450.00 450.00 50.00 100.00 200.00 125.00 175.00 200.00 30.00 35.00 125.00 500.00 600.00 300.00 500.00 500.00 500.00 300.00 200.00 1800.00 1800.00 200.00 400.00 800.00 500.00 700.00 800.00 120.00 140.00 500.00
MG14D ATR102 HDV2 G16 MTR12-II/2CTC MTR12-II/4 MTR90-16/2" MTR90-8/1" MTR90II MTR90III MX5050BII MX5050MKIII-8 A800-16/2" A807 A820/2TRK A820/A827-16/2" A827 122MKII 122MKIII MSR16

ANTARES C-LAB DESPER DIGIDESIGN DIGIDESIGN DIGIDESIGN DIGIDESIGN EMAGIC EMAGIC EMAGIC FOCUSRITE FOCUSRITE LINE 6 MOTU OPCODE STEINBERG STEINBERG
SOFTWARE Code Description
25.00 35.00 20.00 25.00 40.00 25.00 35.00 40.00 35.00 35.00 50.00 50.00 40.00 40.00 40.00 40.00 35.00 100.00 140.00 80.00 100.00 160.00 100.00 140.00 160.00 140.00 140.00 200.00 200.00 160.00 160.00 160.00 160.00 140.00
AUTO-TUNE TDM PROTOOLS PLUGIN PITCH CORRECTION NOTATOR VER 3.1 SEQU/SCORING SOFTWARE SPATIALIZER TDM PROTOOLS PLUGIN 3D AUDIO D VERB PROTOOLS PLUGIN:24 BIT REVERB DINR PROTOOLS PLUGIN:NOISE REDUCTION DPP1 PROTOOLS PLUGIN:PITCH PROCESSOR SOUND DESIGNER II AUDIO EDITING S/WARE:MAC:V2.82 LOGIC AUDIO/MAC MIDI AUDIO RECORDING SOFTWARE NOTATOR LOGIC/ATARI MIDI RECORDING/NOTATION V2.0 NOTATOR LOGIC/MAC MIDI RECORDING/NOTATION V.1.73 FOCUSRITE D2 PROTOOLS PLUGIN:RED 2 EQUALISER FOCUSRITE D3 PROTOOLS PLUGIN:RED 3 COMPRESSOR AMP FARM TDM GUITAR RECORDING PLUG-IN DIGITAL PERFORMER 25 V2.5 SEQU.S/WARE-MAC COMPUTERS STUDIO VISION PRO/CD 4.2.1 MIDI/DAR SOFTWARE FOR MAC CUBASE MAC/VST-24 4. CUBASE 4.0 FOR MAC CUBASE VST/WINDOWS CUBASE V3.55 FOR WINDOWS
STEINBERG SYNCHRO ARTS WAVE MECHANICS WAVE MECHANICS WAVES
RECYCLE SAMPLE EDITING SOFTWARE/MAC/PC VOCALIGN PROTOOLS PLUGIN: PUREPITCH/PITCH DOCT PROTOOLS PLUGIN:PITCH PROCESSOR ULTRATOOLS PUREPITCH:PITCHDOCTOR:SOUNDBLENDER NATIVE POWER PACK + GOLD BUNDLE PROTOOLS PLUGIN
20.00 40.00 35.00 35.00 50.00 80.00 160.00 140.00 140.00 200.00
360 SYSTEMS 360 SYSTEMS AKAI AKAI AKAI AKAI AKAI ALESIS ALESIS ALESIS ALESIS APOGEE APOGEE APOGEE APOGEE APOGEE APOGEE ELECTRONICS APOGEE APOGEE APOGEE DB TECH DB TECH DIGIDESIGN DIGIDESIGN DIGIDESIGN DIGIDESIGN DIGIDESIGN DIGIDESIGN DIGIDESIGN GENEX MITSUBISHI OTARI OTARI SONY SONY SONY SONY SONY SONY SONY SONY STUDER STUDER STUDER STUDER STUDER TASCAM TASCAM TASCAM TASCAM TASCAM TASCAM
DIGITAL RECORDING EQUIPMENT Description
150.00 20.00 275.00 150.00 200.00 100.00 100.00 125.00 150.00 125.00 50.00 85.00 60.00 200.00 275.00 85.00 0.00 0.00 75.00 50.00 185.00 185.00 75.00 100.00 75.00 50.00 350.00 425.00 500.00 250.00 850.00 750.00 450.00 200.00 50.00 750.00 1200.00 1400.00 150.00 375.00 50.00 100.00 125.00 100.00 200.00 1200.00 150.00 150.00 20.00 50.00 50.00 30.00 600.00 80.00 1100.00 600.00 800.00 400.00 400.00 500.00 600.00 500.00 200.00 340.00 240.00 800.00 1100.00 340.00
DIGICART-II DIGITAL AUDIO HD RECORDER RC220 16-PRESET REMOTE FOR DIGICART/II DD1000 MAGNETO OPTICAL DISK RECORDER/DIGI. DD8 8TK/16BIT DIGITAL DUBBER DD8+ 8TK/24BIT/96KHZ DIGITAL DUBBER DL1500 REMOTE CONTROLLER FOR DD8 DR4D 4TK HD RECORDER V3.01/SMPTE/MIDI ADAT 8TK.5" DIGITAL AUDIO RECORDER ADAT XT-20 8TK/20 BIT.5" DIGITAL AUDIO RECORDER ADAT-XT 8TK.5" DIGITAL AUDIO RECORDER BRC BIG REMOTE CONTROL FOR ADAT ADCH/20 BIT A-D CONVERTER AD500E 2 CH. ANALOG-DIGITAL CONVERTER ADCH/24 BIT A-D/D-A CONVERTER AD8000SE 8 CH/24 BIT A-D CONVERTER DA1000E-CHANNEL 20 BIT D/A CONVERTER PS1000E PSU FOR AD1000/AD500E/DA1000 PS1000 PSU FOR AD1000/AD500E/DA1000 PSX100 2CH/24BIT/96KHZ A-D/D-A CONVERTER ROSETTA AD 2CH/24BIT/96KHZ A-D CONVERTER ADBIT A/D CONVERTER AD122-BIT/96KHZ A/D CONVERTER 888 8CH 16BIT PRO TOOLS INTERFACE 888/24 8CH 24BIT PRO TOOLS INTERFACE ADAT BRIDGE I/O 16 CH ADAT/PRO TOOLS INTERFACE DSP FARM CARD PCI DSP FARM CARD FOR PROTOOLS PROTOOLS 16IN/OUT RECORDING/EDITING SYSTEM PROTOOLS BIT RECORDING/EDITING SYSTEM PROTOOLS 24 MIX PLUS 24 BIT RECORDING/EDITING SYSTEM GX8000A 8TK/24BIT/96KHZ MO RECORDER/AD+DA X880 32TK DIGITAL RECORDER/APOGEES DTR900 32TK 1" DIGI RECORDER/APOGEES RADAR II 24TK/24BIT/48KHZ HD RECORDER DMU3048 REM. METER BRIDGE FOR PCM3348 MDS-JE510 MINIDISC RECORDER PCM3324A 24 TRACK.5" DIGITAL RECORDER PCMTRACK.5" DIGITAL RECORDER PCM3348HR 24BIT/48KHZ/48TK DASH RECORDER PCMTK DIGITAL RECORDER/HI-8 PCM9000 MAGNETO-OPTICAL DISC RECORDER RMD800 REMOTE CONTROL UNIT FOR PCM800 COCKPIT REMOTE/METER BRIDGE FOR D19 V8 D19 MULTIDAC 8CH 23 BIT D/A CONVERTER D19 REMOTE "COCKPIT" REMOTE CONTROL FOR D19 V. D19 V8 8TK 20BIT ADAT TYPE II RECORDER D827-48 48TK DASH RECORDER:MKII UPGRADES DATK DIGITAL RECORDER/HI-8 DATK DIGITAL RECORDER/HI-8 RC808 SMALL REMOTE FOR DA88 RC848 REMOTE CONTROL UNIT FOR DA88 RC898 REMOTE CONTROL FOR DA88/38/98 SY88 SYNC CARD FOR TASCAM DA88

300.00 200.00 740.00 740.00 300.00 400.00 300.00 200.00 1400.00 1700.00 2000.00 1000.00 3400.00 3000.00 1800.00 800.00 200.00 3000.00 4800.00 5600.00 600.00 1500.00 200.00 400.00 500.00 400.00 800.00 4800.00 600.00 600.00 80.00 200.00 200.00 120.00
DOLBY LABS DOLBY LABS DOLBY LABS DOLBY LABS ROLAND
NOISE REDUCTION Description
RACK/PSU FOR 1 CAT22 OR CAT280 2CH. SR/TYPE A NOISE REDUCTION 24 SPECTRAL RECORDING CARDS 24CH SPECTRAL RECORDING UNIT DIGITAL NOISE ELIMINATOR
15.00 70.00 360.00 350.00 50.00 60.00 280.00 1440.00 1400.00 200.00
361 363-SR/A CAT280-24 CARDS XP24SR SN550
SYNCHRONISERS/INTERFACES Description
AARDVARK ADAMS SMITH ADAMS SMITH ALESIS ALESIS APOGEE BRAINSTORM BRAINSTORM DIGIDESIGN DIGIDESIGN DIGIDESIGN ESE GENTNER JEANIUS JL COOPER JL COOPER MOTIONWORKS MOTU MOTU MYTEK OPCODE OPCODE OPCODE OTARI RANE RANE ROLAND STEINBERG TASCAM TASCAM TASCAM TASCAM TC BLAKE TIMELINE TIMELINE TIMELINE TIMELINE TIMELINE TIMELINE
AARDSYNC II MASTER DIGITAL AUDIO SYNC GENERATOR ZETA MACHINE SYNCHRONISER+REMOTE ZETA 3 REMOTE REMOTE CONTROL FOR ZETA 3 AI-1 ADAT-AES/EBU/SPDIF INTERFACE AI-2 A/V SYNC INTERFACE FOR ADAT:VER.2.00 FCCH TDIF/ADAT CONVERTER DISTRIPALIZER SMPTE STRIPPER/RESHAPER/ANALYSER SR1 TIME CODE REFRESHER SMPTE SLAVE DRIVER SMPTE SYNCHRONIZER:PRO TOOLS UNIVERSAL SLAVE DRIV SMPTE SYNCHRONIZER:PRO TOOLS VIDEO SLAVE DRIVER VIDEO SYNCHRONIZER:PRO TOOLS 219A BLACKBURST GENERATOR/4-OUTPUTS MICROTEL TELEPHONE INTERFACE RUSSIAN DRAGON MODEL RD2 TIMING REFERENCE BOX PPS100 MIDI/SMPTE/EVENT GENERATOR SYNC-LINK MAC INTERFACE/SYNCHRONISER R2P2 VER2.0/SERIAL REMOTE CONTROL MIDI TIME PIECE AV SMPTE/MIDI:8/O:MAC/WINDOWS MIDI TIME PIECE II SMPTE/MIDI 8IN/8OUT PATCHBAY BLACK BOX SONY PCM3348/SSL INTERFACE STUDIO 3 MIDI/SMPTE ITFC-MAC COMPUTERS STUDIO 4 MIDI/SMPTE ITFC-MAC COMPUTERS STUDIO 5LX MIDI/SMPTE ITFC/MAC COMPUTERS UFC-24 UNIVERSAL DIGITAL FORMAT CONV. PAQRAT-RC24T PAQRAT/DA88 24BIT CONVERTER PAQRAT/RC24A PAQRAT/ADAT 24BIT CONVERTER SBX80 SMPTE/MIDI SYNC BOX SMP24 SMPTE/MIDI ITFC-PRO 24 S/WARE IF88AE DA88-AES/EBU + SPDIF INTERFACE IF88SD DA88-SDIF2/SONY DASH INTERFACE PWSD1 SONY DASH INTERFACE FOR IF88SD PWSD2 SONY DASH INTERFACE FOR IF88SD MAGIC WAND SONY / SSL TACH INTERFACE KCU KEYBOARD CONTROL UNIT LYNX 2 FILM FILM SYNCHRONISER MODULE LYNX 2 SYNCHRONISER MODULE V700.11 LYNX 2/AI-2 SYNC CABLE:SONY BVW75 LYNX SERIALCARD SERIAL CONTROL CARD FOR LYNX LYNX SYNCHRONISER MODULE
160.00 400.00 120.00 140.00 140.00 100.00 300.00 80.00 200.00 300.00 200.00 80.00 100.00 140.00 80.00 80.00 200.00 140.00 140.00 120.00 120.00 140.00 200.00 400.00 200.00 200.00 160.00 180.00 200.00 300.00 80.00 80.00 300.00 500.00 320.00 280.00 100.00 80.00 240.00
40.00 100.00 30.00 35.00 35.00 25.00 75.00 20.00 50.00 75.00 50.00 20.00 25.00 35.00 20.00 20.00 50.00 35.00 35.00 30.00 30.00 35.00 50.00 100.00 50.00 50.00 40.00 45.00 50.00 75.00 20.00 20.00 75.00 125.00 80.00 70.00 25.00 20.00 60.00

VIDEO Manufacturer

FED HORITA JVC JVC JVC JVC JVC PANASONIC PANASONIC SIGMA SONY SONY SONY SONY TANDY VIDEOTEK
VMOD-100 VLT50 AV2070 CP5550U CR8250U CR850 RM70U AG7500A AGDS545P VDA100A BVU800D SVP5600 UVW1800 VP7020 CM5 VSG201
VIDEO EQUIPMENT Description
DIRECT-DISK VIDEO REC/PLAYER V1.34 VITC TO LTC TRANSLATOR 20" STEREO COLOR TV.75" U-MATIC PLAY-ONLY VIDEO.75" U-MATIC VIDEO RECORDER.75" U-MATIC VIDEO RECORDER REMOTE FOR JVC VIDEO DECKS S-VHS VIDEO RECORDER+CONTROLLER S-VHS HI-FI VIDEO PLAYER 6-OUTPUT VIDEO DISTRIBUTION AMP.75" U-MATIC VIDEO/DIGI REC SVHS/HIFI PLAYBACK DECK BETACAM SP VIDEO RECORDER/TBC.75" U-MATIC PLAY-ONLY VIDEO RGB COLOR MONITOR FOR S770 SYNC/COLOR BAR/BLACKBURST GEN
200.00 20.00 50.00 75.00 175.00 175.00 10.00 75.00 75.00 20.00 275.00 75.00 200.00 75.00 20.00 85.00 800.00 80.00 200.00 300.00 700.00 700.00 40.00 300.00 300.00 80.00 1100.00 300.00 800.00 300.00 80.00 340.00