Whats DSP?

Introduction
Welcome to the exciting world of digital home entertainment. This unit is one of the most complete and advanced AV receiver available. Some of the more advanced features may not be familiar to you, but they are easy to use. State-of-the-art technologies such as Dolby Digital and Digital Theater Systems (DTS) may be new to your home, but you have probably experienced the amazing realism they bring to feature films in theaters around the world. To make the listening experience even more enjoyable, this unit includes a number of exclusive, digitally created listening environments known as digital sound fields. Choosing a sound field program is like transporting yourself to such venues as an outdoor arena, a European church, or a cozy jazz club. Take some time now to read more about these features and enjoy the new experiences this unit brings to your home theater.
Digital Sound Field Processing
Technological advances in sound reproduction over the last 30 years have enhanced the listening experience with improved clarity, precision and power. However, something has still been missing: The atmosphere and acoustic ambiance of the public venue. Our Yamaha engineers have extensively researched the nature of sound acoustics and the way sound reflects inside a room. We sent these engineers to famous theaters and concert halls around the world to measure the acoustics of those venues with sophisticated microphones. The data they collected is used to recreate these environments in digital sound fields. Some of these digital sound fields are created using data measured directly at the original venue; others are created from combinations of data to form unique environments for specific purposes. Of course, that only solves half of the problem. These engineers have no way of knowing the acoustics of your listening room, so weve made it possible for you to adjust the various parameters of this data to tailor each virtual venue to your taste. You can use these sound fields to enhance any source and in combination with any of the following surround sound technologies. Some are designed especially for music, and some especially for movies.

Dolby Pro Logic

Dolby Surround has been used in movie theaters since the mid-seventies. It has also been available in home entertainment systems since the late eighties and continues to be a popular format for home theater systems. It uses four discrete channels and five speakers to reproduce realistic and dynamic sound effects: two main channels (left and right), a center channel for dialog, and a rear channel for special sound effects. The rear channel reproduces sound within a narrow frequency range. Most video tapes and laser discs include Dolby Surround encoding as do many TV and cable broadcasts. The Dolby Pro Logic decoder built into this unit employs a digital signal processing system that stabilizes each channel for even more accurate sound positioning than is available with standard analog processors.

5 DSP indicator This indicator will be illuminated when the built-in digital sound field processor is on.

PREPARATION

Speaker setup
Setting up your speaker system
This unit has been designed to provide the best sound field quality with a full five-speaker system setup, using a pair of main speakers to output main source sounds, a pair of effect speakers to generate the sound field plus one center speaker for dialog. We therefore recommend that you use a fivespeaker setup. A four-speaker system using only one pair of effect speakers for the sound field will still provide impressive ambience and effects, however, and may be a good way to begin with this unit. You can always upgrade to the fivespeaker system later. If, for some reason, it is not practical to use a center speaker, it is possible to enjoy the movie without it. Best results, however, are obtained with the full system.
Use of a subwoofer expands your sound field
It is also possible to further expand your system with the addition of a subwoofer and amplifier. The use of a subwoofer is effective not only for reinforcing bass frequencies from any or all channels, but also for reproducing signals at the subwoofer channel with high fidelity during playing back a source with Dolby Digital or DTS decoded. You may wish to choose the convenience of a Yamaha Active Servo Processing Subwoofer System, which has its own built-in power amplifier.
Use of the center dialog speaker is recommended
When playing back a source with Dolby Pro Logic decoded, or playing back a source which contains center-channel signals with Dolby Digital or DTS decoded, dialog, vocals etc. are output from the center channel. Therefore, if you want to maximize the performance of your Audio/Video home theater system, it is recommended that you use a center channel speaker.
Speakers and speaker placement
Your full five-speaker system will require two speaker pairs: the MAIN SPEAKERS (your normal stereo speakers) and the REAR SPEAKERS, plus the CENTER SPEAKER. You may also be using a SUBWOOFER. The MAIN SPEAKERS should be high performance models and have enough power handling capacity to accept the maximum output of your audio system. Other speakers do not have to be equal to the MAIN SPEAKERS. For precise sound localization, however, it is ideal to use high performance models that can reproduce sounds in full range for the CENTER SPEAKER and REAR SPEAKERS. Place the MAIN SPEAKERS in the ordinary position. Place the REAR SPEAKERS behind your listening position. They should be nearly 1.8m above the floor. Place the CENTER SPEAKER precisely between the two MAIN SPEAKERS. (To avoid interference, keep the speaker above or below the television monitor, or use a magnetically shielded speaker.) If using a SUBWOOFER, such as a Yamaha Active Servo Processing Subwoofer System, the position of the speaker is not so critical because low bass tones are not highly directional.

VIDEO AUX terminals (on the front panel)
These terminals are used to connect a video input source such as a camcorder.
PAL/NTSC switch (China and General models only)

UNBAL.

EXTERNAL DEC

DIGITAL SIGNAL

PAL NTSC S VIDEO VIDEO

ON SCREEN SELECTOR

AUDIO OUT R
This unit is designed for use with the NTSC and PAL television formats. Set this switch to the position for the format your TV monitor employs.
AUDIO OUT L VIDEO OUT S VIDEO OUT
Set to this position if your TV monitor employs the PAL format. Outputs signals in the PAL format no matter which format (PAL or NTSC) of video signal is sent from an external video unit to this unit.
Camcorder : S-video cable (Refer to page 18 for details about the S VIDEO terminal.)
NTSC: Set to this position if your TV monitor employs the NTSC format. Outputs signals in the NTSC format no matter which format (PAL or NTSC) of video signal is sent from an external video unit to this unit. Note Be sure to input a video signal which employs the same format that your TV monitor employs, otherwise a picture will not be played back normally.
For Custom Installer (For U.S.A., Canada and Australia models only)
REMOTE CONTROL (IN, OUT) terminals
(U.S.A. model) These terminals are used for custom installation system. When this unit is connected to the components for custom installation system, you can operate this unit with the system remote control. Connect the REMOTE CONTROL IN terminal of this unit to the output terminal of the central controller for custom installation system. By connecting the REMOTE CONTROL OUT terminal of this unit to the REMOTE CONTROL IN terminal of the other component, you can also operate it with the system remote control. In this way, up to 6 components can be connected in series.

S VIDEO VIDEO

Connecting to digital (OPTICAL and COAXIAL) terminals
If your CD player, LD player, DVD player, TV/satellite tuner, etc. are equipped with coaxial or optical digital audio signal output terminals, they can be connected to this units COAXIAL or OPTICAL, or both terminals. Digital audio signals are transmitted with less loss than analog audio signals. In addition, digital audio signal connections are necessary, especially for an LD player, a DVD player or a CD player to send signals encoded with Dolby Digital or DTS to this unit. To make an optical digital connection between this unit and an external unit, remove the cover from each optical terminal, and then connect them by using a commercially available optical fiber cable that conforms to EIAJ standards. Other cables might not function correctly. Even if you connect an audio/video unit to the OPTICAL (or COAXIAL) terminal of this unit, you must keep the unit connected with the same named analog audio signal terminals of this unit, because digital signal cannot be recorded by a tape deck or VCR connected to this unit. You can switch the selection of input signals between digital and analog easily. (See page 36 for details.)

SUBWOOFER OUT

SURROUND OUT

External decoder

MAIN OUT

CENTER OUT

Speakers
Use speakers with the specified impedance shown on the rear of this unit. Center speaker Right Subwoofer system Rear speakers Left

MAIN CENTER REAR

Main speakers B

Right Main speakers A

How to Connect:
Connect the SPEAKERS terminals to your speakers with the wire of the proper gauge (keep as short as possible). If the connections are faulty, no sound will be heard from the speakers. Make sure that the polarity of the speaker wires is correct. That is the + and markings are observed. If these wires are reversed, the sound will be unnatural and lack bass. Caution Do not let the bare speaker wires touch each other or any metal part of this unit. This could damage this unit or the speakers, or both.
Red: positive (+) Black: negative ()
<U.S.A., Canada, China, Australia and General models only>
Banana Plug connections are also possible. Simply insert the Banana Plug connector into the corresponding terminal.
Loosen the knob. Insert the bare wire.
[Remove approx. 5mm (1/4) insulation from the speaker wires.] Tighten the knob and secure the wire.
Note on main speaker connections:
One or two speaker systems can be connected to this unit. If you use only one speaker system, connect it to either the SPEAKERS A or B terminals.
Note on a subwoofer connection:
You may wish to add a subwoofer to reinforce low frequencies or to output low bass sound from the subwoofer channel when reproducing discrete signals. When using a subwoofer, connect the SUBWOOFER terminal of this unit to the INPUT terminal of the subwoofer amplifier, and connect the speaker terminals of the subwoofer amplifier to the subwoofer. With some subwoofers, including the Yamaha Active Servo Processing Subwoofer System, the amplifier and subwoofer are in the same unit. Such a subwoofer needs only the connection between the SUBWOOFER terminal of this unit and the INPUT terminal of the subwoofer. (Refer to page 22 for details about the SUBWOOFER terminal.)
IMPEDANCE SELECTOR switch
WARNING Do not change the IMPEDANCE SELECTOR switch setting while the power to this unit is on, otherwise this unit may be damaged. If this unit fails to turn on when the STANDBY/ON switch is pressed: The IMPEDANCE SELECTOR switch may not be set to either end. If so, set the switch to either end when this unit is in the standby mode. Select the position whose requirements your speaker system meets.

DISCO TV SPORTS

Select AMP/TUN

2, 1 4, 2 3

To store stations

POWER TV

To recall a preset station
Tune to a station. (Refer to the previous page for the tuning procedure.)
Select the group of preset stations.
Front panel Select a group (A E) of preset stations.

A/B/C/D/E A/B/C/D/E

Select the preset station number. Front panel

MANL/AUTO FM

Flashes on and off for about 5 seconds.
Select a preset station number (1 to 8) where you want to program the station before the MEMORY indicator goes off from the display.
Notes A new setting can be programmed in place of the former one. For presets, the setting of the reception mode (stereo or monaural) is stored along with the station frequency.

DVD/LD TV/DBS V-AUX

STEREO AUTO
Shows the displayed station has been programmed to A1. * In the same way, program other stations to A2, A3. A8. * You can program more stations to the preset station numbers on other groups in the same way by selecting other groups in step 2.
Memory back-up The memory back-up circuit prevents the programmed data from being lost even if this unit is set to the standby mode or the power plug is disconnected from the AC outlet or the power is cut due to a temporary power failure. If, however, the power is cut for more than one week, the memory may be deleted. If so, it can be re-programmed by simply following the Preset tuning steps.

Automatic preset tuning

You can make use of an automatic preset tuning function for FM stations. With this function, this unit performs automatic tuning and stores FM stations with strong signals sequentially. Up to 40 stations are stored automatically in the same way as in the manual preset tuning method on page 40.

AV RECEIVER

If you want to store the first received station to the desired preset station number.
If, for example, you want to store the first received station to C5, select C5 by using the A/B/C/D/E button and the preset station number selector buttons after pressing the MEMORY button in step 2. Then press the TUNING button. The first received station is stored to C5, and next stations to C6, C7. sequentially. If stations are stored up to E8, the automatic preset tuning is finished automatically.

Adjusting output level of the center, right rear, left rear speakers and subwoofer
You can adjust the sound output level of the each speaker even if the output level is already set in Speaker balance adjustment on pages 30 to 32.
CENTER R SUR. L SUR. SWFR
(Center speaker output level) (Right rear speaker output level) (Left rear speaker output level) (Subwoofer output level)
Speakers CENTER RIGHT SURROUND (R SUR.) LEFT SURROUND (L SUR.) SUBWOOFER (SWFR)
Control range (dB) MIN, 20 to +10 MIN, 20 to +10 MIN, 20 to +10 MIN, 20 to 0

Preset value 0 0

Method of adjustment

Select AMP/TUN.

VCR REC
Select the speaker(s) whose level you want to adjust by using one of the following methods. When operating on the Remote controller:
When operating on the front panel:

DIR A DIR B

Press a button repeatedly until the name of the desired speaker(s) appears on the display.
Adjust the level on the selected speaker(s).
Repeat steps 1 and 2 to make adjustments on the other speaker(s).
Notes q If the function 1. CENTER SPEAKER in the SET MENU mode is set in the NONE position, the sound output level of the center speaker cannot be adjusted. This is because in this mode, the center sound is automatically output from the left and right main speakers.
Once the output level is adjusted, the level value will be the same in all the digital sound field programs.
The value of each speaker output level you set the last time will remain memorized even when this unit is in the standby mode. However, if the power cord is disconnected for more than one week, these values will be automatically changed to the factory default settings.
Brief overview of digital sound field programs
The following list gives you a brief description of the sound fields produced by each of the DSP programs. Keep in mind that most of these are precise digital recreations of actual acoustic environments. The data for these sound fields were recorded at actual locations using sophisticated sound field measurement equipment. Note The channel level balance between the left and right rear effect speakers may vary depending on the sound field you are listening in. This is due to the fact that most of these sound field recreations are actual acoustic environments.
Program No. 1 to 5: CINEMA-DSP programs (for Audio/Video sources)
These programs use the Dolby Pro Logic decoder, the Dolby Digital decoder or the DTS decoder. Speaker output: main, center, rear Note: If the NONE position is selected on 1. CENTER SPEAKER in the SET MENU mode, no sound is output from the center speaker(s). Program No. 1 is for reproducing video discs, video tapes and similar sources which are encoded with Dolby Surround (bearing the DOLBY SURROUND or DOLBY DIGITAL logo) or encoded with DTS (bearing the dts logo). PROGRAM /DTS SURROUND SUBPROGRAM (TYPE) PRO LOGIC/Normal ( PRO LOGIC ) Functions when the input signal is analog or PCM audio or encoded with Dolby Digital in 2 channels.

To make changes, select the applicable function by using one of the following methods. When operating on the Remote controller:
Select the desired position or edit parameter for the function by using the following keys.
Repeat steps 1 and 2 to change a setting or adjust for another function.
(Selecting the output modes suitable for your speaker system)
Refer to pages 27 to 29 for details. (Once you have selected proper modes, you do not have to make a setting change, unless your speaker system is modified.)
6. DOLBY DGTL SET LFE LEVEL [Adjusting the output level at the LFE (low frequency effect) channel]
Control range: 20 dB to 0 dB Preset value: 0 dB This adjustment is effective only when Dolby Digital is decoded and the signals of the selected source encoded with Dolby Digital contain LFE signals.
Adjusts the output level at the LFE (low frequency effect) channel. If the LFE signals are mixed with signals of other channels and they are output from the same speakers, the ratio of LFE signals to other signals can be adjusted. (Refer to page 5 for details about the LFE channel.)
7. DOLBY DGTL SET DYNAMIC RANGE (Adjusting dynamic range)
Choices: MAX/STD/MIN Preset position: MAX This adjustment is effective only when Dolby Digital is decoded.
Dynamic range is the difference between the maximum level and the minimum level of sounds. Sounds on a movie originally designed for movie theaters feature very wide dynamic range. Dolby Digital technology can bring the original sound track into a home audio format with this wide dynamic range unchanged. Powerful sounds of extremely wide dynamic range are not always suitable for home use. Depending upon the condition of your listening environment, it may not be possible to increase the sound output level as high as a movie theater. However, in a level suitable for listening in your room, the low level parts of source sound cannot be heard well because they will be lost among noises in your environment. Dolby Digital technology also made it possible to reduce an original sound tracks dynamic range for a home audio format by compressing the data of sound.
In this position, a source encoded with Dolby Digital is reproduced in the original sound tracks wide dynamic range providing you with powerful sounds like a movie theater. Selecting this position will be more ideal if you can listen to a source in a high output level in a room specially soundproofed for audio/video enjoyment.
STD (Standard): In this position, a source encoded with Dolby Digital is reproduced in the compressed dynamic range of the source suitable for low level listening. MIN: In this position, dynamic range is more reduced than in the STD position. Selecting this position will be effective when you must listen to a source in an extremely low level. * In this position, it may happen that sound is output faintly or not output normally depending on a source. In that case, select the MAX or STD position.

F EFCT ON/OFF Press this key to turn on/off the digital sound field processor, which includes the Dolby Pro Logic decoder, Dolby Digital decoder and DTS decoder. G ON SCREEN Press this key to change the type of display on the monitor screen. Three types of displays are available. Each time the key is pressed, the information can be changed to a full, simple and no display. H SET MENU Press this key to turn the unit into the SET MENU mode. Select a function by pressing this key repeatedly or by using the or key (0). The function name will be illuminated on the display. Then press the or key (0) to adjust or make settings in the function.
The functions of all keys are the same with the AMP/TUN position except the DSP program selector keys figured on the left.
DSP program selector keys
Press a key corresponding to the DSP program you want to select. The program is directly selected. Note: Press 0 to select the program No. 10.
The keys drawn in a light tone do not function. For the keys which are not described here, see AMP/TUN on page 62. For details, refer to the instruction manual for each of your components.

TAPE/MD 1

For tape decks 1 POWER
This key turns on this unit when the default code is used. If another code is entered and your tape decks remote controller has a power key, this key will turn on the tape deck.
REC/PAUSE Press this key to set the tape deck in the recording pause mode. Press this key to select the playing direction of DECK A.

3 DIR A 4

PLAY Press this key to play a tape.
5 REWIND Press this key to rewind a tape. 7 DECK A/B
Press this key to select A or B on a double cassette tape deck.

9 DIR B

Press this key to select the playing direction of DECK B.
0 STOP Press this key to stop a tape. A FAST FORWARD Press this key to fast forward a tape.

For MD recorders

Enter the proper code for your MD recorder.
This key turns on this unit if a code for a Yamaha MD recorder is entered. If another manufactuers code is entered and your MD recorders remote controller has a power key, this key will turn on the MD recorder.

VIDEO SECTION

Video Signal Type [U.S.A. and Canada models].NTSC [Europe, U.K., Australia and Singapore models].. PAL [China and General models]. NTSC/PAL Video Signal Level.. 1 Vp-p/75 ohms S-Video Signal Level Y... 1 Vp-p/75 ohms C.. 0.286 Vp-p/75 ohms Maximum Input Level. 1.5 Vp-p or more Signal-to-Noise Ratio.. 50 dB or more Monitor Out Frequency Response.. 5 Hz to 10 MHz, 3 dB

FM SECTION

Tuning Range [U.S.A. and Canada models]..87.5 to 107.9 MHz [Europe, U.K., Australia, China, Singapore and General models].87.5 to 108.0 MHz 50 dB Quieting Sensitivity (IHF, 75 ohms, 100% mod., 1 kHz) [U.S.A., Canada, China and General models only] Mono..1.6 V (15.3 dBf) Stereo..23 V (38.5 dBf) Usable Sensitivity (75 ohms) [Europe, U.K., Australia and Singapore models only] DIN, Mono (S/N 26 dB).0.9 V DIN, Stereo (S/N 46 dB).28 V Alternate Channel Selectivity (400 kHz) [U.S.A., Canada, China and General models only]..75 dB Selectivity (two signals, 40 kHz Dev. 300 kHz) [Europe, U.K., Australia and Singapore models only]...55 dB Signal-to-Noise Ratio (IHF) Mono/Stereo [U.S.A., Canada, China and General models]..81/75 dB (DIN-Weighted, 40 kHz Dev.) Mono/Stereo [Europe, U.K., Australia and Singapore models]..75/69 dB
Harmonic Distortion (1 kHz) Mono/Stereo.0.1/0.2% Stereo Separation (1 kHz)..48 dB
Usable Sensitivity..300 V/m Signal-to-Noise Ratio..52 dB Output Level (30% mod., 1 kHz).150 mV
Maximum Power Consumption [General model only]..690W AC Outlets 2 SWITCHED OUTLETS [U.S.A., Europe, Canada, China, Singapore and General models]. 100W max. total 1 SWITCHED OUTLET [U.K. and Australia models].. 100W max. Dimensions (W x H x D).. 435 x 151 x 391 mm (17-1/8 x 5-15/16 x 15-3/8) Weight.. 13.0 kg (28 lbs. 10 oz) Accessories.Remote controller Batteries AM loop antenna Indoor FM antenna Antenna adapter (U.S.A. and Canada models only)
Frequency Response 20 Hz to 15 kHz..01 dB Output Level (100% mod., 1 kHz) [U.S.A., Canada, China and General models]...550 mV [Europe, U.K., Australia and Singapore models (40 kHz Dev.)]..550 mV

GENERAL

Power Supply [U.S.A. and Canada models].. AC 120V/60 Hz [Europe, U.K. and Singapore models].. AC 230V/50 Hz [Australia model]. AC 240V/50 Hz [China and General models]. AC 110/120/220/240V, 50/60 Hz Power Consumption [U.S.A. model].. 310W [Europe, U.K., Australia, China, Singapore and General models]..350W [Canada model].350W/440 VA

AM SECTION

Tuning Range [U.S.A., Canada, China and General models].. 530 to 1,710 kHz [Europe, U.K., Australia and Singapore models].531 to 1,611 kHz
* Specifications are subject to change without notice.
LIST OF MANUFACTURERS CODES LISTE DES CODES FABRICANTS
For U.S.A. and Canada models Modles pour les Etats-Unis et le Canada

SETUP CODES FOR TV

Manufacturer Code Clarivox 0037 Concerto 0056 Contec 0180, 0009, 0185, 0216 Craig 0180, 0161 Crosley 0054 Crown 0180, 0039, 0009, 0037, 0418 Curtis Mathes 0047, 0054, 0154, 0051, 0451, 0093, 0060, 0030, 0145, 0056, 0016, 0039, 0166 Daewoo 0451, 0019, 0039, 0009, 0037, 0066, 0092 Dansai 0037 Dayton 0009 Daytron 0019 De Graaf 0208 Decca 0037 Denon 0145 Dixi 0004, 0009, 0037 Dumont 0017, 0019 Ectec 0391 Electroband 0000, 0185 Elin 0037 Elta 0009 Emerson 0154, 0236, 0463, 0180, 0282, 0178, 0019, 0179, 0039, 0177, 0185, 0280 Envision 0030 Erres 0037 Ferguson 0037, 0109, 0287, 0560 Fidelity 0216 Finlandia 0208 Finlux 0179, 0037 Firstline 0009, 0216 Fisher 0154, 0159, 0208 Formenti 0037 Frontech 0264 Fujitsu 0179 Funai 0180, 0179, 0171, 0264 Futuretech 0180 GE 0047, 0051, 0451, 0093, 0282, 0178, 0021, 0135 GEC 0037 Geloso 0009 Gibralter 0017, 0030, 0019 GoldStar 0030, 0178, 0019, 0056, 0001, 0002, 0032, 0037, 0109 Goodmans 0179, 0037 Gradiente 0053, 0056, 0170 Granada 0037, 0208, 0339, 0502 Grandin 0282 Grundig 0037, 0535, 0554 Grunpy 0180, 0179 HCM 0282, 0009 Hallmark 0178 Hanseatic 0037 Harley Davidson 0179 Harvard Hinari Hisawa Hitachi 0180, 0068 0179, 0009, 0037, 0145, 0056, 0032, 0109, 0151, 0576 Huanyu 0216 Hypson 0282, 0037, 0264 ICE 0264 ITT 0283 Imperial 0418 Indiana 0037 Infinity 0054 Inteq 0017 Interbuy 0068 Interfunk 0037, 0512 Intervision 0037, 0068, 0264 JBL 0054 JCB 0000 JEC 0502 JVC 0053, 0069, 0160 Janeil 0046 KEC 0180 KTV 0180, 0030, 0039, 0185, 0280 Kaisui 0282, 0009, 0216 Kamp 0216 Kawasho 0216 Kaypani 0052 Kendo 0037 Kenwood 0030, 0019 Kingsley 0216 Kloss 0046 Korpel 0037 Koyoda 0009 LG 0056 LXI 0047, 0054, 0154, 0156, 0178 Leyco 0037, 0264 Liesenk & Tter 0037 Lloytron 0032 Loewe 0512 Logik 0016, 0001 Luxman 0056 M Electronic 0009, 0037, 0068, 0109, 0287 MEI 0185 MGA 0150, 0030, 0178, 0019 MTC 0060, 0030, 0019, 0056, 0185, 0216, 0512 Magnavox 0054, 0030, 0179, 0186, 0187 Majestic 0016 Manesth 0264 Marantz 0054, 0030, 0037 Mark 0037 Matsui 0009, 0035, 0037, 0177, 0208 Matsushita 0250 Mediator 0037
A-Mark 0003 AOC 0030, 0019, 0003, 0052, 0185 Abex 0032 Acura 0009 Admiral 0093 Adventura 0046 Adyson 0032 Aiko 0092 Akai 0030, 0208 Akura 0264 Alaron 0179, 0216 Alba 0009, 0037 Ambassador 0177 Amstrad 0009, 0171, 0177 Anam 0180, 0004, 0009, 0068 Anam National 0161 Anitech 0009, 0068 Arcam 0216 Archer 0003 Audinac 0391 Audiosonic 0037, 0109 Audiovox 0451, 0180, 0003, 0092 BPL 0282 Basic Line 0009 Baur 0037, 0512, 0535, 0554 Baysonic 0180 Belcor 0019 Bell & Howell 0154, 0016 Beon 0037 Blaupunkt 0535, 0554 Blue Star 0282 Bradford 0180 Brandt 0109 Britannia 0216 Brockwood 0019 Broksonic 0236, 0463, 0003, 0426 Bush 0282, 0009, 0037 CCE 0037 CS Electronics 0216 CXC 0180 Candle 0030, 0056, 0046, 0186 Carnivale 0030 Carver 0054, 0170 Cascade 0009 Cathay 0037 Celebrity 0000 Centurion 0037 Cimline 0009 Cineral 0451, 0092 Citizen 0060, 0030, 0056, 0039, 0046, 0092, 0186, 0280 Clairtone 0185

Techwood Teknika

SETUP CODES FOR CABLE

Manufacturer Code

ABC 1003, 1008, 1014, 1011 Allegro 1315 Archer 1797 BBT 1267 Belcor 1056 British Telecom 1003 Cable Star 1056 Citizen 1315 Colour Voice 1031 Comtronics 1040 Contec 1019 Emerson 1797 Everquest 1015, 1040 Focus 1400 GC Electronics 1056 Gemini 1015 General Instrument 1476, 1011 GoldStar 1144, 1040 Goodmind 1797 Hamlin 1020, 1259, 1009, 1034 Hitachi 1011

Jasco Jerrold

1315 1003, 1012, 1476, 1014, 1015, 1011, 1024 MNet 1019 Magnavox 1027 Memorex 1000 Movie Time 1063 NSC 1063 Novaplex 1618 Oak 1019 Optimus 1021 PVP Stereo Visual Matrix 1003 Panasonic 1000, 1107, 1021 Paragon 1000 Philips 1027, 1031 Pioneer 1144, 1533 Popular Mechanics 1400 Prelude 1770 Pulsar 1000 RCA 1021 Radio Shack 1015, 1315 Recoton 1400 Regal 1020, 1259 Rembrandt 1011 Runco 1000 SL Marx 1040 Samsung 1144, 1040 Scientific Atlanta 1008, 1477 Signal 1015, 1040 Signature 1011 Sprucer 1021 StarSight 1422 Starcom 1003, 1015 Stargate 1015, 1040, 1770, 1797 Starquest 1015 TVTeleCaption 1221 Teleview 1040 Timeless 1418 Tocom 1012 Toshiba 1000 Tusa 1015 United Cable 1003 Universal 1056, 1191 Viewstar 1063, 1027 Zenith 1000, 1054, 1525 Zentek 1400
SETUP CODES FOR DBS TUNER
Manufacturer AST Audio Ton Avalon Chaparral Connexions DNT Echostar Elta Expressvu Fuba Galaxis Galaxisat General Instrument Huth JSR JVC Jerrold Lemon NEC Neusat Next-Wave Primestar Radix SAT SatPartner Seemann Triad Wisi Zehnder Code 2396 2053, 2321, 2396 2321

SETUP CODES FOR VCR

AlphaStar Echostar General Instrument HTS Hitachi Hughes Network System Jerrold Magnavox Memorex Panasonic Philips Primestar RCA Sony Star Choice Toshiba Uniden 2724
ASA 3037, 3081 Admiral 3048 Adventura 3000 Aiko 3278 Aiwa 3037, 3000 Akai 3041, 3061, 3281, 3288 Akiba 3072 Akura 3271 Alba 3209, 3072, 3278, 3020, 3295 Ambassador 3020 American High 3035 Amstrad 3000, 3278 Anitech 3072 Asha 3240 Asuka 3037 Audiovox 3037 Baird 3000, 3104, 3041 Basic Line 3072, 3278, 3020 Beaumark 3240 Bell & Howell 3104 Blaupunkt 3162, 3034, 3195, 3226, 3227 Brandt 3187, 3320 Brandt Electronic 3041 Broksonic 3184, 3121, 3209, 3002, 3295, 3361, 3479 Bush 3209, 3072, 3278 CCE 3072, 3278 CGE 3000 Calix 3037 Canon 3035 Capehart 3020 Carver 3081 Catron 3020 Cimline 3072 Cineral 3278 Citizen 3037, 3278 Clatronic 3020 Colt 3072 Condor 3020 Craig 3037, 3047, 3240, 3072, 3271 Crown 3072, 3278, 3020 Curtis Mathes 3060, 3035, 3041, 3162 Cybernex 3240 Cyrus 3081 Daewoo 3045, 3278, 3020 Dansai 3072 Daytron 3020 De Graaf 3042, 3166 Decca 3081, 3000 Denon 3042 Dual 3041 Dumont 3081, 3000, 3104 Dynatech 3000 ESC 3240, 3278 Elbe 3038
Elcatech 3072 Electrohome 3037 Electrophonic 3037 Emerex 3032 Emerson 3037, 3184, 3000, 3121, 3043, 3209, 3002, 3278, 3036, 3061, 3068, 3208, 3212, 3295, 3361, 3479 Ferguson 3041, 3320 Fidelity 3000 Finlandia 3081, 3104 Finlux 3081, 3000, 3042, 3104 Firstline 3037, 3045, 3043, 3209, 3072 Fisher 3047, 3104, 3046, 3054, 3066 Frontech 3020 Fuji 3035, 3033 Funai 3000 GE 3060, 3035, 3048, 3240, 3202 GEC 3081 Garrard 3000 General 3020 GoldHand 3072 GoldStar 3037, 3038, 3225, 3471 Goodmans 3037, 3000, 3072, 3278, 3062, 3020 Gradiente 3000, 3008 Graetz 3240, 3104, 3041 Granada 3081, 3104, 3046 Grandin 3037, 3000, 3072 Grundig 3081, 3072, 3195, 3226 HCM 3072 HI-Q 3047 Hanseatic 3037 Harley Davidson 3000 Harman/Kardon 3038 Harwood 3072, 3068 Headquarter 3046 Hinari 3240, 3072, 3208 Hitachi 3240, 3000, 3042, 3041, 3166, 3235 Hypson 3072 ITT 3240, 3104, 3041, 3046, 3384 ITV 3037, 3278 Imperial 3000 Interfunk 3081 JVC 3067, 3041, 3008, 3384 Jensen 3041 KEC 3037, 3278 KLH 3072 Kaisui 3072 Kendo 3209 Kenwood 3067, 3041, 3038, 3384 Kodak 3035, 3037 Korpel 3072 LXI 3037 Lenco 3278 Leyco 3072 LIoyds 3000, 3208 Loewe 3037, 3081 Logik 3240, 3072 Luxor 3048, 3104, 3043, 3062, 3046

Samsung SatPartner

2287 2421, 2332, 2520, 2502, 2335, 2692 Satcom 2605, 2346 Satec 2183, 2328 Satmaster 2346 Schwaiger 2183, 2394, 2504 Seemann 2396, 2530 Siemens 2173 Skymaster 2288, 2605, 2519 Star Trak 2421 Strong 2421 Sunstar 2513 TPS 2820 Tantec 2455, 2297, 2336 TechniSat 2262, 2501 Techniland 2346 Telefunken 2421 Teleka 2243, 2613 Telesat 2605 Thomson 2455 Tonna 2668, 2346 Triad 2321, 2333, 2335, 2351 Triasat 2501 Unitor 2332, 2217 Universum 2571, 2173 Vector 2333 Ventana 2200 Vortec 2421 Vtech 2351 Wevasat 2333 Winersat 2332 Wisi 2455, 2396, 2173, 2321, 2351, 2372, 2406, 2407 XSat 2889 Xcom Multimedia 2889 Zehnder 2520, 2321, 2331
Emerson Ferguson Fidelity Finlandia Finlux Firstline Fisher Frontech Fuji Funai GE GEC Garrard General Go Video GoldHand GoldStar Goodmans
ASA 3037, 3081 Admiral 3048 Adventura 3000 Aiko 3278 Aiwa 3000, 3037, 3307, 3348, 3352 Akai 3315, 3106, 3041, 3053 Akiba 3072 Alba 3072, 3020, 3278, 3209, 3315, 3352 Ambassador 3020 Amstrad 3000, 3278, 3325, 3332 Anitech 3072 Asha 3240 Asuka 3037 Audiovox 3037 Baird 3000, 3041, 3104, 3107 Basic Line 3072, 3020, 3278 Beaumark 3240 Bell & Howell 3104 Blaupunkt 3034, 3226, 3195, 3003, 3006, 3154, 3162, 3227, 3403 Brandt 3320, 3187, 3321 Brandt Electronic 3041 Broksonic 3209 Bush 3072, 3278, 3209, 3352 CCE 3072, 3278 CGE 3000 Calix 3037 Capehart 3020 Carver 3081 Catron 3020 Cimline 3072 Cineral 3278 Citizen 3037, 3278 Clatronic 3020 Colt 3072 Combitech 3352 Condor 3020 Craig 3072, 3037, 3047, 3240 Crown 3072, 3020, 3278 Curtis Mathes 3041, 3162 Cybernex 3240 Cyrus 3081 Daewoo 3020, 3278, 3045 Dansai 3072 Daytron 3020 De Graaf 3042, 3166 Decca 3000, 3081 Denon 3042 Dual 3041 Dumont 3000, 3081, 3104 Dynatech 3000 ESC 3278, 3240 Elbe 3038 Elcatech 3072 Electrohome 3037 Electrophonic 3037 Emerex 3032
3000, 3037, 3278, 3209, 3036, 3043, 3088 3320, 3041, 3107, 3081, 3104 3000, 3081, 3042, 3104 3072, 3037, 3209, 3045, 3043 3046, 3047, 3054, 3048, 3037, 3038, 3225 3072, 3000, 3020,
3037, 3278, 3403 Gradiente 3000, 3008 Graetz 3005, 3041, 3104, 3240 Granada 3081, 3046, 3104 Grandin 3072, 3000, 3037 Grundig 3072, 3081, 3347, 3226, 3195, 3003, 3006, 3007, 3207, 3349, 3403 HCM 3072 HI-Q 3047 Hanseatic 3037 Harley Davidson 3000 Harman/Kardon 3038 Harwood 3072 Headquarter 3046 Hinari 3072, 3004, 3240, 3352 Hitachi 3000, 3004, 3042, 3041, 3166, 3235, 3240 Hypson 3072 ITT 3106, 3046, 3384, 3005, 3041, 3104, 3240 ITV 3037, 3278 Imperial 3000 Ingersol 3004 Interfunk 3081 JVC 3067, 3384, 3008, 3041, 3206, 3207, 3486 Jensen 3041 KEC 3037, 3278 KLH 3072 Kaisui 3072 Kendo 3209, 3106 Kenwood 3067, 3384, 3038, 3041 Kodak 3037 Korpel 3072 LXI 3037 Lenco 3278 Leyco 3072 LIoyds 3000 Loewe 3037, 3004, 3081, 3006 Logik 3072, 3004, 3240 Luxor 3106, 3048, 3046, 3043, 3104