Technological advances in sound reproduction over the last 30 years have enhanced the listening experience with improved clarity, precision and power. However, something has still been missing: The atmosphere and acoustic ambiance of the public venue. Our Yamaha engineers have extensively researched the nature of sound acoustics and the way sound reflects inside a room. We sent these engineers to famous theaters and concert halls around the world to measure the acoustics of those venues with sophisticated microphones. The data they collected is used to recreate these environments in digital sound fields. Some of these digital sound fields are created using data measured directly at the original venue; others are created from combinations of data to form unique environments for specific purposes. Of course, that only solves half of the problem. These engineers have no way of knowing the acoustics of your listening room, so weve made it possible for you to adjust the various parameters of this data to tailor each virtual venue to your taste. You can use these sound fields to enhance any source and in combination with any of the following surround sound technologies. Some are designed especially for music, and some especially for movies.

Dolby Pro Logic

Dolby Surround has been used in movie theaters since the mid-seventies. It has also been available in home entertainment systems since the late eighties and continues to be a popular format for home theater systems. It uses four discrete channels and five speakers to reproduce realistic and dynamic sound effects: two main channels (left and right), a center channel for dialog, and a rear channel for special sound effects. The rear channel reproduces sound within a narrow frequency range. Most video tapes and laser discs include Dolby Surround encoding as do many TV and cable broadcasts. The Dolby Pro Logic decoder built into this unit employs a digital signal processing system that stabilizes each channel for even more accurate sound positioning than is available with standard analog processors.

Dolby Digital

Dolby Digital is the next level of Dolby Surround sound system developed for 35 mm film-movies by employing low bit-rate audio coding. Dolby Digital is a digital surround sound system that provides completely independent multi-channel audio to you. Dolby Digital provides five full range channels in what is sometimes referred to as a 3/2 configuration: three front channels (left, center and right), and two surround channels. A sixth bass-only effect channel is also provided for output of LFE (low frequency effect), or low bass effects that are independent of other channels. (This is called the LFE channel.) This channel is counted as 0.1, thus giving rise to the term 5.1 channels in total. Compared to Dolby Surround that is referred to a 3/1 system (left front, center, right front and just one surround channel), Dolby Digital features two surround channels, called stereo or split surrounds, each offering the same full range fidelity as the three front channels. By using the built-in Dolby Digital decoder, you can experience the dramatic realism and impact of Dolby Digital theater sound in your home. Wide dynamic range of sound reproduced by the five full range channels and precise sound orientation by the digital sound processing presents listeners much excitement and realism that has never been experienced before. Dolby Digital forms 5.1 channels as mentioned left, and moreover, it can also form fewer channels, for example 2 channel stereo and monaural. You may be able to find some 2 channel stereo and/or monaural sources encoded with Dolby Digital in the market. Laserdisc and DVD are home audio formats that could benefit from Dolby Digital. In the near future, Dolby Digital will also be applied to DBS, CATV and HDTV. The ongoing release of Dolby Digital theatrical films now underway will provide an immediate source of Dolby Digital encoded video software.

CINEMA DSP

The YAMAHA CINEMA DSP logo indicates those programs that are created by the combination of YAMAHA DSP technology and Dolby Surround or DTS.
Dolby Pro Logic + 2 Digital Sound Fields
Digital sound fields are created on the presence side and the rear surround side of the Dolby Pro Logic decoded sound field respectively. They create a wide acoustic environment and emphasize surround-effect in the room, letting you feel much presence as if you were watching a movie in a popular Dolby Surround theater. For details, refer to pages 53 to 54.
Dolby Digital or DTS + 3 Digital Sound Fields
Digital sound fields are created on the presence side and the independent left and right surround sides of the Dolby Digital-decoded or the DTS-decoded sound field respectively. They create a wide acoustic environment and much surround effect in the room without losing high channel separation. With wide dynamic range of Dolby Digital or DTS sound, this sound field combination lets you feel as if you were watching a movie in the newest Dolby Digital theater or DTS installed theater. This is the most ideal home theater sound at the present time. For details, refer to pages 53 to 54.

GETTING STARTED

Getting started

Unpacking

Carefully remove this unit and accessories from the box. You should find the unit itself and the following accessories.

Remote controller

Indoor FM Antenna

STANDBY

AMP/TUN

/DTS SURROUND

MOVIE THEATER 1

MOVIE THEATER 2

TAPE/MD

MONO MOVIE

TV SPORTS

DVD/LD

TV/DBS

CHURCH

JAZZ CLUB

EXT. DEC.

A/B/C/D/E

DSP EFCT

DISC SKIP PRESET

ON/OFF

AM Loop Antenna

CODE SET

MUTE VOLUME

SLEEP DISP

POWER VCR REC

ON SCREEN

TV INPUT A/B

SELECT

SET UP

RETURN ANGLE AUDIO

SUBTITLE

ON/OFF TITLE

SET MENU
Batteries (size AA, R6, UM-3)
Installing batteries in the remote controller
Since the remote controller will be used for many of this units control operations, you should begin by installing the supplied batteries.
Notes about the remote controller

Battery replacement

If you find that the remote controller must be used closer to the main unit, the batteries are weak. Replace both batteries with new ones. Notes q Use AA, R6, UM-3 batteries. q Be sure the polarities are correct. (See the illustration inside the battery compartment.) q Remove the batteries if the remote controller is not used for an extended period of time. q If batteries leak, dispose of them immediately. Avoid touching the leaked material and contact with clothing, etc. Clean the battery compartment thoroughly before installing new batteries. Be sure to insert the new batteries within 2 minutes after you remove the old batteries from the remote controller. If the remote controller is left for more than 2 minutes without batteries, all of the codes you entered will be cleared and the remote controller will return to the factory preset condition.

This button is used to exchange the places of two preset stations with each other.

R EFFECT button

Press this button to turn on and off the output from the center and rear speakers. The sound becomes normal 2-channel when this function is turned off. However, this does not apply to Dolby Digital or DTS. The signals at all channels will be distributed to the main channels and output from the main speakers, even if the output from the center and rear speakers are turned off, when Dolby Digital or DTS is decoded.
G TUNING MODE (AUTO/MANL MONO) button
Press this button to switch the tuning mode between automatic and manual. To select the automatic tuning mode, press this button so that the AUTO indicator is illuminated on the display. To select the manual tuning mode, press this button so that the AUTO indicator is not illuminated.

H FM/AM button

Press this button to switch the reception band between FM and AM.

S VIDEO AUX terminals

Connect an auxiliary video or audio input source unit such as a camcorder to these terminals. A video unit with a S video output terminal can be connected to the S VIDEO terminal to obtain a high resolution picture. The source can be selected with the INPUT SELECTOR.

I RDS MODE/FREQ button

When an RDS station is received, pressing this button changes the display mode into the PS mode, PTY mode, RT mode and/or CT mode (if the station employs these RDS data services), and frequency display in turn.

T INPUT MODE button

Press this button to select how input signals are received from sources that output two or more types of signals. The AUTO, DTS and ANALOG modes are available. Refer to page 36 for details.

Display panel 3 4

DIGITAL PRO LOGIC DSP MEMORY PS PTY ENHANCED MOVIE THEATER 12 TV SPORTS MONO MOVIE DISCO JAZZ CLUB ROCK CONCERT CHURCH CONCERT HALL RT CT PTY HOLD EON NEWS INFO AFFAIRS SPORT AUTO STEREO
CD TUNER PHONO TAPE/MD MONITOR SLEEP

TV/DBS V-AUX VCR

indicators Either dts indicators will be illuminated when the built-in DTS decoder is turned on. A red dts indicator will be illuminated when playing a compact disc or laserdisc encoded with DTS. An orange dts indicator will be illuminated when playing a DVD encoded with DTS. An orange dts indicator may be illuminated when playing a laserdisc encoded with DTS after a video-CD or DVD on a DVD/LD combi-player.

(Upper position) Rear: The impedance of each speaker must be 6 or higher.
Center: The impedance of the speaker must be 6 or higher. Main: If you use one pair of main speakers, the impedance of each speaker must be 4 or higher. If you use two pairs of main speakers, the impedance of each speaker must be 8 or higher.
(Lower position) Rear: The impedance of each speaker must be 8 or higher.
Center: The impedance of the speaker must be 8 or higher. Main: If you use one pair of main speakers, the impedance of each speaker must be 8 or higher. If you use two pairs of main speakers, the impedance of each speaker must be 16 or higher.
To drive main, center and/or rear speakers with external amplifiers
The speaker connections described on page 20 are fine for most applications. If for some reason, however, you wish to drive main, center and/or rear speakers with your existing amplifier, etc., the following terminals are available for connecting external amplifier(s) to this unit.

CENTER terminal

This terminal is for center channel line output. If you drive a center speaker with an external power amplifier, connect the input terminal of the external amplifier to this terminal. There is no connection to this terminal when you use the built-in amplifier.
REAR (SURROUND) terminals
These terminals are for rear channel line output. If you drive rear speakers with an external stereo power amplifier, connect the input terminals of the external amplifier (MAIN IN or AUX terminals of an amplifier or a receiver) to these terminals. There is no connection to these terminals when you use the built-in amplifier.

MAIN terminals

These terminals are for main channel line output. If you drive main speakers with an external stereo power amplifier, connect the input terminals of the external amplifier (MAIN IN or AUX terminals of an amplifier or a receiver) to these terminals. There is no connection to these terminals when you use the built-in amplifier. * Output signals from the MAIN terminals are affected by the use of BASS, TREBLE, BALANCE controls, BASS EXTENSION button and the TONE BYPASS button.

On screen display

If you connect your VCR, LD player, video monitor, etc. to this unit, you can take advantage of this units capability to display program titles, parameter data and information for various setting changes and adjustments on your video monitor screen. This information will be superimposed over the video image. If there is no video source connected or it is turned off, the information will be displayed over a blue colored background.
Selecting a type of display
You can change the type of display showing various information on the monitor screen by pressing the ON SCREEN display key on the remote controller. Press this key to change the screen to a full or simple display, or no display at all.

DISP ON SCREEN

(Example) Full display
Note: The program titles, parameter data and other information are also displayed on the display panel of this unit.

Simple display

Goes off after being displayed for several seconds.
Notes q When making a setting change or adjustment in the SET MENU mode, or adjusting the speaker balance by using the test tone, information is fully displayed on the monitor screen even if another type of display is currently selected. q Information displayed on the monitor screen in this way cannot be recorded by a VCR.
Selecting the output modes (SET MENU mode)
The following functions control the output signals to the speakers in your audio system. When speaker connections are all completed, select a proper position on each function to maximize the performance of your speaker system. * For details about the SET MENU mode, refer to pages 56 to 59.
1. CENTER SPEAKER 2. REAR SPEAKER 3. MAIN SPEAKER 4. LFE/BASS OUT 5. MAIN LEVEL

Function description

1. CENTER SPEAKER
Choices: LARGE (LRG)/SMALL (SML)/NONE Preset position: LRG LRG: When your center speaker is approximately the same size as the main speakers. When you use a center speaker that is smaller than the main speakers. In this position, low bass signals (below 90 Hz) at the center channel are output from the SUBWOOFER terminals (or the main speakers if the MAIN position is selected on 4. LFE/BASS OUT). When you do not have a center speaker. The center channel sound will be output from the left and right main speakers.

2. REAR SPEAKER

* However, the present input signal will not be shown when the input mode is switched during the speaker test mode. Only AUTO will be displayed.
Notes on playing a source encoded with DTS q Select the DTS mode when playing an LD or CD source encoded with DTS. (Red dts indicator is illuminated on the display panel.) If the AUTO mode is selected, a noise may be heard just after playback begins. Do not play these sources in the ANALOG mode because only background noise will be output from the speakers. q This unit is automatically locked in the DTS decoding mode when playing a CD or LD source encoded with DTS in the AUTO mode to prevent background noise in future operation. The red dts indicator will be flashing. In this mode, no sound will be heard if a disc with normal digital signals (PCM) is played from a CD or LD source. To play back the disc normally, press the INPUT MODE button on the front panel, or, the input selector key for the current source on the remote controller.
Recording a source to tape (or MD) or dubbing from tape (or MD) to tape (or MD)
Recording the playing source to tape (or MD)

dB ms 40 4

Select the source you want to record. Front panel Remote control
Play the source and then turn the VOLUME control up to confirm the input source. (Refer to page 39 for details on tuning.) Front panel Remote control
Notes on recording The VOLUME, BASS, TREBLE, BALANCE controls, the BASS EXTENSION button and the settings of DSP have no effect on the material being recorded. q Turn off the TAPE/MD MONITOR indicator when the recording is finished by pressing the TAPE/MD MON/EXT. DECODER button once or more. Also, do not make EXT. DECODER appear on the display. q Composite video and S video signals pass independently through this units video circuits. Therefore, when recording or dubbing video signals, if your video source unit is connected to provide only a S video (or only a composite video) signal, you can record only a S video (or only a composite video) signal on your VCR. q A source that is connected to this unit between optical or coaxial digital terminals only cannot be recorded by a tape deck or VCR connected to this unit. q A source of signals input to the EXTERNAL DECODER INPUT terminals of this unit cannot be recorded. q Please check the copyright laws in your country to record from records, compact discs, radio, etc. Recording of copyright material may infringe on copyright laws.
Begin recording to the tape deck (or MD recorder etc.) or VCR connected to this unit. If the tape deck (or MD recorder etc.) is used for recording, you can monitor the sound of recording. To monitor the sound of recording, light up the TAPE/MD MONITOR indicator on the display by pressing the TAPE/MD MON/EXT. DECODER button or TAPE/MD key. Front panel or

RT (Radio Text) mode:

Displays information about the program (such as the title of the song, name of the singer, etc.) on the RDS station now being received.
Program types in the PTY mode

NEWS AFFAIRS

News: Short accounts of facts, events and publicly expressed views, reportage and actuality. Current affairs: Topical program expanding or enlarging upon the news, generally in different presentation style or concept, including documentary debate, or analysis. Information: Program whose purpose is to impart advice in the widest sense, including meteorological reports and forecasts, consumer affairs, medical help, etc. Sport: Program concerned with any aspect of sport. Education: Program intended primarily to educate, of which the formal element is fundamental. Drama: All radio plays and serials. Culture: Programs concerned with any aspect of national or regional culture, including religious affairs, philosophy, social science, language, theatre, etc. Science: Programs about the natural sciences and technology.

VARIED

Varied: Used for mainly speech-based programs usually of light-entertainment nature, not covered by above categories. Examples are: quizzes, panel games, personality interviews, comedy and satire. Pop: Commercial music, which would generally be considered to be of current popular appeal, often featuring in current or recent record sales charts. Rock: Contemporary modern music, usually written and performed by young musicians. M.O.R.: (Middle of the Road Music). Common term to describe music considered to be easylistening, as opposed to Pop, Rock or Classical. Music in this category is often but not always, vocal, and usually of short duration (<5 min.) Light classics: Classical Musical for general, rather than specialist appreciation. Examples of music in this category are instrumental music, and vocal or choral works. Serious classics: Performances of major orchestral works, symphonies, chamber music etc., and including Grand Opera. Other music: Musical styles not fitting into any of the above categories. Particularly used for specialist music, of which Jazz, Rhythm & Blues, Folk, Country, and Reggae are examples.

The name of the selected program appears on the display panel and the monitor screen.

DSP MOVIE THEATER 1

Program name

Subprogram name

Adjust the output level of each speaker. (For details, refer to the corresponding descriptions on pages 51 and 52.) You can create your own sound field taste. (For details, refer to pages 60 to 63.)
Notes q Program selection can be made to individual input sources. Once you select a program, it is linked with the input source selected at this time. So, when you select the same input source the next time, the same program will be automatically recalled. q If you prefer to cancel the DSP, press the EFFECT button. The sound will be the normal 2-channel stereo without surround sound effect. q When a monaural sound source is played with the program PRO LOGIC (Normal/Enhanced), a proper effect will not be obtained. Moreover, sound may become unnatural depending on the settings of the speaker output modes (1. CENTER SPEAKER to 4. LFE/BASS OUT) in the SET MENU mode. q When this units Dolby Pro Logic decoder, Dolby Digital decoder or DTS decoder is used, if the main-source sound is considerably altered by overadjustment of the BASS or TREBLE control, the relationship between the center and rear channels may produce an unnatural effect. q When a source of signals input to the EXTERNAL DECODER INPUT terminals of this unit is selected, the DSP cannot be used and the EFFECT button also will not function.
To enjoy a video source encoded with Dolby Surround, Dolby Digital or DTS
When you select the program No. 1, 2 or 3, and the input signal of the source is 2-channel stereo, Dolby Surround is decoded. When some program is selected and the input signal of the source is encoded with Dolby Digital, Dolby Digital is automatically decoded. When some program is selected and the input signal of the source is encoded with DTS, DTS is automatically decoded. The following indicators on the display panel show you what sound processing is being made.
Note If you change the LD (or CD) being played back with DTS decoded to another disc not encoded with DTS when the red dts indicator is illuminated, playing back the newly selected disc will output no sound. In this state, the red dts indicator flashes to show that this unit is locked in the DTS-decoding mode. To play back the disc normally, change the current DTSdecoding mode to another mode by pressing an input selector key on the remote controller or the INPUT MODE button on the front panel so that the red dts indicator turns off.

Select the desired position or edit parameter for the function by using the following keys.
Repeat steps 1 and 2 to change a setting or adjust for another function.
(Selecting the output modes suitable for your speaker system)
Refer to pages 27 to 29 for details. (Once you have selected proper modes, you do not have to make a setting change, unless your speaker system is modified.)
6. DOLBY DGTL SET LFE LEVEL [Adjusting the output level at the LFE (low frequency effect) channel]
Control range: 20 dB to 0 dB Preset value: 0 dB This adjustment is effective only when Dolby Digital is decoded and the signals of the selected source encoded with Dolby Digital contain LFE signals.
Adjusts the output level at the LFE (low frequency effect) channel. If the LFE signals are mixed with signals of other channels and they are output from the same speakers, the ratio of LFE signals to other signals can be adjusted. (Refer to page 5 for details about the LFE channel.)
7. DOLBY DGTL SET DYNAMIC RANGE (Adjusting dynamic range)
Choices: MAX/STD/MIN Preset position: MAX This adjustment is effective only when Dolby Digital is decoded.
Dynamic range is the difference between the maximum level and the minimum level of sounds. Sounds on a movie originally designed for movie theaters feature very wide dynamic range. Dolby Digital technology can bring the original sound track into a home audio format with this wide dynamic range unchanged. Powerful sounds of extremely wide dynamic range are not always suitable for home use. Depending upon the condition of your listening environment, it may not be possible to increase the sound output level as high as a movie theater. However, in a level suitable for listening in your room, the low level parts of source sound cannot be heard well because they will be lost among noises in your environment. Dolby Digital technology also made it possible to reduce an original sound tracks dynamic range for a home audio format by compressing the data of sound.
In this position, a source encoded with Dolby Digital is reproduced in the original sound tracks wide dynamic range providing you with powerful sounds like a movie theater. Selecting this position will be more ideal if you can listen to a source in a high output level in a room specially soundproofed for audio/video enjoyment.
STD (Standard): In this position, a source encoded with Dolby Digital is reproduced in the compressed dynamic range of the source suitable for low level listening. MIN: In this position, dynamic range is more reduced than in the STD position. Selecting this position will be effective when you must listen to a source in an extremely low level. * In this position, it may happen that sound is output faintly or not output normally depending on a source. In that case, select the MAX or STD position.
8. DTS SET LFE LEVEL [Adjusting the output level at the LFE (low frequency effect) channel]

CLEAR /DTS SURROUND

Notes q For details about parameters, refer to pages 62 to 63. q Parameter edits made in this way will remain in effect even if power is lost due to a power failure or the power plug is disconnected from the AC outlet for up to about one week, after which all parameters, as well as other adjustments or setting changes on this unit, will return to their initial values or conditions.
The selected program name and its parameters will be displayed on the monitor screen. The arrow-shaped cursor points to the first parameter or subprogram name.
Descriptions of the digital sound field parameters
Not all of the following parameters are found in every program.

q ROOM SIZE

How it Affects the Sound:
Changes the apparent size of the music venue. The larger the value, the larger the simulated room will sound.
P. ROOM SIZE (Presence Room Size)
Adjusts the apparent space size of the front presence sound field. The larger the value, the longer the interval between reflections becomes, which increases the depth of the sound source.

What it Does:

Adjusts the timing between the early reflections. Early reflections are the first group of reflections you hear before the subsequent, dense reverberation begins.
S. ROOM SIZE (Surround Room Size)
Adjusts the apparent space size of the rear surround sound field. The larger the value, the larger the surround sound field becomes.

Control Range:

0.1 2.0 Standard setting is 1.0. Changing this parameter from 1 to 2 increases the apparent volume of the room eight times (length, width, and height all doubled). Level Direct sound Early reflections Level
Direct sound Early reflections

Time Small space

Time Large space
q INIT. DELAY (Initial Delay)
Changes the apparent distance from the source sound. Since the distance between a sound source and a reflective surface determines the delay between the direct sound and the first reflection, this parameter changes the location of the sound source within the acoustic environment.
P. INIT. DLY (Presence Initial Delay)
Adjusts the delay between the direct sound and the first reflection on the presence side of the sound field. The larger the value, the later the first reflection begins.

milliseconds

Adjusts the delay between the direct sound and the first reflection heard by the listener.
S. INIT. DLY (Surround Initial Delay)
Adjusts the delay between the direct sound and the first reflection on the rear surround side of the sound field. The larger the value, the later the first reflection begins.
milliseconds For a small living room this parameter would be set for a small value. Large values for a big room. Larger values produce an echo effect. Level Level

DVDMENU

CBL/DBS
Notes You can program the remote controller with the codes for other manufactures for all positions (except AMP/TUN and DSP) respectively. For example, if your CD player is not a Yamaha model, enter the code for the manufacture of the CD player when the CD position is selected. You can control your CD player with the remote controller when the CD position is selected. You can enter one code for one position. Refer to page 71 for details about entering codes. Some Yamaha CD players and tape decks cannot be controlled with the default codes. To control such a model, enter the code for the model in the corresponding position.

Key name and function

The key functions differ depending on the position selected by the selector dial as shown below.

AMP/TUN

* The keys drawn in a light tone do not function.

1 POWER

Press this key to turn on the power of this unit.

2 Input selector keys

Press a key to select the input source.

3 EXT. DEC.

Press this key to select the input signals from the EXTERNAL DECODER INPUT terminals as the input source. This function takes priority over the input selector key setting. EXT. DECODER will be illuminated on the display panel. The source selected with the input selector keys becomes the current input source when EXT. DECODER is not illuminated on the display panel. * If the DSP key (5) is pressed, you can select the HALL program by pressing this key while the indicator (C) is illuminated.

(TV POWER)

4 A/B/C/D/E
Press this key to select a group of preset stations.

(TV VOLUME)

Press this key. While the indicator (C) is illuminated for about three seconds, select a DSP program using the keys (2, 3, D). No DSP program can be selected after the indicator goes off.

6 PRESET +/

+: : Press this key to select the next preset station number. Press this key to select the previous preset station number.

7 VOLUME H 8 MUTE

(up)/ (down) Press these keys to increase or decrease the volume.
Press this key to mute the volume. The volume can be returned to the original level by pressing any remote controller key which controls this unit. The indicator on the VOLUME control flashes during the mute mode.

VIDEO SECTION

Video Signal Type [U.S.A. and Canada models].NTSC [Europe, U.K., Australia and Singapore models].. PAL [China and General models]. NTSC/PAL Video Signal Level.. 1 Vp-p/75 ohms S-Video Signal Level Y... 1 Vp-p/75 ohms C.. 0.286 Vp-p/75 ohms Maximum Input Level. 1.5 Vp-p or more Signal-to-Noise Ratio.. 50 dB or more Monitor Out Frequency Response.. 5 Hz to 10 MHz, 3 dB

FM SECTION

Tuning Range [U.S.A. and Canada models]..87.5 to 107.9 MHz [Europe, U.K., Australia, China, Singapore and General models].87.5 to 108.0 MHz 50 dB Quieting Sensitivity (IHF, 75 ohms, 100% mod., 1 kHz) [U.S.A., Canada, China and General models only] Mono..1.6 V (15.3 dBf) Stereo..23 V (38.5 dBf) Usable Sensitivity (75 ohms) [Europe, U.K., Australia and Singapore models only] DIN, Mono (S/N 26 dB).0.9 V DIN, Stereo (S/N 46 dB).28 V Alternate Channel Selectivity (400 kHz) [U.S.A., Canada, China and General models only]..75 dB Selectivity (two signals, 40 kHz Dev. 300 kHz) [Europe, U.K., Australia and Singapore models only]...55 dB Signal-to-Noise Ratio (IHF) Mono/Stereo [U.S.A., Canada, China and General models]..81/75 dB (DIN-Weighted, 40 kHz Dev.) Mono/Stereo [Europe, U.K., Australia and Singapore models]..75/69 dB
Harmonic Distortion (1 kHz) Mono/Stereo.0.1/0.2% Stereo Separation (1 kHz)..48 dB
Usable Sensitivity..300 V/m Signal-to-Noise Ratio..52 dB Output Level (30% mod., 1 kHz).150 mV
Maximum Power Consumption [General model only]..690W AC Outlets 2 SWITCHED OUTLETS [U.S.A., Europe, Canada, China, Singapore and General models]. 100W max. total 1 SWITCHED OUTLET [U.K. and Australia models].. 100W max. Dimensions (W x H x D).. 435 x 151 x 391 mm Weight.. 13.0 kg Accessories.Remote controller Batteries AM loop antenna Indoor FM antenna
Frequency Response 20 Hz to 15 kHz..01 dB Output Level (100% mod., 1 kHz) [U.S.A., Canada, China and General models]...550 mV [Europe, U.K., Australia and Singapore models (40 kHz Dev.)]..550 mV

GENERAL

Power Supply [U.S.A. and Canada models].. AC 120V/60 Hz [Europe, U.K. and Singapore models].. AC 230V/50 Hz [Australia model]. AC 240V/50 Hz [China and General models]. AC 110/120/220/240V, 50/60 Hz Power Consumption [U.S.A. model].. 310W [Europe, U.K., Australia, China, Singapore and General models]..350W [Canada model].350W/440 VA

Salora Samsung Satbox Scientific Atlanta Starcom Tele+1 Teleservice Toshiba Tudi United Cable Videoway Westminster Zenith
1375 1008, 1277, 1105 1000

DBS TUNER

AST 2321, 2351 Alba 2455, 2421, 2362, 2613 Aldes 2288 Allantide 2333 Amstrad 2080, 2252, 2345, 2461, 2501 Ankaro 2369, 2288, 2220, 2519, 2217 Anttron 2421, 2183 Arcon 2368 Armstrong 2243 Astra 2108, 2539 Astro 2520, 2173, 2358, 2501 Avalon 2396 Axis 2369, 2530 BT 2668 Barcom 2217 Beko 2189 Best 2369, 2217 Blaupunkt 2173 Boca 2243, 2513 Brain Wave 2332 Bush 2067 CNT 2520 Cambridge 2344 Channel Master 2362 Chaparral 2053, 2209 CityCom 2394 Commlink 2288 Connexions 2396 Crown 2243 Cyrus 2200 D-box 2723 DDC 2362 DNT 2396, 2200 Diskxpress 2217 Drake 2268 EIF 2417 Echostar 2396, 2871 Emanon 2421 FTE 2331 Ferguson 2183, 2067, 2189, 2336 Fidelity 2252 Finlux 2455, 2108, 2344, 2397 Fracarro 2871
2421, 2335 2421, 2369, 2396, 2217, 2297, 2417 G-Sat 2183 Galaxis 2288, 2834, 2863 Galaxisat 2321 GoldStar 2335 Gooding 2571 Goodmans 2189 Grothusen 2335 Grundig 2571, 2173, 2189, 2328 Harting und Helling 2333 Hinari 2183 Hirschmann 2502, 2173, 2573, 2287, 2333, 2397, 2398 Hitachi 2455 Houston 2668 Huth 2243, 2288, 2220, 2346 ITT 2108 InVideo 2871 Intervision 2592 JVC 2571 Johansson 2332 Kathrein 2173, 2200, 2092, 2331, 2358, 2394, 2442, 2480, 2504 Kosmos 2331, 2335 Kreiselmeyer 2173 Kyostar 2421 La Sat 2520, 2513, 2464 Lemon 2692 Lenco 2421, 2335 Lennox 2592 Lupus 2369 Luxor 2573, 2108 Manhattan 2455, 2592, 2520 Marantz 2200 Maspro 2092, 2328, 2336 Matsui 2571, 2344 Mediamarkt 2243 Micro Technology 2333, 2539 Minerva 2571 Morgans 2243, 2513 Multistar 2331, 2464 Muratto 2335 Navex 2332 Neuhaus 2501 Neusat 2692, 2834 Newhaus 2220 Nikko 2360 Nokia 2455, 2573, 2108, 2328, 2397, 2873 Nordmende 2362 Orbitech 2501 Oxford 2344 Pace 2455, 2183, 2067, 2328, 2336, 2791 Palcom 2297 Palladium 2571 Palsat 2501 Panda 2455 Philips 2455, 2571, 2200, 2292, 2328 Phonotrend 2288, 2592

Freecom Fuba

Planet Plasmatic Polytron Promax Prosat Quadral RFT Radiola Radix SAT SEG STVI Saba Sabre Sagem Salora Samsung SatPartner
2288 2362, 2519 2288, 2220, 2396, 2882 2321, 2351, 2461 2421, 2369, 2520, 2287 2421, 2332, 2520, 2502, 2335, 2692 Satcom 2605, 2346 Satec 2183, 2328 Satmaster 2346 Schwaiger 2183, 2394, 2504 Seemann 2396, 2530 Siemens 2173 Skymaster 2288, 2605, 2519 Star Trak 2421 Strong 2421 Sunstar 2513 TPS 2820 Tantec 2455, 2297, 2336 TechniSat 2262, 2501 Techniland 2346 Telefunken 2421 Teleka 2243, 2613 Telesat 2605 Thomson 2455 Tonna 2668, 2346 Triad 2321, 2333, 2335, 2351 Triasat 2501 Unitor 2332, 2217 Universum 2571, 2173 Vector 2333 Ventana 2200 Vortec 2421 Vtech 2351 Wevasat 2333 Winersat 2332 Wisi 2455, 2396, 2173, 2321, 2351, 2372, 2406, 2407 XSat 2889 Xcom Multimedia 2889 Zehnder 2520, 2321, 2331