Whats DSP?

Introduction
Welcome to the exciting world of digital home entertainment. This unit is one of the most complete and advanced AV receiver available. Some of the more advanced features may not be familiar to you, but they are easy to use. State-of-the-art technologies such as Dolby Digital and Digital Theater Systems (DTS) may be new to your home, but you have probably experienced the amazing realism they bring to feature films in theaters around the world. To make the listening experience even more enjoyable, this unit includes a number of exclusive, digitally created listening environments known as digital sound fields. Choosing a sound field program is like transporting yourself to such venues as an outdoor arena, a European church, or a cozy jazz club. Take some time now to read more about these features and enjoy the new experiences this unit brings to your home theater.
Digital Sound Field Processing
Technological advances in sound reproduction over the last 30 years have enhanced the listening experience with improved clarity, precision and power. However, something has still been missing: The atmosphere and acoustic ambiance of the public venue. Our Yamaha engineers have extensively researched the nature of sound acoustics and the way sound reflects inside a room. We sent these engineers to famous theaters and concert halls around the world to measure the acoustics of those venues with sophisticated microphones. The data they collected is used to recreate these environments in digital sound fields. Some of these digital sound fields are created using data measured directly at the original venue; others are created from combinations of data to form unique environments for specific purposes. Of course, that only solves half of the problem. These engineers have no way of knowing the acoustics of your listening room, so weve made it possible for you to adjust the various parameters of this data to tailor each virtual venue to your taste. You can use these sound fields to enhance any source and in combination with any of the following surround sound technologies. Some are designed especially for music, and some especially for movies.

Dolby Pro Logic Surround

Dolby Pro Logic Surround has been used in movie theaters since the mid-seventies. It has also been available in home entertainment systems since the late eighties and continues to be a popular format for home theater systems. It uses four discrete channels and five speakers to reproduce realistic and dynamic sound effects: two main channels (left and right), a center channel for dialog, and a rear channel for special sound effects. The rear channel reproduces sound within a narrow frequency range. Most video tapes and laser discs include Dolby Pro Logic Surround encoding as do many TV and cable broadcasts. The Dolby Pro Logic Surround decoder built into this unit employs a digital signal processing system that stabilizes each channel for even more accurate sound positioning than is available with standard analog processors.

Within approximately 6 m (19.7 feet)
Notes q The area between the remote controller and the main unit must be clear of large obstacles. q Do not expose the remote control sensor to strong lighting, in particular, an inverter type fluorescent lamp. Otherwise, the remote controller may not work properly. If necessary, position the main unit away from direct lighting.
Controls and their functions

Front panel 5 6

NATURAL SOUND

AV RECEIVER RX V795RDS

VOLUME INPUT SELECTOR

20 l6 l2

PRESET

ROOM 2

STANDBY/ON
TAPE 2 MONITOR MEMORY AUTO TUNING SPEAKERS SPEAKERS B ROOM 2 CONTROL A

STEREO

DIGITAL ENHANCED 70 mm
NORMAL WIDEPHANTOM PS PTY RT CT

DIGITAL

PRO LOGIC
AUTO SLEEP PCM AC3 PTY HOLD EON NEWS INFO AFFAIRS SPORT
TAPE/MD MON /EXT. DECODER

MEMORY

TUNING MODE

DOWN TUNING

INPUT MODE
MANL/AUTO FM BASS 0 l TREBLE 0 l l 4 BALANCE 0 l l 4 L5R
AUTO/MANL MONO RDS MODE / FREQ EON SET MENU

PHONES

SPEAKERS
BASS TONE EXTENSION BYPASS 2 3

VIDEO AUX

EFFECT

PTY SEEK

PROGRAM

S VIDEO

L AUDIO R
MEMORY EDIT TUNING MODE FM/AM

A B CD

MANL/AUTO FM
AUTO/MANL MONO RDS MODE / FREQ EON
MNO Q R P KL 5 INPUT SELECTOR
For the remote controller, refer to pages 65 to 72.
1 STANDBY/ON switch Press this switch to turn on the power. Press this switch again to set this unit in the standby mode. * A click from the switch and the initial rotation of the built-in fan will be heard when the power is turned on.
Standby mode This unit is still using a small amount of power in this mode in order to be ready to receive infrared-signals from the remote controller.
Turn this knob to select the input source. The selected source will be shown on the display.

6 Master VOLUME control

Simultaneously controls volume for all output sounds; main, rear, center and subwoofer. (The REC OUT level is not affected.) * The indicator on the master VOLUME control will flash when the volume is decreased by pressing the MUTE key on the remote controller.

Notes Output level of signals from all of these terminals are adjusted by the use of VOLUME control on the front panel or VOLUME keys on the remote controller. If an external power amplifier is connected to the MAIN, CENTER, or REAR output terminals, do not use the corresponding SPEAKERS terminals (MAIN, CENTER, or REAR).

SUBWOOFER terminal

When using a subwoofer, connect its amplifier input to this terminal. Low frequencies distributed from the main, center and/or rear channels are output from this terminal. (The cut-off frequency of this terminal is 90 Hz.) Signals of LFE (low frequency effect) generated when Dolby Digital or DTS is decoded are also output if they are assigned to this terminal.

Antennas

Each antenna should be connected to the designated terminals correctly, as shown in the following figure. Both AM and FM indoor antennas are included with this unit. In general, these antennas will probably provide sufficient signal strength. Nevertheless, a properly installed outdoor antenna will give clearer reception than an indoor one. If you experience poor reception quality only with the indoor antennas, the use of an outdoor antenna may result in improvement.
Outdoor AM antenna Outdoor FM antenna Indoor FM antenna (included) (Europe model)
AM loop antenna (included)

ON SCREEN SELECTOR GND

75-ohm/300-ohm antenna adapter 75-ohm coaxial cable

AM ANT

MONITOR OUT IN VCR OUT

IN (PLAY) 3 TAPE/MD

75-ohm/300-ohm antenna adapter 300-ohm flat ribbon cable Ground
Connecting the AM loop antenna
1. Press the tab and unlock the terminal hole. 2. Connect the AM loop antenna lead wires to the AM ANT and GND terminals. 3. Return the tab back to the original position to lock the lead wires. Lightly pull on the lead wires to confirm a good connection. Antenna stand 4. Attach the loop antenna to the antenna stand. Loop antenna
5. Orient the AM loop antenna so that the best reception is obtained.
Notes q The AM loop antenna should be placed apart from the main unit. The antenna may be hung on a wall. q The AM loop antenna should be kept connected, even if an outdoor AM antenna is connected to this unit.
Connecting the indoor FM antenna
Connect the included indoor antenna to the 75 UNBAL. FM ANT terminal.

GND terminal

For maximum safety and minimum interference, connect the GND terminal to a good ground. A good ground is a metal stake driven into moist earth.
Note Do not use an outdoor FM antenna and the indoor FM antenna at the same time.

NEWS AFFAIRS

News: Short accounts of facts, events and publicly expressed views, reportage and actuality. Current affairs: Topical program expanding or enlarging upon the news, generally in different presentation style or concept, including documentary debate, or analysis. Information: Program whose purpose is to impart advice in the widest sense, including meteorological reports and forecasts, consumer affairs, medical help, etc. Sport: Program concerned with any aspect of sport. Education: Program intended primarily to educate, of which the formal element is fundamental. Drama: All radio plays and serials. Culture: Programs concerned with any aspect of national or regional culture, including religious affairs, philosophy, social science, language, theatre, etc. Science: Programs about the natural sciences and technology.

VARIED

Varied: Used for mainly speech-based programs usually of light-entertainment nature, not covered by above categories. Examples are: quizzes, panel games, personality interviews, comedy and satire. Pop: Commercial music, which would generally be considered to be of current popular appeal, often featuring in current or recent record sales charts. Rock: Contemporary modern music, usually written and performed by young musicians. M.O.R.: (Middle of the Road Music). Common term to describe music considered to be easylistening, as opposed to Pop, Rock or Classical. Music in this category is often but not always, vocal, and usually of short duration (<5 min.) Light classics: Classical Musical for general, rather than specialist appreciation. Examples of music in this category are instrumental music, and vocal or choral works. Serious classics: Performances of major orchestral works, symphonies, chamber music etc., and including Grand Opera. Other music: Musical styles not fitting into any of the above categories. Particularly used for specialist music, of which Jazz, Rhythm & Blues, Folk, Country, and Reggae are examples.

ROCK M M.O.R. M

SPORT EDUCATE DRAMA CULTURE

LIGHT M

SCIENCE

CLASSICS

OTHER M

Changing the RDS modes

When an RDS station is received, PS, PTY, RT and/or CT that correspond to the RDS data services employed by the station light up on the display. By pressing the RDS MODE/FREQ button once or more, you can change the display mode among the RDS modes employed by the received station in the order shown below. (The RDS mode not employed by the station cannot be selected.) Illumination of the indicator on the head of the name of an RDS mode shows that the corresponding RDS mode is now selected. * When an RDS station is received, do not press the RDS MODE/FREQ button until one or more names of RDS modes light up on the display. If the button is pressed before one or more names light up on the display, the mode cannot be changed. This is because the unit has not received all of the RDS data on the station yet. * If no name of RDS mode lights up on the display, the mode cannot be changed.

Playing a source with an effect of the digital sound field processor (DSP)
Follow steps 1 to 7 shown in Playing a source on pages 33 to 34.
When operating on the front panel: If no program name is illuminated on the display panel, press the EFFECT button to turn on the digital sound field processor so that a name of a DSP program appears on the display panel and the monitor screen.
When operating on the remote controller: When the selector dial is set at a position other than DSP: The indicator lights up for about 3 seconds. When the selector dial is set at DSP: Go on to the next step. DSP
* Do the next operation while the indicator is illuminated. If the indicator goes off before you do the next operation, press the DSP key again.
Select a program that is suitable for the source. When operating on the front panel:
When operating on the remote controller: a)
* Press 0 to select the program No. 10. b) For the programs No. 1, 2 and 3 only, you can select the desired subprogram by pressing the corresponding DSP program selector key once or more.
The name of the selected program appears on the display panel and the monitor screen.

DSP MOVIE THEATER 1

Program name

Subprogram name

Adjust the output level of each speaker. (For details, refer to the corresponding descriptions on pages 51 and 52.) You can create your own sound field taste. (For details, refer to pages 60 to 63.)
Notes Program selection can be made to individual input sources. Once you select a program, it is linked with the input source selected at this time. So, when you select the same input source the next time, the same program will be automatically recalled. q If you prefer to cancel the DSP, press the EFFECT button. The sound will be the normal 2-channel stereo without surround sound effect. q When a monaural sound source is played with the program PRO LOGIC (Normal/Enhanced), a proper effect will not be obtained. Moreover, sound may become unnatural depending on the settings of the speaker output modes (1. CENTER SPEAKER to 4. LFE/BASS OUT) in the SET MENU mode. q When this units Dolby Pro Logic Surround decoder, Dolby Digital decoder or DTS decoder is used, if the main-source sound is considerably altered by overadjustment of the BASS or TREBLE control, the relationship between the center and rear channels may produce an unnatural effect. q When a source of signals input to the EXTERNAL DECODER INPUT terminals of this unit is selected, the DSP cannot be used and the EFFECT button also will not function.
To enjoy a video source encoded with Dolby Pro Logic Surround, Dolby Digital or DTS
When you select the program No. 1, 2 or 3, and the input signal of the source is 2-channel stereo, Dolby Pro Logic Surround is decoded. When some program is selected and the input signal of the source is encoded with Dolby Digital, Dolby Digital is automatically decoded. When some program is selected and the input signal of the source is encoded with DTS, DTS is automatically decoded. The following indicators on the display panel show you what sound processing is being made.

This program is for reproducing sounds on a multi-track film, and characterized by a soft and extensive sound field. The front presence side of the sound field is relatively narrow. It spatially spreads all around and toward the screen, restraining echo effect of conversations without losing clarity. For the surround side, the harmony of music or chorus sounds beautifully in a wide space at the rear of the sound field.
For program No. 4 and 5 only, indicators light up as follows. DSP When the input signal is analog or PCM audio: ( ) When the input signal is encoded with the Dolby Digital (not in 2 channels): ( DSP When the input signal is encoded with the DTS: ( ) PROGRAM
FEATURE This program is designed specifically to enhance mono source programs. Compared to a strictly mono setting, the sound image created in this mode is wider and slightly forward of the speaker pair, lending an immediacy to the overall sound. It is particularly effective when used with old mono movies, news broadcasts and dialog. This program is furnished with a tight sound field in which the sound will not spread excessively on the front side, but the rear surround side produces a dynamic sound expansion. This program is the most suitable for sports programs.
Program No. 6 to 10: Hi-Fi DSP programs (for audio sources)
DSP When the input signal is analog or PCM audio: ( ) Speaker output: main, rear When the input signal is encoded with the Dolby Digital (not in 2 channels): ( Speaker output: main, center, rear DSP When the input signal is encoded with the DTS: ( ) Speaker output: main, center, rear
FEATURE This program recreates the acoustic environment of a lively disco in the heart of a very lively city. The sound is dense and highly concentrated. It is also characterized by a high-energy, immediate sound. This program is ideally suited for rock music. You will experience a very dynamic or lively sound field. This is a small, cozy jazz club with a low ceiling. The sound is very close and intimate. This program recreates the acoustic environment of a big church with a high pointed dome and columns along the sides. This interior produces very long reverberations. In this program, the center will appear to be deep behind the main speakers, creating an expansive large hall ambience. Orchestra and opera music are suited for this sound field.
ROCK CONCERT JAZZ CLUB CHURCH

CONCERT HALL

ADVANCED FEATURES

SET MENU mode

The following 13 functions maximize the performance of your system and increase the enjoyment of audio listening and video watching.
6. DOLBY DGTL SET LFE LEVEL 7. DOLBY DGTL SET DYNAMIC RANGE 8. DTS SET LFE LEVEL
19. CENTER DELAY 10. PARAMETER INI 11. MEMORY GUARD 12. TV/DBS INPUT 13. DIMMER

Changes and adjustments

Select AMP/TUN or DSP.
Refer to the information in the display panel or monitor screen during operation. The monitor power must be turned on to display information on the monitor. When using the remote controller, the selector dial must be set at AMP/TUN or DSP.

The elements of a sound field
In any environment, in addition to the direct sound coming straight to our ears from the players instrument, there are two distinct types of sound reflections that combine to make up the sound field: (1) Early Reflections. Reflected sounds reach our ears extremely rapidly (50 ms 100 ms after the direct sound), after reflecting from one surface onlyfor example, from the ceiling or a wall. These reflections fall into specific patterns as shown in the diagram on page 62 for any particular environment, and provide vital information to our ears. Early reflections actually add clarity to the direct sound. (2) Reverberations. These are caused by reflections from more than one surfacewalls, ceiling, the back of the roomso numerous that they merge together to form a continuous sonic afterglow. They are non-directional, and lessen the clarity of the direct sound. Direct sound, early reflections and subsequent reverberation taken together help us to determine the subjective size and shape of the room, and it is this information that the DSP reproduces in order to create sound fields. If you could create the appropriate early reflections and subsequent reverberations in your listening room, you would be able to create your own listening environment. The acoustics in your room could be changed to those of a concert hall, a dance floor, or virtually any size room at all. This ability to create sound fields at will is exactly what Yamaha has done with the DSP.
Selecting and editing program parameters
This adjustment can be made only by using the remote controller and watching the monitor screen or the display panel. Note Information on the monitor screen would be easier to see than the display panel.
SLEEP /DTS SURROUND DISP MOVIE THEATER 2

2 4, 5

Set the selector dial of the remote controller to DSP or AMP/TUN.

ON/OFF TITLE ON/OFF

Select the parameter which you want to edit.

DSP or AMP/TUN

Turn on your monitor. If the currently selected type of display is not the full display, press the ON SCREEN display key and select the full display.
Change the value on the selected parameter to create the effect you want.
Select the desired program (or subprogram) by following the steps 2 and 3 of Playing a source with an effect of the digital sound field processor (DSP) on pages 48 and 49.
increases the value of the selected parameter, and decreases the value of the selected parameter. In both cases you can hold the key down to quickly move to the desired value. The display will pause for a moment at the initial set value of the parameter as a reminder. (On the monitor screen, the mark at the head of the parameter name will disappear upon reaching the initial set value of the parameter.)

CLEAR /DTS SURROUND

Notes q For details about parameters, refer to pages 62 to 63. q Parameter edits made in this way will remain in effect even if power is lost due to a power failure or the power plug is disconnected from the AC outlet for up to about one week, after which all parameters, as well as other adjustments or setting changes on this unit, will return to their initial values or conditions.
The selected program name and its parameters will be displayed on the monitor screen. The arrow-shaped cursor points to the first parameter or subprogram name.
Descriptions of the digital sound field parameters
Not all of the following parameters are found in every program.

q ROOM SIZE

How it Affects the Sound:
Changes the apparent size of the music venue. The larger the value, the larger the simulated room will sound.
P. ROOM SIZE (Presence Room Size)
Adjusts the apparent space size of the front presence sound field. The larger the value, the longer the interval between reflections becomes, which increases the depth of the sound source.

What it Does:

Adjusts the timing between the early reflections. Early reflections are the first group of reflections you hear before the subsequent, dense reverberation begins.
S. ROOM SIZE (Surround Room Size)
Adjusts the apparent space size of the rear surround sound field. The larger the value, the larger the surround sound field becomes.

Control Range:

0.1 2.0 Standard setting is 1.0. Changing this parameter from 1 to 2 increases the apparent volume of the room eight times (length, width, and height all doubled). Level Direct sound Early reflections Level
Direct sound Early reflections

Time Small space

Time Large space
q INIT. DELAY (Initial Delay)
Changes the apparent distance from the source sound. Since the distance between a sound source and a reflective surface determines the delay between the direct sound and the first reflection, this parameter changes the location of the sound source within the acoustic environment.
P. INIT. DLY (Presence Initial Delay)
Adjusts the delay between the direct sound and the first reflection on the presence side of the sound field. The larger the value, the later the first reflection begins.

milliseconds

Level Level Direct sound Level

Reverberations

Small Time

Large Time Time

q REV. LEVEL (Reverberation Level)
This parameter adjusts the volume of the reverberation sound. The larger the value, the stronger the reverberation becomes.
q S. DELAY (Surround Delay)
Adjusts the delay between the direct sound and the first reflection on the rear surround side sound field. The larger the value, the later the surround sound field is generated.
0 100% Level Direct sound

REV. LEVEL

Control Range: When Dolby Pro Logic Surround is decoded: milliseconds When Dolby Digital or DTS is decoded: milliseconds When a program without Dolby Surround or DTS encoded is used: milliseconds

Setting the SLEEP timer

Use the built-in SLEEP timer to automatically turn this unit into the standby mode after the time you set elapses. The SLEEP timer is useful when you plan to fall asleep while this unit is playing back or recording a source. The SLEEP timer also automatically turns off external units connected to the SWITCHED AC OUTLET(S) on the rear of this unit. The SLEEP timer can only be set using the remote controller.

To set the SLEEP time

To cancel the SLEEP timer
Press the SLEEP key repeatedly until SLEEP OFF appears on the display. (After a while, the display returns to the original indication.)
Select the source using the INPUT SELECTOR and start playback (or select a broadcast station) on the source unit. Press the SLEEP key repeatedly until the desired SLEEP time appears on the display. * SLEEP time is the time that elapses before this unit is automatically turned into the standby mode.
Note The SLEEP timer setting can also be canceled by setting this unit into the standby mode with the STANDBY/ON switch on the front panel (or the STANDBY key on the remote controller) or disconnecting the power plug of this unit from the AC outlet.
Indicates the SLEEP time.
Flashes. Each time you press the SLEEP key, the SLEEP time changes as follows. (Minutes)

SLEEP OFF

(The SLEEP timer is off.)
After a while, the display returns to the original indication.

REMOTE CONTROLLER

The remote controller is designed to control the most commonly used functions. If you have other Yamaha audio and video components with remote control capability, this remote controller will also control various functions of them. In addition, this remote controller can control other manufacturers audio and video components by programming the remote controller with the codes for other manufacturers.

FAST FORWARD Press this key to advance playback rapidly.

2 DISC SKIP

Press these keys to skip to the next or previous CD.

(TV INPUT)

, SKIP Press to skip to the beginning of the next track. Press to skip to the beginning of the current or previous track. PLAY Press this key to play a CD. BACKWARD Press this key to reverse playback rapidly.

DVD/LD

(*1) POWER

DVD MENU

(*1): For a DVD player: This key turns on this unit when the default code is used. For an CD player: This key turns on this unit if a code for a Yamaha LD player is entered.
Numeric keys +10 DISC SKIP

DISC SKIP

(TV VOLUME) TITLE/INDEX

DISPLAY

(TV POWER) SKIP/SEARCH PLAY SUBTITLE (DVD)/ BACKWARD (LD) SUBTITLE ON/OFF (DVD)

(TV INPUT) PAUSE

(TV POWER) MENU LEFT MENU SELECT SET UP TITLE
(TV INPUT) MENU UP MENU RIGHT MENU DOWN RETURN MENU
STOP ANGLE (DVD) AUDIO (DVD)
Note You can control your VCR if you have entered the code for it.
CHANNEL CHANNEL ENTER CHANNEL +(UP)/(DOWN) (TV POWER) VCR REC (*1) PLAY REWIND
CHANNEL CHANNEL ENTER CHANNEL +(UP)/(DOWN) TV MUTE TV SLEEP TV POWER

TV EFFECT ON/OFF

TV VOLUME

DISPLAY (TV INPUT) PAUSE

DISPLAY TV INPUT

STOP FAST FORWARD

(*1) Press this key twice to start recording.

CBL/DBS

CHANNEL CHANNEL ENTER CHANNEL +(UP)/(DOWN)
DISPLAY (TV INPUT) MENU UP MENU RIGHT MENU DOWN RECALL MENU
(TV POWER) MENU SELECT MENU LEFT
Entering manufacturer codes
If you have a component which is not a Yamaha model, you can enter the code for the manufacturer of the component in the corresponding position of the selector dial. By doing so, you can control the component with the remote controller.
Refer to the code list at the end of this manual for the code numbers you need.
Notes Some Yamaha CD players and tape decks cannot be controlled with the default codes. To control such a model, enter the code for the model in the corresponding position. If there is no code applicable for your component in the code list, you must use the remote controller provided for the component.

Problem A loud hissing noise is heard when you play back a source encoded with DTS. Cause The player which plays back the source is not connected to a digital audio signal input terminal of this unit. The ANALOG input mode is selected on this unit. A percussive noise is heard when you begin playing back a source encoded with DTS. No sound is heard when you play back a source encoded with DTS, even though the AUTO or DTS input mode is selected on this unit. No sound is heard when you play back an MD onto which you have recorded a source encoded with DTS. No sound is heard when you play back a DAT onto which you have recorded a source encoded with DTS. No sound is heard when you play back a source (CD etc.) even though the currently selected input mode is AUTO. If the AUTO input mode is selected, depending on some sources, there may be a case that a noise is heard while this unit is identifying the format of input signal. The DTS decoder built into this unit does not function because the player has a digital volume control and it is set at a position other than maximum, neutral or ineffective. A source encoded with DTS cannot be recorded onto an MD. Depending on a DAT deck, a source encoded with DTS cannot be recorded onto a DAT. In the AUTO mode, DTS-decoding mode cannot be changed to the normal (PCM) digital signal input mode automatically. Press the INPUT MODE button on the front panel or the input selector button (for the currently selected source) on the remote controller so that PCM appears on the monitor screen. What to Do The player must be connected to a digital audio signal input terminal of this unit besides analog audio signal terminal connections. Select a proper input mode on this unit to turn on the DTS decoder built into this unit. Set the input mode of the currently selected input source to DTS.
Set the players digital volume control at the maximum, neutral or ineffective position.
Notes It is necessary to use a DTS decoder to play back a source encoded with DTS, so the player which plays back a source must be connected to a digital audio input terminal of this unit in the way described in this manual. If this connection is not made or only a D-to-A converter is used without using a DTS decoder, when you play back a source, only a loud hiss noise will be heard. If you make a search (or skip etc.) operation while playing back a source encoded with DTS, the dts indicator goes out from the display. This is because this unit automatically changes the DTS-decoding mode to the standard (PCM) digital signal input mode to prevent a noise from being output. A source encoded with DTS cannot be recorded onto analog audio and video tapes, and also, an analog tape recorded with a source encoded with DTS cannot be played back. The same result is obtained for MDs and DATs (depending on a DAT deck used for recording and/or playback).

MD RECORDER

Manufacturer Kenwood Sony Yamaha Code 7888, 7490

TAPE DECK

Manufacturer Aiwa Akai Arcam Carver Denon Fisher Grundig Harman/Kardon JVC Code 8029, 8197, 8200 8188, 8029 8076, 8244, 8273, 8274
YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA
ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A. CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, VSTRA FRLUNDA, SWEDEN MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA

Printed in Malaysia

V293440

Quick Reference Card

TAPE/MD
INPUT EXT. DEC. A/B/C/D/E DSP VOLUME UP/DOWN MUTE SLEEP
EFFECT ON/OFF PRESET +/ (TV VOLUME) ON SCREEN (TV POWER)

DSP EFCT DSP

EFCT DSP

EFCT ON/OFF

DISC SKIP (TV VOLUME)
(TV VOLUME) DISPLAY (TV INPUT) PAUSE

INDEX INDEX

(TV POWER) REC/PAUSE DIR A SKIP (MD) PLAY
DISPLAY (TV INPUT) PAUSE SKIP/SEARCH
DISPLAY (MD) DECK A/B PAUSE DIR B SKIP (MD) STOP FAST FORWARD

(TV POWER) SKIP

PLAY BACKWARD
PLAY SUBTITLE (DVD)/ BACKWARD (LD) SUBTITLE ON/OFF (DVD)
STOP ANGLE (DVD)/ FAST FORWARD (LD) AUDIO (DVD)

REWIND BACKWARD (MD)

DSP program

V296050

CHANNEL

CHANNEL CHANNEL ENTER

CHANNEL ENTER
CHANNEL (TV VOLUME) +(UP)/(DOWN) TITLE/INDEX
CHANNEL (TV VOLUME) +(UP)/(DOWN)
CHANNEL (TV VOLUME) +(UP)/(DOWN) TV MUTE DISPLAY (TV INPUT) MENU UP MENU RIGHT MENU DOWN RECALL MENU

MUTE MUTE VOLUME VOLUME

(TV POWER) VCR REC (*1) PLAY REWIND

TV SLEEP (VCR) TV POWER

*1: Press this key twice to start recording. Appuyer deux fois sur cette touche pour dmarrer lenregistrement. Diese Taste zweimal drcken, um die Aufnahme zu starten. Tryck tv gnger p denna knapp fr att starta inspelningen.
Premere due volte questo tasto per iniziare la registrazione. Oprima dos veces esta tecla para empezar a grabar. Druk tweemaal op deze toets om met opnemen te beginnen.