This unit is not disconnected from the AC power source as long as it is connected to the wall outlet, even if this unit itself is turned off. This state is called the standby mode. In this state, this unit is designed to consume a very small quantity of power.

I For U.K. customers

If the socket outlets in the home are not suitable for the plug supplied with this appliance, it should be cut off and an appropriate 3 pin plug fitted. For details, refer to the instructions described below.
The plug severed from the mains lead must be destroyed, as a plug with bared flexible cord is hazardous if engaged in a live socket outlet.
I Special Instructions for U.K. Model
IMPORTANT THE WIRES IN MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE: Blue: NEUTRAL Brown: LIVE As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows: The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. Making sure that neither core is connected to the earth terminal of the three pin plug.

CAUTION II

INTRODUCTION

CONTENTS

CONTENTS... 1 FEATURES.. 2 GETTING STARTED.. 3
Checking the Package Contents. 3 Installing Batteries in the Remote Control.. 3

ADVANCED OPERATION

SET MENU... 39
Adjusting the Items on the SET MENU.. SPEAKER SET (speaker mode settings). LOW FRQ TEST.. L/R BALANCE (balance of the left and right main speakers).. HP TONE CTRL (headphone tone control). CENTER GEQ (center graphic equalizer). INPUT RENAME... I/O ASSIGNMENT.. INPUT MODE (initial input mode). PARAM. INI (parameter initialization). DOLBY D. SET (Dolby Digital set).. DTS LFE LEVEL.. 6.1/ES AUTO... SP DELAY TIME.. DISPLAY SET.. MEMORY GUARD... 46
CONTROLS AND FUNCTIONS. 4
Front Panel... 4 Remote Control... 6 Description of the Numeric Buttons.. 7 Using the Remote Control.. 8 Front Panel Display.. 9 Rear Panel.. 10

PREPARATION

SPEAKER SETUP... 11
Speakers to Be Used.. 11 Speaker Placement.. 11

CONNECTIONS.. 12

Before Connecting Components.. 12 Connecting Audio Components.. 12 Connecting Video Components.. 14 Connecting the Speakers.. 16 Connecting to an External Amplifier. 18 Connecting an External Decoder.. 18 IMPEDANCE SELECTOR Switch.. 19 Connecting the Power Supply Cords.. 19

If you increase or decrease the high-frequency or the lowfrequency sound to an extreme level, the tonal quality from the center and rear speakers may not match that of the left and right main speakers.

u PRESET/TUNING (EDIT)

Switches the function of PRESET/TUNING l / h (the colon (:) turns on or off) between selecting a preset station number and tuning. This button is also used to exchange the assignment of two preset stations with each other.

i FM/AM

Switches the reception band between FM and AM.
I Opening and closing the front panel door
When you are not operating the controls behind the front panel door, close the door.

o MEMORY (MANL/AUTO FM)

Stores a station in the memory. Hold down this button for more than 3 seconds to start automatic preset tuning.
p TUNING MODE (AUTO/MANL MONO)
Switches the tuning mode between automatic and manual. To select the automatic tuning mode, press this button so that the AUTO indicator lights up on the front panel display. To select the manual tuning mode, press this button so that the AUTO indicator does not light up.
To open, press gently on the lower part of the panel.

Remote Control

This section describes the basic operation of this unit with the remote control. First, set the selector dial to the AMP/ TUN position. See REMOTE CONTROL FEATURES on pages 49 to 56 for full details.
3 Numeric buttons (Input selector buttons)
These buttons select the input source. See pages 7 and 8 for the numeric buttons.

4 TEST

Outputs the test tone.
Select the AMP/TUN position.

5 ON SCREEN

Selects the on-screen display (OSD) mode for your video monitor.
Adjust DSP program parameters and SET MENU items.

7 LEVEL

Selects the effect speaker channel (center, rear and subwoofer) so you can adjust their output level independently.

8 SLEEP

Sets the sleep timer.

9 INPUT

EFFECT

See page 7.

Switches the function of the numeric buttons to the input selector (see page 7).

0 Indicator

Flashes while the remote control is sending signals.

q Selector dial

Turn this dial to select the position for the component to be controlled. (The proper code must be set up for your component. See Setting the Manufacture Codes on page 54.) When the position is selected, the remote control is set to that component operation mode.

w A/B/C/D/E, PRESET/+

TV POWER

TV VOLUME

TV INPUT
These buttons are used to select a preset station. A/B/C/D/E: To select one of 5 preset station groups (A to E) PRESET /+: To select a preset station number (1 to 8)
Select DSP program parameters and SET MENU items.

r SET MENU

Lights up when the unit is receiving a strong signal for an FM stereo broadcast while the AUTO indicator is lit.

a SLEEP indicator

Lights up while the sleep timer is on.

0 AUTO indicator

Shows that this unit is in the automatic tuning mode.

Rear Panel

DIGITAL OUTPUT MD/ TAPE

TUNER IN (PLAY)

AUDIO R L R

AUDIO L DVD S VIDEO

VIDEO VIDEO COMPONENT DVD Y

AM ANT GND

MD/TAPE OUT (REC) D-TV /LD PB/ CB R IN (PLAY) CBL /SAT PR/ CR D-TV/LD IN VCR 1 Y MAIN

SPEAKERS

OUTPUT
AC OUTLETS SWITCHED 100W MAX. TOTAL

OPTICAL

MAIN L

75 FM ANT

UNBAL. CD-R OUT (REC)
DVD GND D-TV /LD PHONO CD

PB/ CB

CENTER

IN VCR 2 /DVR

PR/ CR MONITOR OUT Y

SUB WOOFER

OPTICAL COAXIAL

CD MAIN

IMPEDANCE SELECTOR

SET BEFORE POWER ON

CENTER R

CBL /SAT

MAIN A OR B: 4 MIN. /SPEAKER A + B: 8 MIN. /SPEAKER CENTER : 6 MIN. /SPEAKER : 6 MIN. /SPEAKER REAR

CENTER REAR

MAIN A OR B: 8 MIN. /SPEAKER A + B:16 MIN. /SPEAKER : 8 MIN. /SPEAKER : 8 MIN. /SPEAKER
MONITOR OUT CENTER DIGITAL INPUT SUB WOOFER S VIDEO VIDEO

PR/ CR

REAR (SURROUND)

R REAR (SURROUND) L

As this terminal is used for an examination in the factory, do not connect any equipment to this terminal.

(Europe model)

8 AC power cord
Connect to a power outlet.
1 DIGITAL INPUT jacks 2 DIGITAL OUTPUT jacks 3 Antenna input terminals
See page 30 for connection information.

9 AC OUTLET(S)

Use these outlets to supply power to your other A/V components (see page 19).

4 Audio component jacks

See pages 12 and 13 for connection information.

0 6CH INPUT jacks

See pages 13 and 18 for connection information.

5 Video component jacks

See pages 14 and 15 for connection information.
q IMPEDANCE SELECTOR switch
Use this switch to match the amplifier output to your speaker impedance. Set this unit in the standby mode before you change the setting of this switch (see page 19).

6 Speaker terminals

See pages 16 and 17 for connection information.

7 OUTPUT jacks

See page 18 for connection information.

SPEAKER SETUP

I Connecting an MD recorder, tape deck or CD recorder y
Only digital signals input from a source such as a CD or DVD are output from the DIGITAL OUTPUT jacks. When you connect your recording component to both the analog and digital input and output jacks, the priority is given to the digital signal. You can connect an MD recorder to any digital input jack by using 7 I/O ASSIGNMENT on the SET MENU (see page 44).
About the dust protection cap Pull out the cap from the optical jack before you connect the fiber optic cable. Do not discard the cap. When you are not using the optical jack, be sure to put the cap back in place. This cap protects the jack from dust.
When you connect a recording component to this unit, keep its power on while using this unit. If the power is off, this unit may distort the sound from other components. When you record from a source component connected to this unit while this unit is set in the standby mode, the recorded sound may be distorted. To avoid this problem, turn on this unit.
The OPTICAL jacks on this unit conform to the EIA standard. If you use a fiber optic cable that does not conform to this standard, this unit may not function properly.

I Connecting a turntable

PHONO jacks are for connecting a turntable with an MM or high-output MC cartridge. If you have a turntable with a low-output MC cartridge, use an inline boosting transformer or MC-head amplifier when connecting to these jacks.
The GND terminal does not electrically ground the turntable. It simply reduces noise in the signal. In some cases, you may hear less noise if you do not connect to the GND terminal.

OPTICAL INPUT

MD recorder or tape deck

CD recorder

OPTICAL OUTPUT

L R L R

CD-R AM ANT GND
MD/TAPE OUT (REC) D-TV /LD PB/ CB
IN (PLAY) CD-R 75 FM ANT UNBAL. CD-R OUT (REC)

PR/ CR D-TV/LD

IN VCR 1

CD player

D-TV /LD

COAXIAL OUTPUT

MONITOR OUT

DIGITAL INPUT

S VIDEO

SURROUND OUTPUT

MAIN OUTPUT

GND OUTPUT

SUBWOOFER OUTPUT CENTER OUTPUT
External decoder See page 18.

Turntable

indicates signal direction
indicates left analog cables indicates right analog cables indicates optical cables indicates coaxial cables
Connecting Video Components

I About the video jacks

There are three types of video jacks. Video signals input through the VIDEO jacks are the conventional composit video signals. Video signals input through the S VIDEO jacks are separated into luminance (Y) and color (C) video signals. The S-video signals achieve high-quality color reproduction. Video signals input through the COMPONENT VIDEO jacks are separated into luminance (Y) and color difference (PB/CB, PR/CR) video signals. The jacks are also separated into three for each signal. The description of the component video jacks may be different depending on the component (e.g. Y, CB, CR/Y, PB, PR/Y, B-Y, R-Y etc.). Component video signals provide the best quality in picture reproduction. If your video component has an S-video output or component video output, you can connect it to this unit. Connect the S-video signal output jack on your video component to the S VIDEO jack or connect the component signal output jacks on your video component to the COMPONENT VIDEO jacks.

SPEAKERS

R MAIN
MAIN A OR B: 4 A + B: 8 CENTER :6 :6 REAR
MIN. /SPEAKER MIN. /SPEAKER MIN. /SPEAKER MIN. /SPEAKER
MAIN A OR B: 8 A + B:16 CENTER :8 :8 REAR
Subwoofer connection See SUBWOOFER jack on page 18. Right Center speaker Rear speakers Left Subwoofer system
Connecting to an External Amplifier
If you want to increase the power output to the speakers, or want to use another amplifier, connect an external amplifier to the OUTPUT jacks as follows.
Connecting an External Decoder
This unit is equipped with 6 additional input jacks (left and right MAIN, CENTER, left and right SURROUND and SUBWOOFER) for discrete multi-channel input from an external decoder, sound processor or pre-amplifier. Connect the output jacks on your external decoder to the 6CH INPUT jacks. Be sure to match the left and right outputs to the left and right input jacks for the main and surround channels.
When RCA pin plugs are connected to the OUTPUT jacks for output to an external amplifier, it is not necessary to use the corresponding SPEAKERS terminals.

OUTPUT MAIN

When you select 6CH INPUT as the input source, this unit automatically turns off the digital sound field processor, and you cannot listen to DSP programs. When you select 6CH INPUT as the input source, changing items 1A to 1E on the SET MENU is not affected.

1 MAIN jacks

Main channel line output jacks.
The signals output through these jacks are affected by the BASS, TREBLE and BASS EXTENSION settings.

2 SUBWOOFER jack

When using a subwoofer with built-in amplifier, including the YAMAHA Active Servo Processing Subwoofer System, connect the input jack of the subwoofer system to this jack. Low bass signals distributed from the main, center and/or rear channels are directed to this jack. (The cut-off frequency of this jack is 90 Hz.) The LFE (lowfrequency effect) signals generated when Dolby Digital or DTS is decoded are also directed if they are assigned to this jack.
Adjust the volume level of the subwoofer with the control on the subwoofer. The subwoofer volume cannot be adjusted from this unit. Depending on the settings of 1 SPEAKER SET, 10A LFE LEVEL and 11 DTS LFE LEVEL on the SET MENU, some signals may not be output from the SUBWOOFER jack.

3 CENTER jack

Center channel line output jack.

4 REAR (SURROUND) jacks

Rear channel line output jacks.
IMPEDANCE SELECTOR Switch
WARNING Do not change the IMPEDANCE SELECTOR switch setting while the power of this unit is on, otherwise the unit may be damaged. If this unit fails to turn on when STANDBY/ON (or POWER) is pressed, the IMPEDANCE SELECTOR switch may not be fully slid to either position. If so, slide the switch to either position fully when this unit is in the standby mode. Select the left or right position according to the impedance of the speakers in your system. Be sure to move this switch only when this unit is in the standby mode.

PREPARATION BASIC OPERAIONT

1E MAIN LEVEL

Normal
ADVANCED OPERATION ADDITIONAL INFORMATION APPENDIX English
ADJUSTING THE SPEAKER OUTPUT LEVELS
This section explains how to adjust the speaker output levels by using the test tone generator. When this adjustment is made, the output level heard at the listening position will be the same from each speaker. This is important for the best performance of the digital sound field processor, the Dolby Pro Logic decoder, Dolby Digital decoder and DTS decoder.
Using the Test Tone (TEST DOLBY SUR.)
Use the test tone to balance the output levels of the 5 speakers required for a surround sound system. The adjustment of each speaker output level should be made at your listening position with the remote control. After completing the adjustments, use VOLUME +/ at your listening position to check if the adjustments are satisfactory.
Since this unit cannot enter the test mode while headphones are connected to this unit, be sure to unplug the headphones from the PHONES jack when using the test tone.

Before You Begin

INPUT INPUT MODE VOLUME 6CH INPUT
Set the selector dial to the AMP/TUN (or DSP/TUN) position. Press TEST to output the test tone.
Press STANDBY/ON to turn on the power. Turn on the video monitor. Press SPEAKERS A or B to select the main speakers to be used. If you are using two sets of the main speakers, press both A and B.

SPEAKERS A B

Adjust the volume so you can hear the test tone. The test tone is heard from the left main speaker, center speaker, right main speaker, right rear speaker and left rear speaker in order. The tone is produced for 2.5 seconds each time.
LEFT RIGHT (TEST LEFT) (TEST RIGHT)
Set BASS and TREBLE on the front panel to the center position and set BASS EXTENSION to OFF.

BASS TREBLE

BASS PROCESSOR EXTENSION DIRECT

CENTER (TEST CENTER)

Set to OFF.
LEFT SURROUND (TEST L SUR.)
RIGHT SURROUND (TEST R SUR.)
ADJUSTING THE SPEAKER OUTPUT LEVELS CONNECTIONS
The state of the test tone output is also shown on the monitor by an image of the audio listening room. This is convenient for adjusting each speaker level.
The tonal quality of the center speaker can be adjusted by using 5 CENTER GEQ on the SET MENU (see page 43). You can increase the output levels of the effect speakers (center, left rear and right rear) to +10 dB. If the output level of these speakers is lower than that of the main speakers even after you have increased the output level of these speakers up to +10 dB, set 1E MAIN LEVEL on the SET MENU to 10 dB (see page 42). This setting decreases the main speaker output level to about one-third of the normal level. After you have set 1E MAIN LEVEL on the SET MENU to 10 dB, adjust the levels for the center and rear speakers again.

SET MENU 1/4

1 SPEAKER SET 2 LOW FRQ TEST 3 L/R BALANCE 4 HP TONE CTRL / :Up/Down /+ Enter
Press u/d repeatedly to select the item (1 to 15) you want to adjust.
10 DOLBY D. SET 10A LFE LEVEL 10B D-RANGE 11 DTS LFE LEVEL 12 6.1/ES AUTO 13 SP DELAY TIME 14 DISPLAY SET 15 MEMORY GUARD
By pressing SET MENU repeatedly, you can select items in the same order as when pressing d.
Press j or i once to enter the setup mode of the selected item. The last setting you adjusted appears on the video monitor or on the front panel display.

2 LOW FRQ TEST

TEST TONE OFF OUTPUT MAIN L/R FRQ 88Hz
Depending on the item, press u/d to select a sub item.
TEST TONE OFF OUTPUT MAIN L/R FRQ 88Hz
1 SPEAKER SET (speaker mode settings)
Use this feature to select suitable output modes for your speaker configuration. You must set the output mode when you use a subwoofer.
Press j / i repeatedly to change the setting of the item.
TEST TONE ON OUTPUT MAIN L/R FRQ 88Hz
When 96-kHz sampling digital signals are input to this unit, level adjustments in items 1B and 1D are possible, but those in items 1A,1C and 1E are not affected. When 6CH INPUT is selected as the input source, level adjustments in items 1A through 1E are not affected.
I 1A CENTER SP (center speaker mode)
By adding a center speaker to your speaker configuration, the unit can provide good dialog localization for many listeners and superior synchronization of sound and images. The OSD shows a large, small or no center speaker depending on how you set this item. Choices: LRG (large), SML (small), NONE Initial setting: LRG LRG Select this if you have a large center speaker. The entire range of the center channel signal is directed to the center speaker.
Press u/d repeatedly until the current DSP program appears or simply press one of the DSP program group button to exit from the SET MENU.

1A CENTER SP

Memory back-up The memory back-up circuit prevents the stored data from being lost even if this unit is set in the standby mode, the power cord is disconnected from the AC outlet, or the power supply is temporarily cut due to power failure. However, if the power is cut for more than one week, the settings of the SET MENU you adjusted will return to the factory settings. If so, adjust the items again.

LRG SML NONE

SML Select this if you have a small center speaker. The lowfrequency signals (90 Hz and below) of the center channel are directed to the speakers selected with 1D LFE/BASS OUT.

The SLEEP indicator soon lights up on the front panel display after the sleep timer has been set. The display then returns to the previous indication.
By connecting a commercially available timer to this unit, you can also set a wake-up timer. Refer to the operation instructions of the timer.
Canceling the Sleep Timer
Press SLEEP repeatedly until SLEEP OFF appears on the front panel display. After a few seconds, SLEEP OFF disappears, the SLEEP indicator goes off and the display returns to the previous indication.

Setting the Sleep Timer

The sleep timer setting can also be canceled by setting this unit in the standby mode by using STANDBY on the remote control (or STANDBY/ON on the front panel) or by disconnecting the AC power cord from the AC outlet.
Select a source and start playback on the source component. Set the selector dial to a position other than the TV position. Press SLEEP repeatedly to set the amount of time before this unit automatically turns off. Each time you press SLEEP, the front panel display changes as shown below.

REMOTE CONTROL FEATURES

The remote control can operate this unit as well as other YAMAHA A/V components. To control the components from other manufacturers (or some from YAMAHA), you must set up the remote control with the manufacturer codes. This remote control also has a sophisticated feature: Learn. The Learn feature allows it to acquire functions from the remote controls of other components in your system (or other household appliances) equipped with a infrared remote control receiver. This feature makes it possible for you to reduce the number of remote control in your entertainment room.
For the operating distance of the remote contorol and notes about batteries, see pages 3 and 8. For the name and function of each part and button, see pages 6 to 8. If the memory on the remote control becomes full, no further learning is possible, even if there are still some programmable buttons available (see page 55).

Selector Dial

There are 9 positions that you can select to control connected components with this remote control. For example, if the CD position is selected, the remote control is set in the CD operation mode, allowing the CD player to be controlled by the buttons on the remote control. When turning the selector dial, the position changes as follows:

AMP/TUN You can perform the basic operations of this unit. See pages 6 and 7. CD The code for a YAMAHA CD player is factory-set. CBL/SAT A cable TV or satellite tuner can be controlled. Selector dial TAPE/MD The code for a YAMAHA tape deck is factoryset. Be sure to set the proper code when operating an MD recorder or CD recorder. DVD/LD & DVD MENU An LD player can be controlled in the DVD/LD position. A DVD player can be controlled in the DVD/LD and DVD MENU positions. The code for a YAMAHA DVD player is factoryset. If the remote control does not operate your YAMAHA DVD player, you need to set the code number 0048. DSP/TUN This unit can be controlled and DSP programs can be selected directly.
VCR A VCR can be controlled. TV A TV can be controlled.
The general operational buttons on the remote control differ depending on the position of the selector dial. See the following pages for details.
Commonly Used Buttons in Any Position of the Selector Dial
Regardless of the position of the selector dial, you can control this unit and your TV with the following buttons.
Controlling the Components Connected to This Unit
The example below describes the procedure for controlling a YAMAHA CD player.
You have to set up the code for your TV in the TV position before you can control the TV.

1 ! @ # 2

Set the selector dial to the CD position. Turn on the power.

I Controlling this unit

See pages 6 and 7.
Press INPUT. The indicator lights up for about 3 second. Press CD while the indicator is lit.
STANDBY POWER VOLUME +/ SLEEP
If you have set up the code for your TV and set the selector dial to the TV position, this button is used to set the sleep timer for the TV.
Press p. See page 51 for the CD player operation buttons.

5 MUTE

If you have set up the code for your TV and set the selector dial to the TV position, this button is used to mute the TV sound.

Adjust the volume.

I Controlling your TV
! TV POWER @ TV INPUT # TV VOLUME +/
If you set the remote control with the manufacturer codes listed from page i at the end of this manual, you can control other brands of components. See Setting the Manufacturer Codes on page 54 for details.

Memory back-up The memory back-up circuit prevents the stored data from being lost even if this unit is set in the standby mode, the power cord is disconnected from the AC outlet, or the power supply is temporarily cut due to power failure. However, if the power is cut for more than one week, the parameter value you edited will return to the factory setting. If so, edit the parameter value again.
Turn on the video monitor and press ON SCREEN repeatedly to select the full display mode. Select a DSP program you want to adjust.
Resetting a Parameter to the Factory-set Value
I To reset some of the parameters to the factory-set values
Select the parameter you want to reset. Then press and hold j or i until the value temporarily stops at the factory-set value. The asterisk mark (*) by the parameter name disappears on the video monitor.
I To reset all of the parameters to the factory-set values
Use 9 PARAM. INI on the SET MENU to reset all of the parameter values of all DSP programs within the selected group to the factory-set values (see page 44). This operation resets all of the parameter values of all DSP programs within that group to the factory-set values.
Program No. Program name (group)

P04 ROCK CONCERT

Cursor
INIT.DLY LIVENESS REV.TIME REV.DELAY REV.LEVEL 15ms 5 1.6s 100ms 7%
The available parameters may be displayed on more than one OSD page for some of the programs. To scroll through pages, press u/d. You cannot change parameter values when 15 MEMORY GUARD on the SET MENU is set to ON. If you want to change the parameter values, set 15 MEMORY GUARD to OFF (see page 46).
Parameters Example of the ROCK CONCERT
Digital Sound Field Parameter Descriptions
You can adjust the values of certain digital sound field parameters so the sound fields are recreated accurately in your listening room.
Not all of the following parameters can be found in every program.
I INIT.DLY (initial delay) (P.INIT.DLY for the presence sound field)
Function: This parameter changes the apparent distance from the sound source by adjusting the delay between the direct sound and the first reflection heard by the listener. Control range: msec Description: The smaller the value, the closer the sound source seems to the listener. The larger the value, the farther the apparent distance seems. For a small room, this parameter would be set to a small value, for a large room, set it to a large value.

Function: This parameter adjusts the apparent size of the surround sound field. Control range: 0.1 2.0
I S.LIVENESS (surround liveness)
Function: This parameter adjusts the apparent reflectivity of the virtual walls in the surround sound field. Control range: 0 10
I RC.INIT.DLY (rear center initial delay)
Function: This parameter adjusts the delay between the direct sound and the first reflection in the rear center sound field. Control range: msec
I RC.ROOM SIZE (rear center room size)
Function: This parameter adjusts the apparent size of the rear center sound field. Control range: 0.1 2.0
I RC.LIVENESS (rear center liveness)
Function: This parameter adjusts the apparent reflectivity of the virtual wall in the rear center sound field. Control range: 0 10
I REV.TIME (reverberation time)
Function: This parameter adjusts the amount of time it takes for the dense, subsequent reverberation sound to decay by 60 dB (at 1 kHz). This changes the apparent size of the acoustic environment over an extremely wide range. Control range: 1.0 5.0 sec Description: Set a longer reverberation time for dead sources and listening room environments and a shorter time for live sources and listening room environments.
Sound source Early reflections Reverberations

Reverberations

REV. TIME REV. TIME

REV. TIME

Time Long reverberations

Short reverberations

Small value = 1.0 s

Large value = 5.0 s

I REV.DELAY (reverberation delay)
Function: This parameter adjusts the time difference between the beginning of the direct sound and the beginning of the reverberation sound. Control range: msec Description: The larger the value, the later the reverberation sound begins. A later reverberation sound makes you feel like you are in the larger acoustic environment.
Sound source Reverberation

(dB) 60 dB

REV. DELAY REV TIME
I REV.LEVEL (reverberation level)
Function: This parameter adjusts the volume of the reverberation sound. Control range: 0 100% Description: The larger the value, the stronger the reverberation becomes.

REV. LEVEL

I CT.DELAY (center delay) I LS.DELAY (left surround delay) I RS.DELAY (right surround delay)
Function: These parameters adjust the sound delay for each channel in 5 channel stereo mode. Control range: msec

TROUBLESHOOTING

Refer to the chart below when the unit does not function properly. If the problem you are experiencing is not listed below or if the instruction below does not help, set this unit in the standby mode, disconnect the power cord and contact the nearest authorized YAMAHA dealer or service center.

15 MEMORY GUARD on the SET MENU is set to ON.

Select OFF.

The internal microcomputer has been frozen by an external electric shock (such as lightning or excessive static electricity) or by a power supply with low voltage. Speaker cables are short circuited.
Disconnect the AC power cord from the outlet and then plug it in again after about 30 seconds. Make sure all speaker cables are connected correctly. Turn on the power of the unit.
CHECK SP WIRES appears on the front panel display. The sound is degraded when listening with headphones connected to a tape deck or CD player that is connected to this unit. There is noise interference from digital or highfrequency equipment, or the unit.
This unit is in the standby mode.
The unit is too close to the digital or highfrequency equipment.
Move the unit further away from such equipment.

I Tuner

FM stereo reception is noisy.
The characteristics of FM stereo broadcasts may cause this problem when the transmitter is too far away or the antenna input is poor. There is multipath interference.
Check the antenna connections. Try using a high-quality directional FM antenna. Use the manual tuning method. Adjust the antenna position to eliminate multipath interference.

30, 31

There is distortion, and clear reception cannot be obtained even with a good FM FM antenna. The desired station cannot be tuned in with the automatic tuning method. Previously preset stations can no longer be tuned in. The desired station cannot be tuned in with the automatic tuning method. There are continuous AM crackling and hissing noises. There are buzzing and whining noises (especially in the evening).

The station is too weak.

Use the manual tuning method. Use a high-quality directional FM antenna.
The unit has been disconnected for a long period. The signal is weak or the antenna connections are loose.

Re-store the stations.

Tighten the AM loop antenna connections and orient it for best reception. Use the manual tuning method. Use an outdoor antenna and a ground wire. This will help somewhat, but it is difficult to eliminate all noise. Move this unit away from the TV.
Noises result from lightning, fluorescent lamps, motors, thermostats and other electrical equipment. A TV set is being used nearby.

I Remote control

The remote control does not work nor function properly.

Wrong distance or angle.

The remote control will function within a maximum range of 6 m (20 feet) and no more than 30 degrees off-axis from the front panel. Reposition the unit.
Direct sunlight or lighting (from an inverter type of fluorescent lamp, etc.) is striking the remote control sensor of this unit. The batteries are weak. The unit or other component cannot be controlled. The component to be controlled has not been selected. The remote control cannot control system components. The manufacturer code has not been set up properly.
Replace all batteries with new ones. Set the selector dial to the appropriate position, corresponding to the component to be controlled.
Enter the code again. Try setting another code for the same manufacturer. Program functions from the other remote controls function into this remote control. 55 54
Depending on the manufacturer or the model, some components cannot be controlled with this units remote control even though the code has been set up properly. The remote control does not learn new functions. The batteries of this remote control and/or the other remote control are too weak. The distance between the two remote controls is too much or too little. The signal coding or modulation of the other remote control is not compatible with this remote control. Memory capacity is full.
Replace the batteries. Place the remote controls at the proper distance. Learning is not possible.
Further learning is not possible without deleting unnecessary functions.
After this unit has been exposed to a strong external electric shock (such as lightning and strong static electricity) or if you mishandle the operation of this unit, it may not function properly. In these cases, set this unit in the standby mode, disconnect the power cord, plug it back in after 30 seconds, and start operating.

SPECIFICATIONS

AUDIO SECTION
Minimum RMS Output Power for Main, Center, Rear 20 Hz to 20 kHz, 0.04% THD, 8 ohms. 100 W 1 kHz, 0.04% THD, 8 ohms.. 105 W DIN Standard Output Power 1 kHz, 0.7% THD, 4 ohms.. 140 W IEC Output Power 1 kHz, 0.04%, 8 ohms.. 105 W Dynamic Power (IHF) 8/6/4/2 ohms... 125/160/195/230 W Damping Factor 20 Hz to 20 kHz, 8 ohms... 80 or more Frequency Response CD to Main L/R.. 10 Hz to 100 kHz, 3 dB Total Harmonic Distortion 20 Hz to 20 kHz, 50 W, 8 ohms, Main L/R. 0.04% Signal to Noise Ratio (IHF-A Network) PHONO MM to REC OUT (5 mV, shorted). 81 dB CD (250 mV, shorted) to Main L/R, Effect Off.. 100 dB Residual Noise (IHF-A Network) Main L/R... 150 V or less Channel Separation (1 kHz/10 kHz) CD (5.1 kohms terminated) to Main L/R. 60 dB/45 dB Tone Control (Main L/R) BASS Boost/Cut.. 10 dB/50 Hz TREBLE Boost/Cut.. 10 dB/20 kHz BASS EXTENSION.. +6 dB/60 Hz Phones Output... 150 mV/100 ohms Input Sensitivity CD, etc.. 150 mV/47 kohms PHONO... 2.5 mV/47 kohms 6CH INPUT... 150 mV/kohms Output Level REC OUT... 150 mV/0.9 kohms PRE OUT.. 2.6 V/1.2 kohms SUBWOOFER.. 4.0 V/1.2 kohms

Separater PhonoVorverstrker Phono mit A 2 digital digital

mit Endstufe

Mulitkanal

Surround

Akkugert
63/58 SurroundVorverstrker

5 stereoplay 2004

Mark Levinson No 38 S Mark Levinson No. 28 Mark Levinson No. 380 MBL 4010 MBL 5010 CM MBL 5010 CM MBL Der Vorverstrker McIntosh C 2200 McIntosh C 27 McIntosh C 29 McIntosh C 29 McIntosh C 33 McIntosh C 712 McIntosh MC 7205 McIntsoh C 100 Mclntosh MX132 Meridian 201 Meridian 501 Meridian 562/517/516 Meridian 565 Meridian 568 Meridian MCLP Metaxas Marquis Metaxas Opulence Mission 776 Mission Pre Mitsubishi DA-P 600 Mondial Acurus ACT 3 Monrio Primus Moscode Minuet in A Musical Fidelity Preamp 3 AX Musical Fidelity X P 100 Musical Fidelity X-Pre Musical Technology P 1 Myryad MP 100 NAD 1130 NAD 114 NAD 1155 NAD 118 NAD 1240 NAD 1300 NAD C 160 NAD PP 2 NAD S-100 Nagra PL-P Naim AV 2 Naim NAC 282 + HiCap Naim NAC 500 Naim NAC 552 Nakamichi CA-5 E Nakamichi CA-5 E II Nikko Beta 400 Nikko Beta II Octave HP 200 Octave HP 300 Octave HP 500 Octave HP 500 Octave HP 500 Mk 3 Onkyo P-200 Onkyo P-3030 Onkyo P-3060 Onkyo P-3060 R Onkyo P-3090 Onkyo P-3390 Onkyo P-3890 Parasound P/HP 850 Parasound P/LD 1100 Parasound P/LD 2000 Parasound P/LP 1500 Parasound P/SP 1000 Parasound P/SP 1500 Pass X 2 Pass Xono Perreaux SM 2 Pioneer C-7 Pioneer C-73 Pioneer C-90 Pioneer C-Z 1 Plinius Jarrah Proceed AVP Proceed PAV Proton AP-1000 Proton AP-400 Pro Quad 34 Quad 44 02/95 10/91 07/99 10/83 04/98 06/00 02/88 04/03 09/78 01/80 05/82 08/83 10/97 10/00 06/98 10/00 06/88 07/95 08/97 04/98 03/01 12/85 09/91 02/88 03/83 04/97 05/79 10/99 03/95 08/86 07/88 05/00 07/98 08/01 03/99 04/86 04/97 12/86 04/96 05/89 06/88 05/01 11/03 12/98 02/98 08/02 06/03 10/97 09/02 11/85 10/89 01/89 11/79 09/93 07/01 10/90 03/96 02/00 11/85 11/83 01/82 03/83 11/81 12/86 09/92 06/94 02/95 03/96 03/94 07/95 12/96 11/98 10/01 06/85 07/91 02/91 08/86 09/80 08/01 01/01 09/94 01/89 06/94 01/89 03/k.A. 750 53-55 Punkte, frher as1 43-37-39 Punkte, frher s51 43-Restek V 2a 03/Rotel RC 1070 05/Rotel RC-1000 05/Rotel RC-2000 07/Rotel RC-850 06/Rotel RC-870 BX 05/Rotel RC-970 BX 06/Rotel RC-972 03/Rotel RC-990 BX 09/Rotel RC-995 10/Rotel RHA-10 09/Rotel RSP 1066 08/Rotel RSP-960 12/Rotel TC-980 AX 03/Rowen PR 1 08/Rowland Consonance 10/SAC Epsilon 02/SAC Mediatore 12/SAE 2100 L 06/SAE X 1 P 12/Sherwood AP-7020 09/Sherwood AVP-8500 R 12/Siemens RP 666 03/Sony TA-E 1000 ESD 10/Sony TA-E 2000 ESD 08/Sony TA-E 90 ES 02/Sony TA-E 900 01/Sony TA-E 901 07/Sony TA-E 901 03/Sony TAE-9000 ES 06/Stax CA-Y 05/Sudgen C 28 06/Sumo Athena 06/Sumo Electra 12/T + A P 1220 01/T + A PD 1200 R 01/T + A Pulsar P 1200 R 09/T + A Pulsar P 2000 04/T + A Pulsar P 2000 AC 12/T + A Pulsar P 2000 AC 10/TAG McLaren AV 192 R (PL II, 6.1, U2, Raumkorr.) TAG McLaren AV 32 R-EX TAG McLaren DPA 32 R TAG McLaren PA 20 R TAG McLaren PPA 20 Tandberg 3038 A Tandberg TCA 3002 Tandberg TCA 3002 A Technics SU-A 4 Mk II Technics SU-A 40 Technics SU-A 6 Technics SU-A 60 Technics SU-A 8 Technics SU-C 1000 Technics SU-C 3000 Terratec Phono Preamp Studio Theta Casablanca II Threshold FET One Threshold FET Two Mk II Thule PR 250 Thule spirit Control Toshiba Aurex SY-A 88 Toshiba Aurex SY-A 90 Uher UPA 3000 VT Uher UPA-1000 Vincent LS 1 Vincent SA 11 Vincent SA T 1 VTL Maximal WBE Diamond 36 HE Yamaha C-2a Yamaha C-2x Yamaha C-4 Yamaha C-60 Yamaha C-65 Yamaha C-70 Yamaha CX-50 Yamaha CX-70 Yamaha CX-830 Yves Cochet P Deux 03/01 11/00 10/98 01/02 10/89 01/82 06/84 07/84 10/90 01/82 07/88 12/81 10/95 03/99 06/03 05/01 05/82 03/86 04/00 02/98 09/82 11/83 09/93 09/92 04/96 02/98 07/03 05/90 08/01 09/80 06/85 08/80 09/84 12/86 09/82 10/88 10/89 10/90 08/33-35 Punkte, frher s2 48

37-39 Punkte, frher s1 43-45 49-51 Punkte, frher as2 43-45 43-45 43-45 37-39 Punkte, frher s1 33-35 Punkte, frher s2 43-45 43-45 53-55 Punkte, frher as1 43-45 37-39 Punkte, frher s42 37-39 Punkte, frher s1 45-47 Punkte, frher as3 43-45 37-39 Punkte, frher s27 43-45 41-43 Punkte, frher as49 37-39 Punkte, frher s43-56 37-39 Punkte, frher s28 33-35 Punkte, frher s2 37-39 Punkte, frher s1 43-45 43-45 53-55 Punkte, frher as20 53-55 Punkte, frher as1 45-47 Punkte, frher as3 49-51 Punkte, frher as2 49-51 Punkte, frher as53-55 Punkte, frher as37-39 Punkte, frher s1 43-33-35 Punkte, frher s2 43-37-39 Punkte, frher s1 37-39 Punkte, frher s1 37-39 Punkte, frher s1 37-39 Punkte, frher s1 45-47 Punkte, frher as3 43-45 43-45 53-55 Punkte, frher as41-43 Punkte, frher as4 37-39 Punkte, frher s49 41-43 Punkte, frher as33-35 Punkte, frher s2 29-31 Punkte, frher s3 43-53-55 Punkte, frher as1 49-51 Punkte, frher as2 53-55 Punkte, frher as1 54/52 37-39 Punkte, frher s1 37-39 Punkte, frher s1

6 Kanal Paar Paar

Conrad Johnson Premier 12 09/98 Conrad Johnson Premier 4 04/87 Conrad Johnson Premier One 04/88 Conrad Johnson SA 250 07/97 Creek A-52 SE 07/98 Crest FA 901 09/92 Cybernet A 2 06/80 Denon POA-1500 11/83 Denon POA-1500 06/84 Denon POA-2200 11/86 Denon POA-3000 10/80 Denon POA-3000 Z 03/85 Denon POA-4400 A 01/89 Denon POA-5000 03/93 Denon POA-6600 08/87 Denon POA-6600 09/87 Denon POA-800 10/89 Denon POA-8000 08/82 Denon POA-S 1 07/94 Denon POA-T 3 + POA-T 2 12/96 Electrocompaniet 250 DMB 02/94 Electrocompaniet 60 FTT 04/97 Electrocompaniet Ampliwire 100 03/86 Electrocompaniet Ampliwire 100 DMB Electrocompaniet Ampliwire 250 Electrocompaniet Ampliwire Ia Electrocompaniet AW 180 Electrocompaniet Nemo Esoteric Audio Research 549 Experience Classic Experience Quadriga Experience Renaissance RS 9105 Fidelity Research Sarder Fidelity Topas Fidelity Topas Mk III Fidelix 2B-4 Fostex AP-1020 Gassmann Akustik Avantgarde A 1 Graaf GM 100 Grundig MA 100 Hafler DH-220 Hafler XL-280 Harman PA 4000 (4-Kanal) Harman Signature 2.1 Harman/Kardon Citation 19 Harman/Kardon Citation 22 Harman/Kardon Citation X-1 Harman/Kardon Citation XX Harman/Kardon hk 775 Harman/Kardon hk 870 Hitachi HMA-7500 Mk II Hitachi HMA-8500 Mk II Hitachi HMA-9500 Mk II Isostatic Ultra Jadis JA 30 Jadis JA 500 Julius Futtermann Kenwood Basic M 1 Kenwood L-08 M Kenwood L-1000 M Kort KR Enterprise VT 6000 PPM Krell FPB 250 M Krell FPB-M 650 Krell KAS-100 Krell KAV-500 Krell KSA-100 Krell KSA-250 BEUR Krell KSA-250 EUR LAB 1300 C LAB 2000 C L'Audiophile Le Classe A Lindemann AMP 3 Linn AV 5125 Linn Klimax 500 Twin Linn Klimax Solo 500 (Paar) Linn LK 2 Linnenberg Power DAC Linnenberg Poweramp Luxman B-10 Luxman M-02 Luxman M-03 Luxman M-05 Luxman M-07 Luxman M-300 Luxman M-363 Luxman M-4000 A 04/88 03/85 01/96 09/99 12/85 09/92 09/93 03/90 04/87 08/86 07/88 01/85 09/92 07/92 01/02 12/81 06/84 08/90 04/03 06/99 12/78 12/87 12/83 04/83 06/82 11/83 10/80 11/83 04/81 06/94 08/86 10/89 06/79 10/83 08/81 10/90 04/87 09/99 11/97 03/98 05/82 04/98 03/86 11/89 10/88 11/94 11/94 03/85 01/96 07/01 01/02 11/02 04/86 09/94 01/95 09/96 06/84 06/88 07/94 01/90 01/82 02/94 10/80