SEQ controls (Pages 26, 132) Press the [SEQ PLAY] key to enter Sequence Play Mode. Here, you can play a MIDI file from Memory Card. Use the [PLAY/STOP] key to start or stop playback of the currently selected file.
MEMORY keys (Pages 27, 29, 65, 109) Using one of these keys, you can select a Voice or Performance Memory. Press the [ENTER] key to select the Memory. In Performance Mode, the [EXT], [PLG1] and [PLG2] keys can be used to select the A/D Part, Plug-in 1 Part and Plug-in 2 Part. The [PRE1] and [PRE2] keys select Common (for all Parts).
[QUICK ACCESS] key (Page 68) When you press the [QUICK ACCESS] key (its LED will light), you can use BANK keys [A] to [H] to directly select Categories and PROGRAM keys [1] to [16] to quickly select Voices.

ON / OFF

QUICK ACCESS

A. PIANO

E. PIANO

GTR/BASS

STRINGS
BANK [A] to [H] keys (Pages 65, 109) Each key selects a Voice or Performance Bank. Each Bank contains sixteen Voices or Performances. In Voice Edit Mode, each of the BANK [A] to [D] keys selects a Voices Element (ELEMENT SELECT) while each of the BANK [E] to [H] keys turns the associated Voices Element on or off (ELEMENT ON/OFF) (Page 51). When you activate Master Keyboard Mode by pressing the [MASTER KEYBOARD] key, these key ([A] to [D]) can respectively select Zones 1 to 4 if the Master Keyboard Mode setting is 4 zone in Performance Edit Mode.
PROGRAM/PART [1] to [16] keys (Pages 65, 109) Each key selects a Voice or Performance from the current Bank. In Voice Edit Mode, each PROGRAM/PART key selects an associated edit menu (Page 70). In Performance Mode, these keys select Parts [1] to [16], respectively.

Rear Panel

POWER switch (Page 19) Use this to switch the synthesizer on or off.
AC INLET terminal (Page 12) Plug the female end of the supplied AC power cord in here before plugging it into an AC wall outlet.
CARD slot (Page 142) Insert a Memory Card here to transfer various data to/from the instrument. Read carefully the precautions on use of a Memory Card (Page 142) before using a card.
MIDI IN, OUT, and THRU connectors (Page 15) MIDI IN receives MIDI messages from an external MIDI device. Use this connector to control the synthesizer from an external MIDI device. MIDI OUT sends out MIDI messages generated by the synthesizer, such as notes played on the keyboard or panel control/knob variations, to an external MIDI sound module or device. MIDI THRU just reflects the MIDI messages received at MIDI IN. Connect other MIDI devices here.
FOOT CONTROLLER jack (Pages 18, 44) An optional foot controller (FC7, etc.) can be connected here. Using the foot controller, you can control tones, pitches, volumes or the like by foot.

Headphones

INPUT OUTPUT L/MONO INPUT

OUTPUT R

When using just one powered speaker, connect it to the OUTPUT L/MONO jack on the rear panel.

Connecting to a Mixer

There are extra audio outputs in addition to the OUTPUT (L/MONO and R) jacks. These four outputs can connect to a mixer for separately controlling the outputs of up to four Parts in Performance Mode (Page 107). You can specify the output routing of each Part in Performance Edit Mode (Page 111).

Speaker

Mixer Headphones

Amplifier L OUTPUT L R R

OUTPUT L / MONO

INDIVIDUAL OUTPUT1

INDIVIDUAL OUTPUT2
Connecting a pair of headphones does not affect audio output from the OUTPUT (L/MONO and R) jacks. You can monitor the same sounds via headphones and at the OUTPUT jacks. However, you cannot monitor the sounds from INDIVIDUAL OUTPUT 1 and 2 with headphones.
Connecting a Microphone or Other Audio Equipment
When an A/D Input Part is used in a Performance, signals from devices connected to either of these jacks can be input in mono.
CD Player or other audio equipment (merged to mono internally)
Microphone (mono devices)

A/D INPUT

After the above connections are complete, you are ready to set up for recording. When starting a recording, you may need to adjust the input gain of the audio source using the GAIN knob. Details about A/D Input, including how to adjust the input gain, are given on Pages 63, 119. If you choose the wrong type of input source (Pages 119, 120), you may possibly damage your hearing and/or any connected audio equipment. Make sure you set this parameter correctly. Before connecting a device to the A/D INPUT jack, always turn the GAIN knob all the way down. You can connect an external audio source to the A/D Input Part and use it as a Part in a Performance. Details are given on Pages 63, 119.
Connecting External MIDI Equipment
You can connect an external MIDI device using a MIDI cable (available separately) and control it from this synthesizer. You can also use an external MIDI keyboard or sequencer to control the synthesizers internal sounds. This section introduces several different applications of MIDI.

Before you set up a 4-Zone configuration in the following procedure, edit and prepare necessary Voices (for Arpeggiator and manual play) in their associated Edit Modes.

4 Zones

In Performance Play Mode, recall the Performance 1Press the [PERFORM] key, followed by the you have just stored. Simply pressing the [EDIT] key (each LED will light) to enter [MASTER KEYBOARD] key activates or Performance Edit Mode. Then, press the deactivates the Split configuration you made above. [MASTER KEYBOARD] key to activate Master Keyboard Mode (the LED will light). 2Select Common using the Knob [A], then open the GEN M. Kbd (General Master Keyboard) screen using the [PAGE] knob.
The illustration below shows an example of a 4-Zone configuration. A zone refers to a specific key range on the keyboard. You can logically divide a keyboard into up to four key ranges with separate MIDI channels and other associated settings so that you can control multiple Parts at the same time. A Split setting can divides the entire keyboard into two absolute sections (key ranges). In a 4-zone setting, however, each section can overlap to one another. You can even set a section to cover or include other sections.
Turning the [PAGE] knob while holding down the [SHIFT] key enables you to scroll though parameters in the Menu screens (page 111).
3Select 4zone for the Mode parameter using the Knob [B].
If Master Keyboard Mode is deactivated (without the [MASTER KEYBOARD] key pressed), the Mode parameter value will be shown in brackets (like (4zone)). 58

MKBTransmit) Zone01

TrnsCh Ch01

MIDI on

You can also use the BANK [A] to [D] keys to respectively select Zone01 to Zone04.
)Use the Knob one more time [A] to switch to the MKB Note page for Zone04. As in the same manner in step 7, select C3 for the lowest note and G8 for the highest. Note that this key range setting will make a overlapped range with Zone 3.
For detailed settings of a Zone, refer to page 127.
Selecting a Zone opens the MKB Transmit page. You may want to select a sub screen to set up a Zone using the [PAGE] knob. But you first specify basic items in the MKB Transmit page, such as MIDI transmit channel, enabling or disabling MIDI output to the internal tone generator and to the MIDI OUT connector.

s Dry/Wet Set the mix level of the wet signal (which has been passed through the Effects Unit) and the dry signal (which has not been passed through the Effects Unit). This may be unavailable, depending on the selected Effect Type.
Settings: D63>W ~ D=W ~ D<W63
Effect Parameter Settings These parameters are available when you press the [ENTER] key for certain Effect Types. Use the [PAGE] knob to switch between screens, and use the other knobs and the [INC/YES] and [DEC/NO] keys to set each parameter. When you press the [EXIT] key, you will be returned to the Effect Type selection screen.
Effect Type selection screen
EFF InsEF (Insertion Effect)
s InsEF Connect (Insertion Effect Connect) Set up the connection between Insertion Effects 1 and 2. If you change this setting, the symbol denoting the signal routing (to the left of the setting) also changes to reflect the new signal flow.

Signal routing symbols

1=2 (parallel) 12 (serial) Parameter settings screen 21 (serial)
EFFEF2) TimeL DelayLCR 333.3m TimeR 166.7m TimeC Dry/Wet 500.0m D<W63
Settings: 1=2 (parallel), 12 (Insertion Effect 1 to 2), 21 (Insertion Effect 2 to 1)
EFF EF1/2 (Insertion Effect 1/2)
You can select the Effect Category for Insertion Effect 1/2 with the Ctgry parameter and the Effect Type with the Type parameter. After selecting the Effect Type, you can set its parameters by pressing the [ENTER] key.
The number of Parameters and the contents of each screen will vary depending on the selected Effect Type. Details are given in the Effect Type List/Effect Parameter List of the separate Data List.

EFF Rev (Reverb)

You can select the Reverb Effect Type, then press the [ENTER] key to set its parameters.

Element OSC (Oscillator)

You can set the parameters for the Elements (Waves) which make up the Voice. Each Voice can consist of up to four Elements, and the following four screens are available for each.

Delay 0 InsEF ins2

EFFRev) Type C 1234 Basement
Return [ENTER] 127 to Edit
s Type (Reverb Effect Type) Set the Reverb Effect Type.
OSC Wave (Oscillator Wave) OSC Out (Oscillator Out) OSC Pan (Oscillator Pan) OSC Limit (Oscillator Limit)
OSC Wave (Oscillator Wave)
You can use Knob [A] to select each Element and Knob [C] to assign a Wave to it.
OSCWave) EL1234 Number Ctgry 001[Pf:Grand 1 ]
s Return Set the Return level of the Reverb Effect.

EFF Cho (Chorus)

You can select the Chorus Effect Type, then press the [ENTER] key to set its parameters.

-12db/oct -24db/oct
BPF12D (Band Pass Filter 12dB/oct Digital) The combination of a -12dB/oct HPF and LPF.
Level Cutoff Range Range passed Cutoff Range

-12db/oct

HPF24D (High Pass Filter 24dB/oct Digital), A 4-pole (-24db/oct) dynamic HPF with a strong Resonance.
BPFW (Band Pass Filter Wide) Also the combination of a 12dB/oct HPF and LPF, but can have a wider frequency band than the BPF12D filter.

width can be increased

HPF12(High Pass Filter 12dB/oct), A 2-pole (-12db/oct) dynamic HPF.
BEF (Band Elimination Filter) This attenuates a band of signals around the Cutoff frequency, but passes everything else.
BEF6 (Band Elimination Filter 6dB/oct)
Level Range passed Cutoff range Range passed
BPF (Band Pass Filter) This only passes a band of signals around the Cutoff frequency. The width of this band can be varied. Three types of BPF are available.

Center frequency

THRU The filters are bypassed and the entire signal is unaffected.
s Gain Set the Gain (the amount of boost applied to the signal sent to the Filter Unit).

Settings: 0 ~ 255

s Cutoff Set the Cutoff frequency. This is used as the basic frequency for the selected Filter Type.
s Reso (Resonance)/Band/Width This parameters function varies according to the selected Filter Type. If an LPF or HPF has been selected, this parameter is used to set the Resonance. For the BPF (excluding the BPFW) and the BEF, it is used to select the Band. For the BPFW, it is used to adjust the Width of the band. With the LPF and HPF, the Reso parameter is used to set the amount of Resonance (harmonic emphasis) applied to the signal at the Cutoff frequency. This can be used in combination with the Cutoff frequency parameter to add further character to the sound. With the BPF, the Band parameter is used to set the range (band) of signal frequencies passed by the filter. With the BEF, it is used to set the band of signal frequencies attenuated by the filter. In both cases, the Cutoff frequency is the center frequency of the band. With the BPFW, the Width parameter is used to adjust the width of the band of signal frequencies passed by the filter.

AMPScale) EL1234 BP1 E 1 BP2 B 2 Ofst2 + 10 BP3 G 4 Ofst3 + 17 BP4 A 5 Ofst4 + 4

tri (triangle wave)

AMPScale)Ofst1 EL1234 - 4

squ (square wave)

Here, the current amplitude is 80. The Offsets are 4 at BP1 (set to note E1), +10 at BP2 (set to note B2), +17 at BP3 (set to note G4) and +4 at BP4 (set to A5). That is, the amplitudes at each Break Point are 76, 90, 97 and 84, respectively. For other notes, the amplitudes will be on the straight line connecting the two adjacent Break Points.
The Break Points are automatically arranged in ascending order across the keyboard. For example, BP2 cannot be set to a lower note than that of BP1. 90
s Speed Set the speed of the LFO waveform. A larger setting means a faster speed.
Settings: 0 ~ 63 Speed = Fast
s AMod (Amplitude Modulation Depth) Set the amount (depth) by which the LFO waveform varies (modulates) the amplitude of the sound. A larger setting means a larger modulation depth.

Element EQ (Equalizer)

You can set the following two Equalizer parameters for each Element. EQ Type EQ Param (EQ Parameter)

Speed = Slow

EQ Type

EQType) EL1-3*

Type EQ L/H
s KeySync Switch Key Sync on or off. When switched on, the LFO waveform is reset every time a note is played.

Sync off Sync on

s Type Select the Equalizer Type. Various Equalizers are available which can be used not just for altering existing sounds, but also in generating completely new sounds. Some items in the following EQ Param (EQ Parameter) screen may or may not be available, depending on the selected Equalizer Type
Settings: EQ L/H (EQ Low/High), P.EQ (Parametric EQ), Boost6 (Boost 6dB), Boost12 (Boost 12dB), Boost18 (Boost 18dB), thru
The parameters for the Filter Type are as follows.

Key on Key on

LFO Depth
Set the amount by which the LFO waveform controls changes in Pitch/Filter/Amp settings.
LFODepth) EL1234 PMod 127 FMod 127 AMod 127

CTL AC Modulation (AC Modulation Depth)
Here, you can set the depth of control the Control Change messages (Assignable Control) have over the pitch, filter and amplitude of the Plug-in Voice.
CTLAC Modulation) PMod Common 127 FMod 127 AMod 127
s Delay Set the delay time between the moment you press a note on the keyboard and the moment the LFO comes into effect. As shown in the illustration, a positive setting will lengthen the delay and a negative setting will shorten it.
Settings: -64 ~ 0 ~ +63 Short Delay Voice Mode
OSC Assign (Oscillator Assign)
You can select the Board Voice that make up the Element in a Plug-in Voice. Use Knob [C] to select the Bank and Knob [1] to select the Board Voice.
OSCAssign) Elem Bank NORM/001 Number 128[GndPiano]
s Bank Select the Board Voice Bank of the Plug-in Voice.
Settings: (Depends on the Plug-in Board. Refer to the Owners Manual for your Plug-in Board.)
s Number Select the Board Voice Number. The Board Voice Name is displayed to the right of this number.
OSC Velocity (Oscillator Velocity)
Here, you can set the velocity and note shift for the Board Voice.
OSCVelocity) Elem Depth 127 Offset NoteSft 0 -24
s PMod (Pitch Modulation Depth) Set the amount by which the LFO waveform controls the pitch. A positive setting will increase the amount and a negative value will decrease it.

Plug-in Common Effect

In the following three screens, you can set the parameters for the Insertion and System Effects used by the Plug-in Voice. The parameters are the same as for Normal Voices. The EFF EF1 (Insertion Effect) parameter is the same as the EFF EF1 (Insertion Effect 1) parameter of the Normal Voices. Details are given on Page 78. EFF EF1 (Insertion Effect) EFF Rev (Reverb) EFF Cho (Chorus)
s Depth Set the velocity sensitivity of the Board Voice. If you set a larger value, the volume increase will be greater the harder you play the keyboard.
s Offset Set an offset value for the velocity sensitivity of the Board Voice. When you press a note on the keyboard, this offset value is added to the note velocity.
Plug-in Element OSC (Oscillator)
Here, you can set the Element-related parameters for the Plug-in Voice. In the following two screens, you can select the Elements waveform, then its velocity parameters. OSC Assign (Oscillator Assign) OSC Velocity (Oscillator Velocity)

PFM Mlt) Volume PartL *

s 5th Screen: PFM Mlt) RevSend (Performance Multi: Reverb Send) For each Part, set the Send level of the signal sent from Insertion Effect 1/2 (or the bypassed signal) to the Reverb effect.

PFM Mlt)RevSend PartL *

s 6th Screen: PFM Mlt) ChoSend (Performance Multi: Chorus Send) For each Part, set the Send level of the signal sent from Insertion Effect 1/2 (or the bypassed signal) to the Chorus effect.

PFM Mlt)ChoSend PartL *

s 7th Screen: PFM Mlt) NoteSft (Performance Multi: Note Shift) Set the amount (in semitones) by which the pitch of each Part is offset. You can adjust the offset up or down by up to two octaves.
PFM Mlt)NoteSft Part01 + 0 L *
PFM Mlt) Volume Part17 127

Part17~Part32

Performance Edit
You can set Performance Edit parameters. These can roughly be divided into Common parameters, which apply to all Parts, and Part-specific parameters. Also, there are various zone settings for Master Keyboard Mode (Page 113). When you enter Performance Edit Mode, you will see the following screen. The actual display (number of screens) will vary depending on the Part selected. Basically, Knob [A] is used to select the type of parameter you wish to edit (Common/Part/Zone), the [PAGE] knob is used to switch between the parameter screens, and Knobs [B], [C], [1] and [2] are used to enter parameter settings. Alternatively, you can use the [DATA] knob, and [DEC/NO] and [INC/YES] keys to enter settings.
When editing individual Parts, the screens you see will vary depending on the Part selected. If the synthesizer is in Master Keyboard Mode (Pages 8, 57), you will be able to set parameters for each Zone. In Performance Edit Mode, use Knob [A] to switch between the screens for Common, Part and Zone settings. Common settings
QED Level) Common Common indicator Vol 127 Pan RevSend ChoSend C +63 -63

Part settings

MIX Level) Part01 Part indicator Vol 127 Pan RevSend ChoSend C 64 0

Zone settings

MKB Transmit) Zone01

DATA SHIFT PAGE

TrnsCh 1

Zone indicator

Switch between screens Select Common/Part/Zone

Enter setting

You can use Knobs [A] to [C] and Knob [1]/[2] while holding down the [SHIFT] key to move the cursor to each respective parameter. The cursor can also be moved using the [DATA] knob or the [DEC/NO] and [INC/YES] keys while holding down the [SHIFT] key.

s Chorus Set the Return level of the Chorus effect as an offset value.
These parameters control filters which govern the tonal quality of the Voice. If you are using LPF (Low Pass Filter) and HPF (High Pass Filter) combined together, the parameters in the QED Filter screen only affects LPF.
QEDFilter) Common Cutoff +63 Reso +63
s Attack Set the transition time from the moment a key on the keyboard is pressed to the point at which the output level of the Layer Part reaches its peak.
s Reso (Resonance) Set the amount of Resonance (harmonic emphasis) applied to the signal at the Cutoff frequency.
s Sustain Set the output level of the Layer Part maintained while the key on the keyboard is being held down.
The EG (Envelope Generator) controls the transition in output level over time for each Voice in a Layer Part. There are four parameters governing the transition in output level from the moment a note is pressed on the keyboard to the moment it is released or the point at which the output level has faded to zero. These Layer Part settings make use the each of the Part Edit settings.
QEDEG) Common Attack +63 Decay Sustain Release +63 +63 +63
s Release Set the transition time from the point at which the key on the keyboard is released to the point at which the output level of the Layer Part reaches zero.
The following four screens govern the behavior of the Arpeggiator. The parameters are the same as those used in Voice Edit Mode. Details are given on Page 72.
To use the Arpeggiator in Performance Mode, the Arpeggio and Layer Switches (Page 123) must be set to on. The Note Limit parameters in Performance Mode are different to those in Voice Mode, and notes outside the set range will not sound. The Arpeggiator Switch parameter (Page 123) for each Part should be set to on, except for the Part which you wish to use to play the melody. Then, if necessary, use the Note Limit parameter (Page 123) to restrict the keyboard range for that Part.
Sustain Level Time Attack Time Key on Decay Time Release Time Key off
ARP Type (Arpeggio Type) ARP Limit (Arpeggio Note Limit) ARP Mode (Arpeggio Mode) ARP PlayEF (Arpeggio Play Effect)

MKBTransmit) Zone01 TrnsCh 1 TG on MIDI on
MKB TxSw1 (Master Keyboard Transmit Switch 1)
For each zone, you can enable/disable the transmission of messages for the Pitch Bend Wheel, Modulation Wheel, Knobs [A] to [C] and Knob [1]/[2].
MKBTxSw1) Zone01 PB off MW KnobA-C Knob1-2 on on on
s TrnsCh (Transmit Channel) Set the MIDI Transmit Channel for each zone.
Performance Mode Settings: 1 ~ 16
Settings: PB (Pitch Bend Wheel): off, on MW (Modulation Wheel): off, on KnobA-C (Knobs [A] to [C]): off, on Knob1/2 (Knob [1]/[2]): off, on
s TG (Tone Generator) Select whether or not to transmit MIDI messages for each zone to each Parts tone generator.
MKB TxSw2 (Master Keyboard Transmit Switch 2)
For each zone, you can enable/disable the transmission of messages for the Ribbon Controller, Foot Controller, Breath Controller and Aftertouch.
MKBTxSw2) Zone01 RB on FC on BC on AT on
s MIDI (MIDI Transmit) Select whether or not to transmit MIDI messages to each zones MIDI Out port.
MKB Note (Master Keyboard Note)
You can set Octave, Transpose, Note Limit (key range) for each zone in Master Keyboard Mode.
Settings: RB (Ribbon Controller): off, on FC (Foot Controller): off, on BC (Breath Controller): off, on AT (Aftertouch): off, on
MKBNote)Octave Transpose Zone01 +1 +11
MKB TxSw3 (Master Keyboard Transmit Switch 3)
For each zone, you can enable/disable the transmission of messages for the Sustain Pedal, Foot Switch, Volume/Foot Volume and Pan.
MKBTxSw3) Zone01 Sus on FS on Vol/FV on Pan on
s Octave Shift the note range of each zone up or down (in octaves).
Settings: -3 ~ 0 (Default) ~ +3
s Transpose Transpose the note range of each zone up or down (in semitones).
Settings: -11 ~ 0 (Default) ~ +11
Settings: Sus (Sustain): off, on FS (Foot Switch): off, on Vol/FV (Volume/Foot Volume): off, on Pan: off, on
s Note Limit Set the upper and lower notes in each zones note range.
Settings: C-2 ~ G8 (for both upper and lower notes) You can also select this parameter by pressing each note while holding down the [SHIFT] key.
MKB TxSW4 (Master keyboard Transmit Switch 4)
For each zone, you can enable or disable the transmission of Bank Select and Program Change messages when you switch Performance Banks or Programs.
MKBTxSw4) Zone01 Bank on PC on
Settings: Bank (Bank Select): off, on PC (Program Change): off, on
MKB TxPreset1 (Master Keyboard Transmit Preset 1)
You can set each zones initial volume and stereo pan settings when changing Performance Bank/Program.
s PC (MIDI Program Change) Set the Program Number transmitted when changing Bank/Program.
Settings: 1 ~ 128 Program Numbers 001 to 128 directly relate to MIDI Program Change Numbers 000 to 127. That is, Program Numbers and Program Change Numbers differ by a value of 1. Remember to take this into consideration. This setting is not transmitted if the PC (Program Change) parameter at the MKB TxSw4 screen has been set to off.

Those two can be identified by the color of the connector cable. PLG1: One of the cables is ORANGE and the others are blue. PLG2: One of the cables is YELLOW and the others are blue.
Available slot (PLG1, PLG2) differs depending on the type of the Plug-in boards. For details, refer to the table above in the left column.

Top (PLG1)

Bottom (PLG2)
When installing the optional Plug-in board (from when you remove the cover to when the cover is replaced securely) all operations must be done with the AC power cord disconnected.
4 Remove the tape which is used to fasten the cable to the plate.
6-3 Carefully plug the cable connector into the Plug-in board connector until the two notches on the cable connector lock into the sockets on the board.
5 Take out the Plug-in board from the anti-static bag. When installing the board, the side with a connector and ICs must be on top. 6 Mount the Plug-in board onto the plate as detailed in the following steps.
6-1 Insert one side of the Plug-in board (the side opposite to the connector) into the hooks 1 as shown in the illustration. Removing the Plug-in board from the keyboard
1 Pull out the cable connector from the Plug-in board connector.

Hooks 1

6-2 Press down the other side until it is securely settled on the hooks 2.

Hooks 2

2 Press down the hooks 2 in the direction as shown in the illustration and take the board out from the hooks 2 by lifting up the one side.
3 Pull out the other side of the board from the hooks 1.
7 Insert the plate into the keyboard.
8 Replace the Plug-in board cover by fastening the three SILVER screws you removed in the step 2 above.

Display Messages

Message << ! MIDI buffer full. << ! MIDI data error. << ! MIDI checksum error. << ! Change internal battery. << ! Card full. << ! File not found. << ! Bad card. << ! Card not ready. << ! Card unformatted. << ! Card write protected. << ! Illegal card. << ! File already exists. << ! Illegal file. << ! Illegal file name. << ! Read only file. << ! Can't make "EXT" file. << ! Can't make directory. << ! Too deep directory. << ! Unknown file format. << ! Bulk protected. << ! Device number is off. << ! Device number mismatch. << ! Multi plugin in slot 1. << ! Effect plugin in slot 2. << ! Plugin1 communication error. << ! Plugin2 communication error. << ! Plugin1 type mismatch. << ! Plugin2 type mismatch. << ! PLG100 not supported. << << << << << << << << << << << Executing. Now working. Now loading. Now saving. Now checking plug-in board. MIDI bulk receiving. MIDI bulk transmitting. C 3:128[ ] Stored. Completed. Are you sure ? [YES]/[NO] Overwrite? [YES]/[NO] >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> Meaning Failed to process the MIDI data because too much data was received at once. Error occurred when receiving MIDI data. Error occurred when receiving bulk data. Internal backup battery needs to be replaced. No more available memory on the Memory Card. Can t find the specified type of file. Memory Card is faulty. Memory Card has not been inserted, or an incompatible card (5V type) has been inserted. Memory Card has not been formatted. Memory Card is write protected. Memory Card has been wrongly formatted. File with the same name already exists. Data in the file is corrupted and cannot be used. The specified file name is not in MS-DOS format. File is a read-only type, and cannot be deleted, renamed or saved. A file could not be created on the Memory Card. No further directories can be created. Directory cannot be entered because it is too deep. File format is not recognized. Bulk data cannot be received because protection is enabled. Bulk data cannot be transmitted/received because the device number is set to "off." Bulk data cannot be transmitted/received because the device numbers don t match. Cannot be used because Slot 1 contains a Multi-Part Plug-in Board. Cannot be used because Slot 2 contains a Effect Plug-in Board. Plug-in Board in Slot 1 is not working properly. Plug-in Board in Slot 2 is not working properly. Sound requires a different Plug-in Board to that inserted in Slot 1. Sound requires a different Plug-in Board to that inserted in Slot 2. When used with a PLG100 series Plug-in Board, a data file of which File Type is plugin cannot be stored on a Memory Card. Operation is being executed. Memory Card operation is being executed. File is being loaded from Memory Card. File is being saved to Memory Card. Plug-in Board(s) is/are being checked (after powering up the synthesizer). MIDI Bulk data is being received. MIDI Bulk data is being transmitted. Sound has been stored. Operation has completed. Final confirmation. There is a file already stored with the same name. Replace it with a newer one with that name?

M.EQ (Voice Master Equalizer)...138 M.EQ High (Master EQ High)...139 M.EQ HighMid (Master EQ High-Middle Range)..139 M.EQ Low (Master EQ Low)...139 M.EQ LowMid (Master EQ Low-Middle Range)..139 M.EQ Mid (Master EQ Middle Range)..139 Master keyboard...57, 128, 134 Master Keyboard/Tone Generator Mode...111 [MASTER KEYBOARD] key...8 Maximum Polyphony...33 MEMORY keys....9 Memory/Performance Program Number..107 Memory/Voice Program Number...64 Menu Display...51, 70, 93, 98, 111, 134 Micro Tuning....71 MIDI (System MIDI)...137 MIDI Arp (MIDI Arpeggio)..137 MIDI Ch (MIDI Channel)...137 MIDI GM/XG Receive (if a Multi-Part Plug-in Board has been installed)..138 MIDI IN, OUT, and THRU connectors...10 MIDI Interface to MIDI IN and OUT...17 MIDI Other....138 MIDI Sw (MIDI Receive Switch)...137 MIX Level...120 MIX Vce/Template....119 MKB Assign (Master Keyboard Assign)..129 MKB Note (Master Keyboard Note)..128 MKB Transmit (Master Keyboard Transmit)..128 MKB TxPreset1 (Master Keyboard Transmit Preset 1)..129 MKB TxPreset2 (Master Keyboard Transmit Preset 2)..129 MKB TxSw1 (Master Keyboard Transmit Switch 1)..128 MKB TxSw2 (Master Keyboard Transmit Switch 2)..128 MKB TxSw3 (Master Keyboard Transmit Switch 3)..128 MKB TxSW4 (Master keyboard Transmit Switch 4).128 MkDir (Make Directory)..147 MODE keys....8 MODULAR SYNTHESIS PLUG-IN SYSTEM..33 MODULATION wheel...6 Monitoring Board Voices...98 Moving the Cursor...24, 25 MSTR (System Master)...134 MSTR EF Bypass (Master Effect By-pass)..135 MSTR Kbd (Master Keyboard)..134 MSTR Other (Other Setup)..135 MSTR TG (Master Tone Generator)..134 Multi Edit...109 Multi-Part Plug-in Board...33 MW Control Depth...100, 125 MW Modulation Depth...100, 125
Factory Set (Restore Factory Defaults)..141 FEG Level (FEG Level)....86 FEG Release (FEG Release)...86 FEG Time...86 FEG VelSens (FEG Velocity Sensitivity)..85 File Name Settings....145 File Types...143 Filter Envelope Generator Settings...86 Filter Scaling Settings...87 FLT Cutoff (Filter Cutoff)..96 FLT HPF (High Pass Filter)...85 FLT KeyFlw (Filter Key Follow)..86 FLT Scale (Filter Scale Break Point)...87 FLT Scale (Filter Scale Offset)...87 FLT Sens (Filter Sensitivity)...85 FLT Type (Filter Type)...83 Foot Controller....44 FOOT CONTROLLER jack...10 Foot Switch....44 FOOT SWITCH jack...11 Foot Volume....44 FOOT VOLUME jack...10 Format....147

Gooi de batterij niet weg, maar lever hem in als KCA. Do not throw away the battery. Instead, hand it in as small chemical waste.

(lithium disposal)

Analog Physical Modeling Plug-in Board PLG150-AN
Reproduce the fat and funky sounds of vintage analog synths! This board gives you a synth engine similar to the one featured in Yamahas amazing AN1x analog physical modeling synthesizer. On top of its full array of wave algorithms, resonant filters, LFOs, and envelope generators, it also has distortion and a 3-band equalizer. With the PLG150-AN, project and professional studios alike will be able to produce the killer synth sounds featured in todays hot dance tracks. Tone Generator Type Polyphony Voices Effects Interface Dimensions (W) x (D) x (H) Weight AN (Analog Physical Modeling Synthesis ) 5 notes 256 Preset 128 User Guitar Amp. Simulator (Distortion), 3-Band EQ, XG Part EQ Plug-in Connector (15-pin digital I/F connector) 138.5 x 89.0 x 8.5 mm (5 9/16" x 3 5/8" x 3/8") 65g (2.3oz)
Piano Plug-in Board PLG150-PF
For the serious piano player, this Plug-in Board is loaded with hundreds of painstakingly sampled piano and keyboard voicesfrom concert grands and uprights to electric pianos and harpsichords. Two piano boards can be used together, effectively doubling piano polyphony to an incredible 128 notes! For professional recording studios that demand authentic piano sound but dont want to bother with a real piano, an S80 loaded with the PLG150-PF makes a perfect solution. Tone Generator Type Polyphony Voices Effects Interface Dimensions (W) x (D) x (H) Weight AWMnotes 136 Preset Reverb, Chorus, Insertion, 2-Band EQ Plug-in Connector (15-pin digital I/F connector) 138.5 x 89.0 x 8.5 mm (5 9/16" x 3 5/8" x 3/8") 72g (2.5oz)
Virtual Acoustic Plug-in Board PLG150-VL
The Virtual Acoustic Modular Synthesis Plug-in Board lets you create incredibly expressive, natural-sounding voices by digitally simulating the physical characteristics of acoustic instruments. Thanks to its fabulous synthesis architecture, extensive realtime performance control of the voices is possible, making it the ideal Plug-in Board for keyboard soloists. Tone Generator Type Polyphony Voices Interface Dimensions (W) x (D) x (H) Weight S/VA (Self-oscillating Virtual Acoustic Synthesis) 1 note monophonic 256 Preset 70 User Plug-in Connector (15-pin digital I/F connector) 138.5 x 89.0 x 8.5 mm (5 9/16" x 3 5/8" x 3/8") 56g (2.0oz)

Control Delay1 Compressor Chorus 1 Flanger 1 Phaser Chorus 1 Flanger 1 Phaser Chorus 1 Tempo Cross Delay Chorus 4 Ensemble Chorus 1 Ensemble Ensemble Chorus 1 Chorus 1 Thru Thru 3band EQ Thru Thru Distortion Thru Flanger 1 Thru Compressor Auto Wah Celeste 4 Auto Wah Touch Wah Thru

Tempo Phaser Compressor

White Room Control Delay1 Exciter Hall 1 Hall 1 Hall 1 Hall 1 Hall 1 Room 3 Hall 1 Hall 1 Hall 1 Hall 1 Hall 1 Hall 1 Hall 1 Hall 1 Hall 1 Hall 1 Tunnel Stage 1 Hall 1 Hall 1 Hall 2 Hall 1 Hall 1 Hall 1 Hall 2 Hall 1 Chorus 1 Delay LR Celeste 3 Chorus 2 Celeste 4 Celeste 2 Ensemble Delay LR Delay LR Ensemble Chorus 3 Chorus 1 Chorus 1 Chorus 1 Chorus 1 Thru Chorus 1 Thru Thru Thru Thru Flanger 3 3band EQ Thru Distortion Thru Thru Thru Thru Thru
Tempo Phaser Chorus 1 Tempo Delay2 Delay LR Delay LR Ensemble Chorus 2 Tempo Delay1 Tempo Delay1 Chorus 1 Ensemble Chorus 1 Compressor Thru 2band EQ Thru Compressor Thru Thru Thru Exciter Thru Flanger 3 Thru Phaser Chorus 1 Thru Exciter Chorus 4 Compressor Exciter Compressor Flanger 1 Celeste 4 Compressor
White Room Chorus 1 Hall 1 Stage 1 Hall 1 Hall 2 Hall 2 Hall 2 Hall 1 Hall 1 Hall 1 Hall 1 Hall 2 Hall 1 Chorus 1 Celeste 4 Delay LR Chorus 1 Chorus 5 Flanger 3 Chorus 1 Symphonic Chorus 1 Chorus 1 Symphonic Chorus 1

Voice Name

65(E01) Seal 66(E02) Shine Seq 67(E03) Kickwheel 68(E04) Supersnap 69(E05) Opener 70(E06) Rosy 71(E07) LAizer 72(E08) 2 Friends 73(E09) Synfonic 74(E10) Hard road 75(E11) Quartz 76(E12) Atom 77(E13) Chordal 78(E14) Orgmatic 79(E15) Ana Plus 80(E16) Frequencyz 81(F01) 82(F02) 83(F03) 84(F04) 85(F05) 86(F06) 87(F07) 88(F08) 89(F09) 90(F10) 91(F11) 92(F12) 93(F13) 94(F14) 95(F15) 96(F16) Psycho S-E Voltage Ectoplasm Millenium Noire Falling Topnotched Drumnotize Creature Develop Twilight RisingHigh 90th Jimi Dew-drop SpaceTrain
Category Reverb Type Chorus Type Tempo Cross Sq Hall 2 Delay Tempo Cross Sq Hall 1 Delay Sq Sq Sq Sq Sq Sq Sq Sq Sq Dr Sq Sq Sq Se Se Se Se Se Se Se Se Se Se Se Se Se Fx Fx Fx Fx Fx Fx Fx Fx Fx Fx Fx Fx Ba Ba Ba Ba Ba Ba Ba Ba Pf Pf Pf Pf Pf Pf Pf Sc Co Co Co Pf Pf Pf Pf Pf Hall 1 Hall 1 Hall 1 Hall 1 Hall 2 Hall 2 Hall 2 Hall 1 Tunnel
Insertion1 Type Chorus 4 Chorus 1
Insertion2 Type Ensemble Detune Ensemble Detune Delay LR Delay LR Tempo Phaser Delay LR Tempo Delay 2 Hall 2 Tempo Cross Delay Delay LR Voice Cancelar Talking Modulator Delay LR Tempo Delay 2 Ensemble Detune Gate Reverb

MW FLT-Rez, ELM-Lvl FLT-Rez ELM-Lvl, ChoSend ELM-Lvl FLT-Frq, InsL prm10 FLT-Frq ELM-Lvl, FLT-Frq, ChoSend ELM-Lvl, ChoSend, AEG-D1 InsL prm10, ChoSend, FLT-Frq FEG-Atk, FLT-Frq ELM-Lvl ELFOSpd AEG-D2, FLT-Frq InsL prm10, ELM-Lvl, ELM-Lvl ELM-Lvl, InsL prm10 ChoSend
PB off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off
AT off off off off off off off off off off off off off off off off FLT-Rez off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off off
Kn1 ELM-Lvl FLT-Frq, ELM-Lvl, CLFO-D1 InsL prm10, ELM-Lvl ELM-Lvl FEG-Atk FEG-Atk ELM-Dly InsS prm10 InsL prm10 FEG-Atk, FLT-Frq InsL prm11 InsL prm1 PEG-Dpt FLT-Frq ELM-Lvl FLT-Frq, FLT-Frq RevSend InsS prm3 InsL prm1 FLT-Frq FLT-Frq InsS prm3, InsS prm2 FLT-Rez ELFOSpd FLT-Frq ChoSend ELM-Lvl ELFOSpd, CLFOSpd RevSend FEG-Atk, FLT-Frq ELM-Lvl ChoSend InsL prm12 ELM-Lvl AEG-Atk InsL prm10, InsS prm10 FLT-Frq FEG-Dpt InsL prm10 ELM-Dly FEG-Atk ELFO-PM InsL prm10, ChoSend FEG-Atk FLT-Frq ChoSend, Volume RevSend ELFO-FM ChoSend InsL prm11 ELM-Pan InsL prm10 PCH-Fin InsL prm5 InsL prm10
Kn2 ChoSend FLT-Rez HPF-Frq ChoSend, InsL prm10 ChoSend, InsL prm10 InsL prm10 InsL prm10 FLT-Frq RevSend InsS prm6 InsL prm12 RevSend InsL prm10, ChoSend RevSend InsS prm3, InsS prm5 InsL prm10 PCH-Crs InsS prm1 ChoSend, ELM-Lvl ELFO-AM ELFO-PM PCH-Crs ELM-Lvl, ELM-Lvl FLT-Frq, FLT-Frq FLT-Rez RevSend RevSend PCH-Crs ChoSend InsS prm6 InsL prm10, ChoSend RevSend InsL prm3 ChoSend ChoSend ELFOSpd ChoSend CLFOSpd ChoSend RevSend InsS prm10, InsL prm10 ELFOSpd RevSend InsL prm10, ChoSend FLT-Rez RevSend FLT-Frq RevSend RevSend InsL prm12 FLT-Frq ChoSend, FLT-Frq ChoSend InsL prm11 RevSend
Tempo Flanger Distortion Phaser Tempo Cross Delay Ensemble Chorus 2 Tempo Delay2 Chorus 1 Flanger 2 Compressor Chorus 4 Thru Compressor Phaser Thru AMP Simulator
Control Delay1 Flanger 3 Touch Wah Thru Compressor Compressor Thru Thru Flanger 3 AMP Simulator Chorus 2 Exciter Flanger 3 Thru Thru 3band EQ
White Room Phaser Hall 1 Hall 2 Hall 1 off Hall 1 Stage 2 Hall 2 Hall 1 Hall 1 Plate Hall 1 Hall 1 Hall 1 Hall 1 Basement Canyon Hall 1 Hall 1 Stage 1 Hall 1 Plate Stage 1 Hall 1 Stage 1 Hall 1 Hall 2 Hall 2 Hall 1 Hall 1 Room 3 Hall 2 Hall 2 Room 1 Room 1 Room 1 Room 3 Hall 1 Room 3 Room 1 Room 2 Hall 1 Stage 1 Hall 2 Hall 1 Hall 1 Hall 1 Plate Room 1 Hall 1 Hall 1 Hall 1 Hall 1 Chorus 4 Phaser Tempo Cross Delay Tempo Cross Delay Chorus 1 Chorus 1 Flanger 2 Tempo Cross Delay Flanger 1 Delay LR Chorus 1 Tempo Delay2 Chorus 1

6 Brush Kit

Note ElmAsgn Wave No. on 350 C0 on 404 C#0 on 401 D0 on 403 D#0 on 401 E0 on 405 F0 on 351 F#0 on 404 G0 on 408 G#0 on 376 A0 on 403 A#0 on 377 B0 on 373 C1 on 403 C#1 on 404 D1 on 358 D#1 on 402 E1 on 414 F1 on 422 F#1 on 414 G1 on 424 G#1 on 414 A1 on 426 A#1 on 415 B1 on 416 C2 on 433 C#2 on 416 D2 on 429 D#2 on 430 E2 on 431 F2 on 354 F#2 on 434 G2 on 340 G#2 on 434 A2 on 429 A#2 on 432 B2 on 336 C3 on 335 C#3 on 339 D3 on 338 D#3 on 337 E3 on 345 F3 on 344 F#3 on 341 G3 on 341 G#3 on 349 A3 on 352 A#3 on 359 B3 on 359 C4 on 343 C#4 on 342 D4 on 350 D#4 on 348 E4 on 348 F4 on 346 F#4 on 347 G4 on 355 G#4 on 355 A4 on 353 A#4 on 357 B4 on 360 C5 off C#5 off D5 off D#5 off E5 off F5 off F#5 off G5 off G#5 off A5 off A#5 off B5 off C6 Wave Name Pc Claves Dr SdBrsL Dr SdSwep Dr SdBrsH Dr SdSwep Dr SdRoll Pc Castnt Dr SdBrsL Dr Stick Dr BdVar3 Dr SdBrsH Dr BdVar4 Dr BdLoJz Dr SdBrsH Dr SdBrsL Pc Clap Dr SdBrsS Dr TmJzL Dr HHCl4 Dr TmJzL Dr HHPdl Dr TmJzL Dr HHOpn Dr TmJzM Dr TmJzH Dr Crash Dr TmJzH Dr Ride Dr Ride2 Dr Cup Pc Tmborn Dr Crash2 Pc Cowbel Dr Crash2 Dr Ride Dr Cup2 Pc BongoH Pc BongoL Pc CngSlp Pc CongaH Pc CongaL Pc TmblsH Pc TmblsL Pc AgogoL Pc AgogoL Pc Cabasa Pc Maracs Pc Whistl Pc Whistl Pc GiroCl Pc GuiroL Pc Claves Pc Wdblck Pc Wdblck Pc CuicaL Pc CuicaH Pc TrangL Pc TrangL Pc Shaker Pc JnglBl Pc Bltree

7 Pop Kit

Note ElmAsgn Wave No. C0 on 350 C#0 on 404 D0 on 401 D#0 on 403 E0 on 401 F0 on 405 F#0 on 351 G0 on 400 G#0 on 408 A0 on 376 A#0 on 389 B0 on 377 C1 on 372 C#1 on 406 D1 on 380 D#1 on 358 E1 on 380 F1 on 410 F#1 on 423 G1 on 410 G#1 on 425 A1 on 411 A#1 on 427 B1 on 411 C2 on 412 C#2 on 433 D2 on 413 D#2 on 429 E2 on 435 F2 on 431 F#2 on 354 G2 on 434 G#2 on 340 A2 on 434 A#2 on 356 B2 on 432 C3 on 336 C#3 on 335 D3 on 339 D#3 on 338 E3 on 337 F3 on 345 F#3 on 344 G3 on 341 G#3 on 341 A3 on 349 A#3 on 352 B3 on 359 C4 on 359 C#4 on 343 D4 on 342 D#4 on 350 E4 on 348 F4 on 348 F#4 on 346 G4 on 347 G#4 on 355 A4 on 355 A#4 on 353 B4 on 357 C5 on 360 C#5 on 399 D5 on 381 D#5 on 392 E5 on 386 F5 on 394 F#5 on 391 G5 on 382 G#5 on 389 A5 on 384 A#5 on 371 B5 on 372 C6 on 378 Wave Name Pc Claves Dr SdBrsL Dr SdSwep Dr SdBrsH Dr SdSwep Dr SdRoll Pc Castnt Dr SdDry Dr Stick Dr BdVar3 Dr SdPcBH Dr BdVar4 Dr BdHby Dr C.Rim1 Dr SdGM Pc Clap Dr SdGM Dr TomL Dr HHCl5 Dr TomL Dr HHPdl2 Dr TomM Dr HHOpn2 Dr TomM Dr TomHL Dr Crash Dr TomHH Dr Ride Dr China Dr Cup Pc Tmborn Dr Crash2 Pc Cowbel Dr Crash2 Pc VbSlp Dr Cup2 Pc BongoH Pc BongoL Pc CngSlp Pc CongaH Pc CongaL Pc TmblsH Pc TmblsL Pc AgogoL Pc AgogoL Pc Cabasa Pc Maracs Pc Whistl Pc Whistl Pc GiroCl Pc GuiroL Pc Claves Pc Wdblck Pc Wdblck Pc CuicaL Pc CuicaH Pc TrangL Pc TrangL Pc Shaker Pc JnglBl Pc Bltree Dr SdBkBt Dr SdBldS Dr SdVar1 Dr SdSonD Dr SdRim1 Dr SdWdH Dr SdBldH Dr SdPcBH Dr SdLdwH Dr BdPop Dr BdHby Dr BdVar5

32Hz~2.0kHz -12dB~+12dB 500Hz~16.0kHz -12dB~+12dB 100Hz~10.0kHz -12dB~+12dB 0.1~12.0 0.0ms~50.0ms -63~+63

[41] PHASER1

[35] ENSEMBLE DETUNE
No. Parameter Detune Initial Delay Lch Initial Delay Rch Dry / Wet Balance EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Value -50cent~+50cent 0.0ms~50.0ms 0.0ms~50.0ms 32Hz~2.0kHz -12dB~+12dB 500Hz~16.0kHz -12dB~+12dB LCD Detune DelayL DelayR L.Freq L.Gain H.Freq H.Gain MIDI Parameter Number Controller No. 11 Parameter LFO Frequency LFO Depth Diffusion EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Stage Phase Shift Offset Feedback Level Dry / Wet Balance Value 0.0Hz~39.70Hz 0~127 mono/stereo 32Hz~2.0kHz -12dB~+12dB 500Hz~16.0kHz -12dB~+12dB 4, 5, 6, 7, 8, 9, 10, 11, 12 0~127 -63~+63 LCD Speed Depth Diffuse L.Freq L.Gain H.Freq H.Gain Stage PhShift FBLevel MIDI Parameter Number Controller 10

[42] PHASER2

No. 11 Parameter LFO Frequency LFO Depth LFO Phase Difference EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Stage Phase Shift Offset Feedback Level Dry / Wet Balance Value 0.0Hz~39.70Hz 0~127 -180deg~+180deg 32Hz~2.0kHz -12dB~+12dB 500Hz~16.0kHz -12dB~+12dB 3, 4, 5, 6 0~127 -63~+63 LCD Speed Depth Phase L.Freq L.Gain H.Freq H.Gain Stage PhShift FBLevel MIDI Parameter Number Controller 10
[47] DISTORTION+ROTARY SPEAKER1 [48] OVERDrive+ROTARY SPEAKER1
No. 9 Parameter LFO Frequency LFO Depth Dist. Drive Dist. LPF Cutoff Freq Dist. Output Level EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Value 0.0Hz~39.70Hz 0 ~ ~ 127 1.0kHz~18.0kHz, thru 0 ~ 127 32Hz~2.0kHz -12dB~+12dB 500Hz~16.0kHz -12dB~+12dB LCD Speed Depth Drive LPF DrivOut L.Freq L.Gain H.Freq H.Gain MIDI Parameter Number Controller 9
[49] AMP SIMULATOR+ROTARY SPEAKER1

[43] TEMPO PHASER

No. Parameter LFO Frequency LFO Depth LFO Phase Difference LFO Phase Reset EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Stage Phase Shift Offset Feedback Level Dry / Wet Balance Value 5~21 0~127 -180deg~+180deg off(free run), KeyOnReset, SEQ Start Reset 32Hz~2.0kHz -12dB~+12dB 500Hz~16.0kHz -12dB~+12dB 3, 4, 5, 6 0~127 -63~+63 LCD Speed Depth Phase Reset L.Freq L.Gain H.Freq H.Gain Stage PhShift FBLevel MIDI Parameter Number Controller

No. 9 10

Parameter LFO Frequency LFO Depth AMP Type AMP Drive AMP LPF Cutoff Freq AMP Output Level EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain
Value 0.0Hz~39.70Hz 0 ~ ~ 127 1.0kHz~18.0kHz, thru 0 ~ 127 32Hz~2.0kHz -12dB~+12dB 500Hz~16.0kHz -12dB~+12dB
LCD Speed Depth Drive LPF AmpOut L.Freq L.Gain H.Freq H.Gain
MIDI Parameter Number Controller
off, stack, combo, tube AmpType

[50] ROTARY SPEAKER2

No. 3 Parameter Rotor Speed Drive Low Drive High Low / High Balance Mic L-R Angle Divide Frequency EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Value 0.0Hz~39.70Hz 0~127 0~127 L63>H ~ L=H ~ L<H63 0deg~180deg 100Hz~10.0kHz 32Hz~2.0kHz -12dB~+12dB 500Hz~16.0kHz -12dB~+12dB LCD Speed DriveLo DriveHi Low/Hi MicAngl CrosOvr L.Freq L.Gain H.Freq H.Gain MIDI Parameter Number Controller

BnH,01H BnH,05H BnH,0AH BnH,40H BnH,41H BnH,47H BnH,48H BnH,49H BnH,4AH BnH,4BH BnH,5BH BnH,5DH BnH,(00H. 5FH) BnH,(07H or 0BH) BnH,00H BnH,20H BnH,1FH CnH DnH EnH
(CS6x only) (CS6x only) (CS6x (CS6x (CS6x (CS6x (CS6x (CS6x (CS6x (CS6x only) only) only) only) only) only) only) only)

(CS6x only)

FAH FBH FCH

F0H F0H F0H F0H F0H

7EH 7EH 7EH 7EH 7EH

nnH nnH nnH nnH nnH

03H 7FH 7EH 7DH 7CH

ssH ppH ppH ppH ppH

ssH F7H F7H F7H F7H F7H
F0H 43H 0nH 64H bhH blH ahH amH alH ddH.ddH ccH F7H F0H 43H 1nH 64H ahH amH alH ddH..ddH F7H
F0H 7EH 7FH 06H 02H 43H 00H 41H 2DH 02H 00H 00H 00H 01H F7H FEH
[SW1] MIDI Transmit Channel Master Keyboard Mode = on: complies with Zone Transmit Channel. Master Keyboard Mode = off: complies with Keyboard Transmit Channel. The data played back using Sequencer Part will be output through the channels set for the sequence data, ignoring [SW1] settings. CS6R transmits BC and A-C/1-2 of ASSIGNABLE CONTROLLER, and the data from the Sequencer Part. [SW2] MIDI Control Mode [SW3] MIDI Sync [SW4] MIDI Control [SW5] MIDI Device Number When set to all, data will be output through the channel 1. [SW6] PHRASE CLIP MODE JOB only. Not available on S80. [SW7] In the VOICE MODE, VOICE related data only. In the PERFORMANCE MODE, PERFORMANCE related data only. SYSTEM data will be transmitted/received in all modes. [SW8] SYSTEM Bank Select Switch

[SW2] [SW3] [SW4] [SW5]

MIDI Control Mode MIDI Sync MIDI Control MIDI Device Number When set to the number other than off, MIDI MASTER VOLUME will be received. [SW6] PHRASE CLIP MODE JOB only. Not available on S80. [SW7] In the VOICE MODE, VOICE related data only. In the PERFORMANCE MODE, PERFORMANCE related data only. SYSTEM data will be transmitted/received in all modes. [SW8] SYSTEM Bank Select Switch [SW9] SYSTEM Program Change Switch (Received only in the Play Mode when Voice Mode or Phrase Clip Mode is selected.) [SW10] SYSTEM Bulk Protect and the conditions mentioned in SW7 above. [SW11] MIDI Receive Channel and Receive Filter. In Performance Mode, complies with Part Receive Channel and Part Receive Switch. In the modes other than Performance Mode, complies with Basic Receive Channel. [SW12] SYSTEM Receive GM/XG On *1 Performance Mode only.

3) TRANSMIT/RECEIVE DATA

(3-1) CHANNEL VOICE MESSAGES
CS6R transmits BC and A-C/1-2 of ASSIGNABLE CONTROLLER, and the data from the Sequencer Part.

(3-1-4) PROGRAM CHANGE

STATUS 1100nnnn(CnH) PROGRAM NUMBER 0ppppppp n = 0 ~ 15 CHANNEL NUMBER p = 0 ~ 127
(3-1-5) CHANNEL AFTER TOUCH
STATUS VALUE 1101nnnn(DnH) 0vvvvvvv n = 0 ~ 15 CHANNEL NUMBER v = 0 ~ 127 AFTER TOUCH VALUE

(3-1-1) NOTE OFF

Parameter Block

Description

Byte Count Dec Hex

Top Address H 00 0E 31 : : 32 0F 0E 0F 0E 49 4A : 4A 0F M 20 mm 00 : 0F 00 : 03 mm mm mm mm : 48 mm L 00 nn 00 : : 00 nn nn nn nn : 00 nn

SYSTEM

System Plug-in Board Native System Master EQ (for Voice Mode) Bulk Header COMMON Common Reverb Chorus Insertion 1 (for A/D Part) Insertion 2 (for A/D Part) Controller (for A/D Part) Master EQ Native (for InsEF Plug-in) PART Part1 : Part16 A/D PART A/D Part PHRASE CLIP PART Phrase Clip Part PLUG-IN PART Plug-in 1 Part Plug-in 2 Part MASTER KEYBOARD ZONE Zone1 : Zone4 Bulk Footer Bulk Header COMMON Extra Common Reverb Chorus Insertion 1(S) Insertion 2(L) Controller LFO ELEMENT 1 Oscillator Amplitude Pitch Filter EQ LFO ELEMENT 2 Oscillator Amplitude Pitch Filter EQ LFO ELEMENT 3 Oscillator Amplitude Pitch Filter EQ LFO ELEMENT 4 Oscillator Amplitude Pitch Filter EQ LFO Bulk Footer Bulk Header COMMON Extra Common Reverb Chorus Insertion 1(S) Insertion 2(L) Controller KEY C 0 Oscillator Amplitude Pitch Filter EQ : KEY C 6 Oscillator Amplitude Pitch Filter EQ Bulk Footer
60 3C 10 0A 16 Blocks 4 Blocks 0D 1E 0E 0D 1D 1B 06 0D 1D 1B 06 0D 1D 1B 06 0D 1D 1B 06 00
Plug-in Voice Bank Display
Available Bank Select/Program Change of the Plug-in Boards (Before selecting a number, a Plug-in Board should be installed and PLG1 or PLG2 has to be selected in Voice Mode.)
MSB (HEX) LSB (HEX) 18 - 3F 00 - 7F 00 - 7F 00 - 7F 126 7E 00 - 7F 127 7F 00 - 7F *** ** Program No. 0 - - - - - - 127 Type Internal XG Normal XG SFX XG SFX kit XG Drum kit others LCD Display PLG_INT NORM/LLL NORM/SFX KIT/SFX KIT/DRM MMM/LLL Description LSB = 24H: Plug-in 1, 25H: Plug-in 2 LLL: Bank LSB
MMM: Bank MSB, LLL: Bank LSB
Only the banks that can be received by Plug-in Board are shown.

VOICE (NORMAL)

<Table1>

Parameter Base Address

Parameter Block Top Address
H SYSTEM 0A 0E 0F 32 VOICE COMMON 49 4A 4C 4C 4C 4C 4C 4C 4C 4C M 00 0F ee ee ee ee ee ee ee ee L System Plug-in Board Native System Master EQ Panel Knob Remote Switch Header Footer Performace Common Part1 : Part16 A/D Part Phrase Clip Part Plug-in 1 Part Plug-in 2 Part Zone1 : Zone4 Common Reverb Chorus Insertion 1 Insertion 2 Controller LFO Extra ee : Element No. ee : Element No. ee : Element No. ee : Element No. Common Reverb Chorus Insertion 1 Insertion 2 Controller Extra Extra Phrase Clip ee : Element No. ee : Element No. ee : Element No. ee : Element No. Common Reverb Chorus Insertion 1 Controller Plug-in Element Native Extra
REMOTE SWITCH BULK CONTROL PERFORMANCE COMMON PERFORMANCE PART

PERFORMANCE ZONE

VOICE (DRUM)
VOICE ELEMENT GROUP1 VOICE ELEMENT GROUP2 VOICE ELEMENT GROUP3 VOICE ELEMENT GROUP4 KIT COMMON (DRUM VOICE & CLIP KIT)

- dB.0dB.+6dB(0.96.127) L63.C.R63 - dB. 0dB(0.127)

7F 40 00

Part1-16, P1/2 Part1-16,CL,P1/2 Part1-16,CL,P1/2 Part1-16,CL,P1/2 Part1-16,CL,P1/2 Part1-16,CL,P1/2 Part1-16,CL Part1-16,CL,P1/2 Part1-16,CL,P1/2

Part1-16,CL,P1/2

bit7-4 bit3-0

03 0A 0C 0E 14

TOTAL SIZE = 22
00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 16 (HEX)
Insertion-1 Type MSB (for A/D Part) Refer to Effect Parameter List Insertion-1 Type LSB Insertion-1 Parameter1 MSB Insertion-1 Parameter1 LSB Insertion-1 Parameter2 MSB Insertion-1 Parameter2 LSB Insertion-1 Parameter3 MSB Insertion-1 Parameter3 LSB Insertion-1 Parameter4 MSB Insertion-1 Parameter4 LSB Insertion-1 Parameter5 MSB Insertion-1 Parameter5 LSB Insertion-1 Parameter6 MSB Insertion-1 Parameter6 LSB Insertion-1 Parameter7 MSB Insertion-1 Parameter7 LSB Insertion-1 Parameter8 MSB Insertion-1 Parameter8 LSB Insertion-1 Parameter9 MSB Insertion-1 Parameter9 LSB Insertion-1 Parameter10 MSB Insertion-1 Parameter10 LSB
Part1-16,CL,P1/2 Part1-16,CL,P1/2 Part1-16,CL,P1/2 Part1-16,P1/2 Part1-16,P1/2 Part1-16

31 pp 1D

00 - 7F

31 pp 1E

31 pp 1F 04 0A 0C 0E 04 1A 1C 1E 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 22 (HEX) Insertion-2 Type MSB (for A/D Part) Insertion-2 Type LSB Insertion-2 Parameter 1 MSB Insertion-2 Parameter 1 LSB Insertion-2 Parameter 2 MSB Insertion-2 Parameter 2 LSB Insertion-2 Parameter 3 MSB Insertion-2 Parameter 3 LSB Insertion-2 Parameter 4 MSB Insertion-2 Parameter 4 LSB Insertion-2 Parameter 5 MSB Insertion-2 Parameter 5 LSB Insertion-2 Parameter 6 MSB Insertion-2 Parameter 6 LSB Insertion-2 Parameter 7 MSB Insertion-2 Parameter 7 LSB Insertion-2 Parameter 8 MSB Insertion-2 Parameter 8 LSB Insertion-2 Parameter 9 MSB Insertion-2 Parameter 9 LSB Insertion-2 Parameter 10 MSB Insertion-2 Parameter 10 LSB Insertion-2 Parameter 11 MSB Insertion-2 Parameter 11 LSB Insertion-2 Parameter 12 MSB Insertion-2 Parameter 12 LSB Insertion-2 Parameter 13 MSB Insertion-2 Parameter 13 LSB Insertion-2 Parameter 14 MSB Insertion-2 Parameter 14 LSB Insertion-2 Parameter 15 MSB Insertion-2 Parameter 15 LSB Insertion-2 Parameter 16 MSB Insertion-2 Parameter 16 LSB Refer to Effect Parameter List Depends On Effect Type

Default(HEX) Notes 0000 Depends On Effect Type
MIDI PARAMETER CHANGE TABLE (NORMAL VOICE COMMON)
Address Size Data Range(HEX) Prameter Name 0A 0B 0C 0D 0E 0F 1A 1B 20 - 7E 20 - 7E 20 - 7E 20 - 7E 20 - 7E 20 - 7E 20 - 7E 20 - 7E 20 - 7E 20 - 7E Voice Name1 Voice Name2 Voice Name3 Voice Name4 Voice Name5 Voice Name6 Voice Name7 Voice Name8 Voice Name9 Voice Name10 reserved reserved Voice Category reserved reserved reserved reserved reserved reserved ARP Type ARP Switch ARP Hold ARP Unit Multiply ARP Note Limit Low ARP Note Limit High ARP Key Mode ARP Vel Mode ARP Velocity Rate MSB ARP Velocity Rate LSB ARP Gate Time Rate MSB ARP Gate TIme Rate LSB ARP Tempo MSB ARP Tempo LSB QED Pan reserved QED Chorus Control QED Release Time QED Sustain Level reserved reserved QED KnobA QED KnobB QED KnobC QED/Scene 1 Knob1 QED/Scene 1 Knob2 QED/Scene 1 Cutoff Frequency QED/Scene 1 Resonance QED/Scene 1 Attack Time QED/Scene 1 Decay Time Scene 2 Knob1 Scene 2 Knob2 Scene 2 Cutoff Frequency Scene 2 Resonance Scene 2 Attack Time Scene 2 Decay Time Scene Control Description 32.126(ASCII) 32.126(ASCII) 32.126(ASCII) 32.126(ASCII) 32.126(ASCII) 32.126(ASCII) 32.126(ASCII) 32.126(ASCII) 32.126(ASCII) 32.126(ASCII) Default(HEX) Notes I n i t V o i c e
" " " " " " " " "

00 - 16

TOTAL SIZE = 22 UpOct1 - GateCut3 off,on sync-off,off,on 50%,66%,75%,100%,133%,150%,200% C-2.G8 C-2.G8 sort,thru,direct original,thru 0.200% 0.200% 25.300 L63.C.R63 -64.+63 -64.+63 -64.+7F 0A 8A 0C 04 0E 04 1A 1C 1E 2
00 - 7F 00 - - - - 7F 00 - 7F 00 - - - 00C- 00C- 012C 01 - 7F 00 - 7F 00 - 7F 00 - 7F
2A 70 2B 70 2C 70 2D 70 2E 70 2F 1 TOTAL SIZE = 56
00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 38 (HEX)
-64.+63 -64.+63 -64.+63 -64.+63 -64.+63 -64.+63 -64.+63 -64.+63 -64.+63 -64.+63 -64.+63 -64.+63 -64.+63 -64.+63 -64.+63 0.127

TOTAL SIZE =34

00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 22 (HEX)
Insertion-2 Type MSB Insertion-2 Type LSB Insertion-2 Parameter 1 MSB Insertion-2 Parameter 1 LSB Insertion-2 Parameter 2 MSB Insertion-2 Parameter 2 LSB Insertion-2 Parameter 3 MSB Insertion-2 Parameter 3 LSB Insertion-2 Parameter 4 MSB Insertion-2 Parameter 4 LSB Insertion-2 Parameter 5 MSB Insertion-2 Parameter 5 LSB Insertion-2 Parameter 6 MSB Insertion-2 Parameter 6 LSB Insertion-2 Parameter 7 MSB Insertion-2 Parameter 7 LSB Insertion-2 Parameter 8 MSB Insertion-2 Parameter 8 LSB Insertion-2 Parameter 9 MSB Insertion-2 Parameter 9 LSB Insertion-2 Parameter 10 MSB Insertion-2 Parameter 10 LSB Insertion-2 Parameter 11 MSB Insertion-2 Parameter 11 LSB Insertion-2 Parameter 12 MSB Insertion-2 Parameter 12 LSB Insertion-2 Parameter 13 MSB Insertion-2 Parameter 13 LSB Insertion-2 Parameter 14 MSB Insertion-2 Parameter 14 LSB Insertion-2 Parameter 15 MSB Insertion-2 Parameter 15 LSB Insertion-2 Parameter 16 MSB Insertion-2 Parameter 16 LSB

AMD, PMD, FMD, RESO, PAN, ELEMENT LFO SPEED

00 7F 00 00

0 - 127 BIT0:EL1, BIT1:EL2, BIT2:EL3, BIT3:EL4

02 0A 0C 0E 14

TOTAL SIZE = 25
00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 01 - 7F 00 - 7F 19 (HEX)
Chorus Type MSB Chorus Type LSB Chorus Parameter 1 MSB Chorus Parameter 1 LSB Chorus Parameter 2 MSB Chorus Parameter 2 LSB Chorus Parameter 3 MSB Chorus Parameter 3 LSB Chorus Parameter 4 MSB Chorus Parameter 4 LSB Chorus Parameter 5 MSB Chorus Parameter 5 LSB Chorus Parameter 6 MSB Chorus Parameter 6 LSB Chorus Parameter 7 MSB Chorus Parameter 7 LSB Chorus Parameter 8 MSB Chorus Parameter 8 LSB Chorus Parameter 9 MSB Chorus Parameter 9 LSB Chorus Parameter 10 MSB Chorus Parameter 10 LSB Chorus Return Chorus Pan Send Chorus To Reverb
0500 Depends On Effect Type
- dB.0dB.+6dB(0. 96.127) L63.C.R63 - dB.0dB(0.127)

TOTAL SIZE =14

MIDI PARAMETER CHANGE TABLE (NORMAL VOICE ELEMENT)
Address Size Data Range(HEX) Prameter Name 41 ee 00 - 7F Wave Number LSB 00 - 7F Wave Number MSB 41 ee 01 - 7F Pan 41 ee 00 - 7F Random Pan Depth 41 ee 00 - 7F Alternate Pan Depth 41 ee 00 - 7F Scaling Pan Depth 41 ee 00 - 7F Note Limit Low 41 ee 00 - 7F Note Limit High 41 ee 01 - 7F Velocity Limit Low 41 ee 01 - 7F Velocity Limit High 41 ee 0A - 7F Key On Delay 41 ee 0B - 01 reserved 41 ee 0C - 02 Insertion Effect Switch TOTAL SIZE = 13 0D (HEX) Description 1st bit6-0 bit13-7 0(off),1 - 479(CS6x,CS6R) 2nd bit6-0 bit6-0 0(off),1 - 553(S80) L63 - C - R- 127 L64 - 0 - R63 -64 - +- - - - - 127 thru,ins1,ins2 Default(HEX) Notes 00 7F 01 7F 00
Address Size Data Range(HEX) Prameter Name ee ee ee ee ee ee ee ee ee ee ee ee ee ee ee ee ee ee ee ee 2A 2B 2C 2D 2E 2F - 7F 00 - 7F - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F - 7F 00 - 7F - - 7F 00 - 7F 00 - 7C 01 - 7D 02 - 7E 03 - 7F 00 - - 7F 00 - - 7F 00 - - 7F 00 - - 7F 00 - 7F 00 - 7F 1D (HEX) Element Level Level Velocity Snesitivity reserved AEG Attack Time AEG Decay1 Time AEG Decay2 Time AEG Release Time AEG Init Level reserved AEG Decay1 Level AEG Sustain Level reserved AEG Time Velocity Segment AEG Time Velocity Sensitivity Level Key Follow Sensitivity Level Scaling Break Point 1 Level Scaling Break Point 2 Level Scaling Break Point 3 Level Scaling Break Point 4 Level Scaling Offset 1 Level Scaling Offset 2 Level Scaling Offset 3 Level Scaling Offset 4

3C 40 3C

UpOct1 - GateCut3 off,on sync-off,off,on 50%,66%,75%,100%,133%,150%,200% C-2.G8 C-2.G8 sort,thru,direct original,thru 0.200% 0.200% 25.300 L63.C.R63 -64.+63

00 7F 8A 00

43 ee ee 43 ee ee ee ee 05 06
00 - 0C 00 - - 7F 00 - 7F 00 - 1F 00 - 7F 00 - - 7F - - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - - 7F 00 - - 7F 00 - - 7F 00 - - 7F 00 - - 7F 00 - 7F 00 - - 7F 00 - 7F 00 - 7F 00 - 7C 01 - 7D 02 - 7E 03 - 7F 00 - - 7F 00 - - 7F 00 - - 7F 00 - - 7F 00 - 7F 00 - 7F 00 - 7F 30 (HEX)
Filter Type Filter Cutoff Frequency Filter Cutoff Velocity Sensitivity Filter Resonance/Width/Band Filter Resonance Velocity Sensitivity HPF Cutoff Frequency reserved reserved Filter Gain FEG Hold Time FEG Attack Time FEG Decay1 Time FEG Decay2 Time FEG Release Time FEG Hold Level FEG Attack Level FEG Decay1 Level FEG Sustain Level FEG Release Level FEG Depth FEG Time Velocity Segment FEG Time Velocity Sensitivity FEG Level Velocity Sensitivity Filter Cutoff Key Follow Sensitivity Filter Cutoff Scaling Break Point 1 Filter Cutoff Scaling Break Point 2 Filter Cutoff Scaling Break Point 3 Filter Cutoff Scaling Break Point 4 Filter Cutoff Scaling Offset 1 Filter Cutoff Scaling Offset 2 Filter Cutoff Scaling Offset 3 Filter Cutoff Scaling Offset 4 HPF Cutoff Key Follow Sensitivity FEG Time Key Follow Sensitivity FEG Time Key Follow Center Note
LPF12+HPF,LPF24D,LPF24A,LPF18,LPF18s, LPF6+HPF,HPF24D,HPF12,BPF6,BPF12D BPFw,BEF6,THRU
7F 01 7F 01 0A 0C 0E 3C 3C TOTAL SIZE = - 7F 10 - - - - 7F 00 - 7F 07 (HEX) Volume reserved Pitch Bend Range Upper Pitch Bend Range Lower Insertion Connect Type Reverb Send Chorus Send 0 - 127 -48 - +24[semitones] -48 - +24[semitones] 1|2(Pararel), 1->2, 2->1 - dB.0dB - dB.0dB 7F 3E 00
0 - 255 -64 - +- 31 -64 - +- 255
43 ee ee ee 0B ee ee ee ee ee ee 0D 0E 0F 12
0 - - - - - - 127 -128 - +127 (-9600 - +9600[cent]) -128 - +127 (-9600 - +9600[cent]) -128 - +127 (-9600 - +9600[cent]) -128 - +127 (-9600 - +9600[cent]) -128 - +127 (-9600 - +9600[cent]) -64 - +63 attack,all -64 - +63 -64 - +63 -200% - +200% C -2 - E8 C#-2 - F8 D -2 - F#8 D#-2 - G8 -128 - +127 -128 - +127 -128 - +127 -128 - +127 -200% - +200% -64 - +63 C-2 - G8
43 ee ee ee ee 1A ee ee ee ee ee ee ee ee ee ee 1C 1D 1E 1F 24 25

00 - 7F Reverb Type MSB 00 - 7F Reverb Type LSB 00 - 7F Reverb Parameter 1 MSB 00 - 7F Reverb Parameter 1 LSB 00 - 7F Reverb Parameter 2 MSB 00 - 7F Reverb Parameter 2 LSB 00 - 7F Reverb Parameter 3 MSB 00 - 7F Reverb Parameter 3 LSB 00 - 7F Reverb Parameter 4 MSB 00 - 7F Reverb Parameter 4 LSB 00 - 7F Reverb Parameter 5 MSB 00 - 7F Reverb Parameter 5 LSB 00 - 7F Reverb Parameter 6 MSB 00 - 7F Reverb Parameter 6 LSB 00 - 7F Reverb Parameter 7 MSB 00 - 7F Reverb Parameter 7 LSB 00 - 7F Reverb Parameter 8 MSB 00 - 7F Reverb Parameter 8 LSB 00 - 7F Reverb Parameter 9 MSB 00 - 7F Reverb Parameter 9 LSB 00 - 7F Reverb Parameter 10 MSB 00 - 7F Reverb Parameter 10 LSB 00 - 7F Reverb Return 01 - 7F Reverb Pan 18 (HEX)
43 ee ee ee 2B 43 ee 2D 43 ee 2E 43 ee 2F

02 0A 0C

TOTAL SIZE = 48

44 ee ee ee ee ee 05

44 ee TOTAL SIZE = 8
00 - 05 EQ Type 00 - 1F EQ Resonance 00 - 01 EQ 1 Frequency 00 - 7F 20 - 60 EQ 1 Gain 00 - 01 EQ 2 Frequency 00 - 7F 20 - 60 EQ 2 Gain 08 (HEX)
EQ L/H, P.EQ, Boost6, Boost12, Boost18, thru - EQ L/H: 46-182, P.EQ: 83-53 -32 - +32 EQ L/H:131-241 -32 - +40
44 ee 44 ee 44 ee 44 ee 44 ee 44 ee TOTAL SIZE =6
00 - 02 LFO Wave 00 - 01 LFO Key On Sync 00 - 3F LFO Speed 00 - 7F LFO AMod Depth 00 - 7F LFO PMod Depth 00 - 7F LFO FMod Depth 06 (HEX)
saw,tri,squ off,on 0 - - - - 127
00 - 7F Chorus Type MSB 00 - 7F Chorus Type LSB 00 - 7F Chorus Parameter 1 MSB 00 - 7F Chorus Parameter 1 LSB 00 - 7F Chorus Parameter 2 MSB 00 - 7F Chorus Parameter 2 LSB 00 - 7F Chorus Parameter 3 MSB 00 - 7F Chorus Parameter 3 LSB 00 - 7F Chorus Parameter 4 MSB 00 - 7F Chorus Parameter 4 LSB 00 - 7F Chorus Parameter 5 MSB 00 - 7F Chorus Parameter 5 LSB 00 - 7F Chorus Parameter 6 MSB 00 - 7F Chorus Parameter 6 LSB 00 - 7F Chorus Parameter 7 MSB 00 - 7F Chorus Parameter 7 LSB 00 - 7F Chorus Parameter 8 MSB 00 - 7F Chorus Parameter 8 LSB 00 - 7F Chorus Parameter 9 MSB 00 - 7F Chorus Parameter 9 LSB 00 - 7F Chorus Parameter 10 MSB 00 - 7F Chorus Parameter 10 LSB 00 - 7F Chorus Return 01 - 7F Chorus Pan 00 - 7F Send Chorus To Reverb 19 (HEX)
- dB.0dB.+6dB(0.96.127) L63.C.R63 - dB.0dB(0 -127)
ee = Element Number (00.03: Element1.4)
Address Size Data Range(HEX) Prameter Name 03 0A 0C 0E 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 16 (HEX) Insertion-1 Type MSB Insertion-1 Type LSB Insertion-1 Parameter1 MSB Insertion-1 Parameter1 LSB Insertion-1 Parameter2 MSB Insertion-1 Parameter2 LSB Insertion-1 Parameter3 MSB Insertion-1 Parameter3 LSB Insertion-1 Parameter4 MSB Insertion-1 Parameter4 LSB Insertion-1 Parameter5 MSB Insertion-1 Parameter5 LSB Insertion-1 Parameter6 MSB Insertion-1 Parameter6 LSB Insertion-1 Parameter7 MSB Insertion-1 Parameter7 LSB Insertion-1 Parameter8 MSB Insertion-1 Parameter8 LSB Insertion-1 Parameter9 MSB Insertion-1 Parameter9 LSB Insertion-1 Parameter10 MSB Insertion-1 Parameter10 LSB

Description Refere to Effect Parameter List
MIDI PARAMETER CHANGE TABLE (DRUM VOICE KEY)
Address Size Data Range(HEX) 00 - ee 47 ee 00 - ee ee 00 - ee 00 - ee 00 - 7F 47 ee 00 - 7F 00 - 7F 47 ee 00 - 7F 00 - 7F 00 - 7F 47 ee 0B - 7F 47 ee 0C - 7F 47 ee 0D - 7F 47 ee 0E - 7F 47 ee 0F - 7F 47 ee 00 - - ee Prameter Name Element Assign Wave Type reserved Receive Note Off Assign Mode Alternate Group Wave Number MSB Wave Number LSB Voice Bank Number MSB Voice Bank Number LSB Voice Number Pan Random Pan Depth Alternate Pan Depth Reverb Send Level Chorus Send Level Insertion Effect Switch Output Select Default(HEX) off,on 01 single,multi 00 0:off, 1 - 127 1st bit6-0 bit13-7 0(off),1 - 479(CS6x,CS6R) 2nd bit6-0 bit6-0 0(off),1 - 553(S80) - 0 - 0 - L63 - C - R0 - L64 - 0 - R0 - 0 - thru,ins1,ins0: L&R 8: ind1+- 69: ind1 - ind6 Description off,on wave , vce Notes *1

*1 *1 *1 *1

TOTAL SIZE = 0A 0C 0E 04 1A 1C 1E 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 22 (HEX) Insertion-2 Type MSB Insertion-2 Type LSB Insertion-2 Parameter 1 MSB Insertion-2 Parameter 1 LSB Insertion-2 Parameter 2 MSB Insertion-2 Parameter 2 LSB Insertion-2 Parameter 3 MSB Insertion-2 Parameter 3 LSB Insertion-2 Parameter 4 MSB Insertion-2 Parameter 4 LSB Insertion-2 Parameter 5 MSB Insertion-2 Parameter 5 LSB Insertion-2 Parameter 6 MSB Insertion-2 Parameter 6 LSB Insertion-2 Parameter 7 MSB Insertion-2 Parameter 7 LSB Insertion-2 Parameter 8 MSB Insertion-2 Parameter 8 LSB Insertion-2 Parameter 9 MSB Insertion-2 Parameter 9 LSB Insertion-2 Parameter 10 MSB Insertion-2 Parameter 10 LSB Insertion-2 Parameter 11 MSB Insertion-2 Parameter 11 LSB Insertion-2 Parameter 12 MSB Insertion-2 Parameter 12 LSB Insertion-2 Parameter 13 MSB Insertion-2 Parameter 13 LSB Insertion-2 Parameter 14 MSB Insertion-2 Parameter 14 LSB Insertion-2 Parameter 15 MSB Insertion-2 Parameter 15 LSB Insertion-2 Parameter 16 MSB Insertion-2 Parameter 16 LSB Refer to Effect Parameter List 0000 Depends On Effect Type 47 ee 47 ee 47 ee 47 ee 47 ee 47 ee 47 ee 47 ee 47 ee 47 ee 47 ee 2A ee 2B 1 TOTAL SIZE = 12

12 (HEX)

00 - 7F 00 - 7F - 7F 00 - 7F 00 - 7F - 7F 0C (HEX)
Element Level Level Velocity Sensitivity reserved AEG Attack Time AEG Decay1 Time AEG Decay2 Time reserved reserved reserved AEG Decay1 Level reserved reserved
0 - 127 -64 - +- - - 126,hold

00 7E 00 7F 00 00

48 ee 48 ee 48 ee TOTAL SIZE = 3
10 - 70 Coarse Tune 00 - 7F Fine Tune 00 - 7F Pitch Velocity Sensitivity 03 (HEX)
-48 - +48 -64 - +63 -64 - +63
49 ee ee 49 ee ee ee ee 05 06

TOTAL SIZE = 8

00 reserved 00 - 01 LPF Cutoff Frequency MSB 00 - 7F LPF Cutoff Frequency LSB 00 - 7F LPF Cutoff Velocity Sensitivity 00 - 1F LPF Resonance 40 reserved 00 - 01 HPF Cutoff Frequency MSB 00 - 7F HPF Cutoff Frequency LSB 08 (HEX)

0 - 255 -64 - +- - 255

4A ee 00 4A ee 01 4A ee 02 4A ee 04 4A ee 05

0A 0B 0D 0E 0F 1A

00 - 00 - 1D 00 - 7F 00 - 00 - 1D 00 - 7F 00 - 00 - 1D 00 - 7F 00 - 00 - 1D 00 - 7F 00 - 00 - 1D 00 - 7F 00 - 00 - 1D 00 - 7F

1E (HEX)

Controller Set1 Source Controller Set1 Destination MSB Controller Set1 Destination LSB Controller Set1 Depth reserved Controller Set2 Source Controller Set2 Destination MSB Controller Set2 Destination LSB Controller Set2 Depth reserved Controller Set3 Source Controller Set3 Destination MSB Controller Set3 Destination LSB Controller Set3 Depth reserved Controller Set4 Source Controller Set4 Destination MSB Controller Set4 Destination LSB Controller Set4 Depth reserved Controller Set5 Source Controller Set5 Destination MSB Controller Set5 Destination LSB Controller Set5 Depth reserved Controller Set6 Source Controller Set6 Destination MSB Controller Set6 Destination LSB Controller Set6 Depth reserved
PB, MW, ---, AT, FC, FS, RB, BC, KN1, KN- -64 - +PB, MW, ---, AT, FC, FS, RB, BC, KN1, KN- 00 PB, MW, ---, AT, FC, FS, RB, BC, KN1, KN- 29 -64 - +-64 - +PB, MW, ---, AT, FC, FS, RB, BC, KN1, KN- -64 - +PB, MW, ---, AT, FC, FS, RB, BC, KN1, KN- -64 - +PB, MW, ---, AT, FC, FS, RB, BC, KN1, KN- 29 -64 - +63 40

4A ee TOTAL SIZE = 8

00 - 05 EQ Type 00 - 1F EQ Resonance 00 - 01 EQ 1 Frequency MSB 00 - 7F EQ 1 Frequency LSB 20 - 60 EQ 1 GAIN 00 - 01 EQ 2 Frequency MSB 00 - 7F EQ 2 Frequency LSB 20 - 60 EQ 2 GAIN 08 (HEX)