Modulation Wheel

Even though the Modulation wheel is conventionally used to apply vibrato to the sound, many of the preset Voices have other functions and effects assigned to the wheel. The more you move this wheel up, the greater the effect that is applied to the sound. Try out the Modulation wheel with various preset voices while playing the keyboard.

Maximum

Minimum Modulation Wheel
When playing a Performance, the effect of the Modulation Wheel depends on the setting of the Voice assigned to each Part (made in the Voice mode).
n n To avoid accidentally applying effects to the current Voice, make sure the Modulation Wheel is set to minimum before you start playing. Various functions can be assigned to the Modulation Wheel in the CTL SET display ([VOICE] [EDIT] [COMMON] [F4] CTL SET). These assignment settings can be stored as a User Voice in the Voice Store mode.

Control sliders

Changing the sounds
The Control sliders are a powerful live performance feature, in that they let you change the brightness and tonal characteristics of the current Voice, Performance, or Multi in real time as you play. Moving a slider forward increases the effect while pulling the slider back decreases it. The sliders can be used for different function sets. You can select the particular function set assigned to the sliders by pressing the appropriate Control function button (as shown below).
Function sets assigned to the Control slider
Operation When pressing the [PAN/SEND] button When pressing the [TONE] button When pressing the [ARP FX] button When pressing the [EQ] button
Lamp-on indication [PAN/SEND] button
Functions controlled by each Control slider Control slider 1 Pan (stereo position) Control slider 2 Reverb Send Level Control slider 3 Chorus Send Level Control slider 4 Tempo of the Seqence Play mode/Arpeggio playback Release Time of the sound (decay time after the key is released)* Arpeggio playback time

[TONE] button

Filter Cutoff Frequency (degree of brightness) Amount of swing in the Arpeggio playback Low band of the Master EQ in the Voice/ Performance mode, part EQ in the Multi/ Sequence Play mode
Resonance (the level of the signal in the area of the cutoff frequency) Gate time (length) of the Arpeggio playback Low-mid band of the Master EQ in the Voice/ Performance mode, part EQ in the Multi/ Sequence Play mode

Storing the edited Voice as a User Voice to internal memory

[VOICE] [STORE]

Press the [ENTER] button.
After editing the Voice, press the [STORE] button to enter the Voice Store mode.
The display prompts you for conrmation. Press the [DEC/NO] button to cancel the Store operation.
Make sure to execute the Store operation before selecting another Voice.
Select the destination Voice memory.

EXIT ENTER

Select a User Bank (USR1 or USR2 when storing a Normal Voice, UDR when storing a Drum Voice, P1-U P3-U when storing a Plug-in Voice) and the desired Voice number by using the data dial, [INC/YES] and [DEC/NO] button.

Select a User Bank.

Select a Voice number. n When you execute the Store operation, the settings for the destination memory will be overwritten. Important data should always be backed up to a separate USB storage device.
To execute the Store operation, press the [INC/YES] button.
Set the Type parameter to All Voice.
After the Voice has been stored, a Completed message appears and operation returns to the Voice Play display.
When this is selected, execute the Save operation to save all the created data including the User Voices as a single le (extension: S7A). When this is selected, execute the Save operation to save all User Voices as a single le (extension: S7V). When this is selected, execute the Save operation to save all User Voices as a single le (extension: S7E) which can be exported to the Voice Editor software (page 77).

AllVoice

Voice Editor

Input a file name.

If you select another Voice without storing, the currently edited Voice will be lost. Make sure to store the edited Voice before selecting another Voice.
Move the cursor to the le name eld, then input the desired le name. For detailed instructions on naming a voice, refer to page 27.
Saving the edited Voices to a USB storage device

File name

[FILE] [F2] SAVE
Connect the USB device and follow the instructions below.
n When a USB storage device is connected or media is inserted, an error message USB device unformatted. may appear in the LCD display, indicating that the device must be formatted for use in the File mode (page 168).
If you have created a destination folder, select the folder.
For information on how to select a folder, see the section Supplementary information on page 170. For information on how to create/delete a folder and change the folder name, see the section File mode on page 168.
Press the [FILE] button to enter the File mode. Then press the [F1] CONFIG button and [SF2] CURRENT button.

Pages 41, 59, 151 [COMMON] [F4] CTL ASN (Controller Assign)
The Voice assigned to each part and its note range can be set also in the Performance Play mode (page 152). In addition to the parameters available in the Performance Play mode, the Performance Edit mode also lets you set Portamento (pitch glide) and Arpeggio Switch (which determines whether the Arpeggio plays a specic Part or not).
For each Performance, you can assign the Control Change Number to built-in controllers such as Control sliders (ASSIGN1 and 2) and optionally connected controllers, such as Foot Controller and Breath Controller.
n Functions assigned to Controllers depend on the settings of each Part's Voice edited in the Voice Edit mode.
Basic parameters for creating the sound
Page 154 Part selection [F4] TONE
Pages 124, 151 [COMMON] [F3] ARP (Arpeggio)
Edit the parameters for each Parts Voice such as Pitch, Filter, and Amplitude. The parameters offset the same parameters in the Voice Element Edit mode.
Parameters related to the Audio Input Part
Page 151 [COMMON] [F5] AUDIO IN
For each Performance, you can set the Arpeggio related parameters, such as Arpeggio type and playback tempo. These settings can be edited in the Common Edit display.
The audio signal input from the A/D INPUT jack (or the optional audio inputs) can be handled as an Audio Input part. Various parameters such as volume, pan, and effect can be set to this Part and the sound is output together with other Parts. The parameters related to the Audio Input Part can be edited in Common Edit for each Performance.
Name the edited Performance.
Parameters related to the OUTPUT jacks for each Part
Page 154 Part selection [F2] OUTPUT [SF3] SELECT OutputSel
Enter the desired Performance name.
You can assign each individual Parts Voice to be output from a specic hardware output jack on the rear panel. This function is useful when you want to output a specic Part to a separate speaker or process it with a favorite external effect.
Pages 118, 150, 152 [COMMON] [F6] EFFECT [COMMON] [F2] OUT/MEF [SF3] MEF (Master Effect)
Store the settings as a User Performance.
The edited Performance can be stored in the Performance Store mode. For details, see page 56.
The Effects use DSP (Digital Signal Processing) to alter and enhance the sound of a Performance. The Common Edit display lets you edit the Effect-related parameters.

2 Source (controller)

Determines the desired controller. For details about the abbreviations for each controller, see page 131. The number in brackets indicates the Control Change number generated when moving the controller.

3 Destination (function)

Determines the function assigned to the Source (controller). For the details about the abbreviations and the parameter types, refer to the Control List in the separate Data List booklet.

4 Depth

Determines the amount by which the parameter selected in Destination can be controlled. For negative values, the controller operation is reversed.
TIP Assigning multiple functions to a controller You can have a single controller affect different aspects of the sound at the same time. For example, set the Source parameter of Control Set 1 to MW (Modulation wheel) and the Destination parameter to ELFO-PM (Element LFO Pitch Modulation Depth). Then set the Source parameter of Control Set 2 also to MW, but set the Destination parameter to ELM PAN (Element Pan). In this example, when you move the Modulation Wheel upward, the amount of Pitch Modulation increases accordingly, and the Element is simultaneously panned from left to right.
The Controller Set edited in the Voice Edit mode is available when the corresponding Voice is selected in the Performance and Multi. The functions assigned to the Controller by the Controller Set function are applied only to the internal tone generator block. For connected external MIDI instruments, use of the controllers generates separate MIDI Control Change numbers, as shown in the Source parameter. Even if a different function is assigned to this wheel, the Pitch Bend function is available and Pitch Bend messages are still generated when the wheel is used.
Controlling the overall system with ASSIGN A and B
[UTILITY] [F4] CTL ASN [SF2] ASSIGN (page 165 )
The ASSIGN A and B (Control slider 1 and 2) settings let you control the functions that affect all Voices, Performances, and Multis. You can store the ASSIGN A and B settings as the system settings by pressing the [STORE] button.

By installing an optional mLAN16E interface, you can connect a computer (with an IEEE 1394 interface) to this instrument and have both MIDI and audio data transfer via a single cable.
[UTILITY] [F5] MIDI [SF4] OTHER MIDI IN/OUT = mLAN

mLAN connector

The mLAN connection using an IEEE1394 cable lets you transfer both MIDI data and audio data. For example, you can record your keyboard performance to hard disk of the computer as audio data (page 88).

Using a MIDI cable

MIDI cable
MIDI interface Serial port (modem or printer port) or USB port

Computer

Local On/Offwhen Connected to a Computer
When connecting this synthesizer to a computer, the keyboard performance data is generally sent to the computer, and then returned from the computer to play the tone generator block. If the Local Control in the Utility mode is set to on, a double sound may result, since the tone generator is receiving performance data from both the keyboard directly and the computer. Use the setting suggestions below as a guideline; specic instructions may differ depending on your computer and the software used. When MIDI Echo (MIDI Thru) is set to on the software/computer:
Computer (SQ01, etc.) USB TO HOST S90 ES IN OUT

OUT Keyboard

[UTILITY] [F5] MIDI [SF2] SWITCH LocalCtrl = off n
MIDI Echo (MIDI thru) = on
When transmitting or receiving System Exclusive data (such as with the Bulk Dump function), use the setting example below, making sure that MIDI Echo (MIDI through) on the computer software is set to off.
When MIDI Echo (MIDI Thru) is set to off the software/computer:
Computer (SQ01, etc.) USB TO HOST S90 ES OUT

IN Keyboard

[UTILITY] [F5] MIDI [SF2] SWITCH LocalCtrl = on n
MIDI Echo (MIDI thru) = off
Although not indicated in the illustration above, the S90 ES actually receives and responds to MIDI data from the computer application (sequencer), regardless of the Local Control setting on the S90 ES. * MIDI Echo is a function on sequencers that takes any data received via the MIDI IN and echoes it (or sends it as is) through the MIDI OUT. In some software, this function is also called MIDI Thru. n For details about the MIDI Echo, refer to the owners manual of your particular software.

Data dial, [INC/YES] and [DEC/NO] buttons
When the [DIAL] menu appears at the [SF4] button When the menu does not appear at the [SF4] button n These controls can be used to set the value for the knob of the DAW controller, for the track/part selected by the cursor. The Control sliders can also be used, but these help you make ne adjustments to the value that are difcult to make with the Control sliders. The buttons can be used to move the song position in the DAW.
You can also move the song position by using the cursor [E] [F] buttons.
Assigns the functions of eight sliders and eight knobs on the DAW controller (01X, Mackie Control, and Logic Control) to the four Control sliders on the S90 ES. You can switch between fader and knob control by pressing the [VOLUME] button.
When assigning the functions of faders to the Control sliders (The [VOLUME] button lights.) When assigning the functions of knobs to the Control sliders (The [VOLUME] button turns off.) Controls the volume of each track (part). Pressing the [SF5] button changes which group of faders (faders 1 - 4 or faders 5 - 8 on the DAW controller) is assigned to the Control sliders on the S90 ES. Controls various parameters of each track (part). As with the fader assignment above, pressing the [SF5] button changes which group of knobs is assigned (knobs 1 - 4 or knobs 5 - 8). The eight knobs on the DAW controller can also be used as switches. The switch function corresponding to the knob track (part) at the cursor position is also assigned automatically to the [ENTER] button, since the Control sliders on the S90 ES do not have a switch function.
Control function buttons, [F1] - [F6] buttons, [SF1] - [SF5] buttons
When the Mode is set to General When the Mode is set to Logic When the Mode is set to Cubase, SONAR, or D.Perf
These buttons are assigned to perform the same functions as the panel buttons on the 01X. The corresponding names of the 01X panel buttons are also indicated at the bottom of the display of the S90 ES. These buttons are assigned to perform the same functions as the panel buttons on the Logic Control. The corresponding names of the Logic Control panel buttons are also indicated at the bottom of the display of the S90 ES. These buttons are assigned to perform the same functions as the panel buttons on the Mackie Control. The corresponding names of the Mackie Control panel buttons are also indicated at the bottom of the display of the S90 ES.
Among the functions assigned to the [F1] - [F6] buttons and [SF1] - [SF5] buttons, the functions indicated with brackets (such as [DIAL]) are not related to the Mackie Control, Logic Control and 01X but are unique to the S90 ES.

Cursor [E][F] buttons

By moving the cursor left/right, you can change the track or part to controlled by the data dial and [INC/YES]/[DEC/NO] buttons. Pressing the Cursor [F] button moves through the columns in succession (1, 2, 3, 4.). After 4, the cursor is hidden and wraps around to 1. Press the [SF5] KN 5 - 8 (KN 1 - 4) button to move the cursor up/down.

Cursor [][] buttons

When the Mode is set to General When the Mode is not set to General These buttons are assigned to the functions of the DISPLAY [][] buttons on the 01X. These buttons are assigned to the functions of the cursor [][] buttons on the Mackie Control and Logic Control.

[EXIT] button

When the Mode is set to General When the Mode is not set to General The button is assigned to the function of the [PAGE SHIFT] button on the 01X. Not used.
Bank, Group [A] - [H], Number [1] - [16] buttons
These buttons are assigned to perform the same functions as the buttons directly over the faders on the 01X, Mackie Control and Logic Control.
When the Mode is set to General Numbers [1] - [8] and [TRACK SELECT] buttons These buttons are assigned to the functions of the nine [SEL] buttons on the 01X. Numbers [9] - [16] and [MUTE] buttons These buttons are assigned to the functions of the nine [ON] buttons on the 01X. When the Mode is not set to General [PRE1] - [PLG3] buttons These buttons are assigned to the functions of the eight [REC/RDY] buttons on the Mackie Control and Logic Control. Group [A] - [H] buttons These buttons are assigned to the functions of the eight [SOLO] buttons on the Mackie Control and Logic Control. Numbers [1] - [8] buttons These buttons are assigned to the functions of the eight [MUTE] buttons on the Mackie Control and Logic Control. Numbers [9] - [16] buttons These buttons are assigned to the functions of the eight [SELECT] buttons on the Mackie Control and Logic Control.
Remote Con trol Assignments
Checking the Remote Control assignments
If you're unsure as to which software function has been assigned to a particular panel control on the S90 ES, this convenient feature lets you quickly check it from the display.
In the Remote Control mode, press the [INFORMATION] button to call up the information display, indicating the function of the last pressed button. Press the button for which you want to check the assignment.
SF1 F1 F2 SF2 F3 SF3 F4 SF4 F5 SF5 F6
Functions of 01X assigned to [F1] - [F6] and [SF1] - [SF5] buttons
This display shown above appears when you press the [F] ([PERFORM]) button. In this way, you can check each button's control assignment simply by pressing it.

SEND PAN

NAME/VALUE EFFECT

DIAL RESET

KN1-4/5-8 SHIFT

DYNAMICS

BANK-L

BANK-R

Press the [INFORMATION] button again to return to the Remote Control mode.
While the Information display is shown, the panel buttons cannot be used to control the computer software.

FADER BANKS

FLIP SOLO REC/RDY

NAME/VALUE

MIXER/LAYER

INST AUDIO MIDI

AUX/BUS

EQ LOW SEL CH

EQ HIGH-MID

EQ LOW-MID

EQ HIGH

PAN/SEND TONE

F5 F1 F2

TONE ARP FX

ARP FX EQ

CURSOR-L CURSOR-DWN

CURSOR-R ZOOM

DIAL RESET BANK-L

CURSOR-UP
Button/Controller names on 01X

Functions

In all modes: [DISPLAY UP] [DISPLAY DOWN] [NAME/VALUE] [SHIFT]+[NAME/VALUE] [ON] (in the normal status) [SHIFT] + [ON] of the Master Channel (in the normal status) [SHIFT] + [ON] of each channel (in the normal status) [ON] (with the [SOLO] lamp turned on) [SHIFT] + [ON] (with the [SOLO] lamp turned on) [SOLO] [SHIFT]+[SOLO] [SHIFT]+[REC RDY] [AUDIO] Changes the parameter to be edited. Changes the indication of the parameter name and its value. Changes the meter display mode.
Turns each channel off or on (mutes/unmutes the signal).
Turns all the channels including the Master Channel off or on (mutes/unmutes the signal). Turns all the channels with the exception of the Master Channel off or on (mutes/unmutes the signal). Turns the Solo function of each channel on or off (applies to the Channel Module/Software Synthesizer Module) Turns the Solo function of each channel on or off (applies to the Channel Module/Software Synthesizer Module) Changes the function of the [ON] button to the Solo function. Determines the Solo/Mute settings of the selected tracks in the Track View window. Turns track recording on or off. Starts the Audio Mixer or moves the Audio Mixer Window to the front of the computer screen. This button operation applies to the Channel Module software. Starts the Audio Mixer or moves the Audio Mixer Window to the front of the computer screen. This button operation applies to the Software Synthesizer Module. Starts the MIDI Editor (such as the Multi Part Editor) or moves it to the front of the computer screen.

When changing settings in the OUTPUT display
Keep in mind that the OUTPUT settings of the Chain Step last selected in the Sequence Play mode will be maintained, even when selecting the Multi mode. In other words, depending on the OUTPUT settings called up by the last Chain Step, the sound may be unexpected or incorrect the next time you play the keyboard in the Multi mode. Always check the OUTPUT settings and rest them accordingly when returning to the Multi mode from the Sequence Play mode. TIP MIDI transmit channel mute/solo
n In the Sequence Play mode, you can mute or solo the playback sound of MIDI song data. Playback of the keyboard cannot be mute or soloed.
To mute a MIDI transmit channel
Simultaneously hold down the [MUTE] button and press one of the Number buttons [1] to [16] to solo the corresponding channel. Once youve selected a channel for soloing, the [MUTE] buttons lamp ashes, indicating the Solo function is active. While Solo is active, you can change the soloed channel simply by pressing the corresponding Number button [1] to [16].
2. Press any of the Number [1] - [16] buttons to select
the transmit channel to be muted.
The corresponding transmit channel is set to mute (its lamp goes off) and produces no sound. When pressing the same number button again, the channel mute is canceled (its lamp lights).

Using the Plug-in Boards

Plug-in Boards give you an enormous amount of additional sonic exibility and power. When installed, they work seamlessly and transparently within the system of this synthesizermeaning that you can use their sounds and functions just as if they were built right into this synthesizer at the factory. The boards that are available for and can be installed to this synthesizer are described below. Up to three Plug-in boards can be installed to the S90 ES. These boards are not simply a source of more Voices; they are also full-featured, editable tone generators in their own right and extend the system-level specications such as maximum polyphony. In addition, they allow you to use synthesis systems besides AWM2. You can play Plug-in Voices just like ordinary internal Voices and use them as Parts in a Performance/Multi. This synthesizer is compatible with the Modular Synthesis Plug-in System (see below).
About MODULAR SYNTHESIS PLUG-IN SYSTEM
The Yamaha Modular Synthesis Plug-in System offers powerful expansion and upgrade capabilities for Modular Synthesis-Plug-in-compatible synthesizers, tone generators and sound cards. This enables you to easily and effectively take advantage of sophisticated synthesizer and effects technology, allowing you to keep pace with the rapid and multifaceted advances in modern music production.

Available Plug-in Boards

There are three types of Modular Synthesis Plug-in System-compatible Plug-in Boards: Single Part, Multi-Part and Effect Plug-in Board. Using these, you can build your own system based on the sounds you require.

Single Part Plug-in Boards
Single Part Plug-in Boards let you add a completely different synthesizer or single timbre tone generator (page 115) and play its voices by using a single part of this synthesizer. Some boards allow you to use synthesis systems besides AWM2. Analog Physical Modeling Plug-in Board (PLG150-AN)
Using Analog Physical Modeling (AN) synthesis, the very latest digital technology is used to accurately reproduce the sound of analog synthesizers. With this board installed, you have real-time control over the playback of vintage synthesizer sounds as well as the very latest sounds heard in todays club-oriented music.
Virtual Acoustic Plug-in Board (PLG150-VL)
With Virtual Acoustic (VA) synthesis, the sounds of real instruments are modeled (simulated) in real time, giving a degree of realism that cannot be achieved using conventional PCM-based synthesis techniques. When playing these sounds using an optional MIDI Wind Controller (WX5), you can even capture some of the physical feel of woodwind instruments.
Drum Plug-in Board (PLG150-DR)/Percussion Plug-in Board (PLG150-PC)
Once connected and installed, the PLG150-DR/PLG150-PC becomes a seamless additional sound source of AWM2 for the host tone generator or synthesizerproviding a total of 88 drum/ percussion voices. Thanks to the built-in effect processing power, the PLG150-DR/PLG150-PC has two separate effect blocks Insertion and Reverbthat can be applied to each kit.
Piano Plug-in Board (PLG150-PF/PLG150-AP)
These boards have the AWM2 tone generators mounted a massive waveform memory (16MB), which is dedicated to the reproduction of piano sounds. The PLG150-PF offers 136 stereo sounds, including a number of acoustic and electric pianos. The PLG150AP offers 32 stereo sounds, including a wide variety of exceptionally high-quality, authentic acoustic piano sounds, as well as an assortment of unusual effect-processed piano sounds. Each board enables you to expand the polyphony of the instrument by up to 64 notes. You can even install two of these boards to double the polyphony to 128 notes.

Settings: 0% ~ 100%

VelocityRate
Determines how much the Velocity of the Arpeggio playback is offset from the original value. For example, a setting of 100% means the original values are used. Settings below 100% will reduce the velocity of the Arpeggio notes, whereas settings above 100% will increase the velocities.
Settings: 0% ~ 200% n The Velocity cannot be decreased or increased beyond its normal range of 1 to 127; any values outside that range will automatically be limited to the minimum or maximum.

GateTimeRate

Determines how much the Gate Time (length) of the Arpeggio notes is offset from the original value. A setting of 100% means the original values are used. Settings below 100% will shorten the gate times of the Arpeggio notes, whereas settings above 100% will lengthen them.
Settings: 0% ~ 200% n The Gate Time cannot be decreased beyond its normal minimum of 1; any values outside that range will automatically be limited to the minimum.
[F4] CTL SET (Controller Set) [SF1] SET1/2 - [SF3] SET5/6
ElementSw Since up to six Controller Sets can be assigned to each Voice, three pages (Sets 1/2, Sets 3/4 and Sets 5/6) are provided. For more information on Controller Sets, see page 60. Determines whether or not the selected controller affects each individual Element.
Settings: Elements 1 to 4 enabled (1 to 4) or disabled (-) n This parameter is disabled when the Dest (Destination) described below is set to a parameter unrelated to the Voice Elements.

Source

Determines which panel controller is to be assigned and used for the selected Set. This controller then is used to control the parameter set in Destination below.
Settings: PB (Pitch Bend Wheel), MW (Modulation Wheel), AT (After Touch), FC1 (Foot Controller 1), FS (Footswitch), RB (Ribbon Controller), BC (Breath Controller), AS1 (Control slider ASSIGN 1), AS2 (Control slider ASSIGN 2), FC2 (Foot Controller2) n Keep in mind that unlike the other controllers, the ASSIGN A and B Control slider can each be assigned to one common function for the entire system of this synthesizer, and not to different functions for each individual voice. Also refer to the Utility mode (page 165).

Dest (Destination)

Determines the parameter that is controlled by the Source controller (above).
Settings: For a complete list of the available parameters/controls, refer to the separate Data List booklet.
Determines the degree to which the Source controller affects the Destination parameter. For negative values, the controller operation is reversed; maximum controller settings produce minimum parameter changes.

Settings: -64 ~ 0 ~+63

[F5] LFO (Low Frequency Oscillator)
From these displays, you can make a variety of LFO related settings. As its name suggests, the LFO creates waveforms of a low frequency. These waveforms can be used to vary the pitch, lter or amplitude to create effects such as vibrato, wah and tremolo.

This function lets you store your edited Multi Voice to User memory. For details, refer to page 50 in the Quick Guide section.

[F1] CHAIN

Determines how the SMF les are played back. You can assign the desired SMF les and Multi settings to the desired Chain Step numbers (the playback order). For details, see page 96.
[MULTI/SEQ PLAY] (select Sequence Play mode)
[SF4] GET [SF5] DEMO [F2] OUTPUT
Determines the desired slot number, partition, and directory (folder). Plays the demo songs for S90 ES. For details, see page 29.
These settings apply to each Chain Step number and let you specify the port number and whether or not MIDI messages are output to the internal/external tone generator.
n n The OUTPUT settings selected at the last Chain Step are applied to the Multi mode. You can change the settings of all channels simultaneously by changing the parameter while holding the [SF1] ALL button. Also, you can change the settings of channels 1 - 8 or channels 9 - 16 simultaneously by changing the parameter while holding the [SF2] 1-8 button or [SF3] 9-16 button.
Determines the MIDI transmission port for the corresponding track. Playback data of tracks set to off is output without a Port designation via MIDI. When using the internal tone generator block, the Port setting here is available for the tracks assigned to the Plug-in Parts 1-3 (when a single Plug-in Board has been installed) and Multi Plug-in Parts 17-32 (when the PLG100-XG has been installed). Tracks using the internal tone generator parts of this synthesizer are automatically xed to Port 1.
Settings: off, 1-3 n Port data can be output only through the USB terminal. No Port data is transmitted through the MIDI OUT terminal, even if the corresponding track is set to a specic Port number.
Determines whether or not the MIDI messages of each channel are sent to the internal tone generator.
Determines whether the MIDI messages of each channel are sent to the external device.

[F4] TEMPO

Determines the SMF le playback tempo. Simultaneously hold down the [F4] TEMPO button and use the Data dial or [INC/YES]/[DEC/NO] buttons to change the value.

[F5] MEAS

Moves the current measure number. Simultaneously hold down the [F5] MEAS button and use the Data dial or [INC/YES]/[DEC/NO] buttons to change the value.
The Utility mode features a variety of important settings related to overall operation of the S90 ES. These settings can also be stored simply press the [STORE] button from any mode (with the exception of the Utility Job mode), and store the data to internal memory as system settings.

[UTILITY]

In this mode, you can set parameters that apply to the entire system of the S90 ES. This mode is actually a sub-mode of the Voice/Performance/Multi/Sequence Play mode. Press the [UTILITY] button in each mode to enter the Utility mode and press the [EXIT] button after making settings to go back to the previous mode.

ZoneTCH (Zone Transmit Channel)
Indicates the MIDI transmit channel of each zone (when the Zone Switch is set to on).

Remote Control mode

AutoLoad Dir (Auto Load Directory)
Indicates the slot number and volume label of USB storage devices directory used in the Auto Load function, and indicates the path to the directory. See page 83 for details.

USB Free

Indicates the amount of currently available (unused) memory of the connected USB storage device.

Slot, Volume Label

Indicates the slot number and volume label of USB storage devices directory used in the File mode.

Display Messages

LCD Indication
Are you sure? [YES]/[NO] Arpeggio type stored. Bad USB device. Bulk protected. Cant make folder. Completed. Device number is off. Device number mismatch. Effect plug-in is not in slot 1. Executing. File already exists. File not found. Folder is too deep. Folder not empty. Illegal USB device. Illegal le. Illegal le name. Incompatible USB device MIDI buffer full. MIDI checksum error. MIDI data error. Multi plug-in is not in slot 3. No response from USB device. Not empty folder. Now checking plug-in board. Now loading. (xxxx) Now saving. (xxxx) Now scanning autoloaded les. Now working. Overwrite? [YES]/[NO] Please keep power on.
Conrms whether you want to execute a specied operation or not. The current Arpeggio type has been stored to one of the [SF1] - [SF5] buttons. The USB storage device is unusable. Format the device and try again. Bulk data was received when RcvBulk was set to protect. (See page 166.) No more directories can be created below the current level. The specied load, save, format, or other job has been completed. Bulk data cannot be transmitted/received because the device number is set to off. Bulk data cannot be transmitted/received because the device numbers dont match The Effect Plug-in board does not work because it has not been installed to slot 1. A format operation or job is being executed. Please wait. A le having the same name as the one you are about to save already exists. Cant nd the specied type of le. Directories below this level cannot be accessed. You have attempted to delete a folder that contains data. USB storage device has been incorrectly formatted. The le specied for loading is unusable by the S90 ES or cannot be loaded in the current mode. The specied le name is unacceptable. A USB device which cannot be used with the S90 ES has been connected to the USB TO DEVICE connector. Failed to process the MIDI data because too much data was received at once. Error occurred when receiving bulk data. Error occurred when receiving MIDI data. The Multi-Part Plug-in board does not work because it has not been installed to slot 3. There is no response from the USB device connected to the USB TO DEVICE terminal. You have attempted to delete a folder that contains data. The S90 ES is checking the Plug-in board installation status during power-on. Indicates that a le is being loaded. Indicates that a le is being saved. Scanning for the les specied for Auto Load. Executing the memory arrangement after canceling the Load/Save operation by pressing the [EXIT] button. A save operation will overwrite data on the USB storage device, and this message conrms whether it is OK to continue or not. Press [INC/YES] or [DEC/NO] as required. The data is being written to internal memory. Never attempt to turn off the power while data is being written to internal memory. Turning the power off while this message is shown results in loss of all user data and may cause the system to freeze. This may also result in the S90 ES being unable to properly start up the next time the power is turned on. The operation youve attempted to execute cannot be done during sequencer playback. The Plug-in All Bulk Save function does not apply to the PLG100 series boards. The Plug-in board that has been installed to slot 1 does not work. The User Voice created by using the Plug-in board previously installed to slot 1 (but now removed from slot 1) has been selected. The Plug-in board that has been installed to slot 2 does not work. The User Voice created by using the Plug-in board previously installed to slot 2 (but now removed from slot 2) has been selected. The Plug-in board that has been installed to slot 3 does not work. The User Voice created by using the Plug-in board previously installed to slot 3 (but now removed from slot 3) has been selected. The setting of the program number automatically selected when turning the power on has been stored. You have attempted to delete, rename, or overwrite a read-only le. The S90 ES is receiving MIDI bulk data. Writing data to internal Memory has failed The performance you have loaded includes User voice data. Check whether the voice you saved exists at the appropriate User voice bank. Youve attempted to assign more than 257 voices to the Favorite category. The S90 ES is transmitting MIDI bulk data. File format is not recognized.

USR1 (MSB=63, LSB=8)

Number A01 A02 A03 A04 A05 A06 A07 A08 A09 A10 A11 A12 A13 A14 A15 A16 B01 B02 B03 B04 B05 B06 B07 B08 B09 B10 B11 B12 B13 B14 B15 B16 C01 C02 C03 C04 C05 C06 C07 C08 C09 C10 C11 C12 C13 C14 C15 C16 D01 D02 D03 D04 D05 D06 D07 D08 D09 D10 D11 D12 D13 D14 D15 D16 Voice Name Unplugged FolkGuitar Strum12Str Thin Pick ThickStrum LazyChorus Latin Jam Slippery Nylon Arp WackaWacka Touch Funk Funk Star Clean Funk Riff Rock Dist. Lick VintageAmp RockBackin Wah Lead OverTopArp 1stJazzBas GroovinArp FunkFinger Basman12/8 Slapper No Frettin PickedBass Buzzy Pick MellowBass FingerComp Salsalicio Montuno Mutey Arp 1FingerRck ClubBackin VintageArp Arp Clavi House Org Bali Bells Bell Shop StringPart The Sneak Pizz Arp Harp Arp HeavenSent Quiet Orch Funk Bros Fall Arp Velo Flute OrcDrummer BaglamaArp Karbala 1 Karbala 2 Ney Arp Sunny Afro Ethnology Funk Delhi FX Jam Rap Top MouthShots R&B Solo Kick Off Embassy Mocha Category Gt Gt Gt Gt Gt Gt Gt Gt Gt Gt Gt Gt Gt Gt Gt Gt Gt Gt Gt Ba Ba Ba Ba Ba Ba Ba Ba Ba Ba Ap Ap Ap Ap Ap Kb Kb Or Cp Cp St St St St Co Br Br Br Rp Dr Gt Gt Gt Rp Co Co Co Gt Se Co Se Ld Co Co Co Sub Category A.GTR A.GTR A.GTR A.GTR A.GTR A.GTR A.GTR A.GTR A.GTR E.GTR A.GTR E.GTR E.GTR E.GTR E.GTR E.GTR E.GTR E.GTR E.GTR A.BASS A.BASS E.BASS E.BASS E.BASS E.BASS E.BASS E.BASS E.BASS E.BASS A PIANO A PIANO A PIANO A PIANO A PIANO E.PIANO CLAVI ELEC. BELL BELL ENSEM. ENSEM. ENSEM. SOLO SEQ SECTION SECTION SECTION PIPE DRUMS PLUCK PLUCK PLUCK PIPE SEQ SEQ SEQ PLUCK SYNTH SEQ SYNTH HARD SEQ SEQ SEQ

USR 2 (MSB=63, LSB=9)

Number E01 E02 E03 E04 E05 E06 E07 E08 E09 E10 E11 E12 E13 E14 E15 E16 F01 F02 F03 F04 F05 F06 F07 F08 F09 F10 F11 F12 F13 F14 F15 F16 G01 G02 G03 G04 G05 G06 G07 G08 G09 G10 G11 G12 G13 G14 G15 G16 H01 H02 H03 H04 H05 H06 H07 H08 H09 H10 H11 H12 H13 H14 H15 H16 Voice Name Safari Punchy Saw Mr. Groovy StarDrop SyncArp 1 Madhouse CompingPd 80's Ens Tribal SyncArp 2 Orongo Chinese Neptune Magician Basic Arp Soundwork For Bertje ANbasicARP Particle FuzzMorf LighTek Creme Cafe Tangerine Chocolate Sushima Metaloop Technokrat Hi 2 Lo MW Engineer Ghana Rain SeqPad Creamy Waterproof RingBell SpectrmArp The Hunter Himalaya Bass'n Pad Multi Mod Surprise Quo Vadis Metal Arp DreaminOfU TransmittR Zynitas Pistachio X-Wave Cherry Elec Drum SimpleSize Straighter BollogPuls Strawberry Neon Soda Magnetics Elc.Music ChillOut In My Head Racer Jitter Sand ES V.S.E.Seq Dawn LuxAeterna Category Co Co Co Co Co Co Co Co Dr Co Co Co Co Co Co Co Co Co Co Co Co Co Co Co Co Co Co Co Co Co Co Co Me Co Me Co Co Co Co Co Co Co Co Co Co Co Co Co Co Co Co Co Co Co Me Co Co Se Se Co Me Co Co Me Sub Category SEQ SEQ SEQ SEQ SEQ SEQ SEQ SEQ PERC. SEQ SEQ SEQ SEQ SEQ SEQ SEQ SEQ SEQ SEQ SEQ SEQ SEQ SEQ SEQ SEQ SEQ SEQ SEQ SEQ SEQ SEQ SEQ MOTION SEQ MOTION SEQ SEQ SEQ SEQ SEQ SEQ SEQ SEQ SEQ SEQ SEQ SEQ SEQ SEQ SEQ SEQ SEQ SEQ SEQ MOTION SEQ SEQ SYNTH SYNTH SEQ MOTION SEQ SEQ MOTION Number A01 A02 A03 A04 A05 A06 A07 A08 A09 A10 A11 A12 A13 A14 A15 A16 B01 B02 B03 B04 B05 B06 B07 B08 B09 B10 B11 B12 B13 B14 B15 B16 C01 C02 C03 C04 C05 C06 C07 C08 C09 C10 C11 C12 C13 C14 C15 C16 D01 D02 D03 D04 D05 D06 D07 D08 D09 D10 D11 D12 D13 D14 D15 D16 Voice Name Natural S ChorusDyno SuperClavi St. Paul Slippery 1stJazzBas Violin 2 SoftJazzTp BaglamaArp Salsalicio SoprnoSoft Mini Three ChurchOohs Cwmcarn Lazerzz Mocha Elegant S R&B Soft Nu Phasing Sunday Nylon+Harm GroovinArp SoloSpicat Trombone1 Santur 1FingerRck Alto Vib VintageSaw Talk Box Hellre Racer 80's Ens Bright S Vintage'74 TouchClavi Reedy Pipe Thin Pick FunkFinger SmallSect1 FrHornSect Karbala 1 The Sneak Tenor Soft ThinkSync Paradies Alioth The Gate Engineer Full Grand Sweetness Twinkle Amped JazzGtMelo Slapper MediumEns Symphony Baglama HeavenSent Hip Bari PulseWound Analog Glacy Insanity Bass'n Pad Category Ap Kb Kb Or Gt Ba St Br Gt Ap Rp Ld Pd Me Se Co Ap Kb Kb Or Gt Ba St Br Gt Ap Rp Ld Pd Me Se Co Ap Kb Kb Or Gt Ba St Br Gt St Rp Ld Pd Me Se Co Ap Kb Cp Or Gt Ba St Br Gt Co Rp Ld Pd Me Se Co Sub Category A PIANO E.PIANO CLAVI PIPE A.GTR A.BASS SOLO SOLO PLUCK A PIANO SAX/RD HARD CHOIR MOTION SYNTH SEQ A PIANO E.PIANO CLAVI PIPE A.GTR A.BASS SOLO SOLO PLUCK A PIANO SAX/RD HARD CHOIR MOTION SYNTH SEQ A PIANO E.PIANO CLAVI PIPE A.GTR E.BASS ENSEM. SECTION PLUCK ENSEM. SAX/RD HARD BRIGHT MOTION SYNTH SEQ A PIANO E.PIANO BELL ELEC. E.GTR E.BASS ENSEM. SECTION PLUCK SEQ SAX/RD HARD SOFT MOTION SYNTH SEQ Number E01 E02 E03 E04 E05 E06 E07 E08 E09 E10 E11 E12 E13 E14 E15 E16 F01 F02 F03 F04 F05 F06 F07 F08 F09 F10 F11 F12 F13 F14 F15 F16 G01 G02 G03 G04 G05 G06 G07 G08 G09 G10 G11 G12 G13 G14 G15 G16 H01 H02 H03 H04 H05 H06 H07 H08 H09 H10 H11 H12 H13 H14 H15 H16 Voice Name Tacky E.PianoPad Stack Bell Vintage C WackaWacka Fat Sine BigSymphny PowerSect Karbala 2 Quiet Orch SweetFlute Rap Lead 1 Fat Eight CosmicRain NevrRepeat SimpleSize 1968 Bell DX NoizRezz Cool Cat 2CoilAmp1 SimpleReso BeautyHarp VeloFalls Kanun Funk Bros Sweet Oboe Soft RnB Fazer Pad Mckinley StoneArp BollogPuls 80s Layer Analog EP GX1 DistFull Dist. Lick Boogie 1 PizzSect Big Band 2 Ney Arp Velo Flute BassoonVib Inda Night Silverlake Glass Tube In My Head Elec Drum Piano&Str WurliAmped PluckBells Compact OverTheTop KickBass VP Soft Hybrid Shukran OrcDrummer IrishPipe R&B Solo Whisperer Magnetics Sand ES Dawn Category Ap Kb Cp Or Gt Ba St Br Gt Br Rp Ld Pd Me Se Co Ap Kb Sc Or Gt Ba Gt Br Gt Br Rp Ld Pd Me Se Co Ap Kb Sc Or Gt Ba St Br Rp Rp Rp Ld Pd Me Se Co Ap Kb Sc Or Gt Ba St Br Co Dr Rp Ld Pd Me Me Co Sub Category A PIANO OTHER BELL ELEC. E.GTR SYNTH ENSEM. SECTION PLUCK SECTION PIPE SOFT BRIGHT MOTION SYNTH SEQ A PIANO E.PIANO HARD ELEC. E.GTR SYNTH PLUCK SECTION PLUCK SECTION SAX/RD SOFT BRIGHT MOTION SYNTH SEQ OTHER E.PIANO HARD ELEC. E.GTR SYNTH ENSEM. SECTION PIPE PIPE SAX/RD SOFT SOFT MOTION SYNTH SEQ OTHER E.PIANO HARD ELEC. E.GTR SYNTH SYNTH SECTION SPLIT DRUMS PIPE HARD BRIGHT MOTION MOTION SEQ

GM (MSB=0, LSB=0)

Number A01 A02 A03 A04 A05 A06 A07 A08 A09 A10 A11 A12 A13 A14 A15 A16 B01 B02 B03 B04 B05 B06 B07 B08 B09 B10 B11 B12 B13 B14 B15 B16 C01 C02 C03 C04 C05 C06 C07 C08 C09 C10 C11 C12 C13 C14 C15 C16 D01 D02 D03 D04 D05 D06 D07 D08 D09 D10 D11 D12 D13 D14 D15 D16 Voice Name ConcertGnd Rock Brite CP 2001 Honkytonk E.Piano 1 E.Piano 2 Harpsicord Brite Clav Celeste Glocken Music Box Vibes Marimba Xylophone TubulrBel Dulcimar Draw Organ Perc Organ Rock Organ ChurchOrgn Reed Organ Accordion Harmonica TangoAccrd Velo Nylon Steel ModernJazz Clean Gt Mute Overdrive Distortion Harmonics Acoustic FingerBass PickBass Fretless SimpleSlap FingSlp SW SynthBass1 SynthBass2 Violin 3 Viola 3 Cello 3 Contrabas2 TremoloStr Pizz Harp Tmpni+Cym StereoSt1 StereoSt2 Grand Saw SynString Aah Choir Ooh Choir Syn Voice Orch.Hit Trumpet Trombone2 Tuba MuteTrpt F.Horns Brass Sect SynthBrass SoftBrs GM Category Ap Ap Ap Ap Kb Kb Kb Kb Cp Cp Cp Cp Cp Cp Cp Cp Or Or Or Or Or Kb Rp Kb Gt Gt Gt Gt Gt Gt Gt Gt Ba Ba Ba Ba Ba Ba Ba Ba St St St St St St Gt Cp St St St St Pd Pd Pd Me Br Br Br Br Br Br Br Br Sub Category A PIANO A PIANO E GRAND A PIANO E.PIANO E.PIANO OTHER CLAVI MALLET MALLET PERC. MALLET MALLET MALLET BELL PERC. ELEC. ELEC. ELEC. PIPE OTHER OTHER OTHER OTHER A.GTR A.GTR E.GTR E.GTR E.GTR E.GTR E.GTR E.GTR A.BASS E.BASS E.BASS E.BASS E.BASS E.BASS SYNTH SYNTH SOLO SOLO SOLO SOLO ENSEM. ENSEM. PLUCK PERC. ENSEM. ENSEM. SYNTH SYNTH CHOIR CHOIR CHOIR HIT SOLO SOLO SOLO SOLO SECTION SECTION SYNTH SYNTH Number E01 E02 E03 E04 E05 E06 E07 E08 E09 E10 E11 E12 E13 E14 E15 E16 F01 F02 F03 F04 F05 F06 F07 F08 F09 F10 F11 F12 F13 F14 F15 F16 G01 G02 G03 G04 G05 G06 G07 G08 G09 G10 G11 G12 G13 G14 G15 G16 H01 H02 H03 H04 H05 H06 H07 H08 H09 H10 H11 H12 H13 H14 H15 H16 Voice Name Soprano2 Alto Sax TenorSax2 Bari Sax Oboe Eng.Horn Bassoon Clarinet 2 Piccolo Flute Recorder Panute Bottle Shakuhachi Whistle Ocarina Square Ld Saw Ld Caliop Ld Chiff Ld Charan Ld Voice Ld Fifth Ld Bass&Ld New Age Warm Pad Poly Synth Choir Pad BowedPad Metal Pad Halo Pad Sweep Pad Rain Pad SoundTrack Crystal Atmosphere Brightness Goblin Echoes Sci-Fi Sitar Banjo Shamisen Koto Kalimba Bagpipe Fiddle Shehnai 2 Tinkerbel Agogo Steeldrum Woodblock Taikodrum MelodicTom Synth Drum Rev Cymbal Fret Noise BreathNoiz Seashore Tweet Telephone Helicopter Applause Gunshot Category Rp Rp Rp Rp Rp Rp Rp Rp Rp Rp Rp Rp Rp Rp Rp Rp Ld Ld Ld Ld Ld Ld Ld Ld Pd Pd Pd Pd Pd Pd Pd Pd Me Pd Cp Pd Sc Me Me Pd Gt Gt Gt Gt Cp Rp St Rp Cp Dr Cp Dr Dr Dr Dr Se Se Se Se Se Se Se Se Se Sub Category SAX/RD SAX/RD SAX/RD SAX/RD SAX/RD SAX/RD SAX/RD SAX/RD PIPE PIPE PIPE PIPE PIPE PIPE PIPE PIPE HARD HARD SOFT HARD HARD SOFT HARD HARD BRIGHT SOFT BRIGHT CHOIR SOFT BRIGHT BRIGHT BRIGHT MOTION BRIGHT BELL SOFT HARD MOTION MOTION BRIGHT PLUCK PLUCK PLUCK PLUCK PERC. SAX/RD SOLO SAX/RD BELL PERC. MALLET PERC. PERC. DRUMS DRUMS SYNTH NATUR. NATUR. NATUR. NATUR. NATUR. NATUR. NATUR. NATUR.

PRE 12 Hip Hop5

Note C0 C#0 D0 D#0 E0 F0 F#0 G0 G#0 A0 A#0 B0 C1 C#1 D1 D#1 E1 F1 F#1 G1 G#1 A1 A#1 B1 C2 C#2 D2 D#2 E2 F2 F#2 G2 G#2 A2 A#2 B2 C3 C#3 D3 D#3 E3 F3 F#3 G3 G#3 A3 A#3 B3 C4 C#4 D4 D#4 E4 F4 F#4 G4 G#4 A4 A#4 B4 C5 C#5 D5 D#5 E5 F5 F#5 G5 G#5 A5 A#5 B5 C6 Wave No. 1077 Wave Name Dr SdHpStk1 Se HiQ1 Se TurnTable Me Hit Uhh Se ScratchStp Dr SdLvRolL Pc ClaveT8 Dr SdCut Dr SnRkStk1R Dr BdT9-2 Dr SdHipRm1 Dr BdT8-1 Dr BdBrkDp Dr SdClRim3 Dr SdHipRm2 Pc HandClapR Dr SdR&B1 Pc CongaT8 Dr HHClT8-1 Pc CongaT8 Dr HHClT8-2 Pc CongaT8 Dr HHOpT8-2 Pc CongaT8 Pc CongaT8 Dr Crash2 Pc CongaT8 Dr RideR Dr CrashT8 Dr RideT9 Pc TambrnRX5 Dr SplashR Pc MamboBdy Dr CrashT9 Pc Vibraslap Dr RideT9 Pc Bongo H1 Pc Bongo L Pc CongaTip Pc Conga Opn Pc TumbaOpen Pc TmbaleH1-3 Pc TmbaleL1-3 Pc AgogoHi Pc AgogoLo Pc Cabasa1-2 Pc MaracasSlr Pc Whistle Pc Whistle Pc GuiroShort Pc GuiroLong Pc Clave Pc WoodBlock Pc WoodBlock Pc CuicaHi Pc CuicaLo Pc TriangleMt Pc TriangleOp Pc Shaker 1 Pc SleighBel Pc BellTree Dr SdClRmR Dr SdAnSmRim Pc HandClapSt Dr SdHip3 Se ScratchSdR Se ScratchHip Se ScratchBdR Se ScratchVoR Se ScratchHp2 Se ScratchCb2 Se ScratchCb4 Dr BdHipDp

PRE 13 Hip Hop6

Note C0 C#0 D0 D#0 E0 F0 F#0 G0 G#0 A0 A#0 B0 C1 C#1 D1 D#1 E1 F1 F#1 G1 G#1 A1 A#1 B1 C2 C#2 D2 D#2 E2 F2 F#2 G2 G#2 A2 A#2 B2 C3 C#3 D3 D#3 E3 F3 F#3 G3 G#3 A3 A#3 B3 C4 C#4 D4 D#4 E4 F4 F#4 G4 G#4 A4 A#4 B4 C5 C#5 D5 D#5 E5 F5 F#5 G5 G#5 A5 A#5 B5 C6 Wave No. 1071 Wave Name Dr SdHpStk1 Se Zap2 Se TurnTable Se Ripper Se ScratchHp2 Dr SdLvRolL Pc ClaveT8 Dr SdBreak2 Dr SdRkStk2L Dr BdRoom1 Dr SdHip3 Dr BdT9-3 Dr BdR&B1 Dr SdRkStk2L Dr SdHip1 Pc HandClapR Dr SdHip2 Pc CongaT8 Dr HHClHip Pc CongaT8 Dr HHPdlHip Pc CongaT8 Dr HHOpHip Pc CongaT8 Pc CongaT8 Dr Crash2 Pc CongaT8 Dr RideR Dr CrashT8 Dr RideT9 Pc TambrnRX5 Dr SplashR Pc MamboBdy Dr CrashT9 Pc Vibraslap Dr RideT9 Pc Bongo H1 Pc Bongo L Pc CongaTip Pc Conga Opn Pc TumbaOpen Pc TmbaleH1-3 Pc TmbaleL1-3 Pc AgogoHi Pc AgogoLo Pc Cabasa1-2 Pc MaracasSlr Pc Whistle Pc Whistle Pc GuiroShort Pc GuiroLong Pc Clave Pc WoodBlock Pc WoodBlock Pc CuicaHi Pc CuicaLo Pc TriangleMt Pc TriangleOp Pc Shaker 1 Pc SleighBel Pc BellTree Dr SdClRim3 Dr SdAnSm Pc HandClapSt Dr SdR&B2 Se Scratch H Se Scratch L Se ScratchDwn Se ScratchHiF Se ScratchHiR Se ScratchLoF Se ScratchLoR Dr BdJngl2

PRE 14 HipStick1

Note C0 C#0 D0 D#0 E0 F0 F#0 G0 G#0 A0 A#0 B0 C1 C#1 D1 D#1 E1 F1 F#1 G1 G#1 A1 A#1 B1 C2 C#2 D2 D#2 E2 F2 F#2 G2 G#2 A2 A#2 B2 C3 C#3 D3 D#3 E3 F3 F#3 G3 G#3 A3 A#3 B3 C4 C#4 D4 D#4 E4 F4 F#4 G4 G#4 A4 A#4 B4 C5 C#5 D5 D#5 E5 F5 F#5 G5 G#5 A5 A#5 B5 C6 Wave No. 1071 Wave Name Dr SdHipRm4 Se HiQ1 Se TurnTable Me HitOrch1 Se ScratchBdR Dr SdLvRolR Pc AnaClick Dr SdHipRm3 Dr SdAnCRRim Dr BdHipDp Dr SdAnSmRim Dr BdT8-3 Dr BdT8-2 Dr SdT8Rim Dr SdHpStk1 Pc HandClapR Dr SdHpStk2 Dr TomT8 Dr HHClT8-1 Dr TomT8 Dr HHOpT8-1 Dr TomT8 Dr HHOpT8-1 Dr TomT8 Dr TomT8 Dr Crash2 Dr TomT8 Dr RideR Dr CrashT8 Dr RideT9 Pc TambrnRX5 Dr SplashR Pc MamboBdy Dr CrashT9 Pc Vibraslap Dr RideT9 Pc Bongo H1 Pc Bongo L Pc CongaTip Pc Conga Opn Pc TumbaOpen Pc TmbaleH1-3 Pc TmbaleL1-3 Pc AgogoHi Pc AgogoLo Pc Cabasa1-2 Pc MaracasSlr Pc Whistle Pc Whistle Pc GuiroShort Pc GuiroLong Pc Clave Pc WoodBlock Pc WoodBlock Pc CuicaHi Pc CuicaLo Pc TriangleMt Pc TriangleOp Pc Shaker 1 Pc SleighBel Pc BellTree Dr SdAnSm Dr SdClRim3 Pc AnaClick Dr SdClRim2 Se Scratch H Se Scratch L Se ScratchDwn Se ScratchHiR Se ScratchBdF Se ScratchCmb Se ScratchVoR Dr BdJngl2

PRE 40 Garage

Note C0 C#0 D0 D#0 E0 F0 F#0 G0 G#0 A0 A#0 B0 C1 C#1 D1 D#1 E1 F1 F#1 G1 G#1 A1 A#1 B1 C2 C#2 D2 D#2 E2 F2 F#2 G2 G#2 A2 A#2 B2 C3 C#3 D3 D#3 E3 F3 F#3 G3 G#3 A3 A#3 B3 C4 C#4 D4 D#4 E4 F4 F#4 G4 G#4 A4 A#4 B4 C5 C#5 D5 D#5 E5 F5 F#5 G5 G#5 A5 A#5 B5 C6 Wave No. 652 Wave Name Dr BdHardLong Dr BdT9-1 Dr BdSlimy Dr BdAnHard Dr BdDist4 Dr BdElComp3 Dr BdHipDp Dr BdFxHmr Dr BdT9-3 Dr BdT8-3 Dr BdSus Dr BdR&B2 Dr BdT9Hd1 Dr BdSlimy Dr SdT8-1 Dr SdT8Rim Dr SdClappy Dr SdBl3St Dr HHOpn2 St Dr HHClT8-2 Dr HHOpn2 St Dr HHOpT8-2 Dr HHOpn2 St Dr HHOpT8-2 Pc ClapAnSm Dr CrashSt Dr CrashT9 Dr RideCym St Dr RideT9 Pc AnaClick Pc ClaveT8 Pc ClapAnSm Pc ClapT9 Pc AnaShaker Pc CongaT8 Pc CongaT8 Dr SdAnCR Dr SdRkRolSt Pc AgogoHi Dr ChinaRL Se HiQ2 Se HiQ1 Se Zap2 Se Zap1 Se Zap2 Se DoorSqk Se ScratchCb3 Se Ag FX27 St Gt PlayFx Mix Se ScratchHiF Ep Wurli+ Ep Wurli+ Ep Wurli+ Me ResoXFade Me Sonar1 Me VoxDrum Me VoxDrum Me VoxDrum Dr HHOpSyn Dr HHClSyn Wv TriWv Wv TriWv Wv TriWv Wv TriWv Wv TriWv Wv TriWv Wv TriWv Wv TriWv Wv TriWv Wv TriWv Wv TriWv Wv TriWv Wv TriWv

PRE 41 All Round

Note C0 C#0 D0 D#0 E0 F0 F#0 G0 G#0 A0 A#0 B0 C1 C#1 D1 D#1 E1 F1 F#1 G1 G#1 A1 A#1 B1 C2 C#2 D2 D#2 E2 F2 F#2 G2 G#2 A2 A#2 B2 C3 C#3 D3 D#3 E3 F3 F#3 G3 G#3 A3 A#3 B3 C4 C#4 D4 D#4 E4 F4 F#4 G4 G#4 A4 A#4 B4 C5 C#5 D5 D#5 E5 F5 F#5 G5 G#5 A5 A#5 B5 C6 Wave No. 850 Wave Name Dr BdHardLong Dr BdTekPower Dr BdDist5 Dr BdDist3 Dr BdDist1 Dr BdD&B1 Dr BdBlip Dr BdAnSm Dr BdT8-2 Dr BdT8-1 Dr BdT9Hd3 Dr BdT9-2 Dr BdT9-3 Dr BdSus Dr SdT9-1 Dr SdT9Rim Dr SdT9-4 Dr TomT9Lo Dr HHClT9 Dr TomT9Lo Dr HHOpT9 Dr TomT9Lo Dr HHOpT9 Pc ClapT9 Pc ClapAnSm Dr CrashT9 Pc CongaT8 Dr RideT9 Pc CongaT8 Pc AnaClick Pc ClaveT8 Pc MarcsT8 Pc TambrnAnCR Pc AnaShaker Pc CowBelT8 Pc CowBelAnCR Dr SdT8-1 Dr SdT8-2 Dr SdT8-3 Dr SdAnCR Dr SdJngl1 Dr SdD&B1 Dr SdD&B4 Dr SdR&B1 Dr SdR&B2 Dr SdHip1 Dr SdWood Dr SdTimbr Dr HHClT8-1 Dr HHOpT8-1 Dr HHClT8-2 Dr HHOpT8-2 Dr HHPdl3 St Dr HHOpn2 St Dr HHOpn2 St Dr HHClLoFi Dr HHOpLoFi Dr HHClSyn Dr HHOpSyn Pc AnaShaker Pc TambrnRX5 Pc TambrnSw Pc Cowbell2 Pc Bongo L Pc TimbaleHi1 Pc WoodBlock Dr BdHardLong Pc TumbaOpen Pc Quint2Opn Se FxGun2 Se Bomb Dr BdZapHrd Se ScratchHp2

PRE 42 Rock Multi

Note C0 C#0 D0 D#0 E0 F0 F#0 G0 G#0 A0 A#0 B0 C1 C#1 D1 D#1 E1 F1 F#1 G1 G#1 A1 A#1 B1 C2 C#2 D2 D#2 E2 F2 F#2 G2 G#2 A2 A#2 B2 C3 C#3 D3 D#3 E3 F3 F#3 G3 G#3 A3 A#3 B3 C4 C#4 D4 D#4 E4 F4 F#4 G4 G#4 A4 A#4 B4 C5 C#5 D5 D#5 E5 F5 F#5 G5 G#5 A5 A#5 B5 C6 Wave No. 1624 Wave Name Dr BdNmSt1-2 Dr SdRkStk1St Dr SdRkOp2St Dr SdRkRolSt Dr SdRkOp1St Dr TomLow St Dr HHClFtSt Dr TomLow St Dr HHPdl3 St Dr TomMid St Dr HHOpn2 St Dr TomHi St Dr BdRk2St Dr SdRkStk1St Dr SdRkOp2St Pc HandClapSt Dr SdRkMte2St Dr TomRkLoSt Dr HHClRkStSw Dr TomRkLoSt Dr HHPdRkStSw Dr TomRkMdSt Dr HHOpRkStSw Dr TomRkMdSt Dr TomRkHiSt Dr CrashSt Dr TomRkHiSt Dr RideCym St Dr ChinaSt Dr RideCup St Pc TambrnSw Dr SplashSt Pc Cowbell1 Dr CrashSt Pc Shaker 1 Dr RideCym St Dr BdRk1St Dr SdRkStk2St Dr SdRkOp1St Pc ClapT9 Dr SdRkMte1St Dr TomRkLoSt Dr HHClRkStSw Dr TomRkLoSt Dr HHPdlRkSt Dr TomRkMdSt Dr HHHfOpRkSt Dr TomRkMdSt Dr TomRkHiSt Dr CrashSt Dr TomRkHiSt Dr RideL Dr ChinaSt Dr RideCup St Pc TambrnHit Dr SplashSt Pc MamboBl2 Dr CrashSt Pc ShekereDw Dr RideR Dr BdFkSt1-2 Dr SdRkStk1St Dr SdRkRim1St Dr SdRkFlmSt Dr SdRkRim2St Dr TomFlr St Dr HHCls4 St Dr TomLow St Dr HHPdl3 St Dr TomMid St Dr HHOp2St Dr TomMid St Dr TomHi St

Effect Name off Thru

MIDI (HEX) MSB LSB --71 72
No. REV 0 CHO 0 InsA 8 InsB 8
Hall 1 Hall 2 Room 1 Room 2 Room 3 Stage 1 Stage 2 Plate White Room Tunnel Basement Canyon R3 Hall R3 Room R3 Plate Large Hall Medium Hall Warm Room Woody Room Rich Plate Delay L,C,R Delay L,R Delay L,R St Echo Cross Delay Ctrl Delay 1 Ctrl Delay 2 TempDelay 1 TempDelay 2 TempoCrosDly Early Ref 1 Early Ref 2 Gate Reverb Reverse Gate Karaoke 1 Karaoke 2 Karaoke 3 Chorus 1 Chorus 2 Chorus 3 Chorus 4 Chorus 5 Celeste 1 Celeste 2 Celeste 3 Celeste 4 Symphonic Ensemble Flanger 1 Flanger 2 Flanger 3 V-Flanger VntgFlanger1 VntgFlanger2 VntgFlanger3 TempoFlanger DynamFlanger Phaser 1 Phaser 2 VntgPhsr1 St VntgPhsr2 St VntgPhsr1 Mn VntgPhsr2 Mn TempoPhaser DynamPhaser Tremolo Auto Pan Auto Pan 2 Rotary SP 1 Dist+RotSp1 Odrv+RotSp1 Amp +RotSp1 Rotary Sp 2 Dist+RotSp2 Odrv+RotSp2 Amp +RotSp2 Dual RotSp 1 Dual RotSp 2 Dual RotSp 3
DELAY L, C, R DELAY L, R DELAY L, R (Stereo) ECHO CROSS DELAY CONTROL DELAY (MONO) CONTROL DELAY (STEREO) TEMPO DELAY (MONO) TEMPO DELAY (STEREO) TEMPO CROSS DELAY EARLY REFLECTION 1 EARLY REFLECTION 2 GATE REVERB REVERSE GATE
CHORUS 1 CHORUS 2 CHORUS 3 CHORUS 4 CHORUS 5 CELESTE 1 CELESTE 2 CELESTE 3 CELESTE 4 SYMPHONIC ENSEMBLE DETUNE FLANGER 1 FLANGER 2 FLANGER 3 V-FLANGER VINTAGE FLANGER 1 VINTAGE FLANGER 2 VINTAGE FLANGER 3 TEMPO FLANGER DYNAMIC FLANGER PHASER 1 PHASER 2 VINTAGE STEREO PHASER 1 VINTAGE STEREO PHASER 2 VINTAGE MONO PHASER 1 VINTAGE MONO PHASER 2 TEMPO PHASER DYNAMIC PHASER TREMOLO AUTO PAN AUTO PAN2 ROTARY SPEAKER DISTORTION+ROTARY SPEAKER OVERDRIVE+ROTARY SPEAKER AMP SIM.+ROTARY SPEAKER 2WAY ROTARY SPEAKER DISTORTION+2WAY ROTARY SPEAKER OVERDRIVE+2WAY ROTARY SPEAKER AMP SIM.+2WAY ROTARY SPEAKER DUAL ROTOR SPEAKER1 DUAL ROTOR SPEAKER2 DUAL ROTOR SPEAKER3
Effect Category DISTORTION DST DST DST DST DST DST DST DST DYNAMIC DYN DYN DYN DYN DYN DYN PITCH CHANGE PCH PCH WAH WAH WAH WAH WAH WAH WAH WAH WAH WAH WAH WAH WAH LO-FI L-F L-F L-F L-F L-F TECH TEC TEC TEC TEC TEC TEC MISC MSC MSC MSC MSC MSC MSC MSC MSC MSC MSC MSC
Effect Name DISTORTION COMP DISTORTION V-DISTORTION OVERDRIVE AMP SIMULATOR AMP SIMULATOR2 DISTORTION+DELAY OVERDRIVE+DELAY COMPRESSOR NOISE GATE COMP+DISTORTION+DELAY COMP+OVERDRIVE+DELAY MULTI BAND COMP 1 MULTI BAND COMP 2 PITCH CHANGE 1 PITCH CHANGE 2 AUTO WAH AUTO WAH+DISTORTION AUTO WAH+OVERDRIVE VINTAGE AUTO WAH 1 VINTAGE AUTO WAH 2 TOUCH WAH TOUCH WAH+DISTORTION TOUCH WAH+OVERDRIVE VINTAGE TOUCH WAH 1 VINTAGE TOUCH WAH 2 WAH+DISTORTION+DELAY WAH+OVERDRIVE+DELAY LO-FI LOW RESOLUTION NOISY ATTACK LOFI DIGITAL TURNTABLE DIGITAL SCRATCH AUTO SYNTH TECH MODULATION JUMP ISOLATOR SLICE 3-BAND EQ 2-BAND EQ HARMONIC ENHANCER VOICE CANCEL AMBIENCE TALKING MODULATOR BEAT CHANGE DAMPER RESONANCE RING MODULATOR DYNAMIC RING MODULATOR DYNAMIC FILTER

Sensitivity Resolution Peak Frequency LPF Frequency Flanger Speed Flanger LFO Wave Flanger Depth Flg Depth Ofst R Flg Mix Balance Dry/Wet Balance Flanger Delay Flg Delay Ofst R Flanger Feedback Flanger FB Ofst R Flanger FB HiDamp FB HiDamp Ofst R
Depth Speed Direction Type Jump Wave Type Resolution HPF Frequency LPF Frequency Dry / Wet Balance
L<>R, L>>R typeA, typeB, typeC typeA, typeB, typeC, typeD 1,1/2 1/256 20Hz 8.0kHz 1.0kHz 20.0kHz D63>W D=W D<W63
(0 127) (0 127) (0 1) (0 2) (0 3) (0 8) (0 52) (34 60) (1 127) 3 3

DIGITAL TURNTABLE

06 0.00Hz 39.7Hz 1.0kHz 20.0kHz 1.0 12.127 1.0kHz 20.0kHz (0 5) (0 127) (0 6) (0 127) (0 127) (0 127) (34 60) (10 120) (0 127) (0 127) (34 60) 1
Click Density Click Level Noise Tone Noise Mod Speed Noise Mod Depth Dry Send to Noise Noise LPF Freq Noise LPF Q Noise Level Dry Level Dry LPF Frequency

ISOLATOR

On/off SW Low Level Mid Level High Level Low Mute Mid Mute High Mute
on, off -64 +63 -64 +63 -64 +63 off/on off/on off/on
(0 1) (0 127) (0 127) (0 127) (0 1) (0 1) (0 1)

SLICE DIGITAL SCRATCH

Divide Type Gate Time Pan Aeg Type Pan Aeg Min Level Pan Depth Divide Min Level Pan Type Drive AEG Phase Dry/Wet Balance Set Slice Tempo EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain
16th 4th 0 100% AE -63 +127 AJ (x16th note) D63>W D=W D<W63 --32Hz 2.0kHz -12dB +12dB 500Hz 16.0kHz -12dB +12dB
(5 11) (0 100) (0 4) (0 127) (1 127) (0 127) (0 9) (0 127) (0 15) (1 127) --(4 40) (52 76) (28 58) (52 76)
Input Level Initial Delay Scratch Speed Scratch Depth Auto Pan Speed Auto Pan Depth EQ Frequency EQ Gain EQ Width Dry / Wet Balance HPF Frequency
0.1 460.0ms 0.00Hz 39.7Hz 100Hz 10.0kHz -12 +12dB 1.0 12.0 D63>W D=W D<W63 20Hz 8.0kHz
(0 127) (1 4600) (1 127) (0 127) (0 127) (0 127) (14 54) (52 76) (10 120) (1 127) (0 52) 1

3BAND EQ

RING MODULATOR
EQ Low Gain EQ Mid Frequency EQ Mid Gain EQ Mid Width EQ High Gain EQ Low Frequency EQ High Frequency Input Mode
-12dB +12dB 100Hz 16.0kHz -12dB +12dB 0.1 12.0 -12dB +12dB 50Hz 2.0kHz 500Hz 16.0kHz mono/stereo
(52 76) (14 58) (52 76) (1 120) (52 76) (8 40) (28 58) (0 1) 3
OSC Freq Coarse OSC Freq Fine LFO Wave LFO Depth LFO Speed HPF Cutoff Frequency LPF Cutoff Frequency Dry / Wet Balance EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain
0.5 5kHz tri, sine 0.0Hz 39.70Hz 20Hz 8.0kHz 1.0kHz 20.0kHz D63>W D=W D<W63 32Hz 2.0kHz -12dB +12dB 500Hz 16.0kHz -12dB +12dB

(0 127) (0 127) (0 1) (0 127) (0 127) (0 52) (34 60) (1 127) (4 40) (52 76) (28 58) (52 76)

2BAND EQ

01 04: Same as the parameters shaded in gray in DELAY L, C, R on page 27.
DYNAMIC RING MODULATOR HARMONIC ENHANCER
Sensitivity HPF Cutoff Frequency LPF Cutoff Frequency Attack Time Release Time Release Curve Direction Dyna Threshold Level Dyna Level Offset Dry / Wet Balance EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain
20Hz 8.0kHz 1.0kHz 20.0kHz 0.3ms 227ms 2.6ms 2171ms up, down D63>W D=W D<W63 32Hz 2.0kHz -12dB +12dB 500Hz 16.0kHz -12dB +12dB
(0 127) (0 52) (34 60) (0 127) (0 127) (0 127) (0 1) (0 127) (0 127) (1 127) (4 40) (52 76) (28 58) (52 76) 17 18
HPF Cutoff Frequency Drive Mix Level

500Hz 16.0kHz 0 127

(28 58) (0 127) (0 127)

VOICE CANCELER

26 (0 26) (0 26)

Low Adjust High Adjust

AMBIENCE
Delay Time Wet Output Phase Dry / Wet Balance
0.0ms 50.0ms normal/inverse D63>W D=W D<W63

(0 127) (0 1)

06 09: Same as the parameters shaded in gray in DELAY L, C, R on page 27. (1 127)

DYNAMIC FILTER

Filter Type Sensitivity Dyna Level Offset Resonance Attack Time Release Time Release Curve Direction Dyna Threshold Level Dry/Wet Balance EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain
LPF (12dB), LPF (18dB), LPF (24dB), HPF, BPF, BEF -16 +111 0.3ms 227ms 2.6ms 2171ms up, down D63>W D=W D<W63 32Hz 2.0kHz -12dB +12dB 500Hz 16.0kHz -12dB +12dB
(0 5) (0 127) (0 127) (0 127) (0 127) (0 127) (0 127) (0 1) (0 127) (1 127) (4 40) (52 76) (28 58) (52 76) 17 18

TALKING MODULATION

a/i/u/e/o (0 4) (1 62) (0 127) (0 127)
Vowel Move Speed Drive Output Level

BEAT CHANGE

16 -63 +12 -63 +12 sound4 normal rythm4 32Hz 2.0kHz -12dB +12dB 1.0 12.0 D63>W D=W D<W63 (1 127) (0 12) (1 127) (0 12) (0 8) (4 40) (52 76) (10 120) (1 127) 3
BeatChange Beat Range PitchChange Pitch Range Accuracy Type EQ Frequency EQ Gain EQ Width Dry/Wet Balance

Master Effect Block

Control Delay2 (stereo) LO-FI V-Distortion Isolator Dynamic Filter Slice Ring Modulator Multi Band Comp 1

DAMPER RESONANCE

HPF Cutoff Frequency LPF Cutoff Frequency EQ Low Frequency EQ Low Gain Hi Resonance Pedal Response Dry/Wet Balance Damper Control
20Hz 8.0kHz 1.0kHz 20.0kHz 32Hz 2.0kHz -12 +12dB 0.1 1.0 slow/normal/fast D63>W D=W D<W127

Length 2 1

Original Tempo 117 117
Voice Type Syn Comp/Lead : : : : : A.Piano/E.Piano : : : : : : : : : : : : : : : : : : : : : : : : : : : : Electric Piano : : : : Clavi : : : : : : : : : Acoustic Piano : : : : : : : : : : : : Electric Piano : : : : : : : : Clavi : Acoustic Piano :
Category ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb

Arp# 145 146

ARP Name Soul D Soul E Soul F CoolFnkE CoolFnkA CoolFnkG CoolFnkH Smooth1C Smooth1D HipHp1B1 HipHp1C1 HipHp1D1 HipHp1H1 HipHp1B2 HipHp1C2 HipHp1D2 HipHp1H2 HipHop2F ClsHipB1 ClsHipC1 ClsHipA2 NewGos B NewGos C NewGos D NewGos E NewGos F NewGos G 6/8R&BB1 6/8R&BC1 6/8R&BD1 6/8R&BE1 6/8R&BA1 6/8R&BG1 6/8R&BH1 6/8R&BB2 6/8R&BC2 6/8R&BD2 6/8R&BE2 6/8R&BA2 6/8R&BG2 6/8R&BH2 CmbJazzB CmbJazzC CmbJazzD CmbJazzE CmbJazzG ClubHs E ClubHs F Garage2B Disco B Disco E Disco F Disco H HousePf1 HousePf2 HousePf3 HousePf4 HousePf5 DAHouse LatinHsA LatinHsF LatinHsG LatnRkB1 LatnRkE1 LatnRkH1 LatnRkD2 LatnRkG2 Samba B Samba C Samba D PnoLatin Salsa B Salsa C Salsa D Salsa E Salsa F

Length 4 2

Original Tempo 123 123
Voice Type Acoustic Piano : : Electric Piano : : : : : Harpsichord : : : Clavi : : : : Acoustic Piano : Electric Piano : : : : : : Acoustic Piano : : : : : : Electric Piano : : : : : : Acoustic Piano : : : : Electric Piano : : : : : : Acoustic Piano : : : : : : : : : : : : : : : : : : : : : :
Category ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb ApKb Orgn Orgn Orgn Orgn Orgn Orgn Orgn Orgn Orgn Orgn Orgn Orgn Orgn Orgn Orgn Orgn Orgn Orgn Orgn Orgn Orgn Orgn Orgn Orgn Orgn Orgn Orgn Orgn GtPl GtPl GtPl GtPl GtPl GtPl GtPl GtPl GtPl GtPl GtPl GtPl GtPl GtPl GtPl GtPl GtPl GtPl GtPl GtPl GtPl GtPl GtPl GtPl GtPl GtPl GtPl GtPl GtPl GtPl GtPl GtPl GtPl GtPl

Arp# 033 034

ARP Name MontunoB MontunoD MontunoE MontunoF MontunoG Regge2C1 Regge2E1 Regge2G1 Regge2H1 Regge2B2 Regge2C2 Regge2E2 Regge2A2 Regge2G2 FunkOrg1** FunkOrg2** Funk2 C Soul B Soul C Soul H HipHop1E HipHop1F HouseOr1 HouseOr2 HouseOr3 HouseOr4 HouseOr5 LatinOrg** LatinRkB LatinRkC ReggeOr1** ReggeOr2** Reggae1B Reggae1C Reggae1E Reggae1H Reggae2B Reggae2C Reggae2D Reggae2E Reggae2A Reggae2H Strum1 Strum2 Strum3 Strum4 Strum5 Strum6 Strum7 Strum8 Strum9 Strum10 RolliArp 12Guitr1 12Guitr2 Pickin1 Pickin2 Pickin3 Guit1Arp Guit2Arp Guit3Arp Guit4Arp CleanGt1 CleanGt2 CleanGt3 CleanGt4 Funky1 Funky2 Funky3 Funky4 FunkGtr Spanky News1 News2 RockGtr1 RockGtr2

Original Tempo 118 118

Voice Type Clean Guitar : Jazz Guitar : : : : : : : Clean Guitar Mute Guitar : : : : Clean Guitar : Acoustic Guitar : : : : : : : : : : : : : : : Clean Guitar : : : : Mute Guitar : Clean Guitar : : Acoustic Guitar : : : : : : Kanun : : : Oud Saz Harp : : : : : : Mega Steel : : : : : : : : : : :
Category GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM

Arp# 087 088

ARP Name FolkRkA1 SoftRkB1 SoftRkC1 SoftRkD1 SoftRkE1 SoftRkA1 SoftRkG1 SoftRkH1 FngrPckB FngrPckC FngrPckD FngrPckE FngrPckA FngrPckG FngrPckH NewR&B1B NewR&B1C NewR&B1D NewR&B1A NewR&B1G NewR&B1H ChllOutB ChllOutD ChllOutE ChllOutC RtroPpB1 LatinRkC LatinRkD SpanishB SpanishC SpanishD SpanishE SpanishA SpanishG SpanishH KM 12Gt1 KM 12Gt2 KM 12Gt3 KM 12Gt4 KM 12Gt5 FolkRkB2 FolkRkC2 FolkRkD2 FolkRkA2 KM ClGt1 KM ClGt2 KM ClGt3 KM ClGt4 KM ClGt5 Funk2 B Funk2 C Funk2 D Funk2 E Funk2 A Funk2 F Funk2 H Funk3 B Funk3 C Funk3 D Funk3 E Funk3 A Funk3 F Funk3 H CoolFnkB CoolFnkC CoolFnkE CoolFnkA CoolFnkF Soul B Soul C Soul D Soul E Soul F ClsHipC1 ClsHipD1 ClsHipB2

Original Tempo 90 90

Voice Type Mega Steel : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : Mega 12str : : : : : : : : Mega Clean : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : :
Category GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM GtKM Bass Bass Bass Bass Bass Bass Bass Bass Bass Bass Bass Bass Bass Bass Bass Bass Bass Bass Bass Bass Bass Bass Bass Bass Bass Bass Bass Bass Bass Bass Bass Bass

Arp# 031 032

ARP Name ClsHipC2 ClsHipD2 ClsHipA2 ClsHipE3 ClsHipF3 70sRckB1 70sRckC1 70sRckD1 70sRckE1 FolkRkD3 FolkRkE3 FolkRkG3 AnaPop B AnaPop D AnaPop A ClubHs B ClubHs C ClubHs D ClubHs E ClubHs A ClubHs F ClubHs G ClubHs H RtroPpB2 KM OdGt1 KM OdGt2 KM OdGt3 KM OdGt4 KM OdGt5 70sRckC2 70sRckD2 70sRckE2 70sRckF2 70sRckB3 70sRckC3 70sRckD3 70sRckE3 SoftRkE2 SoftRkH2 OverTop1 OverTop2 OverTop3 OverTop4 OverTop5 FngrBas1 FngrBas2 FngrBas3 FngrBas4 FngrBas5 FngrBas6 FngrBas7 FngrBas8 FngrBas9 FngrBa10 FngrBa11 FngrBa12 FngrBa13 FngrBa14 PnoClubB PnoClubC PnoClubD PnoClubE PnoClubA PnoClubF PnoClubG PnoClubH CoolFnkB CoolFnkC CoolFnkD CoolFnkE CoolFnkA CoolFnkF CoolFnkG CoolFnkH SlapBas1 SlapBas2

Time Signature 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 3/4 3/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4

Original Tempo 72 72

Voice Type Hip Hop3 : : : : : : Hip Hop4 : : : T9HipKit1 : : : Hip Hop3 : : : : : : : Hip Hop1 : : : Hip Hop3 : : : : : : : DryStandrd : Hip Hop3 : : : : : : : DryStandrd : : : : : : : : : Hip Hop2 : DryStandrd : : : : : : : : : : : : : : : Hyper Std : :

Arp# 254 255

ARP Name Ballad1D Ballad2A Ballad2B Unplug B Unplug C Unplug D Unplug E Unplug A Unplug F Unplug G Unplug H FngrPckB FngrPckC FngrPckD FngrPckE FngrPkA1 FngrPkA2 FngrPckF FngrPckG FngrPckH Slow B Slow C Slow D Slow E Slow A Slow F Slow G Slow H GtrPop B GtrPop C GtrPopD1 GtrPopE1 GtrPop A GtrPopF1 GtrPopG1 GtrPop H GtrPopD2 GtrPopE2 GtrPopF2 GtrPopG2 AnaPop B AnaPop C AnaPop D AnaPop E AnaPop A AnaPop F AnaPop G AnaPop H PnoClubB PnoClubC PnoClubD PnoClubE PnClubA1 PnClubA2 PnClubF1 PnClubF2 PnoClubG PnoClubH 70sRockB 70sRockC 70sRockD 70sRockE 70sRockA 70sRockF 70sRockG 70sRockH PopRck1A PopRck1B PopRck1C PopRck1D PopRck2A PopRck2B PopRck2C PopRck2D Rock1 Rock2

Original Tempo 120 115

Voice Type Hyper Std : : DryStandrd : : : : : : : : : : : : : : : : Hyper Std : : : : : : : DryStandrd : : : : : : : Latin Perc : : : AnalogT8 : : : : : : : Hyper Std : : : : : : : : : DryStandrd : : : : : : : RockSt1 : : : RockSt2 : : : : :

Arp# 330 331

ARP Name Rock3 MondoRkA MondoRkB MondoRkC MondoRkD XovrRckB XovrRckC XovrRckD XovrRckE XovrRckA XovrRkF1 XovrRkG1 XovrRckH XovrRkF2 XovrRkG2 LoBeat1 LoBeat2 LoBeat3 LoBeat4 Electrn1 Electrn2 BgBeat1A BgBeat1B BigBeat2 BigBeat3 DrumnBa1 DrumnBa2 DrumBa3A DrumBa3B DrumBa3C DrumBa3D DrumBa3E EuroTekA EuroTekB EuroTekC EuroTekD EuroTekE Trance B Trance C Trance D Trance E Trance A Trance F Trance G Trance H TrancBd1 TrancBd2 TrancBd3 TrancBd4 TrancSdf TrancClp TrancHh1 TrancHh2 TrancHh3 TrancHh4 TrancHh5 TrancHh6 TrancHh7 Dream B Dream D Dream E Dream A DreamBd1 DreamBd2 DreamBd3 DreamBd4 DreamBd5 DreamSdf DreamHh1 DreamHh2 DreamHh3 DreamHh4 DreamClp DreamPc1 DreamPc2 DreamPc3

Length 2 4

Original Tempo 136 136
Voice Type RockSt2 : : : : RockSt1 : : : : : : : Scratches : Break Kit : : : Tekno Kit AnalogT9 Big Kit : : : Jungle Kit : Drum'nBass : : : : Tekno Kit : : : : AnalogT9 : : : : : : : : : : : : : : : : : : : : T9HipKit1 : : : : : : : : : : : : AnalogT8 T9HipKit1 Percussion AnalogT8 :

Arp# 406 407

ARP Name House1 House2 House3 House4A House4B House4C House5A House5B House5C House5D House6A House6B House6C House7A House7B House8 House9 House10A House10B House11A House11B House11C House12 House13 UKGargeA UKGargeB UKGargeC 2 Step Ibiza B1 Ibiza C Ibiza D Ibiza E Ibiza A Ibiza F Ibiza G Ibiza H1 Ibiza B2 Ibiza H2 ClubHs B ClubHs C ClubHs D ClubHsE1 ClubHsA1 ClubHsA2 ClubHs F ClubHs G ClubHsH1 ClubHsE2 ClubHsH2 Garage1 Garage2B Garage2C Garage2D Garage2E Garge2A1 Garge2A2 Garage2F Garage2G ChlOutB1 ChlOutC1 ChlOutD1 ChlOutE1 ChlOutA1 ChlOutF1 ChlOutG1 ChlOutH1 ChlOutB2 ChlOutC2 ChlOutD2 ChlOutE2 ChlOutA2 ChlOutF2 ChlOutG2 ChlOutH2 SynPop1B SynPop1C

Ap, Kb, Or, Gt, Ba, St, Br, Rp, Ld, Pd, Sc, Cp, Dr, Se, Me, Co Refer to Category List.
0D 0E 0F 19 1A 1B 1C 1D 1E 1F 22
Voice Category (Sub) reserved reserved reserved reserved reserved reserved

2A 2B 2C

00 7F 00 7F 00 7F 00 7F 00 7F 00 7F
0000 20FF 00 7F 00 7F 01 7F 01 7F 0000 00C00C00F012C 0000 3FFF 0000 3FFF 0000 3FFF 0000 3FFF
ARP Type MSB ARP Type LSB ARP Switch ARP Hold ARP Unit Multiplay ARP Note Limit Low ARP Note Limit High ARP Velocity Limit Low ARP Velocity Limit High ARP Key Mode ARP Vel Mode ARP Change Timing ARP Quantize Value ARP Quantize Strength ARP Velocity Rate MSB ARP Velocity Rate LSB ARP Gate Time Rate MSB ARP Gate Time Rate LSB ARP Swing MSB ARP Swing LSB ARP Tempo MSB ARP Tempo LSB ARP SF1 Assign Type MSB ARP SF1 Assign Type LSB ARP SF2 Assign Type MSB ARP SF2 Assign Type LSB ARP SF3 Assign Type MSB ARP SF3 Assign Type LSB ARP SF4 Assign Type MSB ARP SF4 Assign Type LSB
0 1786: Preset, 8192 8447: User off, on sync-off, off, on 50%, 66%, 75%, 100%, 133%, 150%, 200% C-2 G8 C-2 G127 sort, thru, direct, sort+direct, thru+direct original, thru realtime, measure 32nd,16th Triplet, 16th, 8th Triplet, 8th, 4th Triplet, 4th 0 100% 0 200% 0 200% -+1786: Preset, 8192 8447: User, 16383: No Type 0 1786: Preset, 8192 8447: User, 16383: No Type 0 1786: Preset, 8192 8447: User, 16383: No Type 0 1786: Preset, 8192 8447: User, 16383: No Type
-64 +63 -64 +63 -64 +63 50.1 2.00k

2D 2E 38 39

002E 00B6 Low Frequency MSB Low Frequency LSB 00 Low Gain reserved
24 -32 +139.7 10.1k 28 -32 +31 503.8 14k -32 +32 2C 2A
0053 00F1 Mid Frequency MSB Mid Frequency LSB 00 1F Mid Gain Mid Resonance
0083 00FF High Frequency MSB High Frequency LSB 00 High Gain reserved

TOTAL SIZE = 58

3 (HEX)
pp = part number Part (Normal, Drum) 60 Part Plug-in 1 (User, Preset, Direct) 61 Part Plug-in 2 (User, Preset, Direct) 62 Part Plug-in 3 (User, Preset, Direct)

0000 3FFF 00 06

00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 01 7F

TOTAL SIZE = 82

52 (HEX)
00 7F 00 7F 00 0C reserved Volume Same Note Number Key On Assign QED Mono/Poly Mode Micro Tuning Scale single, multi mono, poly Equal, PureMajor, PureMinor, Werckmeist, Kirnberger, Vallot&Yng, 1/4 Shift, 1/4 Tone, 1/8 Tone, Indian, Arabic 1, Arabic 2, Arabic 3 -48 +24 [semitones] 0E -48 +24 [semitones] 10 ngered, fulltime off, on rate1, time1, rate2, time2 -dB 0dB -dB 0dB 18 1A CB 07 1C 1E 0A 0C

09 0A 0B 0C 0D 0E 0F 10

00 7F 00 7F 00 7F
QED Pitch Bend Range Upper QED Pitch Bend Range Lower QED Portamento Mode QED Portamento Switch QED Portamento Time Portamento Time Mode Reverb Send Chorus Send reserved reserved

00 0B 00 07

Micro Tuning Root Legato Slope

TOTAL SIZE = 17

11 (HEX)
7F 7F 00 Insertion Connect Type reserved reserved reserved 22 Para, A B, B A

TOTAL SIZE = 4

04 (HEX)
00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F

7F 00 0C

08 0A 0C 0E 18 1A 1C 1E 20
Insertion-A Type MSB Insertion-A Type LSB Insertion-A Parameter 1 MSB Insertion-A Parameter 1 LSB Insertion-A Parameter 2 MSB Insertion-A Parameter 2 LSB Insertion-A Parameter 3 MSB Insertion-A Parameter 3 LSB Insertion-A Parameter 4 MSB Insertion-A Parameter 4 LSB Insertion-A Parameter 5 MSB Insertion-A Parameter 5 LSB Insertion-A Parameter 6 MSB Insertion-A Parameter 6 LSB Insertion-A Parameter 7 MSB Insertion-A Parameter 7 LSB Insertion-A Parameter 8 MSB Insertion-A Parameter 8 LSB Insertion-A Parameter 9 MSB Insertion-A Parameter 9 LSB Insertion-A Parameter 10 MSB Insertion-A Parameter 10 LSB Insertion-A Parameter 11 MSB Insertion-A Parameter 11 LSB Insertion-A Parameter 12 MSB Insertion-A Parameter 12 LSB Insertion-A Parameter 13 MSB Insertion-A Parameter 13 LSB Insertion-A Parameter 14 MSB Insertion-A Parameter 14 LSB Insertion-A Parameter 15 MSB Insertion-A Parameter 15 LSB Insertion-A Parameter 16 MSB Insertion-A Parameter 16 LSB
Refer to Effect Parameter List. : : :

0B 0D 0E 0F

Controller Set 3 Destination MSB Controller Set 3 Destination LSB Controller Set 3 Depth reserved Controller Set 4 Source
-64 +63 0: PB, 1: MW, 3: AT, 4: FC, 5: FS, 6: RB, 7: BC, 8: AS1, 9: AS2, 12: FC68 -64 +63 0: PB, 1: MW, 3: AT, 4: FC, 5: FS, 6: RB, 7: BC, 8: AS1, 9: AS2, 12: FC68 -64 +63 0: PB, 1: MW, 3: AT, 4: FC, 5: FS, 6: RB, 7: BC, 8: AS1, 9: AS2, 12: FC68 -64 +63
10 : 12 : : : : : : : : : : : : 1A 1C 1D 13 14
Controller Set 4 Destination MSB Controller Set 4 Destination LSB Controller Set 4 Depth reserved Controller Set 5 Source

: : : : : : : 0: OFF, 1: ON 00 7F
Receive MW Receive FC2 Receive FS Receive FC1 Receive BC Receive Assign1 Receive Assign2 Receive RB AEG Decay2 Level (EG Sustain Level) AEG Attack Time (EG Attack Time) Voice Pan on/off AEG Decay2 Time (EG Decay Time) AEG Release Time (EG Release Time) FEG Decay2 Level (EG Sustain Level) FEG Attack Time (EG Attack Time) reserved 00 7F 00 7F 00 7F 002E 00B00F1F 0083 00FF FEG Decay2 Time (EG Decay Time) FEG Release Time (EG Release Time) FEG Depth reserved Low Frequency MSB Low Frequency LSB Low Gain reserved Mid Frequency MSB Mid Frequency LSB Mid Gain Mid Resonance High Frequency MSB High Frequency LSB High Gain reserved
00 7F 00 7F 00 7F Plug-in Board Native System Parameter Plug-in Board Native Parameter Plug-in Board Type MSB Plug-in Board Type LSB Plug-in Board Version Number reserved (for InsEF Plug-in) (for InsEF Plug-in) (for InsEF Plug-in)
29 2A 2B 2C 37 pp 2D 2E 38 39
-64 +63 -64 +63 -64 +63 50.1 2.00k -32 +32 139.7 10.1k -32 +31 503.8 14k -32 +32
TOTAL SIZE = 58 pp = part number

00 0F 1F

3A (HEX)
Part (Normal, Drum) Part Plug-in 1 (User, Preset, Direct) Part Plug-in 2 (User, Preset, Direct) Part Plug-in 3 (User, Preset, Direct) Multi Plug-in Board Part (Not included in the Multi setup)

38 pp 06 07

0: L&R, 8: asnL&R 9 15: asn1&2 asn13&79: asnL, asnR, asn1 asn14
TOTAL SIZE = 8 pp = part number 40 44

AD Part

YAMAHA
[Music Synthesizer - seq. part] Model S90 ES MIDI Implementation Chart Function. Transmitted 1 - 16

Date :01-DEC-2004 Version : 1.0 Remarks Memorized

Recognized

Basic Channel
Default Changed Default Messages Altered
************** 0 - 127 **************
Note Number : True voice Velocity
Note ON 9nH,v=1-127 Note OFF 9nH,v=0 Key's Ch's

After Touch Pitch Bend

Control Change

Prog Change

True #

0 - 127 **************

System Exclusive

Common

: Song Pos. : Song Sel. : Tune
System : Clock Real Time : Commands Aux : : : Mes- : sages: : Notes: All Sound Off Reset All Cntrls Local ON/OFF All Notes OFF Active Sense Reset
*1 if Seq Control in/out is enabled. *2 if MIDI clock out is on. *3 if MIDI Sync is MIDI.
Mode 1 : OMNI ON , POLY Mode 3 : OMNI OFF, POLY