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Yamaha Tyros3 Data List
Yamaha Tyros3 Midi Basics
Yamaha Tyros3 Reference Manual
Yamaha Tyros3 Installation Guide
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Backing up the USB storage device/external media
To protect against data loss through media damage, we recommend that you save your important data onto two USB storage devices/external media. When you change settings in a display page and then exit from that page, System Setup data (listed in the Parameter Chart of the Data List downloadable from the web) is automatically stored. However, this edited data is lost if you turn off the power without properly exiting from the relevant display. Refer to page 8 how to obtain the Data List.
Yamaha cannot be held responsible for damage caused by improper use or modications to the instrument, or data that is lost or destroyed.
Always turn the power off when the instrument is not in use.
2/2 Tyros3 Owners Manual 5
You are the proud owner of an extraordinary electronic keyboard. The Yamaha Tyros3 combines the most advanced tone generation technology with state-of-the-art digital electronics and features to give you stunning sound quality with maximum musical versatility. In order to make the most of your Tyros3s features and vast performance potential, we urge you to read the manual thoroughly while trying out the various features described. Keep the manual in a safe place for later reference.
AC power cord Music rest and brackets CD-ROM Owners Manual Installation Guide User Registration Card
About the included CD-ROM
The accompanying CD-ROM features special software for use with the Tyros3. Included is a Voice Editor, which gives you comprehensive and intuitive editing tools for the Tyros3. For details, see the separate Installation Guide or the online manual included with the software.
Never attempt to play back the CD-ROM on an audio CD player. Doing so may result in damage to your hearing as well as to your CD player/audio speaker.
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Realistic and richly textured Voices
The new SA2 Voices created with Yamahas AEM (Articulation Element Modeling) technology let you play those Voices more naturally and with greater expressivenessparticularly the wind instrument sounds (page 40). Whats more, the Tyros3 has enhanced the already high-quality piano Voices and other important Voices for playing accompaniment (drum, guitar, etc.), and it newly features Synth Voices inherited from our agship MOTIF series synthesizer.
SA2 Voices (S. Articulation2!)
Mainly for wind instrument Voices, a special Yamaha technology called AEM has been used, which features detailed samples of special expressive techniques used on those specic instrumentsto bend or slide into notes, to join different notes together, or to add expressive nuances at the end of a note, etc. You can add these articulations by playing legato or staccato, or by jumping in pitch by around an octave. For example, using the Clarinet Voice, if you hold a C note and play the Bb above, youll hear a glissando up to the Bb. Some note off effects are also produced automatically when you hold a note for over a certain time. Each SA2 Voice has its own default vibrato setting, so that when you select a SA2 Voice, the appropriate vibrato is applied regardless of the Modulation wheel position. You can adjust the vibrato by moving the Modulation wheel. You can also use the [ART. 1]/[ART. 2] buttons to add articulations to the SA and SA2 Voices (page 42). For details on how to best play each SA and SA2 Voice, call up the information window (pressing the [6 ] (INFO) button in the Voice Selection display.)
For more information on AEM technology, see below.
The characteristics of SA2 Voices (default vibrato setting and articulation effects applied by the [ART] buttons) are effective for real-time performance; however, these effects may not be completely reproduced when you play back a Song which has been recorded using SA2 Voices.
When you play the piano, pressing a C key produces a denite and relatively xed C note. When you play a wind instrument, however, a single ngering may produce several different sounds depending on the breath strength, the note length, the adding of trills or bend effects, and other performance techniques. Also, when playing two notes continuouslyfor example C and Dthese two notes will be smoothly joined, and not sound independent as they would on a piano. AEM (Articulation Element Modeling) is the technology for simulating this characteristic of instruments. During performance, the most appropriate sound samples are selected in sequence in real time, from huge quantities of sampled data. They are smoothly joined and soundedas would naturally occur on an actual acoustic instrument. This technology to smoothly join different samples enables the application of realistic vibrato. Conventionally on electronic musical instruments, vibrato is applied by moving the pitch periodically. AEM technology goes much further by analyzing and disaggregating the sampled vibrato waves, and smoothly joins the disaggregated data in real time during your performance. If you move the Modulation wheel when you play the SA2 Voice (using AEM technology), you can also control the depth of the vibrato, while maintaining its realistic quality.
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Transposing the Pitch of the Keyboard
The TRANSPOSE [-]/[+] buttons transpose the overall pitch of the instrument (the keyboard sound, Style playback, Song playback, and so on) in semitone steps. Press the [+] and [-] buttons simultaneously to instantly reset the transpose value to 0.
The Transpose functions do not affect the Drum Kit or SFX Kit Voices.
You can also change the transpose settings in the MIXING CONSOLE display: [MIXING CONSOLE] TAB [Q][W] TUNE [1 ][3 ] TRANSPOSE.
The UPPER OCTAVE [-]/[+] buttons allow the pitch of the RIGHT 13 parts to be shifted up or down by one octave. Press the [+] and [-] buttons simultaneously to instantly reset the octave value to 0.
Using the Wheels
Using the Pitch Bend Wheel
Use the PITCH BEND wheel to bend notes up (roll the wheel away from you) or down (roll the wheel toward you) while playing the keyboard. The Pitch Bend is applied to all the keyboard parts (RIGHT 13 and LEFT). The PITCH BEND wheel is self-centering and will automatically return to normal pitch when released.
The effects caused by using the PITCH BEND Wheel may not be applied to the LEFT part during Style playback depending on the Style setting.
The maximum pitch bend range can be changed on the Mixing Console display: [MIXING CONSOLE] TAB [Q][W] TUNE [H] PITCH BEND RANGE.
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Using the Modulation Wheel
The Modulation function applies a vibrato effect to notes played on the keyboard. By default, this is applied to the keyboard parts RIGHT 13. Moving the MODULATION wheel down (toward you) decreases the depth of the effect, while moving it up (away from you) increases it.
Depending on the selected Voice, the MODULATION wheel may control volume, lter or some other parameter instead of vibrato.
To avoid accidentally applying modulation, make sure the MODULATION Wheel is set at minimum (down) position before you start playing.
You can set whether the effects caused by the MODULATION Wheel will be applied or not to each of the keyboard part: [FUNCTION] [D] CONTROLLER TAB [Q][W] KEYBOARD/PANEL [A]/[B] 3 MODULATION WHEEL
The effects caused by using the MODULATION wheel may not be applied to the LEFT part during Style playback depending on the Style setting.
Adding Articulation Effects to Super Articulation Voices
With the [ART. 1]/[ART. 2] buttons, you can add articulation effects and characteristic instrument performance sounds to your playing. When you select a SA or SA2 Voice, the [ART. 1] and/or [ART. 2] buttons may light in green. Pressing a lit button adds articulation. (Pressing a button which is not lit has no effect.)
Select a Style (steps 12 on page 48). Press one of the ONE TOUCH SETTING  buttons. Not only does this instantly call up all the settings (Voices, effects, etc.) that match the current Style, it also automatically turns on ACMP and SYNC START, so that you can immediately start playing the Style.
As soon as you play a chord with your left hand, the selected Style starts. Each Style has four One Touch Setting setups. Press other ONE TOUCH SETTING  button to try out other setups.
Automatically changing One Touch Settings with the Main sections
You can also create your own One Touch Setting setups. For details, refer to the Reference Manual on the website.
The convenient OTS (One Touch Setting) Link function lets you automatically have One Touch Settings change when you select a different Main section (A D). The Main sections A, B, C and D correspond to One Touch Settings 1, 2, 3 and 4 respectively. To use the OTS Link function, turn the [OTS LINK] button on.
Conrming the One Touch Setting contents
You can check the information of the One Touch Setting  assigned to currently selected Style.
In the Style Selection display, press the [5 ] (OTS INFO) button to call up the Information display.
You can also call up the Information display by pressing the [DIRECT ACCESS] button then pressing one of the ONE TOUCH SETTING  buttons.
Press the [F] (CLOSE) button to close the Information display.
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Turning Style Parts On/Off and Changing Voices
A Style contains eight channels: RHY1 (Rhythm 1)PHR2 (Phrase 2) below. You can add variations and change the feeling of a Style by selectively turning channels on/off as the Style plays.
Style channels RHY1/2 (Rhythm 1/2). These are the basic parts of the Style, containing the drum and percussion rhythm patterns. BASS.. The bass part uses various appropriate instrument sounds to match the Style. CHD1/2 (Chord 1/ 2). These are the rhythmic chord backing, commonly used with piano or guitar Voices. PAD.. This part is used for sustained instruments such as strings, organ, choir, etc. PHR1/2 (Phrase1/2).. These parts are used for punchy brass stabs, arpeggiated chords, and other extras that make the accompaniment more interesting.
Press the [CHANNEL ON/OFF] button once or twice to call up the CHANNEL ON/OFF (STYLE) display.
Press the [1 ][8 ] buttons to turn the channels on or off. To listen to only one channel by itself, hold down the appropriate button for the channel to set the channel to SOLO. To cancel SOLO, simply press the appropriate channel button again. If necessary, press the [1 ][8 ] buttons to change the Voice for the corresponding channel. The Voice Selection display is called up from which you can select the Voice to be used for the channel. See page 27. Press the [EXIT] button to close the CHANNEL ON/OFF display.
You can save the settings here to Registration Memory. See page 68.
When the Main display is shown, the CHANNEL ON/OFF display cannot be closed.
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Adjusting the Volume Balance Between the Style and Keyboard
You can adjust the volume balance between Style playback and the sound you play on the keyboard.
Press the [BALANCE] button to call up the BALANCE (1/2) display.
Adjust the Style volume by using the [2 ] slider or buttons. Using the [1 ][8 ] sliders or buttons, you can adjust the volume of Song, Style, Multi Pad, MIC and keyboard parts. Press the [EXIT] button to close the BALANCE display.
When the Main display is shown, the BALANCE display cannot be closed.
About the BALANCE display
Pressing the [BALANCE] button again calls up the BALANCE (2/2) display. In this display, you can also adjust the volume of Hard Disk Recorder (by  slider or buttons) and overall keyboard parts (by  slider or buttons).
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Advanced Features Selecting the Chord Fingering type: Style playback related settings: Split Point settings: Memorizing the Original One Touch Setting: Creating/Editing Styles (Style Creator) Realtime Recording: Step Recording:
Refer to the Reference Manual on the website. [FUNCTION] [C] STYLE SETTING/SPLIT POINT/CHORD FINGERING TAB [Q][W] CHORD FINGERING [FUNCTION] [C] STYLE SETTING/SPLIT POINT/CHORD FINGERING TAB [Q][W] STYLE SETTING [FUNCTION] [C] STYLE SETTING/SPLIT POINT/CHORD FINGERING TAB [Q][W] SPLIT POINT [MEMORY] + ONE TOUCH SETTING 
[DIGITAL RECORDING] [B] STYLE CREATOR TAB [Q][W] BASIC [DIGITAL RECORDING] [B] STYLE CREATOR TAB [Q][W] EDIT [G] STEP REC [DIGITAL RECORDING] [B] STYLE CREATOR TAB [Q][W] ASSEMBLY [DIGITAL RECORDING] [B] STYLE CREATOR TAB [Q][W] GROOVE [DIGITAL RECORDING] [B] STYLE CREATOR TAB [Q][W] CHANNEL [DIGITAL RECORDING] [B] STYLE CREATOR TAB [Q][W] PARAMETER
Style Assembly: Editing the Rhythmic Feel: Editing Data for Each Channel: Making Style File Format Settings:
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Recording Your Performances and Creating Songs
The Tyros3 not only lets you play back commercially available MIDI songs, but also allows you to create your original songs by recording your performance. The recorded performance is made up of 16 parts (channels)Keyboard parts, Multi Pad parts and Style Playback parts as shown belowand saved as a MIDI song. This chapter explains how to quickly and easily record your performance as a MIDI song, and shows you how to play back MIDI songs on the instrument.
MIDI Channel Assignments (for Quick Recording) Keyboard Parts
You can start playback as soon as you start playing the keyboard (SYNC START). Press the [STOP] button and [PLAY/PAUSE] button simultaneously, then play the keyboard to start playback.
Queuing the next Song for playback
While a Song is playing back, you can queue up the next Song for playback. This is convenient for chaining it to the next Song smoothly during stage performance. Select the Song you want play next in the Song Selection display, while a Song is playing back. The NEXT indication appears at the upper right of the corresponding Song name. To cancel this setting, press the [8 ] (NEXT CANCEL) button.
Press the SONG [STOP] button to stop playback.
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Operations During Playback
Pause.. Press the [PLAY/PAUSE] button. Pressing it again resumes Song playback from the current position. Rewind.. Press the [REW] button to move back one measure. Hold the [REW] button to scroll backward continuously. Fast Forward. Press the [FF] button to move forward one measure. Hold the [FF] button to scroll forward continuously. Pressing the [REW] or [FF] button calls up a pop-up window showing the current measure number (or Phrase Mark number) in the display. While the Song Position pop-up is shown on the display, you can also use the [DATA ENTRY] dial to adjust the value.
For Songs not containing Phrase Marks
You can have Song playback fade in/out or change the tempo (page 51).
You can adjust the Song volume balance between the Song and Keyboard. See page 55.
You can also turn the specic part(s) on or off. See page 63.
Phrase Mark is a pre-programmed marker in a certain Song data, which species a certain location in the Song. For Songs containing Phrase Marks
You can switch between BAR and PHRASE MARK by pressing the [E] button.
Restrictions for protected Songs
Commercially available Song data may be copy protected to prevent illegal copying or accidental erasure. They are marked by the indications at the upper left side of the le names. The indications and relevant restrictions are detailed below. Prot. 1: Indicates Preset Songs saved to the User drive. These cannot be copied/moved/saved to external devices. Prot. 2 Orig: Indicates Yamaha-protection-formatted Songs. These cannot be copied. These can be moved/ saved only to the User drive and USB storage devices with ID. Prot. 2 Edit: Indicates edited Prot. 2 Orig Songs. Make sure to save these to the same folder containing the corresponding Prot. 2 Orig Song. These cannot be copied. These can be moved/saved only to the User drive and USB storage devices with ID. Note for Prot. 2 Orig and Prot. 2 Edit Song le operation Make sure to save the Prot. 2 Edit Song to the same folder containing its original Prot. 2 Orig Song. Otherwise the Prot. 2 Edit Song cannot be played back. Also, if you move a Prot. 2 Edit Song, be sure to move its original Prot. 2 Orig Song to the same location (folder) at the same time. For information about compatible USB storage devices for saving protected Songs, visit the Yamaha website.
You can also enter the marker when the Song playback is stopped at the desired position, by double-clicking any of the [SP 1][SP 4] buttons. The marker is entered at the top of the current measure.
Continue to enter other markers in the same way.
Stop song playback by pressing the [STOP] button. Save the Song (step 7 on page 58).
The entered marker settings will be lost if you change to another Song or you turn the power off without executing the save operation.
Jumping to a Marker During Playback
Simply pressing the one of the [SP 1][SP 4] buttons during song playback jumps to the corresponding position, after the current played measure reaches its end. (The button will blink in red, indicating that playback jump is ready.) You can cancel the jump by pressing the same SP button again before the actual jump.
About the lamp status of the SP buttons
Red: The Song Position has been passed and song playback continues to the next Song Position. Green: Song Position is memorized to the button. Off: Song Position is not memorized to the button.
Starting Playback from a Specic Marker
First press the desired SP button (while song playback is stopped), then press the [PLAY/PAUSE] button.
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Using Markers in Loop Playback
In this section, the loop playback method is explained as an example of loop playback between SP 1 and SP 2.
Press the [PLAY/PAUSE] button to start playback from the top of the Song. After passing the [SP 1] point, press the [LOOP] button to turn the loop function on. The Song plays back up to the [SP 2] point, then goes back to [SP 1] and loops between the two points.
Top of the song
End of the song
To turn the loop function off, press the [LOOP] button again. When you turn it off, playback continues past the [SP 2] point.
Turning Song Channels On/Off
Press the [CHANNEL ON/OFF] button once or twice to call up the CHANNEL ON/OFF (SONG) display.
Use the [1 ][8 ] button to turn each channel on or off. If you want to play back only one particular channel (solo playback), press and hold down one of the [1 ][8 ] buttons corresponding to the desired channel. Only the selected channel is turned to on and others are off. To cancel solo playback, press the same button again.
Keep in mind that even if you dont save the recorded data after the recording is nished (in step 9 or 19), a le with the name specied here will still remain on the hard disk drive. In other words, the le exists on the hard disk drive, but is empty (since it has not been properly saved).
Press the [REC] button to enable recording. The REC MODE Page is automatically called up. Now you are ready to record.
To cancel recording, press the [REC] button again.
7 6, 8
Press the [PLAY/PAUSE] button to start recording. Start the Style and play the keyboard. When nished recording, press the [STOP] button. To hear your new recording, press the [PLAY/PAUSE] button.
Do not connect or disconnect the USB storage device during audio song playback or recording. Doing so may cause incorrect playback of the song.
If youve made a mistake or youre not completely satised with your performance, you can use the Undo function to erase the take and try again (starting with Step 5 above). 1 Use the TAB [Q][W] button to select the REC MODE Page. 2 Press the [H] (UNDO) button. The latest recording that you made is cancelled. If you want to redo the operation, press the [H] (REDO) button just after the UNDO operation.
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Press the [I] (SAVE) button to save the new recording, then at the prompt, press the [G] (OK) button.
Next, lets record your singing to the Sub track. You can record your vocals while listening to playback of the Main track (recorded in steps above).
Connect a microphone to the [L/L+R/MIC] jack on the rear panel. Adjust the [TRIM] control on the rear panel and the [INPUT VOLUME] on the front panel while singing in to the microphone. For details about connecting a microphone, refer to page 91.
Use the TAB [Q][W] buttons to call up the VOLUME Page. Practice the part (sing into the microphone) and check the levels on the REC MONITOR meter. Check that the level doesnt constantly go into the red and light up the indicator. If it does, you may have to turn the microphone input level down a bit. Use the TAB [Q][W] buttons to call up the REC MODE Page. Press the [C] (TRACK SELECT) button to set the destination track to SUB.
Make sure that the RECORDING MODE (upper left of the display) is set to NORMAL REC or NORMAL REC (PLUS PLAYBACK) here.
Press the [REC] button to enable recording. Press the [PLAY/PAUSE] button to start recording. Sing along with the Main track playback.
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When nished recording, press the [STOP] button. To hear your new recording, press the [PLAY/PAUSE] button.
Adjusting volume balance
In the VOLUME Page, you can adjust the volume of Main and Sub tracks separately. Use the [3 ]/[4 ] buttons or sliders to adjust the Main/Sub track volume. By using the [2 ]/[5 ] buttons, you can also mute the Main/Sub tracks.
Next, mix all data from the Main track and Sub track to one track (Main track). The procedure below is called Bounce Recording.
In the REC MODE Page, use the [A]/[B] buttons to select BOUNCE.
Press the [REC] button to enable recording. Press the [PLAY/PAUSE] button to start recording. All data in Main and Sub track are mixed and recorded to the Main track. When the playback of both tracks nished, Bounce recording automatically stops. To hear your new recording, press the [PLAY/PAUSE] button. At this point, the data of Sub track is recorded to both Main and Sub tracks. To avoid duplicate playback of Sub track, press the [5 ] (SUB MUTE) button in the VOLUME Page. In the REC MODE Page, press the [G] (TRACK DELETE SUB) button to delete the Sub track.
If you sing or play the keyboard during the Bounce Recording, your performance is also recorded to the Main track.
Press the [I] (SAVE) button to save the recording. Now all the data recorded to Main and Sub tracks are merged and recorded to only the Main track. Since the Sub track is now empty, you can continue recording another part to the Sub track, repeating steps 1319 above.
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Audio Data Playback
Press the HARD DISK RECORDER [SELECT] button, then use the [A][J] buttons to select the desired audio le.
Conrming the Audio Property
By pressing the [7 ] (PROPERTY) button here, you can check the property information (le name, location, sample rate etc.) of the selected le. To close the property display, press the [F] (OK) button.
Press the HARD DISK RECORDER [PLAY/PAUSE] button to start playback. To stop the playback, press the [STOP] button.
Selecting the Previous/Next Audio Song
Press the HARD DISK RECORDER [PREV]/[NEXT] button. This only selects the previous/next song in the same folder level.
Keep in mind that these buttons cannot be used when the VOLUME, REC MODE or START END POINT display is shown.
Adjusting the Playback Volume
Press the [BALANCE] button once or twice to call up the BALANCE (2/2) display.
Use the [5 ] slider or buttons to adjust the HDR (Hard Disk Recorder) playback volume. Press the [EXIT] button to close the BALANCE display.
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Select the OTHERS tab in step 2 on page 85. Press the [1 ] (UP/DOWN) buttons to select Initialize setup.
Use the [2 ]/ [3 ] (ENTER) buttons to initialize the Internet settings.
Cookies and bookmarks still remain after executing this initialize operation. To delete the cookies or bookmarks, select Delete cookies or Delete all bookmarks in step 2.
Advanced Features Registering bookmarks of your favorite pages: Editing bookmarks:
Refer to the Reference Manual on the website. Browser display [4 ] (BOOKMARK) [3 ] (ADD) Browser display [4 ] (BOOKMARK)
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Using Tyros3 with Other Devices
Before connecting the instrument to other electronic components, turn off the power of all components. Also, before turning any components on or off, make sure to set all volume levels to minimum (0). Otherwise, electrical shock or damage to the components may occur.
Connecting Audio Devices
Since the Tyros3 has no built-in speakers, you need to monitor its sound output via external audio equipment. Alternatively, you could use a pair of headphones (page 15).
Connecting the Optional Yamaha TRS-MS02 Speaker
Use the [TO RIGHT SPEAKER], [TO LEFT SPEAKER] and [TO SUB WOOFER L/R] jacks. See page 100.
Using External Audio Devices for Playback
The [LINE OUT] jacks are used to send the Tyros3 output to a keyboard amplier, stereo sound system, mixing console, or tape recorder. If you are connecting the Tyros3 to a mono sound system, use only the [L/L+R] jack. When only this jack is connected (using a standard phone plug), the left and right channels are combined and output through this jackallowing you have a mono mix of the Tyros3s stereo sound.
You can send a specic part to desired LINE OUT jack(s). The operation display can be called up: [MIXING CONSOLE] TAB [Q][W] LINE OUT. For details, refer to the Reference Manual on the website.
You can also use the [AUX OUT/LOOP SEND] jacks instead [LINE OUT] jacks. However, the output volume from [AUX OUT/LOOP SEND] cannot be controlled by MASTER VOLUME.
Input jack Phone plug (standard) Phone plug (standard)
When the Tyros3s sound is output to an external device, rst turn on the power to the Tyros3, then to the external device. Reverse this order when you turn the power off.
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Mixing the Sound of External Audio Devices with the Tyros3 Sound
The [LINE IN/MIC] jacks can be used either as LINE IN or MIC. The [L/L+R/MIC] jack can be connected to any standard microphone or line-level source with a 1/4 phone plug. By connecting an external audio source to the [R] and [L/L+R/MIC] jacks, you can record that source along with your performance, using the Hard Disk Recorder function. Connecting a source only to the [L/L+R/MIC] jack results in a mono input. Connecting to both the [R] and [L/L+R/MIC] jacks (or only the [R] jack) results in a stereo input. The TRIM control allows the input sensitivity of the MIC/LINE IN jacks to be adjusted for optimum level matching with the connected equipment.
To call up the Utility menu, press: [FUNCTION] [I] UTILITY button.
The Utility menu contains the following ve pages. CONFIG1. General settings such as Fade in/out time, Metronome sound, Tap Tempo sound, etc. CONFIG2. General settings such as speaker output, pop-up display time, etc. MEDIA.. Settings related to installed media (hard disk drive or USB storage device). You can format the media in this page (page 95). OWNER. Settings of Owner name (page 18), Message language (page 17) and background of the Main display. Parameter setting backup/restore operations (page 35) and server authentication can also be done in this page. SYSTEM RESET. Resets the settings of the instrument.
For details of the Utility settings, refer to the Reference Manual on the website.
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Installing the Optional Speakers
Make sure that you have all of the parts below, included in the TRS-MS02 speaker package.
Satellite speakers (2)
Subwoofer speaker (1)
Speaker brackets (2)
RCA pin cables (2)
RCA pin/8-pin combination cable (1)
Turn the Tyros3s power off, and disconnect the AC power cord. Also, make sure to disconnect the keyboard from any other external devices. Insert the two speaker brackets to the rear panel of the Tyros3.
Use the outside slots (as shown).
Either bracket can be fastened to either location.
Fasten the satellite speakers to the left and right brackets.
Either speaker can be placed on either bracket.
If you want to change the direction of the satellite speaker, unfasten it from the bracket by rotating the lever, then adjust the speaker position as desired, and fasten it to the bracket again.
Place the speaker on the bracket.
Adjust the direction of the speaker as desired, then fasten it securely to the bracket.
Use the RCA pin cables to connect the speakers to the respective outputs on the Tyros3.
Either cable can be used for either location.
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Use the RCA pin/8-pin combination cable to connect the subwoofer speaker to the respective outputs on the Tyros3.
Connect the power plugs of the Tyros3 and the subwoofer to an appropriate AC outlet. First, set the volume controls (MASTER VOLUME on the Tyros3 and BASS on the subwoofer) to minimum. Finally, turn on the power of the subwoofer, then the Tyros3.
Turn the subwoofer on (from the rear panel).
Turn the Tyros3 on.
Adjust the volume controls (MASTER VOLUME on the Tyros3 and BASS on the subwoofer) to appropriate levels.
Before removing the installed hard disk unit, make sure to backup any necessary data on the disk to computer by using the USB Storage Mode (page 97). This will prevent loss of important data and enable you to use the data on the new hard disk. (If you need to backup the recorded audio les, save the hidden folder HDR.ROOT to the computer.) It is recommended that you wear gloves to protect your hands from metallic projections on hard disk units and other components. Touching leads or connectors with bare hands may cause nger cuts, and may also result in poor electrical contact or electrostatic damage. Handle the hard disk unit with care. Dropping or subjecting them to any kind of shock may cause damage or result in a malfunction. Be careful of static electricity. Static electricity discharge can damage the IC chips on the hard disk or the instrument. Before you handle the hard disk, to reduce the possibility of static electricity, touch the metal parts other than the painted area or a ground wire on the devices that are grounded. Do not touch the exposed metal parts in the circuit board. Touching these parts may result in a faulty contact. Be careful not to misplace any of the screws since all of them are used. Do not use any screws other than what are installed on the instrument.
Hard disk drives thicker than 12.7 mm cannot be installed to the Tyros3. S-ATA compatible hard disks cannot be used.
Before following the steps below, make sure you have an appropriate hard disk drive and a Phillips screwdriver.
Turn the Tyros3s power off, disconnect any cables including AC power cord from the keyboard. Also make sure to close the LCD panel and disconnect a USB device from the USB TO DEVICE terminal. Turn the Tyros3 face down on a blanket or some soft surface, giving you direct access to the bottom of the instrument.
Remove the three screws. Pull out the hard disk bracket.
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Remove the four screws to remove the installed hard disk unit from the bracket.
Attach the new hard disk unit to the bracket using the four screws removed in step 5.
You should tighten these two screws rst.
Make sure the bottom of the hard disk is facing up. Depending on the type of hard disk drive you plan to install, select holes A or holes B to attach the hard disk drive. * Holes A are used in this illustration.
Set the Tyros3 right-side up. Insert the hard disk bracket into the slot.
Turn the Tyros3 face down again and fasten the three screws removed in step 3.
Check that the installed hard disk is functioning properly. Set the Tyros3 right-side up, and turn the power on. If the HD tab appears on the File Selection display, the hard disk is OK.
If you have installed the hard disk that was once used for the Tyros/Tyros2 and turn the Tyros3s power on, you can immediately view the les on the hard disk and use the Song les from the Tyros/Tyros2. However, to properly use the Style, Multi Pad, and Registration Memory les from the Tyros/Tyros2, you will need to convert the data using a computer and the File Converter software (available for free download on the Tyros3 website).
MegaVoice S.Articulation2! (AEM technology)
S.Articulation! Sweet! Cool! Live! Live! Drums Organ Flutes! Voice Expandability Custom Voices Premium Voices Voice Set Style Styles Format Control Section Fingering Style Creator RAM Capacity per a Style OTS (One Touch Setting) Music Finder
112 Tyros3 Owners Manual
Reverb Chorus DSP1DSP7 DSP8DSP9 Master Compressor Master Equalizer Harmony/Echo Sustain Button
(for Style) 5 presets + 5 user settings 5 presets + 2 user settings Yes Yes 18 Bank select, Memory, Freeze, Registration Sequence Yes Yes ART. 1, ART. (including 1 assignable) -12012 (Keyboard/Song/Master) 414.8440466.8 Hz 640 x 480 dots TFT VGA color 7.5 inch LCD
Registration Memory Control
Buttons Control Pitch Bend Wheel Modulation Wheel Articulation Switch Sliders
Transpose Tuning Display Language Text Viewer Wallpaper Customize Storage Internal Flash Hard Disk (installable) Terminals USB TO HOST USB TO DEVICE MIDI FOOT PEDAL Audio
5 languages (English, German, French, Spanish, Italian) Yes Yes USB to Device 3.2MB Yes USB 2.0 HighSpeed x 1 USB 2.0 HighSpeed x 2 (Front/Back) MIDI A (IN/OUT), MIDI B (IN/OUT) 1 (SUSTAIN), 2 (ARTICULATION 1), 3 (VOLUME), Function Assignable LINE OUT MAIN (L/L+R, R) LINE OUT SUB (1, 2) LOOP SEND (L/L+R, R) / AUX OUT (Level Fixed): Selectable LOOP RETURN (L/L+R, R) / AUX IN (with TRIM control) MIC/LINE IN (with TRIM control) PHONES
RGB OUT VIDEO OUT LAN For Option Speaker Power Supply Dimensions [W x D x H] (without Music Rest) Weight (without Music Rest) Optional Accessories Speaker Headphones Footswitch Foot Controller MIDI Foot Controller Floppy Disk Drive Keyboard Stand
Yes NTSC / PAL Composit Yes (Internet Direct Connection) To Satellite Speaker (L/R), To Sub Woofer (L/R) AC IN 1140 x 450 x 143 mm 15 kg TRS-MS02
HPE-150 FC4/FC5 FC7 MFC10 UD-FD01 L-7S
* Specications and descriptions in this owners manual are for information purposes only. Yamaha Corp. reserves the right to change or modify products or specications at any time without prior notice. Since specications, equipment or options may not be the same in every locale, please check with your Yamaha dealer.
Tyros3 Owners Manual 113
[1 ][8 ] buttons. 21 116.. 63  sliders.. 21 CMP..78 Computer...96 Computer Monitor.90 CONFIG1..99 CONFIG2..99 Connect Information..86 Connection..88 Cookie..87 COPY...31 Custom Voice..39 CUSTOM VOICE EDIT via PC..47 CUT..32 FAVORITE.. 67 FF.. 60 File... 26 FILE ACCESS.. 29 File Selection display. 25 FILES (Music Finder).. 67 Fill-in section.. 51 FILTER.. 78 Folder... 26 FOLDER (File Selection display).. 33 Foot Controller.. 93 FOOT PEDAL.. 93 Footage.. 46 Footswitch.. 93 FORMAT.. 95 FREEZE.. 70 FUNCTION.. 110
SCX-6555N XAA R-X80 CDX-R3350EE Thinkpad X23 Nokia 7270 Cheveux DVP3142 RF-22192R CDX-05 14PT1352-00 AB230 AT-201 Review SR1500 V4 5 Compressor 42PD9700C THR880 EOB32000X Radiola 4640 D-EJ785 Maker Soccer XVS1300A-2008 Sl N AV-R730 Monitor 9200 LN37B530 LT245 SCD-XE800 Cadillac CTS Command PO 2790 32PW8206 Dvdr5500 RM4203 TL555C 90128 PLA200 HVL-MT24AM HT-DDW700 32PW9502 8391D Nakamichi CR1 IF-AE8HR SVM-1000 MS6000 Mkii FR-X9A Nokia 3108 RS2555SL LA32B450c4D NV-GS21EP 3232C 50PG100R Fourpointsurround CLD-1200 Prestige Rgfd 4550DN NAD M5 KLV-S32a10 Tracker 5100 20-1930 S MAP AOS-33 MP-200FM P4U800-X Diversion VGN-A197VP 1 3 AVR-3311 DVP3100V EW543F Series 18 CC-CD100N 62514 2006 STR-DE545 LMV1630WW FS524S DWC044BLP UP3300 Dx1 Motorola L7 27LZ5RV Dmrex99V IBP A40 LT 6 LFD22860ST SM-6100SA DSC-H9 AVR 4500 LS650P DR-S501 SW70A1 41056VH-MN 71L Manual RL33sbsw PM-970C PG-M20S CI-8330 LE23R51B LC-MP5-FHD
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