Zoom 505 Guitar Manual
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ZOOM 505 Guitar Multieffects Yamaha ERG 121 Guitar Riffs
User reviews and opinions
|cvolponi||5:48am on Thursday, August 26th, 2010|
|exelent for price An exelent buy for begginers at guitar.Loads of effects and very simple to use and you get loads for what you paid. exelent for price An exelent buy for begginers at guitar.Loads of effects and very simple to use and you get loads for what you paid.|
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Thank you for selecting the ZOOM 505 II (hereafter simply called the "505 II"). Please take the time to read this manual carefully so as to get the most out of the unit and to ensure optimum performance and reliability. Retain this manual, the warranty card and all other documentation for future reference.
SAFETY PRECAUTIONS 2 Features 3 Terms Used in This Manual 4 Using the unit on batteries 5 Controls and Functions 6 Selecting Patches for Play 8 Using the Tuner Function 10 Editing a Patch 12 Storing/Copying Patches 14 Changing the "Patch Call" Method 16 Using the Optional Pedal 18 Restoring Factory Defaults 19 Linking Effects 20 Effect Types and Parameters 21 Specifications 31 Usage Precautions 31 Patch List Troubleshooting
In this manual, symbols are used to highlight warnings and cautions for you to read so that accidents can be prevented. The meanings of these symbols are as follows: This symbol indicates explanations about extremely dangerous matters. If users ignore this symbol and handle the device the wrong way, serious injury or death could result. This symbol indicates explanations about dangerous matters. If users ignore this symbol and handle the device the wrong way, bodily injury and damage to the equipment could result.
The 505 II is a sophisticated multi effect processor for guitar with the following features and functions: Top level performance While similar in price to a compact effect device, the 505 II incorporates a varied palette of 33 effects. Up to nine effects (including ZNR and amp simulator) can be combined in a patch. The memory of the unit holds 36 rewritable patches, providing noholds-barred performance. Intuitive user interface The user interface has been thoroughly redesigned. Large switches and keys and a rotary selector make the unit extremely simple to operate. Any desired effect can be called up swiftly and without fuss. Built-in auto-chromatic tuner The integrated tuning function lets you quickly and precisely tune your instrument on stage. Dual power supply enables operation anywhere The dual power supply principle allows the unit to be powered either from an AC adapter or from four IEC R6 (size AA) batteries. Continuous operation time on batteries is 8 hours with manganese batteries and 28 hours with alkaline batteries. Compatible with foot switch and pedals An optional foot switch (FS01) or expression pedal (FP01/FP02) can be connected to the CONTROL IN jack. The foot switch is useful for quickly switching patches, and the expression pedal can serve to adjust the volume or effect tone in real time. Improved successor to 505 While inheriting the sound characteristics of the very successful ZOOM model 505, the 505 II is even more compact and carries a lower price tag. And what's more, it incorporates nine new effects, including distortion effects using sophisticated modeling techniques, practical stage-use and special effects.
ZOOM 505 II GUITAR
Please observe the following safety tips and precautions to ensure hazard-free use of the 505 II.
Since power consumption of this unit is Warning fairly high, we recommend the use of an AC adapter whenever possible. When powering the unit from a battery, use only an alkaline type.
If battery leakage has occurred, wipe the battery compartment and the battery terminals carefully to remove all remnants of battery fluid. While using the unit, the battery compartment cover should be closed.
AC adapter operation
Be sure to use only an AC adapter Caution Avoid using your 505 II in environments which supplies 9 V DC, 300 mA and is where it will be exposed to: equipped with a "center minus" plug Extreme temperature (Zoom AD-0006). The use of an adapter High humidity or moisture other than the specified type may Excessive dust or sand damage the unit and pose a safety Excessive vibration or shock hazard. Connect the AC adapter only to an AC Handling outlet that supplies the rated voltage Caution The 505 II is a precision instrument. required by the adapter. Except for the foot switches, do not When disconnecting the AC adapter push other parts with your feet or from the AC outlet, always grasp the subject them to strong force. adapter itself and do not pull at the Take care that no foreign objects (coins cable. or pins etc.) or liquids can enter the unit. If the unit is not to be used for a long Be sure to turn the power to all time, disconnect the AC adapter from equipment off before making the outlet. connections. Battery operation Before moving the unit, turn the power Use four IEC R6 (size AA) 1.5 V batteries off, and disconnect all cables and the (alkaline/manganese). AC adapter. The 505 II cannot be used for recharging. Pay close attention to the labelling of the Alterations battery to make sure you choose the Caution Never open the case of the 505 II or correct type. attempt to modify the product in any way If the 505 II is not to be used for an since this can result in damage to the unit. extended period of time, remove the battery from the unit.
Terms Used in This Manual
This section explains some important terms that are used throughout the 505 II documentation. Effect module As shown in the illustration below, the 505 II can be thought of as a combination of several single effects. Each such effect is referred to as an effect module. In addition to modules comprising compressor effects (COMP) or distortion effects (DIST), the 505 II also provides a module for ZNR (ZOOM Noise Reduction) and a guitar amp simulator. Parameters such as effect intensity can be adjusted for each module individually, and modules can be switched on and off as desired.
PATCH 1 PATCH 2 PATCH 3 PATCH 4 PATCH 5 PATCH 6
BANK F BANK E BANK d BANK C BANK b
PATCH 1 PATCH 2 PATCH 3 PATCH 4 PATCH 5 PATCH 6 PATCH 1 PATCH 2 PATCH 3 PATCH 4 PATCH 5 PATCH 6 PATCH 1 PATCH 2 PATCH 3 PATCH 4 PATCH 5 PATCH 6 PATCH 1 PATCH 2 PATCH 3 PATCH 4 PATCH 5 PATCH 6 PATCH 1 PATCH 2 PATCH 3 PATCH 4 PATCH 5 PATCH 6
Terms Used in This Manual / Using the unit on batteries
Effect type Within each effect module, there are several different effects which are referred to as effect types. For example, the modulation effect module (MOD) comprises chorus, flanger, pitch shifter, and other effect types. Only one of these can be selected at a time. An effect type is also often simply referred to as an effect. Effect parameter All effect modules have various parameters that can be adjusted. When likening an effect module to a compact effect device, the parameters can be thought of as the control knobs on the device. Changing the parameter settings will result in changes to items such as effect intensity and tonal characteristics. Patch In the 505 II, effect module combinations are stored and called up in units referred to as patches. A patch comprises information about the on/off status of each effect module, about the effect type used in each module, and about effect parameter settings. The memory of the 505 II can store up to 36 patches. Bank A group of six patches is called a bank. The 505 II manages a total of six banks, labelled A through F. The patches within each bank are numbered 1 through 6. To specify a patch, the 505 II uses the following format: "A1". This means that patch number 1 from bank A is selected. Therefore "b6" would refer to patch 6 from bank b.
Play mode/edit mode The internal status of the 505 II is referred to as the operation mode. The two major modes are play mode, in which you can select patches and use them for playing your instrument, and edit mode, in which you can modify the effects. The [PLAY/EDIT] selector serves for switching between the play mode and edit mode.
Using the unit on batteries
1. Turn the 505 II over and open the cover of the battery compartment on the bottom. Press the latch to release it and then raise the cover. 2. Insert four fresh IEC R6 (size AA) batteries into the battery compartment.
To directly switch the bank
You can use the [+]/[-] keys to directly switch among the banks A - F.
To adjust the master volume
Keep both [+]/[-] keys depressed for more than 1 second.
Set 505 II to play mode
When the [PLAY/EDIT] selector is set to a different position, set it to "PLAY".
While the master volume setting is shown, pressing the [+] or [-] key changes the setting.
The setting range is 0 - 50. When the unit is turned off and on again, the setting will be reset to 40.
When using headphones, the master volume setting can be used to adjust the listening volume.
Bank Patch number
The currently selected bank and patch number are shown on the display.
Immediately after turning on power to the 505 II, the unit will be in play mode also if the [PLAY/EDIT] selector is set to a different position.
To switch patches in play mode, use the [ foot switches. ]/[ ]
Using the Tuner Function
The 505 II incorporates an auto-chromatic tuner for guitars. To use the tuner function, the built-in effects must be bypassed (temporarily turned off) or muted (original sound and effect sound turned off).
Adjusting the reference pitch of the tuner
The center A reference frequency of the built-in tuner can be fine-adjusted.
Switch to bypass or mute
Using the Tuner Function Bypass:
Press both [ ]/[ ] foot switches together briefly and release.
Press one of the [+]/[-] keys.
Press both [ ]/[ ] foot switches together and hold for at least 1 second.
While the reference pitch setting is shown, pressing the [+] or [-] key changes the setting.
The reference pitch range is 35 - 45 (center A = 435 Hz - 445 Hz).
When the unit is turned off and on again, the reference pitch setting is reset to 40 (440 Hz).
The bypass or mute condition cannot be activated when the unit is in the edit mode.
Return to play mode
Press one of the [ ]/[ ] foot switches.
Tune the guitar
Play the open string you want to tune, and watch the display.
The left side of the display shows the note which is closest to the current pitch.
The right side of the display shows a symbol that indicates by how much the tuning is off.
Pitch is high
Pitch is correct
Pitch is low
Tune the other strings in the same way.
Indication turns faster the more the pitch is off.
Editing a Patch
The patches of the 505 II can be freely edited by changing the effect parameter settings. Try editing the currently selected patch to create your own sound.
Change the parameter value
Use the [+]/[-] keys.
Holding down one of these keys will continuously change the value. Additionally pressing the opposite key will cause a faster change. Pressing both keys simultaneously skips to the first value of the next effect type in the same effect module.
Select the effect parameter
Use the [PLAY/EDIT] selector to select the effect you want to change.
The value of the currently selected parameter is shown on the display. (When the 505 II is in edit mode, a dot (.) is shown in the bottom right section of the display.)
Changing the module on/off condition
Press both [ together. ]/[ ] foot switches
This is possible only if the basic parameter of that module (marked with an asterisk in the illustration ) has been selected.
Modules and parameters that can be selected with the [PLAY/EDIT] selector
(1) Patch level (2) Basic parameters of COMP module (*) (3) Basic parameters of DIST module (*) (4) Extended parameters of DIST module (5) Basic parameters of EQ module (*) (6) Extended parameters of EQ module
When an effect module has been switched off, the extended parameter of that module is not shown.
(5) (4) (3) (2) (1)
(6) (7) (8) (9) (10)
Terminate the edit mode
(7) Basic parameters of ZNR/AMP module (*) (8) Basic parameters of MOD module (*) (9) Basic parameters of DLY/REV module (*) (10) Extended parameters of DLY/REV module
To terminate the edit mode and return to the play mode, set the [PLAY/EDIT] selector to the "PLAY" position.
Unless you store the edited patch in memory, the settings you made will be lost when you select a different patch after returning to the play mode. Do not forget to store an edited patch that you wish to keep, as described on page 14.
An edited patch can be stored at any desired location in the internal memory of the unit. It is also possible to copy an existing patch and store it at another location.
Press the STORE key in play mode or edit mode.
The bank and patch number on the display are flashing.
Press the STORE key once more.
When the store/copy process is completed, the unit reverts to the original mode, with the target patch being selected.
Use the [ ]/[ ] foot switches to select the target location in which to store the patch.
When the store/copy process is executed, the previous content of the store target is overwritten and cannot be restored if it was a usercreated patch. You should therefore take care when selecting a target patch. However, the factory default settings of an individual patch or all patches can be restored, as described on page 19.
When storing or copying a patch, it is not possible to use the [+]/[-] keys to switch only the bank number.
To cancel the store/copy process
Press the [-] key instead of the STORE key.
The store process is aborted and the unit reverts to the previous mode.
The store process is also canceled when [PLAY/EDIT] selector is operated instead of the [-] key.
Changing the "Patch Call" Method
In normal operation, the sound of the 505 II will change immediately if a patch is selected in play mode. This may be undesirable if a patch from a distant memory location is called and the sound of other unwanted patches in between is heard. If desired, you can change the "Patch call" method from direct selection to the pre-select method. In pre-select mode, you first specify the desired patch and then confirm the selection. The sound will only change after you have confirmed the operation.
Confirm the patch change
When the desired patch is shown, press the [ ]/[ ] foot switches together.
Changing the "Patch call" method to pre-select
To change the "Patch call" method to preselect, you must turn the unit on while holding down the [ ] foot switch.
Specifying the desired patch
Use the [ ]/[ ] foot switches to select the patch you want to use next.
You can also use the [+]/[-] keys to only switch the bank.
The patch change is confirmed, the sound changes, and the display stops flashing and stays constantly lit.
Changing the "Patch call" method back to direct select
To change the "Patch call" method back to normal direct select operation, simply turn the unit off and back on again.
If the foot switch or expression pedal is connected to the 505 II while the unit is powered, malfunction may occur. Be sure to plug the foot switch or expression pedal into the CONTROL IN jack first and then plug the appropriate cable into the INPUT jack (or DC 9V jack). The pedal is active also in edit mode.
The patches of the 505 II consist of seven serially linked effect modules, as shown in the illustration below. (The maximum number of effects that can be used simultaneously is 9.) You can use all effect modules or selectively set certain modules to on or off.
Effect Types and Parameters
Starting on the next page, all effect types in all effect modules are listed, together with their parameters.
How to read the listing
The display example shown at the left side of the effect parameter listing shows the setting that can be adjusted with the [+]/[-] keys. Which setting this is depends on the module.
Effect type only shown Parameter setting value only shown
COMPRESSOR LIMITER AUTO WAH COMPRESSOR> AUTO WAH PEDAL WAH COMPRESSOR> PEDAL WAH
ACOUSTIC FDR CLN RHYTHM OVERDRIVE DIST BLUES FUZZ LEAD METAL MS DRV BG DRV PVY DRV
4 BAND EQ PHASE SHIFT
MOD CHO/PIT DLY/REV
CHORUS PEDAL CHORUS FLANGER FLANGER>CHORUS PEDAL FLANGER DUBLING DUBLING>CHORUS PEDAL DUBLING TREMOLO TREMOLO>CHORUS PEDAL TREMOLO STEP STEP>CHORUS PEDAL STEP CRY1 CRY2 CRY>CHORUS PEDAL CRY PITCH SHIFT PEDAL PITCH DOWN PEDAL PITCH UP RING MOD RING >CHORUS PEDAL RING MOD SLOW ATTACK SLOW ATTACK > PITCH SHIFT PEDAL SLOW ATTACK DELAY ECHO HALL ROOM
Effect type and parameter setting value shown
The drawing of the [PLAY/EDIT] selector shows the position which is used to call up that module and parameter.
For every effect module, the last basic parameter setting is " o F ". When this is selected, the respective module is turned off, which means that it will not affect the sound output by the 505 II. (The effect is the same as when both [ ]/[ ] foot switches are pressed together in edit mode.)
MOD module basic parameters
This effect module comprises effects such as chorus, flanger, and tremolo. Use the [+]/[-] keys to select the effect type and adjust the effect intensity.
This effect mixes a variable pitch-shifted component to the original signal, resulting in full-bodied and expansive sound. Higher setting values result in a
L7 L9 LP oF
SLOW ATTACK > PITCH SHIFT (Slow Attack > Pitch Shift)
This effect type is a serial connection of slow attack and pitch shifter. Higher right-digit setting values result in slower attack rate. (The pitch shifter is fixed to the 1 octave up setting.)
PEDAL SLOW ATTACK (Pedal Slow Attack)
Using the expression pedal (FP01/FP02) connected to the CONTROL IN jack, the attack rate can be adjusted.
For some effect modules, you can select an effect type from several possible choices. For example, the MOD module comprises CHORUS, FLANGER, TREMOLO, and other effect types. The DLY/REV module comprises DELAY, HALL, ROOM, etc.
Turns the MOD module off.
A pedal icon ( ) in the listing indicates a parameter that can be controlled with the expression pedal (FP01/FP02). When such a parameter is selected, the respective module can be controlled in real time with a connected expression pedal.
Except for pedal wah, when a parameter marked with a pedal icon is selected, the sound will correspond to the representative setting of that effect.
The COMP module and MOD module allow you to choose two effect types simultaneously, such as COMPRESSOR > AUTO WAH or DOUBLING > CHORUS.
If there is no parameter marked with a pedal icon selected in the entire patch, the expression pedal operates as a volume pedal.
PEDAL WAH (Pedal Wah)
This effect type allows using an expression pedal (FP01/FP02) connected to the CONTROL IN jack for pedal wah. The expression pedal then controls the frequency that is emphasized. Higher setting values result in higher emphasized frequency.
Adjusts the overall volume of the patch. A value of 25 corresponds to unity gain (input level and output level are equal).
COMP LIMIT WAH
COMP module basic parameters
This module comprises the compressor, limiter, auto wah, and pedal wah effect types. Use the [+]/[-] keys to select the effect type and adjust the effect intensity.
COMPRESSOR > PEDAL WAH (Compressor > Pedal Wah)
This effect type is a serial connection of compressor and pedal wah. Higher setting values result in higher emphasized frequency. (The compressor effect is fixed.)
Turns the COMP module off.
DIST module basic parameters
In addition to 10 distortion type effects, this module also comprises two clean effect types. Use the [+]/[-] keys to select the effect type.
CRY1 (Cry 1)
This effect changes the sound in a similar way as a talking simulator. Higher right-digit setting values result in more pronounced sound change.
PEDAL RING MOD (Pedal Ring Modulator)
Using the expression pedal (FP01/FP02) connected to the CONTROL IN jack, the ring modulator frequency can be adjusted.
CRY2 (Cry 2)
This is a cry effect with a different sound character. Higher right-digit setting values result in more pronounced sound change.
SLOW ATTACK (Slow Attack)
This effect reduces the attack rate of the sound, resulting in a volume playing style sound. Higher right- digit setting values result in slower attack rate.
CRY > CHORUS (Cry > Chorus)
This effect type is a serial connection of cry and chorus. Higher right-digit setting values result in more pronounced cry type sound change. (Chorus intensity is fixed.)
PEDAL CRY (Pedal Cry)
Using the expression pedal (FP01/FP02) connected to the CONTROL IN jack, the cry type sound change can be adjusted.
PITCH SHIFT (Pitch Shift)
This effect varies the pitch of the original sound. You can select one out of nine preset pitch shift patterns (P1 - P9). P1: A component shifted by 1 octave down is mixed to the original sound. P2: A component shifted by a perfect fifth down is mixed to the original sound. P3: A chorus effect is added to the P2 setting. P4: A component shifted by a perfect fourth up is mixed to the original sound. P5: A chorus effect is added to the P4 setting. P6: A component shifted by 1 octave up is mixed to the original sound. P7: A slightly pitch-shifted component is mixed to the original sound, resulting in a chorus with slight modulation. P8: A component shifted by a perfect fourth up and down is mixed to the original sound. P9: A component shifted by 1 octave up and down is mixed to the original sound.
DLY/REV module basic parameters
This module comprises delay, echo, reverb, and other effects. Use the [+]/[-] keys to select the effect type and adjust the effect intensity.
Built-in effects Effect modules Banks and patches max. 9 simultaneous / 33 total max. 7 simultaneous (5 modules + 1 block) 6 banks x 6 patches = 36 patches (rewritable, with memory store capability) A/D converter 16 bit, 64 times oversampling D/A converter 16 bit, 8 times oversampling Sampling frequency 31.25 kHz Input GUITAR input: standard mono phone jack (rated input level -20 dBm/input impedance 470 kilohms) Output Standard stereo phone jack (doubles as line and headphone jack) (maximum output level +5 dBm/output load impedance 10 kilohms or more) Control input For optional FP01 or FP02 / FS01 Display 2-digit 7-segment LED Power requirements Separately available AC adapter, 9 V DC, 300 mA (center minus plug) (ZOOM AD-0006) Four IEC R6 (size AA) batteries Battery life: approx. 28 hours continuous operation (alkaline batteries) / approx. 8 hours continuous operation (manganese batteries) Dimensions 145 mm (D) x 125 mm (W) x 40 mm (H) Weight280 g (without batteries) 0 dBm = 0.775 Vrms Design and specifications subject to change without notice.
Original sound Delay sound
d1 d9 E1 E9
H1 H9 r1 r9 oF
This is a conventional digital delay effect. By using the output in stereo, you can achieve a ping-pong delay where the delay sound alternates between the left and right channels. The right-digit setting values control the feedback (number of repetitions) and the mixing ratio between original sound and effect sound.
This is a delay effect with a warm sound similar to a tape echo. By using the output in stereo, you can achieve a ping-pong delay where the delay sound alternates between the left and right channels. The right-digit setting values control the feedback (number of repetitions) and the mixing ratio between original sound and effect sound.
This is a reverb effect that produces a sound similar to the reverberation in a concert hall. Higher right-digit setting values result in stronger reverb.
This is a reverb effect that simulates the reverberation in a room. Higher right-digit setting values result in stronger reverb.
Turns the DLY/REV module off.
DLY/REV module extended parameters
These parameters serve to adjust the effect operation for the effect type selected with the DLY/REV module basic parameters.
For safety considerations, the 505 II has been designed to provide maximum protection against the emission of electromagnetic radiation from inside the device, and protection from external interference. However, equipment that is very susceptible to interference or that emits powerful electromagnetic waves should not be placed near the 505 II, as the possibility of interference cannot be ruled out entirely. With any type of digital control device, the 505 II included, electromagnetic interference can cause malfunctioning and can corrupt or destroy data. Care should be taken to minimize the risk of damage.
DELAY TIME (Delay Time)
(When DELAY or ECHO is selected as effect type) Sets the delay time in the range from 1 - 37. The actual delay time is the setting value x 10 (ms). (Example: A setting of "15" results in a delay time of 150 ms.)
Use a soft, dry cloth to clean the 505 II. If necessary, slightly moisten the cloth. Do not use abrasive cleanser, wax, or solvents (such as paint thinner or cleaning alcohol), since these may dull the finish or damage the surface. Please keep this manual in a convenient place for future reference.
REVERB TIME (Reverb Time)
(When HALL or ROOM is selected as effect type) Sets the reverb time in the range from 1 - 10. Higher right-digit setting values result in longer reverb time.
BANK PATCH PATCH NAME
Tight and smooth distortion sound. Clean sound with pedal-chorus and feedback delay. Rectified modeling sound with pedal-gain control. High-gain metal sound allows 2-octave bend-down with pedal. Crunchy clean sound of the built-in type tube amp. Distorted sound for harmony solo. American fat amp distortion with pedal-gain control. Clean sound with phase shift effect. Straight overdrive sound. 80's lead guitar sound with detune effect. Electric acoustic guitar simulation sound. Talking lead sound with pedal-cry effect. Eddie's famous hard driven sound. Vintage tube amp sound with old tremolo effect. Old British style tube amp modeling sound. Straight pedal-wah sound. 60's British crunch sound with 1-octave up pedal-pitch. Like Santana's "Solo". Wild jet sound with pedal-flanger. Clean sound with auto-wah and phase shift for rhythm play. Slow attack sound with delay. Noisy pedal-wah/fuzz sound. Crunch sound for blues style play. Distorted sound with auto-wah and chorus effect. Synthesizer sound with full effect palette. SF style sound combining step effect with chorus. Ring modulator sound,sound good with pedal. Zoom's famous step-type effect. Clean sound with phase and pedal-chorus. Synthesizer-like SFX sound. Heavy distortion sound with doubling. Clean sound with transparent chorus and flanger. Straight distortion sound for rock style play. High frequency distortion sound with pedal-doubling. Chorus sound with a distinct edge. Distorted sound with twin pitch shifter.
Volume Chorus Gain Pitch Volume Volume Gain Volume Volume Volume Gain Cry Volume Tremolo Volume Wah Pitch Volume Flanger Volume Slow attack Wah Volume Volume Wah Volume Ring Mod Volume Chorus Volume Volume Volume Volume Doubling Volume Volume
SUPER DIST CLEAN DELAY METAL PANEL WILD METAL II AMERICAN HARMONY SOLO PVY POWER MULTI PHASER STANDARD OD LA POWERED ACOUSTIC TALKING CRY VAN'S DRIVER SURF ZEP STACK PEDAL WAH ROCK'N POPS SORROW JET DRIVE FUNKY PHASE ECHO VIOLIN WAH FUZZ BLUE NOTE CHO WAH PWM SYNTH STEP MODE SPACE CONTACT STEP JET SYMPHONY STEEL CHINA POWER LEAD FLOW FLANGE ROCK DRIVE TREBLE DIST BRIGHT CHORUS DUPLEX
It is recommended to set the ZNR (Zoom Noise Reduction) value for each patch to match the guitar being used.
Refer to "1. Power-on" on page 8. Check whether patch call method is set to pre-select (see page 16).
High level of noise
Is ZOOM AC adapter being used? Be sure to use only adapter for 9 V DC, 300 mA with center minus plug (ZOOM AD-0006). Are manganese batteries being used? Continuous operation time is 28 hours with alkaline batteries but only 8 hours with manganese batteries. The use of alkaline batteries is recommended.
Patch does not change Battery life is short
NOAH Bldg., 2-10-2, Miyanishi-cho, Fuchu-shi, Tokyo 183-0022, Japan PHONE: +81-42-369-7116 FAX: +81-42-369-7115 Web Site: http://www.zoom.co.jp Printed in Japan 505 II-5000
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