KNOW HOW

1-800-OK-CANON www.usa.canon.com
Canon U.S.A., Inc. One Canon Plaza Lake Success, NY 11042 U.S.A. Canon Canada Inc. 6390 Dixie Road Mississauga, Ontario L5T 1P7 Canada Canon Latin America 703 Waterford Way, Suite 400 Miami, FL 33126 U.S.A. Canon Mexicana, S. de R.L. de C.V. Blvd. Manuel vila Camacho No. 138, Piso 17 Col. Lomas de Chapultepec C.P. 11000 Mxico, D.F. Mxico www.canon.com.mx
0054W868 8/CANON U.S.A., INC. PRINTED IN U.S.A.
Photography by Canon Explorers of Light.
Intuitive Speed, Massive Resolution and Perfect Operation.
Presenting the next generation of EOS professional digital SLRs. A stunning combination of performance, resolution and ease of use, this trio of cameras is ready for anything. All Canon EOS digital SLRs combine Canon designed high-resolution sensors with the blazingly fast DIGIC II Image Processor, for nearly instant response across the board. Canons renowned build quality ensures perfect operation no matter the situation. Compatibility with over 50 EF Lenses and wide variety of accessories, plus new technologies, like the Wireless File Transmitter WFT-E1A and Canons wide-format printers, ensures that the EOS system is the most advanced today and is ready to be compatible with whatever tomorrow brings.
The Worlds Fastest Digital SLR* Refined Canons new EOS-1D Mark II N can record at 8.5 fps for up to 48 frames in one burst. It features Canons proven 8.2 Megapixel CMOS sensor with a 1.3x conversion factor, combined with the speed and intelligence of the DIGIC II Image Processor, all in a rock-solid, magnesium alloy body.

* As of August 2005

Widen Your Horizons The new EOS 5D has a full-frame 12.8 Megapixel CMOS sensor combined with Canons DIGIC II Image Processor, a high-precision 9-point AF system with 6 Supplemental points, and Picture Style color control to deliver images of superior quality with enough resolution for any application, all in a compact lightweight body.
Unparalled Resolution and Performance The EOS-1DS Mark II is a must have for those looking to capture huge, beautiful images fast. With a full-frame 16.7 Megapixel sensor, the EOS-1DS Mark II captures up to 32 consecutive frames at speeds up to 4 fps, rendering the largest file in Canon Digital SLR history.

Commercial Applications

Gil Smith
The Ultimate in Resolution.
My main concern with any camera system is having a wide array of lenses available
that are manufactured to professional standards. I love using extreme wide-angle lenses and the full frame chip on the EOS-1Ds Mark II allows me to utilize all of the EOS lenses to their full potential. The creation of this particular photograph was immeasurably faster than previously possible thanks to Canons superior use of emerging technology. We were in a studio in a controlled lighting situation, wired to the internet with the art director hundreds of miles away. We were able to capture and send shots instantly, and the art director evaluated and approved the image in minutes. The Canon EOS-1Ds Mark II connected to a computer or a network is a remarkable platform for photography in this digital age.
The EOS-1Ds Mark II captures more pixels than the competition, quickly delivering a high-resolution photograph without equal. The 1Ds Mark IIs 16.7 Megapixel full-size CMOS sensor captures 4992 x 3328 pixels, enough resolution for almost anything. In addition, with ISO ratings of 50-3200, combined with Canons noise reduction technology for an incredibly low signal to noise ratio, theres almost nowhere this sensor wont perform. The 1Ds Mark II can take full advantage of Canons array of EF lenses, as its sensor is the same size as a traditional film SLR, meaning no focal length conversion factorlenses will have the same view they would on a 35mm camera. The 1Ds Mark II can also be shot at lower resolutions to conserve space on memory cards if large images are not the priority of the shoot.

Canons DIGIC II Image Processor turns information captured by the CMOS sensor into images of exceptional clarity and resolution. Photographers can expect precise, natural colors with smooth, lifelike gradations, spot-on white balance and speed in any number of lighting situations. By handling larger volumes of image data, the DIGIC II Image Processor also contributes to lower power consumption: about 1,200 shots can be taken on a full battery under normal conditions. Photographs can be recorded as JPEG images, RAW images, or both simultaneously with unprecedented control over image quality. Canon's newly developed proprietary CR2 RAW type compression method offers tremendous image quality, with rich 12-bit gradation and lossless image compression. Perfect for critical applications, amazing results can be achieved when processing Canons RAW images on a computer.
Camera: EOS-1Ds Mark II Lens: EF 50mm f/2.5 Compact Macro
2005 Michel Tcherevko= All Rights Reserved

Photojournalism

Vincent Laforet
EOS-1D Mark II N: You Spoke, We Listened.
The successor to the amazing EOS-1D Mark II, the EOS-1D Mark II N refines every facet of the photographic process, resulting in a faster, more fluid experience for the photographer. Retaining the EOS-1D Mark IIs 1.3x conversion factor and 8.2 Megapixel CMOS sensor, sophisticated 45-point AF, 21-zone Evaluative Metering, superb build quality and instant 0.2 second startup time, the EOS-1D Mark II N incorporates userrequested improvements such as an optional changeable focusing screen for critical focus in low light and a larger 2.5 inch LCD screen which provides a bigger image for playback, and can be viewed at 170 from all angles. ISO values can now be changed in the viewfinder, allowing photographers to change settings without taking the camera from their eye. The 1D Mark II N features these improvements, plus, all the shooting modes of the EOS 1 line and shutter speeds from 1/8000 to 30 sec.
In Photojournalism there is no such thing as a second chance - every moment is
unique and can never be reproduced. Therefore I need a camera system that is incredibly reliable, one that does not stand in between me and a photograph. I've come to rely on Canon cameras to not only capture the decisive moments but also to make photographs that I could not have otherwise. After five solid days of bad weather, and with a looming deadline, we finally got a clear sunset. I needed to capture a dramatic shot of the Chrysler Building but did not want to isolate it as its a vital part of the city and rooted to the streets below. Since the surrounding buildings are lower, they appeared in shadow while the Chrysler appears to be in spotlight. Flying high above New York in a helicopter banking at 45, with one chance to get the shot that will tell your story, you need confidence in your equipment, and thats why I use Canon.

A telling, gleeful moment is there for an instant and then gone. A cameras
ability to focus instantly and perfectly control flash exposure is often the difference between a moment lost and one captured forever. In dark reception halls, I often twist the head of my Speedlite flash to bounce off distant walls and ceilings, trusting Canons remarkable E-TTL II system to handle the tricky exposure challenge effortlessly. Whether that wall is yellow or blue, any color cast is instantly eliminated by the celebrated automatic white balance system. Difficult shots are now routine thanks to Canons industry-leading technology. I use Canon equipment with full confidence that I am using the finest photographic tools available in the world today.
Masked Focusing Screens (Ec and Ee versions available)
Ideal for portrait and wedding photographers, two new sets of focusing screens, featuring crop lines or black mask, help frame an image in a traditional 4 x 5 or square format. Compatible sets are available for the EOS-1 series cameras as well as the EOS 5D.
Camera: EOS-1D Mark II N Lens: EF 24-70mm f/2.8L USM
2005 Denis Reggie All Rights Reserved

Senior Portrait

Clay Blackmore
More Options for The Way You Work.
The EOS-1D Mark II N is one of the easiest cameras to customize to a photographers personal style of shooting. Six new Picture Style settings simulate the characteristics of different film styles, including Snapshot mode, for punchy, print-from-the-camera color, Portrait mode, for softer, more natural skin tones; Landscape, for vivid blues and greens and overall sharpness, plus Neutral, Faithful and Monochrome, which can be customized to emulate color filters with black and white film. Add Canons new interchangeable matte focusing screens, proven Custom and Personal functions (two card slots, one for CompactFlash (CF) and one for Secure Digital (SD) memory cards) with the ability to record JPEG and RAW image on different memory cards, simultaneously, and its clear that the 1D Mark II N is an incredibly adaptable photographic tool.
The features that attracted me to the Canon system are numerousLets start with

(Shown with optional Wireless File Transmitter WFT-E1A) Camera: EOS 5D Lens: EF 85mm f/1.2L USM
2005 Monte Zucker All Rights Reserved

Environmental Portrait

Michele Celentano
More Features, Less Camera!
The decidedly professional features of the EOS 5D are built into a newly designed compact, rugged and ergonomically designed body. Built with magnesium alloy body covers for strength and portability, measuring approximately 6" x 4.4" x 3" and under 2 lbs, the 5D is easy to carry during even the longest photo shoots. Even the grip is designed for all-day comfort, featuring a groove where the photographers middle finger falls. The metallic mode dial features roulette wheel grooving for a more positive feel, and all buttons and dials are clearly labeled and feature tactile cues, so use becomes purely instinctive. This elegant design follows over to the optional BG-E4 battery grip. With a shutter designed to take a professional 100,000 frames, the 5D is the perfect choice for a primary or secondary SLR.
In a lot of ways you are only as good as the tools you
uselearn to use the best tools properly and your advantage is miles high. As such, I believe that having my Canon cameras and lenses is critical at every job I photograph. Beautiful files, speedy focus, fast lenses, Image Stabilization, high ISOs, easy exposure compensation, and excellent dynamic range are critical to capturing moving moments in life and its those moments that I earn my living from. There can be no compromise. Photographing three little girls at sunset in this remote setting required all the elements that are important to my work. Having a compact, lightweight camera with the imaging power of the EOS 5D made this shoot possible. Without the right tools this shoot would not have been possible.
Camera: EOS 5D Lens: EF 70-200mm f/2.8L IS USM
2005 Michele Celentano All Rights Reserved

Nature Photography

George Lepp

The Result Is Clear.

The EOS 5D has been designed to provide the photographer with instant feedback, saving valuable time when reviewing images. A new 2.5 inch LCD screen with approximately 230,000 pixels not only displays more information, it can also be viewed from a far greater angle than many other conventional LCD screens (170). The full-featured shot information screen provides an RGB histogram, and displays the AF frames used. Magnification to check exposure and critical focus has never been faster, and it is now simple to jump quickly in image intervals up to 100. Menus are easily accessed at the touch of a button, and feature larger, easier-to-read text than previous models. Whether changing color parameters, setting up custom functions, organizing folders, setting white balance, or any other feature, the new screen is designed with the professional in mind. Photographers get to their information quickly, so they never lose a shot. Wrapped in magnesium-alloy, the BG-E4 adds buttons for vertical shooting, and takes either BP-511A batteries or AAs.

Every time I go into the field my Canon EOS digital
system allows me to capture precisely what I see. I need a camera that will solve the photographic problems that are inevitable in outdoor photography. Will the cameras functions assist me, or be an obstacle to overcome? Will it focus quickly enough? Stand up to the weather and terrain I frequently find myself in? Most importantly, will the image quality be up to the standards that my clients and I demand? Canon has always been interested in what those of us in the field have to say, and the improvements made over the years reflect that input. If not for the fullframe sensor on the EOS 5D, for example, this dramatic fisheye shot would not be possible. Occasionally theyll even think of something I didnt even know I needed!
Camera: EOS 5D Lens: EF 15mm f/2.8 Fisheye
2005 George Lepp All Rights Reserved
Actual Size (Shown with optional Battery Grip BG-E4)
Architectural Photography

Gerry Kopelow

Expansive Perspective.
Historically, full frame digital sensors were reserved only for the very top end of Digital SLR lines. The EOS 5D is the 3rd camera in the EOS Digital SLR line to use a full-frame sensor, eliminating the lens conversion factor so that lenses function as they would on a 35mm camera. With a 12.8 Megapixel CMOS sensor, the 5D produces a large file with enough information to reduce electronic distortions out of the camera. Besides being a welcome feature to wide-angle enthusiasts, the sensor also realizes the full potential of Canons tilt-shift lenses. Add the choice of 3 focusing screens, including one with grid lines, and the EOS 5D is the perfect camera for creating fast, huge digital architectural photos. The EOS 5D also adds a 9-point AF sensor, with 6 additional supplemental focusing points, which bring a new level of accuracy to focus tracking. These new features combine with a new 3.5% spot meter and Canons Picture Style feature, resulting in superior color accuracy and much, much more.
Long before I switched to Canon digital SLRs, I made
a list of features that I required in a digital camera. Canon was the first (and remains the only) manufacturer to meet my requirements: full frame sensor, high pixel count, bright LCD review, rapid operation and superlative image quality. I bought one of the first EOS-1Ds cameras available, and every iteration since has only improved upon its versatile, intelligent and reliable design. Now with the EOS 5D I've got another great option. A higher resolution full-frame camera in a compact, lightweight body that affords me more versatility than ever before. The high resolution, wide tonal range sensor made this kitchen image possible. Note the extreme density rangefrom bright chrome to dark woodand the mixed lighting. The Canon sensor takes mixed light sources in stride, allowing faithful image capture without supplemental lighting.

Camera: EOS 5D Lens: TS-E 24mm f/3.5L
2005 Gerry Kopelow All Rights Reserved
Rugged Build Quality, Total Flexibility
Digital Solutions and Connections
Photographers have come to expect stellar images from Canon digital SLRs. And along with excellent optics, powerful processors and smooth sensors, Canon digital SLRs are complemented by renowned build quality for ergonomic and reliable operation, whether in the studio or the field. EOS-1 series cameras have rigid, well-coated magnesium alloy bodies, as well as being dust-proof and weatherresistant for shooting in even the most inclement conditions. In addition, the shutters are designed to endure 200,000 cycles (100,000 for the EOS 5D). With newly strengthened accessory shoes, electromagnetic shielding to help reduce noise, all in elegant, durable bodies, these SLRs are a pleasure to hold and use.
Reflecting the range of viewing and image transfer possibilities available today, the EOS-1Ds Mark II, EOS-1D Mark II N and EOS 5D have a video OUT terminal, perfect for viewing images on a television screen. And in addition to a standard professional IEEE1394 (FireWire) port on the 1Ds Mark II and 1D Mark II N, all three include a USB 2.0 port (Hi-Speed USB on the EOS 5D) for connection to computers or direct connection to compatible printers. Once transferred to a computer, Canons EOS Digital Solution Disk (Ver. 11.0 as of September 2005), and Digital Photo Professional (Ver. 2.0), add a combination of powerful, easy to use tools designed to seamlessly transform data captured by the cameras into spectacular digital files, perfect for any application the photographer may have in mind.
Digital Photo Professional (Version 2.0) Digital Photo Professional is a RAW image processing application featuring a newly designed, dedicated image processing engine which is optimized to streamline the workflow demands of professional digital photographers. It enables high-speed RAW image processing and preview, support for sRGB, Adobe RGB and Wide Gamut RGB color spaces, and is CMS (Color Management System) compatible. In addition to numerous controls for exposure and color settings, it also includes a cropping tool, a navigation tool, CMYK printer simulation, batch conversion, multiple image download and download to applications other than Photoshop.

Camera with Master Slave Slave
Speedlite 430EX Significantly greater user control via new LCD panel on rear of flash. Wide-angle pull-down panel covers 14mm lens (on a full-frame camera). Slightly higher max. Guide number at 105mm setting (GN 141-feet, at ISO 100). Auto conversion of flash zoom coverage with compatible digital SLRs. White balance info communicated instantly to compatibe digital SLRs. Bounce upward to 90; swivel right (to 90) and left (180).
Speedlite Transmitter ST-E2 Dedicated transmitter to control unlimited number of compatible slave flashes. Compatible with Speedlite 580EX, 550EX, 430EX and 420EX. Controls compatible slave units up to 33 ft. outdoors and 49.5 ft. indoors.
2005 Gerd Ludwig All Rights Reserved
Wireless File Transfer: The Next Generation of Image Delivery
concentrate on shooting photographs, knowing that their images are being transferred in the background, automatically. Whether working on location, in the studio, shooting fashion or events, the WFT-E1A is an indispensable tool for todays pros. The WFT-E1A offers several different ways of transmitting image data: It can communicate directly with a local computer outfitted with a Canons Wireless File Transmitter WFT-E1A enables fast, wireless image transfer from EOS Digital cameras directly to a computer. This amazing productivity tool eliminates the need to stop and upload image files to the computer, allowing photographers to wireless LAN adapter, or with a direct Ethernet connection. It can also connect to a remote server through a Wireless Access Point connection. Built to withstand the rigors of professional shooting, the WFT-E1A is the perfect complement to a digital EOS System. Wireless Transmitter WFT-E1A Wireless LAN compatible (IEEE 802.11 B/G up to 54 mbps) for speedy image transmission during or after shooting. 100 Base-TX Ethernet connection for tethered, fast connection. Compatible with both USB 2.0 and IEEE 1394 (firewire) connections to the camera. Thin profile complements the design of the digital EOS Operable up to approx. 200 ft with normal. antenna, or up to approx. 500 ft with optional extended-range antenna. (ERA-E1) Offers high-security transfer using WPA-PSK, WEP and TKIP encryption (180 minutes wireless, 270 minutes wired).
For Sports Photojournalism
Wireless File transfer has already found a home with sports photographers and photojournalists, who benefit from the speed and ease of transferring images while they shoot: by transmitting images to a local computer, an assistant manages and transmits image files immediately. This way, the photographer can meet any deadline and can even get feedback on images while shooting. And, since they are transmitting their files, photographers dont have to worry about changing memory cards. Whether capturing the winning serve, or the handshake at the net, the photographer will never miss a minute of the action.

Monochrome Shooting Metering Mode Evaluative Partial Spot Center-weighted Average Exposure Level Exposure Compensation Amount AEB Level Flash Exposure Compensation Amount AF Mode ONE-SHOT AF AI FOCUS AF AI SERVO AF
* Manual focus when none is displayed

Mode Dial

Strap Mount LCD Panel

Small/Normal RAW

Flash-sync Contacts Hot Shoe Dioptric Adjustment Knob
Flash Exposure Compensation

CF Card Writing Status

SPECIFICATIONS EOS-1Ds Mark II
Image Sensor 16.7 MP CMOS Full-frame 36 x 24mm Maximum continuous shooting speed of 4 fps (approximate) Built-in 2.0 inch color monitor Custom Functions (20 custom functions with 65 settings) Simultaneous RAW and JPEG image capture Depth-of-Field Preview Mirror Lock IEEE 1394 Compatible

EOS-1D Mark II N

8.2 MP CMOS APS-H 28.7 x 19.1mm Custom Functions (21 custom Maximum continuous functions with 69 settings) shooting speed of 8.5 fps Simultaneous or separate (approximate) RAW and JPEG image capture Built-in 2.5 inch wide viewing angle color monitor Depth-of-Field Preview Mirror Lock IEEE 1394 Compatible

EOS 5D

12.8 MP CMOS Full-frame 36 x 24mm Maximum continuous shooting speed of 3 fps (approximate) Built-in 2.5 inch wide viewing angle color monitor Custom Functions (21 custom functions with 57 settings) Simultaneous RAW and JPEG image capture Depth-of-Field Preview Mirror Lock TTL-CT-SIR CMOS Sensor. One-Shot and AI Servo AF with Focus Prediction. Manual focusing conrmation possible with EF Lenses. Automatic or manual focus point selection. Nine (plus 6 Assist AF points) Center-AF point is cross-type Hybrid high and standard precision. EV-0.5-18 (at ISO 100). Vertical-travel, focal-plane shutter with soft-touch electromagnetic release, all speeds electronically controlled. 301/8,000 sec. 1/200 sec. Digital images are stored on removable CompactFlash Type I & II. Single, 3.0 fps. TTL full-aperture metering: 35-zone Evaluative metering 8.0% Partial metering 3.5% Center spot metering Center-weighted average metering Pre-flash metering (E-TTL II) EV 120 for all patterns (at ISO 100 with f/1.4). 2 stops in 1/3 or 1/2-stop increments. 2 stops in 1/3 increments. Yes. Program AE Shutter Speed-priority AE Aperture-priority AE Full Auto Manual E-TTL II Flash AE

Special Features

Autofocus System No. of Focusing Points Autofocus Sensitivity Shutter Shutter Speeds Maximum Flash Synchronization Speed Storage Media Frames Per Second

TTL-AREA-SIR CMOS Sensor. One-Shot and AI Servo AF with Focus Prediction. Manual focusing conrmation possible with EF Lenses. Automatic or manual focus point selection. Forty-five (Area AF Ellipse) Seven central high-precision cross-type AF points. EV 0-18 (at ISO 100). Vertical-travel, focal-plane shutter with soft-touch electromagnetic release, all speeds electronically controlled. 301/8,000 sec. & Bulb; manually selectable in 1/3 stop increments. 1/250 sec.; high-speed sync. available with EX-series Speedlites. Digital images are stored on removable CompactFlash (Type I & II) or SD memory card. Single, 4.0 fps. (Can be altered in 1 fps increments with Personal Function) TTL full-aperture metering: 21-zone evaluative metering 8.5% partial metering 2.4% center spot metering 2.4% spot metering (linked to user-selected focusing point) Single, 3.0 fps, 8.5 fps (Can be altered with Personal Function) TTL full-aperture metering: 21-zone evaluative metering 13.5% partial metering 3.8% center spot metering 3.8% spot metering (linked to user-selected focusing point)

Metering System

Multi-Spot metering (up to 8 spot readings) Center-weighted average metering Pre-flash metering (E-TTL II)
Metering Sensitivity Exposure Compensation Flash Exposure Compensation AE Lock Exposure Modes White Balance Auto White Balance Color Temperature Compensation* Viewnder Viewnder Coverage
EV 020 for all patterns (at ISO 100 with f/1.4). 3 stops in 1/3 or 1/2-stop increments. 3 stops in 1/3 or 1/2-stop increments. Yes. Shutter Speed-priority AE Intelligent Program AE Manual Flash Metered Manual Aperture-priority AE with variable shift E-TTL II Flash AE Bulb Settings: Auto, Daylight, Shade, Cloudy, Tungsten Light, Fluorescent Light, Flash, Custom, Color Temperature, Personal White Balance (total 10 settings). image sensor. White Balance bracketing: 3 stops in full-stop increments. White Balance correction: 9 stops in full-stop increments. * Blue/Amber bias or Magenta/Green bias possible. Fixed eye-level pentaprism. 100% horizontal and vertical at 0.7x. 100% horizontal and vertical at 0.72x.
Settings: Auto, Daylight, Shade, Cloudy/Twilight/Sunset, Tungsten Light, White Fluorescent Light, Flash, Custom, Color Temperature (total 9 settings). image sensor. White Balance bracketing: 3 stops in full-stop increments. White Balance correction: 9 stops in full-stop increments. * Blue/Amber bias on Magenta/Green bias possible. Fixed eye-level pentaprism. 96% horizontal and vertical at 0.71x. Inside the picture area: Nine focusing points, 3.5% Partial metering circle. Displayed at the bottom of the viewing area: Shutter speed Exposure level scale FP mode indicator Aperture value Flash status (high-speed sync) AE Lock Flash expsure compenstion Remaining frames in burst FE Lock AF-in-focus indicator Red-Eye reduction

Viewnder Information

Inside the picture area: Area AF ellipse, illuminated AF frames and spot metering circle. Displayed at the bottom and right side of the viewing area: Manual exposure level Exposure compensation/ Shutter speed Flash compensation Remaining frames in burst Aperture Value Exposure level/ AE Lock Multi-Spot readings ISO Speed Flash exposure level FE Lock

JPEG Indication Hi-speed flash sync White Balance +
CF card full warning White Balance +/ Focus Confirmation
Focusing Screens Self-Timer LCD Monitor
Laser-matte screen Ec-C III, with area AF ellipse and fine spot metering circle provided as the standard screen (interchargeable with Ec-series focusing screens. Metering correction data can be set with a Custom function for the Laser-matte and New Laser-matte screens). Masked Focusing Screens (Ec and Ee versions available) Electronically controlled with 2- or 10-second delay. TFT color liquid-crystal type; 2.0 in. with approx. 230,000 pixels. 100% coverage with respect to the e=ective pixels. Brightness adjustment available with 5 levels. 12 interface languages. TFT color liquid-crystal type; 2.5 in. with approx. 230,000 pixels. 100% coverage with respect to the effective pixels. Brightness adjustment available with 5 levels 15 interface languages.
Ee-A , Ee-D and Ee-S Masked Focusing Screens (Ec and Ee versions available) Electronically controlled with 2- or 10-second delay. TFT color liquid-crystal type; 2.5 in. with approx. 230,000 pixels. 100% coverage with respect to the effective pixels. Brightness adjustment available with 5 levels. Single Image, 9-image index, Magnified zoom (approx. 1.5-10x), Auto Play, Jump (by 1/10/100 images, with 9-image index, during magnified view, during the menu display), Rotated image can be displayed. Highlight alert is displayed in Single Image (INFO.) formats, any overexposed highlight areas blink in the image display. N/A Compatible printers: SELPHY Compact Photo Printers, CP Direct, PictBridge compatible printers. 6.0 x 4.4 x 3.0 in. / 152 x 113 x 75mm 28.6 oz. / 810g
Image Playback Sound Recording Direct Printing Body Dimensions (W x H x D) Weight (Body Only)
Single Image, Single Image (INFO.), 4-image index, 9-image index, Magnified zoom (approx. 1.5x 10x), Rotated image can be displayed. Highlight alert is displayed in Single Image and Single Image (INFO.) formats, any overexposed highlight areas blink in the image display. Voice annotation recorded with the built-in microphone and attached to the image in WAVE format. Compatible printers: SELPHY Compact Photo Printers, CP Direct, PictBridge compatible printers. 6.1 x 6.2 x 3.1 in. / 156 x 157.6 x 79.9mm 43.0 oz. / 1,220g 43.2 oz. / 1,225g
CUSTOM FUNCTION CHART (EOS-1 series)
Custom Function No. C. Fn-01 C. Fn-02 C. Fn-03 C. Fn-04 Function Description Setting Finder display during exposure EOS-1Ds Mark II EOS-1D Mark II N
0 No viewnder display 1 Finder display on 0 Possible without card Shutter release without CF card 1 Not possible None (ISO Speed extension moved to menu) 0 AF/AE lock 1 AE lock/AF Shutter button/ AE Lock button 2 AF/AF lock, no AE lock 3 AE/AF, no AE lock Tv= Av= 0 Tv= Av= 1 Manual Tv/Av set. for M exp. Tv= Av= w/o lens Tv= Av= w/o lens 0 1/3-stop set, 1/3-stop comp Exposure level 1 1-stop set, 1/3-stop comp increments 2 1/2-stop set, 1/2-stop comp 0 Turns on after One-Shot AF USM Lens 1 Turns o= after One-Shot AF electronic MF 2 Always turned o= Disabled in AF mode 0 Remaining Shots/File No. 1 ISO/Remaining Shots Top LCD panel/ Back LCD panel 2 ISO/File No. 3 Shots in folder/Remaining Shots +/Auto cancellation +/No cancellation Auto bracketing sequence/cancel 2 0 +/Auto cancellation 3 0 +/No cancellation 0 On 1 O= AF point illumination On without dimming Brighter 0 = + = + 1 = + + = + + AF point selection method 2 = only = + 3 = + = + 0 Disable Mirror lockup 1 Enable 0 45/Center AF point 1 11/Active AF point Number AF points/ 2 11/Center AF point Spot metering 3 9/Active AF point 4 N/A 9/Center AF point 0 Evaluative flash metering E-TTL II 1 Averaged flash metering 0 1st-curtain synchronization Shutter curtain synchronization 1 2nd-curtain synchronization 0 Disable Safety shift in Av or Tv 1 Enable 0 Single AF point AF point 1 Expand (TTL. of 7 AF points) activation area 2 Automatic expand (max. 13) + 0 Switch to registered 1 AF point 2 Only while pressing 0 AF stop 1 AF start 2 AE lock while metering Lens AF stop button function 3 AF point: M Auto/Auto Ctr. 4 AF mode: ONE SHOT AI SERVO 5 IS start 0 Standard 1 Slow AI SERVO 2 Moderately slow tracking sensitivity 3 Moderately fast 4 Fast 0 N/A Disable Drive speed priority AI SERVO 1 N/A Enable 0 N Ec-N, R 1 L Ec-A, B, C, CII, CIII, D, H, I, L Focusing Screen 2 N/A P Ec-S

C. Fn-05 C. Fn-06 C. Fn-07 C. Fn-08
AF-assisst beam Exposure level increments Flash firing ISO expansion

C. Fn-08

C. Fn-09

P. Fn-14

Lens focus search turned o=

C. Fn-10

Bracket sequence/ Auto cancel
P. Fn-15 P. Fn-16 P. Fn-17 P. Fn-18
AF-assist beam turned o= Camera shoots when in focus AF point auto sel. turned o= C. Fn-11-2: Auto AF point sel. Set continuous shooting speed Number of continuous shots Quiet, delayed shutter cocking Time length for timers LCD panel illumination ON during B

C. Fn-11

Superimposed display Menu button display position

C. Fn-12

C. Fn-13

Mirror lockup

P. Fn-19
C. Fn-14 C. Fn-15 C. Fn-16 C. Fn-17
AF point selection method

P. Fn-20 P. Fn-21

Depending on quality, number of continuous shots might be smaller than set number. In single-frame shooting mode, mechanical movement for next frame is done quietly after shutter button is returned to halfway point from fully depressed position. 6 sec. timer: 0 to 3600 sec.
C. Fn-14 C. Fn-15 C. Fn-16 C. Fn-17 C. Fn-18
E-TTL II Shutter curtain sync. Safety shift in Av or Tv AF point activation area LCD display Return to shoot

P. Fn-23

16 sec. timer: 0 to 3600 sec. Post-shutter release timer: 0 to 3600 sec. After bulb exposure starts, press LCD panel illumination button to illuminate LCD panel until bulb exposure ends. Shooting mode, metering mode, image-recording quality, AF mode, AF point selectio, drive mode, WB, picture style, color space.

P. Fn-24

C. Fn-18

P. Fn-25

Default settings when cleared
Exposure, metering, drive, AF, AF point selection, WB, image size, processing parameter [STD]/1/2/3, color matrix.

C. Fn-19

P. Fn-26
Shortened release time lag
The shutter release time lag becomes shorter than 55 ms when the aperture stops down by fewer than 3 stops (40 ms at maximum aperture). Main Dial only

Lens AF stop button function
AF point: ManualAuto/AutoCenter ONE SHOT AI SERVO IS start Off On Ee-A Ee-D Ee-S
P. Fn-27 P. Fn-28 P. Fn-30 P. Fn-31
Reversed direction of dials Exposure compensation canceled Set
switch to also be e=ective for
Quick Control Dial only Both dials Exposure compensation is done with + and When the Quick Control Dial switch is OFF, both For use with Data Verication Kit DVK-E2. will be disabled.

C. Fn-20

C. Fn-21 C. Fn-00
Add original decision data

C. Fn-00

With P. Fn-31 on, card writing takes longer than with P. Fn-31 off.
* P. Fn-11, 12, 13, 14, 22, and 29 have been excluded.

SYSTEM CHART

ST-E2 Anti-Fog Eyepiece Ec (1D series only)

Macro Ring Lite MR-14EX

Macro Twin Lite MT-24EX Timer Remote Controller TC-80N3 Remote Switch RS-80N3 Wireless Controller LC-5
Rubber Frame Ec (1D series only)

Bundled Accessories

CF Card Ni-MH Pack NP-E3 DC Coupler Kit DCK-E1

SD Card (1D only)

Eyepiece Extender EP-EX15 EyeCup Ec-II (1D only) Rubber Frame Eb (5D only) EyeCup Eb (1DS/5D) E-series Dioptric Adjustment Lenses Focusing Screen Ee-A (5D only) Ni-MH Charger NC-E2 CF Card reader PC card adapter Data Verification Kit PC card slot EOS Digital Solution Disk Software Instruction Manual (PDF)

Strap L5

Personal computer
EOS-1Ds Mark II EOS-1D Mark II N
Windows XP (Home Edition/Professional) USB port Windows 2000 Professional Windows ME Windows 98 Second Edition IEEE 1394 port Mac OS X
CR2025 Lithium Battery Wireless LAN adapter Ethernet port Interface Cable IFC-200D4 (Mark II series only)
Hand Strap E1 (1D only) Angle Finder C
Extended Range Antenna ERA-E1 Focusing Screen Ee-D Ee-S (5D only) Wide Strap EW-100DGR Interface Cable IFC-400PCU Wireless LAN access point
Wireless File Transmitter WFT-E1A
Date/time CR2016 Lithium Battery

Video Cable VC-100

Battery Charger CG-580 or CG-5L
Battery Pack BP-511A PictBridge-compatible printer

(1D Mark II N only)

Focusing Screen Ec

Battery Grip BG-E4

Battery Pack BP-511A, BP-514
Compact power Adapter CA-PS400

CP/SELPHY CP printer

Interface Cable IFC-200D4 IFC-450D4 IFC-200D44 IFC-450D44
AC Adapter DC Coupler DR-400 AC-E2

AC Adapter Kit ACK-E2

Car Battery Battery Compact power Cable Charger Adapter CB-570 CG-570 CA-570

PIXMA printer

Canon EF Lenses

TV-Video TV-Video