User Manual

XENYX 1002FX/1202FX
Premium 10/12-Input 2-Bus Mixers with XENYX Mic Preamps, British EQs and 24-Bit Multi-FX Processor

behringer.com

XENYX 1002FX/1202FX User Manual

Table of Contents

Thank you.. 2 Important Safety Instructions.. 3 Legal Disclaimer.. 3 Limited Warranty.. 3 1. Introduction... 5 1.1 General mixing console functions.. 5 1.2 The users manual... 5 1.3 Before you get started.. 6 1.3.1 Shipment... 6 1.3.2 Initial operation.. 6 1.3.3 Online registration... 6 2. Control Elements and Connectors.. 6 2.1 Mono channels... 6 2.2 Stereo channels... 7 2.3 Connector array of the main section.. 7. 2.4 Main section... 8 2.5 Digital effects processor... 9 3. Applications.. 10 3.1 Recording studio... 10 3.2 Live sound... 11 4. Installation... 12 4.1 Mains connection.. 12 4.2 Audio connections.. 12 5. Specifications... 13

Thank you

Congratulations! In purchasing our XENYX 1002FX/1202FX you have acquired a mixing console whose small size belies its incredible versatility and audioperformance. The BEHRINGER XENYX mixing console offers you premium-quality microphone preamplifiers with optional phantom power supply, balanced line inputs and the ability to connect external effects processors. Because of its extensive and carefully thought-out routing possibilities, your XENYX lends itself equally to both live and studio use.
Important Safety Instructions
Terminals marked with this symbol carry electrical current of sufficient magnitude to constitute risk of electric shock. Use only high-quality commercially-available speaker cables with " TS plugs pre-installed. All other installation or modification should be performed only by qualified personnel. This symbol, wherever it appears, alerts you to the presence of uninsulated dangerous voltage inside the enclosure - voltage that may be sufficient to constitute a risk of shock. This symbol, wherever it appears, alerts you to important operating and maintenance instructions in the accompanying literature. Please read the manual. Caution To reduce the risk of electric shock, do not remove the top cover (or the rear section). No user serviceable parts inside. Refer servicing to qualified personnel. Caution To reduce the risk of fire or electric shock, do not expose this appliance to rain and moisture. The apparatus shall not be exposed to dripping or splashing liquids and no objects filled with liquids, such as vases, shall be placed on the apparatus. Caution These service instructions are for use by qualified service personnel only. To reduce the risk of electric shock do not perform any servicing other than that contained in the operation instructions. Repairs have to be performed by qualified service personnel. 1. Read these instructions. 2. Keep these instructions. 3. Heed all warnings. 4. Follow all instructions. 5. Do not use this apparatus near water. 6. Clean only with dry cloth. 7. Do not block any ventilation openings. Install in accordance with the manufacturers instructions. 8. Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat.
9. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding-type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet. 10. Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus. 11. Use only attachments/accessories specified by the manufacturer. 12. Use only with the cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over. 13. Unplug this apparatus during lightning storms or when unused for long periods of time. 14. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped. 15. The apparatus shall be connected to a MAINS socket outlet with a protective earthing connection. 16. Where the MAINS plug or an appliance coupler is used as the disconnect device, the disconnect device shall remain readily operable.

Limited Warranty

1 Warranty
[1] This limited warranty is valid only if you purchased the product from a BEHRINGER authorized dealer in the country of purchase. A list of authorized dealers can be found on BEHRINGERs website behringer.com under Where to Buy, or you can contact the BEHRINGER office closest to you. [2] MUSIC Group* warrants the mechanical and electronic components of this product to be free of defects in material and workmanship if used under normal operating conditions for a period of one (1) year from the original date of purchase (see the Limited Warranty terms in 4 below), unless a longer minimum warranty period is mandated by applicable local laws. If the product shows any defects within the specified warranty period and that defect is not excluded under 4, MUSIC Group shall, at its discretion, either replace or repair the product using suitable new or reconditioned product or parts. In case MUSIC Group decides to replace the entire product, this limited warranty shall apply to the replacement product for the remaining initial warranty period, i.e., one (1) year (or otherwise applicable minimum warranty period) from the date of purchase of the original product. [3] Upon validation of the warranty claim, the repaired or replacement product will be returned to the user freight prepaid by MUSIC Group. [4] Warranty claims other than those indicated above are expressly excluded. PLEASE RETAIN YOUR SALES RECEIPT. IT IS YOUR PROOF OF PURCHASE COVERING YOUR LIMITED WARRANTY. THIS LIMITED WARRANTY IS VOID WITHOUT SUCH PROOF OF PURCHASE.
2 Online registration Please do remember to register your new BEHRINGER equipment right after your purchase at behringer.com under Support and kindly read the terms and conditions of our limited warranty carefully. Registering your purchase and equipment with us helps us process your repair claims quicker and more efficiently. Thank you for your cooperation! 3 Return materials authorization
[1] To obtain warranty service, please contact the retailer from whom the equipment was purchased. Should your BEHRINGER dealer not be located in your vicinity, you may contact the BEHRINGER distributor for your country listed under Support at behringer.com. If your country is not listed, please check if your problem can be dealt with by our Online Support which may also be found under Support at behringer.com. Alternatively, please submit an online warranty claim at behringer.com BEFORE returning the product. All inquiries must be accompanied by a description of the problem and the serial number of the product. After verifying the products warranty eligibility with the original sales receipt, MUSIC Group will then issue a Return Materials Authorization (RMA) number.

Legal Disclaimer

Technical specifications and appearance are subject to change without notice. The information contained herein is correct at the time of printing. All trademarks are the property of their respective owners. MUSIC Group accepts no liability for any loss which may be suffered by any person who relies either wholly or in part upon any description, photograph or statement contained herein. Colors and specifications may vary slightly from product. BEHRINGER products are sold through authorized dealers only. Distributors and dealers are not agents of MUSIC Group and have absolutely no authority to bind MUSIC Group by any express or implied undertaking or representation. This manual is copyrighted. No part of this manual may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording of any kind, for any purpose, without the express written permission of Red Chip Company Ltd. ALL RIGHTS RESERVED. 2010 Red Chip Company Ltd. Trident Chambers, Wickhams Cay, P.O. Box 146, Road Town, Tortola, British Virgin Islands
[2] Subsequently, the product must be returned in its original shipping carton, together with the return authorization number to the address indicated by MUSIC Group. [3] Shipments without freight prepaid will not be accepted.
4 Warranty Exclusions [1] This limited warranty does not cover consumable parts including, but not limited to, fuses and batteries. Where applicable, MUSIC Group warrants the valves or meters contained in the product to be free from defects in material and workmanship for a period of ninety (90) days from date of purchase. [2] This limited warranty does not cover the product if it has been electronically or mechanically modified in any way. If the product needs to be modified or adapted in order to comply with applicable technical or safety standards on a national or local level, in any country which is not the country for which the product was originally developed and manufactured, this modification/adaptation shall not be considered a defect in materials or workmanship. This limited warranty does not cover any such modification/adaptation, regardless of whether it was carried out properly or not. Under the terms of this limited warranty, MUSIC Group shall not be held responsible for any cost resulting from such a modification/adaptation. [3] This limited warranty covers only the product hardware. It does not cover technical assistance for hardware or software usage and it does not cover any software products whether or not contained in the product. Any such software is provided AS IS unless expressly provided for in any enclosed software limited warranty. [4] This limited warranty is invalid if the factoryapplied serial number has been altered or removed from the product. [5] Free inspections and maintenance/repair work are expressly excluded from this limited warranty, in particular, if caused by improper handling of the product by the user. This also applies to defects caused by normal wear and tear, in particular, of faders, crossfaders, potentiometers, keys/buttons, guitar strings, illuminants and similar parts. [6] Damage/defects caused by the following conditions are not covered by this limited warranty: improper handling, neglect or failure to operate the unit in compliance with the instructions given in BEHRINGER user or service manuals; connection or operation of the unit in any way that does not comply with the technical or safety regulations applicable in the country where the product is used; damage/defects caused by acts of God/Nature (accident, fire, ood, etc) or any other condition that is beyond the control of MUSIC Group.

[7] Any repair or opening of the unit carried out by unauthorized personnel (user included) will void the limited warranty. [8] If an inspection of the product by MUSIC Group shows that the defect in question is not covered by the limited warranty, the inspection costs are payable by the customer. [9] Products which do not meet the terms of this limited warranty will be repaired exclusively at the buyers expense. MUSIC Group or its authorized service center will inform the buyer of any such circumstance. If the buyer fails to submit a written repair order within 6 weeks after notification, MUSIC Group will return the unit C.O.D. with a separate invoice for freight and packing. Such costs will also be invoiced separately when the buyer has sent in a written repair order. [10] Authorized BEHRINGER dealers do not sell new products directly in online auctions. Purchases made through an online auction are on a buyer beware basis. Online auction confirmations or sales receipts are not accepted for warranty verification and MUSIC Group will not repair or replace any product purchased through an online auction.

9 Amendment

Warranty service conditions are subject to change without notice. For the latest warranty terms and conditions and additional information regarding MUSIC Groups limited warranty, please see complete details online at behringer.com.
* MUSIC Group Macao Commercial Offshore Limited of Rue de Pequim No. 202-A, Macau Finance Centre 9/J, Macau, including all MUSIC Group companies
5 Warranty transferability This limited warranty is extended exclusively to the original buyer (customer of authorized retail dealer) and is not transferable to anyone who may subsequently purchase this product. No other person (retail dealer, etc.) shall be entitled to give any warranty promise on behalf of MUSIC Group. 6 Claim for damage
Subject only to the operation of mandatory applicable local laws, MUSIC Group shall have no liability to the buyer under this warranty for any consequential or indirect loss or damage of any kind. In no event shall the liability of MUSIC Group under this limited warranty exceed the invoiced value of the product.
7 Limitation of liability This limited warranty is the complete and exclusive warranty between you and MUSIC Group. It supersedes all other written or oral communications related to this product. MUSIC Group provides no other warranties for this product. 8 Other warranty rights and national law [1] This limited warranty does not exclude or limit the buyers statutory rights as a consumer in any way. [2] The limited warranty regulations mentioned herein are applicable unless they constitute an infringement of applicable mandatory local laws. [3] This warranty does not detract from the sellers obligations in regard to any lack of conformity of the product and any hidden defect.

A mixing console fulfils three main functions:

Signal processing:

overview of the connections between the inputs and outputs, as well as the associated switches and controls. For the moment, just try and trace the signal path from the microphone input to the FX SEND connector. Dont be put off by the huge range of possibilities; itseasier than you think! If you look at the overview of the controls at the same time, youll be able to quickly familiarize yourself with your mixing console and youll soon be making the most of all its many possibilities.
Preamplification Microphones convert sound waves into voltage that has to be amplified several-fold; then, this voltage is turned into sound that is reproduced in a loudspeaker. Because microphone capsules are very delicate in their construction, output voltage is very low and therefore susceptible to interference. Therefore, mic signal voltage is amplified directly at the mixer input to a higher signal level that is less prone to interference. This higher,
1.3 Before you get started
1.3.1 Shipment Your mixing console was carefully packed in the factory to guarantee safe transport. Nevertheless, we recommend that you carefully examine the packaging and its contents for any signs of physical damage that may have occurred during transit.
If the unit is damaged, please do NOT return it to us, but notify your
2. Control Elements and Connectors
This chapter describes the various control elements of your mixing console. Allcontrols, switches and connectors will be discussed in detail.

2.1 Mono channels

MIC Each mono input channel offers a balanced microphone input via the XLR connector and also features switchable +48 V phantom power supply for condenser microphones. The XENYX preamps provide undistorted and noise-free gain as is typically known only from costly outboard preamps.
Please mute your playback system before you
dealer and the shipping company immediately, otherwise claims for damage or replacement may not be granted.
To assure optimal protection of your XENYX during use or transport,
werecommend utilizing a carrying case.
Please always use the original packaging to avoid damage due to

storage or shipping.

Never let unsupervised children play with the XENYX or with

itspackaging.

Please dispose of all packaging materials in an environmentally-
activate the phantom power supply to prevent switch-on thumps being directed to your loudspeakers. Please also note the instructions in chapter 2.4 Mainsection. LINE IN Each mono input also features a balanced line input on a "connector. Unbalanced devices (mono connectors) canalso be connected to these inputs.

Please remember that you can only use either the
friendly fashion. 1.3.2 Initial operation Be sure that there is enough space around the unit for cooling purposes and to avoid overheating please do not place your mixing console on high-temperature equipment such as radiators or power amps.
Never connect the XENYX to the power supply unit when the latter is
microphone or the line input of a channel at any one time. You can never use bothsimultaneously! TRIM Use the TRIM control to adjust the input gain. This control should always be turned fully counterclockwise whenever you connect or disconnect a signal source to one of the inputs. The scale has 2 different value ranges: the first value range (+10 to +60 dB)refers to the MIC input and shows the amplification for the signals fed in there.
Fig. 2.1: Connectors and controls on the monochannels
connected to the mains! First connect the power supply unit to the console, then connect the power supply unit to the mains.
Please make sure that all units have a proper ground connection.
Foryour own safety, never remove or disable the ground conductor from the unit or on the AC power cord. The unit should always be connected to a mains socket outlet with a protective earthingconnection.
When installing the product, ensure the appliance coupler or power
cord is easily accessible for disconnecting the unit from mains. 1.3.3 Online registration Please register your new BEHRINGER equipment right after your purchase by visiting http://behringer.com and read the terms and conditions of our warrantycarefully. Should your BEHRINGER product malfunction, it is our intention to have it repaired as quickly as possible. To arrange for warranty service, please contact the BEHRINGER retailer from whom the equipment was purchased. Shouldyour BEHRINGER dealer not be located in your vicinity, you may directly contact one of our subsidiaries. Corresponding contact information is included in the original equipment packaging (Global Contact Information/European Contact Information). Should your country not be listed, please contact the distributor nearest you. A list of distributors can be found in the support area of our website(http://behringer.com). Registering your purchase and equipment with us helps us process your repair claims more quickly and efficiently. Thank you for your cooperation!

The second value range (+10 to -40 dBu) refers to the line input and shows its sensitivity. The settings for equipment with standard line-level signals (-10dBVor +4 dBu) look like this: While the TRIM control is turned all the way down, connect your equipment. Set the TRIM control to the external devices standard output level. If that unit has an output signal level display, it should show 0 dB during signal peaks. For +4dBu, turn up TRIM slightly, for-10dBV a bit more. Tweaking is done using the CLIP LED. EQ All mono input channels include a 3-band equalizer. All bands provide boost or cut of up to 15 dB. In the central position, the equalizer is inactive. The circuitry of the British EQs is based on the technology used in the best-known top-of-the-line consoles and providing a warm sound without any unwanted side effects. The result are extremely musical equalizers which, unlike simple equalizers, cause no side effects such as phase shifting or bandwidth limitation, even with extreme gain settings of 15 dB.
The upper (HIGH) and the lower band (LOW) are shelving filters that increase or decrease all frequencies above or below their cut-off frequency. The cut-off frequencies of the upper and lower band are 12 kHz and 80Hz respectively. Themid band is configured as a peak filter with a center frequency of 2.5 kHz. Unlikeshelving filters, the peak filter processes a frequency range that extends upwards and downwards around its middle frequency. LOW CUT In addition, the mono channels are equipped with a steep LOW CUT filter (slopeat18 dB/oct., -3 dB at 75 Hz) designed to eliminate unwanted low-frequency signal components. These can be noises created by hand-held microphones, subsonicnoise or plosive sounds created by highly sensitivemicrophones. FX FX sends enable you to feed signals via a variable control from one or more channels and sum these signals to a bus. The bus appears at the consoles FX send output and can be fed from there to an external effects device. The return from the effects unit is then brought back into the console on the stereo channels. Each FX send is mono and features up to +15 dB gain. As the name suggests, the FX sends of the XENYX mixing consoles are intended to drive effects devices (reverb, delay, etc.) and are therefore configured post-fader. This means that the mix between dry signal and effect remains at the level determined by the channels aux send, irrespective of the channel fader setting. If this were not the case, the effects signal of the channel would remain audible even when the fader is lowered to zero. With XENYX mixing consoles, the channel fader is called LEVEL control. In the 1002FX/1202FX, the FX send is routed directly to the built-in effects processor. To make sure that the effects processor receives an input signal, youshouldnt turn this control all the way to the left (-). PAN The PAN control determines the position of the channel signal within the stereo image. This control features a constant-power characteristic, which means the signal is always maintained at a constant level, irrespective of position in the stereo panorama. LEVEL The LEVEL control determines the level of the channel signal in the main mix.

2.4 Main section

+48 V The red +48 V LED lights up when the phantom power is turned on. Phantompower is required to operate condenser microphones and is activated using the +48 V switch located above the +48VLED.
Connect microphones before you switch
control is probably too low. This also goes for the built-in effectsprocessor.
Adjust your external effects processor to 100% wet (effects signal only),
because the effects signal is added to the main mix along with the dry channel signals.
In this instance, the FX control of the channel being used as an effects
return should be turned fully counterclockwise, otherwise feedback problems can occur! PHONES/CONTROL ROOM OUT The stereo PHONES connector (at the top of the connector panel) is where headphones are connected. The unbalanced CONTROL ROOM OUT connectors carry the summed effects and main mix signals as well as soloed channel signals. The PHONES/CONTROL ROOM control in the main section adjusts the level of both headphones and main monitor outputs. MAIN OUT The MAIN OUT connectors are unbalanced mono connectors. The main mix signal appears here at a level of 0 dBu. The MAIN MIX fader adjusts the volume of these outputs. Depending on how you wish to use your mixer and which gear you own, you can connect the following equipment: Live PA systems: A stereo dynamics processor (optional), stereo equalizer (optional) and the stereo power amplifier for full-range loudspeakers with passive crossovers. If you wish to use multi-way loudspeaker systems without an integrated crossover, you have to use an active crossover and several power amplifiers. Often, limiters are already built into active crossovers (e.g. BEHRINGER SUPER-XPRO CX2310 and ULTRADRIVE PRO DCX2496). Active crossovers are implemented directly before the power amplifier, and they divide the frequency range into several segments that are first amplified in the amplifiers and then passed on to the corresponding loudspeakers. Recording: For mastering, using a stereo compressor such as the COMPOSER PRO-XL MDX2600 can be recommended. Use it to custom-tailor the dynamic characteristics of your signal to the dynamic range of the recording equipment you are using. The signal is in this case passed on from the compressor into therecorder. CD/TAPE INPUT The CD/TAPE INPUTs are used to bring an external signal source (e.g. CD player, tape deck, etc.) into the console. They can also be used as a standard stereo line input, so the output of a second XENYX or BEHRINGER ULTRALINK PRO MX882 can be connected. Alternatively the line or tape output of a hi-fi amplifier with source selection switch could also be hooked up here, allowing you to easily listen to additional sources (e.g. cassette recorder, minidiskplayer, sound card etc.).
on the phantom power supply. Please do not connect microphones to the mixer (orthe stagebox/wallbox) while the phantom power supply is switched on. Inaddition, the monitor/PA loudspeakers should be muted before you activate the phantom power supply. After switching on, wait approx. one minute to allow for system stabilization.

Caution! You must never use unbalanced
XLR connectors (PIN1and3connected) main section onthe MIC input connectors if you want to usethe phantom power supply. POWER The blue POWER LED indicates that the console is powered on. Level indicator
Fig. 2.4: Control elements of the
The 4-segment display accurately displays the relevant signal level. LEVEL SETTING: To correctly set the gains of the channels, first set the LEVEL controls of the input channels to their center positions. Then use the TRIM controls to increase the input amplification until signal peaks show 0 dB on the level meter. When recording to digital recorders, the recorders peak meter should not go into overload. While analog recorders can be overloaded to some extent, creating only a certain amount of distortion, digital recorders distort quickly when overloaded. In addition, digital distortion is not only undesirable, but also renders your recording completely useless. When recording to an analog device, the VU meters of the recording machine should reach approx. +3 dB with low-frequency signals (e.g. kick drum). Due to their inertia VU meters tend to display too low a signal level at frequencies above 1 kHz. This is why, for example, a Hi-Hat should only be driven as far as -10dB. Snaredrums should be driven to approx. 0 dB.
The CLIP-LEDs of your XENYX display the level virtually independent
of frequency. A recording level of 0 dB is recommended for all signaltypes.
MAIN MIX Use the MAINMIX fader to adjust the volume of the main out. PHONES/CONTROL ROOM Use the PHONES/CONTROL ROOM control to adjust the signal level of the CONTROLROOM and PHONES outputs. CD/TAPE TO MIX When the CD/TAPE TO MIX switch is pressed, the CD/tape input is assigned to the main mix providing an additional input for tape machines, MIDI instruments or other signal sources that do not require any processing. CD/TAPE TO CTRL Press the CD/TAPE TO CTRL switch if you want to monitor the CD/tape input via the CTRL ROOM and PHONES outputs. A typical studio application of this function is recording music into a digital audio workstation (DAW) with simultaneous reproduction (see ch. 3.1).

If you are recording a signal via the TAPE OUTPUT and wish to
PROGRAM The PROGRAM control has two functions: by turning the PROGRAM control, you dial the number of an effect. The number of the preset you just dialed up blinks in the display. To confirm your selection, press the PROGRAM control; theblinkingstops. FX TO MAIN The FX TO MAIN control feeds the effects signal into the main mix. If the control is turned all the way counterclockwise, no effects signal is present in the sum signal of the mixing console. The appendix contains an overview of all presets of the multi effects processor.
listen to this simultaneously via the CD/TAPE INPUT, do not use the CD/TAPETOMIX switch. Doing this would create a feedback loop, sincethe signal would be routed, via the main mix, back to tape via the TAPEOUTPUT. To monitor the CD/TAPE INPUT, use the CD/TAPE TOCTRL switch to assign the tape signal to the monitor(s) or headphones. Thiswill avoid the tape signal being routed to the TAPE OUTPUT. FX TO CONTROL If you want to monitor only the effects signal in your headphones or monitor speaker(s), press the FX TO CTRL switch. Now the signal of the effects processor can be monitored alone, and the main mix and/or CD/tape signal is no longer present on the phone and control room outputs.
2.5 Digital effects processor
100 FIRST-CLASS EFFECTS The XENYX 1002FX/1202FX features a built-in digital stereo effects processor. Thiseffects processor offers a large number of standard effects such as Hall, Chorus, Flanger, Delay and various combination effects. Using the FX control, youcan feed signals into the effects processor. Theintegrated effects module has the advantage of requiring no wiring. This way, the danger of creating ground loops or uneven signal levels is eliminated at the outset, completely simplifying the handling. SIGNAL and CLIP LED The SIGNAL LED on the effects module shows the presence of a signal whose level is high enough. This LED should always be on. However, make sure that the clip LED lights up only sporadically. If it is lit constantly, you are overdriving the effects processor, which leads to unpleasant distortion. If this occurs, turn the FXcontrols down somewhat.
Fig. 2.5: Effects section

Caution! Never use unbalanced XLR connectors (PIN 1 and 3 connected)
Fig. 4.2: " mono plug
Unbalanced " TS connector
Strain relief clamp Sleeve Tip
on the MIC input connectors when using the phantom power supply.
Balanced use with XLR connectors

Sleeve (ground/shield)

1 = ground/shield 2 = hot (+ve) 3 = cold (-ve)

Tip (signal)

Fig. 4.3: " stereo plug

output

For unbalanced use, pin 1 and pin 3 have to be bridged
Fig. 4.1: XLR connections

5. Specifications

" TRS headphones connector

Mono Inputs

Microphone inputs Type Mic E.I.N. (20 Hz - 20 kHz) @ 0 source resistance -132.7 dB / 137 dB A-weighted @ 50 source resistance -130 dB / 133.9 dB A-weighted @ 150 source resistance -127.1 dB / 130.9 dB A-weighted Frequency response <10 Hz - 200 kHz (-1 dB) +10 to +60 dB +12 dBu @ +10 dB gain approx. 2.6 k balanced -107 dB / -111 dB A-weighted (0 dBu In @ +22 dB gain) 0.005% / 0.003% A-weighted " TRS connector electronically balanced approx. 20 k balanced 10 k unbalanced -10 to +40 dB +20 dBu @ 0 dB Gain Gain range Max. input level Impedance Signal-to-noise ratio Distortion (THD + N) Line input Type Impedance Gain range Max. input level Fade-out attenuation1 (Crosstalk attenuation) Main fader closed Channel fader closed

Frequency Response

XLR, electronically balanced, discrete input circuit
ring right signal tip left signal
Fig. 4.4: Stereo plug for headphones connection

85 dB 88 dB

Microphone input to main out <10 Hz - 80 kHz <10 Hz - 137 kHz Stereo inputs Type Impedance " TRS connector, electronically balanced approx. 20 k bal. / 10k unbal. (+4 dBu operating level) approx. 20 k bal. / 5k unbal. (-10 dBV) +22 dBu 80 Hz / 15 dB 2.5 kHz / 15 dB 12 kHz / 15 dB +0 dB / -1 dB +0 dB / -3 dB
Max. input level EQ mono channels Low Mid High
XENYX 1002FX/1202FX User Manual Dimensions

Audio Outputs

FX send Type Impedance Max. output level Main outputs Type Impedance Max. output level Control room outputs Type Impedance Max. output level Headphones output Type Max. output level

Main Mix System Data2

1002FX " TRS connector, unbalanced approx. 120 +22 dBu " TRS connector, unbalanced approx. 120 +22 dBu

Measuring conditions:

Dimensions (H x W x D) Weight (net) 1202FX Dimensions (H x W x D) Weight (net)
1 5/6" / 1 1/2 x 7 2/5 x 8 2/3" 47 mm / 37 x 189 x 220 mm approx. 2.31 lbs / 1.05 kg 1 5/6" / 1 1/2 x 9 1/2 x 8 2/3" 47 mm / 37 x 242 x 220 mm approx. 2.97 lbs / 1.35 kg
" TRS connector, unbalanced approx. 120 +22 dBu " TRS connector, unbalanced +19 dBu / 150 (+25 dBm)
1: 1 kHz rel. to 0 dBu; 20 Hz - 20 kHz; line input; main output; unity gain. 2: 20 Hz - 20kHz; measured at main output. Channels 1 - 4 unity gain; EQ flat; all channels on main mix; channels 1/3 as far left as possible, channels 2/4 as far right as possible. Reference = +6 dBu. BEHRINGER is constantly striving to manintain the highest professional standards. As a result of these efforts, modifications may be made from time to time to existing products without prior notice. Specifications and appearance may differ from those listed or illustrated.
Noise Main mix @ -, Channel fader - Main mix @ 0 dB, Channel fader - Main Mix @ 0 dB, Channel fader @ 0 dB FX section Converter Sampling rate Mains voltage USA/Canada U.K./Australia Europe China/Korea Japan Output 120 V~, 60 Hz, MXUL6 adapter 240 V~, 50 Hz, MXUK6 adapter 230 V~, 50 Hz, MXEU6 adapter 220 V~, 50 Hz, MXCN6 adapter 100 V~, 60 Hz, MXJP6 adapter 2 x 14.8 V~, 2 x 500 mA 24-bit Sigma-Delta 40 kHz -105 dB / -108 dB A-weighted -94 dB / -97 dB A-weighted -83 dB / -85 dB A-weighted
FEDERAL COMMUNICATIONS COMMISSION COMPLIANCE INFORMATION
Responsible party name: Address: MUSIC Group Services USA, Inc. 18912 North Creek Parkway, Suite 200 Bothell, WA 98011, USA Phone: +Fax: +673 7647

Phone/Fax No.:

complies with the FCC rules as mentioned in the followingparagraph: This equipment has been tested and found to comply with the limits for a ClassB digital device, pursuant to part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the followingmeasures: Reorient or relocate the receiving antenna. Increase the separation between the equipment and receiver. Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. Consult the dealer or an experienced radio/TV technician forhelp. This device complies with Part 15 of the FCC rules. Operation is subject to the following two conditions: (1) this device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation. Important information: Changes or modifications to the equipment not expressly approved by MUSIC Group can void the users authority to use the equipment.

1002FX

Technical Specifications

Version 1.0 January 2006

XENYX 1002FX
Premium 10-Input 2-Bus Mixer with XENYX Mic Preamps, British EQs and 24-Bit Multi-FX Processor
s Premium ultra low-noise, high headroom analog mixer s 2 state-of-the-art XENYX Mic Preamps comparable to stand-alone boutique preamps s Neo-classic British 3-band EQs for warm and musical sound
s Studio-grade 24-bit stereo FX processor with 100 awesome presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects s FX send control per channel for internal FX processor and/or as external send s Main mix outputs plus separate control room, phones and stereo CD/tape outputs s CD/tape inputs assignable to main mix or control room/phones outputs s Long-wearing 60-mm logarithmic-taper fader and sealed rotary controls s High-quality components and exceptionally rugged construction ensure long life s Conceived and designed by BEHRINGER Germany

SPECIFICATIONS

Mono inputs Microphone inputs Type Mic E.I.N. (20 Hz - 20 kHz) @ 0 W source resistance @ 50 W source resistance @ 150 W source resistance Frequency response Gain range Max. input level Impedance Signal-to-noise ratio XLR, electronically balanced, discrete input circuit -132.7 dB / 137 dB A-weighted -130 dB / 133.9 dB A-weighted -127.1 dB / 130.9 dB A-weighted <10 Hz - 200 kHz (-1 dB) +10 to +60 dB +12 dBu @ +10 dB gain approx. 2.6 kW balanced -107 dB / -111 dB A-weighted (0 dBu In @ +22 dB gain) 0.005% / 0.003% A-weighted Control room outputs Type Impedance Max. output level Headphones output Type Max. output level Main mix system data 2 Noise Main mix @ -oo, Channel fader -oo Main mix @ 0 dB, Channel fader -oo Main Mix @ 0 dB, Channel fader @ 0 dB FX section Converter Sampling rate Power supply Power consumption Mains voltage USA/Canada U.K./Australia Europe China/Korea Japan Dimensions Dimensions (H x W x D) " TRS connector, unbalanced approx. 120 W +22 dBu " TRS connector, unbalanced +19 dBu / 150 W (+25 dBm)
-105 dB / -108 dB A-weighted -94 dB / -97 dB A-weighted -83 dB / -85 dB A-weighted 24-Bit Sigma-Delta 40 kHz
Distortion (THD+N) Line input Type Impedance Gain range Max. input level Fade-out attenuation 1 (Crosstalk attenuation) Main fader closed Channel fader closed Frequency response Microphone input to main out <10 Hz - 80 kHz <10 Hz - 137 kHz Stereo inputs Type Impedance
" TRS connector electronically balanced approx. 20 kW balanced 10 kW unbalanced -10 to +40 dB +20 dBu @ 0 dB Gain
120 V~, 60 Hz, MXUL6 adapter 240 V~, 50 Hz, MXUK6 adapter 230 V~, 50 Hz, MXEU6 adapter 220 V~, 50 Hz, MXCN6 adapter 100 V~, 60 Hz, MXJP6 adapter

85 dB 88 dB

Weight (net) +0 dB / -1 dB +0 dB / -3 dB Measuring conditions:
1 5/6" / 1 1/2" x 7 2/5" x 8 2/3" (47 mm / 37 mm x 189 mm x 220 mm) approx. 2.31 lbs (1.05 kg)
1 kHz rel. to 0 dBu; 20 Hz - 20 kHz; line input; main output; unity gain. 20 Hz - 20kHz; measured at main output. Channels 1 - 4 unity gain; EQ flat; all channels on main mix; channels 1/3 as far left as possible, channels 2/4 as far right as possible. Reference = +6 dBu.
Max. input level EQ mono channels Low Mid High AUDIO OUTPUTS FX send Type Impedance Max. output level Main outputs Type Impedance Max. output level
" TRS connector, electronically balanced approx. 20 kW bal. / 10kW unbal. (+4 dBu operating level) approx. 20 kW bal. / 5kW unbal. (-10 dBV) +22 dBu
80 Hz / 15 dB 2.5 kHz / 15 dB 12 kHz / 15 dB
" TRS connector, unbalanced approx. 120 W +22 dBu
BEHRINGER is constantly striving to maintain the highest professional standards. As a result of these efforts, modifications may be made from time to time to existing products without prior notice. Specifications and appearance may differ from those listed or illustrated.
Technical specifications and appearance subject to change without notice. The information contained herein is correct at the time of printing. The names of companies, institutions or publications pictured or mentioned and their respective logos are registered trademarks of their respective owners. Their use neither constitutes a claim of the trademarks by BEHRINGER nor affiliation of the trademark owners with BEHRINGER. BEHRINGER accepts no liability for any loss which may be suffered by any person who relies either wholly or in part upon any description, photograph or statement contained herein. Colours and specification may vary slightly from product. Products are sold through our authorised dealers only. Distributors and dealers are not agents of BEHRINGER and have absolutely no authority to bind BEHRINGER by any express or implied undertaking or representation. No part of this manual may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording of any kind, for any purpose, without the express written permission of BEHRINGER Spezielle Studiotechnik GmbH. BEHRINGER is a registered trademark. ALL RIGHTS RESERVED. 2006 BEHRINGER Spezielle Studiotechnik GmbH, Hanns-Martin-Schleyer-Str. 36-38, 47877 Willich-Mnchheide II, Germany. Tel. +9206 0, Fax +9206 4903