DJ MIXER

DN-X800
OPERATING INSTRUCTIONS BEDIENUNGSANLEITUNG MODE DEMPLOI INSTRUCCIONES DE OPERACION GEBRUIKSAANWIJZING BRUKSANVISNING

PH1/LN1

PH2/LN3

PH3/LN5

- 20 L CUE R PGM - 20

PWR 8 +

MAIN MIC

ON/OFF MIC POST

DIGITAL1

DIGITAL2

DIGITAL3

DIGITAL4

MASTER

SUB WOOFER

CH FADER START

-26dB +10dB

-26dB +10dB -26dB +10dB

MIN MAX

ON/OFF

LEVEL METER

EFFECT LOOP

CROSS FADER START A

CROSS FADER START B

LEVEL CUE

DIGITAL

AUX MIC

H/S BRAKE X H/S BRAKE X

CROSSFADER CONTOUR

MONO 4

CUE PGM

L-CUE R-PGM

ON OFF

H/S 1 ASSIGN A

PAN ASSIGN B

STEREO CUE/PGM

PHONES

FOR ENGLISH READERS FR DEUTSCHE LESER POUR LES LECTEURS FRANCAIS PARA LECTORES DE ESPAOL VOOR NEDERLANDSTALIGE LEZERS FOR SVENSKA LSARE
PAGE SEITE PAGE PAGINA PAGINA SIDA

~ ~ ~ ~ ~ ~

CAUTION
RISK OF ELECTRIC SHOCK DO NOT OPEN

CAUTION: TO

REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PESONNEL.
The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert the user to the presence of uninsulated dangerous voltage within the products enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons. The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance.

WARNING:

TO PREVENT FIRE OR SHOCK HAZARD, DO NOT EXPOSE THIS APPLIANCE TO RAIN OR MOISTURE.

CAUTION:

1. Handle the power supply cord carefully
Do not damage or deform the power supply cord. If it is damaged or deformed, it may cause electric shock or malfunction when used. When removing from wall outlet, be sure to remove by holding the plug attachment and not by pulling the cord.
3. Do not place anything inside
Do not place metal objects or spill liquid inside the DJ mixer. Electric shock or malfunction may result. Please, record and retain the Model name and serial number of your set shown on the rating label. Model No. DN-X800 Serial No.
2. Do not open the top cover
In order to prevent electric shock, do not open the top cover. If problems occur, contact your DENON dealer.
DECLARATION OF CONFORMITY We declare under our sole responsibility that this product, to which this declaration relates, is in conformity with the following standards: EN60065, EN55013, EN55020, EN61000-3-2 and EN610003-3. Following the provisions of 73/23/EEC, 89/336/EEC and 93/68/EEC Directive. BEREINSTIMMUNGSERKLRUNG Wir erklren unter unserer Verantwortung, da dieses Produkt, auf das sich diese Erklrung bezieht, den folgenden Standards entspricht: EN60065, EN55013, EN55020, EN61000-3-2 und EN610003-3. Entspricht den Verordnungen der Direktive 73/23/EEC, 89/336/EEC und 93/68/EEC. DECLARATION DE CONFORMITE Nous dclarons sous notre seule responsabilit que lappareil, auquel se rfre cette dclaration, est conforme aux standards suivants: EN60065, EN55013, EN55020, EN61000-3-2 et EN610003-3. Daprs les dispositions de la Directive 73/23/EEC, 89/336/EEC et 93/68/EEC.
DECLARACIN DE CONFORMIDAD Declaramos bajo nuestra exclusiva responsabilidad que este producto al que hace referencia esta declaracin, est conforme con los siguientes estndares: EN60065, EN55013, EN55020, EN61000-3-2 y EN61000-33. Siguiendo las provisiones de las Directivas 73/23/EEC, 89/336/EEC y 93/68/EEC. EENVORMIGHEIDSVERKLARING Wij verklaren uitsluitend op onze verantwoordelijkheid dat dit produkt, waarop deze verklaring betrekking heeft, in overeenstemming is met de volgende normen: EN60065, EN55013, EN55020, EN61000-3-2 en EN610003-3. Volgens de bepalingen van de Richtlijnen 73/23/EEC, 89/336/EEC en 93/68/EEC. VERENSSTMMELSESINTYG Hrmed intygas helt p eget ansvar att denna produkt, vilken detta intyg avser, uppfyller fljande standarder: EN60065, EN55013, EN55020, EN61000-3-2 och EN610003-3. Enligt stadgarna i direktiv 73/23/EEC, 89/336/EEC och 93/68/EEC.

ENGLISH

DEUTSCH

FRANAIS

ESPAOL

NEDERLANDS

SVENSKA

REAR PANEL DIAGRAM / HINTERES ANSCHLUSSFELD-SCHEMA / SCHEMA DU PANNEAU ARRIERE / DIAGRAMA DEL PANEL POSTERIOR / OVERZICHT VAN ACHTERPANEEL / BAKPANELEN

ZONE R L R

MAIN OUT BALANCED L

BOOTH UNBALANCED L

TAPE OUT LINE8

CH4 LINE7 LINE6

CH3 PHONO3/LINE5 L LINE4

CH2 PHONO2/LINE3 L LINE2

CH1 PHONO1/LINE1 L
Handle the power cord carefully. Hold the plug when unplugging the cord. Gehen Sie vorsichtig mit dem Netzkabel um. Halten Sie das Kabel am Stecker, wenn Sie den Stecker herausziehen. Manipuler le cordon dalimentation avec prcaution. Tenir la prise lors du dbranchement du cordon. Maneje el cordn de energa con cuidado. Sostenga el enchufe cuando desconecte el cordn de energa. Hanteer het netsnoer voorzichtig. Houd het snoer bij de stekker vast wanneer deze moet worden aan- of losgekoppeld. Hantera ntkabeln varsamt. Hll i kabeln nr den kopplas frn el-uttaget.
R OFF X-EFFECTS JACK SEND RETURN
DIGITAL OUT SUB WOOFER EFFECT

DIGITAL1 AUX MIC

(For sets with ventilation holes)
Do not obstruct the ventilation holes. Die Belftungsffnungen drfen nicht verdeckt werden. Ne pas obstruer les trous daration. No obstruya los orificios de ventilacin. De ventilatieopeningen mogen niet worden beblokkeerd. Tpp inte till ventilationsppningarna.
Never disassemble or modify the set in any way. Versuchen Sie niemals das Gert auseinander zu nehmen oder auf jegliche Art zu verndern. Ne jamais dmonter ou modifier lappareil dune manire ou dune autre. Nunca desarme o modifique el equipo de ninguna manera. Nooit dit apparaat demonteren of op andere wijze modifiren. Ta inte isr apparaten och frsk inte bygga om den.
Unit: Gert: Unit: Unidad: Toestel: Enhet:

mm mm mm mm mm mm

TABLE OF CONTENTS
3 PART NAMES AND FUNCTIONS

(1) Front Panel

z x c v
Main features...4 Installation...4 Part names and functions..4, 5 Connections...6

b n m ,

Fader start...7 X-effect...8 Replacing the crossfader..9 Specifications...9

MIC EQ controls

Contour the frequency response of the Main Mic input -12 dB to +12 dB. HI Adjusts high-tone microphone sound -12 dB to +12 dB. At the center position, sound is flat. MID Adjusts mid-tone microphone sound -12 dB to +12 dB. At the center position, sound is flat. LOW Adjusts low-tone microphone sound -12 dB to +12 dB. At the center position, sound is flat.

LINE/DIGITAL input select switch
Selects either a Line (analog) or Digital Input for the Source. The adjacent green indicator flashes when the digital signal is unlocked and remains lit when the digital signal is locked. NOTE: You must first set the pitch slider to zero % of the digital output source (CD, MD) before it's power is turned on. If the green digital indicator is flashing on the mixer, please perform the above steps.

ACCESSORIES

Please check to make sure the following items are included with the main unit in the carton: q Operating instructions..1 w Connection cords (3.5 mm stereo mini cord).2

1 MAIN FEATURES

CONGRATULATIONS! You have purchased the DENON DN-X800 DJ mixer from DENON. 1. X-Effect The X-Effect is a unique feature which is designed to work with the DENON DN-2100F and DN-2600F CD players. The fader start of the below functions can be used with the Crossfader. Sampler, Hot start brake/platter, Hot start 1, 2 (each drive). 2. CH. Fader and Crossfader start The CD player can be started or stopped simply by increasing or decreasing the level of the CH fader or by using the cross fader left to right or right to left. (This function can only be used when the DENON CD players DN-1800F, DN-2100F or DN-2600F is connected to the DN-X800.) 3. Digital outputs The DN-X800 allows you to record directly to CD-R, MiniDisc or a hard disk device through its exclusive coaxial digital outputs. The digital outputs maintains a constant 16 bit / 44.1 kHz signal. 4. Digital inputs The DN-X800 accepts up to 4 digital inputs. Such as our family of performers, DN-1800F, DN-2100F, DN-2600F, DP-DJ151 or any device with a digital output. The sampling frequency range can be 32 kHz, 44.1 kHz or 48 kHz. 5. Enhanced input/output terminals (Analog) 8 Line, 3 Phono, 2 microphone systems, 2 Main outputs, Zone output, Booth output, Sub woofer output and tape output are provided independently. Effect in/out terminals are also provided for a external effects processor. 6. 3-Band equalizer/Gain Bass, Mid, Treble and Gain controls are available on every input channel. 7. Crossfader contour This feature allows adjusting the shape of the Crossfader response from a gentle curve for smooth, long running fades, to the steep pitch required for top performance cut and scratch effects. 8. Mic post This feature will pass the Main Mic signal into the Zone, Booth, Tape output and Digital output signal path. In the OFF mode, the MIC signal will not be routed through the above outputs.

MAIN MIC level control

Adjusts the level of the Main Mic input.

!1 !2 !3

Source input fader (Ch. fader)
Controls the level of the selected Input.

MAIN MIC ON/OFF button

Puts the Main Mic signal into the Main outputs signal path. When the button is pressed, the Main Mic is on and the adjacent orange indicator lights.

ZONE level control

Adjusts the level of the Zone outputs.

ZONE METER button

When this button is pressed down and held, the meter indicates the stereo level in the LEFT and RIGHT meter output. The adjacent green indicator lights.

MIC POST ON/OFF button

Puts the Main Mic signal into the Zone, Booth Tape and Digital out signal path. When the button is pressed, the adjacent green indicator lights.

BOOTH LEVEL control

Adjusts the level of the Booth outputs.

MASTER LEVEL fader

Adjusts the level of the Main outputs. Signals from the channels selected with the Assign switches will be output using the Source input fader (Ch. fader) and the Crossfader, while signals from other channels will be outputs using the Source input fader (Ch. fader).

AUX MIC level control

Adjusts the level of the Aux Mic input.

AUX MIC ON/OFF button

Puts the Aux Mic signal into the mixer signal path. When the button is pressed, the Aux Mic is on and the adjacent orange indicator lights.
Peak dB CUE/PROGRAM meter
Displays the output level following Master Level adjustment, the peak level is held for 1 second. Display range : -20 dB to +8 dB. Can switch between two display mode. See below @3.

Source EQ controls

Contour the frequency response of the selected inputs. HI Adjusts the high-tone sound -26 dB to +10 dB. At the center position, sound is flat. MID Adjusts the mid-tone sound -26 dB to +10 dB. At the center position, sound is flat. LOW Adjusts the low-tone sound -26 dB to +10 dB. At the center position, sound is flat. NOTE: Clipping may occur if adjustments are set to harsh.
SUBWOOFER frequency control
Adjusts the cut off frequency of the low pass filter 40 Hz to 200 Hz. The low adjustment, will effect the Subwoofer output.

EFFECT LOOP MAIN button

Routes the Main signal through the external processor attached to the EFFECT connectors on the rear. When the button is pressed in, the adjacent orange indicator lights. (When the processor isn't attached,indicator blinks.)

2 INSTALLATION

When the DN-X800 is mounted inside a coffin or DJ booth, we recommend leaving a 3 cm blank space above the mixer if possible.

EFFECT LOOP MIC button

Routes the Main Mic signal through the external processor attached to the EFFECT connectors on the rear. When the button is pressed in, the adjacent orange indicator lights. (When the processor isn't attached,indicator blinks.) NOTE: When the Effect Loop Main and Mic are on, the signal of Mic is output to all the outputs regardless of setting the Main Mic and the Post Mic.

GAIN level control

Adjusts the level of the selected input 0 to +10 dB.

Min. 3 cm

Source input select switch
Selects either a Phono/Line or Line input for the source.

@0 @1 @2 @3

RESET switch
Returns to initial settings when this switch is pressed.
(2) Rear Panel X-EFFECT function buttons
The Fader Start is executed by connecting the Expansion Jack of the RC of the DN-2100F and the DN-2600F, the item that is executed by Crossfader and Ch. fader are selected by the button in each Ch. It is not possible to use when the RC is not connected. SAMP. buttons This function will start the Sampler of the DN-2600F by using Crossfader and Ch. fader are turned on/off. H/S BRAKE buttons This button provides 2 functions, Brake and Platter-S. You first need to load a Hot Start(s) to activate this feature. By pressing either H/S Brake button once, will activate H/S Brake mode (orange indicator is lit). By pressing the same button once more, this will activate H/S Platter-S mode (indicator is flashing). A third press will turn this function OFF. See X-EFFECT to use this feature on page 8. H/S 1, 2 buttons This function will start the Hot Start of the DN-2100F and the DN-2600F by using Crossfader and Ch. fader are turned on/off.

HEADPHONE output jack

Accepts 1/4 stereo headphone plugs.

POWER switch

Press the switch to turn the power on.

EFFECT jacks

These 1/4 stereo jacks allow stereo external processing of the Program signal. These are switching jacks --- always complete the loop when connecting a send and return, or no sound will be heard.
MAIN OUT (BALANCED) connectors
These XLR type connectors provide a balanced line level output. Connect these connectors to the balanced analog input connectors on an amplifier or console. Pin layout 1. Common 2. Hot 3. Cold Applicable connector: Cannon XLR-3-31 or equivalent. NOTE: Do not short-circuit the hot or cold pin with the common pin.

HEADPHONE level control

Adjusts the volume for the headphones.

HEADPHONE mode button

In the STEREO mode, this button feeds STEREO Program and Cue to both earcups, in the MONO mode, the Headphone circuit provides MONO Cue to the left ear and MONO Program to the right. In the STEREO mode, the meter indicates the stereo level in the LEFT and RIGHT Main Outputs. In the MONO mode, mono CUE level is displayed on the Left meter and mono PROGRAM level is displayed on the Right meter. In the MONO mode, the adjacent green indicator lights.
DIGITAL 1, 2, 3, 4 input jacks
These RCA jacks are Inputs for any digital output device. We recommend using a 75/ohm RCA cord for best digital transfer. (available from any audio/video retailer)
MAIN OUT (UNBALANCED) jacks
This stereo pair of RCA jacks provide a unbalanced line level output. Connect these jacks to the unbalanced analog input jacks on an amplifier or console.

LINE 2, 4, 6, 7, 8 input jacks
These stereo pairs of unbalanced RCA jacks are Inputs for any line level device.
Ch 3, 4 FADER output jacks
Connect these jacks to the Fader input jacks of the DN-1800F, the DN-2100F and the DN-2600F using the 3.5 mm stereo mini cord.

HEADPHONE PAN control

Serves two purposesIn the STEREO mode it changes the relative levels of the Cue and Program mixed together in both earcups. In the MONO mode it changes the balance between the Mono Cue in the left ear cup and the Mono Program in the right.

DIGITAL OUT 1, 2 jacks

These RCA jacks provide a digital output data. The signal is unaffected by the Master Level fader. Output is controlled by Ch. fader volume. We recommend using a 75/ohm RCA cord for best digital transfer. (available from any audio/video retailer)
PHONO 1, 2, 3 / LINE 1, 3, 5 input jacks
These stereo pairs of unbalanced RCA jacks are Inputs for a Phono (RIAA) stage for magnetic (MM) cartridges or a Line stage suitable for any device, such as a CD player.

CH. FADER START switches

This function will start the performance of CD Player with Ch. fader automatically is turned on/off.

CUE buttons

Pressing in any or all of the CUE buttons routes the respective Source to the Headphone and Meter Cue sections. Pressing multiple buttons makes it possible to derive mixed sound from the selected sources. The adjacent red indicator illuminates when the button is depressed.

POWER indicator

When the red indicator is lit, the DN-X800 is ready to go.
ZONE OUT (BALANCED) connectors
These XLR type connectors provide a balanced line level output with independent front panel Zone Level controls and are not affected by the Master Level control. Connect these connectors to the balanced analog input connectors on an amplifier or console. Pin layout 1. Common 2. Hot 3. Cold Applicable connector: Cannon XLR-3-31 or equivalent. NOTE: Do not short-circuit the hot or cold pin with the common pin.
PHONO 1, 2, 3 / LINE 1, 3, 5 switches
These switches change the Input from Phono to a Line level inputs. These switches set a Line level inputs when Turntable is not connected.

Phono Ground screw

This screws provide a place to connect the ground wire from a turntable. This terminal is exclusively for a turntable grounding and not a safety earth ground.
CROSSFADE ASSIGN A, B switches
Assigns the Crossfader to any of the four Input Channels and Off. OFF Select when not using the crossfader. 1 to 4 Select what channels (CH-1 to CH-4) to assign to A and B. Channels not assigned to A or B are output without passing through the crossfader.

MAIN MIC input connector

Neutrik combo jack. Accepts either a balanced microphone with an XLR connector or an unbalanced microphone with 1/4 mono jacks.

BOOTH OUT jacks

This stereo pair of RCA jacks provide a unbalanced line level output with independent front panel Booth Level controls and are not affected by the Master Level control. Connect these jacks to the unbalanced analog input jacks on an amplifier or console.

AUX MIC input jack

Accepts an unbalanced microphone with 1/4 mono jacks.

CROSSFADER

Controls the relative output level from the summed A and B Mixes. When the fader is at its far left, only the A Mix is heard from the Outputs. As the fader is moved toward the right, the amount of B Mix is increased and the amount of A Mix is decreased. When the fader is centered, equal amounts of A and B Mixes are routed to the Outputs. Fully right is all B Mix at the Outputs.

X-EFFECTS JACK

Connect this jack to the remote of the DN-2100F and the DN-2600F using the 3.5 mm stereo mini cord.

SUBWOOFER output jack

This 1/4 mono jacks provide a mono line level output of Main Out. The signal is affected by the Master Level fader. Connect this jacks to the subwoofer input jack on an amplifier.
CROSSFADER CONTOUR control
Allows adjusting the shape of the Crossfader response from a gentle curve for smooth, long running fades, to the steep pitch required for top performance cut and scratch effects.

TAPE OUT jacks

This stereo pair of RCA jacks provide a line level output. The signal is unaffected by the Master Level fader. Output is controlled by Ch. fader volume. It is intended for use with a tape recorder, but is not restricted to that purpose. Output is controlled by Ch. fader volume.
CROSSFADER START A, B buttons
The function to start the performance of CD Player with Crossfader automatically is turned on/off. When the button is pressed in, the Crossfader Start is on and the adjacent orange indicator lights.

4 CONNECTIONS

Refer to the Connection Diagram below. 1. Make certain AC power is off while making connections. 2. Quality cables make a big difference in fidelity and punch. Use high-quality, audio cables. 3. Do not use excessively long cables. Be sure plugs and jacks are securely fastened. Loose connections cause hum, noise, or intermittents that could damage your speakers. 4. Connect all stereo input sources. Then connect any effects into the stereo Effect, if used. Connect your Microphone(s) and monitor headphones. Make sure all faders are at zero and the unit is off. Take care to connect only one cable at a time. pay attention to L and R position of jacks, on both the DN-X800 and outboard gear. 5. Connect the stereo outputs to the power amplifier(s) and/or tape deck(s) and/or MD recorder(s) and/or CD recorder(s). Plug the DN-X800 into AC power outlet.

NOTE: Always switch on your audio input sources such as CD players first, then your mixer, and finally any amplifiers. When turning off, always reverse this operation by turning off amplifiers, then your mixer, and then input units. Tape deck
Balanced or unbalanced Microphones Turntable 3

ANTI-S

Main unbalanced power amplifier
Booth unbalanced power amplifier

Turntable 2

Turntable 1

TING KA

KEY ADJUST -12

SLOW BRAKE

KEY ADJUST

Quartz

START /STOP 33

START /STOP

DP-DJ151 Digital
Main balanced power amplifier
MAIN OUT BALANCED L L UNBALANCED
Zone balanced power amplifier

L R R L R L R L

MD recorder

CD recorder or PC

OPEN/ CLOSE

T. REMAIN ELAPSED

SINGLE

CONTINUE

SEARCH SCAN PITCH%

PITCH BEND SEARCH

SCAN PITCH%

PITCH BEND

JOG MODE CONT./ SINGLE TIME

PLAY/PAUSE

REMOTE CONTROL UNIT RC-47

OPEN/CLOSE

KEY CONT./SINGLE TIME

CD player

CONT./SINGLE
PROGRAM NEXT TR. START SEARCH SEARCH EFFECT SCAN END MON. LOOP A B
PITCH BEND NEXT TR. START SEARCH END MON. LOOP A B

FIL REVERSE RVB LOOP

EXIT/ RELOOP FLG PITCH

PUSH ENTER EFFECT

SEARCH

TAP STOP

ON/OFF DATA MASTER PLAY/WRITE

DIGI-S

PRESET REMOTE CONTROL UNIT RC-46
Subwoofer with Built-in amplifier

Effects processor

Unbalanced Microphones

END MON.

PROGRAM
FIL REVERSE TAP STOP RVB LOOP
EXIT/ RELOOP FLG PITCH ON/OFF

PUSH ENTER

DATA MASTER PLAY/WRITE

PRESET

5 FADER START
If the separately sold DN-1800F, DN-2100F and DN-2600F players are connected to CH-3 or CH-4, they can be started using the source input fader (Ch. fader) or Crossfader, as long as the 3.5 mm stereo mini cords have been connected.

Channel Fader Start

Turn on the Ch. fader start switch.

Crossfader Start

Using the Crossfader Assign A B switches, select the channel (CH-3 or CH-4) that the CD player is connected. Press the Crossfader Start A, B buttons of the channel connected to the CD player to be controlled. Slide the Crossfader all the way in direction opposite the source you want to start. ( In the following example, startup is done with the CD player connected to CH-3 set to Assign A. )

CH3 Fader jack DN-X800

CH4 Fader jack
Move the source input fader (Ch. fader) of CH-3 or Ch-4 control all the way to the bottom.
3.5 mm stereo mini cord DN-1800F Set the cue point on either drive. DN-2100F and DN-2600F Set the A-1 or A-2 point on either drive. When you want to start the player, move up the source input fader (Ch. fader) and the CD player will begin playing.

3.5 mm stereo mini cord

ASSIGN A
DN-1800F Set the cue point on the left drive. DN-2100F and DN-2600F Set the A-1 or A-2 point on the left drive. Use the Crossfader Contour control to control the cross fader startup curve. When the Crossfader is slid in the opposite direction as in 3, CD player play will begin.

CD1 Fader jack

CD2 Fader jack

DN-1800F

NOTE: Use the analog inputs/outputs when the DN-1800F, the DN-2100F and the DN-2600F are moved by FADER START. NOTES: Channels selected with the Crossfader Assign A, B switches and the Crossfader Start A, B buttons cannot be started with the source input fader (Ch. fader). Ch. Fader Start and Cross Fader Start for the same source will not operate simultaneously. You must select from either one. If both Ch. Fader and Cross Fader switches are ON, priority will be the cross fader.

6 X-EFFECT

If the separately sold DN-2100F and DN-2600F players are connected below, they can be started using the source input fader (Ch. fader) or Crossfader. The below function can be started using the source input fader (Ch. fader) or Crossfader by setting it with CD PLAYER. Sampler (DN-2600F), Hot Start Brake Platter (DN-2100F and DN-2600F), Hot Start (DN-2100F and DN-2600F)

The indicator of H/S 1, 2 and SAMP. change automatically if Assign switches are changed to CH-1 or CH-2.

H/S BRAKE X

H/S BRAKE

4 H/S 2

CH1 Input jack

CH2 Input jack

X-EFFECTS jack

ASSIGN B

Lit 3.5 mm stereo mini cord

H/S BRAKE X H/S 2

RCA cord

CONT./SINGLE TIME

CONT. SINGLE REPEAT
MEMO PROG. GO BRAKE PLAT-S PLAT-H
TOTAL REMAIN ELAPSED m s f

NEXT TR

PITCH %

A1 B EXIT A2 B

D.OUT FULL LOCK

SAMP RVS DIGI-S EFFECT

(2) Starting with Fader Start
DATA MASTER STOP PLAY/WRITE

RC Expansion jack

Turn on the Ch. fader start switch. CD2 Output jack DN-2600F Move the source input fader (Ch. fader) of CH-1 or CH-2 control all the way to the bottom.
Using the Crossfader Assign A B switches, select the channel (CH-1 or CH-2) that the CD player is connected. Press the Crossfader Start A, B buttons of the channel connected to the CD player to be controlled. Slide the Crossfader all the way in direction opposite the source you want to start. ( In the following example, startup is done with the CD player connected to CH-1 set to Assign A. )

CD1 Output jack

NOTE: Use the analog inputs/outputs when the DN-2600F and the DN-2100F are moved by X-EFFECT.

(1) Selecting the mode

Sampler (DN-2600F)
The sound for the Sampler is recorded with the DN-2600F. When the sound is recorded, the adjacent green indicator lights. Press the SAMP. button.
Hot Start (DN-2100F and DN-2600F)
Set the Hot Start 1 and/or 2 point of the CD player. When set the Hot Start point, the adjacent orange indicator lights. Press the H/S 1, 2 button.
When you want to start the player, move up the source input fader (Ch. fader) and the CD player will begin playing.
Use the Crossfader Contour control to control the cross fader startup curve. When the Crossfader is slid in the opposite direction as in 3, CD player will begin.

Flashing

Hot Start Brake Platter (DN-2100F and DN-2600F)
Press the H/S BRAKE button, and the adjacent orange indicator lights. The function for the Brake stop is done by using Crossfader and source input fader. (Ch. fader) Ch Fader must be set and left in the up position. NOTES: Channels selected with the Crossfader Assign A, B switches and the Crossfader Start A, B buttons cannot be started with the source input fader (Ch. fader). Ch. Fader Start and Cross Fader Start for the same source will not operate simultaneously. You must select from either one. If both Ch. Fader and Cross Fader switches are ON, priority will be the cross fader.

14-14, AKASAKA 4-CHOME, MINATOKU, TOKYO 107-8011, JAPAN Telephone: (03) 3584-8111

Printed in Japan 000

- Drag-S: Gradually raises playback speed to normal speed after you start playback. - Brake: Gradually lowers playback speed to a stop when the Pause button is pressed. - Echo: If Echo is ON when Pause is pressed, the playback sound is repeated over and over as it fades out to a stop. - Reverse: Playback shifts into reverse when the Parameter knob is pressed during playback. - Dump: Starts reverse playback for a specified time, then returns to normal playback.
Main/Alpha Track: Max. 100% (select from 4, 10, 16, 24, 100%; 4%: 0.05% step, 10, 16, or 24: 0.1% step, 100%: 1% step) Sampler 1/2: 24%, 0.1% stepPitch Bend
Denon's newly developed digital drives provide premium performance. However, for field service & instant maintenance, Denon offers user replaceable drivesnever any downtime!
12% Pitch Bend (when variable pitch range is 4 or 10%), 26% (when variable pitch range is 16 or 24%), 100%(when variable pitch range is 100%)

GEMINI

TURNTABLES

XL Series

The XL-Series professional manual turntables feature a start/stop function and run at 33 and 45 RPM. Headshell and a slipmat are included.

PT Series

High-torque direct drive quartz lock profesional turntables feature locking reverse button, pitch bend, arm-lift height adjustment, up to 7 grams of tone arm pressure, strobe illuminator, and included headshell.

XL-300

XL-120

PT-2100

Direct Drive Manual Turntable 10% pitch control Soft-touch start/stop button

XL-500 II

XL-200

XL-120 and XL-200

Belt Drive Manual Turntables

XL-300 and XL-500 II

Direct Drive Manual Turntables
10% pitch control (with pitch bend on the XL-500 II Anti-skate feature, strobe illuminator 33/45 RPM, S-shaped tone arm Feather light touch start/stop function Removable headshell & slipmat, dust cover XL-300 includes CN-25 cartridge, XL-500 II is available with cartridge (XL-500IIc)
6% (XL-120) or 10% pitch control CN-25 cartridge included 33/45 RPM feature, strobe illuminator S-shaped tone arm Feather light touch start/stop function Removable headshell & slipmat, dust cover

Digital output disc calibration system (advance reads CDRs and adjusts the player for format problems) Instant start Frame accurate Jog wheel Digital output Robo start (relay play) Fly cue and pitch bend Pitch range of 4%, 8% and 16% Multi-speed jog search wheel

Automatic

PCD-10-1 One CD connecting cable..Call
PCD-10-2 Two CD connecting cables..Call

CD-2000X CDX-802

CDX-601

CDX-400X

CDJ-20

CDX-1800X

MIXERS
R A C K M O U N TA B L E S T E R E O P R E - A M P D J M I X E R S
PMX-500 - 10 DJ Mixer 2 stereo channels with bass, mid and treble EQ 3 phono/line convertible inputs Mic input Removable RAIL-GLIDE fader Cue with cue/program pan control Master and recorder outputs Punch in buttons Hampster switch

PMX-1100

PMX-1100 - 19 Full Size DJ Mixer Preamp, full size stereo mixer for the all purpose DJ 4-stereo channels with bass & treble EQ 3-phono/line convertible, 4 line inputs, 2 mic inputs Mic talkover feature Master and recorder outputs Easy access mixer with slide faders Removable RAIL-GLIDE crossfader State-of-the-art, push button cueing with cue/program pan control PMX-1400 - 19 Full Size DJ Mixer Same as the PMX-1100 plus 3-phono/line convertible, 5 line inputs, 2 mic inputs Dual 7-band graphics EQ Booth and record outputs Balanced and unbalanced master outputs PMX-1800 - 19 Full Size DJ Mixer Same as the PMX-1400 plus 6 sound effects (UFO, TRON, Blast, Siren, Gas, Machine Gun & Emergency) plus Echo section PMX-2400 - 19 Full Size DJ Mixer Same as the PMX-1800 plus 24 second digital sampler 5 memory banks Battery backup safeguards samples

PS-450

PS-626

www.bhphotovideo.com

PMX-350 - 6.5 DJ Mixer 2 channel stereo with gain & master controls 2 phono and 3 line inputs Mic input Removable RAIL-GLIDE crossfader Cue section with level control

PMX-350

PLATINUM SERIES STEREO PREAMP DJ MIXERS
PS-540i -10 Professional DJ Mixer 2 stereo channels with gain controls Kill switches for Bass, Mid and High frequencies 3 phono/3 line and 1 mic input with talkover Removable RAIL-GLIDE fader with curve control Punch-in buttons

PMX-500

PS-626i -10 Professional DJ Mixer 3 channels with gain controls Bass, Mid and High with -32dB cut 3 phono/3 line and 1 mic input with talkover Beat sync indicators Removable RAIL-GLIDE fader with curve control Curve control and hampster switch Booth and balanced outputs State-of-the-art push-button cueing with cue/program slide control

1512 x 2134 x 1814

Top-Load Racks

Lightweight, yet durable, Top-Load Racks are constructed with multi-layer plywood, finished with metal hardware, metal rack rails and a carpeted exterior. Front, rear and top latchable covers. Top-load racks are available in different body depths. Short depth racks feature a 1612 body depth; 8-space top slant rack; 4 high front panel with surface hardware. Deep depth racks feature a 2014 body depth; 10-space top slant rack; 4 high front panel with surface hardware.
Model TLR-8DR Spacing 8-space
Dimensions (HWD) Weight Price
2334 x 22 x x 22 x 8 x 22 x 24 2
53 lb. 62 lb. 71 lb. 29 lb. 33 lb.
269.95 299.95 329.95 189.95 193.95
TLR-12DR 12-space TLR-16DR 16-space TLR-4SS TLR-6SS 4-space 6-space

16 x 2134 x 2 x x 20 8

NUMARK
TURNTABLES & CARTRIDGES

FUSION SERIES TURNTABLES

TTX1 TT1650

TTX1

Direct drive ultra-high torque open motor (+3.7 kgf-cm peak) Straight and S-shaped tone arms included Solid-Core steel top, rubber base Interchangeable pitch fader and button cartridges for club and battle style Detachable power and audio connections Removable Target light with super-bright white LED Blue illuminated display with 10, 20 and 50% pitch range, 33, 45, 78 RPM, reverse, adjustable brake and startup times Digital out, line output, key lock

TT1650

Direct drive high torque motor Battle and cub style design Removable target light Aluminum platter Detachable power and audio connections 33, 45 RPM
Direct drive super high torque motor Straight and S-shaped tone arms Battle and lub style design Steel top, rubberized base, aluminum platter User-replaceable pitch fader, removable aluminum light Detachable power and audio connections 33, 45, 78 RPM, reverse

TT200 TT1600

TT1600
Efficient belt drive motor Battle and club style design Detachable power and audio connections 33, 45 RPM

CARTRIDGES

CC-1 General Use Cartridge

CS-1 Club Cartridge

CX-1 Scratch DJ Catridge
Plug-in silver design 18 grams, 6v output
Plug-in design with rubber grip handle 18 grams, 6v output
Plug-in rugged design; Silver with blue tip 18 grams, 6v output
CC-1 RS Replacement stylus for CC-1
CS-1 RS Replacement stylus for CS-1
CX-1 RS Replacement stylus for CX-1

Groove Tool

CC-1 CX-1
Headshell Mountable Cartridge .6 mil spherical diamond tip cartridge with 2.5g to 3.5g tracking force

On Off Off On On Off

Off On Off On Off On

MASTER

Off Off On Off On On

MONITORING SOUND

CH1 Stereo CH2 Stereo Master Stereo CH1+CH2 Mix, Stereo L=CH1 Mono / R=Master Mono L=CH2 Mono / R=Master Mono

DJM-600

The DJM-600 offers many innovative DJ-friendly features which will make it the standard in clubs. It is for artists, for those serious about music, for those serious about their mixes! Complete with an impressive arsenal of powerful effects, sampling functions, automatic beat synchronization, a choice of cross fader curve patterns. and superb sound quality the DJM-600 is set to create the ultimate high! To ensure the widest possible music-making flexibility, The DJM-600 is equipped with an industry-first auto beat sampler, which easily and accurately samples phrases in a BPM-linked operation along with an improved auto beat effector. In combination with Pioneers CDJ series, this advanced mixer gives DJs everything they need to make party music really come alive. FEATURES

Auto Beat Sampler

This DJ function allows you to sample your favorite sources and play them back easily at the touch of a button. The BPM is measured digitally and recorded automatically exclusively for designated beats (1/2/4/8/16 beats, maximum interval: 8 seconds). If set to the Stand-By mode when no sound is present, the function automatically starts and stops recording in response to the presence or absence of the input signal and achieves the correct sampling with perfect timing. Whats more, the user can edit the end position, making possible a wide diversity of playback effects by making use of three playback mode options and the cross fader start.

Auto Beat Effector

Linked to the BPM, the DJM-600 can add effects to each CH, MIC and MASTER independently. The user can produce music that makes full use of high-level DJ techniques by performing quick setting with the Beat Unit Switch button, adjusting the precise time parameters, or controlling the balance between the effect sounds and the original sounds by varying the mix ratio. Moreover, even when using the fader, it is possible to leave just the effect sounds with or without linking to BPM.

Auto BPM Counter

Equipped with a counter that automatically measures and digitally displays a tracks BPM (measurement range: 70-139/91-180/71180/Manual), the DJM-600 provides a visual confirmation of a tracks tempo to allow the user to merge one song into another smoothly. Also, BPMs of tracks that are difficult to measure can be manually input by tapping on the TAP button.
Delay produces repeat beat effect Echo produces repeated sounds, which fade to create an echo effect Auto Pan automatically throws sounds between left and right speakers Auto Trans periodically cuts the sound Auto Filter creates effects through manipulating sound frequencies Flanger produces an electronic wave effect Reverb produces a range of reverberation effects Pitch Shifter manipulates music pitch within 1 octave Send/Return (External effects input/output) connects available peripherals (effectors, samplers, etc)

Fader Start Play

connected to the CDJ Series of CD players, the DJM-600 can begin playback of a track using the cross fader or the channel fader Mix tracks without creating spaces by setting the stand-by tracks cue point and performing a single-action cut-in Since it returns to to the cue point via the back fader alone, sampler-style playback is also possible Start/back play of sources recorded using the built-in sampler is also possible using the cross-fader
Single Play - plays back the recorded sound once only when the button is being pressed Loop Play - plays back the recorded sound repeatedly when the button is pressed Stretch Loop Play - extends or shortens the recorded sound in accordance with the mixed tracks BPM and plays back the sound repeatedly

Channel Faders

Easily replaceable faders (5 Faders) Extremely durable and reliable touch faders

Equalizers

Equipped with a separate Hi/Mid/Low 3-band graphic equalizer for each channel the stress of the instrument sounds to be adjusted within the range -26dB to + 12dB

More Features

Talk Over button mutes all levels apart from the microphone Rec Out terminal Four line connections Two Mic inputs Peak Level meter allows the user to instantly determine the source input condition for each channel to make possible certain operation without loss time Independent monitor selection switch will monitor any channel input or effect independently or simultaneously Booth Monitor level adjusts the volume for a separate DJ booth monitoring system Balanced output provides a direct connection to amplifier Top panel phones output Separate Trim controls for each channel

Allows

Cross Fader
3 selectable crossfade curve patterns Fader Curve echo effect enables smoother mixing
Headphone Output with Separate Level Control

Assign

any channel to the headphone out
Mono Split Mode lets you create separate monitor and cue mixes by assigning each input to the left or right side of the headphone The balance between the monitor and cue channels is adjustable

CDJ-1000MK2

Digital Vinyl Turntable
When Pioneer released the CDJ-1000, it quickly became an industry standard in clubs, bars and studios around the world. Its overall performance, feel, sound and memory features gave professional DJs the ability to push their skills to the limit and harness the freedom and flexibility of digital technologyvinyl feeling and sound without vinyl. The CDJ-1000MK2 adds delay-free scratching, wide pitch control and a full-featured digital output to the worlds largest touch sensitive jog dial, allowing you to treat a CD the same way youd treat vinyl. FEATURES

Performance Control

Additional Features
Hot Cue (sampler) memorizes up to 3 cue points per CD and can also be used like a mini sampler for vocals, stabs, or breaks Instant reverse with no loss of tempo or pitch - can also be used with the Hot Cue and the Loop Sampler Real time seamless loop provides a simple way to set a loop while a track is playing Loop In/Out Adjust adjusts the In and Out points of a loop stored in memory. Reloop instantly takes you back to the beginning of the loop stored in memory.
Master Tempo locks the pitch of the track even when you change the speed Tempo Control with 100mm precision linear slider that is coupled with an 0.02% incremental display panel (at 6%) DJs can use the 100% pitch control to create new sound effects from opposite ends of the sound spectrum and also to BPM match completely different tracks. This is in addition to the and 16% ranges. Reads CD, CD-R and CD-RW discs
Start a track instantly by using the cross fader while connected to any DJM Series mixer. By sliding the fader back, it will return to the previously selected cue point Connecting two CDJ-1000s (via 3.5mm mini-plug cable) allows one to be put on standby while the other plays. Relay Play automatically starts the second player enabling them to play back to back to give you endless music play. Legato link reproduces sound frequencies above 20kHz, which are normally lost during CD-format playback Sound jumps or skipping is prevented by using a 16-second shock-proof memory for normal CD play (minimum of 10 seconds if scratching and reading wave data at the same time in Vinyl mode). Oil-dampened floating suspension prevents sound skipping, even when subjected to impact during use or from vibrations from high volume music and low frequency bass. Full-featured S/PDIF digital output ensures that all digital features are transmitted, even scratching and master tempo.

Cue Functions

Auto Cue finds the beginning of a track even if it differs from the tracks frame Manual Cue points can be set anywhere on the CD using either the jog dial or manual search buttons. The cue point is automatically stored in the internal memory or removable memory card (MMC). Real Time Cue allows a cue point to be set on the fly and stored into internal memory A Cue Marker is set automatically within the center display to visually represent the cue point relative to the jog dials location.

Autocue

changes the sound level to suit the style of music
15 second shock proof memory
Plays commercial CDs, CD-R and CD-RW formats Legato Link technology allows the DJ to reproduce sound frequencies above 20 kHz, which are lost during normal CD-format playback Quick Start (less than 0.01 sec) Super fast track search /super fast song search BPM counter/Tap BPM counter Time Mode (Remain/Elapse) Manual Cue / Auto Cue / Real-time Cue / Back Cue / Cue Point Sampler Fader Start Relay Play Digital Outputs

Auto

1000 CD internal memory permits the DJ to store three cue and loop points per CD, as well as Wave data for up to 20 tracks per CD. Stored data can also be copied to other CMX-3000 CD players. High-quality Scratch mode allows scratching, scratch cueing and backspinning The two-piece jog dial allows greater visibility of the display. The dot matrix display delivers clear, bright status information. The buttons are made from hard wearing rubber and are illuminated for ease of use.

EFX-500

Performance DJ Effector
Designed from a DJ-perspective and with the feel of an instrument, the EFX-500 effects box is guaranteed to make your mixes more dynamic. Offering a user-friendly top panel operation, and a comprehensive range of beat effects, a powerful three-band isolator and even Midi compatibility, it will allow you to scare your crowd with a succession of weird and wonderful sounds. Further evolved Beat Effects deliver real-time effect performance with a Jog Dial, allowing 25 different effects (5 x 5 combination). Expand and explore the world of digital sound by connecting the EFX-500 to your mixer, player, and electronic instruments! FEATURES
Separate 3-band graphic EQ (Hi, Mid, Low) cuts sounds up to -oodB and almost completely silences the sound of instruments in each band Isolator lever switch with momentary ON & LOCK ON method. (Removing your finger when in Momentary position returns the switch to OFF. When in LOCK ON position, it continues to be ON.)
The Auto Beat Effect button produces tempo-synced effects (14, 12, 34, 11, 21, 4/1) Delay, Echo, Auto Pan, Auto Flanger and Auto Transformer Depth and Mix knobs change the depth of effects and the balance of the original sounds and effect sounds, respectively Set the beat by various methods such as Auto, Tap, msec, BPM and Midi Beat Effect lever switch with Momentary ON & LOCK ON BPM counter measures the beats per minute and turns it into a digital indication
You can set the BPM instantly by tapping the button with your finger. Effect Frequency allows you to select Hi, Mid and Low frequency to produce effects. You can combine the bands as you like for example, producing effects only in the Mid (picture), or, conversely, selecting the Low and Hi for effects with the original sounds in the Mid. Digital Jog Break can produce new digital sounds on the spot. A turn of the Jog Dial controls 5 effects: Jet, Zip, Wah, Ring and Fuzz. Set the strength and depth of effects as well as the balance of the original sounds and effect sounds. A Jog Break Meter optically indicates the motion of the JOG DIAL and the change of sounds, allowing you to visually confirm the motion. The Jet function adds a short delay. Turning the jog dial creates wave sounds, with the flanger effect made by using 2 analogue turntables. Zip: Change the pitch of reproduced sounds without changing the tempo. Lowering of the pitch produces sounds resembling those made by slowing an analogue turntable. The Wah function changes cut-off frequency. You can make the sound of a certain instrument strong or weak, making it feel like the sound is moving. Ring: Modulation of sounds produces a tone like the ring of a bell, providing effects like cosmic sound or a robot voice. Fuzz is a distortion effect on sounds.

Hold Function

With the function on, the present state can be maintained if you stop turning the JOG DIAL. With the function off, it returns gradually to the state of the original sounds.

Jog Dial Memory Function

This is a new function to memorize and reproduce the motion of the Jog Dial. When you turn the Jog Dial and simultaneously press the Memory button, the motion of the Jog Dial is memorized for as long as 8 seconds. While pressing the PLAY button, you can replay the memorized action in all the 5 effects as many times as you want.

Other Functions

The EFX-500 is equipped with Midi I/O terminals for controlling the Clock signal of Midi instruments. The BPM of input analogue sound signal is measured automatically, converted to Midi-Clock signal, and output so that the beats of connected MIDI instruments can be synchronized. The Effect Monitor System monitors each of Beat Effect, Digital Jog Break, and master sounds. The volume & meter controls input/effect output levels. The auto-lighting, button indicates Rear Panel the setting of each effect. The compact size makes this machine portable

ONE HOUR FREE PARKING

AT 349 W. 34th STREET (with purchase of $100 or more)

DMP-555

Digital Media Player with MP3 and SD Technology

DJ EQUIPMENT 1547

The DMP-555 is compatible with CD audio and MP3 formats and will playback from both CD and SD cards. Since these are capable of storing a huge number of MP3 tracks and loops, the DMP-555 allows DJs to enhance their sets and mixes with the latest music from around the world. When the slim, compact and portable SD Card is used for mixes, the DMP-555 effectively becomes a sampler. This ground-breaking innovation is possible because MP3 loops can be BPM syncd to the CD output and then fired on cue. In addition, the Master Tempo control can be used to slow down or speed up SD audio, without the pitch being affected. CD ripping, loop editing and music file management are simple operations with the bundled DJ Booth software. And because the application simulates a set-up using two Pioneer CD players and a mixer, its easy to master the playback, mixing and editing functions in no time at all. Its even possible to control the software from the DMP-555 itself, making DJ Booth the most innovative and user-friendly application available to todays digital DJs. FEATURES
Supports the SD Audio format of the powerful, removable SD card Onboard MP3 capability Compatible with CD-DA, CD-R, CD-RW and SD Card MP3 compression.
3-Band Isolator allows you to cut out any one of the three frequencies (low: 280Hz and below, mid: 280Hz-6Khz, high: 6Khz and above) from either the CD or SD card of SD card BPM for dual play the pitch of a loop or sample on the SD card during Dual Synchronous Play Mixes SD card audio output with your CD audio playout during Synchronous Play Match and lock SD card BPM to CD playout BPM, at the touch of a button during Synchronous Play Navigate easily through SD Card contents. One Track Loop Set, Continuous loop of audio track on SD Card or CD. Scratch effect Master tempo Tempo select +/- 6%, +/- 10%, +/- 16%

DJ EQUIPMENT 1553

Studio-style (1) 3-Band (6) 3-Band (XP 2016) No No (10) Horiz. (XP 2016) No No No

Miscellaneous

Headphones

Metering

AUDIO CARTRIDGES
Hi-Fi/Home Audio Cartridges
Shure Hi-Fi cartridges are distinguished for their high groove tracking ability and warm, natural sound reproduction. Each cartridge comes with a user guide, mounting hardware, stylus guard and warranty. All models employ the low-mass, high output moving magnet structure invented by Shure.
V15VxMR Features Stylus Mass Sound Accuracy Record Wear Tone Arm Mount Diamond Stylus Tip Side/Front Radii Optimum Tracking Force Price Audiophile Ultra low Ultra high Ultra low Standard 1/2 Micro-ridge 0.15 x 3.0 mil 1 gram 325.00 M97xE Audiophile Very low Very high Very low Standard 1/2 Elliptical 0.2 x 0.7 mil 1.25 grams 89.00 M92E Value Low Very good Low P with standard adapter Biradial 0.4 x 0.7 mil 1.25 grams 35.00 M78S 78 RPM Low Good Low Standard 1/2 Spherical 2.5 mil 1.5 to 3 grams 79.95

V15VxMR

M97xE

DJ Record Needlz

An extensive range of DJ Needlz for scratching, mixing and spinning in any performance situation. Each versatile needle features the unique sound characteristics developed by Shure for low record wear, high skip resistance, and reliable record cueing. All DJ Cartridges Feature:
Low mass, high output moving magnet construction invented by Shure. User guide, mounting hardware, stylus guard, and warranty. Wide-diameter, high strength stylus assemblies for dependable back cueing. Spherical diamond tips that ride gently over a large footprint in the record groove. Cutaway grips for high visibility of the irradiant orange stylus tip. Standard 1/2 mounts or integrated mounts compatible with all leading DJ turntables.

Whitelabel

SC35S M35S
Whitelabel Features Application Skip Resistance Sound Emphasis Club/Party Mix, Spin High Solid drop bass, flat mids, accented highs High Very low 6.0 mV 1.5 to 3.0 grams 20 - 20,000 Hz 0.7 mil 109.95
M44-7/M44-7-H Turntablist Scratch Ultra high Big bass
M44G Club/Party Scratch, Mix, Spin Very high Detailed highs & lows Very high Ultra low 6.2 mV.75 to 1.5 grams 20 - 19,000 Hz 0.7 mil 66.50
M35S Dance Mix, Spin High Rich, warm, tight in all frequencies High Low 5.0 mV 3.0 to 4.0 grams 20 - 20,000 Hz 0.7 mil 49.95
M35X House/Techno Mix, Spin High Extreme clarity, deep drop bass High Very low 6.0 mV 1.5 to 3.0 grams 20 - 20,000 Hz 0.7 mil 49.95
SC35C Standard Scratch, Mix, Spin Very high Clarity thru frequency range High Low 5.0 mV 4.0 to 5.0 grams 20 - 17,000 Hz 0.7 mil 39.95

Footpedal output for effects module 3 position cue select Pre CF Cue / Post CF Cue / Master 2 line, 2 phono, and 1 mic/line (switchable) inputs 3-band EQ, Gain, and slider-style pan control per channel Crossfader and Program faders reverse switches & curve adjustments
Program reverse Soft/Quiet-Start feature to avoid pops / noise when mixer is powered on 2 headphone inputs (1/4 and 1/8 minijack) with headphone mute TRS balanced Master output with output trim control Mono-stereo switch Dimensions: 14.9 x 10.5 x 4.3, 8 lbs.

RM-3S 3-Channel DJ Mixer

Based on the popular RM-3 the RM-3S keeps most of the original layout and design but with improved features and better control. A redesigned fader allows a smoother more gradual curve, and the added Cue Pan fader lets you monitoryour mix through the headphones.
RM-50 4-channel Stereo Preamp Mixer
Designed for small clubs and mobile DJ applications where space and budget are limited. But don't let its compact three 19 rack-space size fool you, the RM-50 is packed with features.
6 line, 3 phono, and 2 mic inputs 60mm channel faders Assignable AUX send/return
9 line and 4 phono inputs, 4 mic inputs (combo and 1/4 connectors) 3 band master EQ with complete kill (+9/-60 dB) Fader start 2 position toggle switch on channels 2 and 3 for easy transforming Mic channel features 2 band EQ, independent level controls, and VCA controlled autotalk function Fully assignable crossfader (A, B, bypass) Balanced XLR master output, Booth output Master section with level and balance controls and mono/stereo switch Cue section features cue pan and level control Input and output LED meters 12V light BNC input
Gain, 3 band EQ (+9/-26dB), and Pan control on each channel High quality professional crossfader with reverse function Mic channel features volume controls and 3 band EQ (+12/-12 dB) Cue section features Pre Fader Listen function with volume control and Cue-Pan fader 3 band frequency isolators for channels 1 and 3 featuring three-way toggle switches with FLASH function Rec output

User replaceable faders

RM-80 4-channel Stereo Preamp Mixer
RM-100 4-channel Stereo Preamp Mixer
A step-up from the RM-80, the RM-100 adds an effects loop which lets you easily add effects or sampling to your mix. It has an Effects send and return assignable to master out, each channel (including all mics), and headphones for monitoring. Cue section features stereo/split function, cue pan and level control. Cue pan fader is assignable to booth output for in-booth monitoring. Sub mic on channel 4 enables use of 3-band EQ and panning.

Titanium Pak

Titanium Pak is the top of the line DJ Package for the professional DJ looking to upgrade his or her system. Includes:

Skratch Pak II

Includes:
[2] STR8-100 turntables [1] SK-6F two channel mixer [2] 520SK cartridges [1] DJ PRO 60 stereo headphones [2] Slipmats
pair of STR8-60 straight arm direct drive turntables premounted with 520SK cartridges SMX-201 professional turntablist mixer featuring 2 band EQ and Gain control per channel a pair of DJ PRO 60 stereo headphones 2 Slipmats
* PLUS a free copy of TMW2002 [Turntable Mechanic Workshop 2002]

2 Dust Covers

connecting cables
*plus a free copy of the TMW2002 [Turntable Mechanic Workshop 2002]

Platinum Pak II

Recommended by DJ Craze Includes:

Spin Cycle Pak

[2] STR8-30 turntables [1] SMX-201 two channel mixer [2] 500b cartridges. Already mounted on Stanton Headshells, the 500b provides the perfect balance of reliability, ruggedness and optimum performance. [1] DJ PRO 10 stereo headphones - with uniques earcup and headband [2] Slipmats
[2] STR8-80 turntables [1] SK-6F two channel mixer [2] 520SK DJ Craze model cartridges [1] DJ PRO 60 stereo headphones [2] Slipmats [2] Dust Covers
*PLUS a free copy of TMW2002 [Turntable Mechanic Workshop 2002]

HEADPHONES

DJ Pro 2000 S
High-quality stereo headphone designed for the professional DJ Rotating ear-cup allows for flexible positioning and single sided or shoulder rest wearing styles Detachable 10 coiled cord for safe storage and easy replacement 90 (elbow) 1/4 connector Integrated mono or stereo monitoring Wide frequency response 20 Hz-30 KHz for outstanding sound reproduction FOLDING Closed ear-cup design for sound isolation 50mm drivers for clear low end reproduction and superior power handling Convenient folding design for ease of storage and transportation 3.5mm mini-jack adaptor and carrying pouch included SWIVEL

DJ Pro 300

DJ Pro 300 DJ Pro 60 DJ Pro 1000 MKII S DJ Pro 500 MC DJ Pro 50
Lightweight single-sided headphone High efficiency 40mm heavy-duty drivers Detachable 10 cord with 1/4 adapter Frequency response 20-20kHz Sensitivity 100dB @ 1mW Includes a free carrying pouch

DJ EQUIPMENT 1569

Mixing and audio manipulation tool for professional DJs 4-channel stereo inputs on line and phono inputs Dual sampler 2 coaxial digital inputs (channels 1 and 2), 2 external line inputs (channels 3 and 4) 2 built-in digital effects processors with reverb, delay, echo, flanger, auto pan, pitch control, transformer and low pass filter; 30 storable effects settings
Fully-parametric 3-band EQ on each input channel with 100 storable patterns 3-stage adjustable input fader curve, Input fader reverse, Cross fader reverse, Cross fader curve control Microphone input with 2-band EQ Low/Mid/High Cut control for both cross fader sides Coaxial digital Master output with pre/post master selection in the menu
Booth output, analog balanced Master output with attenuator, analog unbalanced Master output with attenuator and pre/post master fader switch Headphone outputs on front and top panels, with 3-stage headphone EQ 4 fader start/stop connectors Optional MIDI In/Out/Thru connectors External stereo effect send/return connectors 2 assignable foot switches connectors
Channels Stereo Inputs Outputs
2-channel 4 (2 phono, 2 line) Balanced 1/4 TRS and
2-channel 4 (2 phono, 2 line)
4-channel 4-channel stereo inputs on line and phono inputs Booth output, analog balanced Master output with attenuator, analog unbalanced Master output with attenuator and pre/post master fader switch
Balanced XLR and unbalanced RCA master outputs with separate level controls

3-band EQ per channel

2-band EQ per channel

V E S TA X

PDX-2000 DJ EQUIPMENT
Super High Torque DJ Turntable with Anti Skipping Tonearm
A totally new turntable designed strictly for professional DJs. The silver body design uses super high-density molded ABS plastic which diminishes vibrations. Its high-torque quick-response DC motor, heavy-duty Anti Skipping Tonearm System (A.S.T.S.) and great versatility through various braking, start and reverse features make this a perfect turntable for any DJ. Even the hardest scratching wont fault the powerful PDX-2000. With two pitch controls it is possible to adjust the pitch by up to 60%. Achieve the most extreme effects and sounds and ensure the best possible performance every time with the PDX-2000.

PDX-2000 shown with optional $75 DSC-2000 dust cover
ASTS Floating-Suspension Tonearm system coupled with Tracking Hold reduces needle skip and jump Speed Adjustment allows manipulation the start and stop speed independantly. Instant start/stop or slow wind-up/wind down gives DJs the ability to be creative
High-torque direct-drive DC motor enables a start speed of 0.5 seconds to reach normal RPM Power switch for Motor off-on effects Ultra Pitch fader controls the pitch range by 50% and then, combined with Fine Pitch fader, control of 60% is possible
Non skipping plus feedback prevention Special 100mm fine pitch control fader Super direct drive 33/45 rpm start and break time Reverse button makes the platter spin backward at one easy touch

Adjustable

PDX-d3s
Digitally Controlled Turntable
The PDX-d3s offers advanced mixing performance. The reverse switch, selectable pitch range, motor off switch and joystick for pitch bend control give DJs unlimited new techniques.

BDT-2500

DJ Turntable with Line Out
A high-quality phono amplifier allows the BDT-2500 to connect directly to a line input jack of a mixer/pre-amplifier without the grounding cable usually required with turntables.
Synchronize feature allows you to control more than 2 turntables with a single operation (optional cable required) The stick controller gives instant speed adjustment of 50% and pitch bend of 1, 2, 3 or 6% (selectable). Theres no need to touch the turntable for cue point or pitch bend anymore Reverse mode feature works for all features such as pitch bend, speed control, etc. Selectable range of pitch control allows wider or finer pitch control with 3,6, and 12% of range
Includes an internal phono amp bypass switch for use when connection to phono input is preferred or required Two pitch controls: Main Pitch and Fine Pitch, allow you to set the speed from 16 rpm to 98 prm with no gaps Static-balanced S shape tone arm system maximizes its traceability and durability Unique heavy-duty metal chassis minimizes the feedback and vibration (Please note: The BDT 2500 is not designed for scratch play)

PREMIUM SERIES MIXERS

R-1 Premium

19 Rack Mountable Mixer

The R-1 is the superior sonic solution for professional house DJs, installations and studios. The R-1, with its rotary style dials, is created using only the highest quality components. Just wait till you hear its superb sound quality - its one of the most incredible sounding mixers ever produced! Designed with advice from the worlds top club DJs, the R-1 features a built-in 4-band isolator and a 3-band booth EQ, helping you boost your creativity.