DJ MIXER

DJM-800

Operating Instructions
Thank you for buying this Pioneer product. Please read through these operating instructions so you will know how to operate your model properly. After you have finished reading the instructions, put them away in a safe place for future reference. In some countries or regions, the shape of the power plug and power outlet may sometimes differ from that shown in the explanatory K015 En drawings. However the method of connecting and operating the unit is the same.

IMPORTANT

CAUTION
RISK OF ELECTRIC SHOCK DO NOT OPEN The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert the user to the presence of uninsulated "dangerous voltage" within the product's enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons. CAUTION: TO PREVENT THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance.

D1-4-2-3_En-A

WARNING
This equipment is not waterproof. To prevent a fire or shock hazard, do not place any container filed with liquid near this equipment (such as a vase or flower pot) or expose it to dripping, splashing, rain or moisture. D3-4-2-1-3_A_En
IMPORTANT NOTICE THE SERIAL NUMBER FOR THIS EQUIPMENT IS LOCATED IN THE REAR. PLEASE WRITE THIS SERIAL NUMBER ON YOUR ENCLOSED WARRANTY CARD AND KEEP IN A SECURE AREA. THIS IS FOR YOUR SECURITY.

D1-4-2-6-1_En

Information to User Alteration or modifications carried out without appropriate authorization may invalidate the users right to operate the equipment. D8-10-2_En

1) 2) 3) 4) 5) 6) 7)

Read these instructions. Keep these instructions. Heed all warnings. Follow all instructions. Do not use this apparatus near water. Clean only with dry cloth. Do not block any ventilation openings. Install in accordance with the manufacturers instructions. 8) Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat. 9) Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet. 10) Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.
11) Only use attachments/accessories specified by the manufacturer. 12) Use only with the cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.
CAUTION: This product satisfies FCC regulations when shielded cables and connectors are used to connect the unit to other equipment. To prevent electromagnetic interference with electric appliances such as radios and televisions, use shielded cables D8-10-3a_En and connectors for connections. This Class B digital apparatus complies with Canadian ICES-003. Cet appareil numrique de la Classe B est conforme la norme NMB-003 du Canada. D8-10-1-3_EF
13) Unplug this apparatus during lightning storms or when unused for long periods of time. 14) Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped. P1-4-2-2_En

PREVENT ELECTRIC SHOCK DO NOT USE THIS (POLARIZED) PLUG WITH AN EXTENSION CORD. RECEPTACLE OR OTHER OUTLET UNLESS THE BLADES CAN BE FULLY INSERTED TO PREVENT BLADE EXPOSURE. ATTENTION POUR PREVENIR LES CHOCS ELECTRIQUES NE PAS UTILISER CETTE FICHE POLARISEE AVEC UN PROLONGATEUR UNE PRISE DE COURANT OU UNE AUTRE SORTIE DE COURANT, SAUF SI LES LAMES PEUVENT ETRE INSEREES A FOND SANS EN LAISSER AUCUNE PARTIE A DECOUVVERT. D2-4-4-1_EF WARNING: Handling the cord on this product or cords associated with accessories sold with the product will expose you to chemicals listed on proposition 65 known to the State of California and other governmental entities to cause cancer and birth defect or other reproductive harm. Wash hands after handling D36-P4_A_En
NOTE: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures: Reorient or relocate the receiving antenna. Increase the separation between the equipment and receiver. Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. Consult the dealer or an experienced radio/TV technician for help. D8-10-1-2_En
To prevent a fire hazard, do not place any naked flame sources (such as a lighted candle) on the equipment. D3-4-2-1-7a_A_En

VENTILATION CAUTION

When installing this unit, make sure to leave space around the unit for ventilation to improve heat radiation (at least 5 cm at rear, and 3 cm at each side).
Slots and openings in the cabinet are provided for ventilation to ensure reliable operation of the product, and to protect it from overheating. To prevent fire hazard, the openings should never be blocked or covered with items (such as newspapers, table-cloths, curtains) or by operating the equipment on thick carpet or a bed. D3-4-2-1-7b_A_En

POWER-CORD CAUTION

Handle the power cord by the plug. Do not pull out the plug by tugging the cord and never touch the power cord when your hands are wet as this could cause a short circuit or electric shock. Do not place the unit, a piece of furniture, etc., on the power cord, or pinch the cord. Never make a knot in the cord or tie it with other cords. The power cords should be routed such that they are not likely to be stepped on. A damaged power cord can cause a fire or give you an electrical shock. Check the power cord once in a while. When you find it damaged, ask your nearest PIONEER authorized service center or your dealer for a replacement. S002_En
We Want You Listening For A Lifetime
Used wisely, your new sound equipment will provide a lifetime of fun and enjoyment. Since hearing damage from loud noise is often undetectable until it is too late, this manufacturer and the Electronic Industries Associations Consumer Electronics Group recommend you avoid prolonged exposure to excessive noise. This list of sound levels is included for your protection. Decibel Level Example Quiet library, soft whispers Living room, refrigerator, bedroom away from traffic Light traffic, normal conversation, quiet office Air conditioner at 20 feet, sewing machine Vacuum cleaner, hair dryer, noisy restaurant Average city traffic, garbage disposals, alarm clock at two feet.
Selecting fine audio equipment such as the unit youve just purchased is only the start of your musical enjoyment. Now its time to consider how you can maximize the fun and excitement your equipment offers. This manufacturer and the Electronic Industries Associations Consumer Electronics Group want you to get the most out of your equipment by playing it at a safe level. One that lets the sound come through loud and clear without annoying blaring or distortion-and, most importantly, without affecting your sensitive hearing. Sound can be deceiving. Over time your hearing comfort level adapts to higher volumes of sound. So what sounds normal can actually be loud and harmful to your hearing. Guard against this by setting your equipment at a safe level BEFORE your hearing adapts. To establish a safe level: Start your volume control at a low setting. Slowly increase the sound until you can hear it comfortably and clearly, and without distortion. Once you have established a comfortable sound level: Set the dial and leave it there. Taking a minute to do this now will help to prevent hearing damage or loss in the future. After all, we want you listening for a lifetime.

6 Other functions

A control cable can be used to connect the unit to a Pioneer DJ CD player, thus allowing playback to be linked to operation of the fader (fader start play). Built-in 3-band equalizer supports level control within the range of +6 dB to 26 dB in each bandwidth. Cross fader assignment function allows each channels input to be assigned flexibly to a cross fader. Talk over function automatically lowers track volume during microphone input. Fader curve adjustment function allows modification of the cross fader and channel fader curves. Microphone cut function mutes microphone output to the booth monitor, thus preventing uncomfortable feedback. By replacing the channel fader section with the optional rotary volume kit DJC-800RV, the slider control can be replayed with a rotary type control.

CONFIRM ACCESSORIES

Operating Instructions... 1 Power cord.... 1 Warranty... 1
CONNECTIONS (CONNECTION PANEL)

CONNECTIONS

CONNECTION PANEL

SIGNAL GND

MASTER 2 POWER

OFF ON

PHONO LINE PHONO CD LINE CD

DIGITAL IN

CONTROL
CONTROL MIDI OUT DIGITAL OUT fs (Hz) 48 k 96 k

1GND 2HOT 3COLD

DIGITAL LINE

MASTER ATT

0dB -3dB -6dB -12dB

DIGITAL CD

MASTER 1 L

ADD CUT

MIC SIGNAL

L(MONO)

RETURN
1. POWER switch 2. MASTER 2 output connectors
RCA type unbalanced output.
14. SEND output connectors
6.3 mm phone-type output connectors. Use to connect to the input connectors of external effectors or other similar components. When the L channel only is connected, a L+R monaural signal is output.
3. Recording output connectors (REC)
RCA type output connectors for recording.
4. PHONO input connectors
RCA type phono level (MM cartridge) input connectors. Do not use for inputting line level signals.

15. CONTROL connectors

3.5 mm mini-connector. Use to connect to the control connector of a Pioneer DJ CD player. When the connectors are connected, the DJM-800s fader can be used to perform start/stop on the DJ CD player.

5. LINE input connectors

RCA type line level input connectors. Use to connect a cassette deck or other line level output component.
16. BOOTH monitor output connectors
6.3 mm phone-type booth monitor output connectors. The sound level from these connectors is controlled independently by the BOOTH MONITOR level dial, regardless of the position of the MASTER LEVEL dial. (These connectors are TRS output, so they support both balanced and unbalanced outputs.)

6. Signal grounding terminals (SIGNAL GND)
Use to connect ground wires from analog players. This is not a safety grounding terminal.

7. CD input connectors

RCA type line level input connectors. Use to connect a DJ CD player or other line level output component.
17. DIGITAL/LINE input selector switches
Use to select either analog input (LINE) or digital input (DIGITAL IN).

8. DIGITAL IN connectors

RCA type digital coaxial input connectors. Use to connect to DJ CD player or other digital coaxial output connectors.
18. Master output attenuator switch (MASTER ATT)
Use to attenuate the level of the master 1 and master 2 outputs. Selectable values are 0 dB, 3 dB, 6 dB and 12 dB.

9. MIDI OUT connector

DIN type output connector. Use to connect to other MIDI component (see P. 20).
19. Microphone signal switch (MIC SIGNAL ADD/CUT)
When set to the [ADD] position, the sounds from microphone 1 and microphone 2 are output to the BOOTH monitor output connectors. When set to the [CUT] position, the sounds from microphone 1 and microphone 2 are not output to the BOOTH monitor output connectors.
10. DIGITAL OUT connector
RCA type digital coaxial output connector. Master audio digital output.
11. Sampling frequency selector switch (fs 48 k/96 k)
Use to set the sampling frequency of the digital output to 96 kHz/24bit or 48 kHz/24-bit.
20. MASTER 1 output connectors
XLR type (male) balanced output. When using a cord with RCA-type plug, users are recommended to connect the plug directly to the MASTER 2 connectors without using an XLR/RCA converter plug.
12. DIGITAL/CD input selector switches
Use to select either analog input (CD) or digital input (DIGITAL IN).

13. RETURN connectors

6.3 mm phone-type input connectors. Use to connect to the output connectors of external effectors or similar components. When the L channel only is connected, the L channel input is simultaneously input to the R channel.

LEVEL/DEPTH
A THRU B A THRU B A THRU B A THRU B

CROSS FADER ASSIGN

MIN MAX

ON/OFF

Microphone input control section 1. Microphone 1 input jack (MIC 1)
Use to connect a microphone with an XLR or phone plug.
8. Microphone function selector switch (MIC)
OFF: No microphone sound is output. ON: Microphone sound is output normally. TALK OVER: Microphone sound is output; when sound is input to a connected microphone, the TALK OVER function operates and all sound other than that from the microphone is attenuated by 20 dB.
2. Microphone 2 input jack (MIC 2)
Use to connect a microphone with a phone plug.
3. Microphone 1 level control dial (MIC 1 LEVEL)
Use to adjust the volume of microphone 1. (adjustable range to 0 dB)
4. Microphone 2 level control dial (MIC 2 LEVEL)
Use to adjust the volume of microphone 2. (adjustable range to 0 dB)
Channel input control section 9. Channel 1 input selector switch
CD/DIGITAL: Use to select CD input connectors (line level analog input) or DIGITAL input connectors. LINE: Use to select LINE input connectors.
5. Microphone equalizer high-range control dial (HI)
Use to adjust the treble (high-range) frequencies of microphones 1 and 2. (adjustable range 12 dB to +6 dB)
6. Microphone equalizer low-range control dial (LOW)
Use to adjust the bass (low-range) frequencies of microphones 1 and 2. (adjustable range 12 dB to +6 dB)
10. Channel 2 to 4 input selector switches
CD/DIGITAL (channel 2): Use to select CD input connectors (line level analog input) or DIGITAL input connectors. LINE/DIGITAL (channel 3 to 4): Use to select LINE input connectors (line level analog input) or DIGITAL input connectors. PHONO: Use to select PHONO input connectors (analog turntable input).
7. Microphone function indicator
Lights when microphone is ON; flashes when TALK OVER is ON.

11. TRIM adjust dial

Use to adjust the input level for each channel. (adjustable range: to +9 dB, mid-position is about 0 dB)
21. Cross fader curve switch (CROSS FADER)
This switch allows the user to select from three types of cross fader curve response. At the left setting, the curve produces a rapid signal rise. (As soon as the cross fader lever leaves the [A] side, the [B] channel sound is produced.) At the right setting, the curve operates to produce an even, neutral rise throughout the cross faders movement. At the middle setting, an intermediate curve is produced, midway between the two curves noted above.

12. Channel equalizer high-range adjust dial (HI)
Use to adjust the treble (high-range) frequency sound for each channel. (adjustable range: 26 dB to +6 dB)
13. Channel equalizer mid-range adjust dial (MID)
Use to adjust the mid-range frequency sound for each channel. (adjustable range: 26 dB to +6 dB)
14. Channel equalizer low-range adjust dial (LOW)
Use to adjust the bass (low-range) frequency sound for each channel. (adjustable range: 26 dB to +6 dB)

22. Cross fader lever

Outputs sound assigned to [A] and [B] sides in accordance with setting of the CROSS FADER ASSIGN switch, and subject to the cross fader curve selected with the CROSS FADER curve switch.
15. Channel level indicator
Displays the current level for each channel, with two-second peak hold.
16. Headphone CUE buttons/indicators
These buttons are used to select from channel 1 to 4, MASTER, or effector, to allow you to monitor the desired source through headphones. If multiple buttons are pressed simultaneously, the selected audio sources are mixed. Press the button once more to cancel the selected source. Unselected buttons glow darkly, while selected source buttons light brightly.
Master output control section 23. Master output level dial (MASTER LEVEL)
Use to adjust the master output level. (adjustable range: to 0 dB) The master output is the sum combination of the sound from channels set to [THRU] with the CROSS FADER ASSIGN switch; the signal passed through the cross fader; and the signals from microphone 1 and microphone 2 (if the effect selector is set to [SND/RTN], the RETURN input is also added).
Fader control section 17. Fader start button/indicator (FADER START 1 to 4)
Enables the fader start/back cue function for the channel to which a DJ CD player is connected. The button lights when set to ON. When enabled, the operation differs depending on the setting of the CROSS FADER ASSIGN switch. When the CROSS FADER ASSIGN switch is set to the [A] or [B] position, fader start button operation is linked to the operation of the cross fader (and unlinked to channel fader). When the CROSS FADER ASSIGN switch is set to the [THRU] position, fader start button operation is linked to the operation of the channel fader (and unlinked to cross fader).
24. Master level indicator (MASTER L, R)
These segment indicators display the output level from L and R channels. The indicators have a two-second peak hold.
25. Master balance dial (BALANCE)
Use to adjust the L/R channel balance for master output, booth monitor output, recording output, and digital output.
26. Master output STEREO/MONO selector switch
When set to [MONO], the master output becomes a monaural combination of L+R.

18. Channel fader lever

Use to adjust sound volumes for each channel. (adjustable range: to 0 dB) Output is in accordance with the channel fader curve selected with the CH FADER curve switch.

4. Beat display section

Displays the location of parameter 1 relative to BPM (1/1 beat). The lower row is lighted constantly. When the parameter 1 location approaches a threshold value, the corresponding indicator is lighted. When the parameter 1 is between threshold values, the indicator flashes. Although the display includes seven actual indicators, the two ends can also be considered to act as indicators, with the result that a theoretical nine positions can be postulated. When the values are at the two ends, no indicators light.
Effect selector DELAY ECHO REV DLY PAN TRANS FILTER FLANGER PHASER REVERB ROBOT CHORUS ROLL REV ROLL SND/RTN
1 Effect display 3 Parameter display Upper/ Minimum Maximum Effect name Default Lower value value Upper DELAY Lower Upper ECHO Lower Upper REVERSE Lower DELAY Upper PAN Lower Upper TRANS Lower Upper FILTER 000 Lower Upper FLANGER 000 Lower Upper PHASER 000 Lower Upper REVERB 50 Lower Upper ROBOT 0 Lower Upper CHORUS 000 Lower Upper ROLL Lower Upper REVERSE Lower ROLL Upper SEND/ Lower RETURN
4 Beat display Unit ms ms ms ms ms ms ms ms % % ms ms ms 1 1/8 1/8 1/8 1/16 1/16 1/4 1/4 1/1/4 1/16 1/1/4 1/4 1/4 1/8 1/8 1/2 1/2 1/3 1/2 1/2 1/2 1/4 1/4 1/1 1/1 1/4 3/4 3/4 3/4 1/2 1/2 2/1 2/1 2/50 2/1 1/2 1/1/1 1/1 1/1 1/1 1/1 4/1 4/1 4/0 4/1 1/1 1/2/1 2/1 2/1 2/1 2/1 8/1 8/1 8/26 8/1 2/1 2/4/1 4/1 4/1 4/1 4/8/1 8/1 8/1 8/1 8/16/1 16/1 16/1 16/1 16/1
16/1 32/1 64/1 16/1 32/1 64/1 16/1 32/1 64/

1/2 1/8 1/8 1/1 1/4 1/4

16/1 32/1 64/1 4/1 4/1 8/1 8/1 16/1 16/1

Shaded items

are not displayed.
MIXER OPERATIONS (BASIC OPERATIONS)

MIXER OPERATIONS

BASIC OPERATIONS
1 POWER TRIM 4 HI, MID, LOW 8 BALANCE 5
[Selecting Stereo or Monaural]
When the STEREO/MONO switch is set to [MONO], the master output becomes a monaural combination of L+R channels.

[Microphone Input]

1. To use a microphone, set the MIC switch to [ON] or [TALK OVER].
When the switch is set to [TALK OVER], any time a sound of over 15 dB is detected by the microphone, the output for all sound sources other than the microphone are attenuated by 20 dB.

7 MASTER LEVEL

2. Use the MIC 1 LEVEL dial to adjust the sound volume of MIC 1, and use the MIC 2 LEVEL dial to adjust the sound volume of MIC 2. 3. Use the microphone equalizer dials (HI, LOW) to adjust the tone of the microphone sound.
The microphone equalizer function operates simultaneously on microphone 1 and 2.

[Booth Monitor Output]

1. Set the connection panels MIC SIGNAL switch to select whether microphone sounds are output to the booth monitor.

1. Press the FADER START button for the channel (1 to 4) connected to the CD player you wish to control.
The button for the selected channel lights.
2. Set the CROSS FADER ASSIGN switch for the selected channel to [A] or [B].
Select [A] to assign to cross fader channel A (left side). Select [B] to assign to cross fader channel B (right side).
[Using the Channel Fader to Start Playback]
3. Move the cross fader lever to the full opposite side away from the CD player you wish to start. 4. Set the CD player to the desired cue point, and engage cue point standby.
If a cue point has already been set, it is not necessary to set the CD player to standby at the cue point.
5. At the instant you wish to start playback, move the cross fader lever.
CD player begins playback. After playback has begun, if the cross fader lever is moved fully to the opposite side, the CD player assigned to the opposite side channel will return to the cue point and enter standby mode (back cue). Note: The fader start function will not be enabled if digital connections are used alone; to use the fader start function, be sure to connect the CD players analog connectors as well.

FADER START 1 1, 2, 3, 4

2. Set the channel fader lever to 0. 3. Set the CD player to the desired cue point, and engage cue point standby.
EFFECT FUNCTIONS (TYPES OF BEAT EFFECTS)

EFFECT FUNCTIONS

This unit can produce beat effects linked to the BPM, and sound-color effects linked to the COLOR dials provided for each channel, for a total of 18 basic effects (including [SND/RTN]). In addition, by changing the parameters for each kind of effect, an extremely wide range of effect variations can be produced. A wide variety of beat effects can be achieved by varying the temporal parameter via the TIME dial (Parameter 1), as well as quantitative parameter via the LEVEL/DEPTH dial (Parameter 2). Sound-color effect changes can be added by varying the position of the COLOR dials. By combining beat effects and sound-color effects, an even greater range of performance effects can be produced.
3. REVERSE DELAY (One repeat sound)
This function allows an inverted delay sound with beat of 1/8, 1/4, 1/2, 3/4, 1/1, 2/1, 4/1, 8/1, or 16/1 to be added quickly and simply.

Example

Original

1 beat

TYPES OF BEAT EFFECTS
1. DELAY (One repeat sound)
This function allows a delay sound with beat of 1/8, 1/4, 1/2, 3/4, 1/1, 2/1, 4/1, 8/1, or 16/1 to be added quickly and simply. For example, When a 1/2 beat delay sound is added, four beats become eight beats. Also, by adding a 3/4 beat delay sound, the rhythm becomes syncopated. 1/1 reverse delay 1 beat

Sets amount of reverberation effect. Sets pitch of robot sound effect. Sets cycle of chorus sound harmonic. Sets effect time. Sets effect time.

1 to 100 (%)

10 ROBOT

100 to +100 (%)

11 CHORUS

12 ROLL (*2)

1 to (ms) 1 to (ms)
Sets balance of original sound and roll sound. Sets balance of original sound and roll sound. Sets volume of RETURN input sound.
13 REVERSE ROLL (*2) Effect time is set as 1/16 to 16/1 relative of 1 beat of BPM. 14 SEND/RETURN
(*1) Even if the effect monitor is turned ON, if no sound is output from the channel to the master output, the effect sound will not be heard. (*2) When effect is disabled (OFF), the effect sound will not be heard, even if monitor is set to effector.

Sound-color effects

Name 1 HARMONIC Parameter (COLOR dial) Sets amount of pitch shift in range of 6 half-tones. Rotating dial to right increases pitch shift by +6 half-tones, while rotating to the left reduces pitch shift by 6 half-tones. Sets filter's cutoff frequency. Rotating dial clockwise produces band-pass filter effect; rotating counterclockwise produces notch filter effect. Sets amount of crushing of input sound. Rotate dial counterclockwise to emphasize low-range sounds, and rotate clockwise to emphasize high-range sounds. Sets cutoff frequency of filter. Rotating dial to right changes highpass filter; rotating dial to left changes low-pass filter.

2 SWEEP

3 CRUSH

4 FILTER

MIDI SETTINGS
MIDI is an acronym for Musical Instrument Digital Interface and refers to a protocol developed for the exchange of data between electronic instruments and computers. A MIDI cable is used to connect components equipped with MIDI connectors to enable the transmission and receipt of data. The DJM-800 uses the MIDI protocol for transmitting and receiving data about component operation and BPM (timing clock). DJ CD Player
SYNCHRONIZING AUDIO SIGNALS TO EXTERNAL SEQUENCER, OR USING DJM-800 INFORMATION TO OPERATE AN EXTERNAL SEQUENCER
1. Use a commercially available MIDI cable to connect the DJM-800s MIDI OUT connector to the MIDI sequencers MIDI IN connector.
Set the MIDI sequencers synch mode to Slave. MIDI sequencers that do not support MIDI timing clock cannot be synchronized. Synch may not be achieved if the tracks BPM cannot be detected and measured stably. BPM values set with the TAP mode can also be used to output the timing clock.

MIDI sequencer

OUT Audio IN
IN BPM =120 BPM =120 MIDI OUT
2. Press the MIDI START/STOP button.
The MIDI timing clock output range is 40 to 250 BPM. Note: Accurate measuring of BPM may be impossible with some tracks.

MIDI START /STOP

[MIDI Channel Setting]
The MIDI channel (1 to 16) can be set and stored in memory.
1. While holding the MIDI START/STOP button depressed, set the power switch to ON.
The display will show [MIDI CH SETTING] and the unit will enter the MIDI setting mode.
2. Rotate the TIME dial to select the MIDI channel. 3. Press the MIDI START/STOP button.
The selected MIDI channel will be recorded.

4. Set power to OFF.

MIDI MESSAGES
Category CH1 Switch Name TRIM HI MID LOW COLOR CUE FADER CF ASSIGN TRIM HI MID LOW COLOR CUE FADER CF ASSIGN TRIM HI MID LOW COLOR CUE FADER CF ASSIGN Switch Type VR VR VR VR VR BUTTON VR SW VR VR VR VR VR BUTTON VR SW VR VR VR VR VR BUTTON VR SW Bn Bn Bn Bn Bn Bn Bn Bn Bn Bn Bn Bn Bn Bn Bn Bn Bn Bn Bn Bn Bn Bn Bn Bn MIDI Message MSB 0A 42 0C 0E 0F 43 dd dd dd dd dd dd dd dd dd dd dd dd dd dd dd dd dd dd dd dd dd dd dd dd LSB Comments 0 to to to to to 127 OFF=0, ON=to 127 0, 64, to to to to to 127 OFF=0, ON=to 127 0, 64, to to to to to 127 OFF=0, ON=to 127 0, 64, 127

Category CH4

Switch Name TRIM HI MID LOW COLOR CUE FADER CF ASSIGN CROSS FADER CH CURVE CROSS CURVE MASTER LEVEL BALANCE CUE MONITOR BEAT LEFT BEAT RIGHT AUTO/TAP TAP CUE EFFECT SELECT CH SELECT TIME
Switch Type VR VR VR VR VR BUTTON VR SW VR SW SW VR VR BUTTON VR BUTTON BUTTON BUTTON BUTTON BUTTON SW SW SW Bn Bn Bn Bn Bn Bn Bn Bn Bn Bn Bn Bn Bn Bn Bn Bn Bn Bn Bn Bn Cn Cn Bn
MIDI Message MSB 5C 44 0B 5E 5F 4A 19 4C 4D 45 4E 4B pc pc 0D dd dd dd dd dd dd dd dd dd dd dd dd dd dd dd dd dd dd dd dd LSB
Comments 0 to to to to to 127 OFF=0, ON=to 127 0, 64, to 127 0, 64, 127 0, 64, to to 127 OFF=0, ON=to 127 OFF=0, ON=127 OFF=0, ON=127 OFF=0, ON=127 OFF=0, ON=127 OFF=0, ON=127 See PROGRAM CHANGE below.
CROSS FADER FADER CURVE MASTER

BOOTH EFFECT

TIME value; FLANGER, PHASER, CHORUS, FILTER changed to 1/2 value; minus values are converted to positive. 0 to 127 OFF=0, ON=to to 127 OFF=0, ON=127 OFF=0, ON=127 OFF=0, ON=127 OFF=0, ON=127 OFF=0, ON=127 OFF=0, ON=127 OFF=0, ON=127 OFF=0, ON=to to 127

MIC (SOUND COLOR FX)

(FADER START)

(HEAD PHONES) MIDI

LEVEL/DEPTH EFFECT ON/OFF HI LOW HARMONIC SWEEP CRUSH FILTER MIXING LEVEL START STOP

MUTE PHONES

DIGITAL OUT
CD/DIGITAL LINE SW. CD/DIGITAL LINE CD LINE CD LINE DIGITAL DIGITAL

DIGITAL/CD SW.

CH 2 PHONO

PHONO AMP. BUFFER

BUFFER A/D CH 2
CD DIGITAL DIR SRC -COM VR AD PHONO/LINE SW. DIGITAL SEL. DIGITAL /ANALOG SW.
MUTE SEND D/A BUFFER RETURN A/D RETURN SEND
CD/DIGITAL PHONO SW. CD/DIGITAL PHONO CD PHONO CD DIGITAL DIGITAL PHONO

PHONO CD CD DIGITAL

CH 3 PHONO

BUFFER A/D CH 3

LINE DIGITAL DIR SRC -COM VR AD PHONO/LINE SW. DIGITAL SEL. DIGITAL /ANALOG SW. same as CH 3

FLASH ROM

LINE/DIGITAL PHONO PHONO SW. LINE/DIGITAL PHONO LINE/CD LINE PHONO ANALOG LINE DIGITAL DIGITAL PHONO DIGITAL

DIGITAL/LINE SW.

CHn in Digital in Analog in Digital Trim BPM detect CHx 3-Band CHn EQ COLOR EFFECTS [ch14] CUE BEAT Monitor EFFECTS [CHx] [CHx(pre)] Send Return [CHx] CHx Level Meter CHn Fader BEAT EFFECTS [CHx(post)] CH Fader Curve (3-posi.) CHx BPM detect [CF_B] BEAT EFFECTS [CF_B(pre)] Send Return [CF_B] BEAT EFFECTS CROSS [CF_B(post)] Fader Curve (3-posi.) Master CUE EFFECT CH SELECT CH 14 CF_A/B BPM Counter MIC Master L R H. P. Level Mono Split Stereo Mono Split Stereo H. P. Level H. P. Out Rch BPM DET. Send to CPU CHx CUE Effect CUE CHx MIX Data MIC Data H. P. MIX H. P. Out Lch DSP Status BPM Detect data Harmonic Detect data CH Level Meter Master Level Meter CPU I/F Logic FPGA [Dual PortRAM] CF assign THRU CF_A CF_B (3-posi.) Master MIC Data Balance Talk Over CHx BPM detect [CF_A] BEAT EFFECTS [CF_A(pre)] Send Return [CF_A] CROSS Fader BEAT EFFECTS [CF_A(post)] BPM BEAT Master detect EFFECTS Mono [Master] [Master] Stereo Send Return [Master] Rec Out Master Level Master Out 1 Master Out 2 Talk Over On/Off Digital Out Master Level Meter H. P. Level H. P. MIX Booth Level Booth Out H. P. Out
CH1CH4 COMMON MIC SW OFF ON Talk Over (3-posi.)
Master Balance BPM detect [MIC] MIC Low-cut Filter BEAT EFFECTS [MIC] Send Return [MIC] MIC Data

MIC 1, 2 in

2-Band MIC EQ

MIC 1,2 MIX

Talk Over On/Off CUE Balance BEAT EFFECT (SND/RTN) Send Out Cable Check Return Level No Cable Effect SW. Cable Exit Effect Out EFFECT CUE Master CUE CHx CUE EFFECT CUE
CPU FPGA I/F [Dual Port RAM] Bus Logic
Mode Volume data Switch data CH Fader position CF Fader position Control Command
EFFECT CH SELECT CH 14 CF_A/B MIC Master Return In

defining the industry standard.
For all your product info, dealers and more: www.PioneerDJ.com 800-782-7210

DJM-800

FEATURES
96kHz/24bit Sampling In order to maximize its characteristics, the DJM-800 inherits the high fidelity technology of its big brother, the DJM-1000. The analog signal from the player passes through the shortest signal route, first digitized at 96kHz/24bit through a pro A/D converter where it reaches the digital mixing stage with the best sound possible. The mixing is carried out by 32bit DSP without deterioration of sound quality, thus producing the best sound. Like the DJM-1000, the DJM-800 also has the same high rigid chassis for minimizing unnecessary vibration which could adversely affect sound quality. It also incorporates a dual-shield structure for eliminating entry of digital noise and finally a high performance power supply for noise-free power. Sound Color Effects Harmonic Mixing Capability: The worlds first Auto Harmonic Tuning function detects the key of song and automatically corrects it to the closest true key. In music theory terms, if you have a song in the key of C and raised the pitch on your turntable/CD player by 3%, youre no longer in the key of C, youre half way between C and D, making it impossible to perform a perfect harmonic mix. The way the Harmonic Tuning feature works is it takes whatever key the source audio is in and adjusts the pitch until the key is at a standard note. Of course a DJ still has to know some basics about music, such as which keys match, in order to pull off an acoustically perfect harmonic mix. World class DJs currently spend thousands of hours learning the keys of their music and re-mastering their library to be in perfect pitch. Now the DJM-800 makes it easier to perform a Harmonic Mix. Filter Sweep Crush effects: The DJM-800 incorporates a highpass/lowpass filter, notch filter and bit crusher effect for ALL channels. In conjunction with the additional Beat Effects, 50 combinations of effects are possible. Beat Effect Higher quality effects at 24bits make for a cleaner sounding remix. The effects automatically detect the BPM of the music and sync to the beats. DJM-800 includes some familiar effects, plus some new ones: Echo, Delay, Reverse Delay, Pan, Transform, Filter, Flanger, Phaser, Reverb, Robot, Chorus, Roll and Reverse Roll. Digital Input/Output Terminals Digital inputs and outputs allow for connection with other digital-capable equipment for a fully digital chain, without degradation of sound quality. The DJM-800 is a perfect mixer not only for the club professional but also in a recording studio environment where high fidelity sound is required. Input frequencies of 44.1/48/96kHz are compatible; output frequency is selectable between 48/96kHz. Fully Assignable MIDI Function You can send out MIDI signal from almost all knobs and switches on the surface of the DJM-800 to external midi equipment (a total of 61 assignable controls). Since the mixer can send out many MIDI signals, it can be used as a flexible interface to control software or hardware such as Ableton Live or an Edirol V4 video mixer. Rotary Volume Knobs Available (Optional) The main volume fader knobs can be replaced with rotary volume knobs, which are especially valuable for extended mixing providing more subtlety and precision. Part Number: DJC-800RV Other Performance Features: Cross Fader Assign: allows you to assign each channels input to the cross fader Fader Curve Adjust: allows you to change the cross fader/channel fader curve Fader Start: connect a Pioneer CDJ player with a control cable and playback can be started by simply sliding the cross fader or channel fader 3-Band Equalizer: a built-in equalizer on each channel enables level control within a -26dB to +6dB range for high, mid, low bands, respectively Talk Over: automatically lowers track volume so an MC can talk over the track Mic Signal Cut: eliminates the microphone sound output to the booth monitor to prevent feedback. Peak Level Meter: Allows you to check the peak level of the input audio for each channel as well as the master For more information and streaming demo videos, visit www.pioneerdj.com/gear_DJM800

SPECIFICATIONS

Input Terminal... CD/LINE x 5 (RCA)... PHONO x 3 (RCA)...DIGITAL IN x 4 (COAXIAL S/PDIF)..MIC x 2 (XLR/1/4 combo x 1, 1/4 x 1) Output Terminal.. MASTER OUT x 2 (RCA x 1, XLR x 1)... BOOTH OUT x1 (1/4 PHONE).. HEADPHONE MONITOR OUT x1 (TOP PANEL 1/4)...REC OUT x1 (RCA)... DIGITAL OUT x1 (COAXIAL S/PDIF) Other Terminal... SEND x 1 (1/4)...MIDI OUT x 1 (5pin DIN)... CONTROL x 4 (3.5mm MINI JACK) Frequency Response.. 20Hz - 20kHz Total Harmonic Distortion... 0.005% or less Signal-to-Noise Ratio.. 105dB (LINE) Head Room.... 19dB Power Requirements.. AC 120V, 60Hz Power Consumption... 32W Dimensions (without package). 12.6 (W) x 15 (D) x 4.25 (H) Weight (without package)... 17.6lbs

Features and specifications subject to change without notification.
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