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Singer 127-3

 

 

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Comments to date: 10. Page 1 of 1. Average Rating:
Danesh_D 6:27am on Wednesday, October 20th, 2010 
This is my first Wacom. It is much nicer than my off-market tablet, and rightfully so, but I suppose I expected more luxury out of the price.
i990315 8:03am on Saturday, September 18th, 2010 
"very nice and responsive, only downfalls are small screen for the price... these tablet pads seem to be a little pricy for what they are i think... "Ok im only 13 but still I recomend this! "Great size. Not too big and not too small of an area to work with. I use it for touching up photographs on the computer and painting.
Paulpars 6:11am on Monday, September 6th, 2010 
These headphones excel above the average VoIP / Gaming headphones. The microphone is crystal-clear. Makes fine adjustments a snap. Upgraded from years of mousework and finally see what the big deal was! Good Control","Natural Feel
Joshua Hesketh 9:36pm on Monday, July 26th, 2010 
If you like drawing or painting or editing photos like myself,This my friend is for you! Yes it is a bit steep in price.
DjBOBO 3:54am on Wednesday, July 21st, 2010 
Just seems like they took a good thing and made it better. previous versions had side buttons but seemed not needed.
trondage 6:57pm on Friday, June 11th, 2010 
This device its about....10=15% better in feel than a tablet. It will not solve your inability to make quality marks. I am a college student that is heavily into graphic and web design. This is my first pen tablet and I am positive I have made the right decision!
opherdonchin 8:37am on Wednesday, May 26th, 2010 
I love the pen pad the size takes abit of getting used as I used the extra large size at work for several years but the medium is the perfect size for...
solohayuno 3:32am on Friday, May 21st, 2010 
I have been using an Intuos 2 tablet for the ...  Spring loaded tip for digital designers looking to reduce hard clicks.
clubycoder 3:20pm on Sunday, May 9th, 2010 
Amazing Simply put, this tablet is amazing. I went from using the Intuos2 to this tablet and I was blown away. Wacom Rocks I have had Wacom tablets for years. This product is great. The drivers are always the easiest to install. Intuos 2 pen The pen works fine. The only complaint I have is that the nib sometimes is too short.
livio_coccia 4:56pm on Saturday, March 20th, 2010 
As posted in the weakness column they should change this stand a little so you can tilt this all the way up to 90 degrees so you can use it as a regul... As far as drawing digitally goes, this is by far the best thing out there. When compared to the 6x8 wacom tablet.

Comments posted on www.ps2netdrivers.net are solely the views and opinions of the people posting them and do not necessarily reflect the views or opinions of us.

 

Documents

doc0

127-3 & 128-3

with VIBRATING SHUTTLE

Copyright, U. S. A., 1915, 1923, 1929, 1932, 1935 and 1940, by The Singer Manufacturing Company All Rights Reserved for all Countries
*A Trade Mark of THE SINGER MANUFACTURING CO.

INSTRUCTION MANUAL

Table of Contents | Next Page
Table of Contents Main Parts Instructions for Operating the Machines To Remove the Shuttle To Wind the Bobbin To Thread the Shuttle To Replace the Shuttle To set the Needle To Thread the Needle To Prepare for Sewing To Commence Sewing To Remove the Work Tensions To Regulate the Tensions To Turn a Corner To Regulate the Length of Stitch To Regulate the Pressure on the Material To Sew Flannel or Bias Seams A Stitch to Ravel Easily Hints The Belt Machine Working Heavily To Avoid Breaking Needles Breaking Needle Thread Breaking of Bobbin Thread Skipping of Stitches To Oil the Machine Instructions for Using the Attachments Foot Hemmer -- Hemming -- Hemming and Sewing on Lace -- Felling Adjustable Hemmer -- Hemming Wide Hemming Binder -- Binding Tucker Ruffler To Attach the Ruffler to the Machine To Adjust the Ruffler for Gathering To Make a Ruffle and Sew it to a Gament in One Operation Piping a Ruffle To Adjust the Ruffler for Plaiting To Adjust the Ruffler for Group Plaiting and Gathering To Oil the Ruffler Relative Sizes of Needles and Thread
Previous Page | Next Page

Main Parts

TO ALL WHOM IT MAY CONCERN: The improper placing or renewal of the TradeMark "SINGER" or any other of the Trade Marks of The Singer Manufacturing Company (all of which are duly Registered Trade Marks) on any machine that has been repaired, rebuilt, reconditioned, or altered in any way whatsoever outside a SINGER factory or an authorized SINGER agency is forbidden.

Table of Contents 3

To release the balance wheel (D, Fig. 3), turn the stop motion screw (E, Fig. 3) over toward Raise the presser foot (B, Fig. 3) by means of you. It will be necessary to hold the balance wheel while loosening the stop motion screw. the presser bar lifter (C, Fig 3) to prevent injury to the foot (B, Fig. 3) and feed (A, Fig. After releasing the balance wheel, place your 3). feet upon the treadle and with the right hand turn the balance wheel over toward you. This will start the band wheel, treadle and pitman, the sewing mechanism having been disconnected. Instructions for Operating the Machines Continue the motion thus begun by an alternate pressure of heel and toe, until a regular and easy movement is acquired, and the balance wheel kept in continuous rotation by use of the feet alone. When you are thoroughly familiar with the treadle movement and can restart the machine without turning the balance wheel in the wrong direction, tighten the stop motion screw to connect the balance wheel with the stitching mechanism. Place a piece of cloth under the presser foot, let the foot down upon it, and operate the machine in this way without being threaded, until you have become accustomed to guiding the material.
FIG 3. FRONT VIEW OF THE MACHINE
It is necessary to understand the stop motion (E, Fig. 3) by which the balance wheel (D, Fig. 3) can be released when required, thus enabling the operator to become proficient in the use of the treadle and permitting the winding of bobbins without running the stitching mechanism. It also allows the operator to wind bobbins without removing partially sewn work and without unthreading the machine.

Table of Contents 4

To Ensure Perfect Action of the Machine The balance wheel must always turn over toward the operator. Do not run the machine with the presser foot resting on the feed without cloth under the presser foot. Do not run the machine when both shuttle and needle are threaded unless there is material under the presser foot. Do not try to help the machine by pulling the fabric lest you bend the needle. The machine feeds the work without assistance. Both slides over the shuttle should be kept closed when the machine is in operation. To Remove the Shuttle Draw toward you the front slide in the bed of the machine and turn the balance wheel over toward you until the shuttle comes full under the opening. Press the forefinger of the right hand upon the shuttle ejector as shown in Fig. 4, this will raise the shuttle so that it can be easily taken out. Turn the open end of the shuttle downward and the bobbin will drop out.

FIG. 4. REMOVING THE SHUTTLE

Table of Contents 5

To Wind the Bobbin Release the balance wheel (D, Fig. 3) by turning the stop motion screw (E, Fig. 3) over toward you. Draw to the left the knob (A, Fig. 6, page 7) and place the bobbin between the cups (B and C, Fig. 6), then release the knob. Push the bobbin winder pulley (D, Fig. 6) against the hub of the balance wheel, and turn the balance wheel until the thread guide (4, Fig. 6) moves to the extreme right. Put the spool of thread on the spool pin (1, Fig. 5). Pass the end of the thread into the thread guide (2, Fig. 5) at the top of the face plate, then up into the lower eyelet (3, Fig. 6) of the bobbin winder thread guide, into the notch (4, Fig. 6). With the thumb and forefinger of the left hand press the bobbin lightly to the left and place the end of the thread between the bobbin and the cup (C, Fig. 6) at the right. Then operate the machine the same as for sewing. When the bobbin is filled, remove it from the bobbin winder, pull the bobbin winder away from the hub of the balance wheel and turn the stop motion screw over from you to connect the stitching mechanism.
Fig. 5. MACHINE THREADED FOR WINDING THE BOBBIN
FIG. 6 WINDING THE BOBBIN

Table of Contents 6

To Thread the Shuttle Hold the shuttle between the thumb and fingers of the left hand as shown in Fig. 7. Place the bobbin into the shuttle with the thread drawing toward the right from the side of the bobbin nearest you, as shown in Fig. 7. Place the forefinger of the left hand on the end of the bobbin and draw the thread downward into the long slot in the shuttle as far as it will go, as shown in Fig. 8. Then draw the thread straight upward and under the tension spring as shown in Fig. 9, until the bobbin begins to unwind.

FIG. 7

FIG. 8

FIG. 9

Table of Contents 7
To Replace the Shuttle After threading, take the shuttle in the right hand with the point toward you and the tension adjusting screw (1, Fig. 7, page 8) upwards. Put the point of the shuttle into the front end of the shuttle carrier as shown in Fig. 10, and drop the shuttle into place, leaving a loose end of thread about three inches long above the slide. When closing the slide, leave just enough space for the thread to pass through.

To Set the Needle Turn the balance wheel over toward you until the needle bar (E, Fig. 5) moves up to its highest point, loosen the thumb screw (C, Fig. 5) in the needle clamp (B, Fig. 5) and put the needle up into the clamp as far as it will go, with its flat side toward the right, then tighten the thumb screw. To select the correct needle. ??REFERENCE??
FIG. 10. REPLACING THE SHUTTLE

Table of Contents 8

To Thread the Needle

SEE FIG. 11

Turn the balance wheel over toward you until the thread take-up lever (4) is raised to its highest point. Place the spool of thread on the spool pin at the top of the machine, lead the thread into the thread guide (1) at the top of the face plate, down under and from right to left between the tension discs (2), into the small wire spring (3) at the left of the tension discs, up and from front to back through the hole in the end of the thread take-up lever (4), down into the eyelet (5) in front of the face plate, into the lower wire guide (6) then from left to right through the eye of the needle (7). Draw about two inches of thread through the eye of the needle with which to commence sewing.
FIG. 11. THREADING THE NEEDLE

Table of Contents 9

To Prepare for Sewing With the left hand hold the end of the needle thread, leaving it slack from the hand to the needle. Turn the balance wheel over toward you until the needle moves down and up again to its highest point thus catching the bobbin thread, draw up the needle thread and the bobbin thread will come up with it through the hole in the throat plate (see Fig. 12) Lay both threads back under the presser foot and close the slides. To Commence Sewing Place the material beneath the presser foot, lower the presser foot and commence to sew, turning the balance wheel over toward you. Remove the Work Let the thread take-up lever rest at its highest point, raise the presser foot and draw the fabric back and to the left, pass the threads over the thread cutter (A, Fig. 12) and pull down lightly to sever them. Leave the ends of the threads under the presser foot.
FIG. 12. DRAWING UP THE BOBBIN THREAD

Table of Contents 10

Tensions To Regulate the Tensions
For ordinary stitching the needle and the bob- The tension on the needle thread should only bin threads should be locked in the centre of be regulated when the presser foot is down. the thickness of the material, thus: Having lowered the presser foot, turn the small thumb nut (D, Fig. 5) at the front of the tension discs over to the right to increase the tension. To decrease the tension, turn the FIG. 13. PERFECT STITCH thumb nut over to the left. If the tension on the needle thread is too tight, or if that on the bobbin thread is too loose, the needle thread will lie straight along the upper surface of the material, thus: The tension on the bobbin thread is regulated by the small screw (1, Fig. 7) near the point of the shuttle. To increase the tension, turn the screw over to the right. To decrease the tension, turn the screw over to the left. When the tension on the bobbin thread has been once properly adjusted, it is seldom necessary to change it, as a correct stitch can usually be obtained by varying the tension on the needle thread.

FIG. 14. TIGHT NEEDLE THREAD TENSION
If the tension on the bobbin thread is too tight, or if that on the needle thread is too loose, the bobbin thread will lie straight along the under side of the material, thus:
FIG. 15. LOOSE NEEDLE THREAD TENSION

Table of Contents 11

To Turn a Corner Stop the machine with the needle at its lowest point. Raise the presser foot and turn the work as desired, using the needle as a pivot. To Regulate the Length of Stitch A Stitch to Ravel Easily The length of stitch is regulated by the large thumb screw (E, Fig. 6) on the front of the arm near the bobbin winder. To lengthen the stitch, turn this screw over to the right. To shorten the stitch, turn this screw over to the left. To Regulate the Pressure on the Material For ordinary family sewing it is seldom necessary to change the pressure on the material. If sewing fine silk or flimsy material, lighten the pressure by turning the thumb screw (A, FIG. 5) on the top of the machine over to the left. To increase the pressure, turn the screw over to the right. The pressure should be only heavy enough to prevent the material from rising with the needle and to enable the feed to move the work along evenly; a heavier pressure will make the machine run hard. can be made if desired, by having the tension on the needle thread so light that the bobbin thread will not draw into the goods but lie straight, as shown in Fig. 15. To Sew Flannel or Bias Seams Use a short stitch and as light a tension as possible on the needle thread so as to leave the thread loose enough in the seam to allow the goods to stretch if necessary.

Table of Contents 12

HINTS The Belt See that the belt is not too tight; it should always be tight enough not to slip. If too loose remove the hook at one end, shorten the belt and rejoin. Machine Working Heavily. If the machine runs hard after standing idle for some time use a little kerosene in the oiling places, run the machine rapidly, then wipe clean and oil. Breaking of Needle Thread. If the needle thread breaks it may be caused by: Improper threading. Tension being too tight. The thread being too coarse for size of needle. The needle being bent, having a blunt point, or being set incorrectly.
Breaking of Bobbin Thread. If the bobbin thread breaks it may caused by: To Avoid Breaking Needles. Improper threading of the shuttle. See that the presser foot or attachments are Tension being too tight. securely fastened by the thumb screw, Do not sew heavy seams or very thick goods with Skipping of Stitches. too fine a needle. A large needle and thread to correspond should be used on heavy work The needle may not be accurately set into the needle bar or the needle may be blunt or ???REFERENCE???. bent. The needle may be too small for the thread in use. See that the needle is not bent and avoid pulling the material when stitching.

Table of Contents 13

To Oil the Machine To ensure easy running, the machine requires oiling and if used continuously it should be oiled each day. With moderate use all occasional oiling is sufficient. Oil should he applied at each of the places shown by arrows in Figs. 16 and 17. One drop of oil at each point is sufficient. Oil holes are provided in the machine for bearings which cannot be directly reached. To oil the mechanism under the slide, draw the front slide (see Fig. 16) toward you and after removing the lint and dust which may have accumulated, put a few drops of oil on the wick which is retained in the hole in the bed of the machine. The slide should then be closed. On the front of the machine at the left is a small plate or cover (see Fig. 16) fastened by a screw; loosen the screw, turn the plate upward and fasten by tightening the screw; turn the balance wheel slowly and oil the movable parts inside, then turn the cover down and fasten it as before.
FIG. 16. OILING POINTS AT THE FRONT OF THE MACHINE

Table of Contents 14

To Oil the Machine continued. On the back of the arm is a round plate or cover, fastened by a thumb screw. Loosen the screw, turn the plate upward and fasten by tightening the screw; turn the balance wheel slowly and oil the moving parts inside, then turn the cover down and fasten it as before. To reach the parts underneath the bed, the kilt must be thrown off the band wheel on the machine stand. Or this purpose a belt shifter is placed at the front of tile band wheel. By pressing the belt shifter lever to the left and working the treadle meanwhile, the belt is released and the machine can then be turned back on its hinges. The places to be oiled are indicated in Fig. 17, by arrows pointing to the oil holes and bearings. To oil the stand, put a drop of oil the centres on which the band wheel and treadle work, and both ends of the pitman rod, which con-
FIG. 17. OILING POINTS IN BASE OF MACHINE

Table of Contents 15

INSTRUCTIONS FOR USING THE ATTACHMENTS FOOT HEMMER -- Hemming Raise the needle to its highest point. Remove the presser foot and attach the foot hemmer in its place (see Fig. 18). Clip off the right hand corner of the cloth, so that it will take the roll easily, turn up the edge about a quarter of an inch, insert it in the mouth of the hemmer and draw or push it along until under the needle. Then let down the presser bar and after taking two or three stitches, draw gently on the ends of the threads to help the work along till the feed catches it. In order to produce a smooth even hem, the mouth of the hemmer must be kept just full. Fig. 18 shows also what is known as a bag seam or fell, made by passing two pieces of fabric through the hemmer together and hemming them down. FOOT HEMMER Hemming and Sewing on Lace Start the hem as previously explained, and when it is well started, raise the needle to its highest point. Raise the hemmer to relieve its pressure on the hem, pass the end of the lace through the slot in the side of the hemmer, under the back of the hemmer and over the hem, as shown in Fig 19. Take care that the hem is not displaced in the hemmer and that the needle goes down through the lace and hem together. Then let down the presser bar and guide tile lace over the front of the hemmer, keeping it well into the slot.

FIG. 18

FIG. 19

Table of Contents 16

FOOT HEMMER -- Felling The two pieces of cloth to be felled should be laid one over the other, right sides together, the edge of the under piece being a little farther to the right than the upper piece. Stitch them together, using the hemmer as a presser foot, the front end of the hemmer forming a guide for the edges of both pieces, the upper piece being guided by the inside and the under piece by the outside of the projecting front of the foot hemmer (see Fig. 20). Then open the work out flat, wrong side up, the edges standing up straight, and taking the edges near the beginning of the seam in the right hand, and the ends of the threads in the left hand draw the edges into the hemmer which will turn them as in hemming. Guide the second row of stitching by following the first row with the inside of the projecting front of the foot hemmer (see Fig. 21).

FIG. 20.

FIG. 21.

Table of Contents 17

ADJUSTABLE HEMMER -- Hemming Remove the presser foot and attach the adjustable hemmer in its place as shown in Fig. 22. This hemmer will turn hems from 3/16 inch to 15/16 in. wide The adjustment is made by loosening the thumb screw on the hemmer and moving the scale to the right or left until the hem turned is of the desired width. Place the cloth under the hemmer and draw the edge toward the left under the scale, as shown in Fig. 22. Draw the edge of the cloth back and forth until the hem is formed, stopping with the end under the needle. Lower the presser bar and commence to sew, being careful to so guide cloth as to keep hemmer full. ADJUSTABLE HEMMER -- Wide Hemming To make a hem more than 15/16 inch wide, loosen the thumb screw in the hemmer and move the scale to the right as far as it will go, then swing it toward you as shown in Fig. 23, and tighten the thumb screw. Fold and crease down a hem of the desired width; pass the fold under the extension at the right of the hemmer, and the edge into the folder as shown in Fig. 23, and proceed to stitch the hem.

FIG. 23.

FIG. 22.

Table of Contents 18

BINDER -- Binding Remove the presser foot and attach the binder in its place. Pass the binding through the scroll of the binder and draw it back under the needle. Place the edge of the goods to be bound between the scrolls of the binder and draw it under the needle. Lower the presser bar and sew as usual. To make French folds proceed as directed for binding except that the fold is stitched on to the face of the material instead of on the edge (see Fig. 24). After loosening the binder set screw and adjusting the binder the line of stitching can he brought, nearer the centre, this being more effective when making French folds.

FIG. 24.

Table of Contents 19
TUCKER Remove the presser foot and attach the tucker in its place. The width of the tuck is determined by the scale of figures nearest the needle, which shows in eighths and sixteenths of an inch the distance of the edge of the fold from the line of stitching. The crease or mark for the second and following tucks is determined by the scale nearest the operator and this is set by the line in front of the needle hole in the presser foot. For blind tucks without spaces, adjust the scale nearest the operator so that the figure opposite the line on the presser foot will be the same as that at which the guide is located on the scale nearest the needle. To make spaces between the tucks, move the front scale farther to the left until the desired space is obtained. Having adjusted the scales for tuck and space as desired, fold the material and crease by hand; pass the folded edge between the spring and spur near you, then between the two blades of the second scale, and back under the presser foot; draw to tile right against the guide, lower the presser bar; see that the lever for the needle clamp to strike is in its backward position so as to form a crease for the next tuck, then proceed with the first tuck. For the second tuck, fold carefully at the crease made by the spur and place the edge of the first tuck underneath and against the spur at the left. The spur will serve as a guide and will also make a distinct crease for the next tuck. Always place the last tuck against the spur to ensure perfect work. When making the last tuck, the lever upon which the needle clamp strikes while tucking should be raised to its highest point; while the lever is in this position no crease for a succeeding tuck is made upon the goods.

FIG. 25.

Table of Contents 20
The names and uses of the principal parts of the ruffler are as follows:
(SEE: REFERENCES IN Fig. 26)
A -- FOOT -- the part by which the ruffler is attached to the presser bar. B -- FORK ARM-- the section that must be placed astride the needle clamp. C -- ADJUSTING SCREW -- the screw that regulates the fullness of the gather. D -- PROJECTION -- the part that projects through tile the slots in the adjusting lever E-- ADJUSTING LEVER -- the lever that sets the ruffler for gathering or for making a plait once at every six stitches or once at every twelve stitches, as desired: also for disengaging the ruffler, when either plaiting or gathering is not desired. F -- ADJUSTING FINGER -- the part which regulates the width or size of the plaits. continued on next page.
FIG. 26. THE RUFFLER AND ITS PARTS
Ruffler Lines 1, 2, 3, 4 and.5 shown in Fig. 26 indicate where the material is to be placed for various operations, as follows: Line 1 -- the correct position for the material to which the ruffled material is applied. Line 2 -- material to be ruffled. Line 3 -- the facing for the ruffle. Line 4 -- the strip of piping material. Line 5--the edge to be piped. Refer to Fig. 26 when inserting the material in the ruffler. Table of Contents

Previous Page | Next Page 21
Ruffler -- Principal Parts continued. H -- RUFFLING BLADE--the upper blue steel blade with the teeth at the end to push the material in plaits up to the needle. J -- SEPARATOR BLADE--the lower blue steel blade without teeth, which prevents the teeth of the ruffling blade coming into contact with the feed of the machine, or the material to which ruffling or plaiting is to be applied. To Adjust the Ruffler for Gathering The adjusting finger (F, Fig. 27) is not intended for gathering and should be moved forward or away from the needle, as shown in Fig. 27. Raise the adjusting lever (E, Fig. 27) and move it to the left so that the projection (D, Fig. 27) will enter the slot marked "1" in the adjusting lever (E) when the lever is released. The ruffling blade will then move forward and back once at every stitch. Insert the material to be ruffled between the two blue blades, following the line 2 in Fig. 26. Draw the material slightly back of the needle, lower the presser bar and commence to sew. To make fine gathering, shorten the stroke of the ruffling blade by turning the adjusting screw (C, Fig. 27) upwardly, also shorten the stitch. To make full gathering, lengthen the stroke of the ruffling blade by turning the adjusting screw (C) downwardly, also lengthen the stitch. By varying these adjustments, many pleasing varieties of work can be accomplished.
To Attach the Ruffler to the Machine Raise tile needle bar to its highest point and remove the presser foot. Attach the ruffler foot, (A, Fig. 26)) to the presser bar by means of the thumb screw, at the same time placing the fork arm (B, Fig. 26) astride the needle clamp as shown in Fig. 27.

FIG. 27.

Table of Contents 22
To Make a Ruffle and Sew it to a Garment in One Operation Insert the material to be ruffled between the two blue blades, as shown in Fig. 28, following the line 2, in Fig. 26. Place the garment to which the ruffle is to be attached, under the separator blade, following the line 1, in Fig. 26. Proceed the same as for gathering. The edge of the ruffled seam can be bound by using the builder. To Ruffle and Sew on a Facing in One Operation Insert the material to be ruffled between the two blue blades, following the line 2, in Fig, 26. Place the garment to which the ruffle is to be attached, under the separator blade, following the line 1, in Fig. 26. Place the material for the facing over the upper blue blade, as shown in Fig. 29, following the line 3, in Fig. 26. The facing may be straight or bias material. If the facing is to be on the right side of the garment, place the garment and the ruffle so that the wrong sides are together. If the facing is to be on the wrong side, place the right sides of the garment and the

FIG. 28.

FIG. 29.

Table of Contents 23

Piping a Ruffle Insert the material to be ruffled between the two blue blades, following the line 2, in Fig. 26. This material must not be over 1 1/4 inches wide, as it is carried through the ruffler with the finished edge of the ruffle to the right of the attachment as shown In Fig. 30 To Adjust the Ruffler for Plaiting
Raise the adjusting lever (E, Fig. 31) and move it to the right so that the projection (D, Fig. 31) will enter the slot marked "6" in the adjusting lever when the lever is released. The ruffling blade will then move forward and back once at every six stitches. To adjust the ruffling blade to make a plait once at every twelve stitches, place the adjusting lever (E, The material for piping must measure about Fig. 31) so that the projection (D) enters the 1/4 inch wide when folded in the centre and slot marked "12" in the adjusting lever. Insert is usually cut on the bias. Place the piping the material to be plaited between the two material in the ruffler, following the line 4, in blue blades, following the line 2, (Fig. 26). Fig. 26, with the folded edge of the piping to the right. The material to which the piping and The size or width of plaits is regulated by the adjusting screw (C, Fig. 31) and the adjusting ruffling are to be sewn should be folded on finger (F, Fig. 31). To make a wider plait, the edge and inserted in the ruffler, following move the adjusting finger (F) back or toward the line 5, in Fig. 26. the needle and turn the adjusting screw (C) downwardly. To make a smaller plait, turn the adjusting screw (C) upwardly. The distance between plaits is regulated by the length of stitch.

FIG. 30.

FIG. 31.

Table of Contents 24

To Adjust the Ruffler for Group Plaiting and Gathering The ruffler can be adjusted for group plaiting by lifting the adjusting lever (E Fig. 32) and moving it to the right so that the top of the projection (D, Fig. 32) engages the small slot indicated by the star on the adjusting lever. This should be done at the points where you wish to make the space between the plaits. The ruffler will then stop and plain stitching will be made. When the desired space has been made, adjust the lever (E) so that the projection (D) enters either the slot marked "6" or the slot marked "12." By alternately making groups of plaits and plain spaces, as shown in Fig. 32, very attractive work can be produced. To Oil the Ruffler Occasionally apply a drop of oil to the working parts of the ruffler at each of the places indicated by arrows in Fig. 32. After oiling, operate the ruffler on a waste piece of material to prevent the oil soiling the work. If the ruffler does not plait evenly, a drop of oil may remedy the trouble.
SINGER Needles should be used in SINGER Machines. These Needles and their Containers are marked with the Company's Trade Mark "SIMANCO"*

Needles in Containers marked "FOR SINGER MACHINES are NOT SINGER made Needles.

FIG. 32.

Table of Contents 25
RELATIVE SIZES OF NEEDLES AND THREAD (Class and Variety of Needles Used, 15x1) CLASSES OF WORK SIZES OF NEEDLES All medium, light weight summertime fabrics. For children's clothes, dainty washable dresses and aprons, glass curtains. Light weight woolens, firm dress silks and cottons, draperies and fabric furnishings. For smocks and men's fine shirts. For general household for fine quilting. Heavy cretonne, madras, muslin, damasks and quilts. For stitching aprons and men's work shirts. Heavy weaves of coating, canvas, bed ticking, awnings, porch furniture covers, boys' duck suits, work or sports uniforms. Suiting, ticking, sacking, tarpaulin, duck, drilling. For wash uniforms and bedding supplies for hospitals and hotels. When sending orders for needles be sure to specify thread size required. Table of Contents 26 Previous Page Georgette, chiffon, net, light weight synthetic, fabrics, fine dimity, lawn, batiste, and other featherweight or sheer fabrics. For infants' clothes and for dainty lingerie; also fine lace and all delicate or gossamer fabrics. SIZES OF COTTON, SILK OR LINEN THREAD 100 to 150 Cotton OO & OOO Silk Twist 80 to 100 Cotton O Silk Twist 56-3 Nylon 60 to 80 Cotton C Silk Twist 30 to 40 Cotton D Silk Twist 24 to 30 Cotton E Silk Twist 60 to 80 Linen

 

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