Included Items

JamMan CompactFlash card (128 MB) Power Supply This Manual Registration Card

Quick Start

1. Get Connected

Aux 1 10

Aux 2 10

-+1 +2

-+1 +2 +3 +4

-2 -3 -4 -5

+3 -3 +4 -4

+3 -3 +4 -4 -5

Mute L/R

+10 +-5 -10

-20 -30 -
Before powering up your JamMan:

a. Make Connections

1. Connect a guitar or bass to the INSTRUMENT INPUT jack and/or a mic to MIC INPUT on the JamMans rear panel. 2. Connect the JamMans OUTPUT to the input of an amplier, a channel of a mixer, or to headphones.
b. Connect the Power Supply
1. Start with your amplier and the JamMan turned off or the mixer faders at their minimum position. 2. Turn the LOOP LEVEL, RHYTHM LEVEL, MIC LEVEL, and INST LEVEL knobs all the way down on the JamMan. 3. Connect the PS-0913B power supply to the POWER jack on the JamMan. 4. Connect the other end of the PS-0913B power supply to an AC outlet. 5. Turn your amplier on and turn up its volume to a normal playing level or bring up the mixers faders to a nominal level. Insert the included CompactFlashTM card into the CompactFlash card slot (if it isnt already inserted).
c. Insert the CompactFlashTM Card

2. Select an Empty Loop

Rotate the SELECT knob until the LOOP LED and the SINGLE LED are off.

Turn the SELECT knob.

.until these LEDs are off.
3. Select the Record Mode
Press the RECORD MODE button repeatedly until the INST/MIC LED lights.
Press the RECORD MODE button..until the INST/MIC LED lights
4. Adjust the Recording Level
Play your guitar (or sing into the mic) at the level you will be recording. Adjust the INST LEVEL (or MIC LEVEL) knob until the PEAK LED occasionally ickers on the loudest notes. Set the loop level and rhythm level knobs to the 9 oclock position.
Set the LOOP LEVEL and RHYTHM LEVEL knobs to 9 oclock
Play (or sing) and adjust the INST LEVEL (or MIC LEVEL) knob..until the PEAK LED lights only occasionally

5. Start Recording

Press the REC/PLAY/OVERDUB (left) footswitch to start recording. While recording, the RECORD LED remains lit.
Press the REC/PLAY/OVERDUB (left) footswitch. While recording, the Record LED is lit solid.
6. Stop Recording, Start Playback
Press the REC/PLAY/OVERDUB (left) footswitch while recording to stop recording and start playing back from the beginning. The PLAY LED lights. Adjust the LOOP LEVEL and RHYTHM LEVEL knobs as needed.
Press the REC/PLAY/OVERDUB The PLAY (left) footswitch while recording to stop recording and start playback. LED is lit.
Adjust the LOOP LEVEL and RHYTHM LEVEL knobs as necessary.
7. Stop Playback/Store the Loop
Press the STOP/TEMPO (right) footswitch to stop playback, then press the STORE button twice to store the loop.
First press the STOP/TEMPO (right) footswitch to stop playback.
Then press the STORE button twice to store the loop.
Guided Tour - Front Panel

1. Loop Level Knob

Controls playback level of recorded loops.

2. Rhythm Level Knob

Controls the level of the rhythm guide track.
3. Loop/Single/Card Busy LEDs
LOOP Lights when a repeating Loop resides in the selected memory location.
SINGLE Lights when a Single playback phrase resides in the selected memory location. CARD BUSY Lights when there is read/write activity on the CompactFlashTM card. The card should not be removed when the CARD BUSY LED is lit.

4. Display

Displays which loop memory location is selected. It also shows information during store/copy procedures, during Time Signature and Rhythm Type setup, USB connection, and le deletion/card formatting procedures.

5. Select Knob

Used for selecting different loops on the CompactFlash card and making selections when in other modes (such as Time Signature and Rhythm Type).
6. Mic Level Knob 7. Peak LED
Controls the input signal from the XLR MIC INPUT jack.
Lights when the Instrument, Mic, or Aux Input signals are too loud. Adjust the INST LEVEL or MIC LEVEL knobs so this LED lights only occasionally. If the AUX INPUT is being used, adjust the output level of the audio source.

8. Inst Level Knob

Controls the input signal from the 1/4 INST. INPUT jack.
9. Record Mode/Stop Mode LEDs
Indicate which Record Mode or Stop Mode is selected.
10. Record Mode (Stop Mode) Button
Press this button to select the inputs that are to be recorded: Inst/Mic or Aux Input with options of Minus Center and/or Full Range Amp (indicated by the LEDs next to the button). Press this button while the button is lit to select one of two Stop Modes: Stop or Finish (indicated by the LEDs next to the button). For more information about Stop Modes, see page 25.
11. Auto Record (Delete) Button
Press this button to enable Auto Record. When Auto Record is enabled, recording begins automatically when you begin your performance. Press this button while the button is lit to delete the contents of the current memory location. For more information about the Delete function, see page 32.
12.Tempo (Time Signature) Button
Press this button to set or change the loop tempo. If tempo for an existing loop is changed, the loop plays back at the new tempo without any change of pitch. See pages 23 and 26 for more information about Tempo. Press this button while the button is lit to change the Time Signature. For more information about Time Signatures, see page 28.
NOTE: Time Signature can only be changed for a memory location that has
no phrase recorded in it.
13. Stop/Tempo Footswitch
Stops recording, playback and overdubbing of the phrase. It can be used like the TEMPO button (#12) to set the tempo before recording a loop. Press and hold this footswitch for two seconds to clear all unstored audio in a loop.
14. Rec/Play/Overdub Footswitch
Starts and toggles between recording, playback and overdubbing. Press and hold this footswitch for two seconds to undo the last overdub.
15. Loop/Single (Rhythm Type) Button
Changes the playback status of a recorded phrase. When LOOP is lit the phrase will play back in an endless loop. When SINGLE is lit, the phrase will play once and stop.
Press this button while the button is lit to change the Rhythm Type. Turn the SELECT knob to change the active rhythm guide track. You can hear the changes as you make them if Rhythm Level is turned up. See page 29 for more information about Rhythm Type.

16. Store Button

Press to store/copy changes made to a memory location. This button will light when a change has been made indicating the change must be stored for later recall. Changes that are not stored will be lost when a different loop is selected or the JamMan is turned off.

17. Exit (Shift) Button

Press to enter and exit Shift Mode to select secondary button functions. Shift Mode is active when this button is lit.
18. Record/Play/Overdub LEDs
RECORD - Lights when recording to a memory location for the rst time. PLAY - Lights when playing back a recorded loop or single phrase. OVERDUB - Lights when overdubbing to an existing loop.

Guided Tour - Rear Panel

1. 1/4 Inst Input Jack
Connect a guitar, bass, or keyboard output here.

2. XLR Mic Input Jack

Plug your microphone in here. Accepts low impedance dynamic or self powered condenser microphones.

3. 1/8 Aux Input Jack

Plug your CD or other music playback source in here. (Any stereo source is summed to mono when recorded.)

4. 1/4 Output Jack

Connect this output to the input of a guitar amplier, a channel of a mixer, or headphones.

5. 1/4 Footswitch Jack

Plug the optional FS3X Footswitch in here. (FS3X functions control next/ previous loop selection and Auto Record on/off.) See pages 35 and 36 for more information about the FS3X Footswitch.
6. CompactFlashTM Card Slot
The JamMan is compatible with Type I CompactFlashTM cards up to 2GB in size. Type II cards and IBM/Hitachi MicrodrivesTM are not supported. New cards may need to be formatted before use (see page 33 for formatting instructions). Important: Never remove the CompactFlash card during recording, playback, overdub, or when the CARD BUSY LED is lit.
NOTE: When the JamMan is shipped from the factory, the CompactFlash
card is held in place with a security bracket. To remove the security bracket, unscrew and remove the FOOTSWITCH input nut with a 12mm nut driver. After removing the security bracket, replace the nut on the FOOTSWITCH input.

7. USB Connection

Plug a USB cable connected to your computer in here for loop transfer to and from the CompactFlash card.

8. Power Supply Jack

Plug only the PS-0913B power supply in here.

Making Connections

CD/MP3 Player

MODE DOWN UP

Amplifier (or mixer, or headphones) Microphone
DigiTech FS3X Footswitch (Optional)

CompactFlashTM Card

CompactFlash

256 MB

Computer (USB Cable)

Power Supply

Recording an Instrument or Vocal/Acoustic Phrase
NOTE: The minimum loop length is 3.5 seconds.
Once you are nished recording, the STORE button will be lit indicating the phrase must be stored to memory to be recalled later (See the Storing/ Copying Phrases section on page 22). When stored, the LOOP LED will light indicating there is now a phrase stored to the memory location.
Recording with the Aux Input
This section explains how to use the AUX INPUT for phrase recording and looping. You should have an audio source connected to the AUX INPUT before proceeding. 1. Select an empty memory location using the SELECT knob (the LOOP and SINGLE LEDs will be off). 2. Press the RECORD MODE button repeatedly to cycle through the available Record Modes. Choose one that lights the AUX INPUT LED. There are four possible recording modes for the AUX INPUT: a. AUX INPUT only lit: The unit will record the program material just as it comes from the source (any stereo material will be mixed to mono). b. AUX INPUT and CENTER CANCEL lit: Any material that is common to both stereo channels (usually lead vocals or instruments) will be removed from the recording. Any stereo processing of the center channel (reverb, for instance) might not be removed completely. c. AUX INPUT and FULL RANGE SIM lit: The program material will be recorded with an equalization curve so that when it is played through a guitar amp it will more closely retain its original frequency response. d. AUX INPUT and CENTER CANCEL and FULL RANGE SIM lit: This will remove center channel material and apply a compensating equalization as in the two previous modes. 3. Playback the audio source and set its output level so that the PEAK LED lights only occasionally. 4. (Optional) Set the Time Signature to something other than 4/4, if desired. (See page 28 for more information about Time Signatures.) 5. (Optional) Turn the AUTO REC button on if you want the JamMan to begin recording when the audio source begins playback 6. Press the REC/PLAY/OVERDUB footswitch to start recording. The RECORD LED will then light solid and recording will begin instantly after the REC/PLAY/OVERDUB footswitch is pressed. If Auto Record is enabled, the RECORD LED will ash after the footswitch is pressed indicating it is armed for recording. Recording will automatically begin once the audio source starts playing.

7. When you are nished, press either the REC/PLAY/OVERDUB footswitch to have the phrase play back in a repeating loop or press the STOP/TEMPO footswitch to stop recording.
Once you are nished recording, the STORE button will be lit indicating the phrase must be stored to memory to be recalled later (see the Storing/ Copying Phrases section on page 22). When stored, the LOOP LED will light indicating there is now a phrase stored to the memory location.

Recording Overdubs

Once a loop phrase is recorded, you can add overdubs over the top of it. Overdubs can only be recorded to Loop phrases and not to Single phrases. If a phrase has had the tempo changed, it must rst be stored to memory before overdub recording can proceed. 1. Select a previously recorded Loop phrase, or use a newly recorded phrase that has not yet been stored. The LOOP LED must be lit if a previously recorded phrase is selected. 2. Select the inputs you want to record using the RECORD MODE button. 3. Play or sing and adjust the INST LEVEL and MIC LEVEL knobs so that the PEAK LED lights only occasionally if using the INSTRUMENT or MIC inputs. If using the AUX inputs, adjust the output level of the audio source so that the PEAK LED lights only occasionally. 4. Press the REC/PLAY/OVERDUB footswitch. The PLAY LED will light and the phrase will begin playing. 5. Press and release the REC/PLAY/OVERDUB footswitch again to begin overdub recording. The OVERDUB LED will now light and any performance or audio introduced on the selected input will now be recorded along with the playback. 6. When you have an overdub you are happy with, press the REC/PLAY/ OVERDUB footswitch to end the overdub session and continue playback, or press the STOP/TEMPO footswitch. If you want to undo the last overdub, press and hold the REC/PLAY/OVERDUB footswitch for two seconds. This will remove the last overdub take that was recorded. Pressing and holding the footswitch again will redo the last overdub.
NOTE: The Undo feature only works on the last overdub. (For more
information on Undo and Redo, see page 21.) 7. You can continue adding overdubs by continuing to press the REC/PLAY/ OVERDUB footswitch. Each time an overdub is added, the last overdub is merged with the original loop and it can no longer be undone using the Undo feature. 8. Once you are nished, press the STOP/TEMPO footswitch to stop playback/ overdubbing.

The STORE button lights as soon as any changes to the loop have been made, indicating the phrase must be stored to memory to be recalled later (see the Storing/Copying Phrases section on page 22). If you dont want to store the overdubs, press and hold the STOP/TEMPO footswitch for two seconds to clear any unstored audio and leave the original loop intact. Selecting another loop will also clear any unsaved overdubs from memory. Once overdubs are stored to memory, the undo and clear functions are no longer available.

Undo, Redo, and Clear

You can undo your last overdub anytime the current loop number selection remains unchanged. If you change your mind after undoing something, you can redo it.
NOTE: Changing loops or plugging into a computer via USB discards any
unstored changes. Storing the changes will remove the ability to undo or clear overdubs.

Undo an Overdub

Press and hold the REC/PLAY/OVERDUB footswitch for two seconds to undo your last overdub. The OVERDUB LED ashes when the undo takes place.

Redo an Overdub

Press and hold the REC/PLAY/OVERDUB footswitch to redo the last undo; the OVERDUB LED ashes to indicate the action has been performed.
Clear Overdubs/Unsaved Phrases
Press and hold the STOP/TEMPO footswitch for two seconds to clear the unstored recording/overdubs. The RECORD LED will ash to conrm the clearing. If the loop had been previously stored, the clear action will only clear unsaved phrases and overdubs but leave the original loop that had been stored untouched. Changing to a different loop also clears any unsaved phrases and overdubs.

Storing/Copying Phrases

Anytime a change is made to a loop memory location (Rhythm Type, Tempo, Time Signature, Record, Overdubs etc.) the STORE button LED will immediately light indicating that the changes will be lost unless a store procedure is performed before selecting a new loop memory location, turning off the power, or connecting to the computer via USB.

Store Changes to a Loop

1. Stop any playback or recording activity using the STOP/TEMPO footswitch. 2. Press the STORE button. The STORE button and the DISPLAY will begin to ash (the DISPLAY shows the current loop memory location). 3. (Optional)Turn the SELECT knob to select an empty loop memory location to store the loop with its changes (the LOOP or SINGLE LEDs are off), or press EXIT to abort. 4. Press the STORE button again. The changes are now saved and the STORE button turns off.

NOTE: Loops whose tempo has been sped up or slowed down take longer to

store than normal loops.

Copy a Loop to a Different Memory Location
1. Stop any playback or record activity using the STOP/TEMPO footswitch. 2. Select a memory location that contains a loop (either the LOOP or SINGLE LED is lit). 3. Press the STORE button. The DISPLAY and the STORE button LED ash. 4. Turn the SELECT knob until an empty memory location is selected (the LOOP and SINGLE LEDs are off), or press EXIT to abort. 5. Press the STORE button again. The loop is now copied to the new memory location.
NOTE: The Clear and Overdub Undo/Redo functions cannot be performed
after a Store/Copy procedure.
Setting a Loop Tempo for Recording
Before you begin recording a phrase, you may want to set a tempo at which you want to record the loop at. Setting the tempo in an empty loop memory location automatically starts playing the rhythm guide track (Rhythm Level must be turned up to hear it). You can use the rhythm guide track as a metronome for recording against to help keep a consistent tempo of your performance. To set the tempo for recording, follow these steps: 1. Select an empty loop memory location (LOOP and SINGLE LEDs are off). 2. Tap the TEMPO button or STOP/TEMPO footswitch at least twice. The TEMPO button will ash at the tempo that has been tapped. 3. Turn up the RHYTHM LEVEL (if it hasnt been already) to hear the rhythm guide track. 4. Begin recording by pressing the REC/PLAY/OVERDUB footswitch. If you want to set up a memory location with a tempo but not record to it, you can just follow steps 1-3, but you must store the newly set tempo using the Store procedure (see page 22). When you return to the empty loop location, the tempo will already be set and the rhythm guide track will begin playing automatically.

Auto Record Mode

The AUTO REC (auto record) button starts recording when you start playing. Press this button on an empty track (you cant auto-record on an existing track) and the button lights. Now when you press the REC/PLAY/OVERDUB footswitch, the JamMan is armed for recording but wont start recording until you start playing (the RECORD LED will ash to show that the JamMan is armed). The JamMan monitors the input level and starts the recording when it detects an audio signal. If youve tapped in a tempo, the rhythm guide track playback will restart at the beginning of recording. If not, the rhythm guide track playback will begin when you nish recording and begin loop playback. Once recording starts, the AUTO REC LED will turn off. Changing the loop number while AUTO REC is active will preserve the AUTO REC state on empty loops (the LED will turn off when an existing loop is selected). To turn off Auto Record, press the AUTO REC button until its LED is off.

Stop Modes

Loop Phrases can be stopped in two ways: Immediately stop when the STOP/TEMPO footswitch is pressed or nish playing through to the end of the phrase and stop. These two Stop Modes are called Stop and Finish. To change Stop Modes, follow these steps: 1. Press the button. It will now be lit. 2. Press the RECORD MODE button. The two Stop Modes are labeled to the right of the RECORD MODE LEDs. Select the LED which is labeled with the Stop Mode you want to use. 3. Press the EXIT button. 4. Press the STORE button twice to store the changes, if desired.

Changing Loop Tempo

Once a loop phrase is recorded, you can speed up or slow down the playback of the phrase without changing its pitch. Once a phrase has had the tempo changed, it must rst be stored to memory before any overdubs can be added. Storing a changed tempo is permanent and the original tempo cannot be restored. To change a loops tempo, follow these steps: 1. Select a previously recorded Loop phrase (LOOP or SINGLE LED is lit) using the SELECT knob. The TEMPO button will begin ashing at the phrases stored tempo. 2. To change the phrase tempo, tap either the TEMPO button or the STOP/ TEMPO footswitch while the loop is stopped (or just the TEMPO button while the loop is playing) at the rate you want playback to continue. Tapping quicker than the stored tempo rate will speed up playback while tapping slower than the stored tempo rate will slow down playback. 3. To return to the original tempo, press and hold the TEMPO button for two seconds and the phrase will return to the original stored tempo. 4. The STORE button will light to indicate this change must be stored if it is to be recalled later. 5. Press the STORE button twice to store the changes, if desired. You can play along with the adjusted playback speed and still be in tune since the pitch does not change based on playback speed. Overdubs can only be added after the new tempo is stored to memory rst.

Loop / Single Phrases

Any phrase recorded into the JamMan can be played in two ways: either as a continuous Loop, or as a Single one-shot sample. Single phrases are designed to play through only once and stop. All phrases are recorded as loops rst but they can be changed to a Single if desired and can always be changed back to Loops later without harming the phrase. To change between Single and Loop, follow these steps: 1. Select a previously recorded Loop phrase (LOOP LED is lit) using the SELECT knob. 2. Press the LOOP/SINGLE button. The LOOP LED will turn off and the SINGLE LED will now turn on indicating the phrase will now play back once when the REC/PLAY/OVERDUB footswitch is pressed. 3. The STORE button will light to indicate this change must be stored if it is to be recalled later. 4. Press the STORE button twice to store the changes, if desired. Single phrases cannot have overdubs added to them. Repeated presses of the REC/PLAY/OVERDUB footswitch will just restart the Single phrase playback from the beginning.

Time Signature

The JamMan is capable of recording in different Time Signatures. A Time Signature must be set up prior to recording in a memory location. Once a phrase has been recorded, Time Signature cannot be changed. To set the Time Signature, follow these steps: 1. Select a new memory location. (The LOOP LED and SINGLE LED will be off.) 2. Press the button. It will now be lit. 3. Press the button. The DISPLAY will now show the number 4 indicating the default Time Signature of four beats per measure. 4. Use the SELECT knob to change the Time Signature. You can select from two to 15 beats per measure. This means if you want to record in 5/4 time, select 5. To record in 7/8 time, select 7, and so forth. The STORE button will light when Time Signature is changed but you can immediately begin recording without having to store this change rst. The LED will light red for the downbeat and then green for the rest of the beats of the measure if a tempo has been set up. When you press the button while a recorded loop is selected, the loops Time Signature appears in the DISPLAY, but it cannot be changed.

Rhythm Type

The JamMan has several Rhythm Type guide tracks you can select from. These range from a simple click metronome to using high quality drum samples as the rhythm guide (a tempo must be set and the rhythm level must be turned up to hear the rhythm). To change the Rhythm Type, follow these steps: 1. Select a memory location. 2. If the memory location is empty (LOOP and SINGLE LEDs are off), set a tempo (see page 23). If the memory location contains a loop (LOOP or SINGLE LED is on), press the REC/PLAY/OVERDUB footswitch to start playback. 3. Press the button. It will now be lit. 4. Press the button. The DISPLAY will now show r1 indicating the default Rhythm Type which is a standard metronome. Turn up the Rhythm Level if you dont hear the metronome. 5. Rotate the SELECT knob to choose your desired rhythm sound (designated oF [off], and r1 r9 in the display). Selecting of turns the rhythm sound off even if the rhythm level is up. 6. If the memory location is empty, press the REC/PLAY/OVERDUB footswitch to begin recording. If the memory location contains a loop, press the STOP/ TEMPO footswitch to stop playback, then press the STORE button twice to save the new Rhythm Type.

NOTE: When using a different CompactFlash card than the one that came
with the JamMan, it is recommended that you format it using the procedure outlined above before using it with the JamMan.

Unformatted Cards

If a card is inserted into the JamMan that does not have a valid format, the JamMan will not recognize it and the DISPLAY will read nF. The card must be formatted before the JamMan can use it. To format the card, follow these steps:
button will begin ashing 1. While the DISPLAY reads nF, the prompting for a format conrmation. 2. Press the ashing button. The DISPLAY will read F? and the button will continue to ash. You can press the EXIT button to abort the procedure. 3. To initiate the card formatting procedure, press and hold the button for two seconds. The CARD BUSY LED beside the DISPLAY will light indicating the card is being formatted. Once completed, the DISPLAY will show 1, the INST/MIC LED will light next to the RECORD MODE button, and the card is now ready for recording.
WARNING: Using these procedures will permanently erase data from the
CompactFlashTM card. Use them with extreme caution.

Optional FS3X Footswitch

MODE Turns Auto Record on and off. UP Selects the next higher memory location.
DOWN Selects the next lower memory location.
The optional FS3X Footswitch gives you hands-free control over loop selection and Auto Record functions.

Mode Switch

Turns the Auto Record feature on and off.

Down Switch

Selects the next lower memory location. Press and hold for two seconds to scroll through the memory locations more quickly.

Up Switch

Selects the next higher memory location. Press and hold for two seconds to scroll through the memory locations more quickly.
Multiple Loop Playback Using the FS3X
Another great feature of the JamMan is its ability to play different loops back to back during performance using the optional FS3X Footswitch. This lets you play a verse > chorus > verse > bridge progression seamlessly using three different loops. To set up multiple loops for verse/chorus/verse/bridge playback, follow these steps: 1. Record the verse loop and store it to memory location 1. 2. Record the chorus loop and store it to memory location 2. 3. Record the bridge loop and store it to memory location 3. To use these three loops in a performance, follow these steps: 1. Select Loop 1 (verse loop) and press the REC/PLAY/OVERDUB footswitch. Loop 1 will begin playing back. 2. To switch to Loop 2 (chorus loop), press the UP footswitch on the FS3X at least two seconds before the end of Loop 1. Once Loop 2 is selected, the DISPLAY will show a ashing 2, indicating Loop 2 is cued up to play once Loop 1 nishes. Once Loop 2 begins playing, the DISPLAY will stop ashing. 3. To select Loop 1 again, press the DOWN footswitch on the FS3X. 4. After Loop 1 begins playing again, you can then select Loop 3 (bridge loop) by pressing the UP footswitch twice. The DISPLAY will show a ashing 3. Memory locations 1, 2, and 3 are used for this example, but any memory locations can be used for multiple loop playback. (See page 22 for more information about storing loops.) Pressing either the UP or DOWN footswitch on the FS3X less than two seconds before the end of a loop that is playing will not give the JamMan enough time to cue up the next loop and the current loop will play one more time. If any overdubs were recorded during this type of performance, they will be lost when the next loop is selected and begins playing back. You can also use the SELECT knob to change loops during playback.

CompactFlash Specications TM Capacity
The JamMan supports Type I CompactFlashTM cards up to 2GB. The following table shows approximate storage capacity in minutes for standard CompactFlash card sizes, based on 44.1 KHz 16 bit mono audio les.

Memory Size in MB 2048

Record Time in Minutes* 1.387
When the CompactFlash card becomes full, the JamMans DISPLAY will briey show dF, and the current recording (or overdub) will be lost. To free up some memory on a full card, you can either delete some phrases (page 32) or erase all the phrases on the card (page 33).

*Approximate values

Specications

Digital

A/D/A Converters: Sampling Frequency: USB Type: Protocol: Connector: 24-bit audio 44.1 kHz USB 1.1 Full Speed, supports USB 2.0 Mass Storage Type B

Memory

CompactFlashTM: Size: Capacity: File Format: Audio Format:
Type I solid state only (Type II cards or IBM/ Hitachi Microdrives not supported) 8 MB to 2 GB 1 minute per 5.29 MB, 99 loops per card FAT16 only Uncompressed.wav 44.1 kHz 16 bit mono

Inputs/Outputs

Instrument/Guitar Input: 1/4 Unbalanced (Tip-Sleeve) Input Impedance: 1 MOhms Maximum Input Level: 11 dBu Microphone Input: Input Impedance: Maximum Input Level: Auxiliary Input: Input Impedance: Maximum Input Level: XLR Balanced (Female XLR, pin 2 Hot), not powered 600 Ohms balanced -7.5 dBu 1/8 Stereo (Tip-Ring-Sleeve), sums to mono 20 kOhms 0 dBu
Footswitch: 1/4 jack (Tip-Ring-Sleeve) compatible with optional FS3X
Line/Headphone Output: 1/4 Mono (Tip-Ring-Sleeve) Stereo headphone compatible with 50 Ohms minimum impedance, driven by mono signal Output Impedance: 100 Ohms Maximum Output Level: 10 dBu
US and Canada: Japan: Europe: UK: Power Input: Power Consumption:
120 VAC, 60 Hz 100 VAC, 50/60 Hz 230 VAC, 50 Hz 240 VAC, 50 Hz 9 VAC 1.3 A 7 Watts
Adapter: Adapter: Adapter: Adapter:
PS0913B - 120 PS0913B - 100 PS0913B - 230 PS0913B - 240

General

Dimensions: Weight:
6.7 Width x 5.6 Length x 2.6 Height 2.88 lbs
DigiTech engineers are constantly working to improve the quality of our products. Specications are therefore subject to change without notice.
DigiTech 8760 South Sandy Parkway Sandy, Utah 84070 PH (801) 566-8800 FAX (801) 566-7005 www.digitech.com JamMan Owners Manual 18-0338-B
DigiTech and JamMan are registered trademarks of Harman International. All other product name and trademarks are the property of their respective owners, which are in no way associated with DigiTech. 2005 Harman International Industries, Incorporated. All rights reserved

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instruments

Jammin Pro USB Acoustic 505 It was only to be expected that this should arrive after being missing so long. The USB connection has nowadays become available on everything and for everyone. The big American companies have been going down this road in the electrical sector for some time now, and yet for acoustics theres been a void. Jammin have thought of it with their Pro 505. Its a cutaway dreadnought with a rather traditional design, that besides having amplification on board with integrated tuning is equipped with USB connection, that substitutes the computers audio card allowing immediate connectivity. The guitars specific features are quite modest both in terms of its craftsmanship (its raw material is cheap) and with regards to its electrical components (sampling at 44.1 kHz at 16 bit). But it has a very friendly price at 120 Euros and this in itself makes you feel its worth trying out. Info: http://www.jamminpro.net/505/pro_505_ overview.htm.
Breedlove Custom Shop American Series The new American series by Breedlove is the natural evolution from Pro and from Roots, that have now been discontinued. They are entirely handmade and made in USA in Bends Custom Shop in Oregon. Top, back and sides are in solid wood with carefully selected woods. The top is graduated. The American guitars are sold with the famous rigid Breedlove case with red stitching. Exclusively for the Italian market they have a gloss finish not only for the top but also for the back and sides, ebony bridge and fretboard even for the most economic models
Looper/Phrase Sampler DigiTech JamMan Solo From the eight second capacity of the PDS 8000, launched on the market almost twenty years ago, the new series by Digitech reaches up to the availability of 99 memory banks of 35 minutes. These are expandable with SD memory cards up to a maximum of 16 hours of music in a further 99 added locations. Equipped with a metronome and a configurable rhythmic track, it allows the recording to be quantized. As we would now expect, the JamMan Solo allows connection via USB to any PC or Mac computer and the use of DigiTech JamManager a free software for memorising, organising and transferring single loops and for the creation of a JamMan List for live performances.

L.R. Baggs A-Ref Amplifier Baggs too has his amplifier for acoustic guitar. The project is the result of four years work. The heart of the amplifier is the Balanced Mode Radiator, a new type of speaker launched on the market just with the A-Ref. Its an 8 cone with a honeycomb diaphragm and a 2 voice coil, capable of generating a sound front of 140. The benefits of the new technology are the clarity and width of the open sound. The sound reaches every corner of the room and envelops the listener without any effort. The pre-amplification stage is based on the companys own highly-appreciated Para D.I., while the final stage is capable of delivering 200 W. The reverb is spring based and each channel has its own signal for external effects. All this technology is wrapped up in a solid, light and beautifully-designed container, with natural wood sides and an innovative handle making it handy for transport. Leave a comment
AER Pocket Tools These could be the answer to the prayers of those who are tired of dragging amps behind them every time they have to go up on stage. The Colourizer is a preamplifier/D.I. for microphones or line signals with tone controls, enhancer and equalizer. The Dual Mix is the same kind of preamplifier with two separate channels with four pre-set effects available two reverbs, one delay and one chorus. Both are equipped with phantom power.
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