typical

application

Organ or Keyboard

CD Player (For Recording and Playback)
The EMX660 provides lots of power, and features required by musicians. Great for duos and trios, it can easily fill a small club with great full range sound. All the electronics
Podium, Choir or Hand Held Microphones
for the PA are built in, just add microphones and speakers. INPUT SECTION. With 6 channels that accept either XLR or 1/4" inputs, and 2 inputs that accept Super Hi-Z inputs for acoustic guitars, and other instrument pickups, any microphone or other input can be accommodated. There is also a set of tape inputs that accept RCA plugs from a CD player or cassette deck. DIGITAL REVERB. The EMX660 uses a new high quality DSP processor. This device provides 8 effect types specifically designed for live applications, with easy adjustment. The effect can then be sent to the main mix as well as to the monitors, allowing the performer to hear. BUILT IN GRAPHIC EQUALIZERS. Both the main and monitor outputs provide 7-band
Yamaha Se Series Speakers
graphic EQ. This allows the user to shape the sound of the main speakers, and to help to control feedback in the monitors. 600 WATTS OF POWER. The EMX660 has two 300-watt amplifiers. These amplifiers use Yamahas patented EEEngine technology, providing lighter weight and, equally important, cooler operation. The amplifiers are protected from damage by built-in limiters that will also protect the connected speakers.
Yamaha Club Series Speakers
Lo-Z input jack allows direct connection of microphones with pro-style XLR connectors. Hi-Z input jack enables the direct connection of high level sources (items that have internal amplification) like keyboards, drum machines and CD players. Pad switch decreases the input sensitivity for extra loud sources (i.e. screaming singers, shouting speakers or high output microphones). Level control manages the input volume. Effect level control adjusts the amount of signal sent to the main effect section of the mixer.
6. Mon. level control controls the volume sent to the monitor output. 7. Channel EQ section includes 3 controls to tailor the sound of the input. 8. Digital effect provides a choice of 8 high quality DSP effects that are applied to the main output as well as the monitor output. 9. 7 band graphic EQ customizes the sound for the monitor output.
11. Master level adjusts the output to the monitors. 12. Tape in controls the amount of signal from the tape in jacks to the monitors (great for rehearsals). 13. Effect return controls the amount of effect sent to the monitor output. This useful control allows the performer(s) to hear the benefits of the effect as well as the audience. 14. Limiter LEDs indicate when the internal amplifiers are being overworked. This warning signal helps to prevent damage to your speakers. 15. Amplifier routing switch allows both amplifiers to be used for the main output.
16. Master level controls the level of the main output. 17. Tape in controls the volume of the input at the tape in jack and mixes it in the main output. 18. Monitor out jack connects an external amplifier to power stage monitors. 19. Main output permits connection into existing sound systems, or to additional amplifiers for larger audiences. 20. Aux In controls the level of the signal coming into the Aux In jacks (23). 21. TAPE IN accepts a tape player or CD player and routes them directly to the main output.
22. AUX in brings the output from another mixer into the EMX620 without tying up other inputs.
w w w Y m h o m o u d o w w w. Y aa m aa h aa. cc o m / / pp rr o aa u d i i o
23. AUX in level controls the volume of any source connected to the AUX in jack. 24. 7 band graphic EQ customizes the sound for the monitor output. 25. Effect return adjusts the amount of effect that is sent to the main output. 26. Foot SW jack allows the use of a footswitch to mute the effect. 27. Effect out jack sends the signal out to an external effects processor.
10. Phantom switch activates power that is sent to the Lo-Z inputs. Phantom power is used for condenser microphones that have small internal amplifiers that require power in order to produce sound.
7. 11. 6. 5. 13. 4. 14. 3. 15. 16. 2. 17. 1. 18. 12.
Hand Held Microphone or Headworn Microphone
Cassette Deck or CD Player
Built especially for solo performers and public speakers, the EMX620 has the power and features necessary for

providing clear, clean sound to the audience. INPUT SECTION. With 4 channels that accept either XLR or 1/4" inputs, and 2 inputs that accept both High level and Super Hi-Z inputs for acoustic guitars and other instrument pickups, any microphone or other input can be accommodated. There is also a set of tape inputs that accept RCA plugs for a CD player or cassette deck. DIGITAL REVERB. The EMX620 has a high quality DSP processor built inside. This device provides a range of effect types, specifically designed for live applications, with easy adjustment. The effect can then be sent to the stereo mix as well as to the monitors. This way, the performer can hear the effect as well. BUILT IN GRAPHIC EQUALIZER. The main output has a 7-band graphic EQ. This allows
the user to shape the sound of the speakers, as well as to help control feedback. PLENTY OF POWER. The EMX620 has a 200-watt amplifier. This amplifier uses Yamahas patented EEEngine technology, providing lighter weight and, equally important, cooler operation. The amplifier is protected from damage by a built-in limiter that will also protect the connected speakers. With output power like this, you can be sure theyll hear you!
Lo-Z input jack allows direct connection of microphones with pro-style XLR connectors. Hi-Z input jack enables the direct connection of high level sources (items that have internal amplification) like keyboards, drum machines and CD players. Pad switch decreases the input sensitivity for extra loud sources (i.e. screaming singers, shouting speakers or high output microphones). Level control manages the input volume. Effect level control adjusts the amount of signal sent to the main effect section of the mixer. Mon. level control controls the volume sent to the monitor output.
7. Channel EQ section includes both a low and high frequency control to tailor the sound of the input. 8. Digital effect provides a high quality DSP effect thats applied to the main output. 9. Graphic EQ customizes the sound for the main output. 10. Phantom switch activates power that is sent to the Lo-Z inputs. Phantom power is used for condenser microphones that have small internal amplifiers that require power in order to produce sound. 11. Limiter LED indicates when the internal amplifier is being overworked. This warning signal helps to prevent damage to your speakers.
12. Effect return controls the amount of effect sent to the monitor output. This useful control allows the performer(s) to hear the benefits of the effect as well as the audience. 13. Mon master adjusts the overall amount of signal sent to the monitor output. 14. Main master level controls the overall output of the mixer. An LED meter indicates the level. 15. Tape in controls the volume of the input at the tape in jack and mixes it in the main output. 16. Monitor out jack connects an external amplifier to power stage monitors.
17. Main output permits connection into existing sound systems, or to additional amplifiers for larger audiences. 18. REC OUT allows connection to a cassette tape deck or other recorder. 19. TAPE IN accepts a tape player or CD player and routes them directly to the main output. 20. AUX in brings the output from another mixer into the EMX620 without tying up other inputs. 21. AUX in level controls the volume of any source connected to the AUX in jack. 22. Effect return adjusts the amount of effect that is sent to the main output.

23. Foot SW jack allows the use of a footswitch to mute the effect. 24. Effect out jack sends the signal out to an external effects processor. 25. INST inputs allow direct connection of acoustic guitars or other super Hi-Z sources. 26. LINE inputs allow connection of 2 Hi-Z, or line level inputs.
7. 11. 6. 5. 4. 3. 13. 14. 12.

15. 16.

Cassette Deck
The EMX860ST has all the features you needed to make performing simple, with the least amount of hassle.

Vocal Microphones

CD Player
PLENTY OF INPUTS. With 8 channels that accept either XLR or 1/4" inputs, almost any microphone or other input can be accommodated. Inputs 7 and 8 allow connection of stereo devices like keyboards and drum machines without sacrificing the other inputs. There is also a set of tape inputs that accept RCA plugs for a CD player or cassette deck.
Acoustic Guitar Keyboard, Synthesizer or Drum Machine
DIGITAL REVERB. The EMX860ST has a high-quality DSP processor built inside. This device provides a range of effect types specifically designed for live applications, with easy adjustment. The effect can be sent to the stereo mix as well as to the monitors. This way, the performer can hear the effect as well. BUILT IN GRAPHIC EQUALIZERS. Both the main (stereo) outputs and the monitor outputs have 7-band graphic EQs. This allows the user to shape the sound of the main speakers as well
as help to control feedback in the monitors.
Rugged construction throughout to assure years of trouble-free service.
PLENTY OF POWER. Inside is a total of 600 watts of real power! The EMX860ST has
three separate 200-watt amplifiers, two for the main speakers, and one for use with the monitors. All three of these amplifiers use Yamahas patented EEEngine technology. This allows lighter weight and, equally important, cooler operation. The amplifiers are protected from damage by built-in limiters that will also protect the connected speakers. The bridged mode allows the user to take advantage of both main amplifiers, 400 watts of power, and send it to one speaker system.

1. 2. 3. 4. 5. 6. 7. 8.

Lo-Z input jack allows direct connection of microphones with pro-style XLR connectors. Hi-Z input jack enables the direct connection of high level sources. Pad switch decreases the input sensitivity for extra loud sources. Level control manages the inputs volume. Pan control adjusts the relative position of the input in the stereo field. Effect level control adjusts the amount of signal sent to the effects section of the mixer. Monitor level controls the volume sent to the monitor section. Channel EQ section includes controls that adjust the equalization of each of the separate inputs.
9. Digital effect provides a high quality DSP effect thats applied to the main output and is available for the monitor output as well. 10. Effect out adjusts the amount of signal sent to the internal (or external) effect device. 11. Monitor graphic EQ tailors the overall sound to the monitor output. 12. Phantom power is used for condenser microphones, which have small internal circuits that require power in order to produce sound. 13. Monitor master level adjusts the output of the monitor section. An LED meter indicates this level. 14. This control allows the performer(s) to enjoy the effect as well as the audience.
15. Main graphic EQ allows you to tailor the sound of both left and right main (audience) outputs. 16. Limiter LEDs indicate when the internal amplifiers are being overworked. 17. Amplifier routing switch allows you to bridge both the left and right power amplifiers together. 18. Main master level adjusts the output to the main speakers. An LED meter indicates the level. 19. Tape In control adjusts the level of the signal connected to the Tape In jacks (22) thats sent out the main stereo outputs. 20. Aux In controls the level of the signal coming into the Aux In jacks (23).
21. Effect Return adjusts the amount of effect that is sent to the main outputs. 22. Monitor output jack connects additional amplifier(s) and monitor speakers when you need to. 23. Main outputs (L&R) permit you to hook the EMX860ST into an existing sound system. This way, youll never outgrow the EMX860ST! 24. REC out jacks connect the EMX860ST to a cassette deck or other recorder. 25. Tape in jacks accept a tape player or CD player output and routes it directly to the main stereo outputs. 26. Aux in jacks allow the output of a sub mixer into the EMX860ST.

27. Foot SW jack allows the use of a footswitch to mute the effect. 28. Effect Out jack sends signal to an external effects processor.
29. Line inputs (L&R) let you get a stereo input (like a keyboard) into just one input channel. 30. Monitor output jacks to connect the monitors (stage speakers). 31. Left and right output jacks to connect the main speakers. 32. L+R Bridge output jack allows hookup of BOTH main amplifiers (400W) to one speaker.

w w. Y a m a h

a. c o
8. 13. 7. 14. 6. 15. 5. 16. 4. 3. 17. 18. 19. 2. 20. 21.

m / p r o a u d i o

25. 24.

EMX620

EMX660

EMX860ST

Inputs (number)

Effects (number) 3 16

Weight (lbs.)

(Approximate)

Output Power*

Dimensions WxHxD

EMX620 EMX660 EMX860ST EMX2000
200 watts (x1) 300 watts (x2) 200 watts (x3) 200 watts (x2)
19 5/8" x 10 7/8" x 10 7/8" 19 5/8" x 10 7/8" x 10 7/8" 19 5/8" x 12" x 10 7/8" 18 5/8" x 4 3/16" x 17 3/8"
* at 1kHz, 4, continuous All Yamaha mixers are covered by a 1 Year Warranty. For more detailed specifications, and to see our wide range of other products, please refer to our website at www.yamaha.com/proaudio
For details please contact:
EMX2000 Yamaha makes a full line of professional audio products to add to your system as you grow. For more input flexibility, the EMX2000 provides 12 inputs in a tabletop style mixer. With two 200 watt power amplifiers, advanced DSP and easy connectibility, its perfect for more demanding applications.
Yamaha Corporation of America Professional Audio Products 6600 Orangethorpe Avenue Buena Park, CA Yamaha Corporation of America. All prices and specifications subject to change without notice. Yamaha is a registered trademark of Yamaha Corporation. All other products or services mentioned are trademarks of their respective owners. www.yamaha.com/proaudio or www.yamaha.co.jp/product/proaudio/homeenglish/index.html

POWERED MIXER

Owners Manual

EEEngine

HIGH HIGH

++15 15

+15 15

VO. ECHO 1

VO. ECHO 2

VO. REV. 1

+1k 2k 4k 8k

+6 +5 10

ON OFF

PHANTOM

VO. REV. 2

HALL. 1

EFFECT RTN

HALL. 2

TAPE IN

MASTER

MONITOR

2 AMPs 300W 300W

LIMITER
MAIN BRIDGE MAIN MAIN MAIN MONITOR

EFFECT

AUX IN

DIGITAL EFFECT

POWER AMP

1 LINE 2

1 INST 2

EFFECT OUT

TAPE REC IN OUT
1 Lo-Z Lo-Z Lo-Z Lo-Z MIC MIC FOOT SW

SEE REAR PANEL CAUTION

OUTPUT

FCC INFORMATION (U.S.A.)

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA. 3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class B digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit OFF and ON, please try to eliminate the problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to coaxial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA 90620 The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.
WARNING: THIS APPARATUS MUST BE EARTHED

IMPORTANT

THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE: GREEN-AND-YELLOW : BLUE : BROWN : EARTH NEUTRAL LIVE
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows: The wire which is coloured GREEN and YELLOW must be connected to the terminal in the plug which is marked by the letter E or by the safety earth symbol or coloured GREEN and YELLOW. The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. * This applies only to products distributed by YAMAHA KEMBLE MUSIC (U.K.) LTD.

Precautions

Do not allow water to enter this unit or allow the unit to become wet. Fire or electrical shock may result. Connect this units power cord only to an AC outlet of the type stated in this Owners Manual or as marked on the unit. Failure to do so is a re and electrical shock hazard. Do not scratch, bend, twist, pull, or heat the power cord. A damaged power cord is a re and electrical shock hazard. Do not place heavy objects, including this unit, on top of the power cord. A damaged power cord is a re and electrical shock hazard. In particular, be careful not to place heavy objects on a power cord covered by a carpet. If you notice any abnormality, such as smoke, odor, or noise, or if a foreign object or liquid gets inside the unit, turn it off immediately. Remove the power cord from the AC outlet. Consult your dealer for repair. Using the unit in this condition is a re and electrical shock hazard. Should this unit be dropped or the cabinet be damaged, turn the power switch off, remove the power plug from the AC outlet, and contact your dealer. If you continue using the unit without heeding this instruction, re or electrical shock may result. If the power cord is damaged (i.e., cut or a bare wire is exposed), ask your dealer for a replacement. Using the unit with a damaged power cord is a re and electrical shock hazard. Do not remove the units cover. You could receive an electrical shock. If you think internal inspection, maintenance, or repair is necessary, contact your dealer. Do not modify the unit. Doing so is a re and electrical shock hazard. When rack-mounting the unit, allow enough free space around the unit for normal ventilation. This should be: 30 cm at the sides, 30 cm behind, and 40 cm above. For normal ventilation during use, remove the rear of the rack or open a ventilation hole. If the airow is not adequate, the unit will heat up inside and may cause a re. This unit has ventilation holes at the rear to prevent the internal temperature rising too high. Do not block them. Blocked ventilation holes are a re hazard. Clean the contacts of the phone plug before connecting it to the SPEAKERS jack of this unit. Dirty contacts may generate heat. Use only speaker cables when connecting speakers to amplier outputs. Using other types of cables is a re hazard. Hold the power cord plug when disconnecting it from an AC outlet. Never pull the cord. A damaged power cord is a potential re and electrical shock hazard. Do not touch the power plug with wet hands. Doing so is a potential electrical shock hazard. The digital circuits of this unit may induce a slight noise into nearby radios and TVs. If noise occurs, relocate the affected equipment. Using a mobile telephone near this unit may induce noise. If noise occurs, use the telephone away from the unit. XLR-type connectors are wired as follows: pin 1: ground, pin 2: hot (+), and pin 3: cold (-). Do not set all equalizer controls and faders to maximum. Doing so may cause oscillation depending on the condition of the connected unit and speakers, and may damage the speakers. The performance of components with moving contacts, such switches, rotary controls, faders, and connectors, deteriorates over time. The rate of deterioration depends on the operating environment and is unavoidable. Consult your dealer about replacing defective components.

3 Effect control (EFFECT)
For each channel, this controls the amount of signal that is sent to the EFFECT bus. The signal of the EFFECT bus is sent to the builtin effect and to the EFFECT OUT jacks (input/ output panel 3). Note: The signal is sent to the EFFECT bus from a location after the level control (4) of each channel. This means that the amount of signal that is sent to the EFFECT bus will be affected not only by the setting of the effect control, but also by the setting of the level control.
1 Equalizer controls (HIGH, MID, LOW)
This is a 3-band equalizer that adjusts the high frequency range, mid frequency range, and low frequency range of each channel. Response is at when the knobs are in the w position. Rotating it toward the right will boost the corresponding frequency band, and rotating it toward the left will cut it. The base frequency (or center frequency), range of boost or cut, and equalizer type of each band are as follows. HIGH: 12 kHz 15 dB shelving type MID: 2.5 kHz 15 dB peaking type LOW: 80 Hz 15 dB shelving type

4 Level control (LEVEL)

This adjusts the output level for each channel.
5 Pad switch (PAD) (Channel 14 only)
This switch attenuates the input signal by 30 dB. When connecting a line level device to channels 14, or if the mic input is distorted, turn this switch on (the pressed-in position).

s DIGITAL EFFECT section

This section allows you to turn the built-in digital effect on/off and to select the effect type.

s MONITOR section

This section allows you to adjust the tone and volume of the MONITOR bus, and specify the mix level of the built-in effect and the external input signals.

+12 +1k 2k 4k 8k

TAPE IN MASTER

8 Graphic equalizer

6 Effect select switch and indicator
Select the effect type for the built-in digital effect. The indicator of the selected effect type lights up.
7 DIGITAL EFFECT ON switch and indicator
When this switch is on (pressed), the indicator lights up and the built-in digital effect can be used. In that case, the signal processed by the digital effect will be sent to the MAIN/MONITOR bus. The mix level of the effect sound is adjusted by the EFFECT RTN control of the MAIN and MONITOR sections.
This is a 7-band graphic equalizer that allows you to adjust the frequency response of the MONITOR bus signal, providing a maximum of 12 dB of cut/boost for each frequency band. You can use these sliders to reduce the level of frequency bands at which feedback easily occurs. Frequency response is at when a slider is in the center position. Moving a slider in the positive direction will boost, and in the negative direction will cut. This graphic equalizer affects both the MONITOR bus signal that is output to the speakers and the line level signal which is output from the MONITOR jack (input/output panel 6).

9 EFFECT RTN control

This controls the level of the effect sound which is returned from the built-in digital effect to the MONITOR bus.

0 TAPE IN control

This controls the level of the signal routed from the TAPE IN jack to the MONITOR bus.

A MASTER control

This adjusts the nal level of the MONITOR bus. It affects both the MONITOR bus signal which is output to the speakers and the line level signal which is output to the MONITOR jack (input/ output panel 6).

B Peak level indicator

This indicator allows you to monitor the level of the signal which is output from the MONITOR jack (input/output panel 6). Note: To avoid distortion, adjust the MASTER control (A) so that the 0 indicator lights occasionally.

s MAIN section

This section allows you to adjust the tone and volume of the MAIN bus, the mix level of the built-in effect, and the mix level of the external input.

+1k 2k 4k 8k +12

s POWER AMP section
This section allows you to select the signals that will be output from the built-in two-channel power amplier, and to select the BRIDGE mode.

2AMPs 300W 300W

MAIN BRIDGE MAIN MAIN

MAIN MONITOR

C Graphic equalizer
This is a 7-band graphic equalizer that allows you to adjust the frequency response of the MAIN bus signal, providing a maximum of 12 dB of cut/boost for each frequency band. This graphic equalizer affects both the MAIN bus signal that is output to the speakers and the line level signal which is output from the MAIN jack (input/output panel 6).

I LIMITER indicator

This indicator lights up when the level of the signal output from the power amp section reaches the maximum and the limiter is activated. Adjust appropriate control so that the indicator lights up for only a short while when the signal reaches the maximum level. Note: The indicator lights up or flashes for a longer duration if the power amp section is significantly overloaded, which could result in malfunction. Avoid such a situation.

D EFFECT RTN control

This adjusts the level of the effect signal which is returned from the built-in digital effect to the MAIN bus.
J Power amp select switch
Select one of the following three settings to specify the signals that will be output from power amp 1/2. MAIN BRIDGE With this setting, the MAIN bus signal will be output from the BRIDGE jack. The two power amp channels (A and B) will be bridge connected. Only the MASTER control G in the MAIN section becomes effective. MAIN-MAIN With this setting, the MAIN bus signal will be output from the POWER AMP 1 A/B jacks and from the POWER AMP 2 A/B jacks. Only the MASTER control G in the MAIN section becomes effective. MAIN-MONITOR With this setting, the MAIN bus signal will be output from the POWER AMP 1 A/B jacks and the MONITOR bus signal is output from the POWER AMP 2 A/B jacks. Only the MASTER controls in the MAIN and MONITOR sections G, A are both effective.

E AUX IN control

This adjusts the amount of signal that is sent from the AUX IN jack to the MAIN bus.

F TAPE IN

This adjusts the amount of signal that is sent from the TAPE IN jacks to the MAIN bus.

G MASTER control

This adjusts the nal level of the MAIN bus. It affects both the MAIN bus signal which is output from the speakers, and the line level signal which is output from the MAIN jack (input/output panel 6).

H Peak level indicator

This indicator allows you to monitor the level of the signal which is output from the MAIN jack (input/output panel 6). Note: To avoid distortion, adjust the MASTER control (G) so that the 0 indicator lights occasionally.
s POWER indicator & PHANTOM switch

K POWER indicator

This indicator will light when the power of the EMX660 is turned on.

L PHANTOM switch

This switch turns the phantom power supply on/ off for the Lo-Z input jacks of channels 14 and MIC input jacks of channels 56. Turn this switch off if you do not use it.

Input/output panel

Hi-Z Hi-Z Hi-Z Hi-Z 1 LINE INST 2 EFFECT OUT

TAPE REC IN OUT MONITOR

1 Hi-Z, Lo-Z input jacks
These are the input jacks for channels 14. By using the PAD switches (control panel 5) you can connect any of the jacks to a wide range of sources from mics to line level devices (synthesizers or rhythm boxes etc.). The Lo-Z jacks can provide +15 V phantom power, allowing you to use condenser microphones. Both Hi-Z and Lo-Z are balanced, and are compatible with microphones of output impedance 50600 or line level devices of 600. The nominal input level is 40 dB 10 dB for the Hi-Z jacks, and 50 dB 20 dB for the Lo-Z jacks. Pin connections for the Hi-Z and Lo-Z jacks are as follows.
Lo-Z jacks (XLR type) Hi-Z jacks (TRS phone jacks)
2 MIC, LINE, INST input jacks
These are the input jacks for channels 56. Microphones can be connected to the MIC jacks, and stereo line level devices (such as synthesizers or rhythm boxes) can be connected to the LINE jacks. The MIC jacks are balanced, and are compatible with microphones of output impedance 50 600. The LINE 1 & 2 jacks are unbalanced, and are compatible with line level devices of 600 output impedance. These two input jacks can be used simultaneously. Nominal input level is 50 dB for the MIC jacks and 10 dB for the LINE jacks. INST 1 & 2 jacks are unbalanced, can be used simultaneously, and their high input impedance makes them ideal for use with instruments such as electric-acoustic guitar and electric bass. They can also be used with line-level sources, such as synthesizers and drum machines. Nominal input level is 30 dB. Note: It is possible to simultaneously use both the MIC and LINE inputs for channel 5, and the MIC and INST inputs for channel 6.

Pin 1: ground Pin 2: hot (+) Pin 3: cold ()
Sleeve: ground Tip: hot (+) Ring: cold ()

+ - GND

3 Effect output jack (EFFECT OUT)
The input of an external effect such as a delay or echo can be connected to this jack. The signal adjusted by the EFFECT control of each channel will be sent to the EFFECT bus, and output from this jack. The nominal output level and impedance are +4 dB/10 k.
Note: It is not possible to simultaneously use both the Hi-Z and Lo-Z inputs of a given channel. For each channel, use only one of the inputs as appropriate for the input source. Phantom power is switched on/off in simultaneously for the Lo-Z jacks of channels 14 and the MIC jacks of channels 56. For this reason, any devices other than condenser microphones must be connected to the Hi-Z or LINE jacks if the PHANTOM switch (control panel L) is on.
4 Foot switch jack (FOOT SW)
A separately sold Yamaha FC5 foot switch can be connected to this jack. If a foot switch is connected to this jack, you can use your foot to switch the built-in digital effect on/off.
5 External input jacks (AUX IN/TAPE IN)
These are input jacks that allow the signal from an external device to be added to the MAIN output. Monaural output devices such as external effects can be connected to the AUX IN jack, and stereo output devices such as cassette recorder or CD players can be connected to the TAPE IN jacks. The nominal input level and impedance are 10 dB/ 600 for the AUX IN jack, and 10 dBV/600 for the TAPE IN jacks.
6 External output jacks (REC OUT/MONITOR/MAIN) These are output jacks which send line level signals from the EMX660 to external devices. A stereo recording device such as a cassette deck, DAT or MD recorder can be connected to the REC OUT jacks, and a playback device such a power amp can be connected to the MONITOR and MAIN jacks. The signals sent from each jack are as follows. REC OUT jacks: The MAIN bus signal before it has passed through the MASTER control and graphic equalizer MONITOR jack: The MONITOR bus signal which has passed through the Monitor MASTER control and graphic equalizer MAIN jack: The MAIN bus signal which has passed through the Main MASTER control and graphic equalizer The nominal output level and impedance are 10 dBV/10 k for the REC OUT jacks, and +4 dB/10 k for the MONITOR/MAIN jacks.

Rear panel

SPEAKERS

POWER AMP 2

BRIDGE

POWER AMP 1

1 Speaker output jacks (POWER AMP 1 A/B,
POWER AMP 2 A/B, BRIDGE) Speakers can be connected to these jacks. The EMX660 contains a two-channel power amp, and there are three ways in which the speakers can be connected to the EMX660. At this time, use the power amp select switch J on the control panel to select a signal sent to the correct jacks.
s When the power amp select switch is set to MAIN-MONITOR or MAIN-MAIN:
Caution: When using a bridge connection, do not connect anything to the POWER AMP 1 and POWER AMP 2 jacks. Likewise, when using the POWER AMP 1 and/or POWER AMP 2 jacks, do not connect anything to the BRIDGE jack.

2 Power switch

This switch turns the power of the EMX660 on/ off. Note: Before turning the EMX660 on/off, turn down the MASTER controls of the MONITOR and MAIN section.
Two-channel connection Two 48 speakers can be connected to the A jack or B jack of the POWER AMP 1/2 (maximum output 300W+300W). Two-channel parallel connection Two 816 speakers can be connected to the POWER AMP 1 A/B jacks and two more to the POWER AMP 2 A/B jacks, for a total of four speakers (maximum output 300 W+300 W).
s When the power amp select switch is set to MAIN-BRIDGE (Bridge connection)
One 816 speaker can be connected to the BRIDGE jack (maximum output 600 W).

Installation/Connection

Installation
The EMX660 uses a forced cooling system with intake on the bottom of the rear panel and exhaust on the top of the rear panel to avoid blocking the heated air ow.

Front 30cm or less

Connection

s Speaker connection

AMP 1 and of POWER AMP 2. POWER AMP 1 and of POWER AMP 2.

Exhaust

Intake
When connecting various devices, be sure to use cables and plugs of the appropriate standard.
There are three ways in which speakers can be connected to the EMX660.
1 Two-channel connection A single speaker each can be connected to either the A or the B jack of POWER 2 Two-channel parallel connection Two speakers can be connected in parallel to both the A and B jacks of 3 Bridge connection A single speaker can be connected to the BRIDGE jack.
For each of these, the required speaker impedance will differ. Refer to the following diagram, and make sure that the speaker impedance is not less than the specied value.

Two-channel connection

Two-channel parallel connection

connection

POWER AMP 2 BRIDGE POWER AMP 1 POWER AMP 2

BRIDGE POWER AMP 1

4~8 Main/Monitor Speaker

4~8 Main Speaker

8~16 8~16 Main/Monitor Speakers

8~16 8~16 Main Speakers

Bridge connection

POWER AMP 2 BRIDGE

8~16 Main Speaker

s Example connections

Recorder (Cassette, DAT, MD)

CD player

Effects processor
Synthesizer, Drum machine, Guitar processor Monitors Speakers

Power AMP

Footswitch (YAMAHA FC5) Microphone Main Speakers Electric-acoustic guitar

Electric bass

Normally, connect speakers to the jacks on the rear panel. If more speaker outputs are needed, use the MAIN (STEREO) jacks for stereo output and the MONITOR jack for monaural output.
The figure above shows appropriate jacks to connect each instrument.
* The Lo-Z and Hi-Z input of each channel cannot be used simultaneously. *1. Although this example shows an external effects processor and footswitch, which is used to turn on and off the built-in digital effects processor, connected to the EMX660, in practice, only one effects processor, internal or external, will be used at a time, so the footswitch is not required when using external effects.

Basic Operation

This section explains basic operation of the EMX660.
Connecting microphones and instruments
1 Before connecting mics or instruments,
make sure that the power of all equipment (where applicable) is turned off. Also make sure that the level controls of each channel of the EMX660 and the MASTER control of the MAIN section are turned down.

Monitoring

By connecting a powered monitor speaker to the MONITOR OUTPUT, you can create a monitor mix independent of the MAIN mix, since the input channel MONI controls are not affected by the LEVEL controls.
1 Set the MONI MASTER control to the

position.

2 While speaking into a connected mic, or
playing a connected instrument, adjust the MONI control of the input channel that you want to monitor. Repeat this procedure for each channel.
2 Connect cables to your mics and instruments, and insert the other end of the cable rmly into the appropriate Lo-Z/HiZ jack (channels 14) or the MIC jack (channels 56), LINE jack (channels 5), INST jack (channels 6). Note: When connecting a line level device to channels 14, turn on the PAD switch. You cannot use a channels Lo-Z and Hi-Z jacks at the same time. The MIC and LINE jacks, or the MIC and INST jacks, however, can be used at the same time.
3 Use the MONI MASTER control to set the
overall level of the monitor mix.

Using the digital effect

The EMX660 has a built-in digital effect, allowing reverberation or ambiance to be added to vocals or instrumental sounds.
3 Turn the power on in the order of peripheral devices EMX660. Note: When turning the power off, reverse this sequence.
1 Press the DIGITAL EFFECT ON switch of
the DIGITAL EFFECT section.
2 Use the effect select switches of the DIGITAL EFFECT section to select the effect type. VO.ECHO 1, 2..Echo appropriate for vocals. VO.REV. 1, 2.Reverb appropriate for vocals. HALL 1, 2.Reverb typical of a hall. ROOM.Reverb typical of a room. PLATE..Plate echo-like reverberation
4 Set the MAIN section MASTER control to

the position.

5 While speaking into the mic (while playing the instrument), adjust the channel LEVEL control so that the 0 LED of the MAIN section peak level meter lights occasionally. Repeat this step for each channel.
3 Set the MAIN EFFECT RTN control to the

position.

4 Raise the EFFECT control of the channels
to which you wish to apply the digital effect.
6 If you wish to adjust the tone of each
channel, rotate the equalizer controls as desired.
5 Use the MAIN/MONITOR section EFFECT
RTN control to adjust the level of the sound processed by the effect. Note: If the effect sound is distorted even if the EFFECT RTN turned all the way down, lower the EFFECT controls of each channel.
7 Use the MAIN section graphic equalizer

to adjust the tone.

8 Use the MAIN MASTER control to adjust

the overall volume.

Example setups
This section provides some ways in which the EMX660 can be used, and explains connections and operation.
As a conference PA system/installed sound system
Here is an example of using the EMX660 as a conference PA system or as an installed sound system.

Main Speakers

Power AMP 1 A/B

Power AMP 2 A/B

Power amp select switch

Microphone

CD Player

Cassette Deck

Connections
Connect mics to channel inputs 16. If you wish to use an external device such as a CD player or LD player, connect the outputs of the device to the TAPE IN jacks of the EMX660. Note: A CD/LD player or cassette deck can also be connected to the LINE jacks of channel 5. If you wish to record the audio to a cassette deck, connect the REC OUT jacks of the EMX660 to the input jacks of the cassette deck. Connect the main speakers to the A/B jacks of the POWER AMP 1/2, and set the power amp select switch to "MAIN-MAIN."

Playing back a CD player

1 Turn the power on in the order of peripheral devices EMX660.
2 Adjust the MASTER control of the MAIN

section to the position.

3 Start playback on the CD player, and use
the MAIN section TAPE IN control to adjust the level so that the 0 LED of the MAIN section peak level meter does not light.

As a band PA

Here is an example of using the EMX660 as a small PA for a band. In this example, the monitor speakers are being sent a mix that is independent of the MAIN speaker mix. An external effect such as delay or reverb is also being used.
Connect mics or instruments, such as keyboards, to the channel input jacks 16. Connect the main speakers to the POWER AMP 1 A/B jacks, and connect the monitor speakers to the POWER AMP 2 A/B jacks. If you will be using an external effect such as delay or reverb, connect the EMX660s EFFECT OUT jack to the input jack of the external effect, and connect the output jack of the external effect to the EMX660s AUX IN jack.
Note: Set the power amp select switch of the POWER AMP section to the MAIN MONITOR position. If you are using an external effect, we recommend that you turn down the EFFECT RTN controls of the MAIN and MONITOR sections. If the external effect has a stereo output, it is possible to connect its output jacks to the LINE jacks of channels 5. However in this case, be sure that the EFFECT controls are turned all the way down for the channels into which the effect sound is being input. If the EFFECT controls are raised, feedback will occur, and your speakers may be damaged.

Monitors Speakers

Power AMP 1

Power AMP 2

Effects Processor *1. Although this example shows an external effects processor and footswitch, which is used to turn on and Footswitch off the built-in digital effects process(YAMAHA FC5) or, connected to the EMX660, in practice, only one effects processor, internal or external, will be used at a time, so the footswitch is not required when using external effects.

Specifications

Specications

s General specications

Maximum output power 300 W + 300 W/4 @0.5% THD at 1 kHz (POWER AMP OUT 1, 2) 215 W + 215 W/8 @0.5% THD at 1 kHz (POWER AMP OUT 1, 2) 600 W/8 @0.5% THD at 1 kHz (BRIDGE) 20 Hz~20 kHz +1 dB, 3 dB @1 W output into 8 (POWER AMP OUT) 20 Hz~20 kHz +1 dB, 3 dB @+4 dB output into 10 k (MAIN OUT, MONITOR OUT, EFFECT SEND) Less than 0.5% @20 Hz~20 kHz, 150 W output into 4 (POWER AMP OUT 1, 2) Less than 0.3% @20 Hz~20 kHz, +14 dB output into 10 k (MAIN OUT, MONITOR OUT, EFFECT OUT) 124 dB equivalent input noise, 65 dB residual output noise (POWER AMP OUT) 88 dB residual output noise (MAIN OUT, MONITOR OUT, EFFECT SEND) 79 dB (83 dB S/N) MAIN OUT, MONITOR OUT 69 dB (73 dB S/N) MAIN OUT, MONITOR OUT 75 dB (79 dB S/N) EFFECT SEND 69 dB (73 dB S/N) EFFECT SEND Master level control at nominal level and all channel level controls at minimum. Master level control at nominal level and 1 channel level control at nominal level. Master level control at nominal level and all channel level controls at minimum. Master level control at nominal level and 1 channel level control at nominal level.
Frequency response Total harmonic distortion
Hum & noise (Average, Rs=150) (with 20 Hz~20 kHz BPF)
Maximum voltage gain (PAD: OFF)
88 dB CH IN (Lo-Z) to POWER AMP OUT (CH1~4) 66 dB CH IN (Lo-Z) to MAIN OUT, MONITOR OUT (CH1~4) 72 dB CH IN (Lo-Z) to EFFECT OUT (CH1~4) 48 dB CH IN (Lo-Z) to REC OUT (CH1~4) 56 dB CH IN (Hi-Z) to MAIN OUT, MONITOR OUT (CH1~4) 26 dB AUX IN to MAIN OUT 24 dB TAPE IN to MAIN OUT 66 dB MIC IN to MAIN OUT, MONITOR OUT (CH56) 26 dB LINE IN to MAIN OUT, MONITOR OUT (CH5) 46 dB INST IN to MAIN OUT, MONITOR OUT (CH6) 65 dB adjacent input, 65 dB input to output 15 dB Maximum HIGH 12 kHz shelving* MID 2.5 kHz peaking LOW 80 Hz shelving* * Turn over/roll-off frequency of shelving: 3 dB below maximum variable level. 5 POINTS LED METER (10, 5, 0, +3, +6 dB) (MAIN OUT, MONITOR OUT) 7 bands (125, 250, 500, 1 k, 2 k, 4 k, 8 kHz), 12 dB Maximum (MAIN OUT, MONITOR OUT) 8 types (VO.ECHO 1, VO.ECHO 2, VO.REV. 1, VO.REV. 2, HALL 1, HALL 2, ROOM, PLATE) +15 V is supplied to electrically balanced inputs for powering condenser microphones via 2.4 k current limiting/isolation resisters. Comp. : THD0.5% (POWER AMP OUT) Turns on. : THD0.5% (POWER AMP OUT) POWER Switch on/off Mute, DC Detection, Temp (Heatsink Temp90C) DIGITAL EFFECT MUTE : on/off USA and Canada Europe Other 250 W 497275275 mm 17 kg 120 V AC 60 Hz 230 V AC 50 Hz 240 V AC 50 Hz

Crosstalk at 1 kHz

Input channel equalization
Meters Graphic equalizer Internal digital effect Phantom power Limiter LIMIT indicators Protection Circuit (Power Amp.) Foot switch (FC-5) Power requirement Power consumption Dimensions (WxHxD) Weight 0 dB=0.775 Vrms

Input specifications

s Input specications
Input level Input connectors PAD Actual load impedance Nominal impedance Sensitivity1 Nominal level Max. before cliping 20 dB (77.5 mV) XLR-3-31 typedB (19.5 mV) 52 dB (1.95 mV) 22 dB (61.6 mV) 62 dB (0.616 mV) 22 dB (61.6 mV) 42 dB (6.16 mV) 22 dB (61.6 mV) 20 dB (77.5 mV) 40 dB (7.75 mV) 10 dB (245 mV) 50 dB (2.45 mV) 10 dB (245 mV) 30 dB (24.5 mV) 10 dB (245 mV) +10 dB (2.45 V) 10 dB (245 mV) +20 dB (7.75 V) 20 dB (77.5 mV) +20 dB (7.75 V) 0 dB (0.775 V) +20 dB (7.75 V) XLR-3-31 type2 Phone jack3 Phone jack3 Phone jack3 RCA phono jack3 Phone jack (TRS)Lines 3 k 10 k 470 k 10 k 10 k 50~600 Mics 600 Lines 1 k 600 Lines 600 Lines Connector type

CH INPUT (Lo-Z) (CH1~4)

OFF 3 k ON
50~600 Mics 600 Lines 50~600 Mics

62 dB (0.616 mV)

50 dB (2.45 mV)

CH INPUT (Hi-Z) (CH1~4)

OFF 10 k ON
MIC INPUT (CH56) LINE INPUT (CH5) (1, 2) INST INPUT (CH6) (1, 2) AUX IN TAPE IN (1, 2)
22 dBV (79.4 mV) 10 dBV (316 mV) +17.8 dBV (7.76 V)
1. Sensitivity is the lowest level that can produce an output of +4 dB (1.23 V) or the nominal output level when the unit is set at maximum gain. (All level controls are at maximum position.) 2. Balanced (T=Hot, R=Cold, S=Gnd) 3. Unbalanced 0 dB=0.775 Vrms, 0 dBV=1 Vrms.

s Output specications

Output connectors Actual source impedance 0.1 0.600 Nominal impedance 4/8 Speaker 8 Speaker 10 k Lines 10 k Lines 10 k Lines 10 k Lines Output level Connector type Nominal 60 W/W/8 +4 dB (1.23 V) +4 dB (1.23 V) +4 dB (1.23 V) 10 dBV (316 mV)

Max. before cliping

POWER AMP OUT (12) (A, B) BRIDGE OUT MAIN OUT MONITOR OUT EFFECT OUT REC OUT (1, 2) All output jacks are unbalanced. 0 dB=0.775 Vrms, 0 dBV=1 Vrms.
(300 W/4) (600 W/8) +20 dB (7.75 V) +20 dB (7.75 V) +20 dB (7.75 V) +10 dBV (3.16 V)
Phone jack Phone jack Phone jack Phone jack Phone jack RCA phono jack
Specications are subject to change without prior notice. For European Model Purchaser/User Information specied in EN55103-1 and EN55103-2. Inrush Current: 56A Conformed Environment: E1, E2, E3 and E4

s Dimensions

W:497 (45.5) 259 H:275 (45.5) 168

380 487

150 D:275

(67.5)

PHANTOM OFF LEVEL 3-Stage EQ [0dB]
ON [16dB] EFFECT [22dB] BA 7-Stage GEQ MAIN OUT [+4dB] 2 PA 1 LIMITER [16dB] INV [10dB] 3-Stage EQ Lo Hi Mid EFFECT [22dB] MONI [16dB] [0dB] BA 7-Stage GEQ [+4dB] MONI MASTER [6dB] AUX IN [16dB] [0dB] TAPE IN [22dB] 125Hz 250Hz 500Hz 1kHz 2kHz 4kHz 8kHz [22dB] INV [0dB]

SUM SUM

MAIN BRIDGE MAIN/MAIN MAIN/MONITOR
Lo-Z [50/20dB] MAIN MASTER [6dB] [+4dB] Lo Mid Hi

[10dB]

CH INPUT Hi-Z (CH14) [40/10dB] 125Hz 250Hz 500Hz 1kHz 2kHz 4kHz 8kHz MONI [16dB] A

PAD [10dB]

PAD [30dB]
[10dB] [10dB] 3-Stage EQ BA [16dB] EFFECT [22dB] MONI Lo Mid Hi LEVEL REC OUT [10dBV] 2 [7.8dB] 1

MIC [50dB]

MAIN EFFECT MONITOR
POWER AMP1 OUT [300W/4] B

CH INPUT (CH5)

LINE [10dB]

[22dB]

[10dB] LEVEL [16dB] 2 PA 1 LIMITER MONITOR OUT [+4dB] A

BRIDGE OUT [600W/8]

CH INPUT (CH6)

INST [30dB]

POWER AMP2 OUT [300W/4] B

AUX IN [10dB]

s Block and Level diagram

[16dB]

TAPE IN [10dBV] [7.8dB] 2
VO. ECHO 1 [0dB] DIGITAL EFFECT ON
VO. ECHO 2 EFFECT RETURN [6dB] BA [6dB] [+4dB]
VO. REV. 2 EFFECT RETURN [6dB]

HALL 1

EFFECT OUT [+4dB]

HALL 2 ON

FOOT SW

DIGITAL EFFECT MUTE

MAXIMUM OUTPUT POWER [300W/4] POWERAMPOUT[60W/4]
+40dB +30dB +20dB MAIN OUT [+4dB] MONITOR OUT [+4dB] EFFECT OUT [+4dB] +10dB 0dB REC OUT [10dBV] [7.8dB] 10dB 20dB 30dB 40dB 50dB

Clip Level [+20dB]

+10dB AUX, TAPE [0dB]
10dB LEVEL AUX IN EFFECT TAPE IN MONITOR
LINE (CH5) [10dB] Hi-Z PAD:ON [10dB]

[10dBV (7.8dB)]

Lo-Z PAD:ON [20dB]
MAIN,MONITOR[16dB] EFFECT [22dB]

CH5,6 [22dB]

INST (CH6) [30dB]

Block and Level diagram

Hi-Z PAD:OFF [40dB]
Lo-Z PAD:OFF [50dB] MIC (CH5,6) [50dB]

YAMAHA CORPORATION

V529000 RIP 24 NP Printed in Taiwan Pro Audio Division, #18/3 P.O. Box 3, Hamamatsu, 430-8651, Japan