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Yamaha C-4

Manual

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About

Yamaha C-4Yamaha YAC1291 Tenor Sax Mouthpiece 4C
The standard plastic mouthpiece offered by Yamaha is a great starter piece for students. Chamber and tip comparable to Selmer or Hite mouthpieces.

Details
Brand: YAMAHA
Part Numbers: Y1291, YAC 1291, YAC1291
UPC: 0086792534961, 086792534961


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Comments to date: 3. Page 1 of 1. Average Rating:
FonsV 12:57am on Saturday, June 5th, 2010 
Great Set These speakers has been out for awhile now and I just came into a pair not to long ago, the accompany any home theater well.
PAUL 12:42am on Wednesday, June 2nd, 2010 
Awesome sound at fraction of the big name price NONE Awesome sound at fraction of the big name price NONE
paj 2:47pm on Friday, April 16th, 2010 
Wonderful MTS Speakers The sound of these speakers are just wonderful, and I highly recommend them.

Comments posted on www.ps2netdrivers.net are solely the views and opinions of the people posting them and do not necessarily reflect the views or opinions of us.

 

Documents

doc0

CONTENTS

PRESET 1 VOICE LIST.. 1 PRESET 2 VOICE LIST.. 5 PRESET, CUSTOM, INTERNAL VOICE LIST. 9 VL-XG VOICE LIST.. 10 EFFECT TYPE LIST... 12 EFFECT TYPE MAP... 14 EFFECT PARAMETER LIST.. 17 EFFECT DATA VALUE ASSIGN TABLE. 21 EFFECT DEFAULT DATA... 24 MIDI DATA FORMAT.. 26 MIDI IMPLEMENTATION CHART.. 44

PRESET 1 VOICE LIST

s Preset 1
No. Voice Name Mad Tube VintgLd SpaceZoo GuitHero StoneHng Whizzer SimpleBa ClavBass SuperBas New Slap RockPigs Igneous 50 / 50 Cybastrg Wynth BuzzSaw ZubZub Blue OsciLead SqrLead Bigger AnaSquid SharpSyn AnaWave AnaWurl Babalog FngerBass Upright Fnground Birdland FlageoBs DampBass Fretles! Frtles!2

Recommended

Note Range
Comment An extremely aggressive sound that lies between synth lead and distortion guitar. Multi-oscillator type synth lead. Try moving PB, MW, and AT in various ways. A distortion guitar. Controlling the feedback with AT is particularly effective. MW produces a sustained sound. Long sustaining synth tone similar to bass guitar harmonics. Straight ahead synth bass with some distortion. Bass sound with both electric/acoustic and synthesizer qualities. If you use FC (CC#4) you can get clavinet style overtones. DX7 style slapped bass. New type slap bass with punchy power. Organ-type synth lead sound. AT produces a neighing effect. Feedbacked synth lead sound. Simple Square wave synth lead. Metallic driller killer sound. Filter wind synth with control from BC and velocity. Play with lots of MW filter control. Biting analog synth sound. MW controls filter. Fizzy synthesiser sound. Octave synth lead sound. Nice Square lead tone. Lowering FC (CC#4) closes filter. Big analog synth sound - velocity controls filter and volume. Analog synth type sound with MW filter control. Slightly mode unstable velocity sensitive sound. Analog synth type sound with MW filter control. Velocity sensitive sound somewhat like a Vintage EP passed through a resonant filter. Velocity controlled synth wind sound. Vigorous finger bass sound. Simulation of accoustic bass. Finger bass with particular sound of rear pick up. Midway between an analog synth and an electric bass sound. The high range produces harmonics. Harmonics of a fingerd electric bass. Damped Pluck-Bass with a dry speaker sound. Fretless bass usable for either rhythm or melody. Another fretless bass, good for melody play.
C1 - B4 B-1 - C6 *** G0 - C5 F0 - G6 G#0 - F#5 C0 - C6 C0 - E3 C0 - F#3 C0 - D5 C0 - E4 C0 - C5 C0 - F5 C-1 - C6 A-1 - G5 E-1 - C6 B-1 - C6 G0 - D3 C0 - G5 D#0 - C6 C-1 - C6 G-1 - C6 G0 - C6 C0 - E4 C0 - C6 C0 - C6 B-1 - C4 B-1 - C4 A-1 - C4 A-1 - C4 G0 - C4 G-1 - C3 E-1 - C4 B-1 - C#4
No. Voice Name ThumBass RockBass SmooBass WarmBass YamaBass Box Bass BassCab FruitBas AcidBas! SqrBass! PulsClav MogueBas BoppaBas BuzzrBas MuteHrBs TekBass TranzBas Chamlion ParaSyn SteamBas BooBass WhelkBas AtackSyn Q.Klav
Comment Thumped Bass. Heavy overdrive rock bass sound. Expressive synth bass sound with filter control by velocity and vintage analog character. Warm electric Precision bass sound. Use FC (CC#4) to make sound brighter or darker. Yamaha 5-string electric bass with brand new strings and studio EQ. Similar to FM synth bass with filter control on MW. Uses resonator for boxy effect. Slightly distorted electric bass with Resonator simulation of speaker cabinet tone. Fruity electric bass sound. Bass sound for acid jazz. Square wave synth bass. Synth-Clavinet for funky licks. A classic synth bass sound. Synth bass with sub-octave undertone. FM style, bright and buzzy electronic keyboard bass. For fast tempo trance, acid, house, and techno style sequenced basslines. Upper register bass harmonic sound, with accentuated fingering pop similar to playing muted guitar style with the palm of the picking hand on the bridge. Synth bass with sub-octave undertone. TB303 style synth bass. For fast tempo trance, acid, house, and techno style sequenced basslines. Dry Synthbass. Strong, up-front synth bass, ideal for 70s Jazz-Funk. If you like that sort of thing. Use lots of PB (Embouchure) for finger slides. Gives greater tonal variety. MW controls filter and gives sharper attack. Synth bass. MW controls filter as does velocity. Synth bass sound with strong attack. Deeply funky clav sound. Try with Phasing on in Chorus section, or alter low and upper mid with Equaliser in modifier section. Altering the Aural Exciter parameters will also have a big effect. Simulation of Sitar. Sitar-type ethnic sound. Steel drum-type ethnic sound. FM style, metallic overtone synth. Can use as lead or bass. MW brings in noise. CC#13 can be used to modify the character of the noise. Mysterious percussion instrument. Attack is softened with MW. Squeakiness (embouchure) on CC#13. Violent SCRAPE sound with AT.

C0 - C3 G-1 - C4 B-1 - A#3 B-1 - C4 A-1 - C4 C0 - C4 B-1 - G#4 C0 - C4 B-1 - C5 B-1 - G4 A-1 - G5 B-1 - C#7 B-1 - C4 D0 - E4 C0 - C5 B-1 - C4 C0 - F#4 C0 - B4 A-1 - C4 C0 - C#7 B-1 - C5 E-1 - C#5 G0 - B4 A-1 - C#4

063 064

Sitar! India YamSteel StungSt Mu Waterphn
G0 - E4 F#0 - C6 A2 - C6 F#0 - B5 *** ***
* Aural Exciter is a registered trademark and is manufactured under license from Aphex Systems, Ltd.
No. Voice Name DinoPerc Formula Jurassic Devil SpcHorse Jason Suedhead Spanish JazzGtr! JazzyGtr L7 Pluck WetPluck Comp Gtr FunkyGtr Thin Gtr Carlos Destiny Gonzo Grunge Ossyncro Talk Box SyncLed
Comment Use with different combinations of MW and PB to produce complex noise percussion. Engine-like sound effect. Use PB, MW, and CC#13 to produce the cries of various dinosaurs. A sound effect using extreme oscillation. Try moving PB, MW, and CC#13 in various ways. While applying MW, add AT to create a neighing sound. Use the MW to turn this into a strongly noisy sound effect. Sound effect. Make liberal use of Pitch and MWs. Spanish type acoustic guitar. Electric guitar suitable mainly for jazz. Velocity dynamic jazz style sustaining guitar lead. A classic pluck sound. A guitar sound that readily accepts effects such as flanging. Compressed, clean electric strat guitar sound. Snappy 70s style funk guitar, for rhythm and comping. Clean uncompressed electric guitar with thin gauge new strings, good for country, R&B, lead solos etc. Using a high velocity input results in a continuous sound. Overdrive guitar, front pick up type. Distortion guitar made from a sustained sound with strong attack. CC#13 for feedback effect. Velocity controlled. PB down controls noise effect. Dirty synth lead. Cross modulation-type synth lead. Voicy Lead, somehow like a guitar-Talkbox. Sync type lead tone. Use with Exp or BC - with no pressure sound has stacatto muted tone. Increase for full tone. FC (CC#4) at full produces wide open tone. Lowering darkens timbre. Try striking at hard velocity with no BC, pitchbend up, and slowly. A classic analog synth solo sound. A classic analog synth solo sound with fatter timbre. If it was possible to mix an accordion with a trumpet it might sound like this. Breath controlled filter synth sound. Synth brass solo sound. AT control of Rotor Speed of FX. Filter changed by velocity. Vibrato will cause sound to drop an octave except in lower range. Analog/acoustic hybrid lead sound with resonant filter. Lowering FC (CC#4) opens filter. Dark, reed electric piano style synth lead. Analog / digital lead with thick, fat non-dynamic character.

B-1 - C6 B-1 - C6 B-1 - C6 B-1 - C6 A-1 - C6 G-1 - F5 C0 - C6 B-1 - C6 B-1 - G5 B-1 - C6 G#-1 - G5 C0 - C6 C0 - C6 B-1 - C6 B-1 - G5 G#0 - C6 C0 - C6 G-1 - C6 G-1 - C6 G#1 - C7 C0 - C6 C0 - C6 C0 - C6 B-1 - F5 C0 - C6 C1 - C6 C0 - B5 C0 - A4 C1 - C6 F-1 - C6

PRESET 2 VOICE LIST

s Preset 2
No. Voice Name Vento Floboe Sintax Eastern Trumpet! SoprSax! LiteAlto Trmbone! BtlFlute Air Sax TenrSax! Coca JetLpBow Viol Inn MuteCone BrethBow Trumpt!2 FluglHr! Cornet JzTrump JzTrump2 Flumpet WXTrumpt MuteTp! MuteTp!2 Melwbone NerzoBr Horn! Horn!2 NuHorne WX Horn Tuba! NuViolin C Violin
Comment High noise content in this flute type sound. Imaginary instrument combining a flute and oboe. Synthetic sax type sound. In conjunction with mode shift from PB can be used for classic Shakuhachi sample effect. Simulation of Trumpet. Simulation of Soprano sax. Light-feeling alto sax with significant noise component. Simulation of a trombone. Flute sound similar to a softly blown bottle. A sax-type instrument that could not exist in reality, produceable only by the VL. Simulation of Tenor sax. Pan flute sort of thing. Vibrato using pressure (BC) is particularly effective. A subtle sound with a violin-like attack, combining a reed (oboe type) and flute-type instrument. A new acoustic sound based on bowed string instruments. Quite usable as a violin. Muted trumpet with PB mode effect. A sound somewhere between strings and a blown feel. Trumpet sound. Simulation of Flugelhorn Cornet sound suitable for classical music. Trumpet sound suitable for jazz. Bright trumpet. PB can be used to imitate a lip slur. Resonant trumpet/flugely thing. PB controlls embouchure and pitch. Legato playing creates different tone. Trumpet sound suitable for performance with a wind controller. Simulation of Mute trumpet. Another Mute trumpet. Mellow Trombone sound. Bright synthetic brass with PB shake effect. Simulation of Horn. Another Horn. Mellow french horn with PB shake effect. Horn sound suitable for performance with a wind controller. Tuba simulation. A light violin sound. Violin sound suitable for classical music.
C0 - C6 C0 - C6 F0 - C5 E0 - C6 C0 - C6 C0 - C6 E0 - C6 C0 - C6 C0 - C6 G0 - C6 C0 - C6 C1 - C6 A-1 - C6 C0 - C6 G0 - C6 B-1 - C6 C0 - C6 C0 - C6 C0 - C6 F#2 - C6 G#1 - C6 D0 - C6 C0 - C6 E0 - C6 C0 - C6 C0 - C6 E0 - C6 B-1 - C6 C0 - C6 B-1 - C6 B-1 - C6 C0 - C6 C0 - C6 C0 - C6
No. 063 Voice Name BrtVioln MuteViol BrtViola ViolOutt Cello! Eleanor Nu Cello Contrair DoublBow Piccolo! Piccol!2 BowPicol C Flute C Flute2 JazFlute OakFlute BtlFlut2 RzdeFlt Flutuen Nz Flute WX Shaku Pan Pipe PanPicol Bamboo Andean Flurinet SoftReed Flurmod Jhopali
Comment A bright violin sound. The sound of a violin with an attached mute. A bright viola sound, extending from cello range to violin range. Bowed-string sound with a sliding feel to the bow. Cello simulation. The sound of a cello being played in the center of the string. Becomes a wind instrument-like sound in the high register. Cello variation sound. String bass simulation. A string bass that is fairly close to a wind instrument. Simulaton of piccolo. Another piccolo. A piccolo flute sound with a bowed string flavor. Flute simulation. Editing the controller settings to increase the breath noise depth will change the nuance of the sound. Another flute simulation. Flute sound suitable for jazz. Flute sound with hard wooden resonance. Flute-type bottle sound. Expressive resonant flutey sound. Heavily filtered, synth flute/woodwind lead. Flute sound with large noise component. Shakuhachi sound suitable for performance with a wind controller. Pan flute simulation. It is effective to edit the controller settings so that growl can be applied. Another pan flute sound with a beautiful high register. The sound of a bamboo pipe. The sound of a wooden or bamboo flute such as the quena. Clarinet with flute mouthpiece. A sound that mixes oboe with soprano sax, but having a unique feel possessed by neither instrument. New hybrid, woody reed flute. Keep high breath pressure and hard tonguing when playing in upper mode (with PB = max). New accordion/hurdy gurdy hybrid with unique AT controlled fifths undertone. Play ethnic style melodies, playing with hard finger pressure to bounce off the aftertouch sensor to emphasize selected notes with the fifth undertone. A nostalgic sound combining a flute and reed instrument. Try a slow build-up of breath for refined elegance. Pipe-type synth-lead sound. Try using AT to create extreme performance effects!

No. 107 Voice Name Loboe Bassoon! Clarint! LitePipe HyperCla Clarint2 IslePipe Chanter ThaiReed Recordr! Claricrd
Comment New double reed a contrabass oboe ! Simulation of Bassoon. Simulation of Clarinet. Light-feeling synth lead sound close to a sax or clarinet A sound combining characteristics of synth lead, clarinet, sax, etc. Jazz / big band solo clarinet with AT scoop effect. New wooden ethnic flute. A simulation of a bagpipes melodic note. A simulation of a south-east Asian (mainly Thai) flute. Recorder simulation. Basically the sound of a medieval reed instrument (like the clarinets ancestor). As you play into the higher register, it takes on more of a recorder-like character. A soft-toned recorder. The sound of a bowed saw, with a character like the Ondes Martenot or Theremin (both early electronic instruments). Ocarina simulation. Synth lead-like woodwind instrument with few overtones. Gentle synth lead with mellow sound. Suitable for performance with a wind controller. Synth lead with brass character in the attack. Synth lead sound with brass character. Stringy pipe sound. Bright, nasal sound with Eastern influences. Violinesque lead sound - velocity controls embouchure and damping. FC (CC#4) controls filter and tonguing. For strongest attack, FC (CC#4) at full. Lowering softens tonguing and closes filter. Accordion simulation. Simulation of a reed-type wind instrument with a keyboard. Simulation of a miked blues harp played through a guitar amp. Chromatic harmonica simulation. Funky harmonica with breath control wah. Bottle-type sound with metallic resonance. Bright, resonant synth brass lead with accentuated filter dynamic range. The sound of playing a tuba mouthpiece. Mellow and warm new hybrid double reed (blend of crumhorm, trombone and oboe). New hybrid single reed driven pan pipes. Use (-) PB for scoop effect and (+) PB for growl effect. New hybrid jet lip driven cylindrical woodwind (a flute mouthpiece on a clarinet body).
C0 - C6 C0 - C5 A0 - C6 C0 - C6 C0 - C6 F0 - C6 C1 - C5 D1 - C6 C0 - C5 C0 - A5 C0 - C5

116 117

SoftPipe BowdSaw Ocarina! Lonely Ophelia Maysbe? MizuHorn PicoStrg Sylophon BowLead
G0 - C5 C0 - C5 F0 - C7 C#2 - E6 C0 - C6 D#0 - A5 C0 - C6 G#0 - C5 C0 - C5 C0 - C6
Squeeze MouthKey AmpdHarp CromHarp WahUpHp YamaBotl Blowsoo Brappo Crumbon Klarina ReedWin
C0 - C6 C0 - C6 C0 - C6 A-1 - C6 B-1 - C6 A#1 - C6 G-1 - C5 C0 - C5 E0 - G5 E0 - B5 E0 - C6
PRESET, CUSTOM, INTERNAL VOICE LIST

Bank Select MSB=33

Program Change No. 1 ~ 128 Bank0= Preset~ 128 Bank1= Preset~ 128 Bank2= Custom 1~6 Bank3= Internal 1 ~ 64
* For more information on Preset 1 and Preset 2 Voices refer to page 1 8.

VL-XG VOICE LIST

Bank Select MSB=81, 97

Instrument Group

Organ Guitar

111 115

Bank 112
Squeeze MouthKey Spanish JazzGtr! L7 Pluck Upright Fnground FlageoBs Fretles! New Slap AcidBas! PulsClav NuViolin BrtViola Cello! Contrair Trumpet! Trmbone! Tuba! MuteTp! Horn! SoprSax! AltoSax! TenrSax! BariSax! Oboe! EngHorn! Bassoon! Clarint! Piccolo! C Flute Recordr! Pan Pipe YamaBotl Shakuha! BowedSaw Ocarina! 50 / 50 Brassyn Maysbe? Grunge MizuHorn SoftReed Chamlion Sitar! Chanter JetLpBow YamSteel

Bank 113

<--AmpdHarp <--Carlos WetPluck <--Birdland DampBass Frtles!2 ThumBass SqrBass! MogueBas Viol Inn C ViolOutt Eleanor DoublBow Trumpt!2 Melwbone <--MuteTp!2 Horn!2 CvopSax SweetAlt MildTenr VoxoSaxo Oboe!2 Loboe Flurinet LitePipe Piccol!2 C Flute2 Claricrd PanPicol Bamboo <--<--<--ChalPuls AcoSynLd Air Sax Ossyncro Floboe BrethBow Old Mini India ThaiReed <--<---

Bank 114

<--CromHarp <--Destiny <--<--<--<--<--<--<--<--Violin <--Nu Cello <--FluglHr! <--<--<--<--SoprPipe LiteAlto Jazz Sax <--DblReedy <--<--HyperCla BowPicol JazFlute SoftPipe <--Andean <--<--<--PluckLd VintgLd Baroquen Talk Box <--<--<--<--<--<--<---

Bank 115

<--<--<--<--<---<--<--<--<--<--<--<--BrtVioln <--<--<--Cornet <--<---<--<--LiteSopr HarpAlto TenorSub <--TripleRd <--<--BassCla! <--OakFlute <--<--BtlFlute <---<---<---<--<--LipClari <--<--<--<--<--<--<---<----

Bank 116

<--<--<--<--<--<--<--<--<--<--<--<--MuteViol <--<--<--<--<--<--<--<--<--HarpAlt2 BellMike <--<--<--<--<--<--<--<--<--BtlFlut2 <--<--<--<--<--<--<--<--<--<--<--<--<--<---

Bank 117

<--<--<--<--<--<--<--<--<--<--<--<--<--<--<--<--<--<--<--<--<--<--GlassAlt GlasTenr <--<--<--<--<--<--<--<--<--<--<--<--<--<--<--<--<--<--<--<--<--<--<--<---

Bank 118

<--<--<--<--<--<--<--<--<--<--<--<--<--<--<--<--<--<--<--<--<--<--<--FnkyTenr <--<--<--<--<--<--<--<--<--<--<--<--<--<--<--<--<--<--<--<--<--<--<--<---

Bank 119

<--<--<--<--<--<--<--<--<--<--<--<--<--<--<--<--<--<--<--<--<--<--<--OldTenor <--<--<--<--<--<--<--<--<--<--<--<--<--<--<--<--<--<--<--<--<--<--<--<---

Strings

Synth Lead

Ethnic

Percussive
* < indicates the content is the same as that of Bank 112.

4-40 52-76 28-58 52-76 1-127 14-54 52-76 10-120

table#3 table#3

table#3
CHORUS1, CHORUS2, CHORUS3, CELESTE1, CELESTE2, CELESTE3
LFO Frequency LFO PM Depth Feedback Level Delay Offset EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet EQ Mid Frequency EQ Mid Gain EQ Mid Width LFO AM Depth

TREMOLO

LFO Frequency AM Depth PM Depth
0.00~39.7Hz 0~63 -63~+63 0~127 32Hz~2.0kHz -12~+12dB 500Hz~16.0kHz -12~+12dB D63>W ~ D=W ~ D<W63 100Hz~10.0kHz -12~+12dB 1.0~12.0 0~127
0-127 0-63 1-127 0-127 4-40 52-76 28-58 52-76 1-127 14-54 52-76 10-120 0-127

table#1

0.00~39.7Hz 0~127 0~127

0-127 0-127 0-127

table#2 table#3 table#3 q table#3
EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain EQ Mid Frequency EQ Mid Gain EQ Mid Width LFO Phase Difference
32Hz~2.0kHz -12~+12dB 500Hz~16.0kHz -12~+12dB 100Hz~10.0kHz -12~+12dB 1.0~12.0 -180~+180deg
4-40 52-76 28-58 52-76 14-54 52-76 10-120 4-124

FLANGER1, FLANGER2

LFO Frequency LFO Depth Feedback Level Delay Offset EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet EQ Mid Frequency EQ Mid Gain EQ Mid Width LFO Phase Difference

AUTO PAN

0-127 0-127 1-127 0-63 4-40 52-76 28-58 52-76 1-127 14-54 52-76 10-120 4-124 table#3 q table#3
0.00~39.7Hz 0~127 -63~+63 0~63 32Hz~2.0kHz -12~+12dB 500Hz~16.0kHz -12~+12dB D63>W ~ D=W ~ D<W63 100Hz~10.0kHz -12~+12dB 1.0~12.0 -180~+180deg
LFO Frequency L/R Depth F/R Depth PAN Direction EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain EQ Mid Frequency EQ Mid Gain EQ Mid Width

table#2 table#3

0~127 0-127 L<->R,L->R,L<-R,Lturn,Rturn,L/R 0-5 32Hz~2.0kHz -12~+12dB 500Hz~16.0kHz -12~+12dB 100Hz~10.0kHz -12~+12dB 1.0~12.0 4-40 52-76 28-58 52-76 14-54 52-76 10-120 table#3 table#3

SYMPHONIC

LFO Frequency LFO Depth Delay Offset

PHASER

table#1 table#2
9 LFO Frequency LFO Depth Phase Shift Offset Feedback Level EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet Stage Diffusion

<Bank Select MSB/LSB> 00H/20H
Cntrl# parameter Data Range 0 Bank Select MSB 33:Preset1/Preset2/Custom/ Internal 81: VL-XG non alternative voice. 97: VL-XG alternative voice. 32 Bank Select LSB 0 :Preset:Preset:Custom 3 :Internal 112.119: VL-XG Alternative or non alternative variation. If the Part Parameter Rcv BANK SELECT = OFF, that Part will not receive Bank Select Messages. A new bank selection will not become effective until the next Program Change is received.
If the Part Parameter Rcv PAN = OFF, that Part will not receive Pan Pot Messages. 0=Left, 127=Right.

<Expression> 0BH

Cntrl# parameter 11 Expression Data Range 0.127
If the Part Parameter Rcv EXPRESSION = OFF, that Part will not receive Expression Messages.
<Control Change 13> 0DH
Cntrl# parameter Data Range 13 Control Change 13 0.127

<Hold1> 40H

Cntrl# parameter 64 Hold1 Data Range 0.127 (0-63:Off, 64-127:On)

<Modulation> 01H

Cntrl# parameter 1 Modulation Data Range 0.127
If the Part Parameter Rcv HOLD 1 = OFF, that Part will not receive Hold 1 Messages.

<Portamento> 41H

Cntrl# parameter 65 Portamento Data Range 0.127 (0-63:Off, 64-127:On)
If the Part Parameter Rcv MODULATION = OFF, that Part will not receive Modulation Messages.
<Breath Controller> 02H
Cntrl# parameter 2 Breath Controller Data Range 0.127
<Foot Controller> 04H
Cntrl# parameter 4 Foot Controller Data Range 0.127
If the Part Parameter Rcv PORTAMENTO = OFF, that Part will not receive Portamento Messages. If the Portamento parameter = ON, values will adjust the speed of the portamento. If the Mono mode is activated and Portamento = ON, the Single Trigger Mode will be activated. If not, the Multi-Trigger Mode will be effective.

<Soft Pedal> 43H

Cntrl# parameter 67 Soft Pedal Data Range 0.127 (0-63:Off, 64-127:On) Messages adjust the send level for the Variation effect If the parameter Variation Connection = System, this message sets the send level for the Variation effect.
If the Part Parameter Rcv SOFT PEDAL = OFF, that Part will not receive Soft Pedal Messages. When the SOFT PEDAL is set ON the effect will take place from the next Key On signal.Messages will control the Filter Cutoff Frequency. Depending upon the Voice, the effect may or may not have an effect.
<Data Increment / Decrement> 60H/61H

Cntrl# parameter 96 Increment 97 Decrement Data Range 0.127 0.127
<Harmonic Content> 47H
Cntrl# parameter Data Range 71 Harmonic Content 0.127 (0:-64, 64:+0, 127:+63) Messages which adjust the resonance set for each Based on a standard of 64, these values will be added to or subtracted from the Voice data. Depending on the Voice, the effective range may be narrower.
The data byte is ignored. RPN messages which increase or decrease the MSB value of the parameter by 1.
<NRPN (Non-Registered Parameter Number) LSB/MSB> 62H/63H
Cntrl# parameter 98 NRPN LSB 99 NRPN MSB Data Range 0.127 0.127

<Release Time> 48H

Cntrl# parameter 72 Release Time Data Range 0.127 (0:-64, 64:+0, 127:+63)
Messages which adjust the envelope release time. Based on a standard of 64, values will be added to or subtracted from the Voice data. Depending on the Voice, the effective range may be narrower.
If the Part Parameter Rcv NRPN = OFF, that Part will not receive NRPN Messages. First send the NRPN MSB and NRPN LSB to specify the parameter which is to be controlled. Then use the Data Entry to set the value of the specified parameter. The following NRPN numbers can be received. NRPN Data-entry MSB LSB MSB parameter 01H 08H mmH Vibrato Rate

<Attack Time> 49H

Cntrl# parameter 73 Attack Time Data Range 0.127 (0:-64, 64:+0, 127:+63)
Messages which adjust the envelope attack time. Based on a standard of 64, values will be added to or subtracted from the Voice data. Depending on the Voice, the effective range may be narrower.
Data Range mm:00H-40H-7FH (-64-0-+63) 01H 09H mmH Vibrato Depth mm:00H-40H-7FH (-64-0-+63) 01H 0AH mmH Vibrato Delay mm:00H-40H-7FH (-64-0-+63) The Rate, Depth, and Delay Time for the Vibrato is controlled. mm:00H-40H-7FH (-64-0-+63) 01H 21H mmH Filter Resonance mm:00H-40H-7FH (-64-0-+63) 01H 22H mmH Filter EG Depth mm:00H-40H-7FH (-64-0-+63) The Cut-off, Frequency, Resonance, and Envelope Depth for the Filter is controlled. 01H 30H mmH Bass 01H 31H mmH Treble The Bass and Treble are controlled. 01H 63H mmH EG Attack Time 01H 64H mmH EG Decay Time 01H 66H mmH EG Release mm:00H-40H-7FH (-64-0-+63) mm:00H-40H-7FH (-64-0-+63) mm:00H-40H-7FH (-64-0-+63) mm:00H-40H-7FH (-64-0-+63) mm:00H-40H-7FH (-64-0-+63) 01H 20H mmH Filter Cutoff Frequency

MASTER VOLUME reserve TRANSPOSE DUMP INTERVAL reserve MIDI Tx CHANNEL VOICE Rcv CHANNEL BREATH CONTROL NUMBER BREATH CONTROL CURVE WX LIP LOCK BREATH SET LOCK WX LIP BREATH MODE VELOCITY DEPTH VELOCITY OFFSET TOUCH EG TIME AT LOW DEPTH AT LOW OFFSET AT HIGH DEPTH AT HIGH OFFSET
7F 40 02:150msec (01 when Initial) 2A 1B 65
* In the VL70-m Native Format, parameters 00 to 17 (a total size of 18) are fully supported. * In the VL-XG Format, parameters 00 to 06 (a total size of 07) are fully supported.

<Table 4>

System Information
Data (H) Parameter MODEL NAME XG LEVEL TONE GENERATOR TYPE Description 32 - 127 (ASCII) NON BASIC VL Default value(H) VL70-m _ _ _ _ _ _ _ _ 7E 02
Address Size (H) (H) 00 E 0E 1 0F 1 TOTAL SIZE 10

<Table 5>

Display Data
Data (H) 20 - 7F 00 - 7F Parameter DISPLAY LETTER DISPLAY BITMAP Description 32 - 127 (ASCII) 0 - 127 Default value(H)
Address Size (H) (H) TOTAL SIZE 30 TOTAL SIZE 30
<Table 6> Current Voice / Common Misc Parameter
Data (H) 20 - 7F 20 - 7F 20 - 7F 20 - 7F 20 - 7F 20 - 7F 20 - 7F 20 - 7F Parameter Description 32 - 127 (ASCII) 32 - 127 (ASCII) 32 - 127 (ASCII) 32 - 127 (ASCII) 32 - 127 (ASCII) 32 - 127 (ASCII) 32 - 127 (ASCII) 32 - 127 (ASCII) 0 - 127 BOTTOM, TOP, LAST off.32>32 FULLTIME, FINGERED Default value(H) Address Size (H) (H) 0A 1 0B 2 0D 1 0E 1 TOTAL SIZE 0F
VOICE NAME #1 VOICE NAME #2 VOICE NAME #3 VOICE NAME #4 VOICE NAME #5 VOICE NAME #6 VOICE NAME #7 VOICE NAME #8 reserve 00 - 7F VOICE LEVEL 00 - 02 ASSIGN MODE 0000 - 1F1F POLY EXPAND 00 - 01 PORTAMENTO MODE reserve

<Table 7>

Current Voice / Common Part Parameter
Data (H) 00 - 7F 00 - 7F 00 - 7F 00 - 0F, 7F 00 - - - - FF 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 28 - - 7F 00 - 7F 00 - 7F 00 - 7F 28 - - 7F 00 - 7F 00 - 7F 00 - 7F Parameter reserve BANK SELECT MSB BANK SELECT LSB PROGRAM NUMBER Rcv CHANNEL MONO/POLY MODE reserve PART MODE NOTE SHIFT DETUNE Description Default value(H) 7F 7F 0A 00 00
Address Size (H) (H) 08 0p 0B 1 0C 1 0D 1 0E 1 0F 1 1A 1 1B 1 1C 1 1D 1 1E 1 1F 1 TOTAL SIZE 29
0 - - - 128 ch1 - ch16, OFF 0:MONO, 1:POLY

Address Size (H) (H) 09 0p 0A 1 0B 1 0C 1 0D 1 0E 1 0F 1 TOTAL SIZE 17
Data (H) 00 - - 0F, 7F 00 - - 7F 00 - - 7F 00 - - 7F 00 - - 7F 00 - - 7F 00 - - 7F 00 - - 7F 00 - - 7F 00 - - 7F 00 - - 7F

Parameter

Description
NOTE ASSIGN OFF/ON reserve NOTE FILTER ch1 - ch16, THRU PRESSURE CONTROL NO. off - 95, AT, VELOCITY, PB DEPTH -64 - +63 EMBOUCHURE CONTROL NO. off - 95, AT, VELOCITY, PB DEPTH -64 - +63 TONGUING CONTROL NO. off - 95, AT, VELOCITY, PB DEPTH -64 - +63 SCREAM CONTROL NO. off - 95, AT, VELOCITY, PB DEPTH -64 - +63 BREATH NOISE CONTROL NO. off - 95, AT, VELOCITY, PB DEPTH -64 - +63 GROWL CONTROL NO. off - 95, AT, VELOCITY, PB DEPTH -64 - +63 THROAT FORMANT CONTROL NO. off - 95, AT, VELOCITY, PB DEPTH -64 - +63 HARMONIC ENHANCER CONTROL NO. off - 95, AT, VELOCITY, PB DEPTH -64 - +63 DAMPING CONTROL NO. off - 95, AT, VELOCITY, PB DEPTH -64 - +63 ABSORPTION CONTROL NO. off - 95, AT, VELOCITY, PB DEPTH -64 - +63
Default value(H) 01 7F 00 40
* p = Part Number * The above parameters are supported in the VL-XG Format.
Address Size (H) (H) 1A 1 1B 1 1C 1 TOTAL SIZE 06
Data (H) 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - - 7F
Parameter AMP LEVEL SCALE BREAK POINT DEPTH FILTER CUTOFF SCALE BREAK POINT DEPTH BANK POINTER PROGRAM POINTER
Description C-2 - G8 -64 - +63 C-2 - G8 -64 - +63 PRESET1, PRESET2, CUSTOM 1 - 128
Default value(H) 3C 40 3C 00
* The parameters that are supported in the VL-XG Format plus the parameters listed above are supported in the VL70-m Native Format.
<Table 8> Current Voice / Common Effect Parameter
Data (H) 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 01 - 7F Data (H) 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F Data (H) 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 01 - 7F 00 - 7F Data (H) 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F Parameter REVERB TYPE MSB REVERB TYPE LSB REVERB PARAMETER 1 REVERB PARAMETER 2 REVERB PARAMETER 3 REVERB PARAMETER 4 REVERB PARAMETER 5 REVERB PARAMETER 6 REVERB PARAMETER 7 REVERB PARAMETER 8 REVERB PARAMETER 9 REVERB PARAMETER 10 REVERB RETURN REVERB PAN Parameter REVERB PARAMETER 11 REVERB PARAMETER 12 REVERB PARAMETER 13 REVERB PARAMETER 14 REVERB PARAMETER 15 REVERB PARAMETER 16 Parameter CHORUS TYPE MSB CHORUS TYPE LSB CHORUS PARAMETER 1 CHORUS PARAMETER 2 CHORUS PARAMETER 3 CHORUS PARAMETER 4 CHORUS PARAMETER 5 CHORUS PARAMETER 6 CHORUS PARAMETER 7 CHORUS PARAMETER 8 CHORUS PARAMETER 9 CHORUS PARAMETER 10 CHORUS RETURN CHORUS PAN SEND CHORUS TO REVERB Parameter CHORUS PARAMETER 11 CHORUS PARAMETER 12 CHORUS PARAMETER 13 CHORUS PARAMETER 14 CHORUS PARAMETER 15 CHORUS PARAMETER 16 Description See EFFECT MAP 00 : basic type See EFFECT PARAMETER LIST See EFFECT PARAMETER LIST See EFFECT PARAMETER LIST See EFFECT PARAMETER LIST See EFFECT PARAMETER LIST See EFFECT PARAMETER LIST See EFFECT PARAMETER LIST See EFFECT PARAMETER LIST See EFFECT PARAMETER LIST See EFFECT PARAMETER LIST -dB.0dB.+6dB (0.64.127) L63.C.R63 (1.64.127) Description See EFFECT PARAMETER LIST See EFFECT PARAMETER LIST See EFFECT PARAMETER LIST See EFFECT PARAMETER LIST See EFFECT PARAMETER LIST See EFFECT PARAMETER LIST Description See EFFECT MAP 00 : basic type See EFFECT PARAMETER LIST See EFFECT PARAMETER LIST See EFFECT PARAMETER LIST See EFFECT PARAMETER LIST See EFFECT PARAMETER LIST See EFFECT PARAMETER LIST See EFFECT PARAMETER LIST See EFFECT PARAMETER LIST See EFFECT PARAMETER LIST See EFFECT PARAMETER LIST -dB.0dB.+6dB (0.64.127) L63.C.R63 (1.64.127) -dB.0dB.+6dB (0.64.127) Description See EFFECT PARAMETER LIST See EFFECT PARAMETER LIST See EFFECT PARAMETER LIST See EFFECT PARAMETER LIST See EFFECT PARAMETER LIST See EFFECT PARAMETER LIST Default value(H) 01(=HALL1) 00 depends on reverb type depends on reverb type depends on reverb type depends on reverb type depends on reverb type depends on reverb type depends on reverb type depends on reverb type depends on reverb type depends on reverb type Default value(H) depends on reverb type depends on reverb type depends on reverb type depends on reverb type depends on reverb type depends on reverb type Default value(H) 41(=CHORUS1) 00 depends on chorus type depends on chorus type depends on chorus type depends on chorus type depends on chorus type depends on chorus type depends on chorus type depends on chorus type depends on chorus type depends on chorus type 00 Default value(H) depends on chorus type depends on chorus type depends on chorus type depends on chorus type depends on chorus type depends on chorus type Address Size (H) (H) 0A 1 0B 1 0C 1 0D 1 TOTAL SIZE 0E Address Size (H) (H) TOTAL SIZE 06 Address Size (H) (H) 2A 1 2B 1 2C 1 2D 1 2E 1 TOTAL SIZE 0F Address Size (H) (H) TOTAL SIZE 06

ELEMENT NAME #- 127 (ASCII) ELEMENT NAME #- 127 (ASCII) ELEMENT NAME #- 127 (ASCII) ELEMENT NAME #- 127 (ASCII) ELEMENT NAME #- 127 (ASCII) ELEMENT NAME #- 127 (ASCII) ELEMENT NAME #- 127 (ASCII) EXPRESSION MODE BC, VOLUME PRESSURE CONTROL NO. off - 95, AT, VELOCITY, PB DEPTH -127 - +127 CURVE -16 - +16 FILTER CONTROL NO. off - 95, AT, VELOCITY, PB DEPTH -127 - +127 CURVE -16 - +16 AMPLITUDE CONTROL NO. off - 95, AT, VELOCITY, PB DEPTH -127 - +127 CURVE -16 - +16 EMBOUCHURE CONTROL NO. off - 95, AT, VELOCITY, PB UPPER DEPTH -127 - +127 LOWER DEPTH -127 - +127 MODE CENTER BASE, MINIMUM BASE TONGUING CONTROL NO. off - 95, AT, VELOCITY, PB DEPTH -127 - +127 CURVE -16 - +16 SCREAM CONTROL NO. off - 95, AT, VELOCITY, PB DEPTH -127 - +127 CURVE -16 - +16 BREATH NOISE CONTROL NO. off - 95, AT, VELOCITY, PB DEPTH -127 - +127 CURVE -16 - +16 GROWL CONTROL NO. off - 95, AT, VELOCITY, PB DEPTH -127 - +127 CURVE -16 - +16 THROAT FORMANT CONTROL NO. off - 95, AT, VELOCITY, PB DEPTH -127 - +127 CURVE -16 - +16 HARMONIC ENHANCER CONTROL NO. off - 95, AT, VELOCITY, PB DEPTH -127 - +127 CURVE -16 - +16 DAMPING CONTROL NO. off - 95, AT, VELOCITY, PB DEPTH -127 - +127 CURVE -16 - +16 ABSORPTION CONTROL NO. off - 95, AT, VELOCITY, PB DEPTH -127 - +127 CURVE -16 - +16 reserve reserve reserve
<Table 10> Custom Voice Parameter
Address Size (H) (H) 0n 1 Data (H) 20 - 7F 20 - 7F 20 - 7F 20 - 7F 20 - 7F 20 - 7F 20 - 7F 20 - 7F Parameter Description 32 - 127 (ASCII) 32 - 127 (ASCII) 32 - 127 (ASCII) 32 - 127 (ASCII) 32 - 127 (ASCII) 32 - 127 (ASCII) 32 - 127 (ASCII) 32 - 127 (ASCII) 0 - 127 BOTTOM, TOP, LAST off.32>32 FULLTIME, FINGERED 0:MONO, 1:POLY -24 - +24[semitones] -12.8 - +12.7[Hz], 1st bit3-0bit7-4, 2nd bit3-0bit3-- - 127 RANDOM (0), L63.C.R63 (1.64.127) 0 - - - - 127 -24 - +24[semitones] -9600 - +9450[cent] -100 - +100[%] 0 - - 127 -24 - +24[semitones] -9600 - +9450[cent] -100 - +100[%] 0 - - 127 -64 - +63[cent] -64 - +63[cent] -64 - +63[cent] -64 - +63[cent] -64 - +63[cent] -64 - +63[cent] -64 - +63[cent] -64 - +63[cent] -64 - +63[cent] -64 - +63[cent] -64 - +63[cent] -64 - +63[cent] -24 - +24[semitones] -9600 - +9450[cent] -100 - +100[%] 0 - - 127 off - 95 -24 - +24[semitones] -9600 - +9450[cent] -100 - +100[%] 0 - - 127 OFF/ON 0 - 127 -24 - +24[semitones] Default value(H)
VOICE NAME #1 VOICE NAME #2 VOICE NAME #3 VOICE NAME #4 VOICE NAME #5 VOICE NAME #6 VOICE NAME #7 VOICE NAME #8 reserve 00 - 7F VOICE LEVEL 00 - 02 ASSIGN MODE 0000 - 1F1F POLY EXPAND 00 - 01 PORTAMENTO MODE reserve 00 - 01 MONO/POLY MODE 28 - 58 NOTE SHIFT 00 - FF DETUNE reserve 00 - 7F VELOCITY SENSE DEPTH 00 - 7F VELOCITY SENSE OFFSET 00 - 7F PAN reserve reserve 00 - 7F DRY LEVEL 00 - 7F CHORUS SEND 00 - 7F REVERB SEND 00 - 7F VARIATION SEND 28 - 58 MW PITCH CONTROL 00 - 7F MW FILTER CONTROL 00 - 7F MW AMPLITUDE CONTROL 00 - 7F MW LFO PMOD DEPTH 00 - 7F MW LFO FMOD DEPTH 28 - 58 BEND PITCH CONTROL 00 - 7F BEND FILTER CONTROL 00 - 7F BEND AMPLITUDE CONTROL 00 - 7F BEND LFO PMOD DEPTH 00 - 7F BEND LFO FMOD DEPTH 00 - 7F SCALE TUNING C 00 - 7F SCALE TUNING C# 00 - 7F SCALE TUNING D 00 - 7F SCALE TUNING D# 00 - 7F SCALE TUNING E 00 - 7F SCALE TUNING F 00 - 7F SCALE TUNING F# 00 - 7F SCALE TUNING G 00 - 7F SCALE TUNING G# 00 - 7F SCALE TUNING A 00 - 7F SCALE TUNING A# 00 - 7F SCALE TUNING B 28 - 58 AT PITCH CONTROL 00 - 7F AT FILTER CONTROL 00 - 7F AT AMPLITUDE CONTROL 00 - 7F AT LFO PMOD DEPTH 00 - 7F AT LFO FMOD DEPTH 00 - 5F AC1 CONTROLLER NUMBER 28 - 58 AC1 PITCH CONTROL 00 - 7F AC1 FILTER CONTROL 00 - 7F AC1 AMPLITUDE CONTROL 00 - 7F AC1 LFO PMOD DEPTH 00 - 7F AC1 LFO FMOD DEPTH 00 - 01 PORTAMENTO SWITCH 00 - 7F PORTAMENTO TIME 28 - 58 BEND PITCH LOW CONTROL

- 00 - 0101 - 007F - 00 - 0101 - 007F - 00 - 0101 - 007F - 00 - 0101 - 007F - 00 - 0101 - 007F - 10 52E TOTAL SIZE 56B n = Voice Number(0 - 5) CURVE -16 - +16 GROWL CONTROL NO. off - 95, AT, VELOCITY, PB DEPTH -127 - +127 CURVE -16 - +16 THROAT FORMANT CONTROL NO. off - 95, AT, VELOCITY, PB DEPTH -127 - +127 CURVE -16 - +16 HARMONIC ENHANCER CONTROL NO. off - 95, AT, VELOCITY, PB DEPTH -127 - +127 CURVE -16 - +16 DAMPING CONTROL NO. off - 95, AT, VELOCITY, PB DEPTH -127 - +127 CURVE -16 - +16 ABSORPTION CONTROL NO. off - 95, AT, VELOCITY, PB DEPTH -127 - +127 CURVE -16 - +16 reserve
<Table 11> Internal Voice Parameter
Address Size (H) (H) nn 1 Data (H) 20 - 7F 20 - 7F 20 - 7F 20 - 7F 20 - 7F 20 - 7F 20 - 7F 20 - 7F 00 - 7F 00 - - 1F1F 00 - - - - FF 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 28 - - 7F 00 - 7F 00 - 7F 00 - 5F 00 - 7F 00 - 7F 00 - 7F Parameter VOICE NAME #1 VOICE NAME #2 VOICE NAME #3 VOICE NAME #4 VOICE NAME #5 VOICE NAME #6 VOICE NAME #7 VOICE NAME #8 VOICE LEVEL ASSIGN MODE POLY EXPAND PORTAMENTO MODE MONO/POLY MODE NOTE SHIFT DETUNE VOLUME VELOCITY SENSE DEPTH VELOCITY SENSE OFFSET PAN NOTE LIMIT LOW NOTE LIMIT HIGH DRY LEVEL CHORUS SEND REVERB SEND VARIATION SEND VIBRATO RATE VIBRATO DEPTH VIBRATO DELAY FILTER CUTOFF FREQUENCY FILTER RESONANCE EG ATTACK TIME EG DECAY TIME EG RELEASE TIME MW LFO PMOD DEPTH MW LFO FMOD DEPTH BEND PITCH CONTROL BEND LFO PMOD DEPTH AT FILTER CONTROL AT LFO PMOD DEPTH AC1 CONTROLLER NUMBER AC1 FILTER CONTROL AC1 AMPLITUDE CONTROL AC1 LFO PMOD DEPTH Description Default value(H)
32 - 127 (ASCII) 32 - 127 (ASCII) 32 - 127 (ASCII) 32 - 127 (ASCII) 32 - 127 (ASCII) 32 - 127 (ASCII) 32 - 127 (ASCII) 32 - 127 (ASCII) 0 - 127 BOTTOM, TOP, LAST off.32>32 FULLTIME, FINGERED 0:MONO, 1:POLY -24 - +24[semitones] -12.8 - +12.7[Hz], 1st bit3-0bit7-4, 2nd bit3-0bit3-- - - 127 RANDOM (0), L63.C.R63 (1.64.127) C-2 - G8 C-2 - G- - - - 127 -64 - +63 -64 - +63 -64 - +63 -64 - +63 -64 - +63 -64 - +63 -64 - +63 -64 - +- - 127 -24 - +24[semitones] 0 - 127 -9600 - +9450[cent] 0 - 127 off - 95 -9600 - +9450[cent] -100 - +100[%] 0 - 127

1 TOTAL SIZE A- - 007F 70 - - - 007F 70 - - - 007F 70 - - - 007F 0101 - 007F 00 - - - 007F 70 - - - 007F 70 - - - 007F 70 - - - 007F 70 - - - 007F 70 - - - 007F 70 - - - 007F 70 - - - 007F 70 - 10 PRESSURE CONTROL NO. off - 95, AT, VELOCITY, PB DEPTH -127 - +127 CURVE -16 - +16 FILTER CONTROL NO. off - 95, AT, VELOCITY, PB DEPTH -127 - +127 CURVE -16 - +16 AMPLITUDE CONTROL NO. off - 95, AT, VELOCITY, PB DEPTH -127 - +127 CURVE -16 - +16 EMBOUCHURE CONTROL NO. off - 95, AT, VELOCITY, PB UPPER DEPTH -127 - +127 LOWER DEPTH -127 - +127 MODE CENTER BASE, MINIMUM BASE TONGUING CONTROL NO. off - 95, AT, VELOCITY, PB DEPTH -127 - +127 CURVE -16 - +16 SCREAM CONTROL NO. off - 95, AT, VELOCITY, PB DEPTH -127 - +127 CURVE -16 - +16 BREATH NOISE CONTROL NO. off - 95, AT, VELOCITY, PB DEPTH -127 - +127 CURVE -16 - +16 GROWL CONTROL NO. off - 95, AT, VELOCITY, PB DEPTH -127 - +127 CURVE -16 - +16 THROAT FORMANT CONTROL NO. off - 95, AT, VELOCITY, PB DEPTH -127 - +127 CURVE -16 - +16 HARMONIC ENHANCER CONTROL NO. off - 95, AT, VELOCITY, PB DEPTH -127 - +127 CURVE -16 - +16 DAMPING CONTROL NO. off - 95, AT, VELOCITY, PB DEPTH -127 - +127 CURVE -16 - +16 ABSORPTION CONTROL NO. off - 95, AT, VELOCITY, PB DEPTH -127 - +127 CURVE -16 - +16
nn = Voice Number (00 - 3F)
<Table 12> Remote SW
Address Size (H) (H) 0A 1 0A 1 0B 1 0C 1 0D 1 0E 1 Data (H) 00 - - - - - - - - - - - - - - - 01 Parameter PLAY UTIL MODE EDIT EFFECT BREATH MIDI/WX ENTER EXIT PART SELECT VALUE PART + SELECT + VALUE + Description OFF/ON OFF/ON OFF/ON OFF/ON OFF/ON OFF/ON OFF/ON OFF/ON OFF/ON OFF/ON OFF/ON OFF/ON OFF/ON OFF/ON OFF/ON

YAMAHA

[ Virtual Acoustic Tone Generator ] Date:25-APR-1996 Model VL70-m MIDI Implementation Chart Version : 1.0 +----------------------------------------------------------------------+ | | Transmitted | Recognized | Remarks | | Function. | | | | |-------------------+----------------+----------------+----------------| |Basic Default | 1 - 16 | 1 - 16 | memorized | |Channel Changed | 1 - 16 | 1 - 16 | | |-------------------+----------------+----------------+----------------| | Default | 3 | 1 - 4 | | |Mode Messages | x | 3,4(m=0-16) *1 | | | Altered | ************** | x | | |-------------------+----------------+----------------+----------------| |Note | x | 0 - 127 | | |Number : True voice| ************** | 0 - 127 | | |-------------------+----------------+----------------+----------------| |Velocity Note ON | x | o v=1-127 | | | Note OFF | x | x | | |-------------------+----------------+----------------+----------------| |After Key's | x | x | | |Touch Ch's | x | o *2 | | |-------------------+----------------+----------------+----------------| |Pitch Bender | x | o 0-24 semi *2 | | |-------------------+----------------+----------------+----------------| | 0,32 | x | o *2 |Bank Select | | 1,4,5,7,10,13 | x | o *2 | | | 2,11 | o | o *2 | | | 6,38 | x | o *2 |Data Entry | | Control 64,65,67 | x | o *2 | | | 71-74 | x | o *2 |Sound Controller| | Change 91,93,94 | x | o *2 |Effect Depth | | 96,97 | x | o *2 |RPN Inc,Dec | | 98,99 | x | o *2 |NRPN LSB,MSB | | 100,101 | x | o *2 |RPN LSB,MSB | | 120 | x | o |All Sound Off | | 121 | x | o |Reset All Cntrls|

 

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