Part Number: 5TJ-2510C-80-00
Here you can find all about Yamaha C-80, for example preamplifier and preamp. You can also write a review. [ Report abuse or wrong photo | Share your Yamaha C-80 photo ]
Yamaha C-80, size: 2.2 MB
Guitarra Ac stica Yamaha C 80
User reviews and opinions
|wersezde||11:44am on Thursday, April 8th, 2010|
|This product is an amazing master piece that Yamaha had produced in a micro system. The sound generation is hard to belive without listening to it.|
Comments posted on www.ps2netdrivers.net are solely the views and opinions of the people posting them and do not necessarily reflect the views or opinions of us.
Thank you for selecting this Yamaha NS-C80 speaker system. This model is designed mainly to be used as a center speaker system.
Natural Sound Center Speaker System
Read these precautions carefully before operating your speaker. When using an amplifier with a rated output power higher than the music input of the speaker, care should be taken never to exceed the speakers music input. Do not attempt to clean the speaker with chemical solvents as this might damage the finish. To clean, wipe with a dry, soft cloth. To prevent the enclosure from warping or discoloring, do not place the speaker where it will be exposed to direct sunlight or excessive humidity. Do not place the speaker where it is liable to be knocked over or struck by falling objects. Stable placement will also ensure better sound performance. Placing the speaker on the same shelf or rack as the turntable can result in feedback. Anytime you note distortion, reduce the volume control on your power amplifier/receiver to a lower setting. Never allow your power amplifier to be driven into clipping. Secure placing is the owners responsibility. YAMAHA shall not be liable to any accident caused by an improper placing of the speaker.
PLACING THE SPEAKER
Notes The speaker should be placed so that it is stabilized (with its wide surface down). Do not place the speaker on either end or with its narrow surface down. Though this speaker is a magnetic shielding type, there may be an influence on TV picture according to the type of TV or the placement of the speaker. In such a case, place the speaker apart from the TV so that there is no influence on TV picture.
CONNECTION TO YOUR AMPLIFIER
BEFORE MAKING CONNECTIONS, MAKE SURE THAT THE AMPLIFIER IS SWITCHED OFF. CONNECTIONS Connect the push-type input terminals at the rear of the speaker to the speaker output terminals of your amplifier with speaker cables. Make sure not to reverse the polarity (+, ). If connected with reversed polarity, the sound will be unnatural and lack bass. Procedures: 1 Press the tab on the terminal down, as shown in the figure. 2 Insert the bare wire end properly into the terminal hole. [Remove approx. 5 mm (1/4) insulation from the speaker cable.] 3 Remove your finger from the tab to allow it to lock snugly on the cables wire end. 4 Test the security of the connection by tugging lightly on the cable at the terminal. NS-C80
Type.Acoustic-suspension type Magnetic-shielding type (EIAJ) Speaker Unit.10 cm cone woofer (JA1065) x 2 2.5 cm balanced dome tweeter (JA05R4) x 1 Crossover..6 kHz (6 dB/oct) Input Terminal..Push-type Nominal Impedance...6 ohms Frequency Response.80 Hz 20 kHz Nominal Input Power..40W Music Input Power..80W Sensitivity...90 dB/w/m Dimensions (WxHxD).445 x 135 x 166 mm (17-1/2 x 5-5/16 x 6-9/16) Weight..3.3 kg (7 lbs. 4 oz.)
Center speaker output terminals of the amplifier
* Specifications subject to change without notice due to product improvements. * Care should be taken not to exceed the input power values noted above.
Note Do not let the bare speaker wires touch each other as this could damage the speaker and/or the amplifier.
VQ04130-0 BWWR, BB Printed in Japan
Digital Sound Field Processing
What is it that makes live music so good? Todays advanced sound reproduction technology lets you get extremely close to the sound of a live performance, but the chances are that youll still notice something missing the acoustic environment of the live concert hall. Extensive research into the exact nature of the sonic reflections that create the ambience of a large hall has made it possible for YAMAHA engineers to bring you this same sound to your listening room, so youll feel all the sound of a live concert. Furthermore, our technicians, armed with sophisticated measuring equipment, have even made it possible to capture the acoustics of a variety of actual concert halls, theaters, etc. from around the world, to allow you to accurately re-create any one of these live performance environments, all in your own home.
Dolby Pro Logic
Dolby Surround has been used in movie theaters since the midseventies. It has also been available in home entertainment systems since the late eighties and continues to be a popular format for home theater systems. It uses four discrete channels and five speakers to reproduce realistic and dynamic sound effects: two main channels (left and right), a center channel for dialog, and a rear channel for special sound effects. The rear channel reproduces sound within a narrow frequency range. Most video tapes and laser discs include Dolby Surround encoding, as do many TV and cable broadcasts. The Dolby Pro Logic decoder built into this unit employs a digital signal processing system that stabilizes each channel for even more accurate sound positioning than is available with standard analog processors.
Dolby Digital is the next level of the Dolby Surround sound system that was developed for 35 mm-film movies by employing low bit-rate audio coding. Dolby Digital is a digital surround sound system that provides completely independent multi-channel audio to you. Dolby Digital provides five full-range channels in what is sometimes referred to as a 3/2 configuration: three front channels (left, center and right), and two surround channels. A sixth bass-only effect channel is also provided for output of LFE (low frequency effect), or low bass effects that are independent of other channels. (This is called the LFE channel.) This channel is counted as 0.1, thus giving rise to the term 5.1 channels in total. Compared to Dolby Surround, which is referred to a 3/1 system (left front, center, right front and just one surround channel), Dolby Digital features two surround channels, called stereo or split surrounds, each offering the same full-range fidelity as the three front channels. By using the built-in Dolby Digital decoder, you can experience the dramatic realism and impact of Dolby Digital theater sound in your home. The wide dynamic range of sound reproduced by the five fullrange channels and precise sound orientation by digital sound processing provides listeners with excitement and realism that have never been experienced before. Dolby Digital forms 5.1 channels as already mentioned, but it can also form fewer channels, for example 2-channel stereo and monaural. You may be able to find some 2-channel stereo and/or monaural sources encoded with Dolby Digital in the market. Laser disc and DVD are home audio/video program sources that could benefit from Dolby Digital. In the near future, Dolby Digital will also be applied to DBS, CATV and HDTV. The ongoing release of Dolby Digital theatrical films now underway will provide an immediate source of Dolby Digital encoded video software.
Manufactured under license from Dolby Laboratories. Dolby, Pro Logic and the double-D symbol are trademarks of Dolby Laboratories.
DTS Digital Surround
DTS (Digital Theater Systems) was developed to replace analog soundtracks of movies with six discrete channels of digital soundtracks, and it is now installed in many theaters around the world. The DTS digital playback system changed the way we experienced movies in theaters with six discrete channels of superb digital audio. DTS technology, through intense research and development has made it possible to deliver similar encode/decode discrete technology to home audio surround-sound entertainment. DTS Digital Surround is an encode/decode system which delivers six channels of master-quality, 20-bit audio; technically, it is 5.1 channels, which means 5 full-range (left, center, right and two surround) channels, plus a subwoofer (LFE) channel (as 0.1). It is compatible with the 5.1 speaker configurations that are currently available for home theater systems. The DTS Digital Surround algorithm is designed to encode the six channels of 20-bit audio on to some laser discs, compact discs and DVDs with considerably less data compression. By using the DTS decoder built into this unit, you can experience the dramatic realism and impact of the DTSinstalled theaters high quality sound in your home. Laser disc, compact disc and DVD are home audio formats by which DTS can present its high-quality multi-channel audio. (In addition to movies on laser discs, many exciting new multichannel music recordings will also become available in the form of DTS-encoded compact discs.)
Manufactured under license from Digital Theater Systems, Inc. US Pat. No. 5,451,942 and other world-wide patents issued and pending. DTS, DTS Digital Surround, are trademarks of Digital Theater Systems, Inc. Copyright 1996 Digital Theater Systems, Inc. All Rights Reserved.
CINEMA DSP: Dolby Surround + DSP / DTS + DSP
The Dolby Surround sound and DTS systems show their full ability in a large movie theater, because movie sounds are originally designed to be reproduced in a large movie theater that uses a multitude of speakers. Trying to create a sound environment similar to that of a movie theater in your home is difficult because of the room size, material inside the walls, the number of speakers, and so on. In other words, your listening room is very different from a movie theater. However, YAMAHA DSP technology allows you to create nearly the same sound experience as that of a large movie theater in your home by compensating for the lack of presence and dynamics in the listening room with original digital sound fields combined with Dolby Surround or DTS Digital Surround sounds.
The YAMAHA CINEMA DSP logo indicates those programs that are created by the combination of YAMAHA DSP technology and Dolby Surround or DTS.
Dolby Pro Logic + 2 Digital Sound Fields
Set the SELECTOR DIAL to the AMP/TUN or DSP position on the remote control.
Set VOLUME to the position.
Select the main speakers to be used.
* If you use two main speaker systems, press both A and B.
Set BASS, TREBLE and BALANCE to the 0 position.
Turn up the volume.
Press TEST so that TEST LEFT appears on the display.
You will hear a test tone (like pink noise) from each speaker for about two seconds in following order: left main speaker, center speaker, right main speaker, right rear speaker and left rear speaker. The display changes as shown below.
* If the function CNTR in the SET MENU mode is set to the NONE position, you will hear the center channel test tone from the left and right main speakers.
Adjust BALANCE so that the sound output level of the left main speaker and the right main speaker is the same.
Adjust the sound output levels of the center speaker and the rear speakers so that they become almost the same as that of the main speakers. Press TIME/LEVEL once or more to select the speaker to be adjusted so that CENTER, R SUR. or L SUR. appears on the display.
Notes Once you have completed these adjustments, you can only adjust the overall sound level of your audio system by using VOLUME (or VOLUME ( ) on the remote control). If you use external power amplifiers, you may also use their volume controls to achieve the proper balance. If the function CNTR in the SET MENU mode is set to the NONE position, the sound output level of the center speaker cannot be adjusted in step 8. The center sound is automatically output from the left and right main speakers. If there is insufficient sound output from the center and rear speakers, you may decrease the main speaker output level by setting M.LVL to 10 dB.
* You cannot adjust the delay time while the test tone is sounding even if DELAY appears on the display after pressing TIME/LEVEL once or more. Adjust the level. * Pressing raises and lowers the level. * While adjusting, the test tone is heard from the selected speaker.
When the adjustment is finished, press TEST again to stop the test tone.
TO PLAY A SOURCE
When using the remote control Set the SELECTOR DIAL to the AMP/TUN position on the remote control. To operate the CD player, DVD/LD player, tape deck, MD recorder, or other components with this remote control, set the SELECTOR DIAL to the component to be used. (See SETUP CODES on page 50.)
Select the desired input source by using INPUT. (Turn on the monitor TV for video sources.)
The name of the selected input source will appear on the display.
To play a tape or an MD Press TAPE/MD MON / EXT. DECODER on the front panel or TAPE/MD on the remote control so that the TAPE/MD MON indicator lights up on the display.
AUTOMATIC TUNING MANUAL TUNING
Set the SELECTOR DIAL to the AMP/TUN position on the remote control and select TUNER as the input source.
Select the reception band (FM or AM) and confirm it on the display.
Press TUNING MODE so that the AUTO TUNING indicator lights up on the display.
Press TUNING MODE.
Check that the AUTO TUNING indicator goes off.
Tune in manually to the desired station.
To tune in to a higher frequency, press the UP side of TUNING once. To tune in to a lower frequency, press the DOWN side of TUNING once.
* To continue the tuning search, press and hold the button.
* If the station where the tuning search stops is not the desired one, press once more. * If the tuning search does not stop at the desired station (because the signal from the station is weak), take the manual tuning procedure.
Notes If you tune in manually to an FM station, it will be automatically received in monaural mode to increase the signal quality. When tuned in to a station, the frequency of the received station is shown on the display. If an RDS station that employs the PS data service is being received, the station name is also shown on the display.
MANUAL PRESET TUNING
This unit can store station frequencies to be selected by tuning. With this function, you can recall any desired station simply by selecting the preset station number with which it was stored. Up to 40 stations (8 stations x 5 groups) can be stored.
To store stations
Tune in to the desired station. (See page 28 for the tuning procedure.)
Select the preset station number with which you want to store the station before the MEMORY indicator goes off from the display.
Press A/B/C/D/E once or more to select the desired group (A to E) of preset stations and confirm it on the display.
The displayed station has been stored as A1.
Press MEMORY so that the MEMORY indicator flashes for about five seconds.
* In the same way, store other stations as A2, A3. A8. * You can store more stations as preset station numbers in other groups in the same way by selecting another group in step 2.
To recall a preset station
Select the group of preset stations.
Notes A new setting can be stored in place of the former one. For presets, the setting of the reception mode (stereo or monaural) is stored along with the station frequency. Memory back-up The memory back-up circuit prevents the stored data from being lost when this unit is set in the standby mode. If, however, the power plug is disconnected from the AC outlet or the power is cut due to temporary power failure for more than one week, the memory will be erased. If so, it can be re-stored by simply following the preset tuning procedure.
Select the preset station number.
AUTOMATIC PRESET TUNING (for RDS stations only)
You can also make use of the automatic preset tuning function for RDS stations only. This function enables the unit to perform automatic tuning and to sequentially store RDS stations with strong signals. Up to 40 stations can be stored automatically in the same way as that for manual preset tuning on page 29. Note that a new setting can be stored in place of the former one. * See pages 33 to 35 for details on RDS stations.
To tune in to higher frequencies, press the UP side of TUNING once. To tune in to lower frequencies, press the DOWN side of TUNING once.
Select the FM band.
* If TUNING is not pressed, automatic preset tuning soon begins automatically toward the higher frequencies. Automatic preset tuning begins from the frequency currently displayed. Received stations are sequentially stored as A1, A2. A8. * If more than 8 stations are received, they are stored as preset station numbers in other groups (B, C, D and E) in that order.
Press MEMORY and hold for about three seconds.
If you want to store the first station received by automatic preset tuning as a desired preset station number For example, if you want to store the first received station as C5, select C5 while A1, the MEMORY indicator and the AUTO TUNING indicator flash after pressing MEMORY in step 3. Then press TUNING. The first received station is stored as C5, and the next stations as sequentially C6, C7. If stations have all been stored up to E8, automatic preset tuning stops automatically.
When automatic preset tuning is completed
The display shows the frequency of the last preset station. Check the contents and the number of preset stations by following the procedure in the section To recall a preset station on page 30.
Notes You can manually replace a preset station with another FM or AM station by simply following the procedure in the section To store stations on page 29. An automatic preset tuning search will be performed through all RDS network frequencies until stations have been stored up to E8. Even if the number of received stations is not enough to be stored up to E8, the search is automatically ended after searching all frequencies. With this function, only RDS stations with sufficient signal strength are automatically stored. If the station you want to store is weak in signal strength, tune in to it manually in monaural sound and store it by following the procedure in the section To store stations on page 29. * There may be a case that this function cannot receive a station which could be received by the automatic tuning method. This is because this function receives a large volume of PI (Program Identification) data along with the station.
EXCHANGING PRESET STATIONS
You can exchange the assignment of two preset stations with each other as shown below.
FEATURES Creates the extremely wide sound field of a movie theater. It precisely reproduces the source sound in detail, giving both the video and the sound field incredible reality. Any kind of video source encoded with Dolby Digital or DTS (especially large-scale movie productions) is ideal for use with this program. )
This program is designed specifically to enhance monaural sources. Compared to a strictly mono setting, the sound image is wider and slightly forward of the speaker pair, lending an immediacy to the overall sound. This program is furnished with a tight sound field in which the sound will not spread excessively at the front, but the rear surround produces dynamic sound expansion.
For Hi-Fi Audio sources
No. 6 PROGRAM Hi-Fi DSP Program Input source : 2-ch PCM/Analog audio Output channel : 2 channels DSP :1  DISCO FEATURES
Simulates the acoustics of disco in the heart of a lively city. The sound is dense and highly concentrated. Ideally suited for rock music. You will experience a dynamic and lively sound field. Creates the expansive ambience of a large concert hall. Orchestra and opera music are suited to this program.
 ROCK CONCERT
 CONCERT HALL
PLAYING A SOURCE WITH THE DIGITAL SOUND FIELD PROCESSOR (DSP) EFFECT
Follow steps 1 to 7 shown in TO PLAY A SOURCE on pages 24 to 25. Select the desired DSP program that is suitable for the source.
TO CANCEL THE SOUND EFFECT
To cancel the sound effect and monitor only the main sound, press EFFECT or EFCT ON/OFF. Press EFFECT or EFCT ON/OFF once more to turn sound effect back on.
or or Press DSP. While the indicator is lit up for about three seconds, select a DSP program with the numeric buttons (1 to 8).
* If the SELECTOR DIAL is set to the DSP position, you can also select a DSP program directly with the numeric buttons (1 to 8).
The name of the selected program appears on the display.
If desired, adjust the delay time and the output level of each speaker. (See pages 40 and 41 for details.)
The following indicators on the display show you what sound processing is being undertaken.
Notes You can select a program for each of the input sources. Once you select a program, it is linked with the input source selected at that time. So, when you select the input source next time, the same program is automatically called up. When a monaural sound source is being played with DOLBY PRO LOGIC or DOLBY PRO LOGIC ENHANCED, no sound will be heard from the main speakers and the rear speakers. Sound can only be heard from the center speaker. However, if the NONE position is selected for CNTR in the SET MENU mode, the main speakers will output the sound of the center channel. When the source of signals input to the EXTERNAL DECODER INPUT terminals of this unit is selected, DSP cannot be used. If the sound effect is canceled when signals encoded with Dolby Digital or DTS are input to this unit, the signals of all channels are mixed and are output from the main speakers. If EFFECT or EFCT ON/OFF is pressed to turn the sound effects off when Dolby Digital or DTS is decoded, it may happen that the sound is output faintly or not output normally, depending on the source. In that case, press EFFECT or EFCT ON/OFF to turn on the sound effects. If you change the LD (or CD) being played back with DTS being decoded to another disc that is not encoded with DTS when the red dts indicator lights up, playing back the newly selected disc will result in no sound output. In this state, the red dts indicator flashes to show that this unit is locked in the DTS-decoding mode. To play back the disc normally, change the current DTSdecoding mode to another mode by INPUT MODE on the front panel or by INPUT on the remote control so that the red dts indicator goes off.
1 This lights up in orange when a DVD source encoded with DTS is played back and DTS is decoded. 2 This lights up in red when an LD source or a CD source encoded with DTS is played back and DTS is decoded. 3 This lights up when Dolby Digital is being decoded and the signals of the selected source encoded with Dolby Digital is not in 2-channel. 4 This lights up when the digital sound field processor is turned on. 5 This lights up when Dolby Surround is being decoded by Dolby Pro Logic.
ADJUSTING THE DELAY TIME AND SPEAKER OUTPUT LEVELS
When using the digital sound field processor with the Dolby Pro Logic decoder, the Dolby Digital decoder or the DTS decoder, you can adjust the delay time between the main sound and sound effect, and each speakers output level as you prefer.
Press + or to adjust the settings for the delay time or speaker output levels.
Press TIME/LEVEL once or more until the name of the item which you want to adjust appears on the display.
Repeat steps 1 and 2 to adjust the settings of any other item.
* After pressing TIME/LEVEL once on the remote control, you can also select the name of item by pressing. When pressed, the selection changes as follows:
DELAY CENTER R SUR. L SUR. SWFR
Delay time Center speaker output level Right rear speaker output level Left rear speaker output level Subwoofer output level
* Pressing on the remote control changes the selection in the reverse order. * Depending on the setting in the SET MENU mode, you may not be able to select all these items.
Adjusting the delay time
You can adjust the time difference between the beginning of the sound from the main speakers and the beginning of the sound effect from the rear speakers. The larger the value, the later the sound effect is generated. This adjustment can be individually made to all programs. Program 1. DOLBY PRO LOGIC DOLBY DIGITAL DTS DOLBY PRO LOGIC/Enhanced DOLBY DIGITAL/Enhanced DTS/Enhanced 70 mm MOVIE THEATER 70 mm MOVIE THEATER DOLBY D. 70 mm MOVIE THEATER DTS MONO MOVIE TV SPORTS DISCO ROCK CONCERT CONCERT HALL
D.RNG (Adjusting the dynamic range)
Choices: MAX/STD/MIN Preset position: MAX * This adjustment is effective only when Dolby Digital is being decoded. Dynamic range is the difference between the maximum level and the minimum level of sounds. Sounds on a movie originally designed for movie theaters feature a very wide dynamic range. Dolby Digital technology can modify the original sound track into a home audio format with this wide dynamic range unchanged. Powerful sounds of extremely wide dynamic range are not always suitable for home use. Depending upon the condition of your listening environment, it may not be possible to increase the sound output to a level as high as that in a movie theater.
DTS LFE (Adjusting the level of the LFE channel for DTS)
Control range: 10 dB to +10 dB (in 1 dB steps) Preset value: 0 dB * This adjustment is effective only when DTS is being decoded and the signals of the selected source encoded with DTS contain LFE signals. This adjusts the output level of the LFE channel. If the LFE signals are mixed with signals of other channels and they are output from the same speakers, the ratio of the LFE signal level to the level of the other signals can be adjusted. (See page 6 for details about the LFE channel.)
C.DELAY [Adjusting the delay of center sounds (dialog, etc.)]
Control range: 0 ms to 5 ms (in 1 ms steps) Preset value: 0 ms * This adjustment is effective only when Dolby Digital or DTS is being decoded and the signals of the selected source encoded with Dolby Digital or DTS contain center-channel signals. This adjusts the delay between the main sound (on the main channels) and dialog, etc. (on the center channel). The larger the value, the later the dialog, etc. is generated. This is for making sounds from the left main, center and right main speakers reach your listening position at the same time. This is achieved by delaying the sound from the center speaker if the distance from the center speaker to your listening position is shorter than the distance from the left or right main speaker to your listening position.
Adjustments should be made while watching the information on this units display. When adjusting with the remote control, set the SELECTOR DIAL to the AMP/TUN or DSP position on the remote control.
Press SET MENU once or more so that the function which you want to change appears on the display.
Within approximately 6 m (20 feet)
Notes There should be no large obstacles between the remote control and the unit. If the remote control sensor is directly illuminated by strong lighting (especially from an inverter type of fluorescent lamp), it might cause the remote control not to work correctly. In this case, reposition the unit to avoid direct lighting.
Presetting the remote control
Perform the presetting procedure for each component you want to control with the remote control. Note: If your component does not respond to any of the codes listed for the manufacturer, use the original remote control that was supplied with the component.
To control your components (MD recorder, DVD player, TV, etc.)
1. 2. Turn on the component to be used. Set the SELECTOR DIAL to the desired position for the component (TAPE/MD, DVD/LD, TV, etc.).
If you are using the DVD MENU position for a second (or third) VCR, you must preset the code for an LD player to the DVD/LD position. 1. 2. Turn on the VCR to be used. Set the SELECTOR DIAL to the CBL/DBS or DVD MENU position.
Returning to the factory-set codes
To return all components to the factoryset codes, follow these steps. 1. Set the SELECTOR DIAL to a position other than the AMP/TUN or DSP position. 2. Press both VOLUME buttons ( ) for about four seconds at the same time so that the indicator flashes twice. 3. Enter code number 9987. 4. Make sure that the indicator flashes twice. To return each component to the factoryset code, follow these steps. 1. Set the SELECTOR DIAL to the position for the component to be returned to the factory-set code. 2. Press both VOLUME buttons ( ) for about four seconds at the same time so that the indicator flashes twice. 3. Enter code number 9999. 4. Make sure that the indicator flashes twice. The following codes are preset as the factory settings. Factory-set codes POSITION Component Code TV VCR DVD/LD CD TV VCR CD player YAMAHA 8524 YAMAHA CBL/DBS DBS tuner
Press both VOLUME buttons ( ) for about four seconds at the same time so that the indicator flashes twice.
Use the numeric buttons to enter the four-digit manufacturers code for the component to be used. Make sure that the indicator flashes twice. If the indicator does not flash, repeat step 3 and re-enter the code.
Use the numeric buttons to enter the four-digit code for the second (or third) VCR. Make sure that the indicator flashes twice. If the indicator does not flash, repeat steps 3 and 4, and re-enter the code.
No sound or no picture.
An appropriate input source has not been selected. SPEAKERS have not been set properly. The speaker connections are not secure. Digital signals other than PCM audio and Dolby Digital or DTS encoded signals which this unit cannot reproduce are input to this unit by playing a CD-ROM etc. No picture. There is no S video terminal connection between this unit and the TV, although S video signals are input to this unit. The protection circuit has been activated because of a short circuit, etc. The SLEEP timer has functioned. Only the speakers on one side can be heard. Incorrect setting of BALANCE. Incorrect cord connections.
Connect this units S VIDEO MONITOR OUT terminal to the TVs S video input terminal. Set the unit in the standby mode and then switch on again to reset the protection circuit. Turn on the power, and play the source again. Adjust it to the appropriate position. Connect the cords properly. If the problem persists, the cords may be defective. Firmly connect the audio plugs. If the problem persists, the cords may be defective. Make the GND connection between the turntable and this unit. The turntable should be connected to the unit through the MC head amplifier. Turn on the power to the component.
The sound suddenly goes off.
A humming sound can be heard.
Incorrect cord connections.
No connection from the turntable to the GND terminal. The volume level is low while playing a record. The volume level cannot be increased, or the sound is distorted. The record is being played on a turntable with an MC cartridge. The component connected to the REC OUT terminals of this unit is in the standby mode.
SYMPTOM No sound from the effect speakers.
CAUSE The sound effect setting is off.
REMEDY Press EFFECT on the front panel or EFCT ON/OFF on the remote control to turn it on. Use a different sound field program.
A Dolby Surround or DTS decoding program is being used with material not encoded with Dolby Surround or DTS. No sound from the rear speakers. The sound output level of the rear speakers is set to minimum. A monaural sound source is being played in the DOLBY PRO LOGIC or DOLBY PRO LOGIC ENHANCED program. Amplifier No sound from the center speaker. The sound output level of the center speaker is set to minimum. The function CNTR in the SET MENU is set to the NONE position. Incorrect sound field program selection. The input signals of the source encoded with Dolby Digital or DTS do not have center channel signals. The sound field cannot be recorded. It is not possible to record the sound field on a tape deck or MD recorder connected to the units REC OUT terminals. The DVD/LD player, TV or DBS tuner is connected to the unit by only the digital terminals. The characteristics of FM stereo broadcasts may cause this problem when the transmitter is too far away or the antenna input is poor. There is multipath interference.
Raise the sound output level of the rear speakers. Select another sound field program suitable for the monaural sound source.
Raise the sound output level of the center speaker. Select the LARGE or SMALL position. Select the appropriate program. Refer to the instructions for the source being currently played.
The DVD/LD, TV or DBS source cannot be recorded on a tape deck, MD recorder or VCR connected to this unit. FM stereo reception is noisy.
Make additional connections between the analog terminals.
Check the antenna connections. Try using a high-quality directional FM antenna. Set TUNING MODE to the manual tuning mode. Adjust the antenna position to eliminate multipath interference. Use the manual tuning method. Use a high-quality directional FM antenna. Repeat the presetting procedure. Tighten the AM loop antenna connections and rotate it for best reception. Use the manual tuning method. Use an outdoor antenna and a ground wire. This will help somewhat, but it is difficult to eliminate all noise. Relocate this unit away from the TV.
There is distortion and clear reception cannot be obtained even with a good FM antenna. The desired station cannot be tuned in with the automatic tuning method. Previously preset stations can no longer be tuned in. The desired station cannot be tuned in with the automatic tuning method.
The station is too weak.
The unit has been unplugged for a long period. The signal is weak or the antenna connections are loose.
There are continuous crackling and hissing noises. There are buzzing and whining noises (especially in the evening).
Noise will result from lightning, fluorescent lamps, motors, thermostats and other electrical equipment. A television set is being used nearby.
SYMPTOM The remote control does not work.
CAUSE Direct sunlight or lighting (from an inverter type of fluorescent lamp, etc.) is striking the remote control sensor of this unit. The manufacturers code has not been set properly. The proper manufacturers code for the component to be controlled has not been set. The component to be controlled has not been selected.
REMEDY Change the position of this unit.
Set the code again. Try entering another code for the same manufacturer. Set the SELECTOR DIAL to the proper position. Turn on the power of the unit.
The sound is degraded when listening with the headphones to a CD player or tape deck that is connected to this unit. There is noise interference from digital or high-frequency equipment or the unit.
This unit is in the standby mode.
Minimum RMS Output Power 8 ohms, 20 Hz to 20 kHz, 0.04% THD MAIN L/R.. 65 W + 65 W CENTER.. 65 W REAR L/R.. 65 W + 65 W 8 ohms, 1 kHz, 0.07% THD MAIN L/R.. 80 W + 80 W CENTER.. 80 W REAR L/R.. 80 W + 80 W Dynamic Power per Channel (by IHF Dynamic Headroom measuring method) MAIN L/R 8/6/4/2 ohms. 90/110/135/160 W DIN Standard Output Power per Channel [Europe model only] 4 ohms, 1 kHz, 0.7% THD.. 110 W IEC Power [Europe model only] 8 ohms, 1 kHz, 0.04% THD. 75 W + 75 W Power Band Width MAIN L/R 8 ohms, 35 W, 0.1% THD 10 Hz to 50 kHz Damping Factor (SPEAKER A) 8 ohms, 20 Hz to 20 kHz. 60 or more Input Sensitivity/Impedance PHONO MM. 2.5 mV/47 k-ohms CD/TAPEMD/DVDLD/TVDBS/VCR/ VIDEO AUX. 150 mV/47 k-ohms EXT. DECODER MAIN L/R.. 150 mV/47 k-ohms CENTER/SURROUND L/R/SUBWOOFER. 150 mV/40 k-ohms Maximum Input Signal PHONO MM 1 kHz, 0.1% THD. 100 mV or more CD/TAPEMD/DVDLD/TVDBS/VCR/ VIDEO AUX (EFFECT ON) 1 kHz, 0.5% THD.. 2.2 V or more Output Level/Impedance REC OUT. 150 mV/1.2 k-ohms PRE OUT. 2.1 V/1.2 k-ohms SUBWOOFER (MAIN SP: SMALL). 4.0 V/1.2 k-ohms Headphones Jack Rated Output/Impedance CD/TAPEMD/DVDLD/TVDBS/VCR/ VIDEO AUX input, 1 kHz, 150 mV, 8 ohms. 0.5 V/390 ohms Frequency Response (20 Hz to 20 kHz) CD/TAPEMD/DVDLD/TVDBS/VCR/ VIDEO AUX to MAIN L/R SP OUT.. 00.5 dB RIAA Equalization Deviation PHONO MM.. 00.5 dB Total Harmonic Distortion (20 Hz to 20 kHz) PHONO MM to REC OUT 1 V.. 0.02% or less CD/TAPEMD/DVDLD/TVDBS/VCR/ VIDEO AUX (EFFECT OFF) to MAIN SP OUT 35 W/8 ohms.. 0.025% or less Signal-to-Noise Ratio (IHF-A Network) PHONO MM to REC OUT (5 mV, Input Shorted).. 81 dB or more CD/TAPEMD/DVDLD/TVDBS/VCR/ VIDEO AUX (EFFECT OFF) to MAIN SP OUT (150 mV, Input Shorted). 96 dB or more Residual Noise (IHF-A Network) MAIN L/R SP OUT. 150 V or less Channel Separation (Vol. 30 dB, EFFECT OFF) PHONO MM (Input Shorted, 1 kHz/10 kHz).. 60 dB or more/55 dB or more CD/TAPEMD/DVDLD/TVDBS/VCR/ VIDEO AUX (Input 5.1 k-ohms Terminated, 1 kHz/10 kHz).. 60 dB or more/45 dB or more Tone Control Characteristics BASS: Boost/cut. 10 dB (50 Hz) Turnover Frequency. 350 Hz TREBLE: Boost/cut. 10 dB (20 kHz) Turnover Frequency. 3.5 kHz Filter Characteristics MAIN L/R, REAR L/R (SPEAKER: SMALL) (H.P.F). fc = 90 Hz, 12 dB/oct. SUBWOOFER (L.P.F). fc = 90 Hz, 18 dB/oct. Selectivity (two signals, 40 kHz Dev. 300 kHz).. 55 dB Signal-to-Noise Ratio (DIN-Weighted, 40 kHz Dev.) Mono/Stereo.. 75 dB/69 dB Harmonic Distortion (1 kHz) Mono/Stereo.. 0.1/0.2% Stereo Separation (1 kHz).. 48 dB Frequency Response 20 Hz to 15 kHz.. 01 dB Antenna Input. 75 ohms, Unbalanced Output Level (40 kHz Dev., 1 kHz). 550 mV
MH026fnea CDP-XA3ES Ownzic GV25 Nuvi 1340 GT-S5600T SGH-D840 NX 8 HF3463 VP-DX10 GR-642APA SR-275 Cusifx 2141 S 6432TD Phase22 3500CP F2-FOX LS-H246tnb0 EB-X9 HT-R540 Befcmu10 EFA9620X Bamboo FUN Lexmark C912 Festina 6768 MN-740 UX300 SGH-U900 LP435Z 32PF7320 LSP-R1001P SJ51-B-025 Samsung D860 Laminator SD-150E Controller AR-P17 Charlotte HV3 CDP-491 SC-4030 Dartybox RX510 SNC-M300P TS-480SAT Futaba 12FG DZ-MV550E Guide Nncd560 May CRY ZX-14 Pundit-R Control H360 FX-991WA GR-D93 42PFL9603D 10 Preamp 51102 G1 Viking 190 DHH-100-5 LMS-520C Clio GT CS-CE9hkew Flexshaft ADC5105 WFF 1100 BX2350 EWT1041 LE32S86BC HF M32 HCD-SD1 WXI477 Stadium KDL-52VL150 XRS 9730 Camera Aghmc70P Master HDD DV-9819 Dvbt 9900F L173SA Super GPS 15L F601 Zoom BC346XT 996-2000 RD-1000 DMR-E30 QB516K Deskjet 350C 1000 Tmet AR-650 UX-F4CL TDS372TW LE26C350 ZDI111X M228WDP-BZ Roland D-10 AS-IP70 X243W CDJ-800 Hd NW
manuel d'instructions, Guide de l'utilisateur | Manual de instrucciones, Instrucciones de uso | Bedienungsanleitung, Bedienungsanleitung | Manual de Instruções, guia do usuário | инструкция | návod na použitie, Užívateľská príručka, návod k použití | bruksanvisningen | instrukcja, podręcznik użytkownika | kullanım kılavuzu, Kullanım | kézikönyv, használati útmutató | manuale di istruzioni, istruzioni d'uso | handleiding, gebruikershandleiding
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101