Reference for help or when you wish to know more about the camera.
Shooting tips and information....82 Tips before you start taking pictures....82 Shooting tips.....83 Additional shooting tips and information...86 Playback tips....87 Viewing pictures on a computer...88 When error messages are displayed...88 Error codes....88 Printing-related indications...89 Camera maintenance....90 Cleaning and storing the camera...86 Cleaning Mode Removing dust...86 Pixel mapping Checking the image processing functions...91

9 Information.... 92

Describes how to handle the cards and rechargeable battery, and contains a directory of the cameras functions and displays.
Card basics....92 Usable cards....92 Formatting the card....93 Battery and charger....93 Menu directory....94 Functions that can be set by shooting mode...97 List of record modes.....99 Names of parts....100 Camera....100 Viewfinder indications....102 Control panel screen...103 LCD monitor indications (during playback)...105 Glossary.....106 Specifications....109
10 Interchangeable lenses...112
Describes how to handle interchangeable lenses.
Lens..... 112 ZUIKO DIGITAL interchangeable lens... 113

11 Others....115

Describes precautions regarding the use of the camera and accessories.
SAFETY PRECAUTIONS... 115 Index.....122

1 Mastering the E-400

How to use the mode dial
The mode dial allows you to change the camera settings easily according to the subject. Some of these settings can also be changed according to the shooting environment.

Easy shooting modes

Select according to the shooting scene. The camera sets the appropriate shooting conditions automatically. When rotating the mode dial or turning off the power in the easy shooting modes, functions with changes made to their settings are restored to the factory default settings.
AUTO i l & j / g AUTO PORTRAIT MACRO SPORT NIGHT+ PORTRAIT Scene mode Allows you to shoot using an optimum aperture and shutter speed that the camera sets. The built-in flash pops up automatically in low-light conditions. Suitable for shooting a portrait-style image of a person. Suitable for taking close-up pictures (macro shooting). Suitable for capturing fast-moving action without blurring. Suitable for shooting both the main subject and background at night. 19 different scene modes are available to suit a wide range of shooting situations. (gP. 25)
LANDSCAPE Suitable for shooting landscapes and other outdoor scenes.

Advanced shooting modes

For more advanced shooting and greater creative control, you can set the aperture value and shutter speed. The settings made in the advanced shooting modes are retained even if the camera is turned off.

When the blooming flowers are few and sparse, use a telephoto lens to take the picture. A picture taken with a telephoto lens will appear as though the flowers are blooming thickly and the distance seen is closer. Using telescopic feature of the zoom lens also achieves the same effect but it is easier to achieve the effect when the focus distance is longer such as 150 mm or 200 mm, rather than 54 mm. g A: Aperture priority shooting (P. 26), Preview function (P. 29), Exposure compensation Varying the image brightness (P. 49), White balance Adjusting the color tone (P. 50)
Taking night scene pictures
There are different types of night scenes, ranging from the afterglow of a sunset to city lights at night. Sunset and fireworks sceneries are also a type of night scene.

Using a tripod

A tripod is a must when shooting night scenes as the shutter speed is slow due to the darkness. Even when a tripod is not available, you should also place the camera on a stable ground such that it does not shake. Even when the camera is secured, you may also move the camera when pressing the shutter button. Hence, use the remote control or self timer to activate the shutter as far as possible.
When taking night scenes, the balance of the brightness in the composition is not uniform due to the intensity of brightness. As there are many dark areas, using P (program shooting) mode will take a whitish picture that is overexposed. First of all, use A (aperture priority shooting) mode to take the picture. Set the aperture to the medium setting (about F8 or F11) and leave the shutter speed to the camera. As it is common for the picture to turn out too bright, adjust the exposure compensation to -1 or -1.5. Check the aperture and exposure compensation in the [REC VIEW] image and change it if necessary. Noise may occur easily when shooting at slow shutter speeds. Set [NOISE REDUCTION] to [ON] to reduce the occurrence of noise.

Using manual focus

For cases when the subject is dark and you cannot focus using AF (auto focus) or when you cannot focus in time for pictures such as fireworks, set the focus mode to MF (manual focus) and focus manually. For night scenes, turn the focus ring of the lens and check whether you can see the street lights clearly. For fireworks, as long as the long focus lens is not used, it is okay to adjust to infinite. If you know the approximate distance, you can also focus on something that is found at the same distance in advance. g P: Program shooting (P. 25), A: Aperture priority shooting (P. 26), Self-timer shooting (P. 40), Remote control shooting (P. 41), Focus mode (P. 43), Noise reduction (P. 55), Rec view Checking the picture immediately after shooting (P. 69)

AEL button

AE lock
ISO Setting the desired sensitivity to light
The higher the ISO value, the greater the cameras light sensitivity and the better its ability to shoot in low light conditions. However, higher values may give pictures a grainy appearance. Control panel screen i p : ISO i [AUTO], [100] [1600] Menu MENU [W] [ISO]
White balance Adjusting the color tone
Color reproduction differs depending on the light conditions. For instance, when daylight or tungsten lighting is reflected on white paper, the shade of white produced will be slightly different for each. With a digital camera, white color can be adjusted to reproduce more natural white with a digital processor. This mechanism is called white balance. There are 4 options for setting the WB with this camera. Auto white balance This function enables the camera to automatically detect white in images and adjust the color balance accordingly. Use this mode for general use. If there is no near white color in the picture, the white balance of the image may not be correct. In such a case, use preset WB or one-touch WB to achieve the correct white balance.
Preset white balance Seven different color temperatures are programmed on this camera covering a variety of indoor and outdoor lighting including fluorescent lights and light bulbs. For example, use preset WB when you want to reproduce more red in the picture of a sunset, or capture a warmer artistic effect under artificial lighting. You can enjoy creating different color tones by trying the different preset WB settings. Custom white balance You can change the color temperature of one of the preset WB settings to your liking. g Setting the auto / preset / custom white balance (P. 51) One-touch white balance You can set the optimum white balance for the shooting conditions by pointing the camera at a white object like a sheet of white paper. The white balance achieved with this setting is saved as one of the preset WB settings. g Setting the one-touch white balance (P. 53) Color temperature More Blue More Red The spectral balance of different white light sources is rated numerically by color temperature concept of physics, expressed using the Kelvin (K) temperature scale. The higher the color temperature, the richer the light in bluish tones and the poorer in reddish; the lower the color temperature, the richer the light in reddish tones and the poorer in bluish. It follows, then, that the color temperatures of fluorescent lights make them unsuitable as artificial light sources. There are gaps in the hues from the color temperatures of fluorescent light. If these differences in hue are small, they can be calculated with color temperature and this is called correlated color temperature. The 4000 K, 4500 K and 6600 K preset settings in this camera are correlated color temperatures, and should not be considered strictly as color temperatures. Use these settings for shooting conditions under fluorescent lights.

Gradation

Two types of gradation are available. HIGH KEY (H) : Extended bright gradations. LOW KEY (L) : Extended dark gradations. NORMAL : Use [NORMAL] mode for general uses.
HIGH KEY Suitable for a subject that is mostly highlighted. LOW KEY Suitable for a subject that is mostly shadowed.

MENU [W]

[GRADATION] x Notes
Contrast adjustment does not work when set to [HIGH KEY] or [LOW KEY].

Noise reduction

This function reduces the noise that is generated during long exposures. When shooting night scenes, shutter speeds are slower and noise tends to appear in images. When the shutter speed is slow, noise reduction is activated and the camera automatically reduces noise to produce clearer images. However, shooting time is approximately twice as long as usual.

OFF ON

MENU [W] [NOISE REDUCTION] [OFF] / [ON] The noise-reduction process is activated after shooting. The card access lamp blinks during the noise-reduction process. You cannot take more pictures until the card access lamp goes out. [busy] is displayed on the viewfinder while noise reduction is operating. x Notes When the g mode is set to (, [NOISE REDUCTION] is fixed to [ON]. When [j] (Sequential shooting) is set, [NOISE REDUCTION] is [OFF] automatically. This function may not work effectively with some shooting conditions or subjects.

Color space

This function lets you select how colors are reproduced on the monitor or printer. The first character in image file names indicates the current color space. g File name (P. 69) [sRGB] [Adobe RGB] Standardized color space for Windows. Color space that can be set by Adobe Photoshop.

MENU [Z]

[COLOR SPACE]

4 Playback functions

Single-frame / Close-up playback
The basic procedure for viewing pictures are as shown below. However, before using any of these functions, follow step 1 below.

q button Control dial

Press the q (playback) button. (Single-frame playback)
The last recorded image appears. The LCD monitor turns off after more than 1 minute if no operations are performed. The camera will turn off automatically if there is no operation after 4 hours. Turn on the camera again.

Playback functions

Use p to select images you want to view. You can also turn the control dial to switch to U for close-up playback.
(Single-frame playback) (Close-up playback) (Close-up position playback) (Close-up playback)
Press p to change the close-up position.
Press p to move the display of the closeup position.
Press p to view frame-by-frame close-ups.
a : Displays the frame that is stored 10 frames back c : Displays the frame that is stored 10 frames ahead d : Displays the next frame b : Displays the previous frame

Press the INFO button.

To exit the playback mode, press the q button. Pressing the shutter button halfway resumes the shooting mode.

AEL / AFL mode

You can use the AEL button to perform AF or metering operations instead of using the shutter button. You can use the button in the following ways. When you want to focus on a subject and then change the composition of the photo. When you want to set the exposure by metering an area different from where the camera is focused. Select the function of the button to match the operation when the shutter button is pressed. Select [mode1] or [mode2] in the respective focus mode. MENU [Y] [AEL / AFL] [S-AF] / [C-AF] / [MF] Modes available in the S-AF mode
Shutter button function Mode mode1 mode2 Half-press Focus Locked k Exposure Locked Locked k k Full press Focus Exposure k k AEL button function When holding down AEL Focus k Locked Exposure Locked k
Modes available in the C-AF mode
Shutter button function Mode Half-press Focus mode1 mode2 Focusing starts k Exposure k Locked Full press Focus Locked Locked Exposure Locked k AEL button function When holding down AEL Focus k Focusing starts Exposure Locked k
Modes available in the MF mode
Shutter button function Mode mode1 mode2 k k Half-press Focus Exposure Locked Locked k k Full press Focus Exposure k k AEL button function When holding down AEL Focus k S-AF Exposure Locked k

Other function settings

AEL / AFL memo
You can lock and maintain the exposure by pressing the AEL (AE lock) button. MENU [Y] [AEL / AFL MEMO] [ON] : Press the AEL button to lock and maintain the exposure. Press again to cancel the maintaining of the exposure. [OFF] : The exposure will be locked only while the AEL button is pressed.

AEL metering

Sets the metering mode for when pressing the AEL (AE lock) button to lock the exposure. MENU [Y] [AEL METERING] [AUTO] / [4] / [n] / [nHI] / [nSH] [AUTO] performs metering in the mode selected under [METERING] mode.

Compensating all WB

This lets you apply the same compensation value to all the white balance modes at once. MENU [Y] [ALL>] [ALL SET] : The same compensation value applies to all WB modes. [ALL RESET]: The WB compensation value settings applied to each WB mode are all cleared at once. If you select [ALL SET] 1) Use bd to select the color direction. R-B Red Blue / G-M Green Magenta 2) Use ac to set compensate value. WB Compensation (g P. 52)
You can check the white balance you have adjusted.

Taking pictures of a subject against backlight
If the background is too bright compared to the subject, the exposure will be affected at the bright parts and the subject will appear darker. This is because the camera determines the exposure from the brightness of the whole screen. Set [METERING] to [n (spot metering) ] to measure the exposure of the subject in the center of the picture. To change the composition, place the subject in the center of the picture. While holding down the AFL button, change the composition and press the shutter button. g Metering mode Changing the metering system (P. 48) Activate the flash, set the flash mode to [#] (fill-in flash) and shoot the picture. You can shoot a subject against backlight without the face of the subject appearing dark. [#] (fill-in flash) is used for shooting against backlight and under fluorescent and other artificial lighting. g Setting the flash mode (P. 35)
Image turns out too bright or too dark
When taking pictures in S mode or A mode, the shutter speed or aperture setting displayed in the control panel screen or viewfinder may blink. A red display means that the correct exposure cannot be obtained. If you take the picture as is, the picture will appear too bright or too dark. If that happens, change the aperture setting or shutter speed. g A: Aperture priority shooting (P. 26), S: Shutter priority shooting (P. 27)
Unknown bright dot(s) appear on the subject in the picture taken
This may be due to stuck pixel(s) on the CCD. Perform [PIXEL MAPPING]. If the problem persists, repeat pixel mapping a few times. Pixel mapping Checking the image processing functions (g P. 91)
Additional shooting tips and information Increasing the number of pictures that can be taken
The captured image will be recorded on the card. The following ways describe how to record more images. Change the record mode. The size of an image varies with the record mode. When you are not sure of the available card capacity, change the image mode and shoot the picture. The smaller the [PIXEL COUNT] and the bigger the [COMPRESSION], the smaller the size of the image becomes. You can select both in [SQ] of the record mode. g Selecting the record mode (P. 43) Use a card with large capacity. The number of recordable images varies with the capacity of the card. Use a card with large capacity.

Using a new card

If you use a non-Olympus card or a card used for another application, such as for a computer, the message [CARD FULL] is displayed. To use this card with this camera, use the [FORMAT] function to format the card. g Formatting the card (P. 93)

Extending the useful life of the battery
Performing any of the following operations when not actually taking pictures can deplete the battery power. Repeatedly pressing the shutter button halfway Repeatedly playing back the captured images over a long period of time To save battery power, turn off the camera whenever it is not in use.
Functions that cannot be selected from menus
Some items may not be selectable from the menus when using the arrow pad. Items that cannot be set with the current shooting mode Items that cannot be set because of an item that has already been set: Combination of [MACRO] and [FLASH MODE], etc.
Selecting the optimal record mode
Record modes are divided into 2 main types: RAW and JPEG. RAW records without reflecting the settings for exposure compensation, white balance, etc. on the images themselves. JPEG records as images that reflect these settings. JPEG also compresses images to reduce the file size when recording them. JPEG is divided into [SHQ], [HQ] and [SQ] types based on the image size (pixel count) or compression rate. The higher the compression rate, the grainier the image will appear when enlarged during display. A rough guide for selection is shown below. Make fine-adjustments of the shooting settings on the computer [RAW] To print large images on A3 / A4 paper / To edit and process images on a computer [SHQ][HQ] with a large pixel count To print postcard-size images [SQ] with a large pixel count To send as an e-mail attachment or post on a web site [SQ] with a small pixel count g List of record modes (P. 99)
To restore functions to their settings at the time of purchase
The settings are saved even when the power is switched off. When power is switched on in Easy shooting modes (P. 14), it changes to specific settings. To return to the factory default settings, set [RESET] under [CUSTOM RESET SETTING]. You can select up to 2 types of settings for reset. Set various functions of the camera and register using [RESET1] or [RESET2] under [CUSTOM RESET SETTING]. g Custom reset setting (P. 65)
Confirming the exposure when it is difficult to view the monitor outdoors
The monitor may be difficult to view and the exposure difficult to confirm when shooting outdoors. During image playback, press the INFO button repeatedly to display the histogram. The following shows you how to read the histogram display easily. How to read the histogram 1 If the graph has many peaks around here, the image will appear mostly black. 2 If the graph has many peaks around here, the image will appear mostly white. g Information display (P. 58) 1 2

il& j/ k k k

k k k k k
(Cannot be selected in U mode)

k k k k

k k (Cannot be selected in U mode) k k k k k k k k k k k*1
k (Cannot be selected in ( mode) k k : G, J, g can be set
Function AUTO POP UP AEL / AFL AEL / AFL MEMO AEL METERING ; FUNCTION X CF / xD FILE NAME s W VIDEO OUT 8 REC VIEW SLEEP USB MODE COLOR SPACE PIXEL MAPPING CLEANING MODE

il& j/

List of record modes
The file size in the table is approximate.
Record mode RAW SHQ HQ 3648 x 2736 Number of pixels Compression Uncompressed 1/2.7 1/8 1/2.x 2400 1/4 1/8 1/12 1/2.x 1920 1/4 1/8 1/12 1/2.x 1200 SQ 1280 x 960 1/4 1/8 1/12 1/2.7 1/4 1/8 1/12 1/2.x 768 1/4 1/8 1/12 1/2.x 480 1/4 1/8 1/12 JPEG File format ORF File size (MB) Approx. 22 Approx. 7.9 Approx. 3.0 Approx. 6.2 Approx. 4.4 Approx. 2.4 Approx. 1.8 Approx. 3.7 Approx. 2.5 Approx. 1.3 Approx. 0.8 Approx. 1.5 Approx. 1.0 Approx. 0.5 Approx. 0.4 Approx. 0.9 Approx. 0.6 Approx. 0.3 Approx. 0.2 Approx. 0.6 Approx. 0.4 Approx. 0.2 Approx. 0.2 Approx. 0.3 Approx. 0.2 Approx. 0.1 Approx. 0.1
x Notes The number of remaining pictures may change according to the subject or factors like whether print reservations have been made or not. In certain instances, the number of remaining pictures displayed on the viewfinder or the LCD monitor does not change even when you take pictures or stored images are erased. The actual file size varies according to the subject.

Names of parts

Camera
Eyecup gP. 40 Viewfinder gP. 102 LCD monitor gP. 105 q (Playback) button gP. 56 S (Erase) button gP. 64 MENU button gP. 17 INFO (Information display) button gP. 58 Diopter adjustment dial gP. 6 AEL / AFL button gP. 50, (Protect) button gP. 63 < button gP. 68 Power switch gP. 6 Arrow pad gP. 17
i button gP. 17 Tripod socket
Battery compartment lock gP. 3 Battery compartment cover gP. 3
Connector cover Multi-connector gP. 74, 78 Card cover gP. 5 CF card slot gP. 5 xD-Picture Card slot gP. 5

Eject button gP. 5

Mode dial gP. 14 Control dial gP. 15, 17 Shutter button gP. 8 F (Exposure compensation) button gP. 49
Built-in flash gP. 35 Hot shoe gP. 37 # (flash) button gP. 35 </Y/j (Remote control / Self-timer / Sequential shooting) button gP. 39, 40, 41 < (Copy / Print) button gP. 62

Strap eyelet gP. 3

Self-timer / Remote control lamp / Remote control receiver gP. 40, 41 Lens attachment mark gP. 4 Lens release button gP. 4 Lens lock pin Mirror

Pixels A pixel is the smallest unit (dot) used to make up an image. Clear large-sized printed images require millions of pixels. RAW Refers to raw data, data which has not been enhanced with a camera option like white balance, sharpness, contrast, etc. This file format is for viewing and processing with our own software. You may not be able to open or process these files with other graphics software applications, and these files cannot be selected for DPOF printing. RAW files are assigned an orf file extension (*.orf). S (Shutter Priority) Mode Also called Shutter Priority AE mode. The user selects the shutter speed and the camera automatically varies the aperture so that the picture is taken with the best exposure. Single-lens reflex camera A camera that uses the reflective mirror to bend the light entering from the shooting lens and uses the viewfinder to check. There is no difference between the composition to be captured and the composition viewed on the viewfinder. Sleep Mode A mode designed to save battery life. The camera automatically enters the sleep mode if you do not operate it for a certain time. To get out of the sleep mode, use any button on the camera (shutter button, menu button, etc.). Spot metering The meter reading is taken from a very small area around the center of the subject, defined by the spot metering area mark in the viewfinder. Spot metering is ideal for use in difficult light conditions, or when the important element of the picture (subject's face) is small. Use spot metering for backlit subjects, or sports and stage performers. See also digital ESP metering and center weighted averaging metering. TFT (Thin-Film Transistor) Color Monitor A color monitor constructed using thin-film technology. TTL phase-contrast detection system This is used to measure the distance to the subject. The camera determines if the image is focused by the detected phase contrast. TTL (Through-The-Lens) System To help adjust exposure, a light receptor built into the camera directly measures the light passing through the lens.

Specifications

Camera specifications Product type
Product type Lens Lens mount Equivalent focal length on a 35 mm film camera : Single-lens reflex digital camera with interchangeable lens system : Zuiko Digital, Four Thirds System Lens : Four Thirds mount : Approx. twice the focal length of the lens : : : : : : : : : : : : 4/3 type CCD (primary color filter) Approx. 11,200,000 pixels Approx. 10,000,000 pixels 17.3 mm (H) x 13.0 mm (V) (0.7" x 0.5") 1.33 (4:3) Eye-level single-lens reflex viewfinder Approx. 95 % (for field of view on recorded images) Approx. 0.92x (1 m 1, 50 mm lens, infinity) 14 mm (0.6") from the cover glass (1 m 1) 3.0 +1.0 m 1 Quick return half mirror Can be checked with the < button (when PREVIEW registered)

Image pickup device

Product type No. of total pixels No. of effective pixels Screen size Aspect ratio

Battery Handling Precautions Follow these important guidelines to prevent batteries from leaking, overheating, burning, exploding, or causing electrical shocks or burns. DANGER The camera uses a lithium ion battery specified by Olympus. Charge the battery with the specified charger. Do not use any other chargers. Never heat or incinerate batteries. Take precautions when carrying or storing batteries to prevent them from coming into contact with any metal objects such as jewelry, pins, fasteners, etc. Never store batteries where they will be exposed to direct sunlight, or subjected to high temperatures in a hot vehicle, near a heat source, etc. To prevent causing battery leaks or damaging their terminals, carefully follow all instructions regarding the use of batteries. Never attempt to disassemble a battery or modify it in any way, by soldering, etc. If battery fluid gets into your eyes, flush your eyes immediately with clear, cold running water and seek medical attention immediately. Always store batteries out of the reach of small children. If a child accidentally swallows a battery, seek medical attention immediately. WARNING Keep batteries dry at all times. To prevent batteries from leaking, overheating, or causing a fire or explosion, use only batteries recommended for use with this product. Insert the battery carefully as described in the operating instructions. If rechargeable batteries have not been recharged within the specified time, stop charging them and do not use them. Do not use a battery if it is cracked or broken. If a battery leaks, becomes discolored or deformed, or becomes abnormal in any other way during operation, stop using the camera. If a battery leaks fluid onto your clothing or skin, remove the clothing and flush the affected area with clean, running cold water immediately. If the fluid burns your skin, seek medical attention immediately. Never subject batteries to strong shocks or continuous vibration. CAUTION Before loading, always inspect the battery carefully for leaks, discoloration, warping, or any other abnormality. The battery may become hot during prolonged use. To avoid minor burns, do not remove it immediately after using the camera. Always unload the battery from the camera before storing the camera for a long period. This camera uses a lithium ion battery specified by Olympus. Do not use any other type of battery. For safe and proper use, read the batterys instruction manual carefully before using it. If the batterys terminals get wet or greasy, camera contact failure may result. Wipe the battery well with a dry cloth before use. Always charge a battery when using it for the first time, or if it has not been used for a long period. When operating the camera with battery power at low temperatures, try to keep the camera and spare battery as warm as possible. A battery that has run down at low temperatures may be restored after it is warmed at room temperature. The number of pictures you can take may vary depending on the shooting conditions or battery. EN

Before going on a long trip, and especially before traveling abroad, purchase extra batteries. A recommended battery may be difficult to obtain while traveling. Please recycle batteries to help save our planets resources. When you throw away dead batteries, be sure to cover their terminals and always observe local laws and regulations. Caution for Usage Environment To protect the high-precision technology contained in this product, never leave the camera in the places listed below, no matter if in use or storage: Places where temperatures and / or humidity are high or go through extreme changes. Direct sunlight, beaches, locked cars, or near other heat sources (stove, radiator, etc.) or humidifiers. In sandy or dusty environments. Near flammable items or explosives. In wet places, such as bathrooms or in the rain. When using products with weatherproof designs, read their manuals as well. In places prone to strong vibrations. Never drop the camera or subject it to severe shocks or vibrations. When mounted on a tripod, adjust the position of the camera with the tripod head. Do not twist the camera. Do not leave the camera pointed directly at the sun. This may cause lens or shutter curtain damage, color failure, ghosting on the CCD, or may possibly cause fires. Do not touch electric contacts on cameras and interchangeable lenses. Remember to attach the body cap when removing the lens. Before storing the camera for a long period, remove the battery. Select a cool, dry location for storage to prevent condensation or mold from forming inside the camera. After storage, test the camera by turning it on and pressing the shutter release button to make sure that it is operating normally. Always observe the operating environment restrictions described in the cameras manual. LCD Monitor Do not push the monitor forcibly; otherwise the image may become vague, resulting in a playback mode failure or damage to the monitor. A strip of light may appear on the top / bottom of the monitor, but this is not a malfunction. When a subject is viewed diagonally in the camera, the edges may appear zigzagged on the monitor. This is not a malfunction; it will be less noticeable in playback mode. In places subject to low temperatures, the LCD monitor may take a long time to turn on or its color may change temporarily. When using the camera in extremely cold places, it is a good idea to occasionally place it in a warm place. An LCD monitor exhibiting poor performance due to low temperatures will recover in normal temperatures. The LCD used for the monitor is made with high-precision technology. However, black spots or bright spots of light may appear constantly on the LCD Monitor. Due to its characteristics or the angle at which you are viewing the monitor, the spot may not be uniform in color and brightness. This is not a malfunction.

Use Only Dedicated Rechargeable Battery and Battery Charger We strongly recommend that you use only the genuine Olympus dedicated rechargeable battery and battery charger with this camera. Using a non-genuine rechargeable battery and / or battery charger may result in fire or personal injury due to leakage, heating, ignition or damage to the battery. Olympus does not assume any liability for accidents or damage that may result from the use of a battery and / or battery charger that are not genuine Olympus accessories. Trademarks IBM is a registered trademark of International Business Machines Corporation. Microsoft and Windows are registered trademarks of Microsoft Corporation. Macintosh is a trademark of Apple Computer Inc. xD-Picture Card is a trademark. All other company and product names are registered trademarks and / or trademarks of their respective owners. The standards for camera file systems referred to in this manual are the Design Rule for Camera File System / DCF standards stipulated by the Japan Electronics and Information Technology Industries Association (JEITA).
F (Exposure compensation). 49 W (Language selection). (Protect).. 63 </Y/j (Remote control / Selftimer / Sequential shooting). 39, 40, 41 W/X (Shooting Menu).. 94 AB (Underwater mode).. 71 WB (White balance).. Center weighted averaging metering 48 Y Custom menu.. 95 < CUSTOM.. 70 e Digital ESP metering. 48 < EASY.. 70 ; FUNCTION.. 68 j MUTED.. 53 i NATURAL.. 53 q Playback menu.. 95 Z Setup menu... 96 #SLOW.. 32 nHI Spot metering highlight control. 48 nSH Spot metering shadow control. 48 n Spot metering. 48 h VIVID.. 53
C-AF (continuous AF) shooting.44 C-AF+MF..45 Calendar display..57 CANDLE &..25 CARD SETUP.64, 93 CF / xD..5, 93 CHILDREN G...25 CLEANING MODE..90 Close-up playback U..56 COLOR SPACE..55 Color temperature..51, 106 CompactFlash..5, 92 Compression rate..47, 106 Control panel.15, 103 COPY ALL..62 Custom printing..75 CUSTOM RESET SETTING..65 Custom white balance CWB.50, 51
Date / time setting X.7 Direct buttons..17 Direct print..74 DIS MODE q..25, 84 DOCUMENTS @.25 DPOF..72 Dust reduction..6, 90
Adobe RGB... 55 AE (Automatic Exposure).. 106 AE BKT.. 30 AEL... 50 AEL METERING.. 68 AEL / AFL.. 67 AEL / AFL MEMO. 68 AF MODE.. 43 ALL >.. 68 ALL ERASE.. 64 Aperture priority shooting A.. 26 Aperture value... 25 Auto flash.. 31 Auto focus.. 30, 83 AUTO POP UP.. 35, 68 Auto white balance.. 50, 51
Easy printing..75 Easy shooting modes.14 Exposure compensation F.49 Eyepiece cover..40

accessories that broaden the photographic horizon
A considerable advantage of SLR cameras is the possibility to extend the photographic possibilities through a broad range of accessories. As part of the E-System, the E-400 benefits from a comprehensive line-up of lenses and other accessories that offer a solution for every photographic demand. Two new zoom lenses were specifically developed for the E-400, which with their exceedingly compact form perfectly complement the E-400 concept. The E-400 is available in a kit containing the ZUIKO DIGITAL ED 1442mm standard zoom lens.
ZUIKO DIGITAL ED 14-42mm 1:3.5-5.6 Standard Zoom (Standard Lens)

Compatible with

ZUIKO DIGITAL 14-45mm 1:3.5-5.6 Standard Zoom (Standard Lens)
ZUIKO DIGITAL ED 18-180mm 1:3.5-6.3 Super Zoom (10x) (Standard Lens)
ZUIKO DIGITAL ED 7-14mm 1:4.0 Wide Zoom (Top Pro Lens)
ZUIKO DIGITAL ED 35-100mm 1:2.0 Telephoto Zoom (Top Pro Lens)
ZUIKO DIGITAL ED 90-250mm 1:2.8 Telephoto Zoom (Top Pro Lens)
ZUIKO DIGITAL ED 150mm 1:2.0 Fix Focal Lens (Top Pro Lens)
ZUIKO DIGITAL ED 300mm 1:2.8 Fix Focal Lens (Top Pro Lens) EX-25

Extension Tube*1

Drop-in Filter Set included
ZUIKO DIGITAL 11-22mm 1:2.8-3.5 Wide Zoom (Pro Lens)
ZUIKO DIGITAL 14-54mm 1:2.8-3.5 Standard Zoom (Pro Lens)

Tele Converter*1

Tele Converter

Tele Converter*2

Twin Flash
Twin Flash with adapter ring 58mm to 67mm/72mm
Twin Flash with adapter ring 62mm to 67mm/72mm

Ring Flash

Digital SLR Cameras
ZUIKO DIGITAL 40-150mm 1:3.5-4.5 Telephoto Zoom (Standard Lens)
ZUIKO DIGITAL ED 40-150mm 1:4.0-5.6 Telephoto Zoom (Standard Lens)
ZUIKO DIGITAL 35mm 1:3.5 Macro Lens (Standard Lens)
ZUIKO DIGITAL ED 50-200mm 1:2.8-3.5 Telephoto Zoom (Pro Lens)
ZUIKO DIGITAL ED 8mm 1:3.5 Fisheye Lens (Pro Lens)
ZUIKO DIGITAL ED 50mm 1:2.0 Macro Lens (Pro Lens)

Extension Tube

big performance, small appearance

Ring Flash with FR-1

Twin Flash with FR-1
*1 Only with MF *2 Recommended max. aperture 1:4.0

MF-1 OMAdapter

EX-25 Extension Tube

EC-14 Tele Converter

VA-1 Angle Finder

ME-1 Magnifyer Eyecup

EP-5/EP-6 Eyecup

E-System Bags

RM-1 Remote Control

RM-UC1 Remote Cable

PT-E02 PT-E03 Underwater Case Underwater Case
ZUIKO DIGITAL ED 14-42mm 1:3.5-5.6

(28-84mm)*

ZUIKO DIGITAL ED 40-150mm 1:4.0-5.6

(80-300mm)*

ZUIKO DIGITAL ED 18-180mm 1:3.5-6.3

(36-360mm)*

ZUIKO DIGITAL 35mm 1:3.5 Macro

(70mm)*

FL-50 External flash

FL-36 External flash

(only for E-400)

(only for E-330)

Hot Shoe SRF-11 Ring Flash Set (incl. FC-1 / RF-11)
* Figures in brackets refer to the equivalent values on a 35mm camera

FL-CB05 Flash Cable

FL-20 Flash

FL-36 System Flash

FL-50 System Flash FC-1 Macro Flash Controller
RF-11 Ring Flash FR-1 Flash Adapter Ring for 35/50mm Macro TF-22 Twin Flash
LBH-1 Li-Ion Battery Holder

(for 3x CR123A)

BLM-1 Li-Ion Battery Pack for E-330
BLS-1 Li-Ion Battery Pack for E-400

for E-330

E-400 Leather case

PFL-E01 Underwater case

for the FL-36

PT-E03 Underwater case

PPO-E05 Underwater lens port

for ED 14-42mm 1:3.5-5.6

ME-1 Eyecup magnifier

EP-6 Big eyecup

RM-1 Remote control
RM-UC1 Remote control cable

FL-CB02 Flash Cable

FP-1* Flash Power Grip (incl. FL-CB02) for FL-50/ RF-11/TF-22

HV-1 High Voltage Pack

BN-1 Ni-MH Battery Pack

AC-2 AC Adapter

* E-330/E-400 no release via FP-1
SHV-1 Flash High Voltage Set (incl. HV-1 / BN-1 / AC-2)
STF-22 Twin Flash Set (incl. FC-1 / TF-22)
BCM-1 Quick Li-Ion Battery Charger
BCM-2 Li-Ion Battery Charger
BCS-1 Li-Ion Battery Charger

Specifications and appearances are subject to change without any notice or obligation on the part of the manufacturer.

E-400 kit contains:

Instruction Manual Warranty Card E-400 body ZUIKO DIGITAL ED 1442mm 1:3.55.6 Li-Ion Battery Charger (BCS-1) Li-Ion Battery Pack (BLS-1) OLYMPUS Master CD-ROM USB Cable Video Cable Shoulder Strap
OLYMPUS IMAGING EUROPA GMBH www.olympus-europa.com
convincing performance, surprisingly compact
The Olympus E-400 is the smallest and lightest* digital SLR camera ever constructed. It thereby epitomises the Olympus tradition of combining maximum technical performance with exceptional design. This especially applies to operability. Perfect ergonomics enable intuitive handling which even lets beginners get the hang of things quickly so they can start shooting immediately. From a technical perspective, the E-400 offers all manual and automatic functions required for professional D-SLR applications. In terms of size and weight, it is easier than ever before to take this camera along on holidays, assignments or wherever you might need it. In combination with the two especially-developed, ultra-compact zoom lenses, a focal range of 14150mm** is covered and therefore equipped for practically every situation. Thanks to a newly-developed image sensor with 10.0 million pixels, picture quality is second to none and allows prints even in above-average formats to be produced without even the smallest of compromises. As with all cameras in the Olympus E-System, the E-400 incorporates the unique Supersonic Wave Filter, which prevents dust entering the camera during lens changes and affecting image quality. The E-400 is compatible with all ZUIKO DIGITAL lenses and virtually the whole range of E-System accessories. Due to adherence to the Four Thirds Standard, further options are available due to crossmanufacturer compatibility. Accept no limits.

Specifications

Model Type Compatible lens Lens mount Body Media Effective pixel number Image size Image sensor Image sensor Effective pixels Aspect ratio Filter array LCD HyperCrystal LCD Pixel number Monitor size Brightness adjustment Viewfinder Viewfinder type Field of view Magnification Depth of field preview Eye point Diopter adjustment Focusing screen Mirror Viewfinder information Olympus E-400 Interchangeable lens digital SLR camera. ZUIKO DIGITAL, Four Thirds System lens. Four Thirds mount. Glass reinforced plastic. CompactFlash card (Type I and II), Microdrive, xD picture card. (Dual slot). 10 million pixels. 17.3mm x 13.0mm. 10.8 million pixels CCD sensor. 10 million pixels. 4:3. Primary colour filter (RGB). Sensitivity Auto Manual Shutter Type Shutter speed ISO 100 1600. ISO (in each 1/3 EV steps possible). Warning message at ISO 800-1600. Electronically controlled focal plane shutter. Auto mode: 1/sec. P (Ps), S, A, M mode: 1/sec. Bulb up to 8 Minutes (depends on ISO speed). Scene mode: 1/sec. (depends on selected settings). X = 1/180 sec. Super FP up to 1/4000 sec. Soft-touch electromagnetic release. 12 or 2 sec. Yes (including bulb function) with RM-1 (option) or RM-UC1 (option). 7 to +7 in each R-B / G-M axis (in Auto WB and preset WB mode). Advanced detection system with CCD sensor. 7 steps (30007500K). Overcast, Shade, Tungsten, Sunlight, Fluorescent 1, Fluorescent 2, Fluorescent 3. 10. +/ 2 EV in 1/3 EV steps. Auto, Red-eye reduction, Slow synchronisation, Slow synchronisation 2nd curtain, Fill-in, Off. Memory CompactFlash Type I/II, Microdrive, xD-Picture Card (Dual Slot). Interface USB 2.0 (Full Speed). Combined A/V & USB NTSC or PAL selectable. output Size Dimensions 129.5 (W) x 91 (H) x 53mm (D) (excluding protrusions). Weight 375g (body only). Box Contents Body cap, Shoulder strap, Video cable, USB cable, OLYMPUS Master Software, Instructions manual, Warranty card, Li-ion Battery Charger (BCS-1), Li-ion Battery Pack (BLS-1), Eye piece cap (EP-4). Model ZUIKO DIGITAL ED 40150mm 1:4.05.6 Focal length 40mm150mm zoom. 35mm equivalent 80mm300mm. focal length Construction Lens 12 elements in 9 groups including ED Lens Element. Mechanism Internal focusing system. Angle of view 8.degrees. Closest focusing 0.9m. distance Maximum image 0.14x. magnification 35mm equivalent 0.28x. Maximum Image Magnification Aperture Number of blades 7 (Circular aperture diaphragm). Maximum aperture 1:4:0 (wide) 1:5.6 (tele). Minimum aperture 1:22. Filter size 58mm. Size / weight Dimensions 65.5mm (D) x 72mm (L). Weight 220g. Box contents 40150mm 1:4.05.6, Lens Hood (LH-61D), Lens Cap (LC-58C), Lens Rear Cap (LR-1), Instruction manual, Warranty Card.

6.4cm / 2.5 HyperCrystal LCD
Optimal control even in bright sunlight.
X-sync speed Shutter release Self-timer Remote control White Balance White balance adjustment Auto WB system Selectable steps in Kelvin Preset WB Internal Flash Guide number Flash compensation Modes
215,000 pixels. 6.4cm/2.5. +/ 7 steps. Eye-level single-lens viewfinder. Approx. 95%. Approx. 0.92x with a 50mm lens set to infinity at 1 dioptres. Available. (Customize via Fn button). 14mm at 1 dioptres. +1.0 to 3.0 dioptres built-in type. Fixed type (Neo Lumi-Micron Mat Screen). Quick return mirror. AF frame (super impose), AE lock, AF confirmation mark, Metering mode, Exposure mode, Shutter speed, Aperture value, White balance, White balance warning, Exposure compensation value indicator, Flash, Battery check. Eye-piece cap EP-4 supplied. TTL phase difference detection system. 3 points. Built-in flash, optional Olympus dedicated flash units. Locked by first position of shutter release button in single AF mode, AE/AF lock button (customised). 19 EV (ISO 100). Automatic and manual selection. Available in continuous AF mode. Available. Available by rotating focus ring, available for setting manual focus operation in AF mode (customised). Single AF, Single AF + MF, Continuous AF, Continuous AF + MF. 49 zones multi-pattern sensing system. EV 1 to 20 (50mm 1:2, ISO 100). ESP light metering, Spot metering, Centre-weighted metering, Highlight, Shadow. 5 (Auto, Programme Automatic, Aperture priority, Shutter priority, Manual). 19 (Beach & Snow, Candle, Children, Documents, Fireworks, High Key, Image Stabilisation Mode, Landscape, Landscape & Portrait, Low Key, Macro, Nature Macro, Night Scene, Night Scene & Portrait, Portrait, Sports, Sunset, Underwater Macro, Underwater Wide). 7 (Portrait, Landscape, Macro, Sport, Night Scene & Portrait, Underwater Macro, Underwater Wide) with pre-settings and manual options. +/ 5 EV in 1/3 EV steps. 3 frames in +/ 1, 2/3, or 1/3 EV steps.
Model Guide Number Firing Angle

10 million pixels

Maximum resolution for maximum attention to detail.
Flash Modes Bounce Angles Power Supply
Eye piece shutter Focusing System Focusing system Focus areas AF illuminator AF lock Detection range Focus area selection Focus tracking Focus aid Manual focus Focus modes Light Metering TTL open aperture light metering Detection range Light metering modes Shooting Modes Exposure modes Scene modes

Creative modes

Exposure System Exposure compensation Bracketing * As at August 2006 ** Equivalent to 28300mm on 35mm cameras
Sequence Shooting Sequential shooting mode 3.0fps, approx. 10 frames in HQ JPEG mode. Sequential shooting mode 3fps, 5 frames. RAW Image Processing Colour space sRGB, AdobeRGB. Image Processing TruePic Turbo. Sharpness 5 levels in each picture mode. Saturation 5 levels in each picture mode. Contrast 5 levels in each picture mode. Black & White Filter Yellow, Orange, Red, Green in Black & White and Sepia mode. Black & White toning Sepia, Blue, Purple or Green in Black & White mode. Picture Mode Vivid, Natural, Muted, Black & White, Sepia. Gradation 3 levels (high key, normal, low key). Image Editing Black & White, Correction of saturation, RAW data edit, Red-eye reduction, Resize, Sepia. View Images Histogram in playback mode, Slide show, Calendar. Zoom 214x. Index 4, 9, 16, 25 frames. Shooting Information Exposure mode, Metering mode, Shutter speed, Aperture value, Exposure compensation level, ISO, Colour space, White balance mode, White balance compensation level, Focal length, Focus area, File type, Picture mode, File name, Image size, Recorded card type. Exposure level view Histogram (R,G,B available), High light point warning, Shadow point warning. Still Image Recording EXIF 2.2, PIM III, DPOF, JPEG JPEG compression 1/2.7 SHQ, 1/8 HQ, 1/2.7, 1/4, 1/8, 1/12 SQ. Image Size 3648 x 2736 SHQ / HQ / RAW. 3200 x 2400 SQ. 2560 x 1920 SQ. 1600 x 1200 SQ. 1280 x 960 SQ. 1024 x 768 SQ. 640 x 480 SQ.
Dimensions Weight Box Contents
Electronic Flash FL-36 Automatic switching from 36 at 42mm to 20 at 12mm 14 at 10mm to 12 at 8mm with the wide panel (built in). Automatic switching At 12mm: Up-Down 61 Degrees, Left-Right 78 Degrees At 42mm: Up-Down 21 Degrees, Left-Right 28 Degrees When the Wide Panel is used for 8mm. TTL AUTO, AUTO, MANUAL, FP TTL AUTO, FP MANUAL. Up to 90 Degrees, Down 1.5 Degrees. Left 0 to 90 Degrees, Right 0 to 150 Degrees. AA (R6) Alkaline batteries x 2, AA (R6) Lithium batteries x 2, AA (R6) Ni-Mn batteries x 2, 3V Lithium batterie pack (LB-01) x 1, AA (R6) Ni-Cd batteries (1000 mAh) x 2, AA (R6) Ni-MH batteries (1900 mAh) x 2, AA (R6) Oxyride batteries x 2. 65mm W x 105mm H x 95mm D (protuberances not included). 270g (without batteries). Soft Case, Instruction Manual, Warranty Card.
Model Focal length 35mm equivalent focal length Construction Lens
ZUIKO DIGITAL ED 1442mm 1:3.55.6 14mm42mm. 28mm84mm.

Mechanism Angle of view Closest focusing distance Maximum image 0.19x. magnification 35mm equivalent 0.38x. Maximum Image Magnification Aperture Number of blades 7 (Circular aperture diaphragm). Maximum aperture 1:3.5 (wide) 1:5.6 (tele). Minimum aperture 1:22. Filter size 58mm. Size / weight Dimensions 65.5mm (D) x 61mm (L). Weight 190g. Box contents 1442mm 1:3.55.6, Lens Hood (LH-61C), Lens Cap (LC-58C), Lens Rear Cap (LR-1), Instruction manual, Warranty Card.
10 elements in 8 groups including ED Lens Element and 2 Aspherical Lens Elements. Internal focusing system. degrees. 0.25m.
Specifications and design are subject to change without notice.

Unrivalled compactness

The worlds smallest and lightest digital SLR*.

Future-proof SLR system

Comprehensive range of accessories thanks to Four Thirds Standard.
Uncompromising ergonomic design
Newly-defined intuitive operating concept.
Perfect protection against the effects of dust
With the unique, patented Supersonic Wave Filter.

Actual size

3fps with up to five images buffer in RAW mode. One-touch white balance. TruePic TURBO image processor. 31 shooting modes (incl. 5 exposure, 7 creative & 19 scene modes). Built-in pop-up flash (GN 10). AFL/AEL functionality. Improved 49 segment digital ESP and spot metering. Depth of field preview function.
Large beginners and advanced info screen. JPEG & RAW recording. Detailed playback info screen with histogram. Exceptional ease of use with intuitive GUI. Dual memory card slots (for xD-Picture Card and CompactFlash). 3
the biggest enemy of a perfect photo is miniscule
You rarely get a second chance in photography. The ideal moment is unrepeatable. Yet the tiniest spec of dust entering the camera during a lens change could ruin a perfect photo. In analogue cameras, the dust particles are transported away as the film is wound on. This means that usually only one picture will be affected. In contrast, dust landing on the image sensor of a digital camera stays where it is and more will join it over time. Even the smallest particle can cover hundreds of pixels. This results in image flaws that must be corrected through subsequent editing. In addition, photographers must endure the time and expense associated with regular professional cleaning that consequently becomes necessary which sometimes even requires the camera to be sent away for servicing. brane within the camera. This function is invoked at each start-up of the camera as well as every time Pixel Mapping is carried out. The unique Olympus Supersonic Wave Filter dust protection system is included in all E-System cameras, and was again optimised for incorporation in the E-400 through a smaller form and higher frequency vibrations.

The image sensor is put at risk through dust entering during lens changes. The Supersonic Wave Filter ensures brilliant images.
how the Supersonic Wave Filter protects the E-400 image sensor:
The dust filter, located in front of the highly-sensitive CCD, is brought into vibration via an ultrasonic generator. This lets dust particles be shaken off within milliseconds, which are then captured on a special adhesive mem-
Dust particles have lodged on the dust filter in front of the sensor.
The activation of the ultrasonic generator makes the particles fall from the dust filter.
A clean image sensor ensures flawless image quality.
ergonomic, compact, ingenious
The extremely compact body of the E-400, with its fill of functions, was designed in strict accordance with ergonomic considerations.
In practice, this means each button is located exactly where it belongs and where one would instinctively expect to find it.
Take it out of the box and start shooting immediately it can be that easy. 5
technology that sets no bounds to creativity
large, bright, clear: the HyperCrystal LCD
The 6.4cm / 2.5 LCD impresses not only because of its size, but also due to its high resolution, incredible brightness and 160 wide viewing angle. All parameters of the camera settings are displayed large and clearly, and besides providing a view of the shot images it also features a histogram facility with four modes and, if desired, even lets the over and underexposed sections of an image be highlighted.

built-in pop-up flash

With the built-in pop-up flash, photographers are prepared for any situation. It features TTL control and can be set manually or automatically. With a series of pre-flashes, it can also automatically help reduce the potential red-eye effect.

depth of field preview

This function enables the depth of field of images to be checked, at the touch of a button, in the optical viewfinder or on the LCD prior to recording.

31 shooting modes

The E-400 offers of choice of 31 shooting modes which extend from full manual control to automatic pre-sets for specific situations. 5 extended exposure modes: M S A P AUTO Programmed Auto with Programme shift (Ps), Shutter Priority, Aperture Priority, Manual, Auto. 7 creative exposure modes:
professional AEL/AFL control
Photographers can have access to a range of personally-selected exposure and focus settings that they have predefined to suit their individual preferences all at the simple touch of a button. This level of customisation for exposure and focus is especially sought out by professional photographers.

Beginners and advanced mode with extended adjustment possibilities
Portrait, Landscape, Macro, Sport, Night Scene & Portrait, Underwater Macro and Underwater Wide. 19 scene modes for various motifs: SCENE Portrait, Landscape, Landscape & Portrait, Night Scene, Night Scene & Portrait, Children, Sports, High Key, Low Key, Image Stabiliser, Macro, Nature Macro, Candle, Sunset, Fireworks, Documents, Beach & Snow, Underwater Macro, Underwater Wide.

49 area AE sensor

The 49 area exposure sensor provides extra precision and reliability during exposure metering and flash control. This is of particular benefit for compositions made under difficult lighting conditions.
sequential shooting with 3 frames per second
The E-400 enables continuous shooting at a speed of up to 3 frames per second. Photographers can thereby rest assured that the decisive shot in a dynamic sequence will certainly be captured.

one-touch white balance

In addition to the usual options for automatic or preset white balance setting, the E-400 incorporates a one-touch white balance function for optimal alignment to the ambient lighting conditions. In this way, for example, a white shirt will still appear white even if recorded under fluorescent light therefore saving the necessity for image editing later.
high light and shadow basis spot metering
Besides ESP, Spot and Centre-weighted Average metering, the E-400 is equipped with two exposure metering modes which ensure that bright subjects with bright backgrounds as well as dark motifs on dark backgrounds are not absorbed, but can be differentiated in the final result.
variable storage solution
Card slots for CompactFlash cards (Type I and II), Microdrive and xD-Picture Cards.

JPEG and RAW recording

Images can be recorded in RAW and simultaneously in JPEG format.