Model Serial No. Purchase Date

92-BP (bottom)

PLEASE KEEP THIS MANUAL

PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep this manual in a safe place for future reference.

WARNING

Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, re or other hazards. These precautions include, but are not limited to, the following:
Power supply/AC power adaptor
Only use the voltage specied as correct for the instrument. The required voltage is printed on the name plate of the instrument. Use the specied adaptor (PA-300 or an equivalent recommended by Yamaha) only. Using the wrong adaptor can result in damage to the instrument or overheating. Check the electric plug periodically and remove any dirt or dust which may have accumulated on it. Do not place the AC adaptor cord near heat sources such as heaters or radiators, and do not excessively bend or otherwise damage the cord, place heavy objects on it, or place it in a position where anyone could walk on, trip over, or roll anything over it.

Water warning

Do not expose the instrument to rain, use it near water or in damp or wet conditions, or place containers on it containing liquids which might spill into any openings. Never insert or remove an electric plug with wet hands.

Fire warning

Do not put burning items, such as candles, on the unit. A burning item may fall over and cause a re.
If you notice any abnormality
If the AC adaptor cord or plug becomes frayed or damaged, or if there is a sudden loss of sound during use of the instrument, or if any unusual smells or smoke should appear to be caused by it, immediately turn off the power switch, disconnect the adaptor plug from the outlet, and have the instrument inspected by qualied Yamaha service personnel.

Do not open

Do not open the instrument or attempt to disassemble the internal parts or modify them in any way. The instrument contains no user-serviceable parts. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualied Yamaha service personnel.

CAUTION

Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the instrument or other property. These precautions include, but are not limited to, the following:

MIXING CONSOLE

DIRECT ACCESS

STANDBY

STYLE CONTROL

PHONES

When youre ready to turn off the power, press the [STANDBY/ON] switch again. Both the display and the drive lamp (at the bottom left of the drive) will turn off.
Setting the volume Use the [MASTER VOLUME] dial to adjust the volume to an appropriate level.
Setting Up the PSR-3000/1500

Music Rest

The PSR-3000/1500 is supplied with a music rest that can be attached to the instrument by inserting it into the slot at the rear of the control panel.

Using Headphones

CAUTION Do not listen with the headphones at high volume for long periods of time. Doing so may cause hearing loss.
Connect a pair of headphones to the [PHONES] jack. The internal stereo speaker system is automatically shut off when a pair of head phones is plugged into the [PHONES] jack.
Changing the Display Language
This determines the language used in the display for messages, le names, and character input.
Call up the operation display. [FUNCTION] [I] UTILITY TAB[][] OWNER Press the [4]/[5] button to select a language.

Display Settings

Adjusting the Contrast of the Display
You can adjust the contrast of the display by turning the [LCD CONTRAST] knob located on the rear panel.
Adjusting the Brightness of the Display
Adjust the brightness of the display.
Call up the operation display. [FUNCTION] [I] UTILITY TAB[][] CONFIG 2 Press the [2] button to adjust the brightness of the display.
Entering the Owner Name in the Opening Display
You can have your name appear in the opening display (the display that rst appears when the power is turned on).
Call up the operation display. [FUNCTION] [I] UTILITY TAB[][] OWNER Press the [I] (OWNER NAME) button and call up the Owner Name display. Refer to page 71 for character-entry details.
Handling the Floppy Disk Drive (FDD) and Floppy Disks

Removing SmartMedia Cards
Before removing the SmartMedia card, be sure to conrm that the card is not in use, or it is not being accessed by the instrument. Then pull the card out slowly by hand. If the SmartMedia card is being accessed*, a message indicating that it is in use appears on the instrument's display.
* Accessing includes saving, loading, formatting, deleting and making directory. Also, be aware that the instrument will automatically access the SmartMedia to check the media type when it is inserted while the instrument is turned on.

Playing the Demos

The Demos are more than just songs they also provide helpful, easy-to-understand introductions to the features, functions and operations of the instrument. In a way, the Demos are an interactive mini-manual complete with sound demonstrations and text showing what it can do for you.
Select the desired Language.
Press the [HELP] button to call up the language selection display.
Press the [6]/[7] buttons to select the desired language.
Press the [DEMO] button to start the Demos.
Demos will play back continuously until stopped.
Press the [EXIT] button to stop the Demo playback.
When the Demo stops, the display returns to the MAIN display.
Showing Specic Demo Topics
Press the [7]/[8] buttons in the Demo display to call up the specic Demo menu.
Press one of the [A][I] buttons to show a specic Demo.
To return back to the previous display, press the [J] button.
When the Demo has more than one screen. Press a [] button corresponding to the screen number.
Press the [EXIT] button to exit from the Demos.
Operations in Basic Displays
To start with, you should know a little about the basic displays that appear in the Quick Guide. There are three basic displays: Main display File selection display Function display See below. See below. page 27
Operation of the Main Display
The Main display shows the basic settings and important information for the instrument (It is the same display that appears when the instrument is turned on.).You can also call up display pages related to the displayed function from the Main display.
n About information in the Main display See page 62.
1 [A][J] buttons The [A][J] buttons correspond to the settings indicated next to the buttons. For example, press the [F] button, and the Voice (RIGHT 1) selection display will appear in the display. 2 [1][8] buttons The [1][8] buttons correspond to the parameters which are indicated above the buttons. For example, pressing the [1] button will increase the Song (page 35) volume. 3 [DIRECT ACCESS] and [EXIT] buttons Heres a convenient way to return to the Main display from any other display: Simply press the [DIRECT ACCESS] button, then the [EXIT] button.

Press the [DIRECT ACCESS] button. A message appears in the display prompting you to press the appropriate button. Press the button corresponding to the desired setting display to instantly call up that display. Refer to the separate Data List for a list of the displays that can be called up with the Direct Access function. Example of calling up the Guide function display Press the [DIRECT ACCESS] button, then press the [GUIDE] button.
Returning to the Main display Heres a convenient way to return to the Main display from any other display: Simply press the [DIRECT ACCESS] button, then the [EXIT] button.
Basic Displays (Main Display and File Selection Display)
There are two basic display types Main and Selection. Here are explanations of each display segment and its basic operation.

Main Display

The Main display shows the current basic settings of the instrument such as the currently selected Voice and Style, allowing you to see them at a single glance. The Main display is the one youll usually see when you play the keyboard.
Returning to the Main display Heres a convenient way to return to the Main display from any other display: Simply press the [DIRECT ACCESS] button, then the [EXIT] button. 8 ) @ # $ !
1 Song name and related information Displays the currently selected Song name, time signature and tempo. If the Song contains the chord data, the current chord name will be displayed in the CHORD segment (see 3 below). Pressing the [A] button calls up the Song Selection display (page 35). 2 Style name and related information Displays the currently selected Style name, time signature and tempo. Pressing the [B] button calls up the Style Selection display (page 46). 3 Current chord name If the [ACMP ON/OFF] button is set to On, the chord specied in the chord section of the keyboard will be displayed. 4 Multi Pad Bank name Indicates the names of the selected Multi Pad Banks (page 126). Pressing the [D] button calls up the Multi Pad Bank Selection display (page 127). 5 Internet function Pressing the [E] button calls up the Internet Direct Connection display (page 165). 6 Transpose Displays the amount of transposition in semitone units (page 55). 7 Octave The [UPPER OCTAVE] buttons allow the pitch of the keyboard to be shifted down or up in octave steps. This shows the amount that the octave value is shifted. 8 Tempo Displays the current tempo of the Song or Style. 9 BAR (current position of the Song or Style) Displays the current position of the Song or bar and beat number from playback start of the Style. ) Registration Sequence Appears when the Registration Sequence is active (page 132). ! Voice name RIGHT 1 (indicated at the right edge of the display): Voice name currently selected for the RIGHT 1 part (page 77). RIGHT 2 (indicated at the right edge of the display): Voice name currently selected for the RIGHT 2 part (page 77).
LEFT (indicated at the right edge of the display): Voice name currently selected for the LEFT part (page 77). Pressing one of the [F], [G] and [H] buttons calls up the Voice Selection display for each part (page 29). @ Split Point Split Points are specic positions (notes) on the keyboard that divide the keyboard into separate sections. There are two kinds of Split Points: A, which separates the chord section from the rest of the keyboard, and L, which divides the left-hand and right-hand sections. # Registration Memory Bank name Displays the currently selected Registration Memory Bank name. Pressing the [J] button calls up the Registration Memory Bank Selection display (page 130). $ Volume Balance Displays the volume balance among the parts. Adjust the volume balance among the parts by using the [1][8] buttons.

Setting the Split Point From the Main display, press the [I] button to call up the window for setting the Split Point. Press the [F] (S+L) button then rotate the [DATA ENTRY] dial to set the Split Point (S) and Split Point (L) to the same note number. Press the [H] (S) or [G] (L) button then rotate the [DATA ENTRY] dial to set the Split Point (S) or the Split Point (L) to the desired note number independently.
File Selection Display Conguration and Basic Operation
The File Selection display appears when you press one of the buttons shown below. From here you can select Voices, Styles, and other data.
VOICE category selection buttons

SONG SELECT button

REGIST. BANK selection button
File Selection Display Conguration

Location (drive) of data

Preset User Location where pre-programmed Location where recorded or edited data is saved. (preset) data is stored. Card Location where data on SmartMedia card is saved.
Data les and folders The data, both pre-programmed and your own original, are saved as les. You can drop les into a folder.

Folder

Folder Icon
File Selection Display Basic Operation
Select the tab containing the desired le by using the TAB []/[] buttons. Select the page containing the desired le by using the [1][7] buttons ([1][6] buttons for Voice and Song). Select the le. There are two ways to do so. Press one of the [A][J] buttons. Select the le by using the [DATA ENTRY] dial, then press the [ENTER] button to execute. Press the [EXIT] button to return to the previous display. Closing the current folder and calling up the next highest level folder To close the current folder and call up the next highest level folder, press the [8] (UP) button. Example of the PRESET Voice Selection display The PRESET Voice les are categorized and contained in appropriate folders.
This display shows the Voice les in a folder.
The next highest level in this case, folder is shown. Each folder shown in this display contains appropriately categorized Voices.
File/Folder Operations in the File Selection Display
Saving Files... page 67 Copying Files/Folders (Copy & Paste).. page 68 Moving Files (Cut & Paste)... page 69 Deleting Files/Folders... page 69 Renaming Files/Folders... page 70 Selecting Custom Icons for Files (shown at the left of le name). page 70 Creating a New Folder... page 71 Entering characters.... page 71
Formatting a SmartMedia card A new SmartMedia card or one which has been used with other devices may not be immediately usable with the PSR-3000/1500. If the SmartMedia card inserted in the instruments card slot cannot be accessed by the instrument, you will need to format the card for the instrument.

Prot. 2 Orig

Prot. 2 Edit
Note for Prot. 2 Orig and Prot. 2 Edit Song le operation Make sure to save the Prot. 2 Edit Song to the same folder containing its original Prot. 2 Orig Song. Otherwise the Prot. 2 Edit Song cannot be played back. Also, if you move a Prot. 2 Edit Song, be sure to move its original Prot. 2 Orig Song to the same location (folder) at the same time.
Copying Files/Folders (Copy & Paste)
This operation lets you copy a le/folder and paste it to another location (folder).
Call up the display containing the le/folder you want to copy. Press the [3] (COPY) button to copy the le/folder. The pop-up window for the Copy operation appears at the bottom of the display.
Press one of the [A][J] buttons corresponding to the desired le/ folder. To cancel the selection, press the same [A][J] button again. Selecting all les/folders Press the [6] (ALL) button to select all les/folders indicated on the current display including the other pages. To cancel the selection, press the [6] (ALL OFF) button again.
Press the [7] (OK) button to conrm the le/folder selection. To cancel the Copy operation, press the [8] (CANCEL) button. Select the destination tab (USER, CARD, etc.) to paste the le/folder, by using the TAB []/[] buttons. Press the [4] (PASTE) button to paste the le/folder. The folder/le copied and pasted appears on the display at the appropriate position among the les in alphabetical order.
Moving Files (Cut & Paste)
This operation lets you cut a le and paste it to another location (folder).
Call up the display containing the le you want to move. Press the [2] (CUT) button to cut the le. The pop-up window for the Cut operation appears at the bottom of the display.
Press one of the [A][J] buttons corresponding to the desired le. To cancel the selection, press the same [A][J] button again. Selecting all les Press the [6] (ALL) button to select all les indicated on the current display including the other pages. To cancel the selection, press the [6] (ALL OFF) button again.

Press the [8] (OK) button to actually enter the new name and return to the previous display.
Restoring the Factory-programmed Settings
Restoring the Factory-programmed System
While holding the C6 key (right-most key on the keyboard), turn the [POWER] button ON. This operation has the same result as and is a shortcut for the System Setup restore operation explained in step 2 of the following section.
The operation of restoring the factory-programmed settings does not affect the Internet Settings. To reset the Internet Settings, refer to page 178.
Restoring the Factory-programmed Settings Independently by Item
Call up the operation display. [FUNCTION] [I] UTILITY TAB[] SYSTEM RESET Select items by pressing the [1][3] buttons.
Restores the System Setup parameters to the original factory settings. Refer to the separate Data List booklet for details about which parameters belong to the System Setup. Restores the MIDI settings including the MIDI templates on the User tab display to the original factory status. Restores the User Effect settings including the user effect types, user master EQ types, and user vocal harmony types (PSR-3000) created via the Mixing Console display to the original factory settings. Restores the Music Finder data (all records) to the original factory settings. Deletes all les and folders stored in the User tab display. Temporarily deletes the current Registration Memory settings of the selected Bank. The same can be done also by turning the [POWER] button ON while holding the B5 key (right-most B key on the keyboard).
This operation deletes all your original data for the respective item (MIDI SETUP, USER EFFECT, MUSIC FINDER, and FILES&FOLDERS).

SYSTEM SETUP

MIDI SETUP USER EFFECT
MUSIC FINDER FILES&FOLDERS REGIST
Checkmark the box of the item to be reset to the factory programmed settings by pressing the [4] button. Press the [D] button to execute the Factory Reset operation for all checkmarked items.
Saving and Recalling Your Original Settings as a Single File
For the items below, you can save your Original Settings as a Single File for future recall.
Make all desired settings on the instrument. Call up the operation display. [FUNCTION] [I] UTILITY TAB[] SYSTEM RESET Press one of the [F][I] buttons to call up the relevant display for saving your data.

You can use a pedal to turn the Harmony/Echo effects on and off (page 191). Portamento: Portamento is a function that creates a smooth transition in pitch from the rst note played on the keyboard to the next. The portamento time (the pitch transition time) can be set via the MIXING CONSOLE display (page 88). DSP: Stands for Digital Signal Processor (or Processing). DSP changes and enhances the audio signal in the digital realm to produce a wide range of effects.

HARMONY/ECHO SUSTAIN

MONO/POLY

DSP/DSP VARIATION

Selecting the Harmony/Echo type
You can select the desired Harmony/Echo effect from a variety of types. In order to make the type youve selected here effective, set HARMONY/ECHO to On in the display shown in step 2 above.
Call up the operation display. [FUNCTION] [F] HARMONY/ECHO
Use the [1][3] buttons to select the Harmony/Echo type (page 85). Use the [4][8] buttons to select various Harmony/Echo settings (page 86). The available settings differ depending on the Harmony/Echo type.

Harmony/Echo Types

The Harmony/Echo types are divided into the following groups, depending on the particular effect applied.
Harmony Types These types apply the harmony effect to notes played in the right-hand section of the keyboard according to the chord specied in the left-hand section of the keyboard. (Note that the 1+5 and Octave settings are not affected by the chord.) Multi Assign Type This type applies a special effect to chords played in the right-hand section of the keyboard. Echo Types These types apply echo effects to notes played in the right-hand section of the keyboard in time with the currently set tempo.
Harmony Types When one of the Harmony Types is selected, the Harmony effect is applied to notes played in the right-hand section of the keyboard according to the type selected above and the chord specied in the chord section of the keyboard shown below.

Split point

VIBRATO ON/OFF VIBRATO DEPTH

FOOTAGE

Footage: The term footage is a reference to the sound generation of traditional pipe organs, in which the sound is produced by pipes of different lengths (in feet).

16' 5 1/3' 16'1'

Switches the controllable footage (by using the [D] button), between 16' and 5 1/3'. Determines the basic sound of the organ utes. The longer the pipe, the lower the pitch of the sound. Hence, the 16' setting determines the lowest pitched component of the Voice, while the 1' setting determines the highest pitched component. The higher the value of the setting, the greater the volume of the corresponding footage. Mixing various volumes of the footages lets you create your own distinctive organ sounds.

VOLUME/ATTACK

VOL RESP Adjusts the overall volume of the Organ Flutes. The longer the graphic bar, the greater the volume. Affects both the attack and release (page 97) portion of the sound, increasing or decreasing the response time of the initial swell and release, based on the FOOTAGE controls. The higher the value, the slower the swell and release. Determines the speed of the vibrato effect controlled by the Vibrato On/Off and Vibrato Depth above. The MODE control selects between two modes: FIRST and EACH. In the FIRST mode, attack is applied only to the rst notes played and held simultaneously; while the rst notes are held, any subsequently played notes have no attack applied. In the EACH mode, attack is applied equally to all notes. These determine the attack sound volume of the ORGAN FLUTE Voice. The 4', 2-2/3' and 2' controls increase or reduce the volume of attack sound at the corresponding footages. The longer the graphic bar, the greater the attack sound volume. Affects the attack portion of the sound producing a longer or shorter decay immediately after the initial attack. The longer the graphic bar, the longer the decay.

VIBRATO SPEED MODE

4', 2 2/3', 2'
EFFECT/EQ Same parameters as in the SOUND CREATOR EFFECT/EQ tab display explained on page 98.
Disabling automatic selection of Voice Sets (effects, etc.) Each Voice is linked to its related parameter settings that are indicated in the SOUND CREATOR displays, including effects and EQ. Usually these settings are automatically called up when a Voice is selected. However, you can also disable this feature by the operation in the relevant display as explained below. For example, if you want to change the Voice yet keep the same Harmony effect, set the HARMONY/ECHO parameter to OFF (in the display explained below). You can set these independently by keyboard part and parameter group. 1 Call up the operation display. [FUNCTION] [E] REGIST.SEQUENCE/FREEZE/VOICE SET TAB [] VOICE SET 2 Use the [A]/[B] buttons to select a keyboard part. 3 Use the [4][7] buttons to enable/disable automatic calling up of the settings (ON or OFF) independently for each parameter group. Refer to the separate Data List for a list of parameters contained in each parameter group.

2 Press the [1][8] buttons to turn the channels on or off. To listen to only one instrument by itself, hold down the appropriate button for the channel to set the channel to SOLO. To cancel SOLO, simply press the appropriate channel button again.
Playing the chords in free tempo (without Style playback) You can have the accompaniment chords sound without playing back the Style, by setting [ACMP ON/OFF] to on, and [SYNC START] to off. For example, if MULTI FINGER is selected (page 103), you can perform with your own pace while sounding the chord by pressing the chord section of the keyboard with your one nger.
Setting the fade in/out time You can set the time of the fade in and fade out (page 48). 1 Call up the operation display. [FUNCTION] [I] UTILITY TAB[] CONFIG 1 [A] FADE IN/OUT/ HOLD TIME 2 Set the parameters related to fade in/out by using the [3] [5] buttons.
FADE IN TIME FADE OUT TIME FADE OUT HOLD TIME Determines the time it takes for the volume to fade in, or go from minimum to maximum. Determines the time it takes for the volume to fade out, or go from maximum to minimum. Determines the time the volume is held at 0 following the fade out.
Style Playback-related Settings
The PSR-3000/1500 has a variety of Style playback functions, including Split Point and many otherswhich can be accessed in the display below.
Call up the operation display. [FUNCTION] [C] STYLE SETTING/SPLIT POINT/CHORD FINGERING TAB[] STYLE SETTING/SPLIT POINT Use the [F][H] buttons to set the Split Point (see below) and use the [1][5] buttons for each setting (page 106).

Split Point settings

Parameters
SPLIT POINT These are the settings (there are two Split Points) that separate the different sections of the keyboard: the Chord section, the LEFT part section and the RIGHT 1 and 2 section. The two Split Point settings (below) are specied as note names. Split Point (S) separates the Chord section for Style playback from the section(s) for playing Voices (RIGHT 1, 2 and LEFT) Split Point (L) separates the two sections for playing Voices, LEFT and RIGHT 1- 2. These two settings can be set to the same note (as in the default) or two different notes as desired. Setting the Split Point (S) and the Split Point (L) to the same note

Split Point (S+L)

Chord section + Voice LEFT

Voice RIGHT 1and 2

Press the [F] (S+L) button and rotate the [DATA ENTRY] dial.
Setting the Split Point (S) and the Split Point (L) to different notes

Press the REGISTRATION MEMORY [REGIST. BANK] button to call up the REGISTRATION BANK Selection Display. Press the [6] button to save the Bank le (page 67).
About recalling setups from a SmartMedia card or oppy disk When recalling the setups including Song/Style le selection from a SmartMedia card or oppy disk, make sure that the appropriate SmartMedia card or oppy disk including the registered Song/Style is inserted into the card slot or oppy disk drive.
Press the REGISTRATION MEMORY [REGIST. BANK] button to call up the REGISTRATION BANK Selection Display.
Press one of the [A][J] buttons to select a bank.
Press one of the green-lit numbered buttons ([1][8]) in the Registration Memory section.
Parameter Lock You can lock specic parameters (e.g., effect, split point, etc.) to make them selectable only via the panel controlin other words, instead of via Registration Memory, One Touch Setting, Music Finder, Song or incoming MIDI data, etc. Call up the Parameter Lock display ([FUNCTION] [I] UTILITY TAB [] CONFIG 1 [B] 3 PARAMETER LOCK). Select the desired parameter by using the [1][7]buttons, then lock it with the [8] (OK) button.
Deleting an Unneeded Panel Setup/Naming a Panel Setup
The panel setups can be deleted or named individually as desired.
Press the REGISTRATION MEMORY [REGIST. BANK] button to call up the REGISTRATION BANK Selection Display. Press one of the [A][J] buttons to select a bank to be edited. Press the [8] (EDIT) button to call up the REGISTRATION EDIT Display. Edit the panel setups. Deleting a panel setup Press the [5] button to delete a panel setup (page 69). Renaming a panel setup Press the [1] button to rename a panel setup (page 70).
The number above the le name corresponds to the REGISTRATION MEMORY [1][8] buttons.
Press the [8] (UP) button to return to the REGISTRATION BANK Selection display.
Disabling Recall of Specic Items (Freeze Function)
Registration Memory lets you recall all the panel setups you made with a single button press. However, there may be times that you want certain items to remain the same, even when switching Registration Memory setups. For example, you may want to switch Voices or effect settings while keeping the same accompaniment Style. This is where the Freeze function comes in handy. It lets you maintain the settings of certain items and leave them unchanged, even when selecting other Registration Memory buttons.

AUTO When the [ACMP ON/OFF] or [LEFT] is set to ON and if chord data exists in the song, the mode is automatically set to CHORDAL. In all other cases, the mode is set to VOCODER. The harmony notes are determined by the notes you play on the keyboard and/or song data. You can specify whether the Vocoder effect is controlled by your keyboard performance or by the Song data (page 185). The harmony notes are determined by the following three types of chord: chords played in the chord section of the keyboard (with the [ACMP] turned on), chords played in the LEFT Voice section of the keyboard (with the [ACMP] turned off and the [LEFT] turned on), and chords contained in song data for controlling the harmony. (Not available if the song does not contain any chord data.)

VOCODER

CHORDAL
CHORD The following parameters determine which data in a recorded song is used for chord detection.
OFF XF 116 Chords are not detected from the song data. Chords of XF format are used for the Vocal Harmony. Chords are detected from note data in the specied song channel.
MIC The following parameters determine how the microphone sound is controlled. MUTE When set to ON, the microphone sound is turned off. VOLUME Adjusts the output volume of the microphone sound.

Talk Setting

This function lets you have special settings for making announcements between songs, separate from the settings for your singing performance.
Press the [MIC SETTING/VOCAL HARMONY] button to call up the MIC SETTING/VOCAL HARMONY display.
Press the [I] (MIC SETTING) button to call up the MICROPHONE SETTING display. Press the TAB [] button to select the TALK SETTING tab display.
Use the [A]/[B] buttons to select the item (parameter) (page 188) to be set.
Use the [1][7] buttons to set the value. Press the [EXIT] button to exit from the MICROPHONE SETTING display.
Settings in the TALK SETTING tab display are automatically saved to the instrument when you exit from the display. However, if you turn the power off without exiting from this display, the settings will be lost.
Adjustable Items (Parameters) in the TALK SETTING Tab Display

When playing back one Style and selecting another, the newly selected Style doesnt play at the proper Tempo. This is normal; the Tempo setting remains constant when changing Styles. Starting a Song while playing back a Style stops Style playback. This is because Song playback has priority. The two ways shown below let you play back a Style and Song simultaneously. Set the Song to Synchro Start standby, then start the Style. Start the Style playback after playing back a Song. The level balance of the various Parts becomes wrong or unexpected sounds are output when selecting a Style or a Voice after selecting a Song. The level balance of the Parts can change and unexpected sounds can be produced because of the effects applied to each Part. The Off setting is not shown for the Play Type parameter in the Assembly (Style Creator) feature. The selected section is set to record enable. Release the recording assignment by pressing the appropriate [1][8] button in the recording channel display (TAB [] button BASIC tab [F] REC CH). The channels BASS-PHR2 cannot be edited in Channel Edit. This is normal; BASS-PHR2 channels of the Preset Styles cannot be edited.
Even though a Registration Memory setting containing a User/Card voice is selected, the File Selection display shows a Preset Voice. This is normal; even with the Preset Voice shown, the actual sounding Voice is the selected User/Card Voice. When a User/Card Voice is saved to the User/Card drive, the actual data is divided into two separate types: 1) the source Preset Voice itself, and 2) the parameter settings as set in the Sound Creator. When you recall a Registration Memory setting containing a User/Card Voice, the PSR-3000/1500 selects the Preset voice (on which the User/Card Voice is based), then applies the relevant parameter settings to itso that your original User/Card Voice is sounded.
Songs cannot be selected. This may be because the language settings have been changed. Set the appropriate language for the Song le name. If the size of the Song data is large (300 KB or greater), the Song cannot be selected because the data is too large to be read by the instrument. Song playback does not start. New Song (a blank Song) has been selected. Make sure to select an appropriate Song in the Song Selection display (page 35). Make sure to press the SONG [PLAY/PAUSE] button. The Song has been stopped at the end of the Song data. Return to the beginning of the Song by pressing the SONG [STOP] button. In the case a Song to which write-protect has been applied (Prot. 2 Edit is shown at the upper left of the Song name), the original le may not be in the same folder. It cannot be played back unless the original le (showing Prot.2 Orig at the upper left of the Song name) is in the same folder. In case of a Song to which write-protect has been applied (Prot. 2 Edit is shown at the upper left of the Song name), the original le name may have been changed. Rename the le with the original le name (so that Prot.2 Orig is shown at the upper left of the Song name). In case of a Song to which write-protect has been applied (Prot. 2 Edit is shown at the upper left of the Song name), the le icon may have been changed. Songs to which write-protect has been applied cannot be played back when the le icon of the original has been changed. MIDI Clock may be set to EXTERNAL. Make sure this is set to INTERNAL (page 203). Song playback stops before the Song is nished. The Guide function is turned on. (In this case, playback is waiting for the correct key to be played.) Press the [GUIDE] button to turn off the guide function.

E.Piano

Strings

Guitar&Bass

Category Organ
Voice Name 16+2Organ 16+4Organ TheatreOrg1 TheatreOrg2 ChapelOrgn1 ChapelOrgn2 ChapelOrgn3 PipeOrgan ReedOrgan JazzDraw! BluesOrgan! SixteenOne! EvenBars! PopOrgan! RockingOrg! Percussive! GospelOrg! PadOrgan! FullRanks! Trumpet Trombone MutedTrump FlugelHorn SoftTrumpet SoloTrumpet SoloTromb JazzTrumpet FrenchHorn AirTrumpet Trombone SoftTromb MellowTromb SmoothTromb Tuba BrassSection MellowBrass BigBandBrs PopBrass BrassCombo BrightBrass SoftBrass FullHorns HighBrass TrumpetEns MellowHorns BallroomBrs Trb.Section SmallBrass BrassHit StepBrass OberBrass AnalogBrs SoftAnalog FunkyAnalog TechnoBrass SynthBrass 80'sBrass Musette TuttiAccrd SmallAccrd Accordion TangoAccrd Bandoneon SoftAccrd ModernHarp BluesHarp Harmonica HahChoir GothicVox VocalEnsbl VoxHumana Choir AirChoir SweetHeaven CyberPad Fantasia Insomnia Wave2001 Atmosphere NeoWarmPad XenonPad Equinox DX Pad
Voice Number MSB 0 LSB 112 PRG 93
Voice Type Regular Regular Regular Regular Regular Regular Regular Regular Regular Organ Flutes Organ Flutes Organ Flutes Organ Flutes Organ Flutes Organ Flutes Organ Flutes Organ Flutes Organ Flutes Organ Flutes Sweet! Sweet! Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular

Category Choir&Pad

Voice Name Symbiont Stargate Area51 DarkMoon Ionosphere GoldenAge Solaris Millennium Transform Dunes Oxygen Matrix WireLead HipLead SquareLead Saw.Lead FireWire Analogon SFXKit1 SFXKit2 FunkyLead Fargo Portatone Blaster BigLead Warp Adrenaline TinyLead Stardust AeroLead MiniLead SynthFlute SubAqua SunBell UnderHeim HiBias Vinylead Skyline Vibraphone JazzVibes Marimba Xylophone SteelDrums Celesta Glocken MusicBox TubularBell Kalimba Dulcimer Timpani StandardKit1 StandardKit2 RoomKit RockKit ElectroKit AnalogKit DanceKit JazzKit BrushKit SymphonyKit ArabicKit HitKit

Ensemble

Synth.Lead

Synth.Pad

Synth.Effect

Category Synth.Effect

Voice Name HarmoRain AfricanWind Carib SoundTrack Prologue Ancestral Crystal SynthDr.Comp Popcorn TinyBells RoundGlocken GlockenChime ClearBells ChorusBells SynthMallet SoftCrystal LoudGlocken ChristmasBel VibeBells DigitalBells AirBells BellHarp Gamelimba Atmosphere WarmAtmos. HollwRelease NylonElPiano NylonHarp HarpVox Atmos.Pad Planet Brightness FantasyBells Smokey Goblins GoblinsSynth Creeper RingPad Ritual ToHeaven Night Glisten BellChoir Echoes Echoes2 EchoPan EchoBells BigPan SynthPiano Creation StarDust Reso&Panning Sci-Fi Starz Sitar DetunedSitar Sitar2 Tambra Tamboura Banjo MutedBanjo Rabab Gopichant Oud Shamisen Koto Taisho-kin Kanoon Kalimba Bagpipe Fiddle Shanai Shanai2 Pungi Hichiriki TinkleBell Bonang Altair GamelanGongs StereoGamlan RamaCymbal AsianBells Agogo
Voice Number MSB 0 LSB 0 PRG 114

Category Percussive

Voice Name SteelDrums GlassPerc. ThaiBells Woodblock Castanets TaikoDrum GranCassa MelodicTom MelodicTom2 RealTom RockTom SynthDrum AnalogTom ElectroPerc. Rev.Cymbal GtrFretNoise BreathNoise Seashore BirdTweet TelephonRing Helicopter Applause Gunshot CuttingNoise CuttingNoiz2 StringSlap Fl.KeyClick Shower Thunder Wind Stream Bubble Feed Dog Horse BirdTweet2 Ghost Maou PhoneCall DoorSqueak DoorSlam ScratchCut ScratchSplit WindChime TelphonRing2 CarEngineIgn CarTiresSqel CarPassing CarCrash Siren Train JetPlane Starship Burst RollrCoaster Submarine Laugh Scream Punch Heartbeat FootSteps MachineGun LaserGun Explosion Firework
Voice Number MSB 64 LSB 0 PRG 116
Voice Type Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular

SoundEffect

Ethnic

Percussive

Category Piano Voice Name GrandPiano GrandPianoW GrandPianoD BrightPiano BrightPianoW ElecGrandPno ElecGrandPW Honkytonk HonkytonkW El.Piano1 DetunedEP1 EP1VeloMix 60'sEl.Piano El.Piano2 DetunedEP2 EP2VeloMix EPLegend EPPhase Harpsichord Harpsi.OctMx HarpsichordW Harpsi.KOff Clavi. PulseClavi. Celesta Glockenspiel MusicBox Vibraphone VibraphoneW Marimba MarimbaW Xylophone TubularBells ChurchBells Carillon Dulcimer DrawbarOrgan DetDrawOrgan It60'sOrgan DrawbarOrg2 Perc.Organ DetPercOrgan Perc.Organ2 RockOrgan ChurchOrgan ChrchOrgOctM DetChurchOrg ReedOrgan PuffOrgan Accordion Accordion2 Harmonica TangoAccord NylonGuitar Ukulele NylonGtrKOff NylonGuitar2 SteelGuitar 12StrGuitar Mandolin Steel&Body JazzGuitar PedlSteelGtr CleanGuitar DetCleanGtr MidToneGtr MutedGuitar FunkGuitar MutedV-SwGtr JazzMan Overdriven GuitarPinch Distortion FeedbackGtr DstRhythmGtr GtrHarmonics GtrFeedback AcousticBass FingerBass FingerSlap PickBass FretlessBass SlapBass1 Voice Number MSB 121 LSB 0 PRG 37 Voice Type Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Bass Category Voice Name SlapBass2 SynthBass1 WarmSyBass ResoSynhBass ClaviBass Hammer SynthBass2 AttackBass RubberBass AttackPulse Violin SlwAtkViolin Viola Cello Contrabass Trem.Strings PizzicatoStr Orch.Harp YangChin Timpani Strings1 StringsBrass 60'sStrings Strings2 SynStrings1 SynStrings3 SynStrings2 ChoirAahs ChoirAahs2 VoiceOohs Humming SynthVoice AnalogVoice OrchestraHit BassHitPlus 6thHit EuroHit Trumpet DarkTpSoft Trombone Trombone2 BriteTrombon Tuba MutedTrumpet MuteTrumpet2 FrenchHorn FrenchHorn2 BrassSection BrassSect2 SynthBrass1 SynthBrass3 AnaSynBrass1 JumpBrass SynthBrass2 SynthBrass4 AnaSynBrass2 SopranoSax AltoSax TenorSax BaritoneSax Oboe EnglishHorn Bassoon Clarinet Piccolo Flute Recorder PanFlute BlownBottle Shakuhachi Whistle Ocarina SquareLead SquareLead2 SineLead SawtoothLead SawtoothLd2 SawPulseLead DoublSawLead Seq.Analog CalliopeLead ChiffLead CharangLead Voice Number MSB 121 LSB 0 PRG 85 Voice Type Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular Regular

Reverse Cymbal Hi Q 2 Snare Snappy Electro Kick 3 Kick 2 Kick Gate Snare Snappy Snare Tight Snappy Tom Room 1 Tom Room 2 Tom Room 3 Tom Room 4 Tom Room 5 Tom Room 6 Snare Rock Snare Rock Tight Tom Rock 1 Tom Rock 2 Tom Rock 3 Tom Rock 4 Tom Rock 5 Tom Rock 6 Kick Gate Kick Gate Heavy Snare Noisy 2 Snare Noisy 3 Tom Electro 1 Tom Electro 2 Tom Electro 3 Tom Electro 4 Tom Electro 5 Tom Electro 6

Snare Soft 2

Snare Electro Kick Tight L Snare Pitched Kick Wet Kick Tight H Stick Ambient Snare Ambient Snare Tight 2 Hybrid Tom 1 Hi-Hat Closed 2 Hybrid Tom 2 Hi-Hat Pedal 2 Hybrid Tom 3 Hi-Hat Open 2 Hybrid Tom 4 Hybrid Tom 5 Hybrid Tom 6

Snare Noisy

Open Rim Shot H Short Kick Short Side Stick Light Snare Short Snare Tight H

Tambourine Light

Scratch H 2 Scratch L 2
Key Off: Keys marked O stop sounding the instant they are released. Alternate Group: Playing any instrument within a numbered group will immediately stop the sound of ny other instrument in the same group of the same number. Same as Standard Kit 1 No Sound

PR-3000/1500 Data List

Bank Select MSB (0-127) 127 Bank Select LSB (0-127) 0 Program Change (0-127) 25 Program Change (1-128) 26 MIDI Keyboard Key Alternate Analog Kit Note Off Group Note# Note 13 C#-1 (C#0) D-1 (D0) D#-1 (D#0) 16 E-1 (E0) 17 F-1 (F0) F#-1 (F#0) G-1 (G0) 20 G#-1 (G#0) 21 A-1 (A0) 22 A#-1 (A#0) 23 B-1 (B0) 24 C0 CC#0 C#D0 D1 O 27 D#0 D#E0 E1 O Reverse Cymbal 29 F0 F1 O 30 F#0 F#1 Hi Q G0 G1 Snare Noisy G#0 G#A0 A1 Kick A#0 A#B0 B1 Kick Analog Short 36 C1 C2 Kick Analog 37 C#1 C#2 Side Stick Analog 38 D1 D2 Snare Analog 39 D#1 D#E1 E2 Snare Analog F1 F2 Tom Analog F#1 F#Hi-Hat Closed Analog 43 G1 G2 Tom Analog G#1 G#Hi-Hat Closed Analog A1 A2 Tom Analog A#1 A#Hi-Hat Open Analog 47 B1 B2 Tom Analog C2 C3 Tom Analog C#2 C#3 Crash Analog 50 D2 D3 Tom Analog D#2 D#E2 EF2 FF#2 F#G2 GG#2 G#3 Cowbell Analog 57 A2 AA#2 A#B2 BC3 CC#3 C#D3 D4 Conga Analog H 63 D#3 D#4 Conga Analog M 64 E3 E4 Conga Analog L 65 F3 FF#3 F#G3 GG#3 G#A3 AA#3 A#4 Maracas B3 B4 O 72 C4 C5 O 73 C#4 C#D4 D5 O 75 D#4 D#5 Claves E4 EF4 FF#4 F#5 Scratch H G4 G5 Scratch L G#4 G#81 A4 A82 A#4 A#B4 BC5 CC#5 (C#6) 86 D5 (D6) 87 D#5 (D#6) 88 E5 (E6) 89 F5 (F6) 90 F#5 (F#6) 91 G5 (G6)
Dance Kit (PSR-3000) Kick Dance 1 Kick Dance 2

Dance Kit (PSR-1500)

Jazz Kit

Brush Kit

Symphony Kit
Scratch Dance 1 Scratch Dance 2
Dance Perc 1 Reverse Dance 1 Dance Perc 2 Hi Q Dance 1 Snare Analog 3 Vinyl Noise Snare Analog 4 Reverse Cymbal Reverse Dance 2 Hi Q 2 Snare Techno Snare Dance 1 Kick Techno Q Rim Gate Kick Techno L Kick Techno Side Stick Analog Snare Clap Dance Clap Snare Dry Tom Analog 1 Hi-Hat Closed 3 Tom Analog 2 Hi-Hat Closed Analog 3 Tom Analog 3 Hi-Hat Open 3 Tom Analog 4 Tom Analog 5 Crash Analog Tom Analog 6

Reverse Cymbal Hi Q 2 Snare Techno Kick Techno Q Rim Gate Kick Techno L Kick Techno Side Stick Analog Snare Clap Dance Clap Snare Dry Tom Analog 1 Hi-Hat Closed 3 Tom Analog 2 Hi-Hat Closed Analog 3 Tom Analog 3 Hi-Hat Open 3 Tom Analog 4 Tom Analog 5 Crash Analog Tom Analog 6

Snare Jazz H

Brush Slap 2 Kick Soft 2 Open Rim Shot Light Gran Cassa Gran Cassa Mute Band Snare Band Snare 2
Kick Jazz Side Stick Light Snare Jazz L Snare Jazz M
Kick Jazz Side Stick Light Brush Slap 3 Brush Tap 2 Tom Brush 1 Tom Brush 2 Tom Brush 3 Tom Brush 4 Tom Brush 5
Hand Cymbal Tom Brush 6 Hand Cymbal Short
Tambourine Analog Cowbell Dance Vbraslap Analog Ride Analog Bongo Analog H Bongo Analog L Conga Analog H Conga Analog M Conga Analog L Cowbell Analog Hand Cymbal 2 Hand Cymbal 2 Short
Conga Analog H Conga Analog M Conga Analog L

Maracas 2

Claves 2 Dance Perc 3 Dance Perc 4 Dance Breath 1 Dance Breath 2

Claves 2

Bank Select MSB (0-127) 127 Bank Select LSB (0-127) 0 Program Change (0-127) 86 Program Change (1-128) 87 MIDI Keyboard Key Alternate Studio Kit Note Off Group (PSR-3000) Note# Note (C#0) C#-D-1 (D0) D#-1 (D#0) 16 E-1 (E0) 17 F-1 (F0) F#-1 (F#0) G-1 (G0) 20 G#-1 (G#0) 21 A-1 (A0) 22 A#-1 (A#0) 23 B-1 (B0) 24 C0 CC#0 C#1 Brush Tap 26 D0 D1 O Brush Swirl 27 D#0 D#1 Brush Slap 28 E0 E1 O Brush Tap Swirl 29 F0 F1 O Snare Roll 30 F#0 F#G0 G1 Snare Studio L 32 G#0 G#A0 A1 Kick Amb H 34 A#0 A#1 Open Rim Shot 35 B0 B1 Kick Amb L 36 C1 C2 Kick Studio 37 C#1 C#2 Side Stick 38 D1 D2 Snare Studio M 39 D#1 D#2 Hand Clap 40 E1 E2 Snare Studio L 41 F1 F2 Floor Tom L 42 F#1 F#Hi-Hat Closed 43 G1 G2 Floor Tom H 44 G#1 G#Hi-Hat Pedal 45 A1 A2 Low Tom 46 A#1 A#Hi-Hat Open 47 B1 B2 Mid Tom L 48 C2 C3 Mid Tom H 49 C#2 C#3 Crash Cymbal D2 D3 High Tom 51 D#2 D#3 Ride Cymbal E2 E3 Chinese Cymbal 53 F2 F3 Ride Cymbal Cup 54 F#2 F#3 Tambourine 55 G2 G3 Splash Cymbal 56 G#2 G#3 Cowbell 57 A2 A3 Crash Cymbal A#2 A#B2 B3 Ride Cymbal C3 C4 Bongo H 61 C#3 C#4 Bongo L 62 D3 D4 Conga H Mute 63 D#3 D#4 Conga H Open 64 E3 E4 Conga L 65 F3 F4 Timbale H 66 F#3 F#4 Timbale L 67 G3 GG#3 G#A3 A4 Cabasa 70 A#3 A#4 Maracas 71 B3 B4 O 72 C4 C5 O 73 C#4 C#5 Guiro Short 74 D4 D5 O Guiro Long 75 D#4 D#E4 EF4 FF#4 F#5 Cuica Mute 79 G4 G5 Cuica Open 80 G#4 G#Triangle Mute 81 A4 ATriangle Open 82 A#4 A#5 Shaker 83 B4 BC5 C6 Wind Chime 85 C#5 (C#6) 86 D5 (D6) 87 D#5 (D#6) 88 E5 (E6) 89 F5 (F6) 90 F#5 (F#6) 91 G5 (G6)

Arabic Kit

SFX Kit 1*

SFX Kit 2*

Cuban Kit (PSR-3000)

PopLatin Kit (PSR-3000)

Hand Clap
Nakarazan Dom Cabasa Nakarazan Edge Hager Dom Hager Edge Bongo H Bongo L Conga H Mute Conga H Open Conga L Zagrouda H Zagrouda L Kick Soft Side Stick Snare Soft Arabic Hand Clap Snare Floor Tom L Hi-Hat Closed Floor Tom H Hi-Hat Pedal Low Tom Hi-Hat Open Mid Tom L Mid Tom H Crash Cymbal 1 High Tom Ride Cymbal 1 Crash Cymbal 2 Duhulla Dom Tambourine Duhulla Tak Cowbell Duhulla Sak Claves Doff Dom Katem Dom Katem Tak Katem Sak Katem Tak Doff Tak Tabla Dom Tabla Tak1 Tabla Tik Tabla Tak2 Tabla Sak Tabla Roll of Edge Tabla Flam Sagat 1 Tabel Dom Sagat 3 Tabel Tak Sagat 2 Rik Dom Rik Tak 2 Rik Finger 1 Rik Tak 1 Rik Finger 2 Rik Brass Tremolo Rik Sak Rik Tik

Cutting Noise Cutting Noise 2 String Slap
Phone Call Door Squeak Door Slam Scratch Cut Scratch H 3 Wind Chime Telephone Ring 2
Conga H Tip Conga H Heel Conga H Open Conga H Mute Conga H Slap Open Conga H Slap Conga H Slap Mute Conga L Tip Conga L Heel Conga L Open Conga L Mute Conga L Slap Open Conga L Slap Conga L Slide Bongo H Open 1 Finger Bongo H Open 3 Finger Bongo H Rim Bongo H Tip Bongo H Heel Bongo H Slap Bongo L Open 1 Finger Bongo L Open 3 Finger Bongo L Rim Bongo L Tip Bongo L Heel Bongo L Slap Timbale L Open
Conga H Tip Conga H Heel Conga H Open Conga H Mute Conga H Slap Open Conga H Slap Conga H Slap Mute Conga L Tip Conga L Heel Conga L Open Conga L Mute Conga L Slap Open Conga L Slap Conga L Slide Bongo H Open 1 nger Bongo H Open 3 nger Bongo H Rim Bongo H Tip Bongo H Heel Bongo H Slap Bongo L Open 1 nger Bongo L Open 3 nger Bongo L Rim Bongo L Tip Bongo L Heel Bongo L Slap Timbale L Open

Flute Key Click

Car Engine Ignition Car Tires Squeal Car Passing Car Crash Siren Train Jet Plane Starship Burst Roller Coaster Submarine

Paila L Timbale H Open

Paila H Cowbell Top

Guiro Short Guiro Long

Shower Thunder Wind Stream Bubble Feed
Laugh Scream Punch Heart Beat Foot Steps

Tambourine

Maracas Shaker Cabasa
Maracas Shaker Cabasa Cuica Mute Cuica Open
Triangle Mute Triangle Open Dog Horse Bird Tweet 2 Machine Gun Laser Gun Explosion Firework Wind Chime

Ghost Maou

* Actual Keyboard Notes of the SFX Kit 1 and 2 are one octave lower than the ones described in the above list.
Style List / Liste der Styles / Liste des styles / Lista de estilos
Group Pop&Rock Style Name Cool8Beat 8BeatModern 60's8Beat 70's8Beat BubblegumPop 60'sGuitarPop BritPopSwing Unplugged Rock RockShufe SouthernRock SoftRock 8Beat HeartBeat GuitarPop RockBallad HardRock FusionShufe PopShufe 60'sRock1 60'sRock2 J-PopHit1 J-PopHit2 RootRock Ballad 8BeatAdria 8BeatBallad EasyBallad EPBallad LoveSong PowerBallad 70'sPopBallad GuitarBallad AnalogBallad 6-8SlowRock 6-8Modern 6-8Orchestral 12-8Ballad Chillout NewR&BBallad ChartBallad Slow&Easy 16Beat PopBallad 16BeatBallad OrganBallad PianoBallad GuitarSerenade Dance Ibiza2004 Ibiza2002 EuroTrance RetroPop NewR&B NewHipHop ClassicHipHop LatinDJ's DiscoHouse DreamDance FrenchHouse TechnoParty DiscoPhilly 70'sDiscoFunk 70'sDisco1 70'sDisco2 80'sDisco DiscoChocolate USPop Clubdance ChartPop EuroHipHop House SwingHouse Country R&B Swing&Jazz Dance Group Style Name Groundbeat Garage TripHop 6-8Trance OrchBigBand1 OrchestraSwing1 ModernJazzBld Bebop OrchBigBand2 AcousticJazz MediumJazz FastJazz MORSwing BigBandFast1 BigBandMed1 EasyListening BigBandFast2 BigBandMed2 40'sBigBand CoolJazzBallad Dixieland OrchestraSwing2 JazzClub Five-Four JazzWaltzMed JazzWaltzFast MidnightSwing OrganGroove JumpJive Ragtime GuitarSwing Charleston BluesRock SlowBlues FranklySoul JazzFunk KoolFunk GospelSwing GospelSisters WorshipSlow WorshipMed Rock&Roll1 MotorCity 6-8Soul Swingin'Boogie DetroitPop1 DetroitPop2 LovelyShufe R&BBallad Soul SoulBeat SoulShufe 60'sRock&Roll Rock&Roll2 Twist BluesBallad BlueberryBlues ComboBoogie NewCountry ModernCntryBld CountryBallad Country8Beat Bluegrass CountryPop CountryRock CntrySing-along CountrySwing Hoedown CountryTwoStep Country2-4 FingerPickin

EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet
32Hz 2.0kHz -12 +12dB 500Hz 16.0kHz -12 +12dB D63>W D=W D<W=63
table#3 table#3 (table#15)
Drive LPF Cutoff Output Level

1kHz Thru 0 127

table#3 (table#18)
SYMPHONIC1, 2 (Chorus and all the DSP blocks) No. Parameter LFO Frequency LFO Depth Delay Offset Display 0.00Hz 39.7Hz 0.0mS 50mS
MSB = 68 Value See Table table#1 (table#19) table#2 Control
TREMOLO1, 3, EP TREMOLO, GT TREMOLO2, ROTARY SP4 (All the DSP blocks) No. Parameter LFO Frequency AM Depth PM Depth Display 0.00Hz 39.7Hz 0 127
MSB = 70 Value See Table table#1 Control
32Hz 2.0kHz -12 +12dB 500Hz 16.0kHz -12 +12dB D63>W D=W D<W63
table#3 table#3 (table#15) table#3
11 EQ Mid Frequency (*4) 100Hz 10.0kHz 12 EQ Mid Gain (*4) -12 +12dB 13 EQ Mid Width (*4) 0.1 12.15 16
EQ Mid Frequency (*4) EQ Mid Gain (*4) EQ Mid Width (*4) LFO Phase Difference Input Mode
100Hz 10.0kHz -12 +12dB 0.1 12.0 -180 +180deg (resolution=3deg.) mono/stereo

table#3

ROTARY SP1, 6 (All the DSP blocks) No. Parameter LFO Frequency LFO Depth Display 0.00Hz 39.7Hz 0 127
MSB = 69, LSB = 0, 16 Value See Table table#1 (table#19) Control AUTO PAN1, 2, EP AUTOPAN, TREMOLO2, GT TREMOLO1, ROTARY SP2, 3, 7 (All the DSP blocks) No. Parameter LFO Frequency L/R Depth F/R Depth PAN Direction Display 0.00Hz 39.7Hz L<->R, L->R, L<-R, Lturn, Rturn, L/R 32Hz 2.0kHz -12 +12dB 500Hz 16.0kHz -12 +12dB MSB = 71, LSB = 0,16,17,18,19, 20, 21, 22 Value 05 See Table table#1 Control
table#3 table#3 (table#15) table#3
DST+ROT SP OD+ROT SP (DSP1) No. Parameter LFO Frequency LFO Depth Display 0.00Hz 39.7Hz 0 127
MSB = 69, LSB = 1 MSB = 69, LSB = 2 Value See Table table#1 (table#19) Control
AUTO PAN3 (DSP1) No. Parameter LFO Frequency L/R Depth F/R Depth PAN Direction LFO Wave EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Display 0.00Hz 39.7Hz L<->R, L->R, L<-R, Lturn, Rturn, L/R 32Hz 2.0kHz -12 +12dB 500Hz 16.0kHz -12 +12dB
MSB = 71, LSB = 1 Value 76 See Table table#1 Control
11 EQ Mid Frequency (*4) 100Hz 10.0kHz 12 EQ Mid Gain (*4) -12 +12dB 13 EQ Mid Width (*4) 0.1 12.0
No. Parameter Input Mode 16

Display Mono, Stereo

Value 01
Parameter Edge (Clip Curve) Attack Release Threshold Ratio
Display (mild sharp) 1ms 40ms 10ms 680ms -48dB -6dB 1.0 20.0

Value 07

table#8 table#9 table#10
PHASER 1, EP PHASER1, 2, 3 (Chorus and all the DSP blocks) No. Parameter LFO Frequency LFO Depth Phase Shift Offset Feedback Level EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet Display 0.00Hz 39.7Hz -63 +63 32Hz 2.0kHz -12 +12dB 500Hz 16.0kHz -12 +12dB D63>W D=W D<W22 (*2) (*3) mono/stereo

No. 9 10

Parameter EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet
Display -12 +12[dB] 500[Hz] 16.0[kHz] -12 +12[dB] D63>W D=W D<W11 -180 +180[deg]

Value 4 124

See Table table#3 (table#15)
MSB = 104 Value 10 See Table table#1 (table#19) table#23 table#3 table#3 (table#15) table#3 Control
11 Stage LFO phase difference 16 DYN FILTER (DSP1) No. Parameter 1 Filter Type 16 Sensitivity Dyna Level Offset Resonance Attack Time Release Time Release Curve Direction Dyna Threshold Level Dry/Wet
MSB = 109 Display LPF (12dB), LPF (18dB), LPF (24dB), HPF, BPF, BEF -16 +111 0.3 227[ms] 2.6 2171[ms] Up, Down D63>W D=W D<W63 Value See Table Control

table#20 table#21

table#24
MBAND COMP (DSP1) No. Parameter 1 Type Display Normal, Low, Mid, High, Low/High, Low/Mid, Mid/ High, Full Bit, Wild, Attacky, Low End, Hard, Basic -32 +32 -63 +63 -63 +63 -63 +63
MSB = 105 Value See Table Control
32[Hz] 2.0[kHz] -12 +12[dB] 500[Hz] 16.0[kHz] -12 +12[dB]
DYN FLANGER (DSP1) No. See Table table#14 (table#19) (table#17) table#2 table#3 table#3 (table#15) table#3 Control Parameter Sensitivity Delay Time Offset Feedback Level Attack Time Release Time Release Curve Direction Dyna Threshold Level Dyna Level Offset Dry/Wet Display -63 +63 0.3 227[ms] 2.6 2171[ms] Up, Down D63>W D=W D<W63
MSB = 110 Value 127 See Table Control
Threshold Offset Low Gain Offset Mid Gain Offset High Gain Offset
(table#17) table#20 table#21
T_FLANGER (DSP1) No. Parameter LFO Freq LFO Depth Feedback Level Delay Offset LFO Phase Reset EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet EQ mid frequency EQ mid gain EQ mid width LFO phase difference Display 16th 4thx127 -63 +63 0.0 50.0[ms] Off (free run) 32[Hz] 2.0[kHz] -12 +12[dB] 500[Hz] 16.0[kHz] -12 +12[dB] D63>W D=W D<W63 100[Hz] 10.0[kHz] -12 +12[dB] 0.1 12.0 -180 +180[deg]

MSB = 107 Value 124

32[Hz] 2.0[kHz] -12 +12dB 500[Hz] 16.0[kHz] -12 +12[dB]
DYN PHASER (DSP1) No. Parameter Sensitivity Dyna Level Offset Feedback Level Attack Time Release Time Release Curve Direction Dyna Threshold Level Dry/Wet Stage EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Display -63 +63 0.3 227[ms] 2.6 2171[ms] Up, Down D63>W D=W D<W63 4, 5, 6 32[Hz] 2.0[kHz] -12 +12dB 500[Hz] 16.0[kHz] -12 +12[dB]
MSB = 111 Value table#3 table#3 See Table Control
(table#16) table#20 table#21
T_PHASER (DSP1) No. Parameter LFO Freq LFO Depth Phase Shift Offset Feedback Level LFO Phase Reset EQ Low Frequency Display 16th 4thx127 -63 +63 Off (free run) 32[Hz] 2.0[kHz]

Voice Voice Style Voice Voice Style -
O O O O O O O O O O O O O O O
X X X X X X X X X X X X X X X
Voice Voice Voice Voice Voice Voice Voice Voice Voice Voice Voice Voice Voice Voice Voice
Voice Voice Style Voice Voice Style Voice Voice Style Voice Voice Style Voice Voice Style

O O O O O O O O O O O

Voice Voice Voice Voice Voice Voice Voice Voice Voice Voice Voice
Voice Voice Style Voice Voice Style Voice Voice Style Voice Voice
Vibrato Depth (Left) Vibrato Speed (Right1) Vibrato Speed (Right2) Vibrato Speed (Left) Vibrato Delay (Right1) Vibrato Delay (Right2) Vibrato Delay (Left) EFFECT/EQ Panel Sustain (Right1) Panel Sustain (Right2) Panel Sustain (Left) DSP Type (Right1) DSP Type (Right2) DSP Type (Left) LastSelectedDSP DSP Variation Value (Right1) DSP Variation Value (Right2) DSP Variation Value (Left) EQ Low Freq (Right1) EQ Low Freq (Right2) EQ Low Freq (Left) EQ High Freq (Right1) EQ High Freq (Right2) EQ High Freq (Left) OrganFlute > Footage Organ Flutes Footage (Right1) Organ Flutes Footage (Right2) Organ Flutes Footage (Left) Organ Flutes Type (Right1) Organ Flutes Type (Right2) Organ Flutes Type (Left) Organ Vib On/Off (Right1) Organ Vib On/Off (Right2) Organ Vib On/Off (Left) Organ Vib Depth (Right1) Organ Vib Depth (Right2) Organ Vib Depth (Left) Organ Vib Speed (Right1) Organ Vib Speed (Right2) Organ Vib Speed (Left) OrganFlute > Footage Organ Flutes Attack Footage (Right1) Organ Flutes Attack Footage (Right2) Organ Flutes Attack Footage (Left) Organ Flutes Attack Mode (Right1)

O O O O O O O

Voice Voice Voice Voice Voice Voice Voice
Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice
Style Voice Voice Style Voice Voice Style
O O O O O O O O O O O O O O O O
X X X X X X X X X X X X X X X X
O O O O O O X O O O O O O O O O
Voice Voice Voice Effect Effect Effect Effect Effect Effect EQ EQ EQ EQ EQ EQ
Voice Voice Voice Voice Voice Voice

Voice Voice Style Voice

Organ Flutes Attack Mode (Right2) Organ Flutes Attack Mode (Left) Organ Flutes Attack length (Right1) Organ Flutes Attack length (Right2) Organ Flutes Attack length (Left) Organ Flutes Response (Right1) Organ Flutes Response (Right2) Organ Flutes Response (Left) Organ Flutes Volume (Right1) Organ Flutes Volume (Right2) Organ Flutes Volume (Left)

06 7D 7E 7F

00-0F 00-0F 00-0F 00-0F 00-7F 00-7F 28-58 N 00 00

MASTER TUNE

MASTER VOLUME MASTER ATTENUATOR TRANSPOSE DRUM SETUP RESET XG SYSTEM ON ALL PARAMETER RESET
-102.4.0.+102.3[cent] 1st bit3-0 -> bit15-12 2nd bit3-0 -> bit11-8 3rd bit3-0 -> bit7-4 4th bit3-0 -> bit3-0 0.127 0.127 -24.0.+24[semitones] N: Drum setup number 00=XG system ON 00=ON

*Panel setting value

O X O O (Drum only) O O
O (Available for extra parts of a song) X O (Available for extra parts of a song) O (Available for extra parts of a song) O (Available for extra parts of a song) O (Available for extra parts of a song)

O X O X X X

TOTAL SIZE 07 : Transmitted via panel operations O: Available
MIDI Parameter Change table (SYSTEM INFORMATION)
[MIDI] Address (H) Size (H) Data (H) Parameter Description Voice Regular/ Mic/ Song Drum/ Vocal Natural/ Harmony Organ Voice MIDI Reception Right1/ Keyboard Style Right2/ Left Extra Right1/ Right2/ Left MIDI Transmission M.Pad Style Song Upper Lower [Song Creator] PLAY PLAY REW REC From panel (Right1/ Right2/ Left) -

00. 0D 0E 0F

20-7F. 20-7F
Model Name 1. Model Name 14 NOT USED NOT USED
32.127 (ASCII CHARACTER). 32.127 (ASCII CHARACTER)
O (Available only when receiving requests via MIDI)
TOTAL SIZE 10 Transmitted in response to Dump Request. Not received.
MIDI Parameter Change table (EFFECT1)
[MIDI] Address (H) Size (H) Data (H) Parameter Description XG Default (H) Voice Regular/ Mic/ Song Drum/ Vocal Natural/ Harmony Organ Voice O O O O O O O O O O O O O O MIDI Reception Right1/ Keyboard Style Right2/ Left Extra Right1/ Right2/ Left MIDI Transmission M.Pad Style Song Upper Lower [Song Creator] PLAY PLAY REW REC From panel (Right1/ Right2/ Left) O O O O O O O
00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F
REVERB TYPE MSB REVERB TYPE LSB REVERB PARAMETER 1 REVERB PARAMETER 2 REVERB PARAMETER 3 REVERB PARAMETER 4 REVERB PARAMETER 5 REVERB PARAMETER 6
Refer to Effect Parameter List 01 (=HALL1) 00 Depends on Reverb Type Depends on Reverb Type Depends on Reverb Type Depends on Reverb Type Depends on Reverb Type Depends on Reverb Type
[MIDI] Address (H) Size (H) Data (H) Parameter Description XG Default (H) Voice Regular/ Mic/ Song Drum/ Vocal Natural/ Harmony Organ Voice O O O O O O O O O O O O MIDI Reception Right1/ Keyboard Style Right2/ Left Extra Right1/ Right2/ Left MIDI Transmission M.Pad Style Song Upper Lower [Song Creator] PLAY PLAY REW REC From panel (Right1/ Right2/ Left) O O O O O X
0A 0B 0C 0D TOTAL SIZE 14 15

0E 1 1

00-7F 00-7F 00-7F 00-7F 00-7F 01-7F
REVERB PARAMETER 7 REVERB PARAMETER 8 REVERB PARAMETER 9 REVERB PARAMETER 10 REVERB RETURN REVERB PAN
Refer to Effect Parameter List Depends on Reverb Type Depends on Reverb Type Depends on Reverb Type Depends on Reverb Type -dB.0dB.+6dB 40 (0.64.127) L63.C.R63 40

4A 4C 4E 50 52

[MIDI] Address (H) Size (H) Data (H) Parameter Description XG Default (H) Voice Regular/ Mic/ Song Drum/ Vocal Natural/ Harmony Organ Voice O O O O O O O O O O O O O O MIDI Reception Right1/ Keyboard Style Right2/ Left Extra Right1/ Right2/ Left MIDI Transmission M.Pad Style Song Upper Lower [Song Creator] PLAY PLAY REW REC From panel (Right1/ Right2/ Left) O O X X X O O

59 5A 5B

00-7F 00-7F 00-7F 01-7F 00-7F 00-7F 00-01 00-7F
VARIATION PARAMETER 10 MSB VARIATION PARAMETER 10 LSB VARIATION RETURN VARIATION PAN SEND VARIATION TO REVERB SEND VARIATION TO CHORUS VARIATION CONNECTION VARIATION PART NUMBER
5C 5D 5E 5F 60 TOTAL SIZE 74 75
00-7F 00-7F 00-7F 00-7F 00-7F
MW VARIATION CONTROL DEPTH BEND VARIATION CONTROL DEPTH CAT VARIATION CONTROL DEPTH AC1 VARIATION CONTROL DEPTH AC2 VARIATION CONTROL DEPTH
Refer to Effect Parameter List -dB.0dB.+6dB (0.64.127) L63.C.R63 -dB.0dB.+6dB (0.64.127) -dB.0dB.+6dB (0.64.127) INSERTION, SYSTEM Reception: Part1.16 (0.15) Transmission: Part1.16 (0.15) AD (64) OFF (127) -64.0.+63 -64.0.+63 -64.0.+63 -64.0.+63 -64.0.+63
Depends on Variation Type 00 7F

O O O

VARIATION PARAMETER 11 VARIATION PARAMETER 12 VARIATION PARAMETER 13 VARIATION PARAMETER 14 VARIATION PARAMETER 15 VARIATION PARAMETER 16
Refer to Effect Parameter List
Depends on Variation Type Depends on Variation Type Depends on Variation Type Depends on Variation Type Depends on Variation Type Depends on Variation Type
TOTAL SIZE 06 : Transmitted via panel operations. O: Available
MIDI Parameter Change table (MULTI EQ)
[MIDI] Address (H) Size (H) Data (H) Parameter Description Voice Regular/ Mic/ Song Drum/ Vocal Natural/ Harmony Organ Voice O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O MIDI Reception Right1/ Keyboard Style Right2/ Left Extra Right1/ Right2/ Left MIDI Transmission M.Pad Style Song Upper Lower [Song Creator] PLAY PLAY REW REC From panel (Right1/ Right2/ Left) X X X X X X X X X X X X X X X X X X

0A 0B 0C 0D 0E 0F 14

00-04 34-4C 04-28 01-78 00-01 34-4C 0E-36 01-78 34-4C 0E-36 01-78 34-4C 0E-36 01-78 34-4C 1C-3A 01-78 00-01
EQ TYPE EQ GAIN1 EQ FREQUENCY1 EQ Q1 EQ SHAPE1 EQ GAIN2 EQ FREQUENCY2 EQ Q2 NOT USED EQ GAIN3 EQ FREQUENCY3 EQ Q3 NOT USED EQ GAIN4 EQ FREQUENCY4 EQ Q4 NOT USED EQ GAIN5 EQ FREQUENCY5 EQ Q5 EQ SHAPE5

Refer to Effect Parameter List
TOTAL SIZE 14 : Transmitted via panel operations O: Available The second byte of the address is considered as an Insertion effect number n: insertion effect number PSR-1500 PSR-3000 n = 0~2 n = 0~2
For effect types that do not require MSB, the Parameters for Address 02-0B will be received and the Parameters for Address 30-42 will not be received. For effect types that require MSB, the Parameters for Address 30-42 will be received and the Parameters for Address 02-0B will not be received. When Bulk Dumps that include Effect Type data are transmitted, the Parameters for Address 02-0B will always be transmitted. But, effects that require MSB, when the bulk dump is received the Parameters for Address 02-0B will not be received.
MIDI Parameter Change table (SPECIAL EFFECT)
PSR-1500 PSR-3000 X O [MIDI] Address (H) Size (H) Data (H) Parameter Description Voice Regular/ Mic/ Song Drum/ Vocal Natural/ Harmony Organ Voice X O MIDI Reception Right1/ Keyboard Style Right2/ Left Extra Right1/ Right2/ Left MIDI Transmission M.Pad Style Song Upper Lower [Song Creator] PLAY PLAY REW REC From panel (Right1/ Right2/ Left) X
INSERTION EFFECT TYPE MSB
Vocoder (89), Chordal (90), Detune (91), Chromatic (92), Thru (0.88, 93.127)
0A 0B 0C 0D 0E 0F TOTAL SIZE 14
00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F
INSERTION EFFECT TYPE LSB INSERTION EFFECT PARAMETER 1 Harmony Mode INSERTION EFFECT PARAMETER 2 Harmony Gender Type INSERTION EFFECT PARAMETER 3 Lead Gender Type INSERTION EFFECT PARAMETER 4 Lead Gender Depth INSERTION EFFECT PARAMETER 5 Lead Pitch Correction INSERTION EFFECT PARAMETER 6 Auto Upper Gender Threshold INSERTION EFFECT PARAMETER 7 Auto Lower Gender Threshold INSERTION EFFECT PARAMETER 8 Upper Gender Depth INSERTION EFFECT PARAMETER 9 Lower Gender Depth INSERTION EFFECT PARAMETER 10 INSERTION EFFECT PART NUMBER MW INSERTION CONTROL DEPTH BEND INSERTION CONTROL DEPTH CAT INSERTION CONTROL DEPTH AC1 INSERTION CONTROL DEPTH AC2 INSERTION CONTROL DEPTH
*The SPECIAL EFFECT Parameter cannot be reset to its factory setting with XG SYSTEM ON
O O O O O O O O O O O X X X X X

X X X X X

X X X X X X X X X X O X X X X X
Off (0), Auto (1) Off (0), Unison (1), Male (2), Female (3) -64.0.+63 (0.127) Free (0), Correct (1) 0.12 (0.12) 0.12 (0.12) -64.0.+63 (0.127) -64.0.+63 (0.127) L63>H.L=H.L<H63 (1.64.127) AD(64), OFF (0.63, 65.127) -64.0.+63 -64.0.+63 -64.0.+63 -64.0.+63 -64.0.+63

OFF, ON OFF, ON OFF, ON OFF, ON OFF, ON OFF, ON OFF, ON OFF, ON OFF, ON OFF, ON OFF, ON OFF, ON OFF, ON OFF, ON OFF, ON OFF, ON OFF, ON -64.0.+63[cent] -64.0.+63[cent] -64.0.+63[cent] -64.0.+63[cent] -64.0.+63[cent] -64.0.+63[cent] -64.0.+63[cent] -64.0.+63[cent] -64.0.+63[cent] -64.0.+63[cent] -64.0.+63[cent] -64.0.+63[cent] -24.0.+24[semitones] -9600.0.+9450[cent] -100.0.+100[%] 0.127 0.127 0.127 -24.0.+24[semitones] -9600.0.+9450[cent] -100.0.+100[%] 0.127 0.127 0.127 0.95 -24.0.+24[semitones] -9600.0.+9450[cent] -100.0.+100[%] 0.127 0.127 0.127 0.95 -24.0.+24[semitones] -9600.0.+9450[cent] -100.0.+100[%] 0.127 0.127 0.127 OFF, ON

01 XGmode=01, GMmode=00

X X X X X X X X X X X X X X X X X O O O O O O O O O O O O O O O O O O X X X X X X X X X X X X X X X X X X X X O
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
X X X X X X X X X X X X X X X X X O O O O O O O O O O O O X X X X X X X X X X X X X X X X X X X X X X X X X X X
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X O X O O O X X X X X X X X X X X X X X X X X X X X X
O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O
X X X X X X X X X X X X X X X X X O O O O O O O O O O O O X O X O O O X X X X X X X X X X X X X X X X X X X X O

6A 6B 6C

PORTAMENTO TIME PITCH EG INITIAL LEVEL PITCH EG ATTACK TIME PITCH EG RELEASE LEVEL PITCH EG RELEASE TIME
0.127 -64.0.+63 -64.0.+63 -64.0.+63 -64.0.+63
[MIDI] Address (H) Size (H) Data (H) Parameter Description XG Default (H) Voice Regular/ Mic/ Song Drum/ Vocal Natural/ Harmony Organ Voice O O X X O O MIDI Reception Right1/ Keyboard Style Right2/ Left Extra Right1/ Right2/ Left MIDI Transmission M.Pad Style Song Upper Lower [Song Creator] PLAY PLAY REW REC From panel (Right1/ Right2/ Left) X X
6D 6E TOTAL SIZE TOTAL SIZE 7A 7B 7C 7D 7E 7F

01-7F 01-7F

VELOCITY LIMIT LOW VELOCITY LIMIT HIGH

1.127 1.127

NOT USED NOT USED EQ BASS GAIN EQ TREBLE GAIN

-12dB.+12dB -12dB.+12dB

04-28 1C-3A
NOT USED NOT USED EQ BASS FREQUENCY EQ TREBLE FREQUENCY NOT USED NOT USED NOT USED NOT USED NOT USED NOT USED NOT USED NOT USED O: Available
32.2.0k[Hz] 500.16.0k[Hz]

0C 36 -

TOTAL SIZE 0C : Transmitted via panel operations
[MIDI] Address (H) Size (H) Data (H) Parameter Description XG Default (H) Voice Regular/ Mic/ Song Drum/ Vocal Natural/ Harmony Organ Voice O O O O O O O O O O O O MIDI Reception Right1/ Keyboard Style Right2/ Left Extra Right1/ Right2/ Left MIDI Transmission M.Pad Style Song Upper Lower