Casio PX-110, size: 1.9 MB
26 Pound 88-Key Digital Piano! Privia may be the lightest full-size digital piano with a real hammer-action ever offered. This digital piano features a completely new sound chip and a custom speaker system for the full, rich acoustic piano sound you've been looking for. Lightweight Compact size 88 weighted, graded keys Newly designed ZPI sound chip Custom designed speaker system 11 ZPI tones plus 20 Rhythms DSP Effects 60 Demo songs Unbelievably affordable
Part Numbers: CAS CS65, CS-65, CS65, PX-110, PX110
UPC: 0079767341787, 079767341787
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Beethoven Moonlight Sonata I (Casio Privia PX 110)
User reviews and opinions
|Kurt||11:21am on Thursday, July 29th, 2010|
|Good product I agree, this item came very quickly, direct from Germany. Great reception as well - no loss of channels Some people experience poor quality image when replacing a freewview box with a more expansive PVR box.|
Comments posted on www.ps2netdrivers.net are solely the views and opinions of the people posting them and do not necessarily reflect the views or opinions of us.
Power Supply.. E-4
Using the AC Adaptor.. E-4
Connecting Headphones.. E-5 Connecting to a PEDAL Jack. E-5
Troubleshooting. E-23 Specifications.. E-24 Operational Precautions. E-25
Locating the Unit.. E-25 Care of the Unit... E-25 Lithium Battery.. E-25
Playing with Different Tones. E-6
Selecting and Playing a Tone. E-6 Adjusting the Brilliance of a Tone.. E-6 Layering Two Tones. E-6 Assigning Different Tones to the Left and Right Sides of the Keyboard. E-7 Using Tone Effects.. E-7 Using the Pianos Pedals.. E-8 Using the Built-in Metronome. E-9
Setting Control Key Chart.. E-26 Appendix..A-1
Tone List... A-1 Rhythm List.. A-1 Song List... A-1 Fingered Chord Chart.. A-2
Playing Rhythms.. E-10
Using Auto Accompaniment.. E-11
Learning to Play the Music Library Tunes.. E-14
Playing a Music Library Tune. E-14 Practicing a Music Library Tune.. E-15
MIDI Implementation Chart
Recording to and Playing Back from Song Memory. E-16
Recording Your Keyboard Play.. E-17 Playing Back from Song Memory. E-18 Deleting Song Memory Data.. E-19
Company and product names used in this manual may be registered trademarks of others.
Bottom 1 Back Panel 2 3
Left Side Panel
Attachment of the Score Stand Insert the score stand into the slot at the top of the digital piano as shown in the illustration. 6 7
D E F G H I
Each chapter of this manual starts with an illustration of the pianos console, which shows the buttons and other controllers you need to operate.
A B C PEDAL connector DAMPER PEDAL jack SOFT/SOSTENUTO PEDAL jack POWER button DC 12V jack MIDI OUT/IN terminals PHONES jacks SONG/RHYTHM SELECT buttons TEMPO buttons TONE buttons VOLUME knob FUNCTION button METRONOME button D E F G H I J K L M N O INTRO/ENDING button SYNCHRO/FILL-IN button START/STOP, DEMO button MUSIC LIBRARY, RHYTHM button LEFT/TRACK 1 RIGHT/TRACK 2 button SONG MEMORY button TRANSPOSE buttons TUNE buttons BRILLIANCE buttons SPLIT button REVERB, REVERB TYPE button CHORUS, CHORUS TYPE button
Key, button, and other names are indicated in the text of this manual using bold type.
About the FUNCTION button
The FUNCTION button makes it possible to perform a variety of useful functions. Note the following general information about using the FUNCTION button. G An indicator lamp above the FUNCTION button flashes while it is depressed. The lamp goes out when you release the FUNCTION button.
G The FUNCTION button is always used in combination with another button or keyboard key. You hold down the FUNCTION button as you press another button or keyboard key.
The indicator lamp above the button flashes for a few seconds at high speed to let you know that the setting is complete. Example: Adjusting the Brilliance of a Tone on page E-6
G For details about all the keyboard key functions you can perform with the FUNCTION button, see Setting Control Key Chart on page E-26.
Numeric Input Keys and +/ Keys
G For a moment after you hold down the FUNCTION button and then press another button to activate a function, you can use certain keyboard keys to input numbers or to increase (+) and decrease () setting values. G Since the keyboard keys operate as switches at this time, notes do not sound when you press keyboard keys.
Playing Back All the Music Library Tunes
The following procedure plays back the Music Library tunes in sequence.
While holding down the FUNCTION button, press the DEMO button at the same time.
This starts sequential playback of the Music Library tunes. You can play along with the Music Library tunes on the keyboard, if you want. Tone assigned to the keyboard is the one that is preset for the Music Library tune that is playing.
See To adjust the tempo on page E-10 for an actual example.
Press the DEMO button again to stop Music Library tune play.
You can power this digital piano by plugging it into a standard household power outlet. Be sure you turn off power and unplug the power cord from the electrical outlet whenever the digital piano is not in use. Note the following important precautions to avoid damage to the power cord. G During Use Never pull on the cord with excessive force. Never repeatedly pull on the cord. Never twist the cord at the base of the plug or connector. The power cord should not be stretched tight while it is in use. G During Movement Before moving the digital piano, be sure to unplug the AC adaptor from the power outlet. G During Storage Loop and bundle the power cord, but never wind it around the AC adaptor.
DC 12V jack AC adaptor AD-12
Using the AC Adaptor
Make sure that you use only the AC adaptor specified for this digital piano. Specified AC Adaptor: AD-12 [Left Side Panel]
Make sure that the product is turned off before connecting or disconnecting the AC adaptor. Using the AC adaptor for a long time can cause it to become warm to touch. This is normal and does not indicate malfunction.
Whenever connecting external equipment, first set the VOLUME knob of the digital piano and the volume controller of the external equipment to relatively low volume settings. You can later adjust volume to the level you want after connections are complete. Be sure also to refer to the documentation that comes with the external equipment for its proper connection procedures.
Connecting to a PEDAL Jack
Depending on the type of operation you want the pedal (SP-3) to perform, connect the pedals cable to the digital pianos PEDAL DAMPER jack or PEDAL SOFT/SOSTENUTO jack. If you want to use both jacks at the same time, you need to purchase another optionally available pedal. See Using the Pianos Pedals on page E-8 for information about using a pedal. [Back Panel]
Connect commercially available headphones to the digital pianos PHONES jacks. This cuts off the builtin speakers, which means you can practice even late at night without disturbing others. To protect your hearing, make sure that you do not set the volume level too high when using headphones. [Left Side Panel]
You can connect the optionally available Pedal Unit (SP-30) to the PEDAL connector. You can then use the pedals for expression that is similar to that available on an acoustic piano. [Bottom]
Accessories and Options
Use only the accessories and options specified for this digital piano. Use of non-authorized items creates the danger of fire, electric shock, and personal injury.
Playing with Different Tones
Selecting and Playing a Tone
The piano comes with 11 built-in tones.
Press the POWER button.
Holding down the FUNCTION button, press the BRILLIANCE buttons to adjust the brilliance of a tone to the level that you want.
] : produces a more mellow sound ] : produces a brighter sound
Use the VOLUME knob to adjust the volume level. Press the TONE button of the tone you want to select.
This causes the indicator lamp above the TONE button to light.
To return the brilliance setting to its initial default, hold down the FUNCTION button and press both of the BRILLIANCE buttons at the same time.
Layering Two Tones
Use the following procedure to layer to two tones, so they sound at the same time. Of the two TONE buttons you press to layer two tones, the one on the left is the main tone, while the one on the right is the layered tone.
Now try playing something on the keyboard.
Hold down the FUNCTION button and press the ACOUSTIC BASS button to select the RIDE ACO BASS tone. Changing the tone selection causes DSP* to switch automatically to the default setting for the newly selected tone. This causes any notes that are sounding at the time of the change to be interrupted momentarily. The DSP* will be set to the default setting for the newly selected tone when the note resumes. (*See page E-8)
Simultaneously press the TONE buttons of the two tones that you want to layer.
Example: Press GRAND PIANO 2 button and STRINGS button at the same time.
Adjusting the Brilliance of a Tone
You can adjust the clarity and sharpness of a tone to suit your music and personal preferences.
GRAND PIANO 2 STRINGS
The tones are now layered.
FUNCTION VOLUME METRONOME TEMPO BRILLIANCE TONE SPLIT
After you are finished using the layered tones, press the one of the TONE buttons again to unlayer them.
Specifying the Keyboard Tone Split Point
Adjusting the Volume Balance between Two Layered Tones
While holding down the SPLIT button, press the keyboard key where you want the left limit of the high range (right) tone to be.
Left limit of the high range Flash Low range High range
While holding down the FUNCTION button, use the keyboard keys shown below to adjust the volume of the layered tones.
The split point setting also controls the point where the keyboard splits between the accompaniment keyboard (pages E-12, 13) and the melody keyboard. Moving the split point also affects the sizes of the accompaniment keyboard and the melody keyboard.
Initial default (Center)
Volume of the layered tone
Volume of the main tone
To return the volume setting to its initial default, hold down the FUNCTION button and press both of the keys at the same time.
Using Tone Effects
Reverb: Makes your notes resonate Chorus: Adds more breadth to your notes
Assigning Different Tones to the Left and Right Sides of the Keyboard
You can assign different tones to keys on the left side and the right side of the keyboard.
Split Point Low Range High Range
Turning Effects On and Off
Each press of the REVERB or CHORUS button toggles the setting as shown below.
You can determine the status of the effects by checking the REVERB and CHORUS indicator lamps.
Using the Built-in Metronome
You can use the metronome to sound a count that helps keep you in proper time.
If you want to use layer/split in combination with the metronome, first press the RHYTHM button so the rhythm lamp (under the button) is lit.
While holding down the FUNCTION button, use the keyboard keys shown below to select either soft or sostenuto.
Press the METRONOME button.
This starts the metronome.
While holding down the FUNCTION button, use the keyboard keys shown below to specify how many beats there are per measure.
Adjusting the Effect Applied when the Damper Pedal is Pressed Half Way (With optional SP-30 only)
You can specify to what extent the damper effect should be applied when you press the damper pedal half way. A setting in the range of 0 (no effect) to 42 (same effect as full press) can be specified.
The first value of the beat can be set to a value of 2 through 6. The bell (indicating the first beat of a measure) does not sound while a value of 0 is specified. All beats are indicated by a click sound. This setting lets you practice with a steady beat, without worrying about how many beats there are in each measure.
While holding down the FUNCTION button, press one of the keyboard keys shown below to specify the setting you want.
While holding down the FUNCTION button, use the TEMPO [ ] and [ ] buttons to change the tempo (speed) of the metronome.
L L C2 L C3 L C4 L C5 L C6 L C7 L C8
Decreases the tempo value
Increases the tempo value
: Decreases the effect : Increases the effect To return the volume setting to its initial default, hold down the FUNCTION button and press both of the keys at the same time.
You can also use keyboard keys to change the tempo setting (see page E-10).
Press the METRONOME button again to stop the metronome.
You can select from among 20 built-in rhythms. Rhythms 0 through 9 include percussion instrument sounds, but rhythms 10 through 19 do not. See the next page for information about how to use rhythms 10 through 19.
You can also cycle through the available rhythms in step 2 by holding down the FUNCTION button and pressing the SONG/RHYTHM SELECT [ ] or [ ] button.
C minor (Cm)
C seventh (C7)
The accompaniment keyboard can be used for playing chords only. No sound will be produced if you try playing single melody notes on the accompaniment keyboard. The split point (page E-7) is the point that separates the Auto Accompaniment area and the melody area of the keyboard. You can change the location of the split point, which also changes the sizes of the keyboard areas.
C minor seventh (Cm7)
It makes no difference whether you press black or white keys to the right of a major chord key when playing minor and seventh chords.
I FINGERED In this mode, you specify chords by playing them as you would on a piano, inside the accompaniment keyboard range. To specify a C-chord, you would play C-E-G. FINGERED Accompaniment Keyboard and Melody Keyboard
I FULL RANGE CHORD This accompaniment method makes it possible to play a total of 38 chord variations: the 15 available with FINGERED plus 23 additional variations. The keyboard interprets any input of three or more keys that matches a FULL RANGE CHORD pattern to be a chord. Any multi-key input that is not a FULL RANGE CHORD pattern is interpreted as melody play. Because of this, there is no need for a separate accompaniment keyboard, and the entire keyboard from end-to-end can be used for both melody and chords. FULL RANGE CHORD Accompaniment Keyboard and Melody Keyboard
Caug *1 Csus4 C7 *2
Accompaniment keyboard/Melody keyboard
Chords Recognized by This Piano The following table identifies patterns that are recognized as chords by FULL RANGE CHORD.
Pattern Type FINGERED Number of Chord Variations The 15 chord patterns shown under FINGERED on page E-12. 23 standard chord fingerings. The following are examples of the 23 chords available with C as the bass note. Standard Fingerings
C6 Cm6 C69 D D E F G A B C C C C C C C B D m Dm Fm Gm Am B m C C C C C C C Ddim A 7 F7 Fm7 Gm7 A add9 C C C C C C
See the Fingered Chord Chart on page A-2 for details on playing chords with other roots.
*1: Inverted fingerings cannot be used. The lowest note is the root. *2: The same chord can be played without pressing the 5th G.
C Example: To play the chord C major and E.
1 E G C
Except for the chords specified in note*1 above, inverted fingerings (i.e. playing E-G-C or G-C-E instead of C-E-G) will produce the same chords as the standard fingering. Except for the exception specified in note*2 above, all of the keys that make up a chord must be pressed. Failure to press even a single key will not play the desired FINGERED chord.
E G 2 C
1.. Chord C C 2.. Chord C E
If there are more than six semitones between the lowest note and the next note to the right, the lowest note is interpreted as a bass note.
Learning to Play the Music Library Tunes
Playing a Music Library Tune
Your piano comes with 60 Music Library tunes built in. See the Song List on page A-1 of this manual for more information.
You can also cycle through the available tunes in step 2 by holding down the FUNCTION button and pressing the SONG/RHYTHM SELECT [ ] or [ ] button.
Press the MUSIC LIBRARY button so the MUSIC LIBRARY indicator lamp (above the button) is lit.
Each press of the button toggles between the upper indicator lamp and lower indicator lamp. Pressing the two SONG/RHYTHM SELECT buttons at the same time selects tune 0. You cannot use layer or split while playing a builtin tune.
While holding down the FUNCTION button, press the keyboard keys shown below to input a tune number.
Turning the Count On and Off
Use the following procedure to turn the count that sounds at the beginning of a song on and off.
While holding down the FUNCTION button, press one of the keyboard keys shown below to turn the count tone on or off.
This starts the playback of the tune.
Press the START/STOP button again to stop tune playback.
START/ STOP FUNCTION SONG/RHYTHM SELECT MUSIC LIBRARY LEFT/TRACK1 RIGHT/TRACK2
Practicing a Music Library Tune
You can turn off the left hand part or right hand part of a Music Library tune and play along on the piano.
Select the tune you want to practice and adjust the tempo (See To adjust the tempo on page E-10). The maximum tempo setting for each tune is double the initial default tempo of the tune. A number of tunes have tempo changes part way through in order to produce specific musical effects.
Song Memory Capacity
You can store a total of up to about 10,000 notes (Track 1 + Track 2) in Song Memory. Recording stops automatically if the number of notes in Song Memory exceeds the maximum while you are recording. This is indicated by the REC indicator lamp turning off.
SONG MEMORY Button Operation
Each press of the SONG MEMORY button cycles through the functions shown below.
Playback Standby Record Standby
Other Song Memory Data
The following data is included when recording to Song Memory: keyboard play, selected tone, tempo setting (Track 1 only), pedal operations, reverb and chorus settings, DSP on/off setting, brilliance setting, accompaniment volume setting, selected rhythm (Track 1 only), chord mode (Track 1 only), and intro/ fill-in/ending control (Track 1 only).
SONG MEMORY LEFT/TRACK1 RIGHT/TRACK2
Recording Your Keyboard Play
You can record to either track with or without playback of the other track.
If you want to record to Track 2, press the LEFT/ TRACK 1 RIGHT/TRACK 2 button here. This will cause the RIGHT/TRACK 2 indicator lamp to flash, which indicates that the piano is standing by for recording to Track 2. If you want to use the metronome during recording, press the METRONOME button to start it. If you want to use a rhythm and/or auto accompaniment during recording (to Track 1 only), select the rhythm and chord mode.
To record to one track without playing back the other
When recording a different tune to Track 2 after recording to Track 1, make sure you carefully read the notes under steps 1 and 2 before actually performing the steps.
Press the SONG MEMORY button so the PLAY indicator lamp is lit.
Start playing something on the keyboard.
This will automatically start recording. Actually, there are a variety of different ways to start the record operation. See Starting the Record Operation below for more information.
Select the tone and effects you want to use in your recording, and configure the tempo and beat settings.
When you are finished, press the START/ STOP button to stop recording.
If you are using a rhythm, you can stop recording with an ending pattern by pressing the INTRO/ENDING button. Stopping recording causes the REC indicator lamp to go out, and indicator lamp above the button of the track to which you recorded to light. To play back the track you just recorded, press the START/STOP button again.
If you are recording a different tune to Track 2 after recording to Track 1, press the LEFT/TRACK 1 RIGHT/TRACK 2 button to turn off the L/T1 indicator lamp.
After you are finished recording or playing back, press the SONG MEMORY button so the PLAY lamp or REC lamp turns off.
Starting the Record Operation
Press the SONG MEMORY button so the REC indicator lamp is flashing.
You can use any of the following methods to start a record operation in step 2 of the above procedure. I When recording to Track 1 with rhythm or auto accompaniment Press the START/STOP button to start recording. Press the SYNCHRO/FILL-IN button to put the piano into synchro start standby. Recording will start when you finger a chord in the accompaniment range of the keyboard. Press the INTRO/ENDING button to put the piano into synchro start standby. Recording will start and an intro pattern will play when you finger a chord in the accompaniment range of the keyboard.
At this time the LEFT/TRACK 1 indicator lamp should also be flashing. This indicates that the piano is standing by for recording to Track 1.
I When recording to Track 1 without rhythm or auto accompaniment Recording will start as soon as you play anything on the keyboard. I When recording to Track 2 Press the START/STOP button or play something on the keyboard to start recording.
Playing Back from Song Memory
To record to a track while playing back from the other
After you finish recording, you can play back Track 1 and Track 2 at the same time. Example: To record to Track 2 while playing back the contents of Track 1
Use the LEFT/TRACK 1 RIGHT/TRACK 2 button to select the track you want to play back.
G The indicator lamps above the button show the currently selected track. To play back Track 1, the LEFT/TRACK 1 indicator lamp should be lit. To play back Track 2, the RIGHT/TRACK 2 indicator lamp should be lit. To play back Track 1 and Track 2, both the indicator lamps should be lit.
Select the tone and effects you want to use while recording.
This starts playback of the track you selected. You can change the tempo setting as a track is playing. As a track is playing, you can turn the metronome on or off using the METRONOME button. You cannot change the tone setting during playback. Press the START/STOP button again to stop playback.
Press the LEFT/TRACK 1 RIGHT/TRACK 2 button so LEFT/TRACK 1 indicator is lit.
Press the SONG MEMORY button again.
This causes the LEFT/TRACK 1 indicator lamp to flash. Press the LEFT/TRACK 1 RIGHT/ TRACK 2 button, so it causes the RIGHT/ TRACK 2 indicator lamp to flash, which indicates that the piano is standing by for recording to Track 2.
Press the START/STOP button or play something on the keyboard to start simultaneous playback from Track 1 and recording to Track 2. When you are finished, press the START/ STOP button again to stop recording.
Deleting Song Memory Data
The procedure below deletes all of the data from the selected track. Note that the delete operation cannot be undone. Check to make sure you really do not need the data in Song Memory before you perform the following steps.
Use the LEFT/TRACK 1 RIGHT/TRACK 2 button to select the track you want to delete.
The indicator lamps above the button show the currently selected track. To delete Track 1, the LEFT/TRACK 1 indicator lamp should be flashing. To delete Track 2, the RIGHT/TRACK 2 indicator lamp should be flashing.
Hold down the SONG MEMORY button until the REC indicator lamp stops flashing and remains lit.
Press the LEFT/TRACK 1 RIGHT/TRACK 2 button.
This deletes the selected track and enters the standby state.
Adjusting Accompaniment and Built-in Tune Volume
Perform the following operation to change the volume level of the rhythm and chord accompaniment or builtin tune.
Changing the Keyboard Touch
This setting changes the relative touch of the keyboard keys.
While holding down the FUNCTION button, use the keyboard keys shown below to raise () or lower () the accompaniment or tune volume.
While holding down the FUNCTION button, press one of the keyboard keys shown below.
: Raises the accompaniment or tune volume : Lowers the accompaniment or tune volume
Off Weak (Strong sound is produced even when relatively light pressure is applied.) Normal Strong (Normal sound is produced even when relatively strong pressure is applied.)
Changing the Piano Key
Use this setting to raise or lower the overall key of the keyboard in semitone steps.
Using Digital Piano Setup Memory
When setup memory is turned on, the digital piano will remember its setup* whenever you turn it off. If you turn off setup memory, settings will be cleared when you turn off the digital piano.
Turning power off in the Music Library Mode The next time you turn on the digital piano, the following settings will be configured in accordance with setup memory. Tune selection, keyboard touch, pedal type, damper pedal setting, metronome beat, layered tone volume balance, split point, send channel
Holding down the FUNCTION button, press the TRANSPOSE buttons to raise or lower the overall key of the keyboard.
] : Raise ] : Lower
To return the piano key to C, hold down the FUNCTION button and press the TRANSPOSE [ ] and [ ] buttons at the same time. After using Transpose to raise the keyboard to a high key, notes played at the highest range of the keyboard may not sound properly for certain tones.
Turning off the digital piano while in the rhythm mode The next time you turn on the digital piano and enter the rhythm mode, non-local control setting (see Using MIDI below) will be configured in accordance with setup memory.
While holding down the FUNCTION button, press one of the keyboard buttons shown below to turn setup memory on or off.
Changing the Pitch of the Piano to Match Another Instrument
Use this setting to raise or lower the overall pitch of the piano. The setting range is plus or minus 50 cents (100 cents = 1 semitone) from the standard pitch of A4 = 440.0Hz.
L C1 L C2 L C3 L C4 L C5 L C6 L C7
Holding down the FUNCTION button, press the TUNE buttons to raise or lower the overall pitch of the piano.
What is MIDI?
The letters MIDI stand for Musical Instrument Digital Interface, which is the name of a worldwide standard for digital signals and connectors that makes it possible to exchange musical data between musical instruments and computers (machines) produced by different manufacturers.
* Each press of the button changes the current setting by approximately 1 cents (1/100 semitone). For detailed information about MIDI Implementation, visit the CASIO website at: http://world.casio.com/.
Holding down the FUNCTION button and pressing the TUNE buttons [ ] and [ ] at the same time returns tuning to the standard A4 = 440.0Hz.
MIDI cabel: MK-5
While holding down the FUNCTION button, press one the keyboard keys shown below to configure the setting you want.
Sender OUT IN Receiver MIDI musical instrument MIDI sound module MIDI sequenser Other MIDI device
L C5 2
L C7 4
MIDI cable: MK-5
MIDI musical instrument MIDI sequencer Other MIDI device
1 Send Channel : Decreases value +: Increases value 2 Accomp/Song MIDI Out Off On 3 MIDI IN Chord Judge Off On 4 Local Control Off On
1 Send Channel Use this setting to specify one of the MIDI channels (1 through 16) as the Send Channel for sending MIDI messages to an external device. 2 Accomp/Song MIDI Out Use this setting to specify whether or not MIDI messages for the pianos auto accompaniment and song memory playback should be sent. 3 MIDI IN Chord Judge Specifies whether chord judge should be performed on accompaniment range MIDI Note On messages received from an external device. 4 Local Control This setting controls whether or not power is cut off internally from the pianos keyboard and sound source. Turning off Local Control cuts off power to the keyboard and source, which means that the piano does not produce any sound when played. This comes in handy when you want to turn off the pianos keyboard and use its auto accompaniment feature to accompany an external sequencer or other device.
Design and specifications are subject to change without notice.
Locating the Unit
Avoid the following locations. Areas exposed to direct sunlight and high humidity Areas subjected to very low temperatures Near a radio, TV, video deck, or tuner (unit can cause interference with audio or video signals) You may notice lines in the finish of the case of this product. These lines are the result of the molding process used to shape the plastic of the case. They are not cracks or breaks in the plastic, and are no cause for concern.
Care of the Unit
Never use benzene, alcohol, thinner or other such chemicals to clean the exterior of the unit. To clean the keyboard, use a soft cloth dampened with a weak solution of a mild neutral detergent and water. Wring out all excess moisture from the cloth before wiping.
Unauthorized reproduction of this manual in its entirety or in part is expressly forbidden. All rights reserved. CASIO COMPUTER CO., LTD. shall not be held liable for any damages or losses or any claims by third parties arising from use of this product or this manual. The contents of this manual are subject to change without notice.
This unit is equipped with a lithium battery to provide power needed to retain memory contents while unit power is turned off. Should the lithium battery go dead, all memory contents will be lost whenever you turn unit power off. The normal life of the lithium battery is five years from the time that the battery was installed. Be sure to periodically contact your retailer or authorized service provider to have the lithium battery replaced. Note that you will be charged separately for lithium battery replacement. Note that CASIO COMPUTER CO., LTD. shall not be held liable for any damages or losses or any claims by third parties arising from corruption or loss of data caused by malfunction or repair of the unit, or from battery replacement.
S al r ho M D +/ , um N d ro et M be o no m rI de e n Be t pu tin et at g ys Ke C OR D CH R E O H ED NG C al IO ER -RA m G LL or AS N N C FI FU + 6 3
While the FUNCTION button is depressed, the keyboard keys can be used to perform a variety of different setting functions.
* A value next to a note name indicates the relative position of the note on the keyboard as shown below.
e t/ lum en Vo m ni ne ed e on pa Tu rP m t-in tT pe m un co uil Da Co Ac B
l k ma ng ro ea or W N St
C1 C2 C3
e nc SP D nd Se ha C nn el m co Ac p/ n So g M ID
ut IO ho C M I ID IN rd ne a to al d eb re ye lum La vo
e tro ca Lo on lC l t Se up M em or y
Setting Control Key Chart
C4 C6 The notes of the keys sound when pressed, even if the FUNCTION button is depressed.
dim7 dim m7 5
Fingered Chord Chart
Cuadro de acordes digitados (Fingered)
M7 aug sus4 7sus4 75
m add9 mM7
C C C /(D ) D (D )/E E F F /(G ) G (G )/A A (A )/B B
C /(D )
F /(G )
Transmitted 1-16 1-16 Mode 3 X 21-108 O 9nH V = 1-127 X 9nH V = 0 X X X
0,6,98,99 100,121 O X O X X X X X X X O O*2 O*2 X X X X X X X X X X X X X X O X O
Function. Basic Channel Default Changed Default Messages Altered
Recognized 1-16 1-16 Mode 3 X 0-127 0-127 *1 O 9nH V = 1-127 X 9nH V = 0, 8nH V = ** X O O
O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O
Note Number Velocity
True voice Note ON Note OFF Keys Chs
*1: Depends on tone *1: Depende del tono. **: no relation **: sin relacin
After Touch Pitch Bender
Bank select Modulation Data entry Volume Pan Expression DSP Parameter0 DSP Parameter1 DSP Parameter2 DSP Parameter3 Damper Sostenuto Soft pedal Resonance Release Time Attack Time Brightness Vibrato rate Vibrato depth Vibrato delay DSP Parameter4 DSP Parameter5 DSP Parameter6 DSP Parameter7 Reverb send Chorus send NRPN LSB, MSB RPN LSB, MSB All sound off Reset all controller
O*3 O X X X O O X X X X *2 In accordance with pedal *2 De acuerdo al pedal.
O*3 O X X X X X X O O X
*3: See the Tone List on page A-1. *3: Vea la lista de sonidos en la pgina A-1.
System Exclusive System Common : Song Pos : Song Sel : Tune : Clock : Commands : Local ON/OFF : All notes OFF : Active Sense : Reset
System Real Time Aux Messages
Mode 1 : OMNI ON, POLY Mode 3 : OMNI OFF, POLY
Mode 2 : OMNI ON, MONO Mode 4 : OMNI OFF, MONO
O : Yes X : No
This recycle mark indicates that the packaging conforms to the environmental protection legislation in Germany. Esta marca de reciclaje indica que el empaquetado se ajusta a la legislacin de proteccin ambiental en Alemania.
PX-110 l PX-310 l PX-700
PRIVIA New Models 2005/06
Short Description and Instructions
Sound per click www.privia-instruments.com/de/
On the PRIVIA website you will not only find sound and rhythm samples of individual instruments to be downloaded, but also a detailed video about PX-400R, the lighting key special as well as much other exciting material regarding the compact PRIVIA series.
Upon Revolution follows Evolution
Since the end of 2003, the PRIVIA has excited enthusiasts with its highend sound. Hardly another instrument is capable of combining an extensive range of equipment with an affordable price as these portable digital pianos. In this manner, the wish of playing the piano becomes feasible for everyone. With PX-110, PX-310 and PX-700, the second PRIVIA generation is has now hit the market. The consistent further development reveals itself in the following innovations: brand new stereo piano sample tri-element ZPI sound chip with 3 levels of dynamics (samples) per key new CPK keyboard for authentic feel only 11,9 kg of weight (PX-110/PX-310) registration memory (PX-310) 3-lever pedal with extended camper function (PX-700, optional for PX-110, PX-310) additional control elements for tuning and transpose (PX-110/PX-310)
We are family!
The PRIVIA family currently entails five instruments - that makes it easy to find jut the right digital piano for all demands and every individual musical interest. PX-110 jump-starter for teens and twens PX-310 the ideal line-up for stage and studio PX-400R ensemble artist for entertainment and engagement PX-500L patron of beginners and returners PX-700 favourite for loft and lounge
PX-110 Jump-Starter for Teens and Twens
Top features in short: 88 weighted keys scaled hammer mechanics CPK 11 tones sound generation weight: 11,9 kg. Optional equipment: stand CS-65PDK Pedal SP-30
PX-310 The Ideal Line-up for Stage and Studio
Top features in short: 88 scaled keys scaled hammer mechanics CPK 202 tones 120 rhythms LED display registration memory Optional equipment: stand Quicksilver or CS-65PDK Pedal SP-30
PX-700 Favourite for Loft and Lounge
Top features in short: 88 scaled keys scaled hammer mechanics CPK 11 tones sound generation extended pedal function (half damper)
Keys with touch response Scaled hammer mechanics
Tones Rhythms Rehearsal tunes Polyphony Digital effekts Registration memory
Auto-accompaniment Split/Layer Recording function/sequenzer (tracks/songs) Metronome Lesson function Transposition (key) Tuning function (pitch) General MIDI LC-Display Song expansion (user) 2x1 2x1 LED 2x1
Headphones Line in Line out MIDI in/out Pedal 2 L/R L/R + THROUGH
Loudspeakers (number) Size (number, in cm) Overall wattage (Watts) x 12 cm 2 x 12 cm + 2 x 5 cm 2 x 12 cm 16
Size with stand (W x D x H) in cm Weight without/with Stand in kg 1306 x 288 x 767 11,9 / 21,x 288 x 767 11,9 / 21,x 300 x 789 / 33,4
Stand 3-lever pedal SP-30 Pedal CS-65PDK (optional) optional 1 x SP-3 (inkl.) CS-65PDK (optional) optional 1 x SP-3 (inkl.) incl. incl. 3
PX-110 l PX-310
PEDAL TERMINALS PX-110 PX-310
View: Bottom side of the instrument
Pedal terminal for 3-lever pedal SP-30
Terminal for sustain pedal SP-3
PEDAL TERMINALS I HEADPHONES
Image shows PX-700, similar connection in PX-110 and PX-310.
Terminal for optional 3-lever sustain pedal SP-30 (ribbon cable)
HEADPHONES PX-110 PX-310
Headphones 2 x stereo mini-jack 3.5 mm
TRANSPOSING PX-110 PX-310
In order to transpose simply press FUNCTION and alter the key halfnote by half-note upwards or downwards using the Up/Down button.
When simultaneously pressing the two buttons you receive the basic settings of the transpose function.
AUTO-ACCOMPANIMENT PX-110 PX-310
In order to activate the autoaccompaniment, press the FUNCTION button and the key marked with the respective chord mode. Beware: The auto-accompaniment can not be activated in the Song/Music Library-mode.
TRANSPOSING l AUTO-ACCOMPANIMENT l LINE-IN/LINE-OUT l LED-DISPLAY
Audio amplifier, AUX IN, etc. RIGHT (red) LEFT (white)
Extensive terminals for the stage or the home studio (Line in/ Line out, standard mono jack 6.3 mm)
e. g. Cinch connector
INPUT 1 INPUT 2
Tape deck MIDI sound source Standard jack
Guitar amplifier, Keyboard amplifier, etc.
On PX-310, the chosen tone or the respective rhythm are displayed in the easy-to-read LED display.
PX-310 l PX-700
Using the BANK button the registrations can be browsed in their given order. All in all, 8 banks with 4 cells each are available. Nearly all set parameters are stored (refer to user manual, page 18).
Keep STORE pressed and choose the memory cell (1 to 4). Thats all it takes to store a registration setup with PX-310!
REGISTRATIONS l TRANSPOSITION l TONES
The key + transposes upward in half-note steps. The key - transposes downward in half-note steps. When simultaneously pressing the two buttons you receive the basic settings of the transpose function.
In order to transpose simply press FUNCTION together with the keys F5/F#5 to alter the key upwards or downwards.
The tone is selected by holding the FUNCTION button and holding the respective key that is assigned to the tone. If two keys are pressed simultaneously this will yield a LAYER tone. For the SPLIT function, first choose a tone (right hand side), press the SPLIT button 1 x and then select the tone for the left-hand key range.
Grand Piano 1 Grand Piano 2 Elec Pinao 1 Elec Pinao 2 Harpsichord Vibraphone Pipe Organ Perc Organ Strings Acoustic Bass Ride Aco Bass
10 Piano Ballad 1 Piano Ballad 2 Piano Ballad 3 EP Ballad 1 EP Ballad 2 Blues Ballad Mellow Jazz Jazz Combo Ragtime Boogie-Woogie Arpeggio Arpeggio 2 Arpeggio 3 Piano Ballad 3 6/8 March March 2 Beat Waltz 1 Waltz 2 Waltz 3
00 Nocturne Op. 9-Fantaisie-Impromptu Op. Etude Op. 10-3 Chanson de ladieu 03 Etude Op. 25-Prelude Op. 28-Valse Op. 64-1 Petit Chien 06 Ave Maria 07 Moments Musicaux Op. 94-Frhlicher Landmann 09 Von fremden Lndern und Menschen (Kinderszenen) 10 Trumerei (Kinderszenen) 11 Canon in D Major 12 Tambourin 13 Menuet (Klavierbchlein fr Anna Magdalena Bach) 14 Invention Invention Praeludium 1 (Wohltemperiertes Klavier 1) 17 Jesus Bleibet Meine Freude 18 Gavotte 19 Sonatina Op. 36-1 1st Mov. 20 Serenade (Eine kleine Nachtmusik) 21 Sonata K. 541 1st Mov. 22 Sonata K. 331 3rd Mov. Turkish March 23 Ode To Joy 24 Fr Elise 25 Sonata Op. 13 Pathtique 2nd Mov. 26 Sonata Op. 27-2 Moonlight 1st Mov. 27 Waltz Op. 39-15 (Duets) 28 Liebestrume La Prire dune Vierge 30 Promenade (Tableaux dune Exposition) 31 Csikos Post 32 Sicilienna Op. Arabesque La Fille aux Cheveux de Lin 35 Passepied (Suite Bergamasque) 36 Gymnopdie Salut d`amour 38 The Entertainer 39 Maple Leaf Rag 40 Chopsticks 41 Grandfathers Clock
42 Amazing Grace 43 Over The Rainbow 44 Someday My Prince Will Come Burgmller, simple etudes 45 La Candeur 46 Arabesque 47 Progrs 48 La Chasse 49 La Styrienne 50 Ballade 51 Ave Maria 52 Tarentelle 53 Retour 54 La Chevaleresque Czerny Etudes de Mcanisme Opus No. No. No. No. No. 30
La Piano Mellow Piano Modern Piano Honky-Tonk Octave Piano Pop Elec.Piano Synth-Str. E.Piano Harpsichord Marimba Rotary Drawbar Rotary Perc,Organ OVD Rotary Organ Church Organ Chapel Organ Nylon Str. Guitar Steel Str. Guitar Jazz Guitar Chorus Clean Guitar Overdrive Guitar Acoustic Bass Ride Bass Fingered Bass Analog Synth-Bass Violon Harp String Ensemble 80s Synth-String Trumpet Trombone Stereo Brass Breathy Alto Sax Alto Sax Tenor Sax Clarinet Flute Sawtooth Lead Square Lead Warm Pad Space Voice Star Voice
Grand Piano 1 l Grand Piano 2* Rock Piano l Dance Piano* E.Grand 80 l Piano Pad* Elec.Piano 1 l Dyno Elec.Piano* Elec.Piano 2 l FM Elec.Piano* 60s Elec.Piano l Vibraphone* Rock Organ l Drawbar Organ* Jazz Organ l Clavi* Strings l Synth-Strings* Synth-Voice l Choir* Synth-Brass l Synth-Pad* Fantasy l New Age* *Variationsklangfarbe
GM tones l Drum sets
086 GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM Piano 1 Piano 2 Piano 3 Honky-Tonk E.Piano 1 E.Piano 2 Harpsichord Clavi Celesta Glockenspiel Music Box Marimba Xylophone Tubular Bell Dulcimer Organ 1 Organ 2 Organ 3 Pipe Organ Reed Organ Accordion Harmonica Harmonica Bandoneon Nylon Str.Guitar Steel Str. Guitar Jazz Guitar Clean Guitar Mute Guitar Overdrive Guitar Distortion Guitar GT Harmonics Acoustic Bass Fingered Bass Picked Bass Fretless Bass Slap Bass 1 Slap Bass 2 Synth-Bass 1 Synth-Bass 2 Violin Viola Cello Contrabass Tremolo Strings Pizzicato Harp 133 GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM Timpani Strings 1 Strings 2 Synth-Strings 1 Synth-Strings 1 Choir Aahs Voice Doo Synth-Voice Orchestra-Hit Trumpet Trombone Tuba Mute Trumpet French Horn Brass Synth-Brass 1 Synth-Brass 2 Soprano Sax Alto Sax Tenor Sax Baritone Sax Oboe English Horn Bassoon Clarinet Piccolo Flute Recorder Pan Flute Bootle Blow Shakuhachi Whistle Ocarina Square Lead Sawtooth Lead Calliope Chiff Lead Charang Voice Lead Fifth Lead Bass + Lead Fantasy Warm Pad Polysynth Space Choir Bowed Glass Metal Pad GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM
Halo Pad Sweep Pad Rain Drop Sound Track Crystal Atmosphere Brightness Goblins Echoes SF Sitar Banjo Shamisen Koto Thumb Piano Bagpipe Fiddle Shanai Tinkle Bell Agogo Steel Drums Wood Block Taiko Melodic Tom Synth-Drum Reverse Cymbal Fret Noise Breath Noise Seashore Bird Telephone Helicopter Applause Gunshot
Drum sets 168 Standard Set Standard Set Room Set 171 Power Set 172 Electronic Set 173 Synth Set Synth Set Jazz Set 176 Brush Set 177 Orchestra Set
8 Beat Beat 8 Beat 8 Beat 8 Beat Pop 8 Beat Pop 60s Soul Beat Dance 007 Pop Rock 16 Beat Beat 16 Beat Beat 3 Slow 16 Beat 16 Beat Shuffle Beat Shuffle 2 Funk Latin Fusion Soul Pop World Pop Mellow R&B 60s pop Oldies Pop Pop Waltz
Pops 016 Pop Pop Guitar Pop 019 Soul 020 Pop Shuffle
Rhythm list continued next page.
Ballad Beat Ballad 8 Beat Ballad 16 Beat Ballad 16 Beat Ballad 16 Beat Ballad 6/8 Ballad 033 Rock Ballad 034 Pop Ballad 035 Oldies Ballad 036 Serenade Rock 037 Rock Rock R&B 040 Shuffle Rock 041 60s Rock 042 Shuffle Boogie 043 Blues 044 Twist Dance 045 Trance 046 Rave 047 Techno 048 House 049 Latin House 050 Dance 051 Modern R&B 052 Hip-Hop 053 Dance Pop Dance Pop Disco Soul Jazz Bluegrass Country Country Shuffle Country Waltz Fast Gospel Slow Gospel Broadway Dixie Pasodoble Hawaiian Adani Baladi Sympony
fast Big Bnad Middle Big Band Jazz Combo 1 Swing Slow Swing Modern Jazz Fox Trot Quickstep Jazz Waltz
Europian 065 Polka 066 Polka Fox 067 Pop Polka 068 March 069 German March 070 Waltz Waltz Viennese Waltz 073 French Waltz Latin/Various 074 Bossa Nova 075 Samba 076 Merengue 077 Cumbia 078 Cah-Cha-Cha 079 Beguine 080 Bolero 081 Mambo 082 Rhumba 083 Tango 084 Reggae 085 Ska 086 Latin Disco
For Piano 100 Piano Ballad Piano Ballad Piano Ballad EP Ballad EP Ballad Blues Ballad 106 Mellow Jazz 107 Jazz Combo Ragtime 109 Boogie-Woogie 110 Arpeggio Arpeggio Arpeggio Piano Ballad 6/8 March 115 March 2 Beat 117 Waltz Waltz Waltz 5
18 Arabesque 1 Nocturne Op. 9-2 Fantaisie-Impromptu Op. 66 Etude Op. 10-3 Chanson de ladieu Prelude Op. 28-7 Ave Maria Frhlicher Landmann Canon in D Major Menuet (Klavierbchlein fr Anna Magdalena Bach) Praeludium 1 (Wohltemperiertes Klavier 1) Jesus Bleibet Meine Freude Gavotte Serenade (Eine kleine Nachtmusik) Sonata K. 331 3rd Mov. Turkish March Ode To Joy Fr Elise Sonata Op. 27-2 Moonlight 1st Mov. Waltz Op. 39-15 (Duets) La Prire dune Vierge Sicilienna Op. 78 Gymnopdie 1 Salut d`amour Amazing Grace Over The Rainbow Someday My Prince Will Come 53 54
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