VENTILATION Slots and openings in the cabinet are provided for ventilation and to ensure reliable operation of the product and to protect it from overheating, and these openings must not be blocked or covered. The openings should never be blocked by placing the product on a bed, sofa, rug, or other similar surface. This product should not be placed in a built-in installation such as a bookcase or rack unless proper ventilation is provided or the manufacturers instructions have been adhered to. POWER SOURCES This product should be operated only from the type of power source indicated on the marking label. If you are not sure of the type of power supply to your home, consult your product dealer or local power company. LOCATION The appliance should be installed in a stable location. NONUSE PERIODS The power cord of the appliance should be unplugged from the outlet when left unused for a long period of time.

ANTENNA LEAD IN WIRE

GROUND CLAMP
ANTENNA DISCHARGE UNIT (NEC SECTION 810 20) GROUNDING CONDUCTORS (NEC SECTION 810 21) GROUND CLAMPS POWER SERVICE GROUNDING ELECTRODE SYSTEM (NEC ART 250, PART H)
ELECTRIC SERVICE EQUIPMENT

FIG. A

NEC NATIONAL ELECTRICAL CODE

IMPORTANT

CAUTION
RISK OF ELECTRIC SHOCK DO NOT OPEN
The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert the user to the presence of uninsulated dangerous voltage within the products enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons. CAUTION: TO PREVENT THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USERSERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance.

[For Canadian model]

This Class B digital apparatus complies with Canadian ICES-003.

[Pour le modle Canadien]

Cet appareil numrique de la Classe B est conforme la norme NMB-003 du Canada.

Information to User

Alteration or modifications carried out without appropriate authorization may invalidate the users right to operate the equipment.

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures: Reorient or relocate the receiving antenna. Increase the separation between the equipment and receiver. Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. Consult the dealer or an experienced radio/TV technician for help.

ELECTR

We Want You Listening For A Lifetime

We Want You

Selecting fine audio equipment such as the unit youve just purchased is only the start of your musical enjoyment. Now its time to consider how you can maximize the fun and excitement your equipment offers. This manufacturer and the Electronic Industries Associations Consumer Electronics Group want you to get the most out of your equipment by playing it at a safe level. One that lets the sound come through loud and clear without annoying blaring or distortion-and, most importantly, without affecting your sensitive hearing. Sound can be deceiving. Over time your hearing comfort level adapts to higher volumes of sound. So what sounds normal can actually be loud and harmful to your hearing. Guard against this by setting your equipment at a safe level BEFORE your hearing adapts. To establish a safe level: Start your volume control at a low setting. Slowly increase the sound until you can hear it comfortably and clearly, and without distortion. Once you have established a comfortable sound level: Set the dial and leave it there. Taking a minute to do this now will help to prevent hearing damage or loss in the future. After all, we want you listening for a lifetime.

O CIATIO

PART NAMES AND FUNCTIONS

Control Panel 1 2
TALK OVER CH-1 CH-2 CH-3 CH-4 MASTER EFFECTS/SAMPLER
REVERB FRANGER PITCH FILTER SND/RTN EDIT TRANS SINGLE PAN LOOP ECHO STRETCH DELAY REC AUTO BPM
1 Main Microphone Input Terminal and Microphone Control Knob
Main Microphone Input Terminal: For connecting a microphone that has a cannon-type terminal. MIC LEVEL (microphone level): Adjusts the volume of the main microphone. (Attenuation: to 0dB) HI: Adjusts high-tone microphone sound. At the center position, sound is flat. Turn to the right to increase sound (to +12dB at 10kHz). Turn to the left to decrease sound (to 12dB at 10kHz). MID: Adjusts mid-tone microphone sound. At the center position, sound is flat. Turn to the right to increase sound (to +12dB at 1kHz). Turn to the left to decrease sound (to 12dB at 1kHz).
LOW: Adjusts low-tone microphone sound. At the center position, sound is flat. Turn to the right to increase sound (to +12dB at 100Hz). Turn to the left to decrease sound (to 12dB at 100Hz).
2 Input Selector Switches, Control Knobs, and Peak Level Meters for CH-1 to CH-4
Input Selector Switches: These switches select what input source to use from among the units connected to each channel. CH-1: Switches between CD1/LINE and LINE CH-2: Switches between CD2/LINE and PHONO 1 CH-3: Switches between LINE and PHONO 2 CH-4: Switches between LINE and SUB MIC/PHONO 3 TRIM: Adjusts the input signal level. Turn to the right to increase level (to +9dB). Turn to the left to decrease level (to ).
HI: Adjusts high-tone input sounds. At the center position, sound will be flat. Turn to the right to increase sound (to +12dB at 13kHz). Turn to the left to decrease sound (to 26dB at 13kHz). MID: Adjusts mid-tone input sound. At the center position, sound will be flat. Turn to the right to increase sound (to +12dB at 1kHz). Turn to the left to decrease sound (to 26dB at 1kHz). LOW: Adjusts low-tone input sound. At the center position, sound is flat. Turn to the right to increase sound (to +12dB at 70Hz). Turn to the left to decrease sound (to 12dB at 70Hz). Peak Level Meter: Displays peak level, held for 2 seconds. Displays level before it is subjected to the channel fader. Display range: 24dB to +14dB.
8 Headphone Terminal and Headphone Output Control Panel
MONO SPLIT/STEREO (mono split/stereo selector switch): Used to select whether to split monitor sound on the left and right of the headphones or to keep sound in stereo form. MONO SPLIT will change headphone output to monaural. The left channel will be for the sound from the channel selected with HEADPHONES CUE, and the right channel will be the sound output from the master. (This applies only when the master was selected using HEADPHONES CUE.) MIXING (mixing adjustment knob): Adjusts headphone monitor sound. Turn all the way to the right for master output sound. (This applies only when the master was selected using HEADPHONES CUE.) Turn all the way to the left for the sound from the channel (other than the master) selected with HEADPHONES CUE. At the center position, the levels for master output and the sound selected with HEADPHONES CUE will be even. LEVEL (level adjustment knob): Adjusts headphone monitor sound. When CH-1 to CH-4 has been selected, the level is not affected by master volume (0) or master balance (@). PHONES (headphone terminal)

3 MONO/STEREO (Master Output Monaural/ Stereo Selection Switch)
Used to select either MONO or STEREO for master output.
4 POWER (Power Supply Switch) 5 MASTER LEVEL (Master Level Meter)
Displays the output level following master volume adjustment, held for 2 seconds. Display range: 24dB to +14dB.

9 Channel Fader Volume

Adjusts the volume for CH-1 to CH-4.

6 TALK OVER

Press this switch and the sound level for everything other than the main microphone will decrease to around 14dB, and a red LED will light. To restore original status, press this switch again. Caution:Pressing this switch will cause sudden, major changes in the volume.

0 Master Fader Volume

Adjusts the master output sound level. Signals from the channels selected with the ASSIGN switch (-) will be output using channel fader volume (9) and cross fader volume (!), while signals from other channels will be output using channel fader volume.
7 HEADPHONES CUE and AUTO BPM COUNTER SELECTOR
HEADPHONES CUE: Used to select the source (CH-1 to CH-4, MASTER, or EFFECTS/SAMPLER) to be monitored with headphones. Press it again to cancel the selection. Pressing multiple buttons makes it possible to derive mixed sound from the selected sources. AUTO BPM COUNTER SELECTOR: When AUTO BPM has been selected with the effect/ sampler selector switch (^), the BPM of the selected channel (CH-1 to CH-4) will be displayed on the BPM display ($). BPM will not be displayed correctly if 2 or more channels have been selected.
- CROSS FADER ASSIGN A, CROSS FADER ASSIGN B
Selects signals assigned to A and B when the cross fader is used with 2 sources (A and B). THRU: Select when not using the cross fader. 1 to 4: Select what channels (CH-1 to CH-4) to assign to A and B. Channels not assigned to A or B are output without passing through the cross fader. SAMPLER: Select when using the cross fader to output sound sampled using this units effect function, when SINGLE (not STRETCH or LOOP) has been selected with the effect/ sampler selector switch (^).

^ & * (

= FADER START (Fader Start ON/OFF Switch)
CH-1 and CH-2: When the unit has been connected with a control cable to a CDJ-100S, CDJ-700S or similar CD player, this is the ON/OFF switch for the function to automatically start playing of the CD player using the channel fader or cross fader. SAMPLER: This is the ON/OFF switch for the function to start the units built-in sampler using the cross fader.

@ MASTER BALANCE Knob

Used to adjust the left-right balance of the master output.
# BOOTH MONITOR Level Knob
Used to adjust the level of the BOOTH MONITOR output terminal on the rear panel. Level is not affected by the master volume (0) and master balance (@).
$ BPM Display (see page 14)
When AUTO BPM has been selected using the effect/ sampler selector switch (^), displays BPM for the channel (CH-1 to CH-4) selected using AUTO BPM COUNTER SELECTOR (7). 1 to 4: Displays the channel that is measuring BPM. AUTO BPM COUNTER: Displays BPM values. Flashes while measuring or if unable to measure BPM.
~ CROSS FADER CURVE (Cross Fader Curve Selection Switch)
Used to select one of 3 cross fader startup curves.

! Cross Fader Volume

Used to adjust the sound mix volume of the sources set to A or B using the ASSIGN switch (-).
BPM Measurement Range Display/ BPM Measurement Range Selector Switches: Used for making selections from the following: 70 to 139, 91 to 180, 70 to 180, and manual mode. When both LEDs are lit, the 70 to 180 setting applies. When neither LED is lit, manual mode applies. Set the BPM band to match the music for which BPM will be measured. For details on manual mode, see Measuring BPM on pages 14 and 15. When the effect/sampler channel selector switch has been used to select something other than AUTO BPM, the BPM of the source selected with the effect/sampler channel selector switch (&) will be displayed. Effect Beat Selector Switch: The value for effect/sampler parameter 1 (*) will change in keeping with the BPM for source selected with the effect/sampler channel selector switch (&). The set value will change with the effect/sampler selector switch (^) setting. If DELAY, ECHO, PAN or TRANS has been selected, parameter 1 for source BPM will be set in terms of a beat (1/4~8/1). If FILTER, FLANGER or SAMPLER has been selected, parameter 1 for source BPM will be set in terms of a number of beats (1/2 to 32). If DELAY or ECHO has been selected, the number of beats for parameter 1 cannot be set in excess of 3500ms. If SAMPLER has been selected, the number of beats for parameter 1 cannot be set in excess of 8000ms. If PITCH has been selected, settings of 100%, 50%, 33%, 0%, 33%, 50% and 100% will be possible. If REVERB has been selected, settings of 10%, 20%, 35%, 50%, 65%, 80% and 90% will be possible. This switch will not function if AUTO BPM or SEND/ RETURN has been selected.

% Effect Parameter and BPM Display (see page 17)
1 to 4, MIC, and MASTER: Displays the source selected with the effect/sampler channel selector switch (&). When CF. A or CF.B has been selected with the effect/ sampler channel selector switch, the channels (1 to 4) selected with the ASSIGN switches (-) will light. PARAMETER (Parameter/BPM Counter): The display will differ with the setting of the effect/ sampler selector switch (^). When AUTO BPM has been selected, the BPM for the source selected with the effect/sampler channel selector switch will be displayed. Display will flash while BPM is being measured or cannot be measured. Nothing will be displayed if SEND/RETURN has been selected. If something other than AUTO BPM and SEND/ RETURN has been selected, the effect value set with effect parameter 1 (*) will be displayed. BEAT (Effect Synchronous Display/Beat Display): The display will differ with the setting of the effect/ sampler selector switch (^). If DELAY, ECHO, PAN or TRANS has been selected, parameter 1 for source BPM will be displayed in terms of a beat. It will light if the beat is 1/2 or 4/1. Pressing the (2) effect beat selector switch will change beats under 1/2 to 1/4, clearing the display entirely. Pressing the (3) effect beat switch will change beats over 4/1 to 8/1, clearing the display entirely. If there is a disparity between the number of beats, the closest number will be displayed blinking. If FILTER, FLANGER or SAMPLER has been selected, parameter 1 for source BPM will be displayed in terms of a beat. The display will light if it matches 1 to 16 beats. Pressing the (2) effect beat selector switch when there is less than 1 beat will change the beat to 1/ 2, clearing the display entirely. Pressing the (3) effect beat selector switch for over 16 beats will change the number of beats to 32, clearing the display entirely. If there is a disparity between the number of beats, the closet number will be displayed blinking. If PITCH has been selected, the extent of pitch adjustment will be displayed. If REVERB has been selected, the amount of reverberation will be displayed. Nothing will be displayed if AUTO BPM or SEND/ RETURN has been selected.
^ Effect/Sampler Selector Switch
Used to select different effects (see page 14).
& CH. SELECT (Effect/Sampler Channel Selector Switch)
Used to select the source to be effected.
* PARAMETER 1, 2 (Effect/Sampler Parameter 1 and 2 Knobs)

Used to adjust the values of the parameters of the built-in effector and the sampler (see page 16).
( ON/OFF, TAP (Effect/Sampler ON/OFF Switch and Tap Switch)
Effect will differ with the setting of the effect/sampler selector switch (^). Functions as the effects ON/OFF switch if DELAY, ECHO, PAN, TRANS, FILTER, FLANGER, REVERB, PITCH, or SEND/RETURN has been selected. (OFF: Orange light. ON: Blinking orange light.) When AUTO BPM has been selected, it will function as a tap switch, enabling it to be used as a beat counter through manual input. (Selection indicated by orange light.) When using the tap switch to measure BPM, both LEDs for indicating the BPM measurement range will turn off and manual mode will go into effect (see page 15). Functions as the ON/OFF switch for sampler recording when SAMPLER REC has been selected (see page 20). (REC OFF: Red light. REC ON: Blinking red light.) Functions as the ON/OFF switch for sampler playback when SAMPLER PLAY has been selected (see page 21). (PLAY OFF: Green light. PLAY ON: Blinking green light.)
USING THE EFFECT/SAMPLER FUNCTIONS
With the built-in digital signal processor (DSP), sound effects can be enjoyed and BPM measured.
Features of Various Effectors

Auto BPM Counter

Automatically measures music BPM (beats per minute; tempo) and displays it digitally. It not only counts the beat of bass sounds but also calculates (using a computer) the musics original BPM, which DJs require, and displays it digitally. Thus, BPM can now be checked not only aurally, as was conventional, but also visually, enabling quicker, simpler mixing of music with different tempos. Use of the TAP switch to input the beat manually makes it possible to set BPM for music for which it is difficult to measure (a capella, improvisation, etc.).
Beat Effector (Effects linked to BPM)
Links various effects to the BPM calculated with the aforementioned auto BPM counter to enable unprecedented sound production. 1. DELAY (one sound repeated) Quickly and easily mixes delayed sounds of 1/4, 1/2, 3/4, 1/1, 2/1, 4/1 and 8/1 beats. Mixing with 1/2-beat-delayed sound, for example, will change the beat from 4 to 8. Mixing with a 3/4-beat-delayed sound will change the rhythm to a bouncy one. Example: Original (4 beats) 3. Auto Pan [PAN (L-R BALANCE)] Automatically pans sound to the left and right (auto beat pan) to the rhythm of a 1/4, 1/2, 3/4, 1/1, 2/1, 4/1 or 8/1 beat. Short auto pan, for panning sound to the left and right in a short time that cannot be covered manually, is also possible. Example: Auto Beat Pan

Center (Stereo)

1 cycle = 1/4, 1/2, 3/4, 1/1, 2/1, 4/1 or 8/1 beat 1/2 delay (8 beats) Center (Stereo) 2. ECHO (repeated sounds) Quickly and easily mixes echoes of 1/4, 1/2, 3/4, 1/1, 2/1, 4/1 and 8/1beats. When input sound is cut with a 1/1-beat echo, for example, the music will fade out while sounds are repeated that match the beat. When a 1/1-beat echo is imposed on the microphone, microphone sound will be played repeatedly, matching the beat. Troll (musical round-type) effects can be produced by imposing a 1/1-beat echo on song vocals. Example:

Short Auto Pan 4. Auto Trans (TRANS) Automatically cuts sound to the rhythm of a 1/4, 1/2, 3/4, 1/1, 2/1, 4/1 or 8/1 beat. Example: Cut Cut
Time 1 cycle = 1/4, 1/2, 3/4, 1/1, 2/1, 4/1 or 8/1 beat
Beat 1 beat 1 beat Cuts the input sound

Fade out

5. FILTER Changes the tone greatly by shifting the filters frequency in units of 1/2, 1, 2, 4, 8, 16, and 32 beats. Example 10. SAMPLER REC Recognizes music BPM and samples in terms of the set beat. Example

1/2 3/4 1/1 2/1 4/1

Frequency 1 cycle = 1/2, 1, 2, 4, 8, 16 or 32 beat
6. FLANGER Quickly and easily produces 1-cycle flanger effect for beats of 1/2, 1, 2, 4, 8, 16, or 32. 11. SAMPLER PLAY Example Stretch Loop Plays while automatically shortening and lengthening the BPM of sampled sound to the BPM of different music. Short delay Example 135BPM 1 cycle = 1/2, 1, 2, 4, 8, 16 or 32 beat 4-beat sampling 7. REVERB Produces a reverberation effect. 120BPM Time stretch & loop Loop Plays sampled sound to a different beat. Example
8. PITCH (Pitch Shifter) Shits interval (pitch or key) within a range of 1 octave. As the speed of analog-record turntables and CD players changes as a percent, interval changes can be corrected on a percent basis. Applying the pitch shifter to microphone sound produces voice changer effects. Mixing with original sound produces a choral effect.
9. SEND/RETURN (External effect input/output) Makes diverse effects possible through connection to available effectors, samplers, etc. 1-beat sampling

4-beat sampling play

Measuring BPM
Measurement and display of the BPM of channels selected with the auto BPM counter selector and of channels selected with the effect/sampler channel selector switch make it easy to mix music of different tempos. (Range of measurement: 70.0 to 180.0 BPM)
Example: Displaying the BPM of music for auto BPM counter selector CH-1 and effect/sampler channel selector switch 2 (CH-2).

dB - 0dB 0 -12dB +12dB -

dB +9dB +12dB -26dB -1 --

dB +9dB +12dB -26dB 0 -

dB +9dB +12dB 0 -1 -2

BPM display

Effect parameter/ BPM display
Auto BPM counter selector
REVERB FRANGER PITCH SND/RTN FILTER EDIT TRANS SINGLE PAN LOOP ECHO STRETCH DELAY REC AUTO BPM
Effect/sampler selector switch Effect/sampler channel selector switch

- 0dB THRU

Tap switch
1 Set the effect/sampler selector switch to AUTO BPM. 2 Press the BPM measurement range selector switch and select the BPM band for CH-1 and CH2.
From the options of 70 to 139, 91 to 180, and 70 to 180, select the BPM band that matches the BPM of the music to be measured. When both LEDS are lit, 70 to 180 has been selected.
4 Press auto BPM counter selector CH-1.
LED 1 on the BPM display will light. The BPM of the music input to CH-1 will be displayed on the BPM displays counter. * To measure BPM accurately, select only one channel (CH-1 to CH-4) for the auto BPM counter.
3 Set the effect/sampler channel selector switch to 2.
LED 2 on the effect parameter/BPM display will light. The BPM of the music input to CH-2 will be displayed on the effect parameter/BPM displays counter. * LED will blink if BPM cannot be measured for more than 2 seconds. * Depending on the music, it might not be possible to measure BPM with the auto BPM counter. In this case, use manual mode to make settings (see page 15). Effect parameter/ BPM display

Counter

BPM measurement range selector switch
Display when the BPM of CH-1 and CH-2 (126) match.
USING THE EFFECT/SAMPLER FUNCTIONS Measuring BPM in Manual Mode
7 When BPM cannot be measured in auto BPM mode: If auto BPM measurement is not possible, use the tap switch for manual input. When the tap switch is pressed in time to the musics beat, the light in both BPM measurement range displays will turn off and manual mode will go into effect. The BPM value input with the tap switch will be displayed on the effector/BPM displays lower counter, and the display on the upper counter will turn off. To return to auto BPM mode, press the BPM measurement range selector switch and set the measurement range. 7 When BPM cannot be measured during delay, echo, auto pan, auto trans, filter and flanger operations (pages 16 and 17), or during sampler operations (pages 20 and 21): If BPM cannot be measured for more than 2 seconds during effect or sampler operations, the BPM displays counter will blink. In such a case, change the effect/ sampler selector switch to AUTO BPM and use the tap switch for manual input. After the BPM value input via the tap switch has been displayed on the effect parameter/BPM displays lower counter and the effect/sampler selector switch restored to the original effect, the BPM value input will be displayed on the BPM displays upper counter. BPM can be input in manual mode if the musics BPM is known in advance. Change the effect/sampler selector switch to AUTO BPM and press the BPM measurement range selector switch and both BPM measurement range displays will turn off. If the effect/sampler parameter 1 knob (TIME) is pressed, the counter on the effect parameter/BPM display will display the BPM, with adjustment possible from the first digit. Turning the parameter 1 knob while pressing the tap switch makes it possible to adjust the BPM from the first decimal place. When the BPM value has been set and the effect/ sampler selector switch restored to the original effect, the BPM value set will be displayed on the BPM displays counter. BPM display

BPM measurement range selector switch BPM measurement range display Counter
Delay, Echo, Auto Pan, Auto Trans, Filter, and Flanger Operations
Items Set for Each Effect
Effect DELAY Effect/sampler parameter 1 (TIME) Delay time Setting range: 1 to 3500mSec, in 1msec steps Delay time Setting range: 1 to 3500mSec, in 1msec steps Pan time (changeover time) Setting range: 10 to 16000mSec, in 5mSec steps for 10 to 1000 and 10msec steps for 1000 to 16000 Trans time (changeover time) Setting range: 10 to 16000mSec, in 5mSec steps for 10 to 1000 and 10msec steps for 1000 to 16000 Filter time (cycle) Setting range: 10 to 16000mSec, in 5mSec steps for 10 to 1000 and 10msec steps for 1000 to 16000 Flanger time (cycle) Setting range: 10 to 16000mSec, in 5mSec steps for 10 to 1000 and 10msec steps for 1000 to 16000 Effect/sampler parameter 2 (LEVEL/DEPTH) Effect mix ratio (Balance between original and delayed sound levels) Effect mix ratio (Balance between original and echo sound levels) Effect mix ratio (Balance between original and panned sound levels)

PAN (Auto pan)

Effect mix ratio (Balance between original and panned sound levels)

FILTER

Resonance (Filter resonance sound level)

FLANGER

Feedback (Flanger feedback sound level)
Example: Applying the delay effect to music on CH-2.
BPM display Effect parameter/ BPM display Headphone cue EFFECTS/SAMPLER
Effect/sampler selector switch Effect/sampler channel selector switch Effect/sampler parameter 1 and 2 knobs Effect/sampler ON/OFF switch
USING THE EFFECT/SAMPLER FUNCTIONS 1 Set the effect/sampler selector switch to DELAY. 2 Set the effect/sampler channel selector switch to 2.
LED 2 on the effect parameter/BPM display will light. The BPM of the music input to CH-2 will be displayed on the BPM displays counter. * The BPM band that matches the music on CH-2 can be selected with the BPM measurement range selector switch. * LED will blink if BPM cannot be measured for more than 2 seconds. In this case, use manual mode to make settings (see page 15). channel selector switch when delay, echo, reverb (pages 18 and 19) and similar effects have been turned on, all of the reverberation of the prior channels effects will be output. Only operate the effect/sampler selector switch when effects are off (when the effect/sampler ON/OFF switch is lit orange). Operating it with effects on could generate noise.
3 Set the parameter value.
When headphone cues EFFECTS/SAMPLER is pressed, effect sound can be confirmed via headphone output. Setting the Delay Time Setting the delay time to match one beat of the BPM displayed on the BPM displays counter makes effect application more effective. By pressing the effect beat selector switch, delay time of 1/4 to 8/1 can be set for one beat of the measured BPM. More precise delay times can be set with the effect/ sampler parameter 1 knob (TIME). As 1/2 will light on the beat display if delay time is set to 1/2 of one beat of the BPM, the parameter value can be set using the beat display as a guide. Setting to Balance Original and Delayed Sound Levels The balance between original and delayed sound levels is set using the effect/sampler parameter 2 knob (LEVEL/DEPTH). Turning this knob to the left will decrease delayed sound and turning it to the right will increase it.

70-139 BPM

91-180 BPM
Effect beat selector switch Display when CH-3 has been pitch-shifted by 90%.
Using an External Effector
The following example is for applying external effects to music on CH-3.
1 Set the effect/sampler selector switch to SEND/ RETURN. 2 Set the effect/sampler channel selector switch to 3.
LED 3 on the effect parameter/BPM display will light.
3 Set external effector parameters, etc.
When headphone cues EFFECTS/SAMPLER is pressed, effect sound can be confirmed via headphone output.
4 Adjust the return level.
The return level from the external effector can be adjusted with the effect/sampler parameter 2 knob. * Effect/sampler parameter 1 knob (TIME) will not function.
Display when an external effect has been applied to CH-3.
5 Turn on the effect/sampler ON/OFF switch.
The effect/sampler ON/OFF switch will blink orange, and the external effect will be applied to music on CH-3. Pressing the switch once more will turn the effect off.

Using Sampler Recording

The units built-in sampler recognizes the BPM of music to be recorded and automatically records the specified number of beats (1, 2, 4, 8, or 16) only. The maximum recording time is eight seconds. Example: When recording 8 beats of the piece on CH-1 (BPM=120).
1 Set the effect/sampler selector switch to SAMPLER REC.
The effect/sampler ON/OFF switch will light red.
4 Set the effect/sampler ON/OFF switch to ON at the time you wish to record.
Automatically begins recording when sound signals from a player, etc., have been detected. When recording begins, the effect/sampler ON/OFF switch will blink red. Recording will automatically terminate when the set number of beats has been recorded. Pressing the effect/sampler ON/OFF switch during recording will terminate recording. BPM display
2 Set the effect/sampler channel selector switch to 1.
LED 1 on the effect parameter/BPM display will light. The BPM of the music input to CH-1 will be displayed on the BPM display. * The BPM band that matches the music on CH-1 can be selected with the BPM measurement range selector switch. * LED will blink if BPM cannot be measured for more than 2 seconds. In this case, use manual mode to make settings (see page 15).
3 Set the recording time.
Press the effect beat selector switch and 8 will light on the beat display. * To set the recording time more precisely, use the effect/sampler parameter 1 knob (TIME). The time that was set will be displayed on the effect parameter/BPM display. The maximum recording time is eight seconds. * The effect/sampler parameter 2 knob (LEVEL/DEPTH) will not function. Effect parameter/ BPM display
Using Sampler Playback Functions
Following are the three available methods for playing back the sound recorded with the units built-in sampler. SINGLE PLAY LOOP PLAY STRETCH LOOP PLAY Plays only while the effect/sampler ON/OFF is being pressed. Repeatedly plays the recorded sound. Based on the BPM of the music to be mixed, repeatedly plays the sound recorded within the set number of beats (1, 2, 4, 8, or 16). The recorded sound will be played stretched to match the set number of beats.

In the following example, startup is done with the CD player connected to CH-1 set to ASSIGN A. Example:

THRU SAMPLER

5 Use the cross fader curve selector switch to select the cross fader startup curve. 6 When the cross fader volume control is slid in the opposite direction as in 3, CD player or sampler play will begin.

ASSIGN A switch

If cue points have been set in advance when using the CDJ-100S and CDJ-700S, it is not necessary to leave the CD player on standby at the cue point. If the cross fader volume is returned to its original position after playing has started, the CD player will return to the cue point and be on standby.
4 For starting a CD player, set its cue point and set it to standby at this cue point. For starting a sampler, select the type of sample play (SINGLE, LOOP or STRETCH LOOP) with the effect/sampler selector switch.
When the type of sample play is selected with the effect/ sampler selector switch, the effect/sampler ON/OFF switch will light green.

TROUBLESHOOTING

Incorrect operations are often mistaken for trouble and malfunctions. If you think there is something wrong with this component, check the points below. Sometimes the trouble may originate from another component. Thus, also check the other electrical appliances also in use. If the trouble cannot be rectified even after checking the following items, contact your dealer or nearest PIONEER service center. Problem The power does not turn on. There is little or no sound. Possible Cause The power cord has not been connected. The input selector switch is in the wrong position. The connection cable hasnt been connected properly or has been disconnected. The terminal or plug is dirty. The master output level control (MASTER LEVEL ATT.) on the back has been set too low. Master output level is too high. Input level is too high. Countermeasure Connect the cord to a power outlet. Set the input selector switch to the device currently playing. Connect it properly. Clean and reconnect. Adjust the master output level control (MASTER LEVEL ATT.) on the back. Adjust the master output level control (MASTER LEVEL ATT.) on the back. Adjust the TRIM knob so that the input level approaches 0dB on the peak level meter. Set the ASSIGN switches to the correct cross fader source. Turn on the fader start switch. Use the control cable to connect the unit and CD player. Correctly select the channel to which effects should be applied. Adjust the effect/sampler parameter 2 knob. Lower the external effectors output level or adjust the return level using the effect/ sampler parameter 2 knob. Adjust the TRIM knob so that the input level approaches 0dB on the peak level meter. Adjust input levels of other channels to approach 0dB. Press the TAP switch and set BPM manually. No countermeasures necessary.

Accessories

Short-circuit pin plug.. 6 Operating instructions.. 1 Warranty... 1
Published by Pioneer Corporation. Copyright 1999 Pioneer Corporation. All rights reserved.

PIONEER CORPORATION

4-1, Meguro 1-Chome, Meguro-ku, Tokyo 153-8654, Japan
PIONEER NEW MEDIA TECHNOLOGIES, INC. Multimedia and Mass Storage Division: 2265 East 220th Street, Long Beach, CA 90810, U.S.A. TEL: 800-444-OPTI (6784) PIONEER ELECTRONICS OF CANADA, INC. Industrial Products Department: 300 Allstate Parkway, Markham, Ontario L3R 0P2, Canada TEL: 905-479-4411
<DRB1251> <99J00SZ0W00> Printed in Japan <DRB1251-C>

DJM-800 Mixer Mounting Plate Assembly Guide
Locate the six (6) hole covers on sides of the DJM-800.
Note: The hole covers are textured circular patches. There are three (3) hole covers on the left side and 3 hole covers on the right side.

hole covers

With a flat-head screwdriver, pop out the hole covers from both sides of the unit.
Position the screws under the top flap of the rack. Attach the rack ears using the screws supplied with the DJM-800.
For use in correct manner and safety of DJM-8OO, please thoroughly familiarize yourself with the "Operating Instruction Manual" of DJM-8OO. Pioneer Electronics (USA) Inc. may not be liable for imperfect installation and fitting, misuse, modification of product or for any damage caused by force.
Pioneer Electronics (USA) Inc. 2265 East 220th Street, Long Beach, CA 90810 phone 310-952-2111 fax 310-952-2110 website: www.PioneerProDj.com