EXAMPLE OF ANTENNA GROUNDING

ANTENNA LEAD IN WIRE

GROUND CLAMP
ANTENNA DISCHARGE UNIT (NEC SECTION 81020)
ELECTRIC SERVICE EQUIPMENT
GROUNDING CONDUCTORS (NEC SECTION 81021) GROUND CLAMPS POWER SERVICE GROUNDING ELECTRODE SYSTEM (NEC ART 250. PART H)
NEC NATIONAL ELECTRICAL CODE
We Want You Listening For A Lifetime

(for US customers only)

YAMAHA and the Electronic Industries Associations Consumer Electronics Group want you to get the most out of your equipment by playing it at a safe level. One that lets the sound come through loud and clear without annoying blaring or distortion and, most importantly, without affecting your sensitive hearing. Since hearing damage from loud sounds is often undetectable until it is too late, YAMAHA and the Electronic Industries Associations Consumer Electronics Group recommend you to avoid prolonged exposure from excessive volume levels.

Congratulations!

You are the proud owner of a Yamaha Digital Sound Field Processing (DSP) Systeman extremely sophisticated audio component. The DSP system takes full advantage of Yamahas undisputed leadership in the field of digital audio processing to bring you a whole new world of listening experiences. Follow the instructions in this manual carefully when setting up your system, and the DSP system will sonically transform your room into a wide range of listening environmentsanything from a famous concert hall to a cozy jazz club. In addition, you get incredible realism from Dolby-Surround encoded video sources using the built-in Dolby Pro Logic Surround Decoder and Dolby Digital (AC-3) Decoder. Seven built-in channels of amplification on this model mean that no additional amplifiers are required to enjoy advanced digital sound field processing. Rather than tell you about the wonders of digital sound field processing, however, lets get right down to the business of setting up the system and trying out its many capabilities. Please read this operation manual carefully and store it in a safe place for later reference.

PRECAUTIONS

1. PLEASE READ THIS MANUAL CAREFULLY

Digital Sound Field Processing
What is it that makes live music so good? Todays advanced sound reproduction technology lets you get extremely close to the sound of a live performance, but chances are youll still notice something missing, the acoustic environment of the live concert hall. Extensive research into the exact nature of the sonic reflections that create the ambience of a large hall has made it possible for Yamaha engineers to bring you this same sound in your own listening room, so youll feel all the sound of a live concert. Whats more, our technicians, armed with sophisticated measuring equipment, have even made it possible to capture the acoustics of a variety of actual concert halls, jazz clubs, theaters, etc. from around the world, to allow you to accurately recreate any one of these live performance environments, all in your own home.

Dolby Pro Logic Surround

This unit employs a Dolby Pro Logic Surround decoder similar to professional Dolby Stereo decoders used in many movie theaters. By using the Dolby Pro Logic Surround decoder, you can experience the dramatic realism and impact of Dolby Surround movie theater sound in your own home. Dolby Pro Logic employs a four channel five speaker system. The Pro Logic Surround system divides the input signal into four levels: the left and right main channels, the center channel (used for dialog), and the rear surround sound channels (used for sound effects, background noise, and other ambient noises). The center channel allows listeners seated in even less-than-ideal positions to hear the dialog originating from the action on the screen while experiencing good stereo imaging. Dolby Surround is encoded on the sound track of pre-recorded video tapes, laser discs, and some TV/cable broadcasts. When you play a source encoded with Dolby Surround on this unit, the Dolby Pro Logic Surround decoder decodes the signal and distributes the surround-sound effects. This Dolby Pro Logic Surround Decoder employs a digital signal processing system. This system improves the stability of sound at each channel and crosstalk between channels, so that positioning of sounds around the room is more accurate compared with conventional analog signal processing systems. In addition, this unit features a built-in automatic input balance control. This always assures you the best performance without manual adjustment.

Dolby Digital (AC-3)

The built-in Dolby Digital (AC-3) Decoder leads you into a totally new sound experiences. Dolby Digital (AC-3) is a new generation of multi-channel digital audio technology, or the newest spatial sound processing format developed for 35 mm film-movies by employing a new kind of low bit-rate audio coding. Dolby Digital (AC-3) is a digital surround sound system that provides completely independent multi-channel audio to consumers. In multi-channel form, Dolby Digital (AC-3) provides five full range channels in what is sometimes referred to as a 3/2 configuration: three front channels (left, center and right), plus two surround channels. A sixth bass-only effect channel is also provided for output of LFE (low frequency effect), or low bass effects that are independent of other channels. This channel is counted as 0.1, thus giving rise to the term 5.1 channels in total. Compared to Dolby Pro Logic that is referred to a 3/1 system (left front, center, right front and just one surround channel), Dolby Digital (AC-3) features two surround channels, called stereo or split surrounds, each offering the same full range fidelity as the three front channels. Sound of wide dynamic range reproduced by the five full range channels presents listeners much excitement that has never been experienced before. Precise sound orientation by the discrete digital sound processing expands realism that the original movie possesses.

4 Speaker System
This is the recommended speaker system, providing the best sound effects. When a normal stereo source is played back with the sound field programs No. 5 through No. 10, using the effect speakers reproduces effective sound field. When using the sound field programs No. 1 through No. 4 or when using any program with the Dolby Digital (AC-3) decoded, the center speaker provides precise center localization.
Simplest system without center speaker.
When a normal stereo source is played back with the sound field programs No. 5 through No. 10, a sound effect matching that of a 5speaker system can be obtained. When using the sound field programs No. 1 through No. 4 or when using any program with the Dolby Digital (AC-3) decoded, center sound is output from the left and right main speakers.
CENTER SPEAKERSet to NRML or WIDE. (See page 35.)
CENTER SPEAKERSet to PHNTM. (See page 35.)
Speakers and Speaker Placement
Your full five-speaker system will require two speaker pairs: the MAIN SPEAKERS (your normal stereo speakers) and the REAR SPEAKERS, plus the CENTER SPEAKER. You may also be using a subwoofer. The MAIN SPEAKERS should be high performance models and have enough power handling capacity to accept the maximum output of your audio system. Other speakers do not have to be equal to the MAIN SPEAKERS. For precise sound localization, however, it is ideal to use high performance models that can reproduce sounds in full range for the CENTER SPEAKER and the REAR SPEAKERS. Place the MAIN SPEAKERS in the normal position. Place the REAR SPEAKERS behind your listening position. They should be nearly six feet up from the floor.
Main speaker Center speaker Subwoofer
Place the CENTER SPEAKER precisely between the two MAIN SPEAKERS. (To avoid interference, keep the speaker above or below the television monitor, or use a magnetically shielded speaker.) If using a SUBWOOFER, such as a Yamaha Active Servo Subwoofer System, the position of the speaker is not so critical because low bass tones are not highly directional.

Rear speaker

CONTROLS & THEIR FUNCTIONS

FRONT PANEL

NATURAL SOUND

AV RECEIVER RXV992

DVD/LD

A/B/C/D/E

BASS TONE EXTENSION BYPASS

TUNING

P HI K L N O J M (General Model)
For control keys on the remote control unit, see pages 61 to 63.

1 POWER Switch

Turns this unit on and off.

9 PHONES Jack

When you listen with headphones, connect the headphones to the PHONES jack. You can listen to the sound to be output from the main speakers through headphones. When listening with headphones privately, set both the SPEAKERS A and B switches to the OFF position and switch off the digital sound field processor (so that no DSP program name is illuminated on the display panel) by pressing the EFFECT switch.

E Video NTSC/PAL Switch (General Model only)
Set this switch to the position corresponding to the standard that your video equipment employs.

F MAIN LEVEL Switch

Normally set to 0 dB. If desired, you can decrease the mainchannel output level at the MAIN SPEAKERS terminals by 10 dB by setting this switch to 10 dB.

G MAIN OUTPUT Jacks

Main-channel line output. Connected to input jacks of external stereo power amplifier (MAIN IN or TAPE PLAY jacks of integrated amplifier or receiver) when using external amplification.

C ROOM 2 OUT Jacks

H SUBWOOFER Jacks
When using one subwoofer, connect its amplifier input to either of these jacks. When using two subwoofers, connect their amplifiers to these jacks respectively. Frequencies below 90 Hz distributed from the main, center and/or rear channels are output to these jacks. Signals of LFE (low frequency effect) generated when the Dolby Digital (AC-3) is decoded are also output if they are assigned to these jacks.
D REMOTE CONTROL IN and OUT Jacks
The IN jack receives the commands from the central controller for custom installation system. The OUT jack outputs the commands received at the IN jack. Refer to CONNECTING AND CONTROLLING ROOM 2 EQUIPMENT on page 38.
I MAIN SPEAKERS Terminals
This unit is equipped with 2 sets of MAIN SPEAKERS terminals to allow you to connect 2 main speaker systems to this unit. When using this units built-in main-channel amplifier, connect the main speakers here.

J SWITCHED AC OUTLET(S)

You may plug other audio/video units into these sockets as long as their combined power consumption does not exceed the specified value shown. Switched means that these components are turned on and off by this units power switch.
K VOLTAGE SELECTOR (General Model only)
Be sure to set to the line voltage in your area before applying power. Consult your dealer if unsure of the correct setting.
REAR PANEL SWITCH AND CONTROL SETTINGS
There are several switches and controls on the rear panel that youll have to check before operating your system, and its a good idea to do it before you connect cables. First, locate the MAIN LEVEL slide switch (F). Make sure the MAIN LEVEL switch is set to 0 dB. For General model only, set the NTSC/PAL switch (E) to the position corresponding to the standard which your video equipment employs and set the FREQUENCY STEP switch (2) to the position suitable for the frequency spacing in your area. For the setting of IMPEDANCE SELECTOR switch (0), see page 34. For the setting of the center speaker switch (9), see page 32.
GENERAL INSTRUCTIONS FOR CONNECTIONS
Make sure that you have the left (L) and right (R) channels correctly connected. That means that jacks marked L on this unit must be connected to jacks marked L on other units. Likewise with the R jacks. This is easy if you remember to always use the red plug for the R jacks and the white plug for the L jacks. For connections with audio/video source equipment, use RCA type pin plug cables with the exception described later.

1. If you will use the remote control unit, set the TIME/LEVELSET MENU switch to the SET MENU position on the remote control unit. NOTE: Be sure to use the remote control unit with the lid open.
1. CENTER DELAY 2. DYNAMIC RANGE 3. LFE LEVEL 4. CENTER SPEAKER 5. REAR SPEAKER 6. MAIN SPEAKER 7. LFE/BASS OUT 8. INPUT MODE (TV/DBS)
2. Select the function (title) on which you will make a change.
3. Select any desired position or edit parameters on the function.
In the same way, make a setting change or adjustment on any other function.
DESCRIPTIONS OF THE FUNCTIONS 1. CENTER DELAY (Adjusting the delay of center sounds (dialog etc.))
Control range: 0 ms to 5 ms (in 1 ms step) Preset value: 0 ms * This adjustment is effective only when the Dolby Digital (AC-3) is decoded and the signals of selected source encoded with the Dolby Digital (AC-3) contain center-channel signals.
Adjusts the delay between the main sounds (at the main channels) and dialog etc. (at the center channel). The larger the value, the later the dialog etc. is generated. This is for making sounds from the left main, center and right main speakers reach your listening position at the same time by delaying the sound from the center speaker if the distance from the center speaker to your listening position is shorter than the distance from the left or right main speaker to your listening position.
DYNAMIC RANGE (Adjusting dynamic range)
Choices: MAX/STD/MIN Preset position: MAX * This adjustment is effective only when the Dolby Digital (AC-3) is decoded.
MAX: Dynamic range is the difference between the maximum level and the minimum level of sounds. Sounds on a movie originally designed for movie theaters feature very wide dynamic range. Dolby Digital (AC-3) technology can bring the original sound track into a home audio format with this wide dynamic range unchanged. In this position, a source encoded with the Dolby Digital (AC-3) is reproduced in the original sound tracks wide dynamic range providing you with powerful sounds like a movie theater. Selecting this position will be more ideal if you can listen to a source in a high output level in a room specially soundproofed for audio/video enjoyment. STD (Standard): Powerful sounds of extremely wide dynamic range are not always suitable for home use. Depending upon the condition of your listening environment, it may not possible to increase the sound output level as high as a movie theater, however, in a level proper for listening to in your room, the low level parts of source sound cannot be heard as well because they will be lost among noises in your environment. Dolby Digital (AC-3) technology also makes it possible to reduce an original sound tracks dynamic range for a home audio format by compressing the data. In this position, a source encoded with the Dolby Digital (AC-3) is reproduced in the compressed dynamic range of the source suitable for low level listening. MIN: In this position, dynamic range is more reduced than in the STD position. Selecting this position will be effective when you must listen to a source in extremely low level.

Switching the input mode (for DVD/LD and TV/DBS)
This unit allows you to switch the input mode only for sources connected to the DVD/LD and TV/DBS input jacks (on the rear of this unit) that input two or three types of signals to this unit. The following two input modes are provided. AUTO: For the source connected to the DVD/LD input jacks: This mode is automatically selected when you turn on the power of this unit. In this mode, input signal is automatically selected by the following order of priority. 1. Digital input signal from the OPTICAL jack 2. Digital input signal from the COAXIAL jack 3. Analog input signal For the source connected to the TV/DBS input jacks: This mode is automatically selected when you turn on the power of this unit if the AUTO position is selected on 8. INPUT MODE in the SET MENU mode. (See page 44 for details.) In this mode, input signal is automatically selected by the following order of priority. 1. Digital input signal from the COAXIAL jack 2. Analog input signal ANALOG: In this mode, only analog input signal is selected even though digital signal is input at the same time. Select this mode when you want to use the analog input signal instead of the digital input signal. NOTE: For the TV/DBS source only, the input mode selected on the function 8. INPUT MODE in the SET MENU mode is selected when you turn on the power of this unit.
Notes on input mode selection To play back a source with the Dolby Digital (AC-3) decoded, set the input mode to AUTO. When you want to enjoy a source which has normal 2-channel signals with a Dolby Pro Logic Surround program, select the ANALOG mode. In the AUTO mode, there may be a case depending on some LD players or DVD players that when you make a search on a source encoded with the Dolby Digital (AC-3) during the play and then the play is restored, sound output is interrupted for a moment because the digital input signal is selected again.
RECORDING A SOURCE TO AUDIO/VIDEO TAPE (OR DUBBING FROM A TAPE TO ANOTHER)
NOTE: If you will use the remote control unit, be sure to use it with the lid open. 1. Set the REC OUT selector to the SOURCE position.
DVD/LD TV/DBS VCR 1 VCR 2 VIDEO AUX SOURCE TAPE (MD) TUNER CD PHONO
2. Select the source you want to record.
3. Play the source and increase the setting of the master VOLUME control to confirm it. (For detailed information on tuning operations, refer to page 49.)
4. Set the tape deck, MD recorder or VCR used for recording to the recording mode.
Regardless of the setting of input selector buttons, when you set the REC OUT selector to a position other than SOURCE, the source selected by the REC OUT selector can be recorded by other tape deck (MD recorder) and/or VCRs connected to this unit. While recording a source by setting the REC OUT selector to the position other than SOURCE as described above, the following operations can be made at the same time.

Reproduces video discs, video tapes and similar sources which are Dolby Surround encoded and bear the DOLBY SURROUND logo. This program ideally simulates the multisurround speaker systems of the 35 mm film theater. The Dolby Surround decoding and the digital sound field processing is precisely performed without altering the originally designed sound orientation. The surround effects produced by this sound field folds the viewer naturally from the rear to the left and right and toward the screen.
NOTE: If the main channel sound is considerably altered by overadjustment of the BASS or TREBLE controls, the relationship with the rear channels may produce an unnatural effect.
3. MOVIE THEATER When the input signal is analog or PCM audio PRO LOGIC ) ( DSP Speaker output: main, center, rear DIGITAL MOVIE THEATER When the input signal is Dolby Digital ( Speaker output: main, center, rear
5. STADIUM When the input signal is analog or PCM audio ( Speaker output: main, rear When the input signal is Dolby Digital ( DIGITAL Speaker output: main, center, rear )
Ideal for reproducing video discs, video tapes and similar sources which are Dolby Surround encoded and bear the DOLBY SURROUND logo. This program is ideal for precisely reproducing the sound design of the newest 70 mm/Dolby Digital multi-track films. The sound field is made to be similar to that of the newest movie theaters, so the reverberations of the sound field itself are restrained as much as possible. The three dimensional feeling of the sound field is emphasized, and dialog is precisely oriented on the screen. You can enjoy watching Sci-Fi, adventure movies, etc. with much presence. 4. TV SPORTS When the input signal is analog or PCM audio ( Speaker output: main, center, rear When the input signal is Dolby Digital ( DIGITAL Speaker output: main, center, rear
This program gives you long delays between direct sounds and effect sounds, and extraordinarily spacious feel of a large stadium.
6. DISCO ) ) When the input signal is analog or PCM audio ( Speaker output: main, rear When the input signal is Dolby Digital ( DIGITAL Speaker output: main, center, rear
This program is furnished with a tight sound field in which the sound will not spread excessively on the front side, but the rear surround side produces a dynamic sound expansion. This program is the most suitable for sports programs.
This program recreates the acoustic environment of a lively disco in the heart of a very lively city. The sound is dense and highly concentrated. It is also characterized by a high-energy, immediate sound.
7. ROCK CONCERT When the input signal is analog or PCM audio ( Speaker output: main, rear When the input signal is Dolby Digital ( DIGITAL Speaker output: main, center, rear

9. CHURCH ) ) When the input signal is analog or PCM audio ( Speaker output: main, rear When the input signal is Dolby Digital ( DIGITAL Speaker output: main, center, rear
This program is ideally suited for rock music. You will experience a very dynamic or lively sound field.
This program recreates the acoustic environment of a big church with a high pointed dome and columns along the sides. This interior produces very long reverberations.
8. JAZZ CLUB When the input signal is analog or PCM audio ( Speaker output: main, rear When the input signal is Dolby Digital ( DIGITAL Speaker output: main, center, rear
10. CONCERT HALL ) ) When the input signal is analog or PCM audio ( Speaker output: main, rear When the input signal is Dolby Digital ( DIGITAL Speaker output: main, center, rear
This is a small, cozy jazz club with a low ceiling. The sound is very close and intimate.
In this program, the center will appear to be deep behind the main speakers, creating an expansive large hall ambience. Orchestra and opera music are suited for this sound field.
NOTE: If the PHNTM position is selected on 4. CENTER SPEAKER in the SET MENU mode, no sound is output from the center speaker(s) no matter what program is selected.
ADJUSTING DELAY TIME AND EACH SPEAKER OUTPUT LEVEL
In using the digital sound field processor including the Dolby Pro Logic Decoder or the Dolby Digital (AC-3) Decoder, you can adjust delay time between the main sound and effect sound, and each speaker output level as you prefer. NOTE: These adjustments can be made only when the effect DIGITAL (or PRO LOGIC ) is not sound is on. If DSP and/or illuminated on the display panel, press the EFFECT switch on the front panel or the EFFECT ON/OFF key on the remote control unit so that at least one of those indicators lights up on the display panel. 1. If you will use the remote control unit, set the TIME/LEVELSET MENU switch to the TIME/LEVEL position on the remote control unit. NOTE: Be sure to use the remote control unit with the lid open.
Whenever pressed, the selection changes as follows.
DELAY TIME CENTER LEVEL R SUR. LEVEL L SUR. LEVEL SWFR LEVEL
(Delay time) (Center speaker output level) (Right rear speaker output level) (Left rear speaker output level) (Subwoofer output level)
* Depending on a mode of this unit, the number of selections is reduced. * Pressing the key on the remote control unit changes the selection in the reverse order. 3. Adjust its level.
2. Press once or more until the name of item on which you will make an adjustment appears on the display panel.
4. Repeat step 2 and 3 to make adjustments on other items.

Adjusting delay time

You can adjust the time difference between the beginning of the sound from the main speakers and the beginning of the effect sound from the rear or front effect speakers. The larger the value, the later the effect sound is generated. This adjustment can be made to all programs individually.

SP A TIME/LEVEL SP B SET MENU

SYSTEM POWER TV

VCR OFF
REMOTE CONTROL TRANSMITTER

Lid is open.

Side panel
4 DSP program selector keys
Selects a DSP program when the built-in digital sound field processor (including the Dolby Pro Logic Surround Decoder or the Dolby Digital (AC-3) Decoder) is on.

5 TEST key

Used when you make speaker balance adjustment to maximize the performance of your audio/video system including this unit. (For details, refer to page 4041.)
(Except U.S.A. and Canada models) While the power is on, pressing the OFF key switches the unit from the power-on mode to the standby mode and pressing the SYSTEM POWER key switches the unit from the standby mode to the power-on mode. (In the standby mode, the standby indicator on the front panel is illuminated.)

0 RESET button

This button is inside the battery compartment. Press this button to reset the internal microcomputer which controls remote control operations. Microcomputer reset is necessary when the remote control freezes. * Pressing the RESET button will not erase learned functions.

6 SP A and SP B keys

Select the main speakers A or B (or both A and B) you will use by pressing the corresponding key SP A or SP B (or both keys) so that SPEAKERS A or SPEAKERS B (or both of them) lights up on the display panel. To cancel selected speakers, press the corresponding key so that the corresponding indicator goes off from the display panel.

7 SLEEP timer key

This key is used to turn the built-in SLEEP timer on and off, and to set the SLEEP time. (See page 60 for details.)
A MASTER VOLUME B MUTE key
(up) and Turns the volume level up and down.

(down) keys

8 TIME/LEVELSET MENU switch
Set to the TIME/LEVEL position when you will make an adjustment on delay time, center speaker output level, rear speaker output level or subwoofer level. Set to the SET MENU position when you will make an adjustment or setting change on a function in the SET MENU mode.
When pressed, this key mutes the volume level. To resume the original volume level, press this key again. While muting, the indicator on the VOLUME control flashes continuously. / and /+ keys (up) and (down) keys change items (or functions) in the mode selected by the TIME/LEVELSET MENU switch. and + keys make an adjustment or setting change on the item (or function) selected by the or key.

USING OPERATION CONTROL KEYS (When the lid is closed)
TRANSMIT CLEAR LEARN MACRO TRANSMIT /LEARN
REMOTE CONTROL TRANSMITTER TAPE
When the lid of the remote control unit is closed, you can easily operate Yamaha components including learned functions by using the OPERATION CONTROL keys.

Input selector keys

When the lid is closed, the OPERATION CONTROL keys substitute for the keys of group numbered 1, 2 or 3 and the (+10) key on the left illustration. To use these keys, you do not have to switch the A/B/C switch. The functions which the OPERATION CONTROL keys carry out are determined by which input selector key was pressed before you use the OPERATION CONTROL keys. NOTE When the lid is closed, the EFFECT, MASTER VOLUME, MUTE, TV and VCR keys will function in the same way as when the lid is open. * If the MACRO switch on the side of the remote control unit is set to OFF, when the lid is closed, the SYSTEM POWER and OFF keys also will function in the same way as when the lid is open.

OPERATION CONTROL keys

JAZZ CLUB CHURCH 8 +TEST EFFECT ON/OFF

EFFECT OPERATION CONTROL

SP A TIME/LEVEL

(+1 0)

SP B SET MENU

Lid is closed.

2 : These keys are originally empty. If these keys have learned functions, pressing
them executes those learned functions.
See the table below for a combination of an input selector key and key functions which the OPERATION CONTROL keys carry out. (Also, refer to the table on page 64.)

Selected input selector

Key functions which the OPERATION CONTROL keys carry out Functions in area A of keys 1 (except REC/PAUSE, A/B, DIR A and B) Functions in area A of keys 2 (except STOP, DISC, Functions in area A of keys 3 and (+10) and )
Functions in area B of keys 1 (except REC/PAUSE, A/B, DIR A and B) Functions in area B of keys 2 (except STOP, DISC, Functions in area B of keys 3 and (+10) and )
Functions in area C of keys 1 (except REC/PAUSE, A/B, DIR A and B) Functions in area C of keys 2 (except STOP, DISC, Functions in area C of keys 3 and (+10) and )
Pressing the V-AUX or PHONO input selector key has no effect on the OPERATION CONTROL keys.
Examples of operations controlled by using the OPERATION CONTROL keys To operate a Yamaha CD player 1. Press the CD input selector key. 2. Use the OPERATION CONTROL keys. (They carry out the functions in area A of keys 2.)

4 Press the key on this remote control unit in which you will store a new function.
ST AD IU M D IS CO 6 H P T C FE F EF / O F ON
2 Press the LEARN button using the point of a mechanical pencil etc.

RO CK +1

* If there is no operation for about 30 seconds after the LEARN button is pressed, the TRANSMIT/LEARN indicator flashes rapidly and the current mode is canceled. If this occurs, repeat this step.

TV RTS O CL UB ES T

H RC U CH 9

About 510 cm (24 in.)

P 3 CO IS D H M IU RC AD U ST CH 5 UB TV RTS ST CL O TE ZZ JA SP H O N O T C FE F EF /OF ON

V -A U X

Flashes slowly.
* If a key which cannot learn another function is pressed, the TRANSMIT/LEARN indicator flashes rapidly and the current mode is canceled. If this occurs, repeat this step. * If there is no operation for about 30 seconds after a key is pressed, the TRANSMIT/LEARN indicator flashes rapidly and the mode before you began learning operations is restored. If this occurs, restart from step 2.
5 Press and hold the key (on the other remote control unit) which has the function you want to store.
* When learning is finished, the TRANSMIT/LEARN indicator stops lighting and then begins flashing slowly. * If a signal is not successfully received, the TRANSMIT/LEARN indicator flashes rapidly and the mode prior to step 4 is restored. If this occurs, restart from step 4. * If memory capacity is full, the TRANSMIT/LEARN indicator flashes rapidly to show you that learning is impossible, and then the mode before you began learning operations is restored.
NOTES Newly learned functions will replace previously learned functions. If there is no more room in the memory area for a function to be learned, the TRANSMIT/LEARN indicator will flash rapidly. In this case, even if some keys are not occupied with functions from other remote control units, no further learning is possible. If the lid is closed while learning and about 5 seconds pass, the TRANSMIT/LEARN indicator flashes rapidly and the mode before you began learning operations is restored. If this occurs, restart from step 2. However, if the lid is opened within 5 seconds, the mode before the lid was closed is restored. There may occasionally be instances in which, due to the signal-coding and modulation employed by the other remote control unit, this remote control unit will not be able to learn its signals.

TV RTS O 4

6 Repeat step 35 to store more functions.

The remote control unit does not function properly.
Learning cannot be made successfully. (The TRANSMIT/LEARN indicator does not light up or flash.)
Press the RESET button on the remote control unit. Replace the batteries (and press the RESET button for this remote control unit). Place the remote control units with the proper distance. Learning is not possible.
Continuous functions such as volume are learned, but operate only for a moment before stopping.
Further learning is not possible without deleting unnecessary commands. Press the RESET button on the remote control unit. Be sure to press and hold the function key on the other remote control until the TRANSMIT/LEARN indicator begins flashing slowly.
PROBLEM FM stereo reception is noisy. POSSIBLE CAUSE Because of the characteristics of FM stereo broadcasts, this is limited to cases where the transmitter is too far away or the antenna input is poor. There is multipath interference. WHAT TO DO Check the antenna connections. Try using a high quality directional FM antenna. Set the TUNING MODE button to the manual tuning mode. Adjust antenna placement to eliminate multipath interference.
There is distortion and clear reception cannot be obtained even with a good FM antenna. A desired FM station cannot be tuned in with the automatic tuning method. Previously preset stations can no longer be tuned in. A desired AM station cannot be tuned in with the automatic tuning method. There are continuous crackling and hissing noises. There are buzzing and whining noises (especially in the evening).
The station is too weak. This unit has been unplugged for a long period. Weak signal or loose antenna connections.
Use the manual tuning method. Use a high quality directional FM antenna. Repeat the presetting procedure. Tighten the AM loop antenna connections and rotate it for best reception. Use the manual tuning method. Use an outdoor antenna and a ground wire. This will help somewhat but it is difficult to eliminate all noise. Relocate this unit away from the TV.
Noises will result from ligtning, fluorescent lamps, motors, thermostats and other electrical equipment. A television set is being used nearby.

SPECIFICATIONS

AUDIO SECTION
Minimum RMS Output Power Per Channel Main (20 Hz 20 kHz 0.04% THD 8).. 80W+80W Center (20 Hz 20 kHz 0.07% THD 8).. 80W Rear (20 Hz 20 kHz 0.07% THD 8).. 80W+80W Dynamic Power Per Channel (by IHF Dynamic Headroom Measuring Method) MAIN L/R (8/6/4/2).. 130W/160W/200W/240W Maximum Output Power (1 kHz 10% THD 8) [General model only] MAIN L/R... 128W+128W CENTER.... 128W REAR L/R... 128W+128W Dynamic Headroom [U.S.A. and Canada models] MAIN L/R (8).... 2.11 dB Power Band Width 0.09% THD 40W/8... 10 Hz to 50 kHz Damping Factor MAIN L/R (20 Hz 20 kHz 8).. 160 or more Input Sensitivity/Impedance (100W/8) CD/TAPE/DVDLD/TVDBS/VCR/VIDEO AUX. 150 mV/47 k PHONO MM... 2.5 mV/47 k Maximum Input Signal CD/TAPE/DVDLD/TVDBS/VCR/VIDEO AUX (1 kHz 0.5% THD, EFFECT ON).. 2.3V or more PHONO MM (1 kHz 0.04% THD)... 110 mV or more Output Level/Impedance REC OUT.... 150 mV/2.7 k ROOM2 OUT... 150 mV/1.5 k PRE OUT MAIN, CENTER, REAR... 2.6V/1.1 k SUBWOOFER (MAIN SPEAKERS: SMALL).. 4.0V/1.2 k Headphone Jack Rated Output/Impedance Output Level (CD Input 150 mV, RL=8).. 0.5V Impedance.... 390 Frequency Response (20 Hz 20 kHz) CD/TAPE/DVDLD/TVDBS/VCR/VIDEO AUX to MAIN L/R SP OUT.... 00.5 dB RIAA Equalization Deviation (20 Hz 20 kHz) PHONO MM.... 00.5 dB Total Harmonic Distortion PHONO MM to REC OUT, 20 Hz 20 kHz, 1V. 0.02% or less CD/TAPE/DVDLD/TVDBS/VCR/VIDEO AUX to SP OUT (EFFECT OFF), 20 Hz 20 kHz, 40W/8.. 0.025% or less Signal-to-Noise Ratio (IHF-A Network) CD/TAPE/DVDLD/TVDBS/VCR/VIDEO AUX (Input Shorted 150 mV) (EFFECT OFF)... 96 dB or more PHONO MM (Input Shorted 5 mV).. 86 dB or more Residual Noise (IHF-A Network) MAIN L/R SP OUT... 170 V or less Channel Separation (Vol 30 dB) CD/TAPE/DVDLD/TVDBS/VCR/VIDEO AUX Input 5.1 k Shorted (EFFECT OFF) 1 kHz/10 kHz.. 60 dB/45 dB or more PHONO MM Input Shorted (EFFECT OFF) 1 kHz/10 kHz... 60 dB/55 dB or more Tone Control Characteristics Bass Boost/Cut... 10 dB (50 Hz) Turnover frequency... 350 Hz Treble Boost/Cut.... 10 dB (20 kHz) Turnover frequency... 3.5 kHz

BASS EXTENSION... +6 dB (50 Hz) Audio muting... Gain Tracking Error MAIN L/R (0 to 60 dB)... 3 dB or less Filter Characteristics (fc = 90 Hz) MAIN L/R (MAIN SPEAKERS: SMALL H.P.F.). 12 dB/oct. REAR L/R (REAR SPEAKERS: SMALL H.P.F.).. 12 dB/oct. SUBWOOFER (L.P.F.)... 24 dB/oct.
Image Response Ratio [U.S.A., Canada and General models].. 45 dB [Australia and Singapore models]... 80 dB IF Response Ratio [U.S.A., Canada and General models].. 70 dB [Australia and Singapore models].. 80 dB Spurious Response Ratio... 70 dB AM Suppression Ratio... 55 dB Capture Ratio.... 1.5 dB

VIDEO SECTION

Video Signal Type [U.S.A. and Canada Models].. NTSC [Australia and Singapore models].. PAL [General Model]... NTSC/PAL Video Signal Level... 1 Vp-p/75 S-Video Signal Level Y.... 1 Vp-p/75 C... 0.286 Vp-p/75 Maximum Input Level.. 1.5 Vp-p or more Signal-to-Noise Ratio... 50 dB or more
Alternate Channel Selectivity (400 kHz) [U.S.A., Canada and General models].. 85 dB Selectivity (two signals, 40 kHz Dev. 300 kHz) [Australia and Singapore models]... 70 dB Signal-to-Noise Ratio (IHF) Mono/Stereo [U.S.A., Canada and General models].. 80 dB/75 dB (DIN-Weighted, 40 kHz Dev.) Mono/Stereo [Australia and Singapore models].. 75 dB/70 dB Harmonic Distortion Mono/Stereo (1 kHz).... 0.1/0.2% Stereo Separation (1 kHz)... 50 dB
Monitor Out Frequency Response.. 5 Hz 10 MHz, 3 dB Frequency Response (20 Hz 15 kHz)... 0 1.5 dB

FM SECTION

Tuning Range [U.S.A. and Canada models]... 87.5 107.9 MHz [Australia, Singapore and General models].. 87.5 108.0 MHz 50 dB Quieting Sensitivity (IHF, 75) Mono... 1.55 V (15.1 dBf) Stereo... 21 V (37.7 dBf)

AM SECTION

Tuning Range [U.S.A., Canada and General models].. 530 1,710 kHz [Australia and Singapore models].. 531 1,611 kHz Usable Sensitivity... 100 V/m Selectivity.... 32 dB Signal-to-Noise Ratio... 50 dB Image Response Ratio... 40 dB Spurious Response Ratio... 50 dB Harmonic Distortion (1 kHz)... 0.3%

GENERAL

Power Supply [U.S.A. and Canada models]... AC 120V/60 Hz [Singapore model].. AC 230V/50 Hz [Australia model]... AC 240V/50 Hz [General model].. AC 110/120/220/240V 60/50 Hz Power Consumption [U.S.A. model]....300W [Canada model]... 340W/420 VA [Australia, Singapore and General models].. 340W Maximum Power Consumption [General model only]...700W AC Outlet(s) 2 SWITCHED OUTLETS [U.S.A., Canada, Singapore and General models]. 120W max. total 1 SWITCHED OUTLET [Australia model]... 120W max. Dimensions (W x H x D).. 435 x 171 x 391 mm (17-1/8 x 6-3/4 x 15-3/8) Weight... 13.8 kg (30 lbs. 6 oz.)

USERS GUIDE

AV SYSTEM SID RICHARDSON COLLEGE COMMONS

BY I. FELDMAN JULY 2006

Table of Contents
Table of Contents.... 2 Preliminary Information.... 3 About This Guide... 3 The Projector Screen... 3 Using the Projector.... 3 Basic Operation.... 4 DVD Player.... 4 VCR..... 4 Cable TV.... 4 Laptop Computer... 5 iPod.... 5 Wireless Microphone.... 5 FM Radio.... 5 Troubleshooting.... 5 The projector doesnt work... 5 The cable TV doesnt work... 6 The picture on some other device doesnt show up... 7 There is no audio.... 7 More Information.... 7 Instructions..... 7 Room Lights.... 8 Remote Controls.... 9 Component Information... 9

Preliminary Information

About This Guide
The AV system in the Sid Commons was purchased and is maintained by Sid Rich, not Rice IT. As such, information about it is not listed on the Rice website, Rice IT techs will not do service on it, and no one in IT has operation or troubleshooting information. The purpose of this guide is to provide some of that information to anyone trying to use the equipment. The instructions contained here were up-to-date at the time of their writing, but if someone went and made changes to wiring or whatnot, they will no longer apply (the moral being dont mess with the wires). If additional information is needed, feel free to contact one of the CCAs, or Ian Feldman (ifeldman@) for assistance. It is also a good idea to make sure you know what youre doing before you want to use the projector, and if you need help to get help before you actually need the AV equipment to work. To make life easier for the people helping you with the equipment, please contact them at least 24 hours before you need the equipment, not 5 minutes before things need to be ready.

The Projector Screen

Most uses of the AV equipment require that the projector screen be down. Unfortunately, someone broke it long ago, and it requires some creativity to both get it in the down position and to make it stay that way. Youll want to begin by getting a table (one of the large ones) and moving it so that the long edge is parallel to the wall with the screen on it. However, you dont want it right up against the wallkeep about 2 inches between the table and the wall. Next, take a chair and put it up on the table. Stand on the chair, grab the metal bar at the bottom of the screen (it may have gotten wedged into the screen housing, so carefully wiggle it until it comes free, but dont be so aggressive that you fall and hurt yourself), and pull the screen down. At this point, its a good idea to have someone to help you. The ratchet system that would normally allow the screen to stay down is broken, so youll need a way to keep the screen from snapping back up. As youre pulling the screen down, your partner should grab it and hold it. You should then get off both the chair and the table, pull the screen below the level of the table top, and then push the table up against the wall. The screen will come back up until the metal bar hits the bottom of the table. If youve done it correctly, screen will be wedged between the table and the wall, and the table will keep the screen from snapping back up. Once youre done using the screen, reverse the above process. Do not let the screen snap back up. All that does is make the large metal bar get stuck in the housing, which is a pain in the ass for the next person who has to use it.

Using the Projector

The projector is best controlled using the Sanyo projector remote. The remote is located in the box of projector equipment in Kellys office, and is available for check-out from her. To make her life easier, it is best if you contact her at least 24 hours in
advance of when you need to use the projectordoing things at the last minute is never a good idea. If the remote is no longer available, youll have to control it using the buttons on the projector itself. To do this, put a table centered directly under the projector. Place a chair on the table, stand on the chair, and press the appropriate buttons. If pressing the red button does not turn the power on, you may want to unplug the projector (the thick black cable in the upper right corner of the back of the projector), plug it back in, and try again. All of the technical settings should be correct, but you may need to switch inputs (as described below). The projector can be turned off in the same way it was turned on. You will, however, need to press the Off button twiceonce to get the Are you sure you want to turn the projector off? message to displace, and a second time to confirm it.

Basic Operation

DVD Player

1. Begin by turning the both the projector and DVD player on. 2. Turn the Yamaha AV Controller on and press the DVD/LD button on the front. 3. Using the Input button on the projector remote or control panel, cycle through the inputs until you reach Input 3. The screen should now display the Sony DVD Player Icon and a message asking you to insert a disk. 4. Go to the DVD Player and press the Open/Close button, place the DVD on the tray, and press the Open/Close button again to close the tray. 5. Press the Play button on the remote or DVD Player to begin your movie.
1. Begin by turning both the projector and VCR on. 2. Turn the Yamaha AV Controller on and press the VCR 1 button on the front. 3. Using the Input button on the projector remote or control panel, cycle through the inputs until you reach Input 3. The screen should now be blue. 4. Go to the VCR and insert your cassette. 5. Press the Play button on the remote or VCR to begin your movie. If nothing happens, press the TV/Video Button until the word Video appears on the lighted panel on the front of the VCR.

Cable TV

1. Begin by turning both the projector and VCR on. 2. Turn the Yamaha AV Controller on and press the VCR 1 button on the front. 3. Using the Input button on the projector remote or control panel, cycle through the inputs until you reach Input 3. The screen should now be blue. 4. Press the TV/Video Button until the word Video disappears from the lighted panel on the front of the VCR. Then press the Input button on the VCR until CH and a number appears where L1 or L2 used to be. You should also see a number and the TV picture on the projector screen.

Laptop Computer

1. Begin by turning the projector on. 2. Turn the Yamaha AV Controller on and press the TV/DSS button on the front. 3. Connect your Laptop to the cables in the second cabinet. The blue cable goes to the Monitor Out port on the laptop, while the black headphone-style cable goes into your laptops headphone or audio out port. 4. Using the Input button on the projector remote or control panel, cycle through the inputs until you reach Input 1. If the screen is blue, follow your laptops directions for using an external monitor.
1. 2. 3. 4. Do not turn the projector on. Turn the Yamaha AV Controller on and press the TV/DSS button on the front. Connect the black headphone-style cable to the headphone jack on the iPod. Use the iPod controls to select and play songs.

Wireless Microphone

1. Do not turn the projector or the Yamaha AV Controller on. 2. Turn the RadioShack Wireless Microphone Receiver in the second cabinet on. 3. Turn the Radioshack PA Amplifier (the large black thing below the wireless receiver) on. When the amplifier is on, the black button will be more in than it was before, but the red light may not stay on. Usually, the amplifier is on, so unless something isnt working, you should probably just leave it alone. 4. Turn the RadioShack Wireless Microphone (available for check-out from Kelly) on. 5. Adjust volume using the Wireless Receiver or the PA Amplifier (not the Yamaha AV Controller). 6. If the system doesnt work, try replacing the battery in the microphone.

FM Radio

1. Do not turn the projector on. 2. Turn the Yamaha AV Controller on and press the Tuner button on the front. 3. Use the controls on the front of the AV Controller to switch between stations.

Troubleshooting

The projector doesnt work
Look at the control panel on the projector. There should be a red and green light on. If no lights are on, this means the projector does not have power. The projector is connected to an extension cord that runs above the ceiling tiles in the commons, behind the east wall, and into the PDR (Room 103). It comes out of the wall in the cabinet on the west side of the PDR (Figure 1), and

Figure 1

into a power strip (Figure 2). Check to see if the extension cord is plugged into the power strip, if the power strip is on (the switch should be lighted) and the power strip is plugged in. This should fix most problems, but if this still doesnt work, ensure that no breakers are tripped, that the power cord is plugged into the rear of the projector, and that the projector power cord is connected to the extension cord (connection happens above the ceiling tiles; youll need a ladder or lift). If the projector still fails to work, Figure 2 get it serviced. If lights the projector lights are on, but the remote doesnt turn it on, try replacing the batteries in the remote. If the batteries are good, stand on a table and press the power button on the projector itself. If that still doesnt work, refer to the projector Owners Manual.

The cable TV doesnt work

Cable TV goes through the VCR, and so the VCR must be on for the cable to work. The VCR must also be set to cable input; press the VCR input button until CH and a number shows up on the VCR display. If the VCR is working properly, check the cable connection. There should be a black CATV line that goes into the Cable/Antenna port on the back of the VCR. The CATV line then runs up over the ceiling tiles, connecting to a white CATV line. It drops behind the east wall of the commons, and into the cabinet on the west side of the PDR (Room 103, Figure 1). From there, it is connected to a second CATV line (Figure 3), which in turn is connected to a CATV jack in the southeast corner of the PDR. To ensure that the VCR will receive Figure 4 the cable signal, start in the southeast corner of the PDR and see if the white CATV line is connected to the jack near the floor (Figure 4). If it is, look in the cabinet on the west side of the PDR. There should be white CATV lines coming in from both sides. They meet at a female-to-female connector (screw-together). If the two halves are not connected, connect them. If that is not the problem, check above the ceiling tiles and see if the black and white Figure 3 CATV lines are connected properly. If the CATV line is properly connected, check with Phonoscope to ensure that the cable outlet in the PDR is receiving a signal (may require a visit from a technician).

The picture on some other device doesnt show up
With the exception of the Laptop Computer connection, all video signals go through the Yamaha AV Controller. Make sure the Yamaha AV controller is on, and that it is set to the correct option. Also, ensure that the CATV video out cable from the AV controller is connected (the connection is labeled Room 2). The opposite end should be connected to the Video/Y port on the projector under Input 3. If the picture still doesnt work, ensure that the video out cables from your device are securely connected (both at the device end and at the AV Controller). If you still are not getting a picture, equipment may need to be serviced. If the laptop does not work, check to ensure that the blue VGA cable is securely connected both to the laptops Monitor Out port and the Analog port on Input 1 of the projector. If that still doesnt work, Figure 5 service may be required. For reference, the correct wiring of the projector is shown in Figure 5.

There is no audio

With the exception of the Wireless Microphone, all audio goes through the Yamaha AV Controller. Make sure the Yamaha AV controller is on, that it is set to the correct option, and the volume is turned up. Also ensure that all of the black and red speaker wires are connected to the audio out ports on the back of the AV Controller. Also check options on the AV Controller such as room type and any audio modifications/delays (refer to the Yamaha AV Controller Owners Manual for details). If the audio still fails, ensure that the audio cable from your device is properly connected on both ends (red and white RCA jacks for anything inside Cabinet 1, and a black headphone jack for the Laptop and iPod). If the Wireless Microphone does not work, ensure that the RadioShack Wireless Microphone Receiver and the Wireless Microphone are on (check the microphone batteries too). You may also want to check the RadioShack PA Amplifier below the Receiver (the black button on the right should be in; the indicator light may be off even when the unit is on). If that does not solve the problem, ensure that the volume knobs on the Wireless Receiver and PA Amplifier are turned up. If there is still no audio, check the audio out connections on the RadioShack amplifier (white cables). If the device still fails, service may be required.

More Information

Instructions
A CD-ROM copy containing the instructions for all of the devices (some in more than one language) is available in Kellys office, and PDF files of the same instructions is
also available on the Sid website. If you are having trouble using the equipment and the troubleshooting guide included above doesnt help, consult the instructions before considering requesting service.

Room Lights

The following diagram shows which lights are controlled by which switch. Switches are located on the east wall next to the main entrance to the commons. When looking at the switches, they are lettered from left to right (making A on the left and E on the right). There are three lights that are always on (one above each doorway)this is for safety reasons and theres nothing you can do about it. The always-on lights are the only unlabeled lights on the diagram. The rectangles represent fluorescent lights, while the circles represent the smaller floodlights along the walls.

Remote Controls

The remote controls that Sid still has are kept in Kellys office along with the user manuals and miscelenous parts. Some remotes are currently missing, and probably wont be replaced simply because AV remotes are obscenely expensive. At the time this guide was written, the remotes available for loan are the Sanyo Projector remote and the Sony DVD Player remote. Remotes for the Sony VCR and Yamaha AV Controller are not available, but these units can be controlled using the control panels mounted on the front of each device. The devices themselves are in the southwest corner of the commons.

Component Information

The following table lists all the parts of the Sid AV system, their manufacturers, part numbers, and remote information (if applicable). Approximate replacement prices for remotes and devices are also listed.
Device Name AV Controller

Manufacturer Yamaha

Manufacturers Part Number RX-V992
Location Mounted in Cabinet 1, right side
Device: $400.00 Remote: $85.00 VCR Sony SLV-777HF Mounted in Cabinet RMT-V231A Missing, no Device: 1, bottom left side RMT-V231B longer $80.00 1-475-553-31 manufactured Remote: $56.00 DVD/CD Sony DVP-S360 Mounted in Cabinet RMT-D116A Available for Device: Player 1, top left side 1-418-990-11 check-out from $70.00 1-418-990-12 Kelly Remote: $50.00 LCD Projector Sanyo PLC-XP46 Mounted on ceiling 0853 Available for Device: check-out from $4000.00 Remote: Kelly $150.00 Wireless RadioShack 32-1250 Inside Cabinet 2 Does not Does not apply Device: $80.00 Receiver apply Remote: N/A Wireless RadioShack 32-1251 Available for check- Does not Does not apply Device: Microphone out from Kelly apply $80.00 Remote: N/A PA Amplifier RadioShack 32-2023 Inside Cabinet 2 Does not Does not apply Device: apply $150.00 Remote: N/A As you can no doubt tell, these things are expensive. Please treat them with care, and if you borrowed anything from Kelly, return it when youre finished using it. Everyone appreciates your cooperation.