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Akai MPC1000Akai MPC1000 Production Station Sampler Black, Dent & Scratch
The Akai MPC1000 Music Production Center is a laptop-sized unit that serves as a portable complement to the MPC2000 and MPC4000 and is a powerful DJ production tool on its own. It has a friendly interface, easy-to-use MIDI sequencer and drum sampler, and velocity- and pressure-sensitive pads for expressive play. Two separate effects processors plus a main-out processor can be used simultaneously. Also has 2x2 pole filters per voice, two Q-link sliders for realtime control, and 16MB capacity expa... Read more

Details
Brand: AKAI
Part Numbers: AKA MPC1000BK, MPC1000, MPC1000-BK, MPC1000BK, mpc1000
UPC: 0825213002234, 4540622002236, 825213002234
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Manual

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Akai MPC1000

 

 

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You can move the highlighted cursor up and down on the screen to select a field. In the value field, you can switch digits by pressing [SHIFT] key. 14. [MAIN] key: Pressing this key displays MAIN mode, regardless the current mode. / keys, holding

Front Panel

01. Compact flash slot: This is a card slot for the compact flash memory card. 02. [FOOTSWITCH 1/2] plug: This is where you connect a foot switch. You can use a foot switch to punch in/out. For more information, see the Foot Switch section on page 100. There are two types of foot switches: normal open (the contact is open when it is not pressed), and normal closed (the contact is closed when it is not pressed). If a foot switch has been connected to the MPC1000, when you turn on the power to the MPC1000, it automatically detects the type of foot switch connected. You can use either type of foot switch. 3. [PHONES] plug: This is a stereo phone plug to connect a set of headphones. It sends out the same signal with the [STEREO OUT] plug. 4. 2.5 inch Hard Disk drive Bay: Internal Hard Disk drive is installed inside. (The installation is done by removing the Front Panel.) The kit-HDM10 (optional) and the 2.5 inch Hard Disk drive are needed.

Rear Panel

RIGHT LEFT

MIDI OUT B A

MIDI IN

RECORD IN

STEREO OUT

ASSIGNABLE MIX OUT

DIGITAL OUT IN
01. [RECORD IN L/R] plug: This is an analog input for recording an analog signal. With a stereo phone GND COLD HOT plug, it can be used as balanced input. 2. [STEREO OUT L/R] plug: This is the main output.
This is the MIDI input. MIDI signals from MIDI IN 1 and 2 will be merged (mixed). 6. [USB] plug (slave): You use this plug to connect the MPC1000 to your PC and transfer data. For more information, see the Connecting the MPC1000 to your computer section on page 98. 7. [DIGITAL OUT] plug:
3. [ASSIGNABLE MIX OUT 1/2/3/4] plug: These are outputs you can use to output each pad sound separately. With external mixers or effecters, you can perform advanced mixing. 4. [MIDI OUT A/B] plug: This is the MIDI output. Each output can send independent MIDI signals. 5. [MIDI IN 1/2] plug:
This is the coaxial digital output. It sends out the same signal as the [STEREO OUT] plug. 8. [DIGITAL IN] plug: This is the coaxial digital input. Use this input to connect digital outputs such as a CD player and a DAT. 9. Power plug: Plug in the AC cable here. 10. [POWER] switch: It switches the power on/off of the unit.
Connecting MPC1000 to External Audio/MIDI device

Punch In/Punch Out feature
You can start the recording in the middle of the sequence during the playback (Punch In). You can also stop the recording in the middle of the sequence and resume the playback (Punch Out). This is useful when you re-record the part of the recorded sequence. Punch In Press the [PLAY], or the [PLAY START] key to play back a sequence. At the point where you wish to start the recording, press the [REC] key while holding the [PLAY] key. The MPC1000 will start the recording. If you press the [OVER DUB] key and the [PLAY] key instead, the MPC1000 will start the over dubbing. Punch Out If you press the [REC], or the [OVER DUB] key during the recording/overdubbing, the MPC1000 will stop the recording/overdubbing and resume the playback.
The selected Timing correct value is highlighted.
Note : When you press the [F1] through [F6] key while pressing the [NOTE REPEAT] key, the other keys LED may be lit temporarily, but it is not trouble. Note : As the [NOTE REPEAT] key is used together with the [TAP TEMPO] key, the tempo may be changed unexpectedly during the Note Repeat function. For preventing this accident, set OFF in the Tap average field in the MISC. page in the OTHER mode.

Note Repeat Hold

You can also lock the Note Repeat feature by holding down the [NOTE REPEAT] key and then pressing the [SHIFT] key (or by holding down the [SHIFT] key and then pressing the [NOTE REPEAT] key). Pressing the [NOTE REPEAT] key again will unlock the Note Repeat feature.
Detailed information on sequence feature
Setting the length of a sequence
By default, a sequence is set to a 2-bar length, but you can set this length between 1 to 999 bars. 01. In the MAIN page, select the Bars field. The Bar field displays the current value. 02. Turn the DATA wheel, or press [WINDOW] key. The Change Bars window will open up. 03. In the New bars field, select the new number of bars. If you set a larger number than the current value, empty bars will be added at the end of the sequence. If you set a smaller number, the bars in the end of the sequence will be deleted. 04. Press [F5] (DO IT) key That applies the new setting and closes the window.

Setting tempo

You can set the tempo in the (Tempo) field of the MAIN page. You can set the tempo for a sequence between 30.0 and 300.0. You can change the tempo after you create the sequence. You can also change the tempo in the sequence by inserting the tempo change event in the STEP EDIT mode. Tap tempo feature You can set the tempo using the [TAP TEMPO] key as well as in the (Tempo) field. Tap the [TAP TEMPO] key to the desired tempo. The MPC1000 will calculate the tempo starting with the timing that you tap with the [TAP TEMPO] key, and set the sequences tempo to that. The MPC1000 takes the average interval of 4 taps of the [TAP TEMPO] key. You can set the number of taps used to calculate the tempo in the Tap average field in the MISC. page in OTHER mode.

Moving an event

To move the selected event to another location, proceed as follows. The difference between Copy/Paste command is that the selected event is not in the original location after the Move function. 01. In the Event list, select the Event that you wish to move. You can select several Events by pressing the down cursor key while holding the [SHIFT] key. 02. Press the [F3] (EDIT) key and the [F2] (MOVE) key at the same time. When you press the [F3] (EDIT) key, the display of the [F2], [F4], and [F5] key will change to (MOVE), (COPY), and (PASTE) respectively unitl you release the key.
Entering an event (Step recording)
In the STEP EDIT mode, when you hit a pad, or when the MPC1000 receives MIDI data from an external device, you can record the event in the current time position (the time displayed in the Now field). Move the event to the desired time position by moving through the event list with the up/ down cursor keys, or by setting the time position in the Now field, and you can add events to the desired time position one by one. This method, recording each event individually when MPC1000 is in the stop mode, is called step recording. 01. In the STEP EDIT mode, Press the [REC] key or the [OVER DUB] key. The LED of the [OVER DUB] key will be lit, which indicates that you can now enter events by hitting a pad. 02. Move through the list with the up/down cursor keys, or select the Now field, to select the time position to insert event. 03. Hit a pad. The event of the pad will be recorded. 04. Press the [STOP] key. The LED of the [OVER DUB] key will be turned off and you can finish the step recording.
TC VALUE% When set to 100%, the value set in the timing correct will be entered in the D (duration) field, regardless of the length that you actually pressed the pad (MIDI keyboard). Selecting the TC VALUE% will display the field, where you can set the percentage of the duration to apply to the current timing correct value. (Ex. 50% will set duration to one-half timing correct value.)

Inserting an event

During the step recording, you can enter events using the insert function as well as using pads and MIDI keyboard. 01. Move to the time position that you wish to insert the event, and press the [F5] (INSERT) key. The Insert Event window will open. 02. In the Type field, select the event to insert, and press the [F5] (DO IT) key. The selected event will be inserted.
Hint: After done the Step recording, you can go back the previous status by pressing the [UNDO] key.

For example: The track data of MIDI output channels 1A-16A will be merged to tracks 1-16. The track data of MIDI output channels 1B-16B will be merged to track 17-32.
Note : If the track is set to OFF in Midi field in the MAIN page, the data in the track will not be merged after Convert Song to Seq. If you wish to convert the tracks for an internal program, set the MIDI output channel for the track temporary.
04. Press the [F5] (DO IT) key The song will be converted to a sequence.
03. Press the [F4] (CLOSE) key. This closes the window.
Converting a song to a sequence
You can convert a song to one long sequence. You can record or over dub to the converted sequence in the MAIN mode like other sequences. You can also edit the sequence in the STEP EDIT mode or the SEQ EDIT mode. 01. In the SONG mode, press the [F4] (CONVRT) key. The Convert Song to Seq window will be displayed.
Note : During Song Conversion (When selected REFERENCED TO 1ST SQ and MUTE TRACKS IGNORED)
When you convert a song, the specific settings used in each track within the sequence, such as track type, MIDI channel setting, selection of the program, etc, will be set to the values that you set in step 1. If the track setting of the sequence in another step is different from those in the step 1, the song may not be converted properly. To avoid this, it is better to make the track settings and the order of each sequence the same. For more information on how to change the order of the tracks, see the Changing the order of the tracks section on page 30.
02. In the From song field, select the song that you wish to convert. 03. In the To seq field, select the destination sequence. 04. In the Track status field, select the track status after conversion to a sequence. REFERENCED TO 1ST SQ : The setting data (such as MIDI output, Mixer setting, Tempo, etc) of each track in the 1st Sequence of the Song will be used for all tracks in the following sequences. MUTE TRACKS IGNORED : The muted tracks in the sequences of the Song will not be converted. MERGED ON MIDI CHANNEL The track in the sequence of the Song will be merged to the track according to the MIDI output channel.

Chapter 7 : Functions of a pad
16 level function (16LEVELS key)
You can play a sound using 16 parameter levels assigned to the 16 pads. 01. Hit the pad that you wish to play in 16 levels. 02. Press the [16 LEVELS] key. The Assign 16 Levels window will be displayed. The Pad field displays the pad you selected in step 1. 03. In the Type field, select the type of the parameter that you wish to play in 16 levels. You can select the following parameters; VELOCITY The MPC1000 has 16 drum pads. The pads perform various function besides making sounds when hit. In this section, you will learn about various functions of the pad. The MPC1000 will play the velocity in 16 levels. The MPC1000 will play the pitch in 16 levels by semitone. The MPC1000 will play the filter cutoff value in 16 levels. The MPC1000 will play the layer value in 16 levels. The MPC1000 will play the decay value in 16 levels. The MPC1000 will play the attack value in 16 levels.

FILTER

Playing with pads
By assigning the sounds in memory to a pad, you can play those sounds. Below are some useful functions when playing with pads.

ATTACK

Switching pad banks
The MPC1000 has 16 pads, but you can play up to 64 samples by switching between the four pad banks. The LED of the currently selected pad bank (from banks A through D) is turned on. By pressing the desired [PAD BANK] key, you can switch pad banks.
When TUNE is selected, the Original key pad field will be displays. In this field, you can specify the pad that plays the original key pad. 04. Press the [F5] (TurnON) key. The window closes and the LED of the [16 LEVELS] key is turned on, which indicates you can play in 16 levels. Pressing the [16 LEVELS] key turns its LED off and deactivates the 16 levels function.
Tips: When you select VELOCITY in the Type field, the velocity of the pad event can be played in 16 levels, but if you select an option other than VELOCITY, the note variation value will be played in 16 levels. The note variation data can change the value of a specific parameter when you play the pads sample. For example, if you select TUNE in the Type field, when you hit the pad, the note variation data of TUNE will be sent to the sampler section with the pad event, and the TUNE value will be changed according to the pad you played. During Sequence recording, the Note variation data will be recorded with the note event and you can play back the sequence exactly what was played. The note variation value is also used for the Q- Link slider function.
Full level function (FULL LEVEL key)
You can control the level of the sound by the velocity used to hit the pads, but if you press the [FULL LEVEL] key, the MPC1000 will play the sample at the maximum level regardless of the velocity. If you press the [FULL LEVEL] key, the LED will be lit, and the full level function will be activated. To deactivate this function, press the [FULL LEVEL] key again.

Chapter 7: Functions of a pad
Setting the track mute with pads
You can mute/unmute tracks in real time during playback by hitting the pads. This is useful when you have several instruments assigned to different tracks, so that you can play a song and switch tracks on/off using the pads while playing back your sequence. Pressing the [TRACK MUTE] key brings up the track mute page.

Solo function

With the Solo function, you can play back only the selected track. 01. Hit the pad that corresponds to the track that you wish to play, while pressing the [F6] (SOLO) key. The [F6] (SOLO) will be highlighted and MPC1000 will play only the selected track while it mutes the other tracks. You can switch the tracks to play, by hitting a pad. 02. Pressing the [F6] (SOLO) key deactivates the solo function.
Setting the track mute in solo mode TRACK MUTE Screen
Now field Like the Now field in the MAIN page, this field displays the current time position of the sequence. Sq field Like the Sq field in the MAIN page, you can select a sequence in this field. Track list The track list is displayed under the Now field and the Sq field. The track list displays the first 8 letters of the track name. The tracks are displayed according to the position of the pads; Track 1 on the lower left and track 16 on the upper right. You can display 16 pads at one time, but you can display 1 to 64 tracks by switching pad banks. The track whose track mute is set to off will be highlighted. Operation Hitting a pad when the track mute page is displayed switches the track mute setting of that track instead of playing the sound. Solo function switches the track mute setting temporary. Turning off the solo function resets the track mute settings for each track to the same status as before the solo function was activated. However, you can also turn off the solo function while keeping the track mute setting unchanged. With this feature, you can make a performance starting with many tracks followed by only a simple rhythm track and then gradually add tracks. Operation When the solo function is on, press the [F6] (SOLO) key while holding the [SHIFT] key. The Solo function will be deactivated and the mute setting for the track set to solo will be turned off. The setting for other tracks will be turned on.

Note: When you select DIGITAL or MAIN OUT in the Input field, you cannot adjust the recording level with the [REC GAIN] knob.
09. Play the external source. The MPC1000 will start the recording automatically when the level of the input signal exceeds the threshold level. During the recording, the bottom of the screen will change as below:
The MPC1000 stops the recording at the time set in the Time field. You can stop the recording manually before the time set in the Time field, by pressing the [F6] (STOP) key. To cancel the recording, press the [F5] (CANCEL) key. After the MPC1000 ends the recording, the Keep or Retry window will be displayed.
Recording the sample detailed information
In this section, you will learn about several features regarding the recording which were not described in the Recording the sample section.
Recording the digital signal
Here, you will learn how to record a digital signal.
Note: You can record only from the devices whose sampling rate in set to 44.1kHz (ex. CD player). The MPC1000 does not support the other sampling rates. Note: The format of the MPC1000s digital input is coaxial type.
10. Check the recorded sample by pressing [F4] (PLAY) key. If you press the [F4] (PLAY) key, you can play back the recorded sample until you release the key. If you do not like the recording, you can remove the recording and return to the RECORD page by pressing the [F2] (RETRY) key. If you like the recording and decide to keep it, proceed to the next step. 11. Select the New name field with the cursor, and set the name for the sample. In the New name field, the recorded sample will have a new name automatically. You can select the New name field with the cursor and change the sample name if needed. For more information about setting the sample name, see the Setting names section on page 10. 12. Select the Assign to pad field with the cursor and select the pad to which you wish to assign the sample. You can select the pad directly by hitting the pad when the cursor is in the Assign to pad field. If you just wish to keep the recorded sample in the MPC1000s memory and not to assign to the pad, select OFF with the DATA wheel. 13. Press the [F5] (KEEP) key. This closes the Keep or Retry windows and goes back to the RECORD page.
Note: The recorded sample will be removed when you switch the unit off. To keep the sample, you need to save on a memory card or import it to a PC. For more information about saving the data, see the Save / Load section on page 89 or see the Connecting the MPC1000 to your computer section on page 98.
If your digital device has an optical output, you cannot connect it to the MPC1000 directly. You will need an adapter.
01. Connect the external device to the DIGITAL IN which is located on the MPC1000s rear panel. 02. Press the [MODE] key and then [PAD 5] (RECORD) to display the RECORD page. 03. Select the Input field and select DIGITAL. When you select DIGITAL, a digital device MUST be connected to the MPC1000. 04. Select the Mode field and select STEREO or MONO. 05. Play the source. Check the level meter on screen.

Sample Memory Window

When you press the [WINDOW] key in the RECORD page, the Sample Memory window will be displayed.
The Free memory field displays the time you can record with the current memory. Below it, the status of the memory is indicated as bar graph. Below the bar graph, the total amount of the RAM in the MPC1000 is displayed.
For the next steps, proceed as described in the Starting the recording section on page 50.

Other Features

Monitoring feature
In the Monitor field of the RECORD page, you can determine if you want to monitor the input signal (output the signal from the STEREO OUT) in RECORD mode or not. ON You can monitor the input signal. This is useful when you record sounds directly from the CD player. You cannot monitor the input signal. For example: when you send the signal to the MPC1000 through a mixer, both the source sound and the monitored sound may be sent to the mixer. To avoid this, you should set this to OFF.
Peak hold/Reset peak feature
The level meter in the RECORD page has the peak hold feature. This is a useful feature for adjusting the signal level during recording. Normally, the display of the level meter changes in real time according to the level
Chapter 11 : Editing a sample
In this section, you will learn about the TRIM mode, where you can set the samples start/end points, or the loop.
Setting the start / end points for the sample
The start/end points sets the part of the sample data, which will actually be played back. The recorded sample may have an unnecessary part at the beginning, which may make it more difficult to place the sound in the correct spot timing when hitting the pad. You can fix this problem by adjusting the start point. You can also adjust both the start and end points to play only a part of the phrase. If the sample has empty parts at the end, which consumes unnecessary memory, you can delete the empty parts by adjusting the end point and using the edit feature. Start/end points are displayed in sample points. The sample point is the minimum unit used for sample editing. The MPC1000 has the 44100 sample points per second.
About the waveform display
The TRIM page displays the waveform of the sample selected in the Sample field. It displays the waveform of the whole sample, with the parts set by start/end points highlighted. If you select a stereo sample, you can select the channel (LEFT/RIGHT) to display in the View field.
Adjusting the start point
01. Press the [MODE] key and then the [PAD 6] (TRIM). When you press the [MODE] key, its LED will blink. Press the [PAD 6] while the [MODE] keys LED is blinking to display the TRIM page. 02. Select the Sample field and select a sample you wish to edit. The Sample field is located in the upper left corner of the screen, which displays the sample name. It displays the waveform of the selected sample. 03. Select the St (start) field and adjust the start point. You can change the start point by turning the DATA wheel. If you press the left/right cursor key while holding the [SHIFT] key, you can select the digit with the DATA wheel. You can also enter the value directly with using the [NUMERIC] key and pads. When you press the [NUMERIC] key, its LED will blink, which indicates you can enter number with pads. 04. Hit the pad to check the start point. When you hit the pad, the MPC1000 plays the sample. The playback method varies depending on the pad. If you hit the [PAD 14] (PLAY TO), the MPC1000 will play the sample before the start point. If you hit the [PAD 15] (PLAY FROM), the MPC1000 will play the sample from the start point. If you hit the [PAD 16] (PLAY ALL), the MPC1000 will play the whole sample regardless of the start/end point settings. If you hit any pad from the [PAD 1] to [PAD 12], the MPC1000 will play from the start point to the end point.

New name field: You can enter the new name for the sample. [F2] (PLAY) : You can audition the new sample. [F3] (OVER W) : You can delete the original sample and keep the new sample. [F4] (RETRY) : Returns to Sample Edit window without keeping the new sample. [F5] (KEEP) : You can keep the new sample with the name set in the New Name field.
Dividing a phrase sample to several regions
The MPC1000 will allow you to divide a phrase sample into several regions. (Divides a sample to several regions of equal length.) The divided sample can be used the following two ways. SLICED SAMPLES will assign each divided region to a pad. PATCHED PHRASE is one sample which has the divided regions and the sequence data for playing the divided regions. You can change the tempo freely when playing the sequence.
Note : If you use a stereo sample, only the left channel is used.

Dividing a phrase sample

Adjusting the start/end point of the region (P.60)
Converting to SLICED SAMPLES
Converting to PATCHED PHRASE
Converting Divided samples to SLICED SAMPLES (P.62)
Converting PATCHED PHRASE (P.62)
Dividing a sample into regions of equal length
The MPC1000 will divide a sample into seperate regions of equal length. You choose the number of sections. 01. In the Sample field within the TRIM page, select a sample you wish to edit.
You can set the sample range you wish to edit by adjusting the start/ end point. For more information about adjusting the start/end point, see Adjusting the start point and Adjusting the end point section on page 53. 02. Press the [F5] (SLICE) key. The SLICE window will be displayed.
Number of Region (2 - 64) : You set the number of regions you wish to divide the sample into.
03. Press the [F5] (DO IT). The MPC1000 will start dividing the sample, and then go to the SLICE page. The next step is to adjust the divided regions.
Adjusting the start / end point of the region.
A Region is each part of a sample that is divided with the sliced point. 01. After pressing the [F5] (DO IT) in the SLICE window, the SLICE page will be displayed. You can adjust the start/end point of each region in this page. In the SLICE page, hitting Pad 1-12 will trigger each selected region.
Tips : If you want to re-try dividing a sample, press the [F5] (RECHOP) key. The SLICE window will be displayed and you can set it again.
If you want to stop the SLICE feature, press the [F1] (CANCEL) key. The display will go back to the TRIM page.
02. In the Region field, select the region number you wish to use to adjust the start/end point. The selected regions waveform will become the reversal display.
03. In the St: field, adjust the start point of the region. You can change the start point by turning the DATA Wheel key. If you press the left/right cursor key while holding the [SHIFT] key, you can select individual digits to change with the DATA wheel.

Changing the program name
01. In the Pgm field of the PROGRAM page, select a program that you wish to change the name. 02. Press the [WINDOW] key. The Program windows will open. 03. In the Program name field, enter the new name. For more information for setting the name, see the Setting names section on Page 10. 04. Press [F4] (CLOSE) key. It closes the window and goes back to PROGRAM mode.
Setting the program change number
You can switch the programs assigned to a track within the sequence by setting the program change numbers in each program. You do not have to set the program change numbers if you do not need to switch the programs. To switch the programs, program change events are used. You can enter these events in the STEP EDIT mode. For more information about entering the program change events, see the Step editing section on page 31. 01. In the Pgm field of the PROGRAM mode, press the [WINDOW] key. The Program window will be displayed.

Copying a program

You can copy a program to make a new program. 01. In the Pgm field in PROGRAM mode, select the program that you wish to copy. 02. Press the [WINDOW] key. The Program window will open. 03. Press [F5] (COPY) key. The Copy Program window will open. 04. In the New name field, set the name for the new program. For more information regarding setting the name, see the Setting names section on Page 10. 05. Press [F3] (DO IT) key. Copying the program will start. To cancel the operation, press [F4] (CANCEL) key instead.
02. Select the MIDI program change field and set the program change number. If a track has a program change event with the same number set in this field, the MPC1000 switches the program at the event while playing back the sequence. If you do not wish to switch the program during the playback, set this field to OFF.

Deleting a program

You can remove a program from the memory of the MPC1000. 01. In the Pgm field in PROGRAM mode, select the program that you wish to delete. 02. Press the [WINDOW] key. The Program window will open. 03. Press [F2] (DELETE) key The Delete Program window will open. 04. Press [F5] (DO IT) key. This deletes the selected program.
Editing the sound of a sample
Each pad has a parameter to change the sound, which is called Filter. You can edit the sound of the sample by editing this parameter. This is done in the FILTER page of the PROGRAM mode.

04. Select the Freq field and set the cut off frequency. The cut off frequency is the frequency that triggers the filter. When you select the LOW PASS filter, if you set the cut off frequency too low, the sound will seem dull. This is because most of the higher frequencies of sound are cut off by the filter. When you select the HIGH PASS filter, if you set the cut off frequency too high, most of the lower frequencies are cut off, which results in a more hollow sound. 05. Set the Reso field to adjust the resonance of the filter.
Each pad has two filters. You can create a more complicated sound by combining these two filters. Also you can link these two filters to make a more powerful filter.

Setting the Filter

01. In the PROGRAM mode, press the [F2] (FILTER) key. The FILTER page will be displayed. You can select the program to edit in the Pgm field. 02. Select the pad you wish to edit for the sound by hitting it. The Pad field displays the pad number of the selected pad. To the right of the pad number, the name of the sample assigned to the pad is displayed. 03. Select the Type field of filter 1 (to the left) and select which filter type to use. The MPC1000 has several types of filter to edit the sound. With these filters, you can cut or boost the specific frequency of the sound. LOW PASS This filter cuts out the high frequencies and passes the low frequencies. This filter is frequently used in the electronic instruments such as synthesizers. This filter cuts out the low frequencies and passes the high frequencies. The filter passes the specific frequencies and cuts out the other frequencies.
If you set the resonance value at a larger value, the frequencies set in the Freq field will be boosted more. It is hard to describe the effect of the resonance, because it differs depending on the cut off frequency and filter type. Experiment several settings in the Type field, Freq field, and Reso field.
Note : If you notice distorted sound while using the FILTER, you can use the Att parameter to adjust the level of the signal sent to the filter, and remove the unwanted distortion.
06. Set the filter of the filter 2 (to the right) in the same way.
Tips : You do not have to edit both filter 1 and 2. If you do not need the filter, set the Type field to OFF.

Linking the two filters

You can link the two filers to make it as one powerful filter. To link the filters, select the LINK in the Type field for the filter 2 (in the right). The MPC1000 will ignore the settings in the Freq field and the Reso field for the filter 2 and apply the same setting as those for the filter 1, which provides you with a powerful filter effect.

Tips : The ROOT folder is the top directory of the memory card. There is no other directory above the ROOT folder.

Selecting a file

To select a file to load, proceed as follows: 01. Press the [MODE] key and the [PAD 2] (LOAD). The LOAD page will be displayed. To load a file from the memory card, insert the compact flash card in the memory card slot.
05. Select the file you wish to load. 06. Press the [F5] (LOAD) key. The MPC1000 will start loading the data. The next procedures differ depending on the type of selected file.
Tips : You can also select files and switch directories in the File field of the LOAD page. You can select a folder at the same directory level that the currently selected folder is located in, by turning the DATA wheel in the File field. If you have selected a folder in the File filed, you can move to the lower directory by pressing the right cursor key. You can also move to the upper directory by pressing the left cursor key in the File field.
02. Select the LOAD from field and select the memory you wish to load the data from. INTERNAL MEMORY The MPC1000 will load the data from the internal preset memory. Normally, when you switch on the MPC1000, it will load the data from the preset memory, but you can load these files individually by selecting INTERNAL MEMORY in this field. MEMORY CARD The MPC1000 will load the files from the memory card in the card slot. HARD DISK The MPC1000 will load the files from the internal HARD DISK. (Option)
Tips : When the sample is selected in File: field in LOAD page, you can audition the sample by pressing [F5](PLAY) key

About View field

03. Select the folder field or File field, and press the [WINDOW] key.
The View field of the LOAD page is normally set to ALL FILES to display all types of the files in the File field or Directory window. You can change the setting of the View to display only the selected type of files. It is useful when you need to find a file from a large list of the files. Select the View field and select the file type to display by turning the DATA wheel.

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AKAI MPC 1000 SOFTWARE RELEASE NOTES
Version: 2.13 Date: 1/21/2010 New features/Changes: 1. Additional support for manufacturing.
Version: 2.12 Date: 8/5/2008
New features/Changes: 2. Chop Shop Update: Added the ability to load and save Chop Shop 2.0 files. 3. added the ability to AUTO detect split points for Chop Shop. 4. Added ability to loop patched phrases 5. Added the ability to record Track Mute Events 6. Added ability to load MPC5000.all files. Bug fixes: 1. Fixed issue where large hard drives are not formatted properly in the MPC 1000 2. fixed "Directory Error" when overwriting files on 80 gig drive. 3. Fixed issue where Attack and decay settings would produce sonic anomalies 4. Fixed issue where a "Directory Error" would occasionally occur when replacing project on hd after reboot 5. Fixed issue where FX2 Delay Tempo Sync was not following sequence BPM. 6. Fixed issue where Overdub and record led did not work when recording after sequence change 7. Fixed issue where Note Repeat did not work for internal sounds when played from a midi controller 8. Fixed issue where the sequence name doesn't appear on MAIN screen after Load Folder is executed. 9. When a track is muted the pads are no longer muted. 10. Increased Metronome Volume. 11. Fixed issue where there were erratic tempo changes after converting song to sequence. 12. Fixed issue where 'play start' started the sequence at 'loop first bar', not beginning of sequence 13. Fixed issue where Tap Tempo via footswitch wouldn't work 14. Fixed issue where Note Repeat would play other than selected sound in trim mode 15. Fixed issue in Sample Trim Mode - plays random audio when end is set shorter than loop point. 16. Fixed issue where 'pgm' could not be set to 'off' from startup 17. Fixed issue where Note Repeat/Tap Tempo did not work in TRIM mode
Version: 2.11 Date: 5/1/07
New features/Changes: 7. Increased maximum number of programs from 24 to 128. 8. Changed default when saving entire memory for Replace same files to YES. 9. Improved error messages. 10. Additional support for manufacturing. Bug fixes: 18. Fixed bug where.wav files were saved with an incorrect size within its file format.
Version: 2.10 Date: 1/20/06
New features/Changes: 1. Changed 'Discard' and 'Extract' behavior. *If you choose 'discard' or 'extract' on the [TRIM] page, it will use the range from start to end. *If you choose 'discard' or 'extract' on the [LOOP] page, it will use the range from loop to end. 2. [STEP EDIT] 'Auto Step Increment' function now follows timing correct swing % 1
AKAI PROFESSIONAL MPC1000 RELEASE HISTORY
Settings. Minor clarification in the 'user' default window. Prompt now reads as follow Pressing DO IT will memorize setups of this sequence as default setup in.ALL file. Windows system files are now hidden on the [SAVE] and [LOAD] pages. Deleting these files causes the system to crash or show a system error.
Bug fixes: 1. Fixed bug where user could not sample/resample the main output under certain conditions. 2. Fixed bug where saved program information does not reload the same way it was saved. 3. Fixed bug where tempo would slow when increasing tempo via data wheel. 4. Fixed bug where MPC1000 would send program #0 even though sequence was blank. 5. Fixed bug where record time changes when recording is discarded after pressing retry 6. Fixed bug where sequencer would crash, requiring reboot when entering [SEQ EDIT] mode while playing, after copying bars in [SEQ EDIT]. 7. Fixed bug where 'timestretch' algorithm would produce CPU address error. 8. Fixed bug where Moving Q1 on 'L/OUT' mixer page changes PAN when switching to 'L/PAN' page 9. Fixed bug where 'Note erase' wouldn't work when [NOTE REPEAT] is on. 10. Fixed bug where [NUMERIC] wouldn't work correctly for 'sq' field. 11. Fixed bug where overwriting a sample when editing would overwrite the wrong sample. 12. Fixed bug where an extra midi note is sent in [SLIDER] page 13. Fixed bug where slider 'reset' would not work 14. Fixed bug where 'discard' would not function for the beginning of a sample 15. Fixed bug where the compressor would cause click / severe distortion 16. Fixed bug where [TRIM] - would play random audio when end is set shorter than loop point. 17. Fixed bug where there would be a hanging note in [SEQ EDIT] 'transpose' for MIDI type track assigned to internal program. 18. Fixed bug where [NEXT SEQ] function would cause sequences to skip beats when previous Sequence was stopped halfway on last playback 19. Fixed miscellaneous product mislabeling in the user interface.

Version: 2.0 Date: 11/17/05
New features/Changes: 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19. Added delay effect Added timestretch and pitch shift (offline) Added ability to reverse samples Added ability to slice samples and create patched phrases Real-time modulation with Q-Link Added Input thru Added HDD support Added Track velocity field on [MAIN] screen Added ability to audition samples directly from CF and HD Added ability to adjust trim points with Q-Link sliders Added Mixer automation Added LFOs Added Velocity > Start and Velocity > Pitch modulation Added 'delete' and 'silence' option for [TRIM] 'edit' window Added ability to change sequences by external MIDI program change Added [NOTE REPEAT] hold. Added.snd file support Added multiple edit of 'shift timing', 'velocity' and 'duration' at [SEQ EDIT] mode Added tempo sync of 'flying pan' and 'Tremolo' effect 2
20. 21. 22. 23. 24. 25. 26.
Added note range selection for 'View' field in [STEP EDIT] mode Added a shortcut between [MIXER] and [EFFECT] mode Added multiple pad selection in [MIXER] mode with shift button Added sequence parameter 'copy' Added program based Mono/Poly setup Added specific event type selection in [ERASE] window Added 'repeat' option for Footswitch

 

Technical specifications

Full description

The Akai MPC1000 Music Production Center is a laptop-sized unit that serves as a portable complement to the MPC2000 and MPC4000 and is a powerful DJ production tool on its own. It has a friendly interface, easy-to-use MIDI sequencer and drum sampler, and velocity- and pressure-sensitive pads for expressive play. Two separate effects processors plus a main-out processor can be used simultaneously. Also has 2x2 pole filters per voice, two Q-link sliders for realtime control, and 16MB capacity expandable to 128MB. It saves and loads data to the included 32MB CompactFlash card and connects to your computer via USB for drag-and-drop convenience. Two MIDI in, two MIDI out ports.

 

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