ULTRATONE K3000FX/K1800FX/K900FX/K450FX

Users manual

Version 1.1 April 2006

K1800FX

IMPORTANT SAFETY INSTRUCTIONS
DETAILED SAFETY INSTRUCTIONS: 1) Read these instructions. 2) Keep these instructions. 3) Heed all warnings. 4) Follow all instructions. CAUTION: To reduce the risk of electric shock, do not remove the top cover (or the rear section). No user serviceable parts inside; refer servicing to qualified personnel. 5) Do not use this apparatus near water. 6) Clean only with dry cloth. 7) Do not block any ventilation openings. Install in accordance with the manufacturers instructions. 8) Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat. 9) Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet. 10) Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus. 11) Only use attachments/accessories specified by the manufacturer. 12) Use only with the cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.

WARNING:

To reduce the risk of fire or electric shock, do not expose this appliance to rain and moisture. The apparatus shall not be exposed to dripping or splashing and no objects filled with liquids, such as vases, shall be placed on the apparatus.
This symbol, wherever it appears, alerts you to the presence of uninsulated dangerous voltage inside the enclosurevoltage that may be sufficient to constitute a risk of shock.
This symbol, wherever it appears, alerts you to important operating and maintenance instructions in the accompanying literature. Please read the manual.
13) Unplug this apparatus during lightning storms or when unused for long periods of time. 14) Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped. 15) CAUTION - These service instructions are for use by qualified service personnel only. To reduce the risk of electric shock do not perform any servicing other than that contained in the operation instructions unless you are qualified to do so.

FOREWORD

Dear Customer, Welcome to the team of ULTRATONE users and thank you very much for expressing your confidence in BEHRINGER products by purchasing this keyboard amp. It is one of my most pleasant tasks to write this letter to you, because it is the culmination of many months of hard work delivered by our engineering team to reach a very ambitious goal: to present you with a series of outstanding keyboard amplifiers that give you maximum flexibility and performance with their unique sound character and broad range of functions. The task to design the new ULTRATONE series certainly meant a great deal of responsibility, which we assumed by focusing on you, the discerning user and musician. It also meant a lot of work and night shifts to accomplish this goal. But it was fun, too. Developing a product usually brings a lot of people together, and what a great feeling it is when everybody who participated in such a project can be proud of what weve achieved. It is our philosophy to share our joy with you, because you are the most important member of the BEHRINGER team. With your highly competent suggestions for new products youve greatly contributed to shaping our company and making it successful. In return, we guarantee you uncompromising quality as well as excellent technical and audio properties at an extremely favorable price. All of this will enable you to fully unfold your creativity without being hampered by budget constraints. We are often asked how we can produce such high-grade devices at such unbelievably low prices. The answer is quite simple: its you, our customers! Many satisfied customers means large sales volumes enabling us to get better conditions of purchase for components, etc. Isnt it only fair to pass this benefit back to you? Because we know that your success is our success, too! I would like to thank all people whose help on Project ULTRATONE has made it all possible. Everybody has made very personal contributions, starting from the designers of the unit to the many staff members in our company and finally to you, the users of BEHRINGER products.

TABLE OF CONTENTS

1. INTRODUCTION.. 3
1.1 Before you get started.. 3 1.1.1 Shipment... 3 1.1.2 Initial operation.. 3 1.1.3 Online registration... 4
2. CONTROL ELEMENTS.. 4 3. WIRING TIPS.. 6 4. AUDIO CONNECTIONS.. 6 5. SPECIFICATIONS.. 7 6. WARRANTY... 8

1. INTRODUCTION

Congratulations! The ULTRATONE is a modern, powerful keyboard amplifier with the qualities of a complete PA system. It combines a whole lot of features, huge power reserves and extreme flexibility in one device, and thanks to its comprehensive connection and extension optionsfor example Stereo Link facility for true stereo operation and additional Line Out for direct connection to a mixing consoleyou will always be able to achieve the best possible performance in every situation.
1.1 Before you get started

1.1.1 Shipment

Your ULTRATONE was carefully packed at the factory, and the packaging was designed to protect the unit from rough handling. Nevertheless, we recommend that you carefully examine the packaging and its contents for any signs of physical damage that may have occurred during transit.

+ + + +

If the unit is damaged, please do NOT return it to BEHRINGER. Instead, notify your dealer and the shipping company immediately. Otherwise, claims for damage or replacement may not be honored. Always use the original packing carton to prevent damage during storage or transport. Make sure that no children are left unsupervised with the ULTRATONE or its packaging. Please ensure proper disposal of all packing materials.
My friends, its been worth the trouble!

1.1.2 Initial operation

Thank you very much, Be sure that there is enough space around the unit for cooling and please do not place the ULTRATONE on high temperature devices such as radiators etc. to avoid overheating.

Uli Behringer

Blown fuses must be replaced by fuses of the same type and rating! Please refer to the SPECIFICATIONS for details.
The mains connection of the ULTRATONE is made by using the enclosed mains cable and a standard IEC receptacle. It meets all of the international safety certification requirements.
Please make sure that all units have a proper ground connection. For your own safety, never remove or disable the ground conductor from the unit or of the AC power cord.
1.1.3 Online registration
Please do remember to register your new BEHRINGER equipment right after your purchase by visiting www.behringer.com (alternatively www.behringer.de) and kindly read the terms and conditions of our warranty carefully. Should your BEHRINGER product malfunction, our goal is to have it repaired as quickly as possible. To arrange for warranty service, please contact the retailer from whom the equipment was purchased. Should your BEHRINGER dealer not be located in your vicinity, you may directly contact one of our subsidiaries. Corresponding contact information is included in the original equipment packaging (Global Contact Information/European Contact Information). Should your country not be listed, please contact the distributor nearest you. A list of distributors can be found in the support area of our website (www.behringer.com). Registering your purchase and equipment with us helps us process your repair claims quicker and more efficiently. Thank you for your cooperation! Pressing the SHAPE button will add the Shape effect to the main signal. The Shape function on your ULTRATONE provides a revolutionary type of filter that you can use to modify your keyboard sound (K3000FX and K1800FX only). Use the PHONES jack to plug in your headphones. The PHONES LEVEL control adjusts the headphones output level (K3000FX and K1800FX only). Use the POWER switch to switch the ULTRATONE on or off. You should always make sure that the POWER switch is in the Off position when initially connecting the unit to the mains. To disconnect the unit from the mains, pull out the main cord plug. When installing the product, ensure that the plug is easily accessible. Please note: Merely switching the unit off does not mean that it is fully disconnected from the mains. When not using the unit for prolonged periods of time, please unplug the units power cord from the power outlet. MAINS CONNECTION. Use the power cord supplied with the unit to connect it to the mains. FUSE HOLDER/VOLTAGE SELECTOR. Before connecting the unit to the mains, make sure that the voltage setting matches your local voltage. A blown fuse should only be replaced by a fuse of the same type and rating. On some units, the fuse holder can be switched to one of two positions, i.e. 230 V and 120 V. When operating the unit outside Europe at 120 V, a higher fuse rating is required. The GROUND LIFT switch disconnects (switch pressed) the ground connection at the LINE OUT output to effectively eliminate hum noise resulting from ground loops (K3000FX and K1800FX only). Use the balanced LINE OUT XLR connectors to feed the audio signal from your ULTRATONE to a mixing console (K3000FX and K1800FX only). The LINE OUT signal is post-EQ. These are the LINE OUT outputs on 1/4" TS connectors (K900FX and K450FX: one 1/4" TS connector). Both XLR and 1/4" TS LINE OUT connectors can be used simultaneously. For stereo operation the ULTRATONE features a STEREO LINK facility. You can connect the OUT of the ULTRATONE to the LINK IN of another keyboard amp that serves as slave to achieve true stereo sound. When using the ULTRATONE as slave, connect the LINK OUT of the master amp to the IN (K3000FX and K1800FX only). The SUB OUT connector provides the line-level mono subwoofer signal for connection to the input of a power amp or active subwoofer. Connect your footswitch to the FOOT SW jack, so as to activate/deactivate the effects processor. Use the CD IN (K900FX and K450FX: AUX IN) connectors to connect the output of your CD player, tape deck, CD or MD walkman. This way you can play along to music or keyboard tutorial CDs. These are the LINE inputs for channels 1 - 4 on 1/4" TS connectors. For mono input signals please use the L (MONO) connector. Channel 1 is equipped with an additional XLR MIC input. Due to internal +15 V phantom power you can even use condenser microphones. Both XLR and 1/4" TS connectors can be used simultaneously. In this case the LEVEL control of channel 1 adjusts both the level of the LINE and MIC signal. SERIAL NUMBER.

ATTENTION!

High volume levels can damage your hearing or your headphones. Please turn down the VOLUME control to zero (all the way to the left) before you power up the amp. Always make sure you use appropriate volume levels.

2. CONTROL ELEMENTS

The LEVEL controls adjust the signal level of channels 1 - 4 (K900FX and K450FX: channels 1 - 3). The four FX controls adjust the channel 1 - 4 signal level at the input of the integrated effects processor (K900FX and K450FX: three controls for channels 1 - 3). The channel 4 signal (K3000FX and K1800FX only) is normally routed just to the PHONES output without effects. This way you can practice without being heard, or you can connect a metronome that you need on headphones but not on speakers. By pressing the TO MAIN button the signal will be additionally routed to the speakers without effects. By pressing the TO LINE OUT button the channel 4 signal will be additionally routed to the LINE OUT output without effects (K3000FX and K1800FX only). If you press both the TO MAIN and TO LINE button, channel 4 will be equal to channels 1 - 3. The signal will be routed to the speakers and the LINE OUT output including effects. The ULTRATONE is equipped with a 7-band graphic equalizer (K900FX and K450FX: 5-band graphic equalizer). Use the EQ to adapt the sound to the room acoustics. Press the FBQ switch to activate the FBQ Feedback Detection System. The frequencies causing feedback are shown by the brightly lit fader LEDs. Simply lower the level of the respective frequency range until feedback disappears and the LED goes out. The FX display shows the currently selected preset. The SIG LED lights up when the effects processor receives an input signal. When the CLIP LED lights up please reduce the effects input signal by using the respective FX control(s). Turn the FX control to select an effects preset (preset number starts flashing). Push the control briefly to confirm your selection. The LEVEL control in the master section is used to adjust the main output volume. Turn the FX RET control to add the effect signal to the main mix.
Fig. 2.1: Front panel control elements (K3000FX and K1800FX)
Fig. 2.2: Rear panel control elements (K3000FX and K1800FX)
Fig. 2.3: Front panel control elements (K900FX and K450FX)
Fig. 2.4: Rear panel control elements (K900FX and K450FX)

3. WIRING TIPS

Fig. 3.1 shows how to connect your keyboard, a drum machine and a microphone to the ULTRATONE. Additionally a CD player is connected to the AUX IN input to feed in a playback. With the footswitch you can activate/deactivate the internal effects processor. Fig. 3.2 shows a recommended setup for amplifying the sound of your ULTRATONE using a sound reinforcement system of any size. This way, you can also use your amp for playing live or for rehearsals with your band.

4. AUDIO CONNECTIONS

The ULTRATONE features 1/4" connectors on inputs and outputs plus additional balanced XLR connectors for channel 1 input and Line Out outputs (K3000FX and K1800FX). More detailed information can be found in chapter 5, SPECIFICATIONS.
Fig. 4.1: 1/4" TS connector Fig. 3.1: Example of a setup using the ULTRATONE
Fig. 4.2: 1/4" TRS connector

Fig. 4.3: XLR connectors

Fig. 3.2: Live setup
Fig. 4.4: RCA cable (for CD IN/AUX IN connection)

5. SPECIFICATIONS

6V9DPDIQVUT
Line In 1 - 4 Input impedance Stereo Link In Input impedance CD In/Aux In Input impedance Mic In 1 Input impedance

1/4" TS connector

approx. 30 k: balanced 1/4" TS connector

F"AY

approx. 20 k: unbalanced RCA connector approx. 20 k: unbalanced XLR connector approx. 2 k: balanced 1/4" TRS connector 1/4" TS and XLR connector 1/4" TS connector: approx.150 : unbalanced XLR connector: approx. 300 : balanced 1/4" TS connector approx. 150 : unbalanced 1/4" TS connector approx. 150 : unbalanced Graphic EQ with FBQ Feedback Detection 63 Hz / 250 Hz / 1 kHz / 3.5 kHz / 12 kHz 63 Hz / 160 Hz / 400 Hz / 1 kHz / 2.5 kHz / 6.3 kHz / 12 kHz 2/3-oct. +12 to -12 dB

6V9DPPVUQVUT

Headphones connector Line Out Output impedance Stereo Link Out Output impedance Sub Out Output impedance

@RV6GDa@S

Type Frequency range Bandwidth Control range

9DBDU6G@AA@8UTQSP8@TTPS

Converters Sampling rate 24-bit sigma-delta, 64/128-times oversampling 40 kHz

T`TU@HTQ@8DAD86UDPIT

Power amp output 45 Watts 90 Watts 180 Watts 300 Watts

GPV9TQ@6F@S

Type Input impedance 10'' BUGERA speaker 12'' BUGERA woofer and custom-made 1'' driver 4: 12'' BUGERA woofer and custom-made 1'' driver 15'' BUGERA woofer and custom-made 1'' driver

QPX@STVQQG`

Mains voltage
USA/Canada 120 V~, 60 Hz U.K./Australia 230 V~, 50 Hz Europe 230 V~, 50 Hz China/Korea 220 V~, 50 Hz Japan 100 V~, 50 - 60 Hz 120/230 V~, 50 - 60 Hz approx. 75 Watts 100 - 120 V~: !$6C 250 V 220 - 240 V~: !$6C 250 V approx. 150 Watts 100 - 120 V~: "$6C 250 V 220 - 240 V~: %6C 250 V approx. 290 Watts 100 - 120 V~: %"6C 250 V approx. 350 Watts
General export model Power consumption
%"6C 250 V " $6C 250 V

220 - 240 V~:

100 - 120 V~:

" $6C 250 V

Mains connection

Standard IEC receptacle

9DH@ITDPITX@DBCU
Dimensions approx. 419 mm (16 1/2") x 441 mm (17 3/8") x 299 mm (11 3/4") approx. 14.6 kg (32.19 lbs.) approx. 429 mm (16 7/8") x 492 mm (19 3/8") x 299 mm (11 3/4") approx. 18.8 kg (41.45 lbs.) approx. 429 mm (16 7/8") x 492 mm (19 3/8") x 299 mm (11 3/4") approx. 20.1 kg (44.32 lbs.) approx. 530 mm (20 7/8") x 597 mm (23 1/2") x 406 mm (16") approx. 29.5 kg (65.04 lbs.)

Weight

BEHRINGER is constantly striving to maintain the highest professional standards. As a result of these efforts, modifications may be made from time to time to existing products without prior notice. Specifications and appearance may differ from those listed or shown.

6. WARRANTY

1 OTHER WARRANTY RIGHTS AND NATIONAL LAW 1. This warranty does not exclude or limit the buyers statutory rights provided by national law, in particular, any such rights against the seller that arise from a legally effective purchase contract. 2. The warranty regulations mentioned herein are applicable unless they constitute an infringement of national warranty law. 2 ONLINE REGISTRATION Please do remember to register your new BEHRINGER equipment right after your purchase by visiting www.behringer.com (alternatively www.behringer.de) and kindly read the terms and conditions of our warranty carefully. Registering your purchase and equipment with us helps us process your repair claims quicker and more efficiently. Thank you for your cooperation! 3 WARRANTY 1. BEHRINGER (BEHRINGER International GmbH including all BEHRINGER subsidiaries listed on the enclosed page, except BEHRINGER Japan) warrants the mechanical and electronic components of this product to be free of defects in material and workmanship for a period of one (1) year* from the original date of purchase, in accordance with the warranty regulations described below. If the product shows any defects within the specified warranty period that are not excluded from this warranty as described under 5, BEHRINGER shall, at its discretion, either replace or repair the product using suitable new or reconditioned parts. In the case that other parts are used which constitute an improvement, BEHRINGER may, at its discretion, charge the customer for the additional cost of these parts. 2. If the warranty claim proves to be justified, the product will be returned to the user freight prepaid. 3. Warranty claims other than those indicated above are expressly excluded. 4 RETURN AUTHORIZATION NUMBER 1. To obtain warranty service, the buyer (or his authorized dealer) must call BEHRINGER (see enclosed list) during normal business hours BEFORE returning the product. All inquiries must be accompanied by a description of the problem. BEHRINGER will then issue a return authorization number. 2. Subsequently, the product must be returned in its original shipping carton, together with the return authorization number to the address indicated by BEHRINGER. 3. Shipments without freight prepaid will not be accepted. 5 WARRANTY REGULATIONS 1. Warranty services will be furnished only if the product is accompanied by a copy of the original retail dealers invoice. Any product deemed eligible for repair or replacement under the terms of this warranty will be repaired or replaced. 2. If the product needs to be modified or adapted in order to comply with applicable technical or safety standards on a national or local level, in any country which is not the country for which the product was originally developed and manufactured, this modification/adaptation shall not be considered a defect in materials or workmanship. The warranty does not cover any such modification/adaptation, irrespective of whether it was carried out properly or not. Under the terms of this warranty, BEHRINGER shall not be held responsible for any cost resulting from such a modification/adaptation. 3. Free inspections and maintenance/repair work are expressly excluded from this warranty, in particular, if caused by improper handling of the product by the user. This also applies to defects caused by normal wear and tear, in particular, of faders, crossfaders, potentiometers, keys/buttons, tubes, guitar strings, illuminants and similar parts. 4. Damages/defects caused by the following conditions are not covered by this warranty: s improper handling, neglect or failure to operate the unit in compliance with the instructions given in BEHRINGER user or service manuals. s connection or operation of the unit in any way that does not comply with the technical or safety regulations applicable in the country where the product is used. s damages/defects caused by force majeure or any other condition that is beyond the control of BEHRINGER. 5. Any repair or opening of the unit carried out by unauthorized personnel (user included) will void the warranty. 6. If an inspection of the product by BEHRINGER shows that the defect in question is not covered by the warranty, the inspection costs are payable by the customer. 7. Products which do not meet the terms of this warranty will be repaired exclusively at the buyers expense. BEHRINGER will inform the buyer of any such circumstance. If the buyer fails to submit a written repair order within 6 weeks after notification, BEHRINGER will return the unit C.O.D. with a separate invoice for freight and packing. Such costs will also be invoiced separately when the buyer has sent in a written repair order. 6 WARRANTY TRANSFERABILITY This warranty is extended exclusively to the original buyer (customer of retail dealer) and is not transferable to anyone who may subsequently purchase this product. No other person (retail dealer, etc.) shall be entitled to give any warranty promise on behalf of BEHRINGER. 7 CLAIM FOR DAMAGES Failure of BEHRINGER to provide proper warranty service shall not entitle the buyer to claim (consequential) damages. In no event shall the liability of BEHRINGER exceed the invoiced value of the product. * Customers in the European Union please contact BEHRINGER Germany Support for further details.

Technical specifications and appearance subject to change without notice. The information contained herein is correct at the time of printing. The names of companies, institutions or publications pictured or mentioned and their respective logos are registered trademarks of their respective owners. Their use neither constitutes a claim of the trademarks by BEHRINGER nor affiliation of the trademark owners with BEHRINGER. BEHRINGER accepts no liability for any loss which may be suffered by any person who relies either wholly or in part upon any description, photograph or statement contained herein. Colours and specification may vary slightly from product. Products are sold through our authorised dealers only. Distributors and dealers are not agents of BEHRINGER and have absolutely no authority to bind BEHRINGER by any express or implied undertaking or representation. No part of this manual may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording of any kind, for any purpose, without the express written permission of BEHRINGER Spezielle Studiotechnik GmbH. BEHRINGER is a registered trademark. ALL RIGHTS RESERVED. 2006 BEHRINGER Spezielle Studiotechnik GmbH, Hanns-Martin-Schleyer-Str. 36-38, 47877 Willich-Mnchheide II, Germany. Tel. +9206 0, Fax +9206 4903
FEDERAL COMMUNICATIONS COMMISSION COMPLIANCE INFORMATION
Responsible party name: Address: MUSIC Group Services USA, Inc. 18912 North Creek Parkway, Suite 200 Bothell, WA 98011, USA Phone: +Fax: +673 7647

Phone/Fax No.:

complies with the FCC rules as mentioned in the followingparagraph: This equipment has been tested and found to comply with the limits for a ClassB digital device, pursuant to part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the followingmeasures: Reorient or relocate the receiving antenna. Increase the separation between the equipment and receiver. Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. Consult the dealer or an experienced radio/TV technician forhelp. This device complies with Part 15 of the FCC rules. Operation is subject to the following two conditions: (1) this device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation. Important information: Changes or modifications to the equipment not expressly approved by MUSIC Group can void the users authority to use the equipment.

ULTRATONE
Qrr I ! " # $ % & ' ( ! " # $ % & ' ( ! ! !! !" !# !$ !% !& !' !( " " "! "" "# "$ "% "& "' "( # # #! #" ## #$ #% #& #' #(
K3000FX/K1800FX/K900FX/K450FX
@AA@8UQS@T@UT Qrr @AA@8U I $ $ $! $" $# $$ $% $& $' $( % % %! %" %# %$ %% %& %' %( & & &! &" &# &$ &% && &' &( ' ' '! '" '# '$ '% '& '' '( ( ( (! (" (# ($ (% (& (' (( TCPSU9@G6` TCPSU9@G6`! TCPSU9@G6`" HD99@G6` HD99@G6`! HD99@G6`" GPIB9@G6` GPIB9@G6`! GPIB9@G6`" GPIB@8CP 9rpvv 9@G6`$$(
like a short shattering 1-2 short impulse(s) 1-2 short impulse(s) Classic for up-tempo music (115-125 BPM) Classic for mid-tempo music (105-115 BPM) Classic for slow-tempo music (95-105 BPM) Classic for reggae-tempo music (85-95 BPM) Classic for dub-tempo music (75-85 BPM) Extra long (nearly endless) delay effect Extra long canyon echo effect
@AA@8U 9rpvv C6GG( ~ 1.0 s reverb decay TH6GGC6GG TH6GGC6GG! ~ 1.2 s reverb decay TH6GGC6GG" ~ 1.5 s reverb decay HD9C6GG ~ 1.8 s reverb decay HD9C6GG! ~ 2.0 s reverb decay HD9C6GG" ~ 2.5 s reverb decay 7DBC6GG ~ 2.8 s reverb decay 7DBC6GG! ~ 3.2 s reverb decay 7DBC6GG" ~ 4 s reverb decay 8CVS8C ~ 7 s reverb decay SPPH ( TH6GGSPPH ~ 0.5 s reverb decay TH6GGSPPH! ~ 0.8 s reverb decay TH6GGSPPH" ~ 1.0 s reverb decay HD9SPPH ~ 1.2 s reverb decay HD9SPPH! ~ 1.5 s reverb decay HD9SPPH" ~ 1.8 s reverb decay 7DBSPPH ~ 2.0 s reverb decay 7DBSPPH! ~ 2.2 s reverb decay 7DBSPPH" ~ 2.5 s reverb decay 8C6Q@G ~ 3 s reverb decay QG6U@!!( TCPSUQG6U@ ~ 1.0 s reverb decay HD9QG6U@ ~ 1.5 s reverb decay GPIBQG6U@ ~ 2.2 s reverb decay WP86GQG6U@ ~ 1.2 s reverb decay 9SVHTQG6U@ ~ 1.0 s reverb decay BPG9QG6U@ ~ 1.2 s reverb decay BPG9QG6U@! ~ 2.0 s reverb decay TCPSUTQSDIB ~ 1.0 s reverb decay HD9TQSDIB ~ 2.0 s reverb decay GPIBTQSDIB ~ 2.5 s reverb decay B6U@S@W""( B6U@9S@WTCPSU ~ 0.8 s gate time B6U@9S@WHD9 ~ 1.2 s gate time B6U@9S@WGPIB ~ 2.0 s gate time B6U@9S@WYYG ~ 3.0 s gate time B6U@9S@W9SVHT ~ 0.8 s gate time B6U@9S@W9SVHT! ~ 1.2 s gate time S@W@ST@TCPSU ~ 0.8 s reverb raise S@W@ST@HD9 ~ 1.2 s reverb raise S@W@ST@GPIB ~ 2.0 s reverb raise S@W@ST@YYG ~ 3.0 s reverb raise @6SGS@A##( @6SG`S@AG@8UDPI short @6SG`S@AG@8UDPI! mid-short @6SG`S@AG@8UDPI" mid-long @6SG`S@AG@8UDPI# long TCPSU6H7D@I8@ short HD96HD@I8@ mid-short GDW@6H7D@I8@ mid-short 7DB6H7D@I8@ mid-long TU69DVH long BCPTU6H7D@I8@ extra long special fx

Date: 11.2006

8CPSVT%%( TPAU8CPSVT unobtrusive effect TPAU8CPSVT! unobtrusive effect with other color X6SH8CPSVT analog sounding X6SH8CPSVT! analog sounding with other color QC6U8CPSVT strong effect QC6U8CPSVT! strong effect with other color 8G6TTD8AG6IB@S standard flanger effect X6SHAG6IB@S more analog touch 9@@QAG6IB@S deep modulation impression C@6W`AG6IB@S extreme strong effect QC6T@QDU8C&&( 8G6TTD8QC6T@S standard phaser effect X6SHQC6T@S more analog touch 9@@QQC6T@S deep modulation impression C@6W`QC6T@S extreme strong effect QDU8CTCDAU9@UVI@ 2-3-times detune for a wider sound QDU8CTCDAU" minor third added voice QDU8CTCDAU# major third added voice QDU8CTCDAU& quint above added voice QDU8CTCDAU$ fourth down added voice QDU8CTCDAU ! 1 octave down added voice HVGUD ''( 8CPSVTS@W@S7 Soft chorus + mid-short reverb 8CPSVTS@W@S7! Deep chorus + mid-long reverb AG6IB@SS@W@S7 Soft flanger + mid-short reverb AG6IB@SS@W@S7! Deep flanger + mid-long reverb QC6T@SS@W@S7 Soft phaser + mid-short reverb QC6T@SS@W@S7! Deep phaser + mid-long reverb QDU8CS@W@S7 Soft voice detuning + mid-short reverb QDU8CS@W@S7! Fourth above interval + mid-long reverb 9@G6`S@W@S7 Short delay + mid-short reverb 9@G6`S@W@S7! Mid-long delay + mid-long reverb HVGUD!((( 9@G6`B6U@9S@W Short delay + mid-long gated reverb 9@G6`S@W@ST@S@W Mid-short delay + mid-long reversed reverb 9@G6`8CPSVT Short delay + soft chorus 9@G6`8CPSVT! Mid-long delay + deep chorus 9@G6`AG6IB@S Short delay + soft flanger 9@G6`AG6IB@S! Mid-long delay + deep flanger 9@G6`QC6T@S Short delay + soft phaser 9@G6`QC6T@S! Mid-long delay + deep phaser 9@G6`QDU8C Short delay + fourth down interval 9@G6`QDU8C! Mid-long delay + minor third above interval

Version: 1.0

2006 BEHRINGER International GmbH