Limited Warranty

1 Warranty
[1] This limited warranty is valid only if you purchased the product from a BEHRINGER authorized dealer in the country of purchase. A list of authorized dealers can be found on BEHRINGERs website behringer.com under Where to Buy, or you can contact the BEHRINGER office closest to you. [2] MUSIC Group* warrants the mechanical and electronic components of this product to be free of defects in material and workmanship if used under normal operating conditions for a period of one (1) year from the original date of purchase (see the Limited Warranty terms in 4 below), unless a longer minimum warranty period is mandated by applicable local laws. If the product shows any defects within the specified warranty period and that defect is not excluded under 4, MUSIC Group shall, at its discretion, either replace or repair the product using suitable new or reconditioned product or parts. In case MUSIC Group decides to replace the entire product, this limited warranty shall apply to the replacement product for the remaining initial warranty period, i.e., one (1) year (or otherwise applicable minimum warranty period) from the date of purchase of the original product. [3] Upon validation of the warranty claim, the repaired or replacement product will be returned to the user freight prepaid by MUSIC Group. [4] Warranty claims other than those indicated above are expressly excluded. PLEASE RETAIN YOUR SALES RECEIPT. IT IS YOUR PROOF OF PURCHASE COVERING YOUR LIMITED WARRANTY. THIS LIMITED WARRANTY IS VOID WITHOUT SUCH PROOF OF PURCHASE.
2 Online registration Please do remember to register your new BEHRINGER equipment right after your purchase at behringer.com under Support and kindly read the terms and conditions of our limited warranty carefully. Registering your purchase and equipment with us helps us process your repair claims quicker and more efficiently. Thank you for your cooperation! 3 Return materials authorization [1] To obtain warranty service, please contact the retailer from whom the equipment was purchased. Should your BEHRINGER dealer not be located in your vicinity, you may contact the BEHRINGER distributor for your country listed under Support at behringer.com. If your country is not listed, please check if your problem can be dealt with by our Online Support which may also be found under Support at behringer.com. Alternatively, please submit an online warranty claim at behringer.com BEFORE returning the product. All inquiries must be accompanied by a description of the problem and the serial number of the product. After verifying the products warranty eligibility with the original sales receipt, MUSIC Group will then issue a Return Materials Authorization (RMA) number.

[7] Any repair or opening of the unit carried out by unauthorized personnel (user included) will void the limited warranty. [8] If an inspection of the product by MUSIC Group shows that the defect in question is not covered by the limited warranty, the inspection costs are payable by the customer. [9] Products which do not meet the terms of this limited warranty will be repaired exclusively at the buyers expense. MUSIC Group or its authorized service center will inform the buyer of any such circumstance. If the buyer fails to submit a written repair order within 6 weeks after notification, MUSIC Group will return the unit C.O.D. with a separate invoice for freight and packing. Such costs will also be invoiced separately when the buyer has sent in a written repair order. [10] Authorized BEHRINGER dealers do not sell new products directly in online auctions. Purchases made through an online auction are on a buyer beware basis. Online auction confirmations or sales receipts are not accepted for warranty verification and MUSIC Group will not repair or replace any product purchased through an online auction.

9 Amendment

Warranty service conditions are subject to change without notice. For the latest warranty terms and conditions and additional information regarding MUSIC Groups limited warranty, please see complete details online at behringer.com.
* MUSIC Group Macao Commercial Offshore Limited of Rue de Pequim No. 202-A, Macau Finance Centre 9/J, Macau, including all MUSIC Group companies
5 Warranty transferability This limited warranty is extended exclusively to the original buyer (customer of authorized retail dealer) and is not transferable to anyone who may subsequently purchase this product. No other person (retail dealer, etc.) shall be entitled to give any warranty promise on behalf of MUSIC Group. 6 Claim for damage
Subject only to the operation of mandatory applicable local laws, MUSIC Group shall have no liability to the buyer under this warranty for any consequential or indirect loss or damage of any kind. In no event shall the liability of MUSIC Group under this limited warranty exceed the invoiced value of the product.
7 Limitation of liability This limited warranty is the complete and exclusive warranty between you and MUSIC Group. It supersedes all other written or oral communications related to this product. MUSIC Group provides no other warranties for this product. 8 Other warranty rights and national law [1] This limited warranty does not exclude or limit the buyers statutory rights as a consumer in any way. [2] The limited warranty regulations mentioned herein are applicable unless they constitute an infringement of applicable mandatory local laws. [3] This warranty does not detract from the sellers obligations in regard to any lack of conformity of the product and any hidden defect.

1. Introduction

FBQ Feedback Detection System One of the most outstanding features of this console is the FBQFeedback Detection System, which is part of the graphic equalizer. This ingenious circuit makes it possible to detect and subsequently eliminate feedback frequencies very quickly. FBQincreases the brightness of the EQ fader LEDs for the frequency bands where feedback is occurring. What used to be a tedious search for feedback frequencies is now mere childs play. XENYX Mic Preamps The microphone channels feature high-end XENYXMicPreamps that compare well with costly outboard preamps in terms of sound quality and dynamics and boast the following features:
130 dB dynamic range for an incredible amount of headroom A bandwidth ranging from below 10 Hz to over 200kHz for crystal-clear
Make sure that children cannot play unsupervised with the unit or itspackaging. Please ensure proper disposal of all packing materials. 1.1.2 Initial operation Ensure adequate air supply and to avoid overheating do not place the unit nearradiators etc. Blown fuses must be replaced by fuses of the correct rating! Pleaserefer to the Specifications section for the applicable rating. For connection to the mains use the enclosed power cord with cold connector which complies with the relevant safety regulations. Please make sure that all devices are properly grounded. For your own safety, never remove or disable the ground conductors from the devices or on the power cords. The unit must always be connected to the mains outlet with a protective grounding connection. We would like to point out that high volume levels may damage your hearing and/or your headphones/loudspeakers. To avoid switch-on/off thumps from the console and any downstream devices, always make sure that your power amp(s) or active speakers are the last components that are switched on and the first to be switched off. Always make sure that the appropriate volume is set. Important notes concerning installation The sound quality may diminish within the range of powerful broadcasting stations and high-frequency sources. Increase the distance between the transmitter and the device and use shielded cables for all connections. 1.1.3 Online registration Please register your new BEHRINGER equipment right after your purchase by visiting http://behringer.com and read the terms and conditions of our warranty carefully. Should your BEHRINGER product malfunction, it is our intention to have it repaired as quickly as possible. To arrange for warranty service, please contact the BEHRINGER retailer from whom the equipment was purchased. Shouldyour BEHRINGER dealer not be located in your vicinity, you may directly contact one of our subsidiaries. Corresponding contact information is included in the original equipment packaging (Global Contact Information/European Contact Information). Should your country not be listed, please contact the distributor nearest you. A list of distributors can be found in the support area of our website (http://behringer.com). Registering your purchase and equipment with us helps us process your repair claims more quickly and efficiently. Thank you for your cooperation!

reproduction of even the finest nuances
The extremely low-noise and distortion-free circuitry guarantees absolutely
natural and transparent signal reproduction
They are perfectly matched to every conceivable microphone with up to
60dB gain and +48 volt phantom power supply
They enable you to use the greatly extended dynamic range of your
24-bit/192-kHz HD recorder to the full, thereby maintaining optimal audioquality
British EQ The equalizers used for the XENYX Series are based on the legendary circuitry of top-notch consoles made in Britain, which are renowned throughout the world for their incredibly warm and musical sound character. Even with extreme gain settings these equalizers ensure outstanding audio properties. What is more, the EURODESK comes with two effects processors using 24-bit A/D and D/A converters and the effects algorithms of our renowned 19" multi-effects device VIRTUALIZERPRO DSP2024P. Each processor offers 99presets with first-class room simulations, delay and modulation effects as well as compressor, tube distortion and numerous other effects availableall with excellent audio quality! The mixer is equipped with a state-of-the-art integrated switch-mode power supply. Unlike conventional designs, thissupply automatically adapts to supply voltages between 100and 240 V. With its considerably higher efficiency, it is also more economical in terms of power consumption than standard power supply units.
1.1 Before you get started
1.1.1 Shipment Your product was carefully packed at the factory to ensure safe transport. Nevertheless, if the box is damaged inspect the unit immediately for signs ofdamage. If the unit is damaged please do NOT return it to us, but notify your dealer and the shipping company immediately; otherwise, claims for damage or replacement may not be granted. We recommend that you use a flight case to give the unit optimum protection during use or transport. Always use the original box to prevent damage during storage ortransport.

For most applications when controlling an external effects device from one of the aux buses, the aux sends must be set post-fader, so that the effect volume in a channel depends on the position of the channel fader. Otherwise, the effect signal would still be audible, even if the channel was turned down completely. Forthis type of application it is advisable to leave the PREswitch out (= not pressed).
[15] The SOLO switch routes the channel signal to the solo bus (Solo In Place) or the PFL bus (Pre Fader Listen). Thus, you can monitor a channel signal without affecting the main output signal. The signal to be monitored is taken either pre (PFL, mono) or post-panorama control (Solo, stereo) and post-channel fader (depending on the position of the SOLO/PFL switch [40] ). [16] The SUB switch routes the signal to the respective subgroups. YourEURODESK features 4 subgroups (1-2 and 3-4). With the PAN control on the input channel (see[12]) you can determine to which of the two groups the signal is routed (hard left: sub 1 or 3, hard right: sub2or 4). [17] The MAIN switch routes the signal to the main mix. [18] The channel fader governs the level of the channel signal as part of the main mix (or submix).

2.2 Stereo channels

2.2.1 Channel inputs
[11] FX 1 and FX 2 controls provide a direct route to the built-in effects processor. Additionally, they can be used to control an external effects unit, via the FXSEND 1 and 2 outputs (similar to the AUX SEND 1 and 2 jacks). To ensure that the internal effects processor and the FX SEND outputs actually get a signal, the corresponding FX control must not be set fully counter-clockwise (-oo), and the master FX SEND (see [60] ) must be turned up. The FX buses are hard wired post-fader.
Please also read chapter 2.10 Effects section and 3Digitaleffectsprocessor. 2.1.4 Mono channel fader and further control elements
Fig. 2.5: Stereo channel inputs
[12] [13] [14] [15] [16] [17] [18]
[19] Each stereo channel is equipped with two balanced line-level inputs on "TRS connectors for the left and right channels. The channels can also process mono signal, as long as you use the LEFT jack only. [20] All stereo channel strips have a GAIN control for gain adjustment. Its scale ranges from +20 to -20 dB and allows you to adapt the input level to the lineinputs.
2.2.2 Stereo channel equalizer
Fig. 2.4: Channel fader, pan control, mute button, etc.
[12] The PAN control determines the position of the channel signal in the stereomix as well as the subgroup to which the channel signal is routed (seechapter 2.4). [13] Use the MUTE switch to mute the channel signal, so it is no longer part of the main mix. At the same time, all aux buses set to post-fader are muted for the respective channel, while the pre-fader monitor buses remain operative. TheMUTE LED is illuminated when the channel is muted. [14] The CLIP LED illuminates when the channel overloads. In this case, pleasereduce the input gain using the GAIN control. This LED also illuminates when you activate the solo function with the SOLO switch below.

2.3 Stereo channels 21-24 (SX2442FX) or 29-32 (SX3242FX)

[28] [23]

Fig. 2.10: Subgroup outputs 1 - 4
Fig. 2.8: Auxiliary stereo channels
[28] These four SUBGROUP OUT (puts) carry the signals of the individual subgroups. For multi-tracking connect the outputs to the inputs of a multi-track recorder (seechapter 4.1 Studio set-up).
Your EURODESK has two stereo channels with an aux send section [23] (AUX 1 andAUX 2) and one LEVEL control. [24] For these channels, the aux buses are hard-wired to pre-fader and are therefore particularly useful for monitoring. They have no routing switches and are always sent to the main mix. Like the normal stereo channels they have two line-level inputs on " TRS connectors forthe left and right channels, and a SOLO switch. Similar to the CD/TAPE inputs (see [49] ) the auxiliary stereo channels can be connected to CD players, tape decks, etc., for example, to feed in playbackmaterial.
2.5 Mono out section for subwooferapplications
Using this auxiliary mono output you can route the main mix signal to a separate power amp. The tunable low-pass filter allows you to limit the signal content to the low-frequency range to get a perfect subwoofer signal. This signal is mono because very low frequencies disperse quickly, so there would be no benefit to position this signal in the stereo mix.
[33] Use this high-precision MAIN fader to control the output level of the main mix.

[30] [31] [29]

Fig. 2.14: XLR main out connectors
[34] The MAIN OUT(puts) are balanced XLR connectors with a nominal operating level of +4 dBu and provide the main mix signal.
Fig. 2.15: Main out connectors and main insert
[35] The MAIN OUT " TRS connectors outputs also provide the main mix signal.
Fig. 2.11: Mono out fader and low-pass filter
[29] The MONO fader controls the volume of the signal present at the MONO OUT (see [32] ). [30] The FREQ control adjusts the cut-off frequency of the low-pass filter (30 to 200 Hz). Frequencies above cut-off are filtered out when activated. [31] Use the LOW PASS FILTER switch to activate the filter function (LEDilluminates).

[36] Like the channel inserts, the MAIN INSERT connectors can be used to connect a dynamics processor or equalizer for further processing of the mix signal. The MAIN INSERT refers to the Main Outs (XLR and "TRS connectors), theMONO OUT (see [32] ) and, if the MAIN switch in the PHONES/CONTROL ROOM section is pressed, also to the PHONES/CTRL ROOM output (see [46] ).
fig. 2.12: Mono out connector
[32] The MONO OUT connector provides the line-level mono signal for connection to the inputs of a power amp or active speaker. You can also use this output as a monitor bus, e.g. to connect a headphone amplifier. In this case, thesignal should of course not be limited by the low-pass filter.

2.6 Main out section

Fig. 2.16: Level meter
[37] The red +48 V LED illuminates when phantom power is on. Phantompower is required for the operation of condenser microphones, andcan be switched on with the corresponding switch on the rear of theconsole. [38] The POWER LED is illuminated when the console is switched on.
Fig. 2.13: Main out fader
[39] The high-precision level meter accurately indicates the output signal level. For example, when you press the SOLO switch on one of the input channels, its signal level will be displayed here, either pre-fader (PFL) or post-fader (SOLO), depending on the position of the SOLO/PFL switch (see [40] ). In PFL mode only the left display is active, because the PFL signals are mono.
[40] The SOLO/PFL switch determines whether the monitored signal is pre (PFL) or post-fader (SOLO) after pressing the SOLO/PFL switch (the LED illuminates). The level meter indicates the corresponding signal (see [39] ). When you adjust a signal with the GAIN control, it is advisable to select PFL mode, so that the level shown is independent of the channel fader position.
2.6.1 Talkback The talkback function of the EURODESK allows you to communicate with the musicians in the recording room or on the stage. The talkback signal is presentatthe AUXSEND outputs, which are particularly useful for monitor/headphonemixes.
IMPORTANT! High volume levels may damage your hearing and/or your headphones/loudspeakers. Toavoid switch-on/off thumps from the console and any downstream devices, always make sure that the power amp(s) or active speaker(s) are the last components that are switched on and the first to be switched off. Always make sure that the appropriate volume is set.

2.7 CD/tape

[44] [48]

Fig. 2.20: CD/tape

[41] [43]
Fig. 2.17: Talkback section
[47] TO MAIN controls the volume of, for example, a CD player connected to the CD/tape input connectors (see [49] ). [48] When the STANDBY switch is pressed, all input channels are muted. Only the CD/tape signal will be routed to the main mix. In this way, you can prevent the microphones from pickung up unwanted sounds or noise that would interfere with CD playback during a break. The main mix and channel faders can remain in their normal positions while playing back music from CD (using the CD/TAPEINPUTs [49] ), so you dont lose your mix.
[41] The LEVEL control determines the volume of the talkback signal at the AUX1/2 outputs. [42] Use the TALK TO AUX 1/2 switch to activate the built-in talkback microphone. Its signal is sent to the AUX SEND jacks 1 and 2. Keep the switchpressed while youre speaking. [43] This is the built-in talkback microphone.
2.6.2 Phones & control room

[49] [50]

Fig. 2.21: CD/tape connectors
Fig. 2.18: Phones/control room section
[44] The PHONES/CTRL R control adjusts the volume of the headphones connected to the PHONES/CTRLROOMOUT jack (see [46] ). If you have an active monitor speaker or power amp connected here, you can also control the monitor volume. [45] These switches select the signal sent to the PHONES/CTRL ROOM jack. Available sources are: MAIN, CD/TAPE, AUX 1/2 and subgroups 1 - 2 and 3 - 4.
[49] The CD/TAPE INPUT RCA connectors are for the connection of CD players, tape decks or other line-level sources. The signal volume is adjusted with theTOMAINcontrol. [50] The CD/TAPE OUTPUT RCA connectors provide the stereo main mix signal to a tape deck or DAT recorder to record your mix. The signal is taken pre-fader, so that it will not be influenced by the fader positions.
2.8 Master Aux Send 1 and 2

[46] [51]

Fig. 2.19: Phones/control room output
[46] Connect your headphones or monitor speaker to the PHONES/CTRL ROOMOUT " TRS connector.
Fig. 2.22: Master aux sends
[51] These are the master AUX SEND controls 1 and 2 for adjusting the volume level sent to the corresponding auxsend connectors (see [52] ). This way, youcan control the mix of all AUX 1 or AUX 2 signals of the input channels. The AUX SEND section also has a SOLO switch.

2.10 Effects section

[57] [58] [59] [60] [65]
Fig. 2.23: Master aux send outputs
[52] Use the AUX SEND outputs 1 and 2 to take the master AUX SEND signals and route them to an external effects device or your monitor speakers. Subsequently, you can return the effect signal, e.g. via the STEREOFXRETURN inputs (see [67] ) or specific inputchannels.
Fig. 2.25: The digital effects processor
2.9 Graphic 9-band stereo equalizer
[57] Here you will find a list of all multi-effects presets (seealso chapter 3 Digital effects processor). [58] The FX LED level meters show the effects processors input signal. Besure that the clip LED only illuminates with signal peaks. If it is lit all the time, theeffects processor is overloading and hence producing unpleasantdistortion. [59] The Effect displays show the currently selected presets. [60] This is the master FX 1 (or 2) SEND control for adjusting the volume of all FXsend signals at the corresponding FX send jacks (see [66] ) and at the inputs of the built-in effects processor. Use it to control the master signal of all FX 1/FX 2 signals from the input channels. Whenneither of the FX SEND controls is turned up, the effects processor will not receive a signal. [61] Turn the FX 1 (or FX 2) control to select an effects preset. Then, push it briefly to confirm your selection and activate the new effect. [62] The FX 1 (or 2) TO AUX 1 controls allow you to add the effect signal from the built-in effects processor (FX1orFX2) to the AUX 1 monitor signal. Naturally,the effects processor must be provided with an input signal (i.e. the FX controls in the channel strips plus the FXSENDcontrols and the channel faders must be turnedup). [63] This is the FX 1 (or 2) TO AUX 2 control adding the effect signal from the effects processor to the AUX 2 monitor signal. See [62] for further details. [64] The FX 1 (or 2) TO MAIN control routes the effect signal either to the main mix or the subgroups 1 and 2 (or3and4), depending on the position of the selector switch (see [65] ). When it is hard left, no effect signal will be audible. Here, too, the FX controls in the channel strips plus the FX SEND controls and the channel faders must be turned up.

[55] [54]

Fig. 2.24: The graphic stereo equalizer
[53] Your EURODESK is equipped with a graphic 9-band stereo equalizer processing either the main or the AUX1 signal. Use the EQ to adapt the soundto the room acoustics. [54] Use the EQ IN switch to switch the equalizer on. In this case, the fader LEDsilluminate. [55] With the MAIN/AUX 1 switch you can determine the signal to be processed, either main or AUX 1. [56] Press the FBQ IN switch to activate the FBQ Feedback Detection System. Thefrequencies causing feedback are indicated by the brightly lit fader LEDs, while all other LEDs are darker. Simply lower the level of the brightly litfaders until feedback disappears.

[68] The FOOTSW(ITCH) connector allows you to connect a standard dual footswitch to separately enable/disable FX1 or FX 2. The tip of the " plug controls FX 1, the ring controls FX 2.

2.11 Rear panel

Fig. 2.28: The rear panel of the EURODESK
[69] Use the POWER switch to put the mixer into operation. This switch should always be in the Off position when you connect your unit to the mains.
Please note: The POWER switch does not fully disconnect the unit from the mains. To disconnect the unit from the mains, pull out the main cord plug or appliance coupler. When installing the product, ensure the plug or appliance coupler is readily operable. Unplug the power cord when the unit is not used for prolonged periods of time.

4. Wiring Examples

4.1 Studio set-up
The following wiring example shows a studio set-up for 4-track-recording: thedrums are mixed down to two subgroups and then routed via the subgroup outputs to two tracks of the multi-track recorder. The remaining two subgroups are used to record the guitar, keyboard (stereo channel) and two vocal signals
K I C K D R U M S N A R E O V E R H E A D L O V E R H E A D R
on the remaining two tracks. The four return paths from the recorder are connectedto four separate mono input channels on the EURODESK. Thebuilt-in compressor is used only for the bass, which is why this input channel isseparate from all buses (SUB and MAIN switch not pressed). The bass signal is directly routed from the built-in effects processor to the respective subgroups (FXTOMAIN control). The MAIN/SUB switch in the FX1 section is pressed, butNOTthe SUB 1/2 SUB 3/4 button.

Keyboard

Bass Guitar Vocals 1 Vocals 2
Multi-trackrecorder Tape Returns L R Subgroups Outs

EUROPOWER EP1500

HPS3000

TRUTH B2030P

SUB 3-4 switch SUB 1-2 switch pressed pressed SUB/MAIN switches not pressed
SUB 3-4 switch pressed MAIN switch pressed
Fig. 4.1: Wiring the console for studio operation
Please make sure that none of the subgroup routing switches (1-2 and 3-4) is pressed in the channels connected to the recorder returns. Otherwise, a feedback loop will be created as soon as you start recording. Only press the MAIN switch on these input channels, sothat the tape return signals are routed to the main outs and Phones/CTRL room outputs of the console.

4.2 Live set-up

Bass Guitar Vocals 1 Vocals 2 L

R EUROPOWER EP1500

2 x EUROLIVE PROFESSIONAL Stack (B1800X PRO & B1220 PRO) EUROPOWER EP1500
SUB 1-2 switch pressed SUB/MAIN switches not pressed

MAIN switch pressed

L/R switch pressed
EUROLIVE PROFESSIONAL B1220 PRO
Fig. 4.2: Wiring the console for live operation

7. Specifications

Mono Inputs CD/Tape In
Microphone inputs (XENYX Mic preamp) Type Mic E.I.N.1 (20Hz - 20kHz) @ 0 source resistance @ 50 source resistance @ 150 source resistance

Frequency Response

Type Impedance Max. input level

Equalizer

RCA connector approx. 10k +22dBu
XLR connector, electronically balanced, discrete input circuit -134dB / 135.7dB A-weighted -131dB / 133.3dB A-weighted -129dB / 130.5dB A-weighted
EQ mono channels LOW MID HIGH LOW CUT EQ stereo channels LOW LOW MID HIGH MID HIGH

Channel Inserts

80Hz / 15dB 100Hz to 8kHz / 15dB 12kHz / 15dB 80Hz, 18dB/oct. 80Hz / 15dB 500Hz / 15dB 3kHz / 15dB 12kHz / 15dB
<10Hz - 160kHz <10Hz - 200kHz Gain range Max. input level Impedance Signal-to-noise ratio Distortion (THD + N)

Line Input

-1dB -3dB +10dB to +60dB +12dBu @+10dB GAIN approx. 2.6k balanced 110dB / 112dB A-weighted (0dBu In @ +22dB GAIN) 0.005% / 0.004% A-weighted
Type " TRS jack, electronically balanced approx. 20k balanced, approx. 10k unbalanced -10dB to +40dB +22dBu @ 0dB GAIN 90dB 84dB 85dB +0dB / -1dB +0dB / -3dB Max. input level

AUX/FX Send

" TRS jack, unbalanced +22dBu
Type Impedance Gain range Max. input level Main fader closed Channel muted Channel fader muted <10Hz - 90kHz <10Hz - 160kHz

Stereo Inputs

Type Impedance Max. output level

FX Returns

" mono jack, unbalanced approx. 120 +22dBu
Fade-out attenuation2 (Crosstalk attenuation)

Subgroup Outputs

" mono jack, unbalanced approx. 10k +22dBu
Frequency response (Mic In Main Out)
Type Impedance Gain range Max. input level
2 x " TRS jack, balanced approx. 20k balanced, approx. 10k unbalanced -20dB to +20dB +22dBu @ 0dB GAIN

Main Outputs (XLR)

XLR connector, electronically balanced approx. 240 balanced, approx. 120 unbalanced +28dBu

Main Outputs (")

Physical/Weight

Main Inserts

" TRS jack, electronically balanced approx. 240 balanced, approx. 120 unbalanced +28dBu
SX2442FX Dimensions (H x W x D) Weight (net) SX3242FX Dimensions (H x W x D) Weight (net)
3.9 x 26.9 x 16.1" 100 x 682 x 410mm 19lbs / 8.6kg 3.9 x 35.3 x 16.1" 100 x 896 x 410mm 24.3lbs / 11.0kg

Type Max. input level

Mono Output
Equivalent Input Noise Measuring conditions: 1 kHz rel. to 0 dBu; 20 Hz - 20 kHz; line input; main output; unity gain.

Type Impedance Max. output level Low pass

Phones/CTRL Room Output

" mono jack, unbalanced approx. 120 +22dBu variable, 30Hz to 200Hz, 18dB/oct.
20 Hz - 20 kHz; measured at main output. Channels 1 - 4 unity gain; EQ flat; all channels on main mix; channels1/3 as far left as possible; channels 2/4 as far right as possible; reference = +6 dBu.
BEHRINGER is constantly striving to maintain the highest professional standards. As a result of these efforts, modifications may be made from time to time to existing products without prior notice. Specifications and appearance may differ from those listed or illustrated.

Type Max. output level

CD/Tape Out
" TRS jack, unbalanced +19dBu / 150 (+25dBm)
RCA connector approx. 1k +22dBu
Type Converter Sampling rate
Main Mix System Data3 (Noise)
Texas Instruments 24-bit delta-sigma, 64/128-times oversampling 46kHz
Main mix @ -, channel fader @ -
-100dB / -102.5dB A-weighted
Main mix @ 0dB, channel fader @ - -82dB / -85dB A-weighted Main mix @ 0dB, channel fader @ 0dB -72dB / -75dB A-weighted

Power Supply

Power consumption Fuse (100 - 240V~, 50/60Hz) Mains connector
50W T 2,0A H 250V Standard IEC receptacle
FEDERAL COMMUNICATIONS COMMISSION COMPLIANCE INFORMATION
Responsible party name: Address: MUSIC Group Services USA, Inc. 18912 North Creek Parkway, Suite 200 Bothell, WA 98011, USA Phone: +Fax: +673 7647

Phone/Fax No.:

complies with the FCC rules as mentioned in the followingparagraph: This equipment has been tested and found to comply with the limits for a ClassB digital device, pursuant to part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the followingmeasures: Reorient or relocate the receiving antenna. Increase the separation between the equipment and receiver. Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. Consult the dealer or an experienced radio/TV technician forhelp. This device complies with Part 15 of the FCC rules. Operation is subject to the following two conditions: (1) this device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation. Important information: Changes or modifications to the equipment not expressly approved by MUSIC Group can void the users authority to use the equipment.