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Behringer UB502, size: 1.3 MB
Behringer UB502 Technical Specifications
Unboxing The Behringer Eurorack UB502
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Version 1.3 VERSION 1.4 January 2004 January 2004
- 130 dB dynamic range for 24-bit, 192 kHz sampling rate inputs - Ultra-wide 60 dB gain range - Lowest possible distortion 0.0007% (20 Hz 20 kHz)
ULTRA-LOW NOISE DESIGN 5-INPUT 2-BUS MIXER
= Ultra-Low Noise ULN design, highest possible headroom, ultra-transparent audio
= One new state-of-the-art, studio-grade IMP Invisible Mic Preamp with:
= Effective, extremely musical 2-band EQ and peak LED on mono channel
= 5 balanced high-headroom Line inputs
= State-of-the-art 4580 operational ampliers provide lowest noise and distortion - better than 4560 op amps
= Main mix outputs plus separate Headphone and stereo Tape output
= Tape inputs assignable to Main mix or Headphone outputs
= High-quality sealed rotary controls for long-term reliability
= External power supply for noise-free audio and superior transient response
= High-quality components and exceptionally rugged construction ensure long life
= Conceived and designed by BEHRINGER Germany
Mono input Microphone input (IMP Invisible Mic Preamp) Type XLR, electronically balanced, discrete input circuit Mic E.I.N. (20 Hz - 20 kHz) @ 0 source resistance -134 dB / 135.7 dB A-weighted @ 50 source resistance -131 dB / 133.3 dB A-weighted @ 150 source resistance -129 dB / 130.5 dB A-weighted Frequency response <10 Hz - 150 kHz (-1 dB), <10 Hz - 200 kHz (-3 dB) +10 to +60 dB +12 dBu @ +10 dB gain approx. 2.6 k balanced 110 dB / 112 dB A-weighted (0 dBu In @ +22 dB gain) 0.005% / 0.004% A-weighted Main mix system data 2 Noise Main mix @ -oo, Channel fader -oo Main mix @ 0 dB, Channel fader -oo Main Mix @ 0 dB, Channel fader @ 0 dB Power supply Power consumption Mains voltage USA/Canada U.K./Australia Europe Japan
-106 dB / -109 dB A-weighted -95 dB / -98 dB A-weighted -84 dB / -87 dB A-weighted
Gain range Max. input level Impedance Signal-to-noise ratio
115 V ~, 60 Hz, MXUL5 adapter 240 V ~, 50 Hz, MXUK5 adapter 230 V ~, 50 Hz, MXEU5 adapter 100 V ~, 60 Hz, MXJP5 adapter
Distortion (THD+N) Line input Type Impedance Gain range Max. input level Fade-out attenuation1 (Crosstalk attenuation) Main fader closed Channel muted Channel fader closed Frequency response Microphone input to main out <10 Hz - 90 kHz <10 Hz - 160 kHz Stereo inputs Type Impedance Max. input level EQ mono channels Low High Main outputs Type Impedance Max. output level Headphones output Type Max. output level
Dimensions Dimensions (H x W x D) Weight (net)
1/4" TRS connector electronically balanced approx. 20 k balanced 10 k unbalanced -10 to +40 dB +22 dBu @ 0 dB Gain
1 5/6" / 1 1/2" (47 mm / 37 mm) x 5 1/4" (134 mm) x 7" (177 mm) approx. 0.55 kg (1.21 lbs)
1: 2: 1 kHz rel. to 0 dBu; 20 Hz - 20 kHz; line input; main output; unity gain. 20 Hz - 20kHz; measured at main output. Channels 1 - 4 unity gain; EQ flat; all channels on main mix; channels 1/3 as far left as possible, channels 2/4 as far right as possible. Reference = +6 dBu.
90 dB 89.5 dB 89 dB
+0 dB / -1 dB +0 dB / -3 dB
1/4" TRS connector, electronically balanced approx. 20 k +22 dBu
80 Hz / 15 dB 12 kHz / 15 dB
1/4" TRS connector, unbalanced approx. 120 unbal. +22 dBu
BEHRINGER is constantly striving to manintain the highest professional standards. As a result of these efforts, modifications may be made from time to time to existing products without prior notice. Specifications and appearance may differ from those listed or illustrated.
1/4" TRS connector, unbalanced +19 dBu / 150 (+25 dBm)
Technical specifications and appearance subject to change without notice. The information contained herein is correct at the time of printing. The names of companies, institutions or publications pictured or mentioned and their respective logos are registered trademarks of their respective owners. Their use neither constitutes a claim of the trademarks by BEHRINGER nor affiliation of the trademark owners with BEHRINGER. BEHRINGER accepts no liability for any loss which may be suffered by any person who relies either wholly or in part upon any description, photograph or statement contained herein. Colors and specifications depicted may vary slightly from product. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording of any kind, for any purpose, without the express written permission of BEHRINGER Spezielle Studiotechnik GmbH. BEHRINGER is a registered trademark. ALL RIGHTS RESERVED. 2004 BEHRINGER Spezielle Studiotechnik GmbH. BEHRINGER Spezielle Studiotechnik GmbH, Hanns-Martin-Schleyer-Str. 36-38, 47877 Willich-Mnchheide II, Germany Tel. +9206 0, Fax +9206 4903
Important Safety Instructions
11) The apparatus shall be connected to a MAINS socket outlet with a protective earthing connection. 12) Where the MAINS plug or an appliance coupler is used as the disconnect device, the disconnect device shall remain readily operable. 13) Use only attachments/accessories specified by the manufacturer.
This symbol, wherever it appears, alerts you to the presence of uninsulated dangerous voltage inside the enclosure - voltage that may be sufficient to constitute a risk of shock. This symbol, wherever it appears, alerts you to important operating and maintenance instructions in the accompanying literature. Please read the manual.
14) Use only with the cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/ apparatus combination to avoid injury from tip-over.
++ To reduce the risk of electric shock, do not remove the top cover (or the rear section). No user serviceable parts inside. Refer servicing to qualified personnel.
++ To reduce the risk of fire or electric shock, do not expose this appliance to rain and moisture. The apparatus shall not be exposed to dripping or splashing liquids and no objects filled with liquids, such as vases, shall be placed on the apparatus.
15) Unplug this apparatus during lightning storms or when unused for long periods of time. 16) Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.
++ These service instructions are for use by qualified service personnel only. To reduce the risk of electric shock do not perform any servicing other than that contained in the operation instructions. Repairs have to be performed by qualified service personnel. 1) Read these instructions. 2) Keep these instructions. 3) Heed all warnings. 4) Follow all instructions. 5) Do not use this apparatus near water. 6) Clean only with dry cloth. 7) Do not block any ventilation openings. Install in accordance with the manufacturers instructions. 8) Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat. 9) Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding-type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet. 10) Place the power cord so that it is protected from being walked on and sharp edges. Be sure that the power cord is protected particularly at plugs, convenience receptacles and the point where it exits from the apparatus.
Dear Customer, Im sure youre one of those people who have devoted themselves body and soul to your chosen area and no doubt this has transformed you into an expert in your field! Well, for over 30 years, my passion has been music and electronics. This not only led me to establish BEHRINGER, but also enabled me to convey and share my enthusiasm with my employees. During all the years Ive been involved with studio technology and end users, I have developed a feel for the things that really count, such as sound quality, reliability and ease of use. Whats more, I have always had the desire to push the boundaries of technical possibilities to the extreme. It was precisely this motivation that prompted me to start work on a new series of mixing consoles. Since our EURORACKs had already set new standards world-wide, I knew the development objectives behind the products bearing my initials had to be especially ambitious. Thus, the concept and design of the new UB mixing consoles bear my signature. The design work, the entire circuit diagram and PCB development, and even the mechanical concepts are my own work. I carefully selected each individual component with the aim of pushing the mixing consoles analog and digital technologies to their limits. My vision was to enable you, the user, to give free rein to your true potential and creativity. The result is incredibly powerful mixing consoles that offer intuitive operation. They cannot fail to impress with their extremely flexible routing possibilities plus fantastic wealth of functions. Innovative technologies, such as the completely new IMP Invisible Mic Preamps, guarantee optimum sound quality. And extraordinarily high-quality components provide unrivalled reliability, even under extreme loads. Your new UB mixing console is of high quality yet is simple to use; youll soon appreciate that I, both personally and in my capacity as musician and sound engineer, put you, the end user, first and that these products were only possible because of the passion and the attention to detail that went into them. Thank you for the confidence you have placed in us by purchasing the UB mixing console. I should also like to thank all those who, with their personal commitment and passion, have helped me realize this impressive series of mixing consoles.
Table of contents
1. Introduction... 4. 1.1 General mixing console functions.. 4 1.2 The users manual... 4. 1.3 Before you get started.. 4. 1.3.1 Shipment... 4. 1.3.2 Initial operation.. 4 1.3.3 Online Registration... 4 2. Control elements and connectors.. 4 2.1 Mono channels.. 5. 2.1.1 Microphone and line inputs.. 5. 2.1.2 Equalizer.. 5. 2.1.3 FX sends, panorama and level adjustment. 5 2.2 Stereo channels.. 5 2.2.1 Stereo line inputs.. 5 2.2.2 Equalizer stereo channels (UB802). 5 2.2.3 FX sends, balance and level adjustment. 6 2.3 Connector panel and main section. 6 2.3.1 Send/return effects path.. 6 2.3.2 Monitor and main mix.. 6 2.3.3 Tape connectors.. 7 2.3.4 Signal assignment.. 7 2.3.5 Phantom power and LED displays.. 7. 3. Installation... 7 3.1 Mains connection... 7 3.2 Audio connections.. 8 4. Specifications... 9 5. Warranty... 10
Congratulations! In purchasing our EURORACK UB502/UB802/ UB1002/UB1202 you have acquired a mixing console whose small size belies its incredible versatility and audio performance. The range of inputs and outputs comprises microphone inputs (with +48 V phantom power supply), line inputs, possibilities for connecting effects devices, connectors for a 2-track master machine (e.g. DAT recorder) and a monitor system consisting of monitor loudspeaker(s) and power amplifier (except for UB502). IMP Invisible Mic Preamp The microphone channels are fitted with BEHRINGERs brand new premium quality IMP invisible mic preamps that boast the following features: == 130 dB dynamic range for an incredible amount of headroom == A bandwidth ranging from below 10 Hz to over 200 kHz for crystal-clear reproduction of even the finest nuances == The extremely low-noise and distortionfree circuitry guarantees absolutely natural and transparent signal reproduction == hey are perfectly matched to every conceivable microphone with up to 60 dB gain and +48 volt phantom power supply == They enable full utilisation of the greatly extended dynamic range of your 24-bit/192 kHz HD recorder, thereby maintaining optimal audio quality For the moment, just try and trace the signal path from the microphone input to the FX send connector. Dont be put off by the huge range of possibilities; its easier than you think! If you look at the overview of the controls at the same time, youll be able to quickly familiarize yourself with your mixing console and youll soon be making the most of all its many possibilities. If you need to know more about specific issues, please visit our website at http://www.behringer.com, where youll find explanations of (for example) effects and dynamics applications.
1.3 Before you get started
Your mixing console was carefully packed in the factory to guarantee safe transport. Nevertheless, we recommend that you carefully examine the packaging and its contents for any signs of physical damage, which may have occurred during transit. ++ If the unit is damaged, please do NOT return it to us, but notify your dealer and the shipping company immediately, otherwise claims for damage or replacement may not be granted.
1.3.2 Initial operation
Be sure that there is enough space around the unit for cooling purposes and to avoid over-heating please do not place your mixing console on high-temperature devices such as radiators or power amps. The console is connected to the mains via the supplied cable. The console meets the required safety standards. Blown fuses must only be replaced by fuses of the same type and rating. ++ Never connect the EURORACK to the power supply unit when the latter is connected to the mains! First connect the power supply unit to the console, then connect the power supply unit to the mains. ++ Please note that all units must be properly grounded. For your own safety, you should never remove any ground connectors from electrical devices or power cables, or render them inoperative. ++ Please ensure that only qualified people install and operate the mixing console. During installation and operation, the user must have sufficient electrical contact to earth, otherwise electrostatic discharges might affect the operation of the unit.
++ We should like to draw your attention to the fact that extreme volumes may damage your hearing and/or your headphones or loudspeakers. Turn the MAIN MIX control and PHONES control in the main section fully counter-clockwise before you switch on the unit. Always be careful to set appropriate volume levels.
Important notes concerning installation
++ The sound quality may diminish within the range of powerful broadcasting stations and high-frequency sources. Increase the distance between the transmitter and the device and use shielded cables for all connections.
1.1 General mixing console functions
A mixing console fulfils three main functions: == Signal processing: Preamplification, level adjustment, mixing of effects, frequency equalization. == Signal distribution: Summing of signals to the aux sends for effects processing and monitor mix, distribution to one or several recording tracks, power amp(s), control room and 2-track outputs. == Mix: Setting the volume level, frequency distribution and positioning of the individual signals in the stereo field, level control of the total mix to match the recording devices/crossover/power amplifier(s). All other mixer functions can be included in this main function. The interface of BEHRINGER mixing consoles is optimized for these tasks enabling you to easily keep track of the signal path.
1.3.3 Online Registration
Please register your new BEHRINGER equipment right after your purchase by visiting http://www.behringer.com and read the terms and conditions of our warranty carefully. Should your BEHRINGER product malfunction, it is our intention to have it repaired as quickly as possible. To arrange for warranty service, please contact the BEHRINGER retailer from whom the equipment was purchased. Should your BEHRINGER dealer not be located in your vicinity, you may directly contact one of our subsidiaries. Corresponding contact information is included in the original equipment packaging (Global Contact Information/European Contact Information). Should your country not be listed, please contact the distributor nearest you. A list of distributors can be found in the support area of our website (http://www.behringer.com). Registering your purchase and equipment with us helps us process your repair claims more quickly and efficiently. Thank you for your cooperation!
1.2 The users manual
The users manual is designed to give you both an overview of the controls, as well as detailed information on how to use them. In order to help you understand the links between the controls, we have arranged them in groups according to their function. The illustrations at the beginning of each chapter show the controls described in each respective chapter. ++ The block diagram supplied with the mixing console gives you an overview of the connections between the inputs and outputs, as well as the associated switches and controls.
2. Control elements and connectors
This chapter describes the various control elements of your mixing console. All controls, switches and connectors will be discussed in detail.
Control elements and connectors
2.1 Mono channels
2.1.1 Microphone and line inputs 2.1.3 FX sends, panorama and level adjustment
Fig. 2.1: Connectors and controls of mic/line inputs MIC Each mono input channel offers a balanced microphone input via the XLR connector and also features a switchable +48V phantom power supply for condenser microphones. ++ Please mute your playback system before you activate the phantom power supply to prevent switch-on thumps being directed to your loudspeakers. Please also note the instructions in chapter 2.3.5 Phantom power and LED displays. LINE IN Each mono input also features a balanced line input on a 1/4" connector. Unbalanced devices (mono jacks) can also be connected to these inputs. ++ Please remember that you can only use either the microphone or the line input of a channel at any one time. You can never use both simultaneously! GAIN Use the GAIN control to adjust the input gain. This control should always be turned fully counterclockwise whenever you connect or disconnect a signal source to one of the inputs.
Fig. 2.3: The FX send/panorama/level controls FX (UB802/UB1002/UB1202 only) FX sends (or AUX sends) enable you to feed signals via a variable control from one or more channels and sum these signals to a bus. The bus appears at the consoles FX send output and can be fed from there to an external effects device. The return from the effects unit is then brought back into the console on the aux return connectors (UB802) or normal channel inputs. Each FX send is mono and features up to +15 dB gain. As the name suggests, the FX sends of the EURORACK mixing consoles are intended to drive effects devices (reverb, delay, etc) and are therefore configured post-fader. This means that the mix between dry signal and effect remains at the level determined by the channels aux send, irrespective of the channel fader setting. If this were not the case, the effects signal of the channel would remain audible even when the fader is lowered to zero. PAN The PAN control determines the position of the channel signal within the stereo image. This control features a constant-power characteristic, which means the signal is always maintained at a constant level, irrespective of position in the stereo panorama. LEVEL The LEVEL control determines the level of the channel signal in the main mix. PEAK The PEAK LEDs of the mono channels illuminate when the input signal is driven too high, which could cause distortion. If this happens, use the GAIN control to reduce the preamp level until the LED does not light anymore.
All mono input channels include a 3-band equalizer, except for the UB502, which is equipped with a 2-band EQ. All bands provide boost or cut of up to 15 dB. In the central position, the equalizer is inactive.
2.2 Stereo channels
2.2.1 Stereo line inputs
Fig. 2.2: The equalizer of the mono input channels EQ The upper (HI) and the lower band (LO) are shelving filters that increase or decrease all frequencies above or below their cut-off frequency. The cut-off frequencies of the upper and lower band are 12 kHz and 80Hz respectively. The mid band (UB802/UB1002/ UB1202) is configured as a peak filter with a center frequency of 2.5 kHz. LOW CUT In addition, the mono channels (UB1002 and UB1202) are equipped with a steep LO CUT filter (slope at 18 dB/oct., -3 dB at 75 Hz) designed to eliminate unwanted low-frequency signal components. LINE IN Each stereo channel has two balanced line level inputs on 1/4" jacks for left and right channels. If only the jack marked L (left) is used, the channel operates in mono. The stereo channels are designed to handle typical line level signals. Both inputs will also accept unbalanced jacks. Fig. 2.4: Stereo line inputs
2.2.2 Equalizer stereo channels (UB802)
The EURORACK UB802 features a stereo 3-band EQ in each stereo channel. The filter characteristics and cut-off frequencies are the same as those in the mono channels.
STEREO AUX RETURN UB802 only: the STEREO AUX RETURN connectors are used to bring the output of the external effects device (whose input is derived from the aux sends) back into the console. You can instead use these connectors as additional inputs, but any effects device will then have to be brought back into the console via a normal stereo channel. This does, however, give you the ability to use the channel EQ on the effects return signal if you wish. Fig. 2.5: The equalizer of the stereo input channels A stereo EQ is highly preferable to two mono equalizers. when working on a stereo signal, as two separate EQs will usually produce an unwanted discrepancy between the left and right channels. ++ When using a stereo channel as effects return path, the FX control of the relevant channel should generally be turned fully down to avoid undesirable feedback. If only the left connector is used, the AUX RETURN automatically operates in mono. Use the AUX RET(URN) control to determine how much of the effects signal is sent to the main mix. FX SEND The FX SEND output (does not apply for UB502) should be connected to the input of an external effects unit. The post-fader FX signal you created using the input channel FX controls is sent to the effects unit via the FX SEND ouput. Use the FX SEND control of the main section to adjust the overall send level (UB1002 and UB1202 only).
2.2.3 FX sends, balance and level adjustment
2.3.2 Monitor and main mix
Fig. 2.6: The FX send/balance/level controls FX The FX sends of the stereo channels function similar to those of the mono channels. However, since the FX send buses are both mono, a mono sum is first taken from the stereo input before it is sent to the FX bus. The UB502 is not equipped with FXsends. BAL The BAL(ANCE) control determines the levels of left and right input signals relative to each other before both signals are then routed to the main stereo mix bus. If a channel is operated in mono via the left line input, this control has the same function as the PAN control used in the mono channels. LEVEL The LEVEL control determines the volume of the channel being sent to the main mix. +4/-10 The stereo inputs of the EURORACK UB1002 and UB1202 have an input sensitivity switch which selects between +4 dBu and -10 dBV. At -10dBV (home-recording level), the input is more sensitive (requires less level to drive it) than at +4 dBu (studio level).
Fig. 2.9: Monitor/main mix connectors
2.3 Connector panel and main section
2.3.1 Send/return effects path
Fig. 2.10: Monitor control and main mix fader Fig. 2.7: FX send/return connectors PHONES/CONTROL ROOM The stereo PHONES jack (at the top of the connector panel) is where you connect headphones. The unbalanced CONTROL ROOM OUT jacks carry the summed effects and main mix signals, as well as soloed channel signals. The PHONES/CONTROL ROOM control adjusts the level of both headphones and main monitor outputs. The UB502 is not equipped with control room outputs.
Fig. 2.8: FX send/return controls
MAIN MIX The MAIN OUT connectors are unbalanced mono jacks. The main mix signal appears here at a level of 0 dBu. The MAIN MIX fader adjusts the volume of these outputs. The EURORACK UB802 and UB502 mixing consoles feature a rotary control for this purpose.
2.3.5 Phantom power and LED displays
2.3.3 Tape connectors
TAPE INPUT The TAPE INPUTs are used to bring an external signal source (e.g. CD player, tape deck, etc.) into the console. They can also be used as a standard stereo line input, so the output of a second EURORACK or BEHRINGER ULTRALINK PRO MX882 can be connected. Fig. 2.13: Phantom power and control LEDs +48 V The red +48 V LED lights up when phantom power is on. The PHANTOM switch activates the phantom power supply on the XLR connectors of all mono channels. ++ Please do not connect microphones to the mixer (or the stagebox/wallbox) as long as the phantom power supply is switched on. Connect the micro-phones before you switch on the power supply. In addition, the monitor/PA loudspeakers should be muted before you activate the phantom power supply. After switching on, wait approx. one minute in order to allow system stabilization. POWER The blue POWER LED indicates that the console is powered on. Level indicator The high-precision 4-segment display accurately displays the relevant signal level. LEVEL SETTING: To correctly set the gains of the channels, first set the LEVEL controls of the input channels to their center positions (0 dB). Then use the GAIN controls to increase the input amplification until signal peaks show 0 dB on the level meter. When recording to digital recorders, the recorders peak meter should not go into overload. While analog recorders can be overloaded to some extent, creating only a certain amount of distortion (which is common and often desirable), digital recorders distort quickly when overloaded. In addition, digital distortion is not only undesirable, but also renders your recording completely useless. Fig. 2.12: Assignment switches of the main section TAPE TO MIX When the TAPE TO MIX switch is depressed, the 2-track input is assigned to the main mix providing an additional input for tape machines, MIDI instruments or other signal sources that do not require any processing. TAPE TO CTRL ROOM (502: TAPE TO PHONES) Press the TAPE TO CTRL ROOM/PHONES switch if you want to monitor the 2-track input via the CTRL ROOM OUT. This provides an easy way to monitor signals coming back from tape to ensure that they are recording correctly. ++ If you are recording a signal via the TAPE OUTPUT and wish to listen to this simultaneously via the TAPE INPUT, do not use the TAPE TO MIX switch. Doing this would create a feedback loop, since the signal would be routed, via the main mix, back to tape via the TAPE OUTPUT. To monitor the TAPE INPUT, use the TAPE TO CTRL ROOM switch to assign the tape signal to the monitor(s) or headphones. This will avoid the tape signal being routed to the TAPE OUTPUT. FX TO CTRL ROOM If you want to monitor only the FX send signal in your headphones or monitor speaker(s), press the FX TO CTRL R switch. This mutes the main mix signal while routing the FX SEND output to the monitor(s). The EURORACK UB802 and UB502 do not feature this switch. AC POWER IN Connect the power supply to the 3-pin mains connector on the rear of the console. Use the AC adapter supplied to connect the console to the mains. The adapter complies with all applicable safety standards. ++ Please use only the power supply unit provided with the console. ++ Never connect the EURORACK to the power supply unit while the latter is connected to the mains! First connect the console to the power supply unit, then connect the power supply unit to the mains. ++ Please note that both the power supply unit and the mixing console heat up considerably during operation. This is completely normal. ++ The peak meters of your EURORACK display the level virtually independent of frequency. A recording level of 0 dB is recommended for all signal types.
Fig. 2.11: Tape input/output Alternatively the line or tape output of a hi-fi amplifier with source selection switch could also be hooked up here, allowing you to easily listen to additional sources. TAPE OUTPUT These connectors are wired in parallel with the MAIN OUT and carry the main mix signal (unbalanced). Connect the TAPE OUTPUT to the inputs of your recording device. The output level is adjusted via the high-precision MAIN MIX fader or rotary control (UB802).
2.3.4 Signal assignment
3.1 Mains connection
3.2 Audio connections
You will need a large number of cables for different applications. The illustrations below show how the connectors should be wired. Be sure to use only high-grade cables. Please use commercial RCA cables to connect the 2-track inputs and outputs. You can, of course, also connect unbalanced devices to the balanced inputs/outputs. To do this, use either mono plugs or stereo plugs with the ring and sleeve bridged (pins 1 and 3 in the case of XLR connectors). ++ Caution! Never use unbalanced XLR connectors (PIN 1 and 3 connected) on the MIC input connectors when using the phantom power supply. Fig. 3.4: Stereo plug for headphones connection
Fig. 3.1: XLR connections
Fig. 3.2: 1/4" mono plug
Fig. 3.3: 1/4" stereo plug
Main mix system data3(Noise)
Microphone inputs (IMP Invisible Mic Preamp) Mic E.I.N. (20Hz - 20kHz)
XLR connector, electronically balanced, discrete input circuit -134dB / 135.7dB A-weighted -131dB / 133.3dB A-weighted -129dB / 130.5dB A-weighted -1dB -3dB +10dB to +60dB +12dBu @ +10dB GAIN approx. 2.6k balanced 110dB / 112dB A-weighted (0dBu In @ +22dB GAIN) 0.005% / 0.004% A-weighted " TRS jack, electronically balanced approx. 20k balanced, approx. 10k unbalanced -10dB to +40dB +22dBu @ 0dB GAIN
Main mix @ -, channel fader @ - -106dB / -109dB A-weighted Main mix @ 0dB, channel fader @ - -95dB / -98dB A-weighted Main mix @ 0dB, channel fader @ 0dB -84dB / -87dB A-weighted Power consumption Mains voltage
@ 0 source resistance @ 50 source resistance @ 150 source resistance <10Hz - 150kHz <10Hz - 200kHz Gain range Max. input level Impedance Signal-to-noise ratio Distortion (THD+N)
UB502: UB802: UB1002: UB1202:
USA/Canada MXUL5 adapter U.K./Australia MXUK5 adapter Europe MXEU5 adapter Japan MXJP5 adapter
13 W 17 W 18 W 23 W
120 V~, 60 Hz, 240 V~, 50 Hz, 230 V~, 50 Hz, 100 V~, 60 Hz,
Type Impedance Gain range Max. input level
Dimensions (H x W x D) Weight (net) 1 5/6" / 1 1/2" (47 mm / 37 mm) x 51/4" (134 mm) x 7" (177 mm) approx. 0.55 kg (1.21 lbs) 1 5/6" / 1 1/2" (47 mm / 37mm) x 72/5" (189 mm) x 8 2/3" (220 mm) approx. 1.00 kg (2.21 lbs) 1 5/6" / 1 1/2" (47 mm / 37 mm) x 72/5" (189 mm) x 8 2/3" (220 mm) approx. 1.05 kg (2.31 lbs) 1 5/6" / 1 1/2" (47 mm / 37 mm) x 91/2" (242 mm) x 8 2/3" (220 mm) approx. 1.35 kg (2.97 lbs)
Fade-out attenuation (Crosstalk attenuation)
Main fader closed Channel muted Channel fader muted <10Hz - 90kHz <10Hz - 160kHz 90dB 89.5dB 89dB
Dimensions (H x W x D) Weight (net)
Frequency response (Mic In Main Out)
+0dB / -1dB +0dB / -3dB
Type Impedance Max. input level
" TRS jack, electronically balanced approx. 20k +22dBu
LOW MID HIGH LOW MID HIGH
EQ mono channels
80Hz / 15dB 2.5kHz / 15dB 12kHz / 15dB 80Hz / 15dB 2.5kHz / 15dB 12kHz / 15dB
Equivalent Input Noise Measuring conditions: 1 kHz rel. to 0 dBu; 20 Hz - 20 kHz; line input; main output; unity gain. 20 Hz - 20 kHz; measured at main output. Channels 1 - 4 unity gain; EQ flat; all channels on main mix; channels 1/3 as far left as possible; channels 2/4 as far right as possible; reference = +6 dBu.
EQ stereo channels
Send / Return
Type Impedance Max. output level Type Impedance " TS jack, unbalanced approx. 120 +22dBu " TRS jack, electronically balanced approx. 20k balanced / approx. 10k unbalanced +22dBu
BEHRINGER is constantly striving to maintain the highest professional standards. As a result of these efforts, modifications may be made from time to time to existing products without prior notice. Specifications and appearance may differ from those listed or illustrated.
Stereo aux returns
Max. input level
Type Impedance Max. output level Type Impedance Max. output level Type Max. output level
" TRS jack, unbalanced approx. 120 unbalanced +22dBu " TS jack, unbalanced approx. 120 +22dBu " TRS jack, unbalanced +19dBu / 150 (+25dBm)
Control room outputs
1 Other warranty rights and national law 1. This warranty does not exclude or limit the buyers statutory rights provided by national law, in particular, any such rights against the seller that arise from a legally effective purchase contract. 2. The warranty regulations mentioned herein are applicable unless they constitute an infringement of national warranty law. 2 Online registration Please do remember to register your new BEHRINGER equipment right after your purchase by visiting http://www.behringer.com and kindly read the terms and conditions of our warranty carefully. Registering your purchase and equipment with us helps us process your repair claims quicker and more efficiently. Thank you for your cooperation! 3 Warranty 1. BEHRINGER (BEHRINGER International GmbH including all BEHRINGER subsidiaries, except BEHRINGER Japan) warrants the mechanical and electronic components of this product to be free of defects in material and workmanship for a period of one (1) year* from the original date of purchase, in accordance with the warranty regulations described below. If the product shows any defects within the specified warranty period that are not excluded from this warranty as described under 5, BEHRINGER shall, at its discretion, either replace the product by providing a new or reconditioned product or repair the product using suitable new or reconditioned parts. In the case that other parts are used which constitute an improvement, BEHRINGER may, at its discretion, charge the customer for the additional cost of these parts. In case BEHRINGER decides to replace the product, this warranty shall apply to the replacement product for the remaining initial warranty period, i.e one year* from the date of purchase of the initial product. 2. If the warranty claim proves to be justified, the product will be returned to the user freight prepaid. 3. Warranty claims other than those indicated above are expressly excluded. 4 Return authorization number 1. To obtain warranty service, the buyer (or his authorized dealer) must call BEHRINGER during normal business hours BEFORE returning the product. All inquiries must be accompanied by a description of the problem. The buyer or his authorized dealer will receive a return authorization number. 2. Subsequently, the product must be returned in its original shipping carton, together with the return authorization number. The return shipment address will be indicated by BEHRINGER. 3. Shipments without freight prepaid will not be accepted. 5 Warranty regulations 1. Warranty services will be furnished only if the product is accompanied by a copy of the original retail dealers invoice. Any product deemed eligible for repair or replacement under the terms of this warranty will be repaired or replaced. 2. If the product needs to be modified or adapted in order to comply with applicable technical or safety standards on a national or local level, in any country which is not the country for which the product was originally developed and manufactured, this modification/adaptation shall not be considered a defect in materials or workmanship. The warranty does not cover any such modification/adaptation, irrespective of whether it was carried out properly or not. Under the terms of this warranty, BEHRINGER shall not be held responsible for any cost resulting from such a modification/adaptation. 3. Free inspections and maintenance/repair work are expressly excluded from this warranty, in particular, if caused by improper handling of the product by the user. This also applies to defects caused by normal wear and tear, in particular, of faders, crossfaders, potentiometers, keys/buttons, tubes, guitar strings, illuminants and similar parts. 4. Damage/defects caused by the following conditions are not covered by this warranty: == improper handling, neglect or failure to operate the unit in compliance with the instructions given in BEHRINGER user or service manuals. == connection or operation of the unit in any way that does not comply with the technical or safety regulations applicable in the country where the product is used. == damage/defects caused by force majeure or any other condition that is beyond the control of BEHRINGER. 5. Any repair or opening of the unit carried out by unauthorized personnel (user included) will void the warranty. 6. If an inspection of the product by BEHRINGER shows that the defect in question is not covered by the warranty, 7. Products which do not meet the terms of this warranty will be repaired exclusively at the buyers expense. BEHRINGER will inform the buyer of any such circumstance. If the buyer fails to submit a written repair order within 6 weeks after notification, BEHRINGER will return the unit. Costs for freight and packing will be invoiced separately C.O.D. When the buyer has sent in a written repair order such costs will also be invoiced separately. 6 Warranty transferability This warranty is extended exclusively to the original buyer (customer of retail dealer) and is not transferable to anyone who may subsequently purchase this product. No other person (retail dealer, etc.) shall be entitled to give any warranty promise on behalf of BEHRINGER. 7 Claim for damages Failure of BEHRINGER to provide proper warranty service shall not entitle the buyer to claim (consequential) damages. In no event shall the liability of BEHRINGER exceed the invoiced value of the product. * Customers in the European Union please contact BEHRINGER Germany Support for further details.
Technical specifications and appearance are subject to change without notice. The information contained herein is correct at the time of printing. All trademarks (except BEHRINGER, the BEHRINGER logo, JUST LISTEN and EURORACK) mentioned belong to their respective owners, and such use neither constitutes a claim of the trademarks by BEHRINGER nor affiliation of the trademark owners with BEHRINGER. BEHRINGER accepts no liability for any loss which may be suffered by any person who relies either wholly or in part upon any description, photograph or statement contained herein. Colors and specifications may vary slightly from product. Our products are sold through authorized dealers only. Distributors and dealers are not agents of BEHRINGER and have absolutely no authority to bind BEHRINGER by any express or implied undertaking or representation. This manual is copyrighted. No part of this manual may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording of any kind, for any purpose, without the express written permission of BEHRINGER International GmbH. ALL RIGHTS RESERVED. 2008 BEHRINGER International GmbH, Hanns-Martin-Schleyer-Str. 36-38, 47877 Willich-Muenchheide II, Germany. Tel. +9206 0, Fax +9206 4903
FEDERAL COMMUNICATIONS COMMISSION COMPLIANCE INFORMATION
Responsible party name: Address:
BEHRINGER USA, Inc. 18912 North Creek Parkway, Suite 200 Bothell, WA 98011, USA Phone: +672 0816, Fax: +673 7647
hereby declares that the product(s)
UB502 UB802 UB1002 UB1202
complies/comply with the FCC rules as mentioned in the following paragraph: This device complies with Part 15 of the FCC rules. Operation is subject to the following two conditions: (1) this device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation. Note: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures: Reorient or relocate the receiving antenna. Increase the separation between the equipment and receiver. Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. Consult the dealer or an experienced radio/TV technician for help. Important information: Changes or modifications to the equipment not expressly approved by BEHRINGER USA can void the users authority to use the equipment.
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