Camera: EOS-1Ds Mark II Lens: EF 50mm f/2.5 Compact Macro
2005 Michel Tcherevko= All Rights Reserved

Photojournalism

Vincent Laforet
EOS-1D Mark II N: You Spoke, We Listened.
The successor to the amazing EOS-1D Mark II, the EOS-1D Mark II N refines every facet of the photographic process, resulting in a faster, more fluid experience for the photographer. Retaining the EOS-1D Mark IIs 1.3x conversion factor and 8.2 Megapixel CMOS sensor, sophisticated 45-point AF, 21-zone Evaluative Metering, superb build quality and instant 0.2 second startup time, the EOS-1D Mark II N incorporates userrequested improvements such as an optional changeable focusing screen for critical focus in low light and a larger 2.5 inch LCD screen which provides a bigger image for playback, and can be viewed at 170 from all angles. ISO values can now be changed in the viewfinder, allowing photographers to change settings without taking the camera from their eye. The 1D Mark II N features these improvements, plus, all the shooting modes of the EOS 1 line and shutter speeds from 1/8000 to 30 sec.
In Photojournalism there is no such thing as a second chance - every moment is
unique and can never be reproduced. Therefore I need a camera system that is incredibly reliable, one that does not stand in between me and a photograph. I've come to rely on Canon cameras to not only capture the decisive moments but also to make photographs that I could not have otherwise. After five solid days of bad weather, and with a looming deadline, we finally got a clear sunset. I needed to capture a dramatic shot of the Chrysler Building but did not want to isolate it as its a vital part of the city and rooted to the streets below. Since the surrounding buildings are lower, they appeared in shadow while the Chrysler appears to be in spotlight. Flying high above New York in a helicopter banking at 45, with one chance to get the shot that will tell your story, you need confidence in your equipment, and thats why I use Canon.
Camera: EOS-1D Mark II N Lens: EF 16-35mm f/2.8L USM
2005 Vincent Laforet All Rights Reserved

Sports Photography

Peter Read Miller
Fast Capture, Faster Processing.
As the 1 designation has always been used for the flagship models in the EOS line, Canon has made no compromises with the construction and performance of the EOS-1D Mark II N. Photographers can expect an exceptional degree of performance and reliability on par with any film camera theyve ever used. In addition to lightning-fast 45-point AF, sophisticated tracking, predictive AF technology, and precise, instant metering, no matter the setting, the 1D Mark II N can shoot 8.5 JPEG images for up to 48 shots in one burst, and at least 22 consecutive RAW images. Shutter lag is a responsive 55 milliseconds. Starting up in 0.2 sec., the EOS-1D Mark II N demonstrates its speed immediately. The revolutionary DIGIC II Image Processor complements the 1D Mark II Ns speed in capturing images by processing and saving them with corresponding speed and precision.

Since I started using the EOS-1 system, Ive witnessed
Canons continual commitment to providing the most advanced, adaptable, and highest quality equipment to the professional photographer. Why did I switch to, and continue to use, Canon EOS cameras and EF Lenses? Durability, functionality and flexibility. As a sports photographer, my equipment needs to be as tough and adaptable as the athletes I cover. They dont accept excuses for second place and neither do my photo editors. The Canon EOS-1D Mark II Ns fast and accurate
auto-focus, high frame rate, plus the incredible sharpness of Canons bright telephoto lenses were all critical to my capturing the power and grace of Maria Sharapova. The high quality files, the larger buffer, the 2.5 inch LCD screen and improved playback all helped to make everything faster and easier.
Camera: EOS-1D Mark II N Lens: EF 70-200mm f/2.8L IS USM
2005 Peter Read Miller All Rights Reserved

Wedding Photojournalism

Denis Reggie
Canons Most Advanced Flash Metering System: E-TTL II.
The EOS-1D Mark II Ns advanced features are complemented by Canons proven E-TTL II flash metering technology. Unlike older systems, E-TTL II weighs and averages the flash metering, capturing the subject as a plane and not as a point. E-TTL II incorporates distance information from compatible EF Lenses for more versatile flash exposure control, rendering consistent flash exposures even if the subject contains various colors and levels of reflection. E-TTL II also eliminates underexposure that can occur with straight reflections by ignoring sensor areas that report abnormally high levels of light from the calculated reading. In addition, E-TTL II prevents overexposure when photographers lock focus and recompose the shot. In this case, E-TTL II calculates the flash output level according to the distance information, not simply the reading off of the subject. This means more consistent flash exposure results, no matter where the photographer chooses to focus.
A telling, gleeful moment is there for an instant and then gone. A cameras

ability to focus instantly and perfectly control flash exposure is often the difference between a moment lost and one captured forever. In dark reception halls, I often twist the head of my Speedlite flash to bounce off distant walls and ceilings, trusting Canons remarkable E-TTL II system to handle the tricky exposure challenge effortlessly. Whether that wall is yellow or blue, any color cast is instantly eliminated by the celebrated automatic white balance system. Difficult shots are now routine thanks to Canons industry-leading technology. I use Canon equipment with full confidence that I am using the finest photographic tools available in the world today.
Masked Focusing Screens (Ec and Ee versions available)
Ideal for portrait and wedding photographers, two new sets of focusing screens, featuring crop lines or black mask, help frame an image in a traditional 4 x 5 or square format. Compatible sets are available for the EOS-1 series cameras as well as the EOS 5D.
Camera: EOS-1D Mark II N Lens: EF 24-70mm f/2.8L USM
2005 Denis Reggie All Rights Reserved

Senior Portrait

Clay Blackmore
More Options for The Way You Work.
The EOS-1D Mark II N is one of the easiest cameras to customize to a photographers personal style of shooting. Six new Picture Style settings simulate the characteristics of different film styles, including Snapshot mode, for punchy, print-from-the-camera color, Portrait mode, for softer, more natural skin tones; Landscape, for vivid blues and greens and overall sharpness, plus Neutral, Faithful and Monochrome, which can be customized to emulate color filters with black and white film. Add Canons new interchangeable matte focusing screens, proven Custom and Personal functions (two card slots, one for CompactFlash (CF) and one for Secure Digital (SD) memory cards) with the ability to record JPEG and RAW image on different memory cards, simultaneously, and its clear that the 1D Mark II N is an incredibly adaptable photographic tool.

The features that attracted me to the Canon system are numerousLets start with
the awesome selection of lenses. I own several of Canons fast lenses and they have given me a whole new look to my photographs. The fast lenses allow me to work in available light, creating portraits that are simple and direct, yet make powerful statements. I also love working with the EOS-1 body. Its durable and nimble all at the same time. I can work the menu features in the darkwith my eyes closedand this is important during stressful shoots when I need to change a setting. Most important: Consistent exposures and accurate focus. That would be the key wordConsistency! This consistency helps keep my work fresh and exciting.
Camera: EOS-1D Mark II N Lens: EF 300mm f/2.8L IS USM
2005 Clay Blackmore All Rights Reserved

Studio Portrait

Monte Zucker
The New EOS with Wide Appeal.
The new EOS 5D offers advanced photographers a lightweight, robust Digital SLR that uses Canons superlative EF lenses without a conversion factor, an important feature for photographers who want to make the most of their EF lenses range. The EOS 5Ds full-frame CMOS sensor
I look for a camera that takes the guesswork out of photography, a camera that is
easy to hold and use, that is an extension of my hands, head and heart. The instant I picked up the new EOS 5D, I knew this was it. Viewing the results of each shot on the 2.5 LCD monitor on the back of the camera, Im able to focus in on the details that are usually missed until Im back at the computer viewing images on a monitor. With the EOS 5Ds advanced playback, I was able to scrutinize every little detail, refining and perfecting the picture with each successive exposure. What a savings of time, talent and money! Then, when viewing images on the back of the camera section by section I was able to confirm in my own mind that I had accomplished what I set out to do. The Canon EOS 5D and I were best buddies right after the first few test shots.
records 4368 x 2912 pixels, thats 12.8 Megapixels, larger than many other companies top-ofthe-line sensors. This sensor, designed in-house by Canon, provides smooth, highresolution images in line with the EOS-1Ds Mark II. The 5D uses Canons DIGIC II Image Processor, has a high-precision 9-point AF system with 6 Supplemental points, an extended ISO range of 50-3200 and 2 automatic noise reduction settings which maximize the effectiveness of the EOS 5Ds on-chip noise reduction. With its wide-angle capabilities, 2.5 inch LCD and magnesium-alloy body, the 5D is the perfect addition to the EOS digital line.

Every time I go into the field my Canon EOS digital
system allows me to capture precisely what I see. I need a camera that will solve the photographic problems that are inevitable in outdoor photography. Will the cameras functions assist me, or be an obstacle to overcome? Will it focus quickly enough? Stand up to the weather and terrain I frequently find myself in? Most importantly, will the image quality be up to the standards that my clients and I demand? Canon has always been interested in what those of us in the field have to say, and the improvements made over the years reflect that input. If not for the fullframe sensor on the EOS 5D, for example, this dramatic fisheye shot would not be possible. Occasionally theyll even think of something I didnt even know I needed!
Camera: EOS 5D Lens: EF 15mm f/2.8 Fisheye
2005 George Lepp All Rights Reserved
Actual Size (Shown with optional Battery Grip BG-E4)
Architectural Photography

Gerry Kopelow

Expansive Perspective.
Historically, full frame digital sensors were reserved only for the very top end of Digital SLR lines. The EOS 5D is the 3rd camera in the EOS Digital SLR line to use a full-frame sensor, eliminating the lens conversion factor so that lenses function as they would on a 35mm camera. With a 12.8 Megapixel CMOS sensor, the 5D produces a large file with enough information to reduce electronic distortions out of the camera. Besides being a welcome feature to wide-angle enthusiasts, the sensor also realizes the full potential of Canons tilt-shift lenses. Add the choice of 3 focusing screens, including one with grid lines, and the EOS 5D is the perfect camera for creating fast, huge digital architectural photos. The EOS 5D also adds a 9-point AF sensor, with 6 additional supplemental focusing points, which bring a new level of accuracy to focus tracking. These new features combine with a new 3.5% spot meter and Canons Picture Style feature, resulting in superior color accuracy and much, much more.
Long before I switched to Canon digital SLRs, I made
a list of features that I required in a digital camera. Canon was the first (and remains the only) manufacturer to meet my requirements: full frame sensor, high pixel count, bright LCD review, rapid operation and superlative image quality. I bought one of the first EOS-1Ds cameras available, and every iteration since has only improved upon its versatile, intelligent and reliable design. Now with the EOS 5D I've got another great option. A higher resolution full-frame camera in a compact, lightweight body that affords me more versatility than ever before. The high resolution, wide tonal range sensor made this kitchen image possible. Note the extreme density rangefrom bright chrome to dark woodand the mixed lighting. The Canon sensor takes mixed light sources in stride, allowing faithful image capture without supplemental lighting.

Camera: EOS 5D Lens: TS-E 24mm f/3.5L
2005 Gerry Kopelow All Rights Reserved
Rugged Build Quality, Total Flexibility
Digital Solutions and Connections
Photographers have come to expect stellar images from Canon digital SLRs. And along with excellent optics, powerful processors and smooth sensors, Canon digital SLRs are complemented by renowned build quality for ergonomic and reliable operation, whether in the studio or the field. EOS-1 series cameras have rigid, well-coated magnesium alloy bodies, as well as being dust-proof and weatherresistant for shooting in even the most inclement conditions. In addition, the shutters are designed to endure 200,000 cycles (100,000 for the EOS 5D). With newly strengthened accessory shoes, electromagnetic shielding to help reduce noise, all in elegant, durable bodies, these SLRs are a pleasure to hold and use.
Reflecting the range of viewing and image transfer possibilities available today, the EOS-1Ds Mark II, EOS-1D Mark II N and EOS 5D have a video OUT terminal, perfect for viewing images on a television screen. And in addition to a standard professional IEEE1394 (FireWire) port on the 1Ds Mark II and 1D Mark II N, all three include a USB 2.0 port (Hi-Speed USB on the EOS 5D) for connection to computers or direct connection to compatible printers. Once transferred to a computer, Canons EOS Digital Solution Disk (Ver. 11.0 as of September 2005), and Digital Photo Professional (Ver. 2.0), add a combination of powerful, easy to use tools designed to seamlessly transform data captured by the cameras into spectacular digital files, perfect for any application the photographer may have in mind.
Digital Photo Professional (Version 2.0) Digital Photo Professional is a RAW image processing application featuring a newly designed, dedicated image processing engine which is optimized to streamline the workflow demands of professional digital photographers. It enables high-speed RAW image processing and preview, support for sRGB, Adobe RGB and Wide Gamut RGB color spaces, and is CMS (Color Management System) compatible. In addition to numerous controls for exposure and color settings, it also includes a cropping tool, a navigation tool, CMYK printer simulation, batch conversion, multiple image download and download to applications other than Photoshop.
EOS Solution Disk (Version 11.0) The EOS Solution Disk includes ZoomBrowser EX 5.5 and ImageBrowser 5.5, which provide dedicated support for downloading and simple RAW image adjustment, EOS Capture 1.5, a remote capture tool, which offers improvements in both speed and usability over previous programs.
Shooting boats means consistently exposing my equipment to the most demanding and equipmentthreatening conditions that one can expose a camera tosalt water! I have to be able to concentrate on capturing the image. I have enough to worry about, keeping myself from falling overboard, keeping the lens steady, framing the shot, and telling the driver where to go. The EOS-1 cameras are as tough as nails and thats what I need to get my work done. Onne van der Wal

Camera: EOS-1Ds Lens: EF 70-200mm f/2.8L IS USM
2005 Onne van der Wal All Rights Reserved.
Digital Photo Professional 2.0

ZoomBrowser EX 5.5

Easy Solutions, for Any Kind of Print
The EOS-1Ds Mark II, EOS-1D Mark II N and EOS 5D are capable of direct printing with PictBridge-enabled printers, including a number of printers made by Canon. Canon's excellent Compact Photo Printers are perfect for on-site portable printing, a plus for professionals who need to quickly produce prints for client reviewa viable alternative to an instant photo. For portfolio and fine art prints, Canons CP series is complemented by Canon's photo printers, i9900 and new PIXMA iP6600D for a whole new level of speed, resolution and overall picture quality. And for large-scale prints that rival any fine art printer, Canon is pleased to announce the imagePROGRAF line of wide-format printers. The PIXMA and imagePROGRAF series feature Canons new FINE (Full-photolithography Inkjet Nozzle Engineering) technology. FINE printers have a high-precision multi-nozzle print head designed to provide smaller ink droplets in one pass, resulting in faster and more accurate printing than ever before. With powerful software, these sleek printers streamline workflow and create professional quality prints. Photographers can easily crop, brighten and sharpen their images, and can even remove blemishes on faces using supplied software. Printing in volume, even double sided, with any number of different print media is as simple as the touch of a button. imagePROGRAF W6400 24" wide, high-speed printer Canons PG pigment-based ink set for detailed prints, with enhanced longevity Newly-designed print head, enabling 4pl droplets for smooth, detailed prints Enhanced resolution of up to 2,400 x 1,200 dpi Adobe PostScript 3 RIP (Register Image Processor) and poster creation software Compact Photo Printer SELPHY CP710
Create lab quality, long-lasting 4" x 6" photos with the touch of a button no computer required. Paper and Ink for 4" x 6" photo print are as low as 28 per print* and come in one convenient package. High quality, water resistant prints last up to 100 years.** Print directly from PictBridge enabled digital camera or from your memory card via card slot. Preview your images on the 1.5 inch LCD monitor, or use a computer. Print images from your Bluetooth enabled camera phone with an optional Bluetooth adapter.
imagePROGRAF W8400 44" wide, for tremendous prints High-density, 6 color print head totaling 7,680 nozzles and resolution of up to 2,400 x 1,200 dpi Canons PG pigment-based ink set for detailed prints, with enhanced longevity, and enhanced color gamut Print longevity of up to 75 years under glass Intuitive operation with newly-designed control panel

i9900 Photo Printer

6,144 nozzles for exceptional speed. 8 color ChromaPLUS ink system for expanded color gamut. 2 Picoliter droplets for virtually grain-free photos up to 13" x 19". Direct printing from PictBridge compatible digital cameras and DV camcorders.

PIXMA iP6600D

Color Chroma Life100 ink system for expanded color gamut. 3,072 nozzles for exceptional photo speed, borderless 4" x 6"photographs in approx. 46 seconds. Microscopic 1 picoliter droplets for virtually grain-free photos. Direct photo printing from PictBridge compatible digital cameras and DV camcorders.
* Based on Color Ink/paper Set KP-108IP and manufacturers suggested retail price as of 9/01/05. ** Based on accelerated dark storage testing by Canon under controlled lighting, temperature and humidity conditions. Canon cannot guarantee the longevity of the prints; results may vary depending on printed image, display/storage conditions and environmental factors. 30
EOS: The Most Comprehensive Digital SLR System
Canon's world-renowned lineup of EF Lenses includes over 50 models ranging from 14mm ultra-wide-angle to 600mm super-telephoto. Through Canon's advanced optical know-how and sub-micron precision engineering, EF Lenses offer unprecedented capabilities that meet wide-ranging needs. Leading features include a high precision Ultrasonic Motor that silently drives the AF mechanism, an Image Stabilizer that automatically compensates for camera shake, aspherical optics, Fluorite lenses, Ultra Low Dispersion (UD) lenses, and Super UD lenses. No other line of lenses carries the reputation of Canons renowned L-series. Easily recognized by the bold red ring around the outer barrel, these lenses utilize the best in Canons cutting-edge technology, and feature superior durability and resistance to the element, enhancing performance without compromising ease of use. One of the greatest challenges in the design of a telephoto lens has been the minimization of color fringing, or chromatic aberration. So, some L-series lenses use Canons Ultra Low Dispersion glass to help minimize this effect. The design of the UD glass provides outstanding contrast and sharpness and minimizes the splitting of colors as they pass through the elements. In certain super- telephoto lenses, Fluorite elements are used, as they are even more effective in minimizing these characteristics, enabling more compact lens design with no compromise in performance. Wide angle and fast standard lenses often suffer from another optical problem: Spherical Aberration. This occurs when the point of focus of the light ray coming through the center of the lens does not align with the point of focus of the light ray coming through the lens edge. Since there is no sharp point of focus, the image looks blurred. Canons Aspherical elements change the curvature from center to edge to align the points of focus of the incoming light rays so that the entire image plane appears focused.

EF 24105mm f/4L IS USM

lens attached to the camera, a special group of lens elements automatically shift position, compensating for the movement and stabilizing the image. This compensatory effect adds the equivalent of up to three stops of exposure, expanding a photographers handheld options dramatically. Lenses using Canons Diffractive Optics are both high performance and more compact than those with traditional refractive designs. While conventional glass elements disperse incoming light, thereby causing chromatic aberration, Canons unique multi-layer diffractive elements work together with conventional glass optics to reduce the effects of dispersion and minimize or eliminate chromatic aberration. Diffractive coatings are bonded to the rear surface of one lens element and the front surface of another. These elements are attached together to form a single multi-layer diffractive (DO) element. This elements dispersion characteristics are reversed when compared to conventional optics, making it possible to cancel chromatic aberrations at each wavelength when conventional and DO elements are combined. Macro Lenses To bring small things into full-sized view, Canons EF lens lineup has a number of options for true close-up and macro photography. With macro lenses for precision, and three screw-on close-up lenses for conveniencein addition to EF Life-Size Converter and two Extension Tubes, Canon has a perfect close-up option for any situation. TS-E TS-E lenses are capable of tilt and shift movements, bringing many of the advantages of technical view cameras to the EOS system. Tilt movements alter the angle of the plane of focus between the lens and CMOS sensor (or film plane), making broad depth-of-field possible even at large apertures; shift movements move the lens optical axis in parallel, allowing the photographer to control perspective. Super Telephoto Canons Super Telephoto lenses are renowned for their optics, performance and speed. They can be found on the sidelines of every major sports event around the world. From the EF 300mm f/2.8L IS USM all the way to the EF 600mm f/4L IS USM, every professionals arsenal will be fortified with an L-series Super Telephoto.

TOP LCD PANEL INFORMATION
Shooting Mode P : Program AE M : Manual Exposure T : Shutter-priority Ae V : Aperture-priority Ae Aperture AEB amount AF Point Selection Mode (AF, [ ], HP) Memory Card No. (1,2) Metering Mode Evaluative Metering Partial Metering Spot Metering Center-weighted Average Metering Battery Level Mark Shutter Speed Bulb Bulb Exposure Time (Min.:Sec.) AF Point Selection Mode ([ ], SEL) FE Lock Busy ( ,PC ) Error ( )
Shots Remaining ISO Speed Self-timer Countdown Bulb Exposure Time Error Code Remaining Images to Record AF Mode One-Shot AF AI SERVO AF Drive Mode Single Continuous Shooting* High-speed Continuous Shooting** Low-speed Continuous Shooting** Self-timer (10 sec.) Self-timer (2 sec.) Exposure Level Scale Exposure Compensation Level AEB Amount Flash Exposure Compensation Level
Personal Function Mark Flash Exposure Compensation
REAR LCD PANEL INFORMATION (EOS-1Ds Mark II)
White Balance Auto Daylight Shade Cloudy Tungsten Light Fluorescent Light Flash Custom Color Temperature Image Quality Large Medium1 Medium2 Small RAW RAW+Large RAW+Medium1 RAW+Medium2 RAW+Small Blue/Amber/ White Balance Correction Folder No. White Balance Bracketing Level File No. Color Temperature Personal White Balance Green/Magenta/ White Balance Correction Data Transfer Mark
CF Card Selection Indicator SD Memory Card Selection Indicator
REAR LCD PANEL INFORMATION (EOS-1D Mark II N)
Shutter Button Main Dial Exposure Compensation/ Aperture Button Strap Mount Top LCD Panel
White Balance Auto Daylight Shade Cloudy Tungsten Light Fluorescent Light Flash Custom Color Temperature SD Memory Card Indicator SD Card Selection Icon CF Card Indicator CF Card Selection Icon RAW Image-recording Card Slot Indicater White Balance Bracketing Level
* EOS-1Ds Mark II Only ** EOS-1D Mark II N Only
Blue/Amber/ White Balance Correction Green/Magenta/ White Balance Correction Image-recording Quality Large Medium1 Medium2 Small RAW RAW+Large RAW+Medium1 RAW+Medium2 RAW+Small
Data Transfer Icon Monocrome Shooting Folder No. File No. Color Temperature Personal White Balance

NOMENCLATURE for EOS 5D

Self-timer Lamp Strap Mount
Spot Metering Circle AF Points (with Superimposed Display)

EOS 5D

12.8 MP CMOS Full-frame 36 x 24mm Maximum continuous shooting speed of 3 fps (approximate) Built-in 2.5 inch wide viewing angle color monitor Custom Functions (21 custom functions with 57 settings) Simultaneous RAW and JPEG image capture Depth-of-Field Preview Mirror Lock TTL-CT-SIR CMOS Sensor. One-Shot and AI Servo AF with Focus Prediction. Manual focusing conrmation possible with EF Lenses. Automatic or manual focus point selection. Nine (plus 6 Assist AF points) Center-AF point is cross-type Hybrid high and standard precision. EV-0.5-18 (at ISO 100). Vertical-travel, focal-plane shutter with soft-touch electromagnetic release, all speeds electronically controlled. 301/8,000 sec. 1/200 sec. Digital images are stored on removable CompactFlash Type I & II. Single, 3.0 fps. TTL full-aperture metering: 35-zone Evaluative metering 8.0% Partial metering 3.5% Center spot metering Center-weighted average metering Pre-flash metering (E-TTL II) EV 120 for all patterns (at ISO 100 with f/1.4). 2 stops in 1/3 or 1/2-stop increments. 2 stops in 1/3 increments. Yes. Program AE Shutter Speed-priority AE Aperture-priority AE Full Auto Manual E-TTL II Flash AE

Special Features

Autofocus System No. of Focusing Points Autofocus Sensitivity Shutter Shutter Speeds Maximum Flash Synchronization Speed Storage Media Frames Per Second
TTL-AREA-SIR CMOS Sensor. One-Shot and AI Servo AF with Focus Prediction. Manual focusing conrmation possible with EF Lenses. Automatic or manual focus point selection. Forty-five (Area AF Ellipse) Seven central high-precision cross-type AF points. EV 0-18 (at ISO 100). Vertical-travel, focal-plane shutter with soft-touch electromagnetic release, all speeds electronically controlled. 301/8,000 sec. & Bulb; manually selectable in 1/3 stop increments. 1/250 sec.; high-speed sync. available with EX-series Speedlites. Digital images are stored on removable CompactFlash (Type I & II) or SD memory card. Single, 4.0 fps. (Can be altered in 1 fps increments with Personal Function) TTL full-aperture metering: 21-zone evaluative metering 8.5% partial metering 2.4% center spot metering 2.4% spot metering (linked to user-selected focusing point) Single, 3.0 fps, 8.5 fps (Can be altered with Personal Function) TTL full-aperture metering: 21-zone evaluative metering 13.5% partial metering 3.8% center spot metering 3.8% spot metering (linked to user-selected focusing point)

CUSTOM FUNCTION CHART (EOS-5D)
Custom Function No. Function Description Setting
PERSONAL FUNCTION CHART * (EOS-1Ds Mark II and EOS-1D Mark II
Personal Function No. P. Fn-00 Function Description

Regist. Apply.

Default (No Function) Change quality Change Picture Style Menu display Image replay Off Auto On Auto 1/200 sec. (Fixed) AF/ AE lock AE lock/ AF AF/ AF lock, no AE lock AE/ AF, no AE lock Emits Does not emit 1/3-stop 1/2-stop Fires Does not fire Off On 0,,+/ Enable 0,,+/ Disable ,0,+/ Enable ,0,+/ Disable On O= Previous (top if power off) Previous Top Disable Enable Normal Multi-controller direct Quick Control Dial direct Evaluative Average 1st-curtain sync. 2nd-curtain sync. Disable Enable Standard Expanded With Shutter Button only Also with * etc. AF stop AF start AE lock while metering

EOS-1Ds Mark II

P. Fn-00-1/2/3 P. Fn-00-1/2/3 OK/ Cancel OK/ Cancel
Set Custom Function groups

C. Fn-01

SET function when shooting
P. Fn-01 P. Fn-02 P. Fn-03 P. Fn-04 P. Fn-05 P. Fn-06
Disable shooting modes Disable metering modes Specied M exp. metering modes Set max. shutter speed Set max./min. aperture Preset shoot./ metering mode Repeat continous bracketing Number of bracketed shots C. Fn-09-2,3 bracketing: +, 0, Program shift retained
Usable modes P/Tv/Av/M/Bulb Usable modes 5 Evaluative 6 Partial 7 Spot 7 Center-weighted averaging 5 Evaluative 6 Partial 7 Spot 7 Center-weighted averaging 1/8000-30 sec. Max. 1/8000-1/250 sec. According to lens Registers and switches exposure mode, metering mode, exposure setting and exposure compensation amount. Max. f/1.0-72/ Min. f/91-1.4 Register: Press + button, then press button. Select: Press button. buLb cant be registered.

C. Fn-02

Long exposure noise reduction Flash sync. speed in Av mode

C. Fn-05

C. Fn-03

C. Fn-06

C. Fn-04

Shutter/ AE lock button

C. Fn-07
P. Fn-07 P. Fn-08 P. Fn-09 P. Fn-10
While shutter button is held down, bracketing repeats continuously in the current drive mode. Sets length of bracketing sequence to 2, 3, 5 or 7 shots. Bracketing with C. Fn-09-2,3 Bracketing seq. is plus-, 0-, and minus-compensation. Normally, any program shift amount is cancelled after one picture. P. Fn-10 retains the program shift amount. When autofocus cant be achieved, the lens is normally driven to search for the correct focus. P. Fn-14 cancels searching under this condition. Disables the external Speedlites built-in AF-assist beam. Takes a picture automatically when the subject comes to the preset focusing distance. Camera normally switches to automatic AF point selection when user dials past peripheral AF points. P. Fn-17 prevents this. Enables standard horizontal AF point selection together with automatic AF point selection with C. Fn-11-2. Adjust continuous shooting speed in 1 fps increments. High-speed continuous shooting: 8.5/7/6/5/4/3/2 fps Low-speed continuous shooting: 7/6/5/4/3/2/1 fps