Review the picture. (p.50) The captured image will be displayed for approx. 2 sec. on the LCD monitor. To display the image again, press the <x> button (p.190).
To shoot while looking at the LCD monitor, see page 57. To view the images captured so far, see Image Playback (p.190). To delete an image, see Erasing Images (p.215).

Nomenclature

For detailed information, reference page numbers are provided in parentheses (p.**).
<R> Drive mode selection button (p.81) <i> ISO speed setting button (p.88) <n> Metering mode selection button (p.119) <6> Main Dial (p.41) <U> LCD panel illumination button (p.43) Shutter button (p.40) Red-eye reduction/ Self-timer lamp (p.131/82) Remote control sensor (p.126) Grip (Battery compartment) DC coupler cord hole (p.272) Depth-of-field preview button (p.117) Mirror (p.125, 233) Contacts (p.13) <f> AF mode selection button (p.76) LCD panel (p.18) EF lens mount index (p.34) Built-in flash/AF-assist beam (p.130/79) EF-S lens mount index (p.34) Flash-sync contacts Hot shoe (p.148) Microphone (p.172) Mode Dial lock-release button (p.41) Mode Dial (p.20)

Lens lock pin Lens mount

Speaker (p.204) Strap mount (p.23) <D> Flash button (p.129) Terminal cover
Lens release button (p.35)
External microphone IN terminal (p.184) HDMI mini OUT terminal (p.209) Audio/video OUT/Digital terminal (p.212, 236) Body cap (p.34) Remote control terminal (p.124)
<A> Live View shooting/ Movie shooting button (p.152/172) <V> Focal plane mark <M> Menu button (p.46) Dioptric adjustment knob (p.39) Eyecup (p.124) Viewfinder eyepiece
<p> AF start button (p.40, 153, 173) <A/I> AE lock/FE lock button/ Index/Reduce button (p.122/134/194/196, 243) <S/u> AF point selection/ Magnify button (p.78/196, 243) Strap mount (p.23)

Power switch (p.28)

<L> Erase button (p.215)
LCD monitor (p.27, 217) Tripod socket
<Q> Quick Control button (p.44)
Card slot cover (p.32) Battery compartment cover release lever (p.26) Battery compartment cover (p.26) Access lamp (p.33) <9> Multi-controller (p.43)
<x> Playback button (p.190) <B> Info button (p.127, 154, 176, 190, 266) <R/l> Quick Control Dial lock-release button/ Direct print button (p.42/241)
<5> Quick Control Dial (p.42)
<0> Setting button (p.46) Card slot (p.32)

7: Flash Off (p.58) C: Creative Auto (p.59)
2 : Portrait (p.62) 3: Landscape (p.63) k: Movie shooting (p.171) 4 : Close-up (p.64) 5: Sports (p.65) 6 : Night Portrait (p.66)
Lens with a distance scale
Hood mount (p.37) Focus mode switch (p.34) Zoom position index (p.35) Distance scale
Filter thread (front of lens) (p.301)
Zoom ring (p.35) Focusing ring (p.80, 167)
Image Stabilizer switch (p.38)
Lens without a distance scale

Hood mount (p.37)

Contacts (p.13)

Lens mount index (p.34)

Focusing ring (p.80, 167) Focus mode switch (p.34) Zoom position index (p.35)
Zoom ring (p.35) Image Stabilizer switch (p.38) Lens mount index (p.34) Contacts (p.13)
Battery Charger LC-E6 Charger for Battery Pack LP-E6 (p.24).
Power plug Battery pack slot Charge lamp
This power unit is intended to be correctly orientated in a vertical or floor mount position.
IMPORTANT SAFETY INSTRUCTIONS-SAVE THESE INSTRUCTIONS. DANGER-TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, CAREFULLY FOLLOW THESE INSTRUCTIONS. For connection to a supply not in the U.S.A., use an attachment plug adapter of the proper configuration for the power outlet.
Battery Charger LC-E6E Charger for Battery Pack LP-E6 (p.24).

Power cord Charge lamp

Battery pack slot

Power cord socket

This chapter explains preparatory steps before you start shooting and basic camera operations.
Attaching the Strap Pass the end of the strap through the cameras strap mount eyelet from the bottom. Then pass it through the straps buckle as shown in the illustration. Pull the strap to take up any slack and make sure the strap will not loosen from the buckle. The eyepiece cover is also attached to the strap (p.124).

Eyepiece cover

Charging the Battery
Remove the protective cover.
2 Attach the battery. As shown in the illustration, attach the
battery securely to the charger. To detach the battery, follow the above procedure in reverse. LC-E6
3 Recharge the battery. For LC-E6
As shown by the arrow, flip out the battery chargers prongs and insert the prongs into a power outlet.

LC-E6E

Color Orange Green

For LC-E6E

Connect the power cord to the charger and insert the plug into the power outlet. Recharging starts automatically and the charge lamp blinks in orange.
Charge Level 0 - 49% 50 - 74% 75% or higher Fully charged
Charge Lamp Indicator Blinks once per second Blinks twice per second Blinks three times per second Lights on

1 Full Auto Techniques

Recomposing the Shot
Depending on the scene, position the subject toward the left or right to create a balanced background and good perspective. In the <1> (Full Auto) mode, while you press the shutter button halfway to focus a still subject, the focus will be locked. You can then recompose the shot and press the shutter button completely to take the picture. This is called focus lock. Focus lock is also possible in other Basic Zone modes (except <5> Sports).
Shooting a Moving Subject
In the <1> (Full Auto) mode, if the subject moves (distance to camera changes) during or after you focus, AI Servo AF will take effect to focus the subject continuously. As long as you keep aiming the AF point on the subject while pressing the shutter button halfway, the focusing will be continuous. When you want to take the picture, press the shutter button completely.
By pressing the <A> button, you can shoot while viewing the image on the cameras LCD monitor. This is called Live View shooting. For details, see page 151.
Display the shooting image on the LCD monitor.
Press the <A> button. The image will appear on the LCD monitor.
the subject. 2 Focus the center AF point < Aim

PY 3 CO

> on the subject. Press the shutter button halfway to focus.

Take the picture.

Press the shutter button completely. The picture will be taken and the captured image is displayed on the LCD monitor. After the image review ends, the camera will return to Live View shooting automatically. Press the <A> button to exit Live View shooting.
You can also rotate the LCD monitor in different directions (p.27).

Normal angle

Low angle

High angle

7 Disabling Flash
In places where flash photography is prohibited, use the <7> (Flash Off) mode. This mode is also effective for capturing the particular ambience of a scene, such as candlelight scenes.

O Custom White Balance

Custom white balance enables you to manually set the white balance for a specific light source for better accuracy. Do this procedure under the actual light source to be used.
Photograph a white object.
The plain, white object should fill the spot metering circle. Focus manually and set the standard exposure for the white object. You can set any white balance.

Spot metering circle

White Balance]. 2 Select [Custom tab, select [Custom Under the [2]
White Balance], then press <0>. The custom white balance selection screen will appear.
Import the white balance data.
Turn the <5> dial to select the image captured in step 1, then press <0>. On the dialog screen which appears, select [OK] and the data will be imported. When the menu reappears, press the <M> button to exit the menu.
4 Select [White balance]. [White Under the [2] tab, select
balance], then press <0>.
Select the custom white balance.
Select [O], then press <0>.
If the exposure obtained in step 1 is way off, a correct white balance might not be obtained. If the image was captured while the Picture Style was set to [Monochrome] (p.91) or if a Creative filter has been applied to the image (p.220), it cannot be selected in step 3. Instead of a white object, an 18% gray card (commercially available) can produce a more accurate white balance. The personal white balance registered with the provided software will be registered under [O]. If you do step 3, the data for the registered personal white balance will be erased.
P Setting the Color Temperature
You can set the white balances color temperature numerically in Kelvin. This is for advanced users.
the 2 SetSelectcolor temperature. [P].
Turn the <6> dial to set the color temperature, then press <0>. The color temperature can be set from approx. 2500K to 10000K in 100K increments.
When setting the color temperature for an artificial light source, set white balance correction (magenta or green) as necessary. If you want to set [P] to the reading taken with a commercially-available color temperature meter, take test shots and adjust the setting to compensate for the difference between the color temperature meters reading and the cameras color temperature reading.

If the [2 Auto Lighting Optimizer] (p.101) is set to anything other than [Disable], the image may still look bright even if a darker exposure has been set. The exposure compensation amount will remain in effect even after you set the power switch to <2>. Be careful not to turn the <5> dial and change the exposure compensation inadvertently. It is safest to set the [6 Lock 5] menu to [Enable]. Before turning the <5> dial, press the <R> button (0), then turn the <5> dial. If the amount set exceeds 3 stops, the end of the exposure level indicator will display <I> or <J>.
h Auto Exposure Bracketing (AEB)N
By changing the shutter speed or aperture automatically, the camera brackets the exposure up to 3 stops in 1/3-stop increments for three successive shots. This is called AEB.
* AEB stands for Auto Exposure Bracketing.
Select [Expo. comp./AEB].
Under the [2] tab, select [Expo. comp./AEB], then press <0>.
the AEB amount. 2 SetTurn the <6> dial to set the AEB amount.
Press the <U> key to set the exposure compensation amount. If AEB is combined with exposure compensation, AEB will be applied centering on the exposure compensation amount. Press <0> to set it. When you exit the menu, <h> and the AEB level will be displayed on the LCD panel. Focus and press the shutter button completely. The three bracketed shots will be taken in this sequence: Standard exposure, decreased exposure, and increased exposure.

AEB amount

Canceling AEB
Follow steps 1 and 2 to turn off the AEB amount display. AEB will be canceled automatically when you set the power switch to <2> or when the flash is ready to fire.
If the drive mode is set to <u>, you must press the shutter button three times. When <o> or <i> is set and you hold down the shutter button completely, the three bracketed shots will be taken continuously. Then the camera will stop shooting. When <Q> or <k> is set, the three bracketed shots will be taken continuously after a 10-sec. or 2-sec. delay. Neither flash nor bulb exposures can be used with AEB.

A AE LockN

Use AE lock when the area of focus is to be different from the exposure metering area or when you want to take multiple shots at the same exposure setting. Press the <A> button to lock the exposure, then recompose and take the shot. This is called AE lock. It is effective for backlit subjects.

Focus the subject.

Press the shutter button halfway. The exposure setting will be displayed.
button. (0) 2 Press the <A>lights in the viewfinder The <A> icon
to indicate that the exposure setting is locked (AE lock). Each time you press the <A> button, it locks the current auto exposure setting.
and take picture. 3 Recompose to maintain the AE lock If you want the

while taking more shots, hold down the <A> button and press the shutter button to take another shot.

AE Lock Effects

Metering Mode (p.119) AF Point Selection Method (p.78) Automatic Selection Manual Selection AE lock is applied at the AF AE lock is applied at the point that achieved focus. selected AF point. AE lock is applied at the center AF point.

q* wre

* When the lens focus mode switch is set to <MF>, AE lock is applied at the center AF point.

F: Bulb Exposures

When bulb is set, the shutter stays open as long as you hold down the shutter button completely, and closes when you let go of the shutter button. This is called bulb exposure. Use bulb exposures for night scenes, fireworks, the heavens, and other subjects requiring long exposures.
Set the Mode Dial to <F>.

Elapsed exposure time

While you hold down the shutter button, the exposure will continue. The elapsed exposure time will be displayed on the LCD panel.
Since bulb exposures produce more noise than usual, the image might look a little grainy. When [8C.Fn II -1: Long exp. noise reduction] is set to [1: Auto] or [2: On], noise generated by the bulb exposure can be reduced (p.254). For bulb exposures, using a tripod and Remote Switch (p.124) is recommended. You can also use a remote controller (sold separately, p.126) for bulb exposures. When you press the remote controllers transmit button, the bulb exposure will start immediately or 2 sec. later. Press the button again to stop the bulb exposure.

Using the Eyepiece Cover

If you take a picture without looking at the viewfinder, light entering the eyepiece can throw off the exposure. To prevent this, use the eyepiece cover (p.23) attached to the camera strap. During Live View shooting and movie shooting, attaching the eyepiece cover is unnecessary.

Remove the eyecup.

Push the bottom of the eyecup to remove.
eyepiece cover. 2 Attach the eyepiece cover down into Slide the
the eyepiece groove to attach it.
F Using the Remote Switch
Remote Switch RS-60E3 (sold separately) comes with an approx. 60cm/2.0ft cord. When connected to the cameras remote control terminal, Remote Switch RS-60E3 can be used to press the shutter button halfway and completely.

Mirror LockupN

Although using the self-timer or Remote Switch can prevent camera shake, using mirror lockup to prevent camera vibrations (mirror shock) can also help when you use a super telephoto lens or shoot close ups (macro photography). When [8C.Fn III -5: Mirror lockup] is set to [1: Enable], shooting with mirror lockup will be possible (p.257).

press the shutter button halfway. The Live View image will turn off, the reflex mirror will go back down, and AF will be executed. When focus is achieved, the beeper will sound and the Live View image will reappear. The AF point used to focus will light in green.
You cannot take a picture during autofocusing. Take the picture while the Live View image is displayed.

Focusing Manually

You can magnify the image and focus precisely manually.
Turn the lens focusing ring to focus roughly.
2 Move the magnifying frame. Use <9> to move the magnifying
frame to the position where you want to focus. To return the magnifying frame to the center, press the <L> button.
the image. 3 Magnifythe <u> button. Press
AE lock Magnified area position Magnification

5x 10x

The area within the magnifying frame will be magnified. Each time you press the <u> button, the view will change as follows: Normal view
4 Focus manually.the magnified image, While looking at
turn the lens focusing ring to focus. After achieving focus, press the <u> button to return to the normal view.
picture. 5 Take thethe focus and exposure, then Check
press the shutter button to take the picture (p.152).
Notes About the Live View Image
Under low- or bright-light conditions, the Live View image might not reflect the brightness of the captured image. If the light source within the image changes, the screen might flicker. If this happens, stop the Live View shooting and resume shooting under the actual light source to be used. If you point the camera in a different direction, it might throw off the Live View images correct brightness momentarily. Wait until the brightness level stabilizes before shooting. If there is a very bright light source in the picture, such as the sun, the bright area might appear black on the LCD monitor. However, the actual captured image will correctly show the bright area. In low light, if you set the [6 LCD brightness] to a bright setting, chrominance noise may appear in the Live View image. However, the chrominance noise will not be recorded in the captured image. When you magnify the image, the image sharpness may look more pronounced than it really is.

Microphone

During movie shooting, do not point the lens toward the sun. The suns heat can damage the cameras internal components. Cautions for movie shooting are on pages 187 and 188. If necessary, also read the Live View shooting cautions on pages 168 and 169.
If the cameras internal temperature increases due to prolonged movie shooting or a high ambient temperature, a white < > icon will appear. Even if you shoot a movie while this icon is displayed, the movies image quality will not be affected. However, if you switch to still shooting, the image quality of the still photos may deteriorate. You should stop shooting still photos and allow the camera to cool down. If the cameras internal temperature further increases while the white < > icon is displayed, a red <E> icon will start blinking. This blinking icon is a warning that the movie shooting will soon be terminated automatically. If this happens, you will not be able to shoot again until the cameras internal temperature decreases. Turn off the power and let the camera rest for a while. Movie shooting at high temperature for a prolonged period will cause the < > and <E> icons to appear sooner. When not shooting, turn off the camera.
You can also focus by pressing the <p> button. AE lock is possible by pressing the <A> button (p.122). To cancel AE lock during movie shooting, press the <S> button. The ISO speed, shutter speed, and aperture are set automatically. By turning the <5> dial, you can set exposure compensation. Pressing the shutter button halfway displays the shutter speed and aperture (p.176) on the screens bottom left. This is the exposure setting for taking a still photo.

Manual Exposure Shooting

You can manually set the shutter speed, aperture, and ISO speed for movie shooting. Using manual exposure to shoot movies is for advanced users.
2 Select [Movie exposure]. under Press the <M> button and
the [n] tab, select [Movie exposure], then press <0>.

<6> <5>

3 Select [Manual]. then press <0>. Select [Manual],

Exit the menu.

Set the shutter speed and aperture.
To set the shutter speed, turn the <6> dial. The settable shutter speeds depend on the frame rate <9>. 8/7 : 1/4000 sec. - 1/60 sec. 6 / 5 / 4 : 1/4000 sec. - 1/30 sec. To set the aperture, turn the <5> dial. If it cannot be set, press the <R> button (8), then turn the <5> dial.
the speed. 5 SetPress ISO<i> button. the
The ISO speed setting screen will appear on the LCD monitor. Press the <U> key to set the ISO speed. Auto ISO setting : ISO 100 - 6400 Manual ISO setting: ISO 100 - 6400
and shoot the movie. 6 Focusprocedure is the same as steps 2 The

Notes on Movie Shooting

Recording and Image Quality If the attached lens has an Image Stabilizer, the Image Stabilizer will operate at all times even if you do not press the shutter button halfway. The Image Stabilizer will thereby consume battery power and may shorten the total movie shooting time or decrease the number of possible shots. If you use a tripod or if the Image Stabilizer is not necessary, you should set the IS switch to <2>. The cameras built-in microphone will also pick up camera operation noise. If you use a commercially-available external microphone, you can prevent (or reduce) these noises from being recorded. Do not connect anything other than an external microphone to the cameras external microphone IN terminal. Autofocusing during movie shooting is not recommended since it might momentarily throw the focus way off or change the exposure. Even if the AF mode has been set to [Quick mode], it will switch to the Live mode during movie shooting. If movie shooting is not possible due to insufficient remaining capacity of the card, the movie recording size and movie shooting remaining time (p.176) will be displayed in red. If you use a card having a slow writing speed, a five-level indicator might appear on the right of the screen during movie shooting. It indicates how much data has not yet been written to the card (remaining capacity of the internal buffer memory). The slower the card, the faster the indicator will climb upward. If the indicator becomes full, movie shooting will stop automatically. Indicator If the card has a fast writing speed, the indicator will either not appear or the level (if displayed) will hardly go upward. First, shoot a few test movies to see if the card can write fast enough. If you take still photos during movie shooting, the movie shooting might stop. Setting a low image-recording quality for still images might resolve this problem.
Playback and TV connection If the brightness changes during autoexposure movie shooting, that part might look momentarily still when you playback the movie. In such cases, shoot movies with manual exposure. If you connect the camera to a TV set with an HDMI cable (p.209) and shoot a movie in [1920x1080] or [1280x720], the movie being shot will be displayed at a small size on the TV. However, the actual movie will be properly recorded at the movie recording size that was set. If you connect the camera to a TV set (p.209, 212) and shoot a movie, the TV will not output any sound during the shooting. However, the sound will be properly recorded.

This chapter explains how to playback and erase photos and movies, how to display images on a TV screen, and other playback-related functions.
About images taken with another camera:
The camera might not be able to properly display images captured with a different camera or edited with a computer or whose file name was changed.

x Image Playback

Single Image Display

Playback the image.

Press the <x> button. The last captured image or last image viewed will appear.
2 Select the image.starting with the last To playback images
image, turn the <5> dial counterclockwise. To playback images starting with the first captured image, turn the dial clockwise. Each time you press the <B> button, the display format will change.

No information Histogram

With basic information
With detailed information
image playback. 3 Exit the the <x> button to exit the Press
image playback and return to shooting-ready state.
B Shooting Information Display
Sample of Image Taken in a Creative Zone Mode
Exposure compensation amount Flash exposure compensation amount Aperture Shutter speed Metering mode Shooting mode White balance Image-recording quality Histogram (Brightness/RGB) Picture Style/Settings ISO speed Highlight tone priority Protect Rating Folder number - File number
Playback number/ Total images recorded Color temperature when <P> is set Eye-Fi card transmission status

File size

Color space Shooting date and time
Image verification data appended

White balance correction

* When you shoot in RAW+JPEG image quality, the JPEG image file size will be displayed. * For still photos taken during movie shooting, <G> will be displayed. * For RAW images processed with the camera and images applied with Creative filters, the <1+> icon changes to < >.
Sample of Image Taken in a Basic Zone Mode

Shooting mode

Ambience and ambience effects Lighting or scene
* For images taken in Basic Zone modes, the information displayed may differ depending on the shooting mode.
Sample of Movie Taken in Movie Mode

Shooting time Playback

Movie shooting mode Recording system Movie recording size
Shutter speed and aperture for movie shooting
Movie file size Frame rate
About the Highlight Alert When the [4 Highlight alert] menu option is set to [Enable], overexposed highlight areas will blink. To obtain more image detail in the overexposed areas, set the exposure compensation to a negative amount and shoot again.
About the AF Point Display When the [4 AF point disp.] menu option is set to [Enable], the AF point which achieved focus will be displayed in red. If automatic AF point selection was used, multiple AF points may be displayed in red. About the Histogram The brightness histogram shows the exposure level distribution and overall brightness. The RGB histogram is for checking the color saturation and gradation. The display can be switched with the [4 Histogram] menu option. [Brightness] Display Sample Histograms This histogram is a graph showing the distribution of the images brightness level. The horizontal axis indicates the brightness level (darker on the left and Dark image brighter on the right), while the vertical axis indicates how many pixels exist for each brightness level. The more pixels there are toward the left, the darker the image. And the more pixels there are toward the right, Normal brightness the brighter the image. If there are too many pixels on the left, the shadow detail will be lost. And if there are too many pixels on the right, the highlight detail will be lost. The gradation in-between will be reproduced. Bright image By checking the image and its brightness histogram, you can see the exposure level inclination and the overall gradation.

About the Magnified Display
Pressing the <u> button in step 3 will magnify the image. The magnification will differ depending on the pixel count of [Quality] set in [RAW image processing]. With <9>, you can scroll around the magnified image. When [ Magnify] is grayed out during the image processing, the image cannot be magnified. While the image is magnified, pressing the <I> button will exit the magnified view.
Images with Aspect Ratio Setting
Images shot in a Live View shooting aspect ratio ([4:3] [16:9] [1:1]) will be displayed in the respective aspect ratio. JPEG images will also be saved in the set aspect ratio.
RAW Image-processing Options
Brightness You can adjust the image brightness up to 1 stop in 1/3-stop increments. The displayed image will reflect the settings effect. White balance (p.96) You can select the white balance. If you select [P], use the <6> dial to set the color temperature. The displayed image will reflect the settings effect. Picture Style (p.90) You can select the Picture Style. To set the parameters such as Sharpness, press <0> to display the setting screen. Turn the <5> dial to select a parameter, then turn the <6> dial to set it as desired. Press <0> to finalize the setting and to return to the setting screen. The displayed image will reflect the settings effect. Auto Lighting Optimizer (p.101) You can set the Auto Lighting Optimizer. The displayed image will reflect the settings effect. High ISO speed noise reduction (p.254) You can set the noise reduction for high ISO speeds. The displayed image will reflect the settings effect. If the effect is difficult to discern, press the <u> button to magnify the image. (Press the <I> button to return to the normal view.) To check the effect of the [Strong] setting, magnify the image. Viewing it as a single image will only display the [Standard] effect even if [Strong] was set. Image-recording quality (p.84) You can set the pixel count and image quality of the JPEG image to be saved when converting the RAW image. The image size displayed, such as [8.0M 3456x2304], has a 3:2 aspect ratio. The pixel count of each aspect ratio is indicated on page 223.
Color space (p.110) You can select either sRGB or Adobe RGB. Since the cameras LCD monitor is not compatible with Adobe RGB, the image will not look very different when either color space is set. Peripheral illumination correction (p.102) You can set [Enable] or [Disable]. If [Enable] is set, the corrected image will be displayed. If the effect is difficult to discern, press the <u> button to magnify the image and look at the image corners. (Press the <I> button to return to the normal view.) Distortion correction When [Enable] is set, image distortion caused by the lens is corrected. If [Enable] is set, the distortion-corrected image will be displayed. The correction will have the image periphery to be cropped. Therefore, the image will look slightly larger (It is not a magnified image). With Digital Photo Professional (provided software), you can correct the image distortion while minimizing the trimming of the image periphery. Since the image resolution may look slightly lower, use the Picture Styles Sharpness setting to make adjustments as necessary.

The paper size, type, and layout you have set are displayed. * Depending on the printer, certain settings such as the date and file number imprinting and trimming might not be available.
3 Select [Paper settings].then press Select [Paper settings],
<0>. The paper settings screen will appear.

QSetting the Paper Size

Select the size of the paper loaded in the printer, then press <0>. The paper type screen will appear.

YSetting the Paper Type

Select the type of the paper loaded in the printer, then press <0>. The page layout screen will appear.

USetting the Page Layout

Bordered Borderless Borderedc xx-up 20-upc 35-upp Default
The print will have white borders along the edges. The print will have no borders. If your printer cannot print borderless prints, the print will have borders. The shooting information* will be imprinted on the border on 9x13cm and larger prints. Option to print 2, 4, 8, 9, 16, or 20 images on one sheet. On A4 or Letter size paper, 20 or 35 thumbnails of the images ordered through DPOF (p.245) will be printed. [20-upc] will have the shooting information* imprinted. The page layout will vary depending on the printer model or its settings.
Select the page layout, then press <0>. The print setting screen will reappear.
* From the Exif data, the camera name, lens name, shooting mode, shutter speed, aperture, exposure compensation amount, ISO speed, white balance, etc., will be imprinted.
If the images aspect ratio is different from the printing papers aspect ratio, the image may be cropped significantly if you print it as a borderless print. If the image is cropped, it may look more grainy on the paper due to the fewer number of pixels.
the 4 SetSet asprinting effects.need not set necessary. If you
any printing effects, go to step 5. What is displayed on the screen differs depending on the printer. Select the option on the upper right (circled in the screenshot), then press <0>. Select the desired printing effect, then press <0>. If the <e> icon is displayed next to <z>, you can also adjust the printing effect (p.242).

Landscape.. 63, 90 Language selection. 31 Large (Image-recording quality).. 85 LCD monitor.. 13, 27 Brightness adjustment. 217 Image playback. 189 Menu screen.. 46, 278 Shooting settings display. 267 Vari-Angle.. 27, 57 LCD panel.. 18 Lens.. 21, 34 Lock release. 35 Peripheral illumination correction.. 102
Live View shooting.57, 151 Exposure simulation..158 Face detection Live mode (AF)..161 Grid display..157 Information display.154 Live mode (AF)..160 Manual focusing..80, 167 Metering timer.159 Possible shots.153 Quick Control..156 Quick mode (AF)..165 Silent shooting.159 Long exposure noise reduction..254 Long exposures..123
M (Manual exposure)..118 Magnified view.167, 196, 225 Main Dial...41 Malfunction..283 Manual exposure.118, 174 Manual focusing..80, 167 Manual reset..107 Manual selection (AF).78 Maximum burst..85, 87 Medium (Image-recording quality).85, 222 Memory card..32, 48 Menu..46 Menu settings..278 My Menu..261 Setting procedure..icon...4 Metering mode..119 MF (Manual focusing).80, 167 Miniature effect..221 Mirror lockup..125, 257 Mode Dial..20, 41 Monochrome image.68, 93
Movie.. 171 AF mode. 179, 182 Editing.. 206 Editing first/last scene. 206 Enjoying.. 202 File size. 181 Frame rate. 180 Grid display.. 185 Information display. 176 Manual exposure. 174 Metering timer. 185 Movie recording size. 180 Playback.. 204 Quick Control.. 179 Recording time.. 181 Silent shooting.. 185 Sound recording.. 184 Still photo shooting. 178 View on TV.. 202, 209 Multi-controller. 43, 78 My Menu.. 261
Neutral.. 91 Night Portrait.. 66 Noise reduction High ISO speed.. 254 Long exposures.. 254 Nomenclature.. 16 Non-Canon flash units. 149 Normal (Image-recording quality). 84 NTSC.. 180, 212, 280 No.. 106 ONE SHOT (One-Shot AF). 76 One-Shot AF.. 76
P (Program AE).. 112 PAL. 180, 212, 280 Partial metering.. 119
Peripheral illumination correction.102 Personal white balance.98 PictBridge..235 Picture Style.. 90 - 95 Pixels...84 Playback..189 Portrait..62, 90 Possible shots.29, 85, 153 Power Auto power off..50 Battery check..29 Battery info..268 Household power..272 Possible shots.29, 85, 153 Recharge.24 Pressing completely.40 Pressing halfway..40 Print..235 Printing..235 Layout..239 Paper settings..239 Print Order (DPOF).245 Printing effects.240 Tilt correction..243 Trimming..243 Program AE..112 Program shift..113 Protect (image erase-protection).213
RAW image processing with the camera.. 224 RAW+JPEG. 84 Recharge.. 24 Recharge performance (Battery). 268 Red-eye reduction. 131 Release shutter without card.. 32 Remote control shooting. 124, 126 Remote switch.. 124 Resize.. 222 Rotate (image). 197, 218, 243
Safety shift. 253 Safety warnings.. 305 Saturation.. 92 SD card. 32, 48 SDHC and SDXC cards.. 32 Self-timer.. 67, 82 Sensor cleaning.. 229 Sepia (Monochrome). 68, 93 Sharpness.. 92 Shoot by ambience selection. 68 Shoot by lighting or scene type. 71 Shooting information display. 191 Shooting mode. 20 Av (Aperture-priority AE).. 116 B (Bulb). 123 M (Manual exposure).. 118 P (Program AE). 112 Tv (Shutter-priority AE). (Full Auto).. (Flash Off).. 58 C (Creative Auto). (Portrait).. (Landscape).. (Close-up).. (Sports).. (Night Portrait).. 66 k (Movie shooting). 171

B:8.625 T:7.875 S:7

ITS TIME TO LOOK AT THE WORLD FROM A UNIQUE PERSPECTIVE.

B:11.25

S:9.75

T:10.5

Introducing the new Canon EOS 60D. Featuring our first ever 270-degree 3.0-inch LCD screen that allows you to express yourself from any angle, whether its an extreme high angle, low angle, or even self-portrait. And with an 18 Megapixel CMOS sensor, 5.3 fps shooting and multiple aspect ratios, youll capture stunning photography from every direction. Then see beyond the still in 1080p Full HD video.
I n s p i r e d. B y C a n o n.
Image Simulated. 2010 Canon U.S.A., Inc. Canon and EOS are registered trademarks of Canon Inc. in the United States. IMAGEANYWARE is a trademark of Canon. All rights reserved.
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THIS ADVERTISEMENT PREPARED BY
CLIENT: Canon USA Inc PRODUCT: Camera Division - Lense/Shutter JOB#: 062-CM-249_Pg ART DIRECTOR: None
GREY WORLDWIDE SIZE, SPACE: 7.875 x 10.5, 4C PUBS: Magazine ISSUE: 2010 COPYWRITER: None
JOB #: 062-CM-249_Pg CLIENT: Canon USA Inc
PROOF: 5 OP: ED, GM, JS, GM
SPACE/SIZE: B: 8.625 x 11.25 T: 7.875 x 10.5 S: 7 x 9.75

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