Digitech RP155 Manual
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Digitech RP155 Modeling Guitar Processor Videoinstructional
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Modeling Guitar Processor
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DECLARATION OF CONFORMITY
Manufacturers Name: Manufacturers Address: declares that the product: Product name: Product option: DigiTech 8760 S. Sandy Parkway Sandy, Utah 84070, USA RP155 all (requires Class II power adapter that conforms to the requirements of EN60065, EN60742, or equivalent.)
conforms to the following Product Specifications: Safety: EMC: Supplementary Information: European Contact: IEC 60065 (7th ed. 2001) EN 55013 (2001+A1) EN 55020 (1998) The product herewith complies with the requirements of the Low Voltage Directive 2006/95/EC and the EMC Directive 2004/108/EC. Vice-President of Engineering 8760 S. Sandy Parkway Sandy, Utah 84070, USA Date: January 02, 2009
Your local DigiTech Sales and Service Office or Harman Music Group 8760 South Sandy Parkway Sandy, Utah 84070 USA Ph: (801) 566-8800 Fax: (801) 568-7583
Table of Contents
Section One - Introduction
Getting Acquainted... 1. Included Items.. 1 About the RP155.. 2 Performance Mode... 2 Bypass Mode.. 2 Tuner Mode... 2. Tone Library Knob.. 4 Effects Library Knob... 4. Master Level Knob... 4. TM. X-Edit Editor/Librarian.. 4 Presets... 5 A Guided Tour of the RP155... 6 Front Panel... 6 Rear Panel...10 Getting Started...12. Making Connections..12. Mono Operation - Amplifier..12 Stereo Operation...13. Applying Power...15
Section Two - Editing Functions
Editing/Creating Presets..16 Storing/Copying a Preset...18
About the Models...19. Model Definitions...20 Pickup...20 Wah...20. Compressor...21 Distortion...22 Amplifier...24. Cabinet...25 EQ....25 Noise Gate...26 Chorus/FX..27 Chorus...27 Flanger...28 Phaser....28 Vibrato...29. Rotary Speaker...29 Tremolo...29. Panner....30. Envelope Filter..30 Auto Ya...30 Step Filter...31. DigiTech Whammy..31. Pitch Shift...32 Detune...32. Harmony Pitch Shifting..33 Delay....34 Reverb...35
Section Three - Models and Parameters
Phrase Looper...36 Drum Machine...37. Optional Passive Volume/ Continuous Control Pedal..38. Factory Reset...38.
Section Four - Other Functions
Specifications..39. Tone LIbrary...41. Effects Library...42
Section Five - Appendix
We at DigiTech are very proud of our products and back up each one we sell with the following warranty: 1. The warranty registration card must be mailed within ten days after purchase date to validate this warranty. 2. DigiTech warrants this product, when used solely within the U.S., to be free from defects in materials and workmanship under normal use and service. 3. DigiTech liability under this warranty is limited to repairing or replacing defective materials that show evidence of defect, provided the product is returned to DigiTech WITH RETURN AUTHORIZATION, where all parts and labor will be covered up to a period of one year. A Return Authorization number may be obtained from DigiTech by telephone. The company shall not be liable for any consequential damage as a result of the products use in any circuit or assembly. 4. Proof-of-purchase is considered to be the burden of the consumer. 5. DigiTech reserves the right to make changes in design, or make additions to, or improvements upon this product without incurring any obligation to install the same on products previously manufactured. 6. The consumer forfeits the benefits of this warranty if the products main assembly is opened and tampered with by anyone other than a certified DigiTech technician or, if the product is used with AC voltages outside of the range suggested by the manufacturer. 7. The foregoing is in lieu of all other warranties, expressed or implied, and DigiTech neither assumes nor authorizes any person to assume any obligation or liability in connection with the sale of this product. In no event shall DigiTech or its dealers be liable for special or consequential damages or from any delay in the performance of this warranty due to causes beyond their control. NOTE: The information contained in this manual is subject to change at any time without notification. Some information contained in this manual may also be inaccurate due to undocumented changes in the product or operating system since this version of the manual was completed. The information contained in this version of the owners manual supersedes all previous versions.
Section 1 - Introduction
Congratulations on your purchase of the RP155. You now have an incredibly advanced modeling guitar processor that can keep up with your creative impulses and even increase them. Armed with DigiTechs patented AudioDNA2 custom audio DSP chip, the RP155 gives you a huge selection of tones and effects, right at your fingertips. When you easily dial up a tone or effect from the Tone Library or the Effects Library, youll appreciate the accuracy in each model, and the dynamic interaction in each tone. Add USB support for computer recording, a Phrase Looper and a built-in drum machine and you have the RP155: the key to unlock your creative potential.
Before you get started, please make sure that the following items have been included: RP155 PS0913B Power Supply Warranty Card
The utmost care was taken while your RP155 was being manufactured. Everything should be included and in perfect working order. If anything is missing, contact the factory at once. Please help us become acquainted with you and your needs by completing your warranty card or registering online at www.digitech.com. It is your safeguard should a problem arise with your RP155.
Disclaimer: DigiTech, Lexicon, Whammy,YaYa, AutoYa, and Johnson Amplification are trademarks of Harman International Industries, Inc. Other product names modeled in this product are trademarks of their respective companies that do not endorse and are not associated or affiliated with DigiTech or Harman International Industries, Inc. They are trademarks of other manufacturers and were used merely to identify products whose sounds were reviewed in the creation of this product.
About the RP155
When you first apply power to the RP155, it powers up in Performance mode. Performance mode provides access to all of the presets within the RP155 via the Up and Down Footswitches. Knob 1 selects a tone from the Tone Library, Knob 2 selects an effect combination from the Effects Library, Knob 3 adjusts the Effects Level, and Knob 4 adjusts the Master Level (volume).
The RP155 presets can be bypassed via a true analog bypass circuit for a clean, unprocessed guitar signal. To bypass the RP155, press both Footswitches simultaneously. The Display reads By indicating the preset is bypassed. Press either Footswitch to exit Bypass and return the RP155 to the last preset used.
The Tuner in the RP155 allows you to quickly tune or check the tuning on your guitar. Enter Tuner mode by pressing and holding both Footswitches simultaneously. The Display briefly shows tu indicating that you are in Tuner mode. To begin tuning, play a note on your guitar (a harmonic at the 12th fret usually works best). The Display shows the note being played. The Matrix LEDs indicate whether you are sharp or flat. The top 5 red LEDs indicate the note is sharp and should be tuned down. The bottom 5 red LEDs indicate the note is flat and should be tuned up. The center green LED indicates the note is in tune. The output is muted in Tuner mode. Exit tuner mode by pressing either Footswitch.
Display shows note played Top LEDs indicate note is sharp Green LED indicates note is in tune Bottom LEDs indicate note is flat
In Tuner mode, you can change your tuning reference. The default factory setting is A=440 Hz (displayed as 40). Rotating Knob 1 selects alternate and dropped tunings. Alternate tunings are A=453Hz to A=427 Hz (displayed as 53 to 27). Dropped tunings are A=A flat (displayed as A), A=G (displayed as G), and A=G flat (displayed as G). The display window will briefly flash the currently selected tuning preference. Exit Tuner mode by pressing either Footswitch.
Tone Library Knob
In Performance mode, this knob selects a variety of genre-based amp tone defaults ranging from Blues to Metal to Country. Behind the scenes, the Compressor, Distortion, Amp/Cabinet model, and EQ are configured to create a specified tone with a single click of this knob. You can further refine the sound by editing the preset (see Editing/Creating Presets on page 16). Changing between different Tone Library defaults does not change the Chorus/FX, Delay or Reverb, letting you experiment with different amp styles quickly in the context of the current effect chain.
Effects Library Knob
In Performance mode, this knob selects a variety of post-amplifier model effect chains (Chorus, Chorus + Delay, Delay + Reverb, etc.).You can further refine the sound by editing the preset (see Editing/Creating Presets on page 16). Changing between different Effects Library defaults does not change the Compressor, Distortion, Amp/Cabinet model, and EQ settings, letting you experiment with different effect chains quickly in the context of the current amp tone.
Effects Level Knob
In Performance mode, this knob changes the relative level of the post-amp effects (Chorus/FX, Delay, and Reverb). This can be thought of as an effects mix control, where turning this knob clockwise increases the level of these effects and turning it counter-clockwise decreases the level of these effects.
Master Level Knob
This knob controls the overall output volume of all of the RP155s presets. You can edit your RP155 with your computer, using the X-EditTM Editor/Librarian. Download X-EditTM, USB drivers, and documentation from www.digitech.com.
Effects Level Knob (Knob 3) 1. In Performance mode, this knob adjusts the overall level of post amp model effects (Cho- rus/Mod, Delay, and Reverb). 2. When editing a preset, this knob modifies the parameter listed in the column directly above it for the selected Effect row. 3. When the Drums row is selected, this knob adjusts the playback Tempo of the drum machine. Master Volume Knob (Knob 4) 1. In Performance mode, this knob adjusts the output level of the RP155. 2. When editing a preset, this knob modifies the parameter listed in the column directly above it for the selected Effect row. 3. When the Drums row is selected, this knob adjusts the drum machine playback level. 3. Edit buttons These buttons navigate up and down the matrix, selecting the row of parameters which the knobs will edit. Press one of these buttons to step through the Effect rows, and return to the preset name display. See page 16 for more information about editing presets. 4. Matrix The matrix provides information regarding the current preset and parameter edit functions. In Performance mode, the LEDs running down the left side of the Matrix provide a visual indication of which effects are in use for the currently selected preset. While editing a preset, the LEDs indicate the Effect row currently selected for editing. In Tuner mode, the LEDs indicate whether the note played is sharp, flat, or in tune.
5. Display The Display provides information for different functions depending on the mode that has been selected. In Performance mode, the Display will show the currently selected preset number. In Edit mode, the Display will show the value of the parameter being adjusted. In Tuner mode, the Display will show the note played. 6. Drums The Drums button is used to turn on and off the RP155s built-in drum machine. When the Drums button is turned on, the Drums button LED lights and the selected drum pattern plays continuously. Select the Drums row using the Edit buttons and use Knobs 1-4 to change the style, pattern, tempo, and level of the drum machine. See page 37 for more information about the drum machine and a list of patterns. Note: The RP155s Drum Machine is not available when the Phrase Looper is active. 7. Store The Store button is used to save your custom edits to the user presets. See page 18 for more information about storing presets.
1. Input Connect your instrument to this high-impedance TS input. 2. Amp / Mixer This button optimizes the RP155s outputs for use when plugged into a guitar amp or a mixer/ recording device. When set to Mixer (In position), the outputs are optimized for connecting to a mixer, recording device or headphones. When set to Amp (Out position), the outputs are optimized for running directly in to the input of a guitar amp. 3. Left (Mono) and Right Outputs Connect the Left (Mono) output to the input of a single amplifier (or mixer input) for mono operation. Connect the Left and Right outputs to the inputs of 2 amplifiers (or 2 mixer channels) for stereo operation.
4. Headphones Connect a pair of stereo headphones to this 1/8" jack. For proper frequency response, the Amp/ Mixer switch should be set to Mixer (in position) when using headphones. Headphones with an impedence of 100 Ohms or less are recommended. Note: The Headphones output can have either a mono or stereo signal, depending on what 1/4" outputs are connected. If neither (or both) 1/4" outputs are connected, the Headphones output will be in stereo. If a cable is connected to the Left (Mono) 1/4" output only, the Headphones output will be in mono. 5. Control In You can connect a passive volume or continuous control pedal to this 1/4" jack to control the a Wah and/or the WhammyTM when either or both of those effects are turned on. When neither Wah nor Whammy is turned on, the pedal controls the RP155s volume by default. 6. USB Jack The USB jack connects the RP155 to a computer and provides two purposes. First it is used to provide communication between the RP155 and the X-Edit Editor/Librarian software. Second, it is used to stream four channels of audio (2 up / 2 back) to and from the computer when using the RP155 to record via any DAW recording application. Knobs 2 and 3 also control the direct/playback mix and USB record level when USB is connected and the Pickup Row is selected. Note: You can download the X-Edit Editor/Librarian software and USB drivers at www.digitech.com. 7. Power Input Connect only the DigiTech PS0913B power supply to this jack.
There are several different connection options available with the RP155. Before connecting the RP155, make sure that the power to your amplifier and the RP155 is turned off. There is no power switch on the RP155. To turn the RP155 on or off, connect or disconnect the included PS0913B power supply from the Power Input jack.
Mono Operation - Amplifier
Connect your guitar to the Input of the RP155. Connect a single mono instrument cable from the Left (Mono) output of the RP155 to the instrument input or effect return on your amplifier. Set the Amp/Mixer switch to Amp. NOTE: When using a guitar amp, it may be best to connect the Output of the RP155 to the effect return of the amplifier.
Guitar Amp Input/Effect Return Left (Mono) Output Input
Amp/Mixer switch set to Amp.
For stereo operation connect the guitar to the Input of the RP155. Connect one cable to the RP155s Left (Mono) output, and another cable to the RP155s Right output. Connect one cable to the input of one amplifier, channel of a mixer, or power amp. Connect the second cable to a second amplifier, second channel of a mixer, or power amp. If connecting to a mixing console, set the pan controls of the mixer channels hard left and right in order to retain stereo separation. If connecting to a mixer, set the Amp/Mixer switch to Mixer. If connecting to two amplifiers, set the Amp/Mixer switch to Amp.
Stereo Amp Setup
Guitar Amp Input/Effect Returns
NOTE: When using a guitar amp, it may be best to connect the Output of the RP155 to the effect return of the amplifier.
Outputs Amp/Mixer switch set to Amp. Input
Stereo Mixer Setup
Amp/Mixer switch set to Mixer
Computer Recording Setup
Powered Studio Monitor Powered Studio Monitor Amp/Mixer switch set to Mixer Instrument Input
Before applying power to anything, set your amp(s) to a clean tone and set the tone controls to a flat EQ response (on most amps, this would be 0 or 5 on the tone controls). Then follow the steps listed below. 1. Turn the amp volume all the way down. 2. Connect the plug of the PS0913B power supply to the power jack on the rear panel of the RP155. 3. Connect the other end of the PS0913B power supply to an AC outlet. Turn the RP155s Master Level knob (Knob 4) down to 0. 4. Turn the power of your amplifier(s) to the on position and adjust the volume(s) to a normal playing level. 5. Gradually increase the RP155s Master Level knob to achieve the desired volume.
1. Press the Store button; the Preset number flashes. 3. Press the Store button again to save your changes.
2. Select a destination with the Footswitches.
About the Models
The RP155 can be thought of as several different virtual amplifiers and individual, high-tech stompboxes in a single programmable package. With stompboxes, the order in which they are connected affects the overall sound. The RP155 has placed the Amp and Effect models in an order for optimum results. The following diagram shows the order in which they are connected.
Each Amp and Effect model within the RP155 can be programmed to suit your personal taste and application. Understanding how these components alter the sound, and how each parameter alters the effect, will help you achieve the sound you are looking for. The following overview of the RP155s effects outlines what each effect and parameter does.
The Pickup Simulator provides the thick tone of a humbucker pickup to a guitar with single coil pickups, or the bright, edgy sound of a single coil pickup to a guitar with a humbucker. This gives you the best of both worlds without having to change guitars during a performance. Pickup Model - Knob 1 selects the Pickup model to be simulated. Values include: sh (gives a single coil pickup the warm tone of a humbucker), and hs (gives a humbucker the unique sound of a single coil). Press this knob to turn Pickup modeling on and off. Preset Level - Knob 4 adjusts the volume level for each preset individually.
Wah is an effect controlled by an Expression Pedal making the guitar sound as if its saying Wah. Wah Model - Knob 1 selects the Wah model. Values include: FR (DigiTech Full Range Wah sweeps the entire spectrum of audible frequencies), Cb (Cry Wah is a traditional sounding Wah), and mc (based on a Vox Clyde McCoyTM Wah). Press this knob to turn Wah models on and off. Wah Minimum - Knob 2 adjusts the Wah Pedal Minimum. Ranges from 0 (toe up) to 99 (toe down). Wah Maximum - Knob 3 adjusts the Wah Pedal Maximum. Ranges from 0 (toe up) to 99 (toe down).
Wah Level - Knob 4 adjusts the Wah Level. Ranges from 0dB to +12dB.
A Compressor is used to increase sustain, tighten up guitars, and prevent the signal from clipping the input of other effects. It sets a maximum boundary for the strength of a signal. Comp Model - Knob 1 selects one of two Compressor models: DC (DigiTech Main Squeeze Compressor) or CS (Based on a Boss CS-2 Compressor/Sustainer). Press this knob to turn the selected Compressor models on and off. Sustain - Knob 2 adjusts the amount of sustain. Ranges from 0 to 99. Tone/Attack - Knob 3 adjusts the tone for the DigiTech Compressor, or attack for the Boss CS-2. Ranges from 0 to 99. Compressor Level - Knob 4 adjusts the Level from the Compressor. Ranges from 0 to 99. Attack (X-EditTM only for DigiComp) - Knob 4 adjusts the amount of time the Compressor takes to respond to a signal that exceeds the threshold. Ranges from 0 to 99.
The RP155 models the tones of 10 popular distortion stompboxes, each of which can be tweaked and modified, just like the real thing. Distortion Model - Knob 1 selects one of 4 Distortion models. Press this knob to turn the selected Distortion model on and off. TS - Based on an Ibanez TS-9 gr - DigiTech Grunge T8 - Based on an Ibanez TS-808 mz - Based on a Boss MT-2 Metal Zone op - Based on a DOD 250 Overdrive/Preamp rm - Based on a DOD Gonkulator Ring Mod rt - Based on a Pro Co RATTM ff - Based on an Arbiter Fuzz FaceTM ds - Based on a Boss DS-1TM Distortion bm - Based on an Electro-Harmonix Big Muff Pi
DigiTech and DOD are trademarks of Harman International Industries, Inc. Other product names modeled in this product are trademarks of their respective companies that do not endorse and are not associated or affiliated with DigiTech or Harman International Industries, Inc. They are trademarks of other manufacturers and were used merely to identify products whose sounds were reviewed in the creation of this product.
Knobs 2, 3, and 4 have the following functions for the various Distortion models:
Distortion Model ts t8 op rt ds gr mz rm ff bm Knob 2 (Gain) Drive Drive Gain Distortion Gain Grunge Gain Gunk (Dist Gain) Fuzz Sustain Knob 3 (Tone) Tone Tone -Filter Tone Face Mid Level Smear (Ring Mod Level) -Tone Knob 4 (Level) Level Level Level Level Level Loud Level Suck (Dist Level) Volume Volume P4 (X-EditTM only) -----Butt Low Heave (Output Lvl) --P5 (X-Edit only) ------Mid Freq ---P6 (X-Edit only) ------High ----
Amp Modeling is a technology which applies the tone of several popular modern and vintage amps. Amp Modeling also includes an acoustic guitar simulation. Amp Model - Knob 1 selects one of the classic, modern, and DigiTech custom Amp models. Press this knob to turn Amp and Cabinet modeling on and off. Note that when you select an Amp model, the default Cabinet model is automatically selected. You can, however, change the Cabinet model after selecting an Amp model. AC - Based on a 63 Vox AC30 Top Boost - Based on a 57 Fender Tweed Champ hw - Based on a 69 Hiwatt Custom 100 - Based on a 57 Fender Tweed Deluxe - Based on a 59 Fender Tweed Bassman mb - Based on a 81 Mesa Boogie Mark II C rc - Based on a 01 Mesa Boogie Dual - Based on a 65 Fender Blackface Twin Reverb Rectifier - Based on a 65 Fender Blackface Deluxe hc - Based on a 96 MatchlessTM HC30 ds - DigiTech Solo Reverb dm - DigiTech Metal - Based on a 68 Marshall 100 Watt dG - DigiTech High Gain Super Lead (plexi) db - DigiTech Bright Clean - Based on a 77 Marshall Master Volume dc - DigiTech Clean Tube - Based on a 83 Marshall JCM800 da - Dreadnaught acoustic - Based on a 93 Marshall JCM900 di - Direct (No Amp Model) - Based on a 62 Vox AC15
ch td tb tr Dr sl mv A5
DigiTech is a trademark of Harman International Industries, Inc. Other product names modeled in this product are trademarks of their respective companies that do not endorse and are not associated or affiliated with DigiTech or Harman International Industries, Inc. They are trademarks of other manufacturers and were used merely to identify products whose sounds were reviewed in the creation of this product.
Cabinet - Knob 2 selects the speaker Cabinet model. vt - Based on a 4x12 Johnson Straight w/ td - Based on a 1xFender Tweed Deluxe Celestion Vintage 30s tr - Based on a 2xFender Blackface Twin ds - 4x12 DigiTech Solo db - 2x12 DigiTech Bright Reverb ac - Based on a 2xVox AC30 Top Boost dm - 4x12 DigiTech Metal dr - 4x12 DigiTech Rock w/ Jensen Blue Backs da - 4x12 DigiTech Alt Rock tb - Based on a 4xFender Tweed dv - 4x12 DigiTech Vintage Bassman cl - Based on a 4x12 Marshall 1969 Straight w/ di - Direct (No cabinet model) Celestion G12-T70
DigiTech and Johnson Amplification are trademarks of Harman International Industries, Inc. Other product names modeled in this product are trademarks of their respective companies that do not endorse and are not associated or affiliated with DigiTech or Harman International Industries, Inc. They are trademarks of other manufacturers and were used merely to identify products whose sounds were reviewed in the creation of this product.
Amp Gain - Knob 3 adjusts the Gain (distortion) for the selected Amp model (not available for Acoustic or Direct). The Gain parameter ranges from 0 to 99. Amp Level - Knob 4 adjusts the Level (volume) of the selected Amp model. The Level parameter ranges from 0 to 99.
The RP155s EQ helps further shape your tone with Bass, Midrange, and Treble controls. To help get you started, there are four preset EQ curves: Mid Boost (MB), Scoop (SP), Bright (BR), and Warm (WM) that can be selected using Knob 1. Bass, Midrange, and Treble parameters range from -12dB to +12dB. EQ Model - Knob 1 selects between 4 different EQ modes, each with different frequency
centers for Mid and Treble. Pressing this knob turns the EQ on and off. Bass - Knob 2 adjusts the amount of low end level (Bass). Midrange - Knob 3 adjusts the amount of midrange level. Mid Freq (X-EditTM only) - This parameter selects the frequency that the Mid parameter adjusts. Ranges from 300 Hz to 5000 Hz. Treble - Knob 4 adjusts the amount of high end level (Treble). Treble Freq (X-Edit only) - This parameter selects the frequency that the Treb parameter adjusts. Ranges from 500 Hz to 8000 Hz.
A Noise Gate (GA) is designed to eliminate noise while you are not playing; this model also includes an Auto Swell (SW), which provides an automatic volume swell effect. Gate Model - Knob 1 selects between the DigiTech noise gate or the volume swell effect. Values include: ga (Selects the noise gate) and sw (Selects the volume swell effect.) Press this knob to turn the noise gate or auto swell on and off. Threshold/Swell Sensitivity - Knob 2 sets the signal strength (Threshold) required to open or close the Noise Gate, or the Swell Sensitivity for the Auto Swell. Both parameters range from 0 (opens easily/high sensitivity) to 99 (requiring strong signals to open/high sensitivity). Attack Time - Knob 3 sets the attack time. Ranges from 0 (shorter attack time) to 99 (longer attack time). Release - Knob 4 sets the Release parameter. Ranges from 0 to 99. Attenuation (X-EditTM only) - Knob 5 sets the Attenuation parameter. Ranges from 0 to 99.
The Chorus/FX row in the RP155 is a multi-function module, allowing you to select Effect models such as Chorus, Flanger, Phaser, Tremolo, Panner, Vibrato, Rotary Speaker, YaYa, AutoYa, SynthTalk, Envelope Filter (auto wah), Detune, Pitch Shift, and Whammy effects. When the Chorus/FX row is selected, Knob 1 is used to choose the Effect model. Press this knob to turn these Effect models on and off. Only one of the effects in this row can be used at a time. After selecting the type of effect in this module, Knobs 2-4 can then be used to adjust the individual parameters associated with the selected effect. The following list describes each Effect model and its parameters in more detail: Chorus A Chorus adds a short delay to your signal. The delayed signal is modulated in and out of tune and then mixed back with the original signal to create a thicker sound. The RP155 includes the following Chorus Effect models: CE (based on the classic Boss CE-2 Chorus), DC (DigiTechs Dual Chorus), and MC (DigiTechs famous Multi Chorus). Speed - Knob 2 adjusts the rate (Speed) of the modulation. Ranges from 0 to 99. Depth - Knob 3 adjusts the Depth of the modulation. Ranges from 0 to 99. Level - Knob 4 controls the level of the effect (DigiTech Chorus models only). Ranges from 0 to 99. Waveform (X-Edit only for DigiTech Chorus models) - Selects a waveform: tr, Si, or Sq (Triangle, Sine, or Square).
Flanger A Flanger uses the same principle as a Chorus but uses a shorter delay time and adds regeneration (or repeats) to the modulating delay. This results in an exaggerated up and down sweeping motion to the effect. The RP155 includes the following Flanger Effect models: fL (the DigiTech Flanger), and mx (based on an MXR Flanger). Knobs 2, 3, and 4 have the following functions for the Flanger models:
Flanger Model fl mx Knob 2 (Speed) Speed Speed Knob 3 (Depth) Depth Width Knob 4 (Regen) Regen Regen P5 (X-EditTM only) -Manual P6 (X-Edit only) Level -P7 (X-Edit only) Waveform --
Phaser (PH) A phaser splits the incoming signal, and then changes the phasing of the signal. This signal is then taken in and out of phase and mixed back in with the original signal. As the phasing changes, different frequencies get canceled resulting in a warm sort of twisting sound. Knobs 2, 3, and 4 have the following functions: Speed - Knob 2 adjusts the rate (Speed) of the modulation. Ranges from 0 to 99. Depth - Knob 3 adjusts the Depth of the modulation. Ranges from 0 to 99. Regeneration - Knob 4 controls the regeneration of the effect. Ranges from 0 to 99. Waveform (X-EditTM only) - Selects a waveform: tr, Si, or Sq (Triangle, Sine, or Square).
Harmony Pitch Shifting (HA) Harmony Pitch Shifting makes a copy of the incoming signal, and then changes the pitch of the copied note to a diatonically correct interval specified by the Amount parameter. A Harmony Pitch Shifter sharpens or flattens the shifted pitch in order to keep the specified interval within the selected key and scale creating a true harmony. Shift - Knob 2 selects the amount or harmony interval for the Harmony Pitch Shifter. Interval choices include: OD 7D 6d 5d 4d 3d 2d (octave down) (a seventh below) (a sixth below) (a fifth below) (a fourth below) (a third below) (a second below) 2u 3u 4u 5u 6u 7u Ou (a second above) (a third above) (a fourth above) (a fifth above) (a sixth above) (a seventh above) (an octave above)
Key - Knob 3 selects the musical key that the IPS uses. Key choices range from the Key of E (E) through the Key of Eb (E). Scale - Knob 4 selects the scale the IPS will use. Scale choices include: Major (MA), Minor (MI), Dorian (DO), Mixolydian (MX), Lydian (LY), and Harmonic Minor (HM). Level (X-EditTM only) - Adjusts the IPS Level of all the pitch-altering effects in this module. Ranges from 0 to 99.
Delay is an effect that will record a portion of the incoming signal, and then play it back a short time later. The recording can repeat just once or several times. Delay Model - Knob 1 selects one of the 5 different Delay models. Values include: ad (DigiTech Analog Delay), dd (DigiTech Digital Delay), md (DigiTech Modulated Delay), pd (DigiTech Pong Delay), and td (DigiTech Tape Delay). Press this knob to turn the Delay models on and off.
Knobs 2, 3, and 4 have the following functions for the various Delay models:
Delay Model ad dd md pd td Knob 2 (Time) Time Time Time Time Time Knob 3 (Repeats) Repeats Repeats Repeats Repeats Repeats Knob 4 (Level) Delay Level Level Delay Level Delay Level Level P4 (X-EditTM only) -Duck Thresh Depth Duck Thresh Wow P5 (X-Edit only) -Duck Level -Duck Level Flutter
Using reverb in recorded program material gives the listener a sense that the material is being performed in an actual room or hall. It is this similarity to actual acoustic spaces that makes reverberation a useful tool in recorded music. The RP155 features genuine Lexicon reverbs, whose rich, lush effects have been heard in countless songs, soundtracks, and live performances for decades. Reverb Model Knob 1 selects the Reverb model or acoustic space. Press this knob to turn the Reverb models on and off. The following models are available: sp - Based on a Fender Twin Reverb am - Lexicon Ambience st - Lexicon Studio
Reverb Model sp am st ro ha pl Knob 2 (Decay) -Decay Decay Decay Decay Decay
ro - Lexicon Room ha - Lexicon Hall pl - Based on an EMT240 Plate
Beats (BE) (8th beat) Beats (BE) (16th beat) Rock (Rk) b1-b5 b6-b8 r1-r8 h1-h8 t1-t8 l1-l8 g1-g4 c1-c4 Jazz (JZ) Hip Hop (HH) World (WO) j1-j4 p1-p4 w1-w4 m4 m3 m5 m7 Me
Hard Rock (HR) Metal (ME) Blues (BL) Groove (GR) Country (CT)
Metronome (Mt) (4/4) Metronome (Mt) (3/4) Metronome (Mt) (5/8) Metronome (Mt) (7/8) Metronome (Mt)
Optional Passive Volume/Continuous Control Pedal
Connect a passive volume or continuous control pedal to the RP155s Control In jack to control the RP155s Volume, Wah, or Whammy in real time with your foot. Turn on the Wah or Whammy to control it with the optional pedal, or turn on both the Wah and the Whammy to control both simultaneously. When a pedal is connected and neither the Wah nor the Whammy effects are activated, the pedal controls the RP155s volume by default.
This function resets the RP155 to its original factory settings. This procedure erases all custom User presets. ATTENTION: Performing this function will erase all user-programmed data. All such data will be lost forever! Be sure you want to erase the memory and start fresh before continuing with this procedure. The procedure for performing a Factory Reset is as follows: 1. Press and hold the Store button while powering up the RP155. 2. When the display prompts you with FR, release the Store button, which is now flashing. 3. Press and hold the flashing Store button for 3 seconds until RS appears in the display and release. The Factory Reset procedure takes approximately 10 seconds.
Section 5 - Appendix
General Specifications A/D/A Converter: 24-bit high performance audio Sampling Frequency: 44.1 kHz DSP Section: AudioDNA2 DSP Processor Simultaneous Effects: 11 Preset Memory: 50 User Presets (1-50) / 50 Factory Presets (51-00) Phrase Looper: 20 seconds of record time Drum Machine: 60 Patterns Shipping Dimensions: 10 1/2" Length x 8 3/4" Width x 2 1/2" Height Shipping Weight: 3.34 lbs. Analog Input Connections: Guitar Input: 1/4" Unbalanced (TS) Input Impedance: 500k Ohms Control In: 1/4" Unbalanced Analog Output Connections: Left/Right Outputs: 1/4" Unbalanced Left/Right Output Impedance: 500 Ohms per side Maximum Output: +10dBu Headphones: 1/8" Stereo (TRS) 13.6mW per channel @ 50 Ohms
Digital Connections: Universal Serial Bus (USB): Type B, supports USB1.1 Full Speed (12 Mbps Bandwidth USB 2.0 compatible) RP155 USB Recording Specifications: Sample Rate: 44.1 kHz Bit depth: supports 16-bit or 24-bit (depends on setup in Recording Software) Power Requirements: US and Canada: 120 VAC, 60 Hz Adapter: PS0913B-120 Japan: 100 VAC, 50/60 Hz Adapter: PS0913B -100 Europe: 230 VAC, 50 Hz Adapter: PS0913B -230 UK: 240 VAC, 50 Hz Adapter: PS0913B -240 Minimum Windows PC Computer System Requirements: Windows XP w/Service Pack 2 and.NET Framework 2.0 installed 500 MHz processor speed (1.2 GHz recommended) 512 MB RAM (1GB recommended) Minimum Mac Computer System Requirements: OS 10.4 or higher Power PC or Intel G4/G5 Processor 800 MHz processor speed (1.2 GHz recommended) 512 MB RAM (1GB recommended)
Tone Library 15 Overdrive Rock 1 Rock 2 Blues 1 Blues 2 Metal 1 Metal 2 Country 1 Country 2 Warm Drive Crunch Texas Tone Rockabilly Solo 1 Solo Rock Wah Chunky Smooth Heavy Clean 1 Clean 2 British 1 British 2 American 1 American 2 Tube Drive Distortion Scooped Punchy Bright Clean
Effects Library 15
Chorus Phaser Flanger Pitch Tremolo Rotary Envelope Filter Digital Delay Analog Delay Pong Delay Mod Delay Tape Delay Hall Reverb Plate Reverb Spring Reverb
Chorus + Digital Delay Chorus + Delay + Reverb Flanger + Analog Delay Phaser + Tape Delay Phaser + Mod Delay Phaser + Room Reverb Digital Delay + Hall Reverb Analog Delay + Spring Chorus + Hall Reverb Pong Delay + Hall Reverb Tape Delay + Spring Reverb Tremolo + Tape Delay Pitch + Digital Delay Mod Delay + Plate Reverb Rotary + Tape Delay
DigiTech 8760 South Sandy Parkway Sandy, Utah 84070 PH (801) 566-8800 FAX (801) 566-7005 http://www.digitech.com
Printed 1/2009 RP155 Owners Manual 18-6409V-A Printed in China
2009 Harman International Industries, Incorporated, all rights reserved. DigiTech and the RP155 are trademarks of the Harman Music Group. Other product names modeled in this product are trademarks of their respective companies that do not endorse and are not associated or affiliated with DigiTech. They are trademarks of other manufacturers and were used merely to identify products whose sounds were reviewed in the creation of this product.
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