Fender Acoustasonic JR
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Fender Acoustasonic JR DSP Acoustic Guitar Amplifier, 2x40 WExclusive "String Dynamics" control (proprietary technology) dynamically suppresses unwanted high frequency distortions present in all piezo-electric pickups.Features: 40 x 40 Watt (stereo) 2 x 8" speakers and HF horn Two channels - instrument and Mic/Line Tilt-Back legs Piezo/instrument input in first channel and Instrument/Lo-ZLo-ZLo-Z XLR in second. Switchable and assignable Fender Reverb and Chorus.
Details
Brand: FENDER
Part Numbers: 02213200010, 221-3200 010, 221-3200-010, 2213200010
UPC: 717669054960, 717669275259
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Manual
Preview of first few manual pages (at low quality). Check before download. Click to enlarge.
Download
(English)Fender Acoustasonic JR, size: 3.0 MB |
Fender Acoustasonic JR
Video review
Fender Acoustasonic 30 DSP Guitar Amp Review
User reviews and opinions
| gus392 |
5:50am on Wednesday, September 1st, 2010 ![]() |
| "Great little amp, SUPER loud. Debated between the Vibro Champ 5w and this guy, ended up going with this due to the all-tube amp. | |
Comments posted on www.ps2netdrivers.net are solely the views and opinions of the people posting them and do not necessarily reflect the views or opinions of us.
Documents
Fender
Acoustasonic Junior
A footswitch jack for connecting the optional footswitch which offers remote switching of the chorus effect Exclusive String Dynamics control effective at suppressing high frequency harshness in the amplification of some acoustical instruments 1/4-inch TRS and 3-Pin XLR female input connectors On-board spring Reverb and analog chorus effects Effects loop jacks for connection to either stereo or monophonic external effects devices Thank you for choosing Fender Tone, Tradition and Innovationsince 1946 Tone, Tradition
ENGLISH ESPAOL
Your new Acoustasonic Junior amplifier delivers world-class Fender tone and world-standard Fender quality: 40 watts of power per channel @ 8 (80 Watts R.M.S. Total) Classic Fender Reverb and chorus for a full-bodied tone Two 8 woofers and a piezo horn for clean, powerful response Two independent channels with individual tone controls, voiced for acoustic instruments and vocals
A. INSTRUMENT - Plug your guitar in here. B. VOLUME - Adjusts the overall loudness of the instrument channel. C. TREBLE - Adjusts the high-frequency level of the instrument channel. D. MID - Adjusts the middle-frequency level of the instrument channel. E. BASS - Adjusts the low-frequency level of the instrument channel. F. FEEDBACK NOTCH - By SLOWLY rotating this knob you can fine and suppress feedback at a specific frequency. G. REVERB - Activates the Reverb effect on the instrument channel. H. STRING DYNAMICS - Controls a dynamic tone shaping filter on the instrument channel. Rotating the knob clockwise reduces high-frequency harshness when playing at high volumes while maintaining crispness when playing at lower levels. I. MIC - Plug your microphone in here. This three-pin XLR, balanced, female input connector is intended for input signals from low-impedance microphones. J. LINE/INST - This 1/4-inch TRS (Tip/Ring/Sleeve) input jack is suited for line-level equipment such as high-impedance microphones, keyboards and drum machines. It accepts both balanced and unbalanced inputs. K. VOLUME - Adjusts the overall loudness of the mic / line channel. L. PHASE - Reverses the phase of the mic / line channel useful for eliminating feedback in instruments using dual-pickup configurations. 6
ENGLISH ESPAOL ITALIANO DEUTSCH
Front Panel Functions
B C D E F G H I J K L M N O P Q R S U V T W X
M. TREBLE - Adjusts the high-frequency level of the mic / line channel. N. BASS - Adjusts the low-frequency level of the mic / line channel. O. CHORUS - Activates the chorus effect on the mic / line channel. P. REVERB SEND - Adjusts the level of the mic / line channel that is sent to the Reverb circuit. Rotating the knob clockwise increases the level. Q. RATE - Adjusts the modulation speed of the chorus effect. Rotating the knob clockwise increases the modulation speed. R. MASTER CHORUS - Activates the chorus effect on both channels. The master chorus must be on before any chorus signal will be heard. The optional footswitch, while connected, will override the master chorus select switch. S. DEPTH - Adjusts the depth (swell) of the chorus effect. Rotating the knob clockwise, increases the intensity. T. CHORUS INDICATOR - This LED illuminates when the chorus circuit is active. The LED brightness varies indicating the chorus sweep rate. U. MASTER REVERB - Adjusts the amount of overall Reverb effect in both channels. Must be turned up before any Reverb effect will be heard. V. MASTER PHASE - Reverses the phase of the Acoustasonic Junior amplifier. Useful for eliminating feedback when playing in small environments. W. POWER INDICATOR - This LED illuminates when the Acoustasonic Junior is receiving power. X. POWER - Switches the unit ON and OFF.
ITALIANO DEUTSCH
Rear Panel Functions
A. LINE CORD - The power line cord must be connected to a grounded AC receptacle in accordance with the voltage and frequency ratings as listed on the rear panel under INPUT POWER.
B. FOOTSWITCH - Plug-in connection for the optional remote footswitch (P/N 037659) used to switch ON/OFF the chorus effect. Using this jack will override the chorus select switch on the front panel. NOTE: Any good quality patch cord will work with the remote footswitch, however an unshielded speaker type cord is preferable to a coax guitar cord. C. RETURN - This 1/4-inch, stereo, TRS (Tip=Left, Ring=Right, Sleeve=Ground), line-level input jack is designed to accept signal from an external processing device, such as a digital delay or a chorus unit.
D. SEND - This 1/4-inch, stereo, TRS, line-level output jack is designed to feed the Acoustasonic Juniors effects bus to an external signal processing device, such as a digital delay or a chorus unit. On the Acoustasonic Junior, the tip is left and the ring is right. This jack can also be used as a line out. E. INSTRUMENT INSERT - This 1/4-inch, unbalanced, input/output, line-level phone jack is designed for use with a signal processing device, such as a digital delay or Reverb unit. A special "Y" line cord (stereo to dual mono) is required to use this TRS jack (Tip=Send, Ring=Return, Sleeve=Ground).
Specifications
TYPE: PART NUMBER: PR 334 022-1302-000 (120V, 60Hz) USA 022-1342-000 (230V, 50 Hz) UK 022-1372-000 (100V, 50/60 Hz) Jpn 300W
022-1332-000 (240V, 50 Hz) Aust 022-1362-000 (230V, 50 Hz) Eur
POWER REQUIREMENTS: POWER AMPLIFIER SECTION POWER OUTPUT: SENSITIVITY :
40W R.M.S. per channel, (80W R.M.S. Total) into 8 @ <.12% T.H.D., both channels driven 640mV @ stereo effects return (both channels)
PREAMP SECTION INPUT IMPEDANCE: 10M (Inst), SENSITIVITY FOR FULL POWER: 12.75mV (Inst), TONE CONTROLS: Treble: Mid: Bass:
3.6k (Mic), 5mV (Mic),
36.4k (Line/Inst) 50mV (Line/Inst) +/-15dB @ 15kHz (Mic, Line/Inst) +/-12dB @ 50Hz (Mic, Line/Inst)

Thank you for choosing Fender
The W orlds most popular orlds amplifierssince 1946
instr ument
Front Panel
CHORUS +DLY REVERB +CH DELAY REVERB +DLY PLATE ROOM CHORUS ROOM HALL CHORUS +DLY REVERB +CH DELAY REVERB +DLY PLATE
CHORUS
INSTRUMENT VOLUME
TREBLE
FEEDBACK NOTCH
STRING DYNAMICS
VIBRATONE
FX SELECT
FX LEVEL
LINE /INST.
VOLUME
A. INSTRUMENT - Plug your acoustic guitar in here. B. VOLUME - Adjusts the loudness of the Instrument channel. C. PHASE - Reverses the phase of the Instrument channel which may reduce feedback in some situations. D. TREBLE/MID/BASS - Adjusts the tone of the Instrument channel in the high-, middle-, and lowfrequency bands respectively. E. FEEDBACK NOTCH - Rotate slowly to locate and suppress feedback at a specific frequency on the Instrument channel. Set to 1 when not needed. F. STRING DYNAMICS - Controls a dynamic tone shaping filter on the Instrument channel. Rotating clockwise reduces the high-frequency harshness of peak playing intensities or high volume settings while maintaining crispness when playing more gently. G. FX SELECT - Selects one of 16 DSP effects for the Instrument channel (see DSP Effects on page 7). H. FX LEVEL - Adjusts the level of the selected DSP effect for the Instrument channel. I. MIC - Balanced XLR input jack intended for a lowimpedance microphone.
J. LINE - Input jack intended for a high-impedance microphone, drum machine or keyboards. Accepts unbalanced (TS) or balanced (TRS) inputs. K. VOLUME - Adjusts the loudness of the Mic/Line channel. L. PHASE - Reverses the phase of the Mic/Line channel which may reduce feedback in some situations. M. TREBLE/BASS - Adjusts the tone of the Mic/Line channel in the high- and low-frequency bands respectively. N. FX SELECT - Selects one of 16 DSP effects for the Mic/Line channel (see DSP Effects on page 7). O. FX LEVEL - Adjusts the level of the selected DSP effect for the Mic/Line channel. P. POWER - Switches the amplifier on and off as indicated by the power ON LED. Q. IEC SOCKET (rear panel) INPUT POWER Connect the supplied power V Hz cord to a grounded AC 270W receptacle in compliance with the voltage and frequency ratings specified on the rear panel of your amplifier.
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Rear Panel
WARNING:
MAINTAIN 6" CLEARANCE FOR VENTILATION.
LEFT RIGHT GROUND
RETURN / PWR AMP IN SEND / PREAMP OUT
FOOTSWITCH
GROUND LIFT
BALANCED LINE OUT
STEREO FX LOOP
R. FOOTSWITCH - Connect the footswitch (optional) to enable remote on/off switching of the DSP effects. S. GROUND LIFT - Disconnects the LINE OUT {T} ground connection (pin-1) which may reduce line noise in some situations. T. LINE OUT - Balanced XLR jack for output to sound reinforcement and recording equipment. U. LEVEL - Adjusts the output level of the LINE OUT jack {T}.
V. STEREO FX LOOP (RETURN/SEND) - (1) Effects Loop - Connect SEND to your stereo effects input and the effects device output to RETURN. (2) Multiple Amps - Connect primary unit SEND to auxiliary unit RETURN. The primary unit is used to control all auxiliary units. (3) Recording or Reinforcement - Connect SEND to the stereo input of sound equipment. Use TRS plugs (Tip=left channel, Ring=right channel, Sleeve=ground). The SEND signal includes onboard tone shaping and DSP effects processing.
Ring = Right Tip = Left
DSP Effects Instrument Channel
Select from 16 variations of 9 types of effects using the FX SELECT knob. Variations are defined below going clockwise around the knob.
Vibratone 1 Vibratone 2 Chorus 1 Chorus 2 Reverb + Chorus 1 Reverb + Chorus 2 Chorus + Delay Delay 1 Delay 2 Delay 3 Reverb + Delay 1 Reverb + Delay 2 Plate Reverb Room Reverb Hall Reverb 1 Hall Reverb 2 slow fast slow fast large room / slow chorus medium hall / fast chorus fast chorus / long delay (480 ms) slapback delay (140 ms) medium delay (315 ms) long delay (480 ms) medium hall / medium delay (235 ms) medium hall / long delay (415 ms) studio plate medium room medium hall large hall Vibratone Chorus Reverb + Chorus 1 Reverb + Chorus 2 Chorus + Delay Delay 1 Delay 2 Delay 3 Reverb + Delay 1 Reverb + Delay 2 Plate Reverb Room Reverb 1 Room Reverb 2 Hall Reverb 1 Hall Reverb 2 Hall Reverb 3
Mic/Line Channel
fast slow large room / slow chorus medium hall / fast chorus fast chorus / long delay (480 ms) slapback delay (140 ms) medium delay (315 ms) long delay (480 ms) medium hall / medium delay (235 ms) medium hall / long delay (415 ms) studio plate dark medium room bright medium room small hall medium hall large hall
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