Frontman 212R Amplifier

Your new Frontman 212R amplifier delivers worldclass Fender tone and worldstandard Fender quality: 100W output power into 4 ohms Selectable Normal and Drive channels independent volume and tone controls with Fender touch-sensitive circuit design simulates the feel of tube distortion PRE-AMP OUT and POWER-AMP IN jacks allow you to connect external effects devices, other amplifiers or sound/recording equipment to your Frontman 212R FOOTSWITCH jack for use with the 2-button Fender footswitch (included). The footswitch provides remote channel selection and drive/more drive switching
MORE DRIVE pre-amp boost for instant gain saturation and harmonically rich leads MID-CONTOUR button allows for many different variations in distortionfrom Rock to Blues to Metal to whatever! Classic Fender spring Reverb
Thank you for choosing FenderThe Worlds most popular instrument amplifierssince 1946

CH SELECT MORE DRIVE

INPUTS

VOLUME

TREBLE

MID CONTOUR

REVERB

FOOT SWITCH

PRE OUT

PWR IN

FENDER MUSICAL INSTRUMENTS
A. INPUT - Plug your guitar in here. INPUT 1 is normal sensitivity for most guitars, INPUT 2 is lower sensitivity for guitars with high output (active) pickups. B. VOLUME - Adjusts the loudness of the Normal channel.
2 C. 1 TREBLE/MID/BASS - Adjusts the high-, middle-, and low-frequency tones of the Normal channel.
K. REVERB - Adjusts the Reverb level for both channels. L. FOOTSWITCH - Connect the 2-button Fender footswitch (included) to this jack to enable remote switching of CH SELECT, and DRIVE/MORE DRIVE. When plugged in, the footswitch overrides the corresponding panel buttons. M.PRE OUT/PWR IN - (1) Effects Loop - Connect PRE OUT to an effects FOOT PREinput, then connect the device MID CONTOUR PWR MID BASS REVERB OUT SWITCH IN FE DER MUSICAL IN RUMENTS effects device output to PWR IN. (2) NMultipleS TAmps - Connect the primary units PRE OUT to the auxiliary units PWR IN. The primary unit is used to control all auxiliary units. (3)Recording or Reinforcement - Connect PRE OUT to sound equipments input. Both jacks use a TS (Tip-Sleeve) standard type plug for connections. PRE OUT includes onboard tone shaping. N. POWER INDICATOR - Lights up when the amplifier is on. O. POWER - Switches the amplifier on and off. P. POWER CORD SOCKET - Connect the included power supply cord in accordance with the voltage and frequency ratings listed on the rear panel of your amplifier.

D. INPUTS CHANNEL INDICATORS -DRIVE DRIVE VOLUME TREBLE VOLUME TREBLE BASS Yellow LED ON nDrive channel is active Red LED ON nMore Drive channel is active E. DRIVE - Adjusts the distortion level of the Drive channel. Use together with VOLUME{G} to adjust the overall loudness of the Drive channel. F. CHANNEL SELECT selects the Normal channel Button OUT Button IN selects the Drive channel G. VOLUME - Adjusts loudness of the Drive channel together with DRIVE {E}. H. MORE DRIVE - Boosts the intensity and range of the DRIVE control {E}. Button OUT selects the Drive channel selects the More Drive channel Button IN I. TREBLE/MID/BASS - Adjusts the high-, middle-, and low-frequency tones of the Drive channel J. MID-CONTOUR - Activates a scooped midrange EQ useful for modern distortion sounds in the Drive channel.

CH SELECT

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TYPE: PART NUMBER: POWER REQUIREMENTS: POWER OUTPUT: POWER AMP INPUT: FUSES: FOOTSWITCH: SPEAKER COMPLEMENT: DIMENSIONS WEIGHT: PR (120V, 60Hz) US 2316500910 (120V, 60Hz) US DS 2316501910 (110V, 60Hz) TW 2316503910 (240V, 50Hz) AUS 2316504910 (230V, 50Hz) UK 2316505910 (220V, 50Hz) ARG 2316506910 (230V, 50Hz) EUR 2316507910 (100V, 50Hz) JPN 2316509910 (220V, 60Hz) ROK 360W 100W RMS into 4 @ 5%THD IMPEDANCE: 10K SENSITIVITY: 930mV for 100W into 4 @ 1 kHz F4A 125V for 100V/110V/120V ver F3A 250V for 220V/230V/240V ver 2-Button (P/N 0994062000), Channel Select / Drive-More Drive Select Two 8, 12 Special Design SOUND TESTED drivers HEIGHT: 19.5 in WIDTH: 26.0 in DEPTH: 9.5 in 48.0 lb (49.7 cm) (66.3 cm) (24.2 cm) (21.6 kg)
Product specifications are subject to change without notice.
El nuevo amplificador Frontman 212R proporciona el estndar de calidad mundial de Fender y el sonido lder en el mundo de Fender: Potencia de salida de 100 W a 4 ohmios Canales Normal y Drive seleccionables con controles de tono y volumen independientes Aumento de sobreexcitacin del preamplificador MORE DRIVE conmutable para la obtencin de resultados realmente armoniosos El botn MID-CONTOUR permite variar de numerosas formas la distorsin de Rock a Blues, a Metal y a lo que sea! Efecto envolvente Spring Reverb clsico de Fender El circuito tctil de Fender estimula la sensacin de distorsin de las vlvulas Los conectores PRE-AMP OUT y POWER-AMP IN permiten conectar dispositivos de efectos externos, otros amplificadores o equipos de sonido/grabacin al Frontman 212R Conector de pedal FOOTSWITCH para utilizar un pedal de 2 botones de Fender (incluido). El pedal permite seleccionar el canal y cambiar entre drive/ more drive de forma remota Gracias por elegir Fender Los amplificadores dein strumentos ms populares del mundo desde1946

Greater LA Cathedral Choir Performance Rider
Contact: Eva J. - 323.485.7210 Technical Contact: Manuel Casiano 562.377.2621
We hope to not only provide a quality experience at our events to lead people to a deeper understanding of the mighty god we serve. We rely on this document to achieve those goals. We take this document seriously. We say that to clarify that unless discussed we will assume that all specifications laid out below will be met exactly and completely. If there is any area outlined below that will not be met please contact Manuel Casiano, our Technical Director. Thank you in advance for your understanding. Please feel free to call if you have any technical questions or concerns regarding this rider. TECHNICAL SPECIFICATIONS Main speakers must be at least three-way, actively crossed over. As a rule of thumb multiply the capacity of the hall by 5 (10 if outside) to get the minimum wattage required, however in no case should the minimum wattage be less than 3000 watts. Fill speaker should be setup necessary to assure even coverage (frequency and volume) for the entire audience. Front Of House Mixer: 32 channel (Midas, Soundcraft, Yamaha) analogue preferred. (8) VCAs 4-band swept EQ minimum (6) Aux-Send pre/post fade EQ stereo: L/R-Mix (4) Compressor - (DBX 160) (1) CD-Player 110dBA at front of house position. EQ: Include all components of the sound system a Yamaha SPX 990 for the house and monitors. Whatever EQ we end up with during sound check will be unchanged until our set time, even if other acts perform or sound check before our set time. Changing EQ for other acts before our set time is unacceptable unless EQs are digitally programmable. Monitoring (if applicable) Mixer: 32 Chanel (Midas, Soundcraft, Yamaha) (8) Professional Floor wedges Band Graphic EQs (Klark, XTA, BSS) Manuel Casiano will assist the house engineer and take the band through monitor checks after a line check has been done on all channels. (6) Separate mixes are preferred (refer to enclosed backline gear & input list for further instruction)
Microphones (6)SM58 Vocal Microphones w/ stands (3)Omni-directional Condenser Microphones w/ stands (2) Shure SLX Wireless Systems w/ stands (4)SM57 Instrument Microphones (1) Kick Drum Microphone (AKG C 451, Shure Beta 52, Rode NT4)
BACKLINE GEAR & INPUT LIST 5 Piece Drum Kit w/ Applicable Hardware (1)Guitar Amplifier Fender Frontman 212R Fender Frontman 25R Fender GDeck (4) Stereo DI Boxes (2)Short Boom Microphone Stands (2) Double Braced Keyboard Stands INPUT LIST 1Kick 2Snare 3Tom A 4Tom B 5Floor Tom 6OH (LT) 7OH (RT) 89Bass 10Guitar 1112Keyboard A (advise type) 13Keyboard B (advise type) 14Organ Top 15Organ Bottom 1617Verb 18Playback 19Vox Lead (SM87) - Choirmaster 20Vox Lead (Sm57) - Choirmaster 21Vox Lead (SM87) 22Vox 23Vox 24Vox 25Vox 26Vox
(1)Bass Amplifier Hartke VX3500 Behringer BXL3000 Fender Rumble 350 ADDITIONAL EQUIPMENT
MIXES Mix 1 - Choirmaster Mix 2 - GLACC Mix 3 - Keys / Guitar Mix 4 - Drums / Bass Mix 5 - Engineer IEM Mix 6 -
SOUND CHECK REQUIREMENTS If applicable, GLACC shall receive a thorough sound check prior to the doors opening to the public at the venue. A minimum 30 minutes of exclusive time on the house sound system with the aid of the sound technician working the venue the day of the performance is needed. GUEST LIST For public performances GLACC shall be allowed 2 complimentary/guest tickets per performance, to be placed on a guest list, at no cost to artist or guests. DRESSING ROOM Organizer shall provide 2 (two) lockable dressing room areas near the stage, which can be accessed without going through the audience area. This is to allow for personal storage and wardrobe changes during the performance. Each room shall accommodate up to 15 people (with chairs), be well lit with a full length mirror and contain a place to hang garments. RECORDING THE PERFORMANCE Absolutely no audio recording, video recording, nor radio broadcasting shall be allowed during the performance unless prior written permission has been granted by GLACC or their representative. HOSPITALITY The Organizer shall provide, at no cost to the artist, the following food and beverage items for 35 (thirty-five) people in the dressing room one hour prior to performance time: - Assortment of non-alcoholic soft drinks and juice - Bottled non-carbonated water, or pitchers of iced water with cups - Coffee service - Delicatessen tray of assorted FRESH meats, cheeses, breads, fruit and veggies ACCOMODATIONS If applicable, Organizer shall help coordinate lodging and travel with booking agent according to contractual agreement. PARKING If GLACC must park in public or private facility, validation or reimbursement will be required by the organizer. MERCHANDISE Before, during, and/or after performance, artist shall be allowed to sell promotional items, including but not limited to CDs, clothing, and photographs. Artist shall retain 100% (one hundred percent) of all proceeds from sales.