XtSA The xtSA is a multi-voiced guitar. A jack-of-all-trades, and master of all of them, the xtSA's incredible sound power begins with three distinct voices: electric guitar, acoustic guitar and synth controller. *Throughout this manual we refer to the humbuckers as magnetics. The acoustic pickups found on the xtSA are referred to as bridge transducers. Acoustics Electric guitars are actually acoustic instruments. Perhaps not particularly loud, but the point here is that if a solid body guitar does not sound good un-plugged then it won't be saved by a great set of pickups and a good amp. There are many factors that contribute to the un-plugged sound of a solid body guitar but most of the response of the instrument comes as a result of the wood used along with fit and finish. Godin guitars are made using only solid wood. Guitars made from plywood or particle-board tend to lack sustain and can be somewhat muffled sounding. Body The body of the xtSA is made from a blend of two tonewoods. A center of silver leaf maple serves as an anchor for the neck and is flanked by yellow poplar sidepieces. The top is covered with a figured maple veneer (Leaftop).
Congratulations and thank you for choosing a Godin guitar. Each Godin guitar is meticulously crafted from the finest materials to provide you with an instrument worthy of a lifetime of music making. Our goal with each Godin guitar is to find the perfect balance between the finest traditions of guitar crafting, the new design concepts that we are developing and the integration of the latest developments in related electronics. From the selection of the wood to the final adjustments to the finished instrument, each Godin guitar is designed and built by people who love guitars. Enjoy your new guitar.
Neck Fit/Pitch The angle of the neck attachment - called pitch - has a huge impact on sound, a slight tilt forward will cause the guitar to sound boomy, a slight tilt backwards can make the guitar sound tinny. Equally important is the fit of the neck into the body. Godin guitars are renowned for tight-fitting neck attachments that support excellent neck/body energy transfer and precise neck pitch. Neck Honduras Mahogany has a long history as the tone-wood of choice for acoustic guitar necks. The same properties that give mahogany its appeal in an acoustic guitar namely a warm harmonically rich sound have a similar effect in a solid body electric guitar. Ergocut The xtSA neck features our Ergocut shaping technique which bevels the edges of the fingerboard and frets back in towards the center of the fingerboard providing an extremely comfortable worn-in feel. Ebony Fingerboard The ebony fingerboard on the xtSA not only contributes to a more focused sound, but also helps to optimize the guitar's synth tracking capabilities.
The Electric Voices The xtSA delivers electric sounds via the Godin humbuckersingle-humbucker pick-up configuration and thanks to a special 5-way switch set-up, extra meaty humbucker tones coexist with glassy single coil sounds in the second and forth position. The Acoustic and Synth Voices Turn down the electric volume and raise the volume on the RMC transducer saddles and the xtSA becomes an incredibly authentic-sounding 'acoustic' guitar. The acoustic voice of the xtSA is enhanced by an onboard preamp with a three-way graphic EQ. The two outputs are set up so that the electric and acoustic voices can be blended in the guitar using a single patch cord or at the amp/mixer using both outputs. The third voice on the xtSA comes in the form of its synth tracking, which simply put, is the best in the business. As with all of Godin synth-ready instruments, a built-in 13-pin connector provides direct access to all Roland GR-Series synths as well as most other 13-pin devices.

The xtSA features 3 output jacks: Output #1 is a regular 1/4" electric guitar output Output #2 is a 13-Pin output and is capable of carrying all three voices (electric, acoustic, synth). The 13-pin cable can be used in conjunction with GR Series guitar synths and most other 13pin devices. Output #3 is a dual function jack. Used on its own it serves as a mix output carrying the signal from the acoustic bridge transducers as well as the magnetic pickups. Separate volume controls on the guitar make it easy to mix the two signals.
When an additional cable is inserted into output # 1 (electric output) the magnetic pickup signal is removed from the mix output so that there is now a separate output for both the magnetic and bridge transducer pickup systems.
Vo lu Tre me ble M Ba id ss
Custom Godin Pickups Pos. 1 - A,B Pos. 2 - A,B,C Pos. 3 - C Pos. 4 - C,D,E Pos. 5 - D,E
3 Outputs - 3 cords You can use all three outputs to carry out the dedicated signal into three different channels or amp sources.

Pos. 1

Volume Pos. 5
Synth Volume Tone momentary S1/S2 three-way selector
*tip: when all three outputs are used you can insert a dummy plug into the guitar out jack on the guitar synth to remove the guitar from the synthss stereo output.
Mini toggle switches There are two mini toggle switches on the guitar. Switch #1 is a three-way pick-up selector that allows you to switch between the acoustic/electric and synth voices. This switch is designed to work with the 13-pin connection as follows: Position 1: Acoustic/Electric Position 2: Acoustic/Electric/synth sounds Position 3: Synth only
*The mini 3-way switch is disabled as described above when using 1/4" jacks.
Double function Truss Rod The xtSA's neck is reinforced by a sophisticated truss rod system, the truss rod provides for easy adjustment when the neck reacts to changes in relative humidity. Truss rod adjustments should only be made by a qualified guitar technician.

Switch #2 is a momentary switch. A momentary switch always springs back to its starting position, which in this case, is the center position. The momentary switch duplicates the functions of the S1/S2 buttons from Roland's GK pickup. (See your Roland GR manual for details). This switch can be assigned to access the tuner, wah pedal, or to select sounds (patches) on the synth. Clicking the momentary switch downwards duplicates the S1 function and clicking it upwards duplicate the S2 function. Care and Maintenance To avoid drying out your fingerboard apply lemon oil on a soft cloth and then to your fingerboard. Allow the ebony to soak in the oil for a few minutes before removing the excess. This should be done with the strings removed and at least once every year. The easiest way to keep your guitar clean is by simply using a polishing cloth without using any polishes at all. However if you are going to use a polish please use a nonabrasive non-wax based polish. Apply the polish on a cloth first. Do not spray it directly on to the guitar. After you have polished the area you are working on turn the cloth over to a 'dry' side and remove any excess residue.
Additional information Tuners The xtSA features front-loaded locking tuners for easy string change and better intonation. Simply turn the locking tuner counter clock-wise to loosen, insert string, tighten the locking tuner by turning clock-wise and you're ready to tune. Pre-Amp The built in active pre-amp for the bridge transducers is powered by a single 9-volt battery accessible via a small compartment on the back of the guitar. The pre-amp is activated when the guitar is plugged in. Therefore, to avoid draining the battery please make sure to disconnect your cable when the guitar will not be used for a extended period of time. If the sound of the bridge transducers begin to sound thin or fuzzy, a battery change is overdue. Battery life is approximately 300 hours.
Strap Pins The xtSA comes with factory installed Schaller locking strap pins. If you do not have a strap with the corresponding "female" lockers you can purchase them at any music store. Additional specifications Top nut: Tusq by Graphtech Nut width: 1 11/16" Scale: 25 1/2" Radius: 16" Tuners: High ratio front-loaded locking tuners. String Gauge: Godin Nickel electric strings 10-46 Frets: Medium Nickel Pickups: Godin GHN1 (Neck) GS1 (Middle) GHB1 (Bridge) Bridge: Transducers and pre-amp: RMC custom Poly-Drive system. Body: Silver leaf maple center with white poplar wings capped with a Flame Maple leaftop. Neck: Mahogany Fingerboard: Ebony
*Specs subject to change without prior notice. All Godin guitars are assembled in Berlin NH, USA from parts crafted in La Patrie, QC, Canada.
The Godin Guitar Company, 19420 Avenue Clark-Graham, Baie DUrfe Quebec Canada H9X 3R8 www.godinguitars.com

Godin Guitars are assembled in Berlin New Hampshire from parts crafted in Qubec Canada. Les Guitares Godin sont assembles la main aux tats-Unis partir de pices fabriques au Canada. Godin Guitars, 19420 Avenue Clark-Graham, Baie DUrf Qubec Canada H9X 3R8 www.godinguitars.com
Godin is a registered trademark of 117506 Canada inc. / Godin est une marque dpose de 117506 Canada inc.
All specifications are subject to change without prior notice. / Toutes les caractristiques sont sujettes changements sans pravis.
Printed in Canada on Recycled Paper / Imprim au Canada sur papier recycl Photography & Graphic Design / Photos et Conception Graphique : Katherine Calder-Becker
For over thirty years, Robert Godin has been pushing the boundaries of both acoustic and electric guitar design. Roberts innovations in semi-acoustic guitars, multi-voice instruments, and synth access have made Godin an industry leader in all of these categories. Godins ongoing commitment to value and innovation has never been more evident than in the current model lineup. All Godin guitars are assembled in Berlin, New Hampshire from parts crafted in Godin's original facility in La Patrie, Quebec Canada.

Robert Godin

godin glossary
Ergocut - This describes a special technique that is applied to all Godin necks. The sides of the neckat the fingerboardare beveled inward providing an extra comfortable "worn in" feel. Double-Action Truss Rod - All Godin guitar and bass necks are reinforced with a truss rod that is adjustable for both adding and removing relief in the neck. Scale - Scale length refers to a measurement equal to double the distance between the top nut and the twelfth fret. The two most common scales used on electric guitars are 24 " and 25 ". Godin uses both scales to achieve specific results in sound and feel on different models. 24 " models tend to offer a deeper low-end with slightly easier bending. The 25 " scale offers a brighter sound and sharper attack. Leaftop - This is a term we coined to describe a thin, figured maple veneer such as the top on an xtSA, Solidac Freeway SA or Freeway Classic. We wanted to distinguish this finish, which is beautifulbut only impacts appearancefrom the coveted thick figured maple tops used in our Signature Series instruments. Saddle transducer - The saddle is the part of the bridge that the string rests on. Several Godin models are equipped with saddles that double as pickups. These pickups produce the acoustic guitar sound andin the case of the SA modelsprovide the hexaphonic output for synth access. Hexaphonic - Guitar synths require a separate signal from each string, this six-string output is called hexaphonic. The 13-pin connector provides hexaphonic output. SA (synth access via the 13-pin connection) - Godin has led the industry in the design and development of guitars with built-in synth access for over a decade. The eleven synthready models in the line are equipped with a 13-pin output jack that connects the guitar directly into various 13-pin devices. Most notably the 13-pin output connects your guitar to the Roland GR-Series guitar synths. From there it is possiblevia MIDIto connect the guitar to a computer for notation, tab, sequencing and more. Two-voice - Several models in the Godin line-up incorporate cutting-edge electronics that enable the guitar to produce two distinct voices. In instruments such as the Montreal, the two voices consist of the regular electric guitar sound, from the two humbucking pickups, and acoustic guitar sound powered by the saddle transducer system. On instruments such as the Multiac, or Freeway SA, the first voice is the guitar itself and the second voice comes from a guitar synth which is accessed via the 13-pin output. Three-voice - The three-voice instruments offer electric guitar sound, acoustic guitar sound, and 13-pin access. The Godin xtSA, LGX-SA, LGXT, and Jazz are all three-voice instruments. Two Chamber Acoustics - The Godin two-chamber body concept is used in the design of all of the Multiac series instruments except the Jazz and the ACS. It is also used in all of the A-Series instruments. This unique design resists feedback on-stage but even more importantly, resists the negative effect that other sounds on stagethe rest of the band can have on the vibration of a standard acoustic guitar top.

radiator

The Radiator's full-coverage pickguard caps a chambered silver leaf maple body, which gives this guitar a light and lively feel. The rock maple neck fits like a glove and the two low-noise single coil pickups can be blended via their individual volume controls to get everything from blues and rock sounds to country twang. Surf and slide players dig the Radiator.
The SD has an incredibly compact feela sort of 'sports car' for the guitarist. The easy bending SD yields a broad batch of rock and blues tones and the rock maple neck with Godin's Ergocut shape will easily meet the standards of even the most discriminating neck connoisseur.
midnight blue colors black red
Fingerboard : Maple or Rosewood Neck : Rock Maple 24 " scale 12" Radius 1 11/16" nut width Body : Chambered Silver Leaf Maple Pickups : Godin
Fingerboard : Maple or Rosewood Neck : Rock Maple 24 " scale 12" Radius 1 11/16" nut width Body : Silver Leaf Maple center with Poplar wings black onyx Pickups : Godin 5-way switch

colors

detour
The Detour has a compact feel similar to the SD, but in an aggressive double cutaway body style with two Godin humbuckers and a three-way switch. This guitar is a rock machine.

exit 22

Attention tone fanatics! The mahogany body, rock maple neck combination in the Exit delivers some of the richest guitar tones you'll find anywhere, at any price. The mahogany body looks so great with a lightly stained natural finish we couldn't bring ourselves to paint it. Available with your choice of maple or rosewood fingerboard. Now available left-handed.
Fingerboard : Rosewood Neck : Rock Maple 24 " scale 12" Radius 1 11/16" nut width Body : Silver Leaf Maple center with Poplar wings

red hg

Fingerboard : Maple or Rosewood Neck : Rock Maple 24 " scale 12" Radius 1 11/16" nut width Body : Mahogany Pickups : Godin 5-way switch

black pearl hg

3-way switch

silver sg

Pickups : Godin Humbuckers

natural mahogany

freeway classic
Boutique guitar looks and build quality, without the stress on your wallet. The Freeway's incredibly versatile hum-singlehum pickup configuration delivers the crystalline sparkle of the best sounding single-coil guitars and extra fat humbucker tones. Available with figured maple leaf top finish (pictured) or solid colours.

freeway floyd

We preserved the great feel and balance of the Freeway Classic and souped it up with a pair of our new extra hot Godin NH2 Humbuckers and licensed Floyd Rose locking trem system.

Fingerboard : Maple or Rosewood Neck : Rock Maple 25 " scale 12" Radius 1 11/16" nut width Body : Silver Leaf Maple center with Poplar wings Pickups : Godin 5-way switch

trans blue flame

Fingerboard : Rosewood

lightburst flame

Neck : Rock Maple silver sg colors black hg 25 " scale 12" Radius 1 11/16" nut width Body : Silver Leaf Maple center with Poplar wings

black pearl

Pickups : Godin 5-way switch
The LG made its debut in 1995 and became the foundation of Godin solid-body guitar design. The LG has garnered numerous awards along with unanimous praise from the press and players all over the world. Loaded with a pair of Seymour Duncan SP-90 pickups the all-mahogany LG is a superb blues guitar. If your music requires some serious in-your-face tones, then you might want to plug in the LGHBand stand back! The Godin NH2 humbuckers offer massive power.
Fingerboard : Rosewood Neck : Mahogany 24 " scale 16" Radius 1 11/16" nut width Body : Mahogany Pickups : hmb model Godin Humbuckers 5-way switch SP-90 model Seymour Duncan SP90s 3-way switch

natural sg

cognac burst hg

trans red hg

lgs (p90 & hb)

solidac

The acclaimed mahogany neck from the Godin Signature Series instruments, locking tuners, super flexible hum-single-hum pickup configuration and a customized LR Baggs XBridge system for acoustic guitar sounds and separate outputs! One of the best 'two-voice' guitars ever built.

lg signature

The expression 'objet d'art' comes easily to mind when considering the LG Signature. Both body and neck are fashioned from select mahogany, with a top made from a thick slab of figured maple. Powered by a pair of Seymour Duncan humbuckers and our double 5-way switch. The LG Signature would look right at home in an art galleryif you could let go of it. Available with AA or AAA Flame Maple tops.
cognac burst flame colors trans blue flame trans black flame
Fingerboard : Rosewood trans blue flame Neck : Mahogany 25 " scale 16" Radius 1 11/16" nut width Body : Mahogany back with carved Figured Maple top Pickups : Seymour Duncan humbuckers 5-way switch
Neck : Mahogany 25 " scale 16" Radius 1 11/16" nut width Body : Silver Leaf Maple center with Poplar wings Pickups : Godin Humbucker single - Humbucker, plus LR Baggs XBridge 5-way switch

light burst quilted

freeway sa
Our latest variation on the Freeway design incorporates the Ghost system, which provides the guitar with direct access to the growing world of 13-pin devices and computers. This guitar plugs directly into Roland GR-Series guitar synths, tracks them like glue, and establishes a new level of affordability in guitar synth access!
Its impossible to describe in this small space, so we'll give it to you in point form. Electric sounds. Acoustic sounds. 13-pin guitar synth access. Separate outputs. Figured maple leaftop finish. Whether you are performing, recording or just enjoying the xtSA's wide screen listening experience, the unlimited sonic potential of the xtSA opens a world of musical possibilities.

Fingerboard : Rosewood Neck : Rock Maple 25 " scale 12" Radius 1 11/16" nut width Body : Silver Leaf Maple center with Poplar wings Pickups : Godin plus Ghost system 5-way switch
Fingerboard : Ebony Neck : Mahogany light burst quilted 25 " scale 16" Radius 1 11/16" nut width Body : Silver Leaf Maple center with Poplar wings Pickups : Godin Humbucker single - Humbucker, plus tremolo bridge with RMC transducer, custom pre-amp and EQ 5-way switch colors

dark trans red

black hg

trans black

(three-voice)
cognac burst flame colors black pearl trans blue flame
Fingerboard : Ebony Neck : Mahogany 25 " scale 16" Radius 1 11/16" nut width Body : Carved Figured Maple top, Mahogany back Pickups : Seymour Duncan Custom Humbuckers, RMC Bridge
The flagship of the Godin Signature series takes all of the features of the LG Signature and adds two voices to create a three-voice masterpiece. The custom RMC system provides acoustic guitar sound and 13-pin output for synth/computer access. The result sonic potential that is sure to spark your imagination in a seriously handsome guitar. Available with AA or AAA Flame Maple tops.

cognac burst flame

Fingerboard : Ebony Neck : Mahogany 25 " scale 16" Radius 1 11/16" nut width Body : Figured Maple top, Silver Leaf Maple center, Poplar wings Pickups : Seymour Duncan Custom Humbuckers, RMC Bridge
The LGXT features the three-voice power and premium maple top found in the LGX-SA but with a body made of silver leaf maple and light poplar. The 'T' in the LGXT stands for tremolo and as in the LGX-SA, a custom RMC system provides acoustic guitar sound and 13-pin output for synth/computer access. A superbly powerful instrument. Available with AA or AAA Flame Maple tops.
Fingerboard : Rosewood Neck : Rock Maple 34" scale 16" Radius 1 " nut width (4-string) 1 13/16 nut width (5-string) Body : Silver Leaf Maple center with Poplar wings Pickups : Passive Godin PJ pickups
Rock solid describes the Freeways sound and its build. The rock maple neck sits in a super-snug neck pocketensuring excellent neck/body energy transfer. The classic PJ pickup configuration is rendered all the more versatile thanks to a convertible bridge that gives you the choice of stringing through the body or from the back of the bridge.

burgundy

freeway 4/5

freeway 4/5 active

The active version of the Freeway basses replaces the maple/poplar body in the passive models with solid mahogany. Godin active electronics can handle everything from a mellow to a clear bright sound that will propel the Freeway through whatever sonicsoup gets in its way.

midnight blue

Fingerboard : Rosewood Neck : Rock Maple
34" scale 16" Radius 1 " nut width (4-string) 1 13/16 nut width (5-string) Body : Mahogany Pickups : Active Godin Soap Bar pickups

natural flame sg

montral
If there was a beauty contest for guitars we'd have to seriously consider the Montreal for our entry, but the really good news is, that it sounds even better than it looks. The solid mahogany construction, 24 " scale neck and Godin humbuckers add up to some extra fat sounds. The double 5-way switch splits the pickups and the 'glassy' tones that result might have you thinking that you've picked up a completely different guitar. Add the acoustic voice from the transducer-equipped bridge and the Montreal provides sonic adventures unlike any other guitar.
Fingerboard : Rosewood Neck : Mahogany 24 " scale 16" Radius 1 11/16" nut width Body : Solid Mahogany, chambered Pickups : Godin Humbuckers, Bridge equipped with LR Baggs transducer, Custom pre-amp with EQ

natural hg

multiac jazz
The Jazz combines classic Jazz guitar looks and sound with additional sonic power from a bridge transducer system and 13-pin (synth) access. The Godin mini-humbucker delivers the smooth sustaining tone that you expect from a top jazz guitar. Blending the signal from the bridge transducers adds a defined acoustic quality to the sound that really sets this guitar apart from other Jazz guitars. The 13-pin connection opens up a world of possibilities including synth access, computer assisted arranging, notation and tab. Available with a solid figured maple top or solid spruce.
Fingerboard : Ebony Neck : Silver Leaf Maple 25 " scale 16" Radius 1 11/16" nut width
Pickups : Custom RMC electronics, Godin mini-humbucker, transducer bridge

lightburst flame hg

Body : Contoured Silver Leaf Maple center with Poplar wings and a Flame Maple or Solid Spruce top

spruce hg

multiac steel sa
Fantastic sound on stage along with the comfort and mobility of a slim body acoustic are what separates the Multiac Steel SA from pickup-equipped, standard flat-top guitars. The 13-pin access to guitar-synths and computers puts this guitar in a category all by itself.

multiac steel duet

The same look and feel as the SA but the 13-pin system is replaced by a special electronics package designed by LR Baggs. The custom preamp in the Duet system blends the output from an Element under-saddle transducer with that of an I-Beam transducer. The duet model includes a standard " output and a balanced XLR output that accepts phantom power.
Fingerboard : Ebony Neck : Mahogany 25 " scale 16" Radius 1 11/16" nut width Body : Two-chambered Mahogany, Solid Spruce top
Fingerboard : Rosewood Neck : Mahogany 25 " scale 16" Radius 1 11/16" nut width Body : Two-chambered Mahogany, Solid Spruce top natural hg Pickups : LR Baggs I-Beam Duet System with transducer
Pickups : Custom RMC electronics

multiac nylon sa

The slight radius on the fingerboard, 25 scale, and slim dimensions make the Multiac very comfortable in the hands of a steel-string player. Superb plugged-in sound and (loud) volume before feedback have made the Multiac the benchmark for electric nylon string guitars. The 13-pin output provides easy access to synths and computers. Multiac Fretless SA For the truly adventurous, we offer the Multiac Nylon SA in a fretless version. The fretless is an incredibly expressive instrument and deceptively easy to play.

multiac nylon duet

The same revolutionary design as the Multiac SA but the 13-pin system is replaced by a system designed by LR Baggs that blends the signal from an Element under-saddle transducer with an IBeam transducer in a custom preamp. The Duet model includes a standard " output and a balanced XLR output that can bring phantom power back to the preamp.
Fingerboard : Ebony Neck : Mahogany 25 " scale 16" Radius 1 7/8" nut width Body : Two-chambered Mahogany, Solid Spruce top
Fingerboard : Rosewood Neck : Mahogany 25 " scale 16" Radius 1 7/8" nut width Body : Two-chambered Mahogany, Solid Spruce top natural hg Pickups : LR Baggs I-Beam Duet System with transducer
The ultra comfortable neck and superb tracking from the Multiac Nylon are combined in the very affordable ACS. The chambered maple body makes the ACS virtually feedback-free, which has made it a popular choice for players working in large venues or at high volumes.

trans blue hg

acs slim
The ACS Slim is designed for players that want Nylon string sound without making the adjustment to the feel of a wider neck. Also a great choice for players with smaller hands.

Fingerboard : Ebony Neck : Mahogany 25 " scale 16" Radius 1 7/8" nut width Body : Solid Body design with Silver Leaf Maple back, Maple top
Fingerboard : Ebony Neck : Mahogany 25 " scale 16" Radius 1 11/16" nut width Body : Solid Body design with Silver Leaf Maple back, Maple top

grand concert sa

The original Multiac was designed with steelstring guitarists in mind. In no time at all, classical players let us know that they wanted to plug in and access synths and computers as well. The Grand Concert model is the Multiac for the traditionalist. The wider neck, cedar top, and 12th fret neck attachment are all features that provide a familiar feel to the classical player. Outstanding sound on stage opens up the possibility of new musical contexts. The 13pin access will test the bounds of your imagination.

grand concert duet

The same look and feel as the SA but the 13-pin system is replaced by a special electronics package designed by LR Baggs. The custom preamp in the Duet system blends the output from an Element under-saddle transducer with that of an I-Beam transducer. The Duet model includes a standard " output and a balanced XLR output that is phantom power capable.
Fingerboard : Ebony Neck : Mahogany 25.59" scale 24" Radius 2" nut width Body : Two-chambered Mahogany, Solid Cedar top
Fingerboard : Rosewood Neck : Mahogany 25.59" scale 24" Radius 2" nut width Body : Two-chambered Mahogany, Solid Cedar top natural hg Pickups : LR Baggs I-Beam Duet System

acousticaster

Eighteen tuned, metal tines are attached to the brace below the bridge on the Acousticaster. The sympathetic vibration of the tines combines with the vibration of the strings and solid spruce top to produce a rich acoustic sound drenched in harmonics. The Acousticaster was the original Godin guitar to use the two-chamber design in an acoustic/electric guitar and the first guitar to produce acoustic guitar sound with electric guitar feel.

glissentar

A few years ago, Robert Godin became intrigued by the growing ranks of guitarists that were experimenting with the Oud. The Oud is a fretless, Middle-Eastern instrument that uses 11 nylon strings. The scale is very short and the tuning is not the same as a guitar. Enter the Glissentar with guitar scale25 and standard guitar tuning. The Glissentar is surprisingly easy to play and opens the door to the microtonal sounds of Asian and Middle Eastern music.

Fingerboard : Rosewood Neck : Rock Maple 25 " scale 12" Radius 1 11/16" nut width Body : Semi-acoustic Mahogany body, Solid Spruce top, Fan bracing, Mechanical Harp Pickups : 3-dimensional LR Baggs bridge transducer pickup with 3band EQ
Fingerboard : Ebony Neck : Rock Maple 25 " scale 16" Radius 1 " nut width Body : Two-chambered Silver Leaf Maple, Solid Cedar top natural hg Pickups : Godin Custom undersaddle transducer and pre-amp
The Godin two-chamber concept applies itself beautifully in the A8. The A8 has caught the attention of many of the top mandolin players in the world who are delighted to have access to great sound, at any volume, for the first time.

a4/5 basses

Theses unique instruments take a different approach to providing acoustic bass sounds to bass players in a portable design. The two-chamber body, solid top, and custom LR Baggs electronics work superbly together. More flexible than you might expect, minor adjustments in the onboard graphic EQ place the A-Series basses in a variety of musical contexts.

Fingerboard : Ebony

Fingerboard : Ebony Fretless cognac burst hg Neck : Rock Maple 34" scale 16" Radius 1 " nut width (4-string) 1 13/16 nut width (5-string) Body : Two-chambered Silver Leaf Maple, Solid Cedar top Pickups : LR Baggs electronics colors
Neck : Mahogany Body : Two-chambered Mahogany, Solid Spruce top Pickups : Custom RMC electronics