CREATE YOUR OWN SOUNDS.. 24
SELECT PATCH 128... MAKE THE DRAWBAR REGISTRATION.. ADD PERCUSSION... ADD EFFECTS... VIBRATO AND CHORUS... LESLIE.... RECORD TO THE PATCH... 26
SHORT CUT TO THE FUNCTION MODE.. 48
EXAMPLE: Move to the Percussion Function Mode.. 48
SETTING THE PARAMETERS. 49

DRAWBAR... 50

Setting the Manual (LOWER and UPPER).. 50 Setting the PEDAL... 51

APPENDIX.. 75

Part and MIDI Messages... MIDI Information... Drawbar Data List 1... Drawbar Data List 2... System Exclusive Message.. Global Parameters.. Patch Parameters.. Leslie Parameters... System Parameters... Specifications... Demonstration Songs and Composers.. Factory Patches... SERVICE... 89

PATCH... 52

PATCH NAME... 52 PATCH LOAD.... 52 PATCH NUMBERS... 52
EFFECTIVE USE OF LINK-LOWER/PEDAL.. 53 WHEN LINK LOWER/PEDAL IS ON:... 53 WHEN LINK LOWER/PEDAL IS OFF:.. 53

CONTROL... 54

PITCH BEND... 54 MODULATION... 55 PRESSURE.... 55 EXPRESSION.... 56 FOOT SWITCH... 57 DISPLAY.... 57
ADJUSTING THE EXPRESSION PEDAL.. 58
TUNE... 59 CUSTOM TONEWHEELS.. 60
B-Type.... 60 Mellow.... 60 Brite.... 60
PERCUSS (PERCUSSion).. 61 LESLIE... 62
CABINET NUMBERS... 62 LESLIE PARAMETERS... 62
RECORD THE CABINETS... 64
OD/VIB (OverDrive / VIBrato).. 65
OVERDRIVE.... 65 VIBRATO & CHORUS... 65
EQUALIZ (EQUALIZer).. 66 REVERB.... 67 MIDI.... 68
MIDI TEMPLATE.... 68 MASTER.... 68 MIDI CHANNEL.... 69
MIDI TEMPLATES AND THEIR PURPOSES.. 70 THE MIDI IN MODES AND THEIR FUNCTIONS.. 70

KEYMAP... 71

SPLIT... 71 MANUAL BASS.... 71 WHAT IS SPLIT?... 71 WHAT IS MANUAL BASS?.. 71

IN THIS MANUAL:

NOTE:s
DEFAULT... 72 SYSTEM... 73
appear frequently. are explanations of terms and
The NOTE: is a supplementary explanation. The applications.

MAIN FEATURES

ACCURATELY REPRODUCES THE TONE-WHEEL SOUND.
Your new XM-2 contains (96) independent oscillating digital tone-wheels which accurately reproduces the sound of the Vintage B-3. In addition, this module has full polyphony.
DIGITAL LESLIE / VIBRATO EFFECTS.
The XM-2 module is equipped with a DSP effect generator to simulate the Scanner-Vibrato and the Leslie Speaker. The range of sounds that you can create is expanded by the use of Vibrato and Chorus effects, and by the real sounding Leslie effects which effectively simulates the rotation of the two Rotors which are present in a traditional Leslie.

The Patch name is not shown in the digital mode display, but you can see the Preset Number of the LOWER Part.

DIGITAL display

Number on LOWER & PEDAL Part/ Number on UPPER Part

PANEL BUTTON MODE

The Panel Button mode is used for controlling the same functions as the knobs and tabs do on the HAMMOND ORGAN. By using the Panel Buttons, the [PARAM] buttons, and the [VALUE] knobs, you can create the basic sounds of the HAMMOND ORGAN.
Touch one of the Panel Buttons you want to set; [DRAWBAR], [PERC], [VIB&CHO], and [LESLIE].
Drawbar registration UPPER Part/ PEDAL Part/ LOWER Part
Drawbar Registration mode

Selecting FOOTAGE: LEVEL

PARAMETER

Percussion mode

CURSOR
In the display window of this keyboard, the CURSOR is displayed in the flashing style, while the most popular indicator- cursor used on the PC, the mobo, etc. is in the shape of an arrow, a square or an I-shape.

CURSOR (Flashing VALUE)

BUTTON OPERATION IN THIS MODE
Returns to the PLAY mode. These buttons are used to move the CURSOR right or left for selecting the PARAMETER to change.
The CURSOR increases or decreases the value of the Parameter.
Display And Its Operation

MENU MODE

The MENU mode is the path for each function.
Touch the [MENU/EXIT] button.
There are several pages which contain many various FUNCTION displays. Move from page to page and find the item where you want to go, select item by [PARAM] button, and touch the [ENTER] button to see the desired display.
PAGE FUNCTION ITEM (If none, blank.)
BUTTON OPERATION IN THIS MENU
Returns to the PLAY mode. Moves from a page to another.
Select the FUNCTION ITEM.
Enter each FUNCTION MODE.

FUNCTION MODE

The FUNCTION MODE is for making each setting and adjustment. There are many displays, but the basic operation is the same.
This shows there are PAGEs above (or below). PARAMETER This shows there is a PAGE on the right (or on the left).

PAGE NAME

Returns to the PLAY mode.
Moves from a page to another.
This button is used to move the CURSOR right or left for selecting the PARAMETER to change. The CURSOR moves to the edge of the display and onto the next page (on the right or the left), if there is one.
EXAMPLE: Adjusting the DECAY TIME of the Percussion [FAST] 1

Go to the MENU Mode.

Touch the [MENU] button. The [MENU] mode is displayed.

Select the PAGE.

Search for the PERCUS page, using the [PAGE] button. PERCUS is on PAGE B. So select PAGE [B].

Select the FUNCTION.

Normal: Muted: Synth1: Synth2: The traditional B-3/C-3 Tone-wheel sound Analog sound represented by the X-5. Sawtooth waveform with swept filter. Dull square waveform.

10. ATTACK

This allows you to set the Attack Rate and the Key-Click Volume at ATTACK and RELEASE.
MAX CLK: NORM CLK: SOFT CLK: NO CLK: SLOW ATK: Immediately attacks and the key-click is loud. Immediately attacks and the key-click is normal. Immediately attacks and the key-click is soft. A slightly slower attacks without key-click Slow attack without key-click

11. DECAY RATE

This allows you to determine whether to keep voicing or to decay, or set the decay time, while holding down the key. The setting range is 1 - 5 and C. The longer the value gets, the longer is the decay time. No decay at C.

SUSTAIN

This is the function that the volume slowly fades out after the key is released, not like that of the synthesizers.

12. SUSTAIN - ON

This allows you to set whether or not to use the Sustain function.

13. SUSTAIN - LENGTH

This allows you to set the Release Rate (= the decay time after you release the key), when the SUSTAIN - ON (item #12) is ON. 1 is the shortest. And 5 is the longest.

14. VELOCITY

This allows you to set the response to the Velocity. The setting range is OF and 1 - 4. At OF, the volume does not change however hard you may touch the key. As the value increases from 1 - 4, the sound gets louder even if you touch the key softly. VELOCITY
Velocity is the speed of the key is depressed. When you touch the piano hard, the hammer hits the string hard and so the sound is loud. The organ key is, on the other hand, generally only the switch to open the valve, and so the sound does not change however hard you may touch the key. So this function is effective if you use it when the Decay Rate is other than C, or Decay.

15. KEY MODE

This allows you to set the Pedal polyphony.

POLY: MONO:

NOTE: NOTE:
Makes it possible to play chords (up to 3 notes) Only the lowest note will sound, when you play a chord.
The previously released note will be cut when you touch the new one, even when the PEDAL is in the POLY mode and SUSTAIN is ON. When the note-data of the Pedal are received from the MIDI IN terminal while the value of the parameter [MIDI IN] (P. 68 #2-4) is CH, the Pedal produces polyphonic sound, regardless of the value. All the parameters in these modes are Patch Parameters. They are recorded into the Patch.

Setting The Parameters

In this mode, you can give names to patches, set how to recall them, and set the Preset Buttons for the Drawbar Controller XMc-2.
Touch the [MENU/EXIT] button and display the MENU, touch the [PAGE] button and select PAGE A, choose PATCH by [PARAM] button, and touch the [ENTER] button.

PATCH NAME

1. PATCH NAME (P)
This allows you to name the present Patch using up to 10 letters. Move the cursor with the [PARAM] button, and choose the letters with the [VALUE] knob. This change will be lost if you do not record it, same as the other Patch Parameters.
NOTE: The parameters by the names with (P) on the tail are Patch Parameters, and are recorded to each Patch.
PATCH LOAD - SPLIT / MANUAL BASS (G)
This allows you to determine whether or not to recall the Parameters relating to the SPLIT or the MANUAL BASS.

PATCH LOAD - EQ/RV (G)

This allows you to determine whether or not to recall the Parameters relating to the EQUALIZER and REVERB.

PATCH LOAD - ANI/OD (G)

This allows you to determine whether or not to recall the Parameters relating to VIBRATO, OVERDRIVE and LESLIE.

PATCH LOAD

This allows you to set the operation when you recall the Patch.

PATCH NUMBERS

9. to 13. PATCH NUMBERS (G)
Set the Patch Numbers for assigning to each Preset Button on the Drawbar Controller XMc-2. This setting can be made not only by this operation but also by touching the Preset buttons on the XMc-2 holding down the [RECORD] button on this unit.
NOTE: Each Parameter (G) of Patch Load except LINK LOWER/ PEDAL is a Global Parameter, which is recorded at the time of setting, and common in each Patch.

PATCH LOAD - UPPER (B)

This allows you to set whether or not to recall the Drawbar Registration of UPPER Part.
PATCH LOAD - LINK LOWER/PEDAL (G)
This allows you to determine whether or not to recall the Drawbar Registration of the LOWER and the PEDAL Parts.

PATCH LOAD - DRAWBAR (B)

This allows you to determine whether or not to recall the Parameters relating to the Drawbars of each Part, such as the Tonewheel Set.
PATCH LOAD - PERCUSSION (B)
This allows you to determine whether or not to recall the Parameters relating to Percussion.
EFFECTIVE USE OF LINK-LOWER/PEDAL
This is a function to set for switching and recording only at the Program Change to the LOWER part, without operating the Patches of the LOWER and the PEDAL at the Program Change to the [VALUE] knob or the UPPER part of this unit. The Preset Keys on B-3/C-3 are independent, key by key, and so they were operated independently. This function simulates that.
WHEN LINK LOWER/PEDAL IS ON:
When you call out the Patches by the [VALUE] knob of this unit, or receive the Program Change to the UPPER part, the Patches of all parts (UPPER/LOWER/PEDAL) change. After this, to change the Patches for the POWER/PEDAL parts, send the corresponding Program Change to the LOWER part. The settings are recorded to the Patches for all parts (UPPER/ LOWER/PEDAL) in the operation of this unit. To record only the settings of the LOWER/PEDAL parts to the Patches, send the Program Change to the LOWER part, holding down the [RECORD] button on this unit.

ADJUSTING THE EXPRESSION PEDAL
When you use the Expression Pedal V-20R, we suggest you follow the adjusting procedure as shown below.

Set at 0

Plug-in the Expression Pedal V-20R to this module, and set the Minimum Volume at Zero.
Fully depress the toe side of the Expression Pedal.
Set the Expression - Source (13) at PED (NORM).
Adjust the Expression - Gain (18) to the Minimum Value where the Monitor (14) displays 127.

Adjust the Maximum Level

Adjust the Minimum Level
Set the Maximum Level you want when you fully depress the toe side of the Expression Pedal by the Master Volume knob, and also by the Minimum Level (15) you want when you depress the heel side as well.
An alternative way for setting the Minimum Level: Set the Expression - Minimum Level (15) at OFF, adjusting the Minimum Volume on the Expression Pedal V-20R.
In this mode, you can tune and transpose for playing in ensemble with the other instruments.
Touch the [MENU/EXIT] button. The MENU appears. Select PAGE A by the [PAGE] button, and choose the TUNE by the [PARAM] button, then touch the [ENTER].

TRANSPOSE

You can transpose the entire keyboard in semi-tone increments. The setting range is -6 to +6. Transpose effects between MIDI IN and the built-in sound engine.

MASTER TUNE

This is for changing the pitch of this entire keyboard. The setting range is A = 430 - 450 Hz.
NOTE: The parameters in this mode are the Global Parameters. They are recorded when the value is set. Also, they are common at each Patch.

CUSTOM TONEWHEELS

In this mode, you can select and regulate the Tone-Wheel Sets for the Manual Keyboard parts (LOWER and UPPER). We call this CUSTOM TONEWHEELS. The typical 3 (or 4) types of settings are recorded when delivered from the factory.
Touch the [MENU/EXIT] button and display the MENU, select PAGE B by the [PAGE] button, and then choose B-type, Mellow, or Brite by the [PARAM] button for the desired Tonewheel Set and touch the [ENTER] button. In addition, the Temporary (= the present setting) automatically switches to the selected Tone-Wheel Set just selcted now.

CUSTOM NUMBER

This is for selecting the CUSTOM NUMBER to use. Each Custom Number has wheel-by-wheel parameters such as Level, Cut Off Frequency etc.
NOTE: NOTE: This parameter is a Global Parameter. It is common for the same Tone-wheel Set (= B-type here) of each Patch. You can not edit the wheel-by-wheel parameters on this model.
Classic X-5 This template faithfully simulates the classic model X-5. It contains dull triangle waveform and flat output levels on every wheel. Voxy Full This template has the most bright sounds. It is suitable for surfin music. Cheap Tr.s This template simulates old transistor organs. It contains insufficient bass and treble.

DRAWBAR - LEVEL

Decreases the volume of the UPPER Drawbars while using PERCUSSION.
-3dB:Decreases the volume 0dB:Does not decrease the volume
NOTE: NOTE: This parameter works only when the VOL is SFT. The parameters in those modes are all Patch Parameters. They are recorded to each Patch.

KEYBOARD - TOUCH

This is used for setting the method of sound production of the Percussion.
ON: If you play legato, the notes including and after the second note do not sound. (The envelope will not be reset.) OF: Even if you play legato, all the notes produce sounds like the piano.
The B-3/C-3 had only one built-in Envelope Generator, and was not recharged until all the UPPER Manuals were released. This looks like a drawback, but it had the advantage that the sound did not get loose when chords were roughly played.

KEYBOARD - VELOCITY

Controls the Volume of Percussion with Key Velocity.
ON: The faster a key is pressed, the louder the sound. OF: It sounds at a certain volume regardless of how fast a key is pressed.

1' CANCEL

The B-3/C-3 had no key contact exclusive for percussion but uses the 1' contact for percussion. In this module, this is simulated.

DRAWBAR LEVEL

On the B-3/C-3, the Drawbar Volume gets slightly smaller if the Percussion is on. This is simulated in this module.
1. Touch the [MENU/EXIT] button to display the MENU. Then select PAGE C by the [PAGE] button, select LESLIE by the [PARAM] button, and touch [ENTER]. Another option is to hold down [LESLIE] button.
In this mode, you can create your own settings for the builtin Leslie effects. There are many parameters for the built-in Leslie effects, and so you can create various settings but not per each Patch independently. The parameters are treated by the group called CABINET. You can select the CABINET NUMBER in the Patches.

CABINET NUMBERS

1. LESLIE CABINETS
Here you select the Cabinet Number to use in the Patches. The setting range is 1 - 8. The * will be displayed when the Leslie Parameters are changed from this Cabinet Number. CONCEPT OF THE CABINET NUMBERS
Each Cabinet represents one imaginary Leslie Speaker prepared by the Leslie Parameter. This parameter is the only Patch Parameter in this mode.

LESLIE PARAMETERS

2. CABINET NAME
This is for selecting the Cabinet Names. Move the cursor by the [PARAMETER] button and select letters by the [VALUE]. In this mode, only the present value Temporary changes and there is no determining operation. You must record the name by doing Recording the Cabinet as explained in the next paragraph. Otherwise the data will be lost.

REGISTRATION

This is for switching ON/OFF the transmission of the Drawbar Registration. ON: Transmit. OF: Dont transmit.
This is for switching ON/OFF the NRPN (= Non-Registered Parameter Number) transmission. On this unit, it switches ON/OFF the message transmission such as the Drawbar Foldback and the Leslie ON. ON: Transmit. OF: Dont transmit.
This is used for switching the methods of the Leslie Parameter transmission.
XM: The Leslie Parameters are transmitted by the original NRPN and data of the XM-2. 21: The Leslie Parameters are transmitted by the NRPN and data for the Leslie #2101/2102. In addition, when you select the Patch, the Leslie Parameters are transmitted.

RECEIVE DUMP

This is for switching ON/OFF the MEMORY DUMP receiving. On this unit, you can transmit the whole current settings by the System Exclusive Messages as a Memory Dump. However, switch it off if you do not want the settings on this unit changed by playing the Sequencer. ON: Receive. OF: Dont receive.

10. SEND DUMP

This is for sending the Memory Dump. Touch the [ENTER] button on this page. All the setting contents of this unit are sent out from the MIDI OUT terminal as a whole.

MIDI CHANNEL

11. UPPER 12. LOWER 13. PEDAL
You can set which MIDI channel to use for transmitting each part. The options are 1 to 16, OF. It does not transmit at OF. On MIDI IN terminal, this Parameter works when the MIDI IN mode is CH.
NOTE: The settings in these modes are System Parameters. They are recorded at the same time when they are set, and are common in all Patches.
MIDI TEMPLATES AND THEIR PURPOSES
Single KBD XM-2 IN1 XM-2 IN2 XMc-2 IN

SINGLE CHANNEL SINGLE

This template is for the play using the Split and Manual Bass functions of this unit, by connecting a MIDI Keyboard, to be sent by a single channel, to this unit or the Drawbar Controller.

2KBD for L&U

UPPER LOWER UPPER
This template is for playing the UPPER and LOWER part respectively on each MIDI Keyboard, by connecting 2 MIDI Keyboards sent by a single channel to this unit.

By Channel

CHANNEL CHANNEL CHANNEL
This template is for the play with a connected MIDI Keyboard, to send out plural MIDI channels to this unit or the Drawbar Controller.

2/3KBD via XMc

LOWER PEDAL UPPER
This template is for playing 3 manuals, connecting a MIDI Keyboard to the Drawbar Controller, and another MIDI Keyboard and a MIDI Pedalboard to this unit.

Description

THE MIDI IN MODES AND THEIR FUNCTIONS

SINGLE

PART played SPLIT MANUAL BASS SOFT-THRU UPPER

CHANNEL

by MIDI channel

Yes Yes Yes

The note-data received at the port set in this mode basically plays the UPPER part, regardless of the MIDI channels. By using the SPLIT and MANUAL BASS functions, it is possible to play 3 separate parts by a single MIDI Keyboard. The date received is separated into each part inside and runs Soft-Thru the set MIDI channel.

No No Yes

The note-data received at this port set in this mode always plays the UPPER part, regardless of the MIDI channel. It runs Soft-Thru the set MIDI channel.

No Yes Yes

The note-data received at the port set in this mode always plays the LOWER part, regardless of the MIDI channel. By the Manual Bass function, the PEDAL part can be played at the same time. It runs SoftThru the set MIDI channel.
The note-data received at the port set in this mode always plays the PEDAL part, regardless of the MIDI channel. It runs Soft-Thru the set MIDI channel.

No No No

The note-data received at the part set in this mode works in accordance with the MIDI channel. It neglects SPLIT or MANUAL BASS, nor runs Soft-Thru, either.

KEYMAP

In this mode you can set the zones to play the built-in sound engine in this unit for Split, Manual Bass, etc.
Touch the [MENU/EXIT] button to display the MENU, select PAGE D by the [PAGE] button. Then select KEYMAP by the [PARAM] button and touch the [ENTER] button. 5
SPLIT functions when the settings of the MIDI IN mode is SNG.

WHAT IS SPLIT?

It is a function to divide a single MIDI Keyboard into two separate (right and left) parts (LOWER/UPPER) at a certain note.

SPLIT - SWITCH

This is for switching ON/OFF the SPLIT function. If you switch it ON, the received Note Data is divided/distributed to each of the LOWER/UPPER parts at the Split Point ( = See below.), which allows you to play both (LOWER/UPPER) parts by a single MIDI Keyboard.

SPLIT - POINT

This is for setting the point ( = the note) at which to split the LOWER and the UPPER parts, when you use the SPLIT function. The setting value is the highest note used in the LOWER part.

SPLIT - LOWER OCTAVE

This is for setting the pitch of the split LOWER part by the octave. If you use the SPLIT function, the pitch of the LOWER part may be too low and so may not be suitable for playing chords. In such a case, you can raise the pitch of the lower octave.

MANUAL BASS

MANUAL BASS functions when the settings of the MIDI IN mode is SNG or LOW.

WHAT IS MANUAL BASS?

It is a function to assign a certain range on a single MIDI Keyboard as the LOWER part to allow you to play together with the Manual part at the same time.

MANUAL BASS - SWITCH

This is for switching ON/OFF the Manual Bass function. If you switch it ON, the PEDAL part plays by receiving the Note Data in the range upto the Manual Bass Point ( = See below.). Thus you can play both (Manual and Pedal) parts on a single MIDI Keyboard.
NOTE: You can choose POLY (for playing chords) or MONO (sounding only lowest note). (P. 51 #15)

MANUAL BASS - POINT

This is for setting the uppermost note where the Manual Bass functions.

DEFAULT

In this mode, you can initialize the whole or a part of this unit back to the factory settings.
Touch the [MENU/EXIT] button to display the MENU, select PAGE D by the [PAGE] button. Then select DEFAULT by the [PARAM] button and touch the [ENTER] button.
To initialize each Parameter, touch the [PARAM] button to choose the Parameter and touch [ENTER].
This is for Initializing the Patch. Select the Patch you want to initialize by the [VALUE] knob. The selection range is 1 to 128, ALL ( = All Patches).

GLOBAL

This is for initializing the Global Parameters such as Master Tune, Foot Switch assignment.
This is for initializing the Cabinet(s). Select the Cabinet you want to initialize by the [VALUE] knob. The selection range is 1 to 8, ALL ( = All Cabinets).

All Notes Off Status 2nd Byte 3rd Byte Bn 7B 00 n=MIDI Channel Number: 0 - F(Ch.1 - 16) When All Notes Off is received, all notes on the corresponding channel will be turned off. However if Hold 1 is On, the sound will be continued until these are turned off.
NRPN MSB/LSB Status 2nd Byte 3rd Byte Bn 63 mm (MSB) Bn 62 ll (LSB) n=MIDI Channel Number: 0 - F(Ch.1 - 16) mm=Upper Byte of the Parameter Number designated by NRPN[MSB]. ll=Lower Byte of same[MSB]. The value set by NRPN is not reset even if "Program Change", "Reset All controllers", etc. are received. NRPN- "Non Registered Parameter Number" The expansive range named NRPN is provided in the Control Change, which function is specific on each equipment and not defined in the MIDI Standard. When you use it, designate the parameter to control, by giving NRPN MSB and NRPN LSB (cc#98 and 99), and then set the value of the designated parameter by the Data Entry MSB(cc#6). Once the NRPN parameter is designated, all the data entry received into the same channel after that is regarded as the change of the value of the parameter. To avoid any mis-operation, we suggest you to set RPN Null (RPN = 7F 7F), after setting the necessary parameter value. On this sound module you can change the voice parameter by using NRPN.
Data Entry Status 2nd Byte 3rd Byte Bn 06 mm (MSB) Bn 26 ll (LSB) n=MIDI Channel Number: 0 - F(Ch.1 - 16) mm,ll=Value for the Parameter designated by RPN/NRPN.

Drawbar Data List 1

Control number: Upper 50h(80) Lower 51h(81) Pedal 52h(82) Upper/Lower 2 2/3' 2'
24h(36) 25h(37) 26h(38) 27h(39) 28h(40) 29h(41) 2Ah(42) 2Bh(43) 2Ch(44) 2Dh(45) 2Eh(46) 2Fh(47) 30h(48) 31h(49) 32h(50) 33h(51) 34h(52) 35h(53)

Data Map: Level 8 16'

00h(0) 01h(1) 02h(2) 03h(3) 04h(4) 05h(5) 06h(6) 07h(7) 08h(8)

5 1/3'

09h(9) 0Ah(10) 0Bh(11) 0Ch(12) 0Dh(13) 0Eh(14) 0Fh(15) 10h(16) 11h(17)
12h(18) 13h(19) 14h(20) 15h(21) 16h(22) 17h(23) 18h(24) 19h(25) 1Ah(26)

1 3/5'

36h(54) 37h(55) 38h(56) 39h(57) 3Ah(58) 3Bh(59) 3Ch(60) 3Dh(61) 3Eh(62)

1 1/3'

3Fh(63) 40h(64) 41h(65) 42h(66) 43h(67) 44h(68) 45h(69) 46h(70) 47h(71)
48h(72) 49h(73) 4Ah(74) 4Bh(75) 4Ch(76) 4Dh(77) 4Eh(78) 4Fh(79) 50h(80)

Pedal 16' 8'

00h(0) 01h(1) 02h(2) 03h(3) 04h(4) 05h(5) 06h(6) 07h(7) 08h(8) 09h(9) 0Ah(10) 0Bh(11) 0Ch(12) 0Dh(13) 0Eh(14) 0Fh(15) 10h(16) 11h(17)
1Bh(27) 1Ch(28) 1Dh(29) 1Eh(30) 1Fh(31) 20h(32) 21h(33) 22h(34) 23h(35)
ex: Set Lower 8' to level 7 via MIDI.

Bx 51 19

(x=Lower Channel)

Drawbar Data List 2

Data Map: Part Upper Lower Pedal 16'

0Ch(12) 15h(21) 21h(33)

0Dh(13) 16h(22) -

0Eh(14) 17h(23) 23h(35)

Control Number 4' 2 2/3' 2'
0Fh(15) 18h(24) 10h(16) 19h(25) 11h(17) 1Ah(26) -

Default

Expression Source
Min. Level Min. Limit LF Min. Limit HF
-35dB -20dB -30dB Leslie Fast (alternate)

Foot Switch

Mode Tip

Mode Ring

Leslie Fast (alternate)

XMc Preset

Preset 1 Preset 2 Preset 3 Preset 4 Preset 5

same as button #

ToneWheel set Combi. Preset Load
B-Type Mellow Brite Link Lower/Pedal(Link L/P) Upper Regist. (UK) Split, ManBs (INT) Reverb, Equalizer (RV/EQ) Leslie, Vibrato (ANI/OD) Drawbar (DRAWB) Percussion (PERCUS)
Real B-3 Full Flats Classic X-5 On On On On On On On
Patch Parameters Parameter
NRPN LSB MSB (62) (63) 08 0A 16 0F 05 0C DATA MSB (06)

Patch Parameters

Category

P. load always

NRPN DATA LSB MSB MSB (62) (63) (06) 00, 01 (Off/On) 00, 01 (Off/On) 24 - - 5F 00, 01 (0, +1)

P. load SPLIT& MANBS

Name Drawbar Effect

10 Characters

Leslie On Leslie Fast Leslie Brake Leslie Cabinet Leslie Mod. Ctrl Leslie Press. Ctrl Vibrato Mode Vibrato / Chorus Vibrato Rate Vibrato Tremolo Vibrato Cho. Emphasis Vibrato Depth V1 Vibrato Depth V2 Vibrato Depth V3 Vibrato Depth C1 Vibrato Depth C2 Vibrato Depth C3 OD On OD Drive Level Master OD Exp. Ctrl
OD Mod. Ctrl OD Press. Ctrl Bend Press. Ctrl EQ Bass Gain EQ Mid Gain EQ Treble Gain EQ Mid Freq Reverb On Reverb Type

09 0A 0A 0A 0A 0A 0A

0D 0E 05
00, 01 (Off/On) 00, 01 (Slow/Fast) 00, 01 (Through / Brake) 00 - 07 (1 - 8) ANI/OD 00 - 02 (Off, Speed, S/F) 00 - 02 (Off, Speed, S/F) 00 - 03 (Off, 1 - 3) 00 - - 04 (6.1 - 7.25Hz) 00 - 0F (0 - 15) 00 - 09 (0 - 9) ANI/OD 00 - 0F (0 - 15) 00 - 0F (0 - 15) 00 - 0F (0 - 15) 00 - 0F (0 - 15) 00 - 0F (0 - 15) 00 - 0F (0 - 15) 00, 01 (Off/On) 00 - 3F (0 - 63) 00 - 02 00: OD to Exp ANI/OD 01: Exp to OD 02: OD Only 00, 01 (Off/On) 00, 01 (Off/On) 00 - 02 ANI/OD (Off, Down, Up) 00 - 09 - 12 (-9 - 0 - +9 dB) 00 - 09 - 12 (-9 - 0 - +9 dB) EQ/REV 00 - 09 - 12 (-9 - 0 - +9 dB) 00 - 0A (480 - 2.9kHz) 00, 01 (Off/On) 00 - 09 00: Room 1 01: Room 2 02: Live House 03: Hall 1 04: Hall 2 05: Church 06: Plate EQ/REV 07: Delay 08: Pannning Delay 09: Reverb + Delay 00 - 0F (0 - 15) 00 - 1F (0 - 31) 00 - 1F (0 - 96%) 00 - 3F (4.7 - 1000ms) 00, 01 (Off/On)

Internal Zone

Split On Manual Bass On Pedal Key Range High Split Point Split Lower Octave
Reverb Depth Reverb Time Reverb Delay Feedback Reverb Delay Time Leslie On Reverb

05 (36rpm) 05 (36rpm) 07 (393rpm) 07 (393rpm) 0A (2.2s) 0D (7.0s) 04 (1.0s) 09 (5.0s) 05 (1.2s) 13 (10s) 0C (0dB) 0C (0dB) 05 (150deg) 02 (0.9m) 01 (Mid)

System Parameters

Category MIDI System Parameters Data Range Parameter
MIDI In Mode In1 MIDI In Mode In2 MIDI In Mode XMc TRx. NRPN Tx. Leslie Param. TRx. Prog. Change TRx. Drawbar Regi. Rx. Dump TRx. Channel Upper TRx. Channel Lower TRx. Channel Pedal To Shortcut Time Out Gain Single, Upper, Lower, Pedal, Channel Single, Upper, Lower, Pedal, Channel Single, Upper, Lower, Pedal, Channel Off / On XM / 21 Off / On Off / On Off / On 1 - 16, Off 1 - 16, Off 1 - 16, Off 1, 2s, No 4, 8, 16s, No 70 - 130%
Single Channel Single On XM On On On 3 1s No 110%

Display Expression

Specifications

Sound Generator

2 x VASE III as Digital Tone-wheels

Patches Display

128 Patches 20-characters, 2 lines with 12 control switches and Rotary encoder None

Harmonic Drawbars

Pitches
9 Pitches (Upper and Lower) 2 Pitches (Pedal) B-type/Mellow/Brite (Upper and Lower) Muted/Normal/Synth1/Synth2 (Pedal)

Waveform

Storage MIDI
Templates: 4 DC Input (15V) MIDI In1, In2, Out Exp. Pedal (Phone Jack), Foot Switch, Line Out L/Mono, R, Headphones, 8-pin Leslie

Percussion

Harmonics Adjustable
Second, Third Fast Decay, Soft Touch, Velocity, Decay (Fast, Slow) Level (Soft, Normal)

Connections

Accessory

AC Adaptor

AD1-1508 (100 - 120V) AD3-1508 (220 - 240V) 396(W) x 172 (D) x 50(H) mm 1.8 kg

Tuning

Master
430 - 450 1Hz Steps -6 - 0 - +6 semitones

Transpose

Dimension Weight

Effects

Internal Leslie
On, Fast, Brake Digital, 2 Rotors V1, V2, V3, C1, C2, C3 Upper&Lower On/Off Speed: 5(6.10 - 7.25Hz) Digital Overdrive 3 Bands

Vibrato and Chorus

Overdrive Equalizer Reverb
10 Programs 5 Lengths (Pedal)

Sustain

Keymap

Functions

Split Manual Bass Split Point Lower Octave Pedal Top key

Adjustable

Demonstration Songs and Composers
1. Touch the [MENU/EXIT] Button. 2. Select page 4 by [PAGE] Button. 3. Touch the [ENTER] Button.
Playing the demonstration performance:
4. Select a song by [PAGE] Button. 5. Touch the [ENTER] Button to play.

Songs / Composers

1. Liberation

Takanobu Masuda

2. XM-2 Happy 3. Acid Wash
Joey DeFrancesco Tony Monaco Daisuke Kawai Deryl Winston

00457-40138 V1.0

SERVICE
Hammond maintains a policy of continuously improving and upgrading its instruments and therefore reserves the right to change specifications without notice. Although every attempt has been made to insure the accuracy of the descriptive contents of this Manual, total accuracy cannot be guaranteed. Should the owner require further assistance, inquiries should first be made to your Authorized Hammond Dealer. If you still need further assistance, contact Hammond at the following addresses:
In the United States contact: HAMMOND SUZUKI USA, Inc. 733 Annoreno Dr. Addison, IL 60101 UNITED STATES
In Europe contact: HAMMOND SUZUKI EUROPE B.V. IR. D.S. Tuynmanweg 4A 4131 PN Vianen THE NETHERLANDS
All other countries contact: HAMMOND SUZUKI Ltd. 25-11, Ryoke 2 Chome Hamamatsu 430-0852 (Shizuoka) JAPAN
Website: www.hammondorganco.com
E-mail: Info@hammondsuzuki.com Website: www.hammondsuzuki.com
Website: www.suzuki-music.co.jp
Technical materials are available and can be obtained by mailing a request to the appropriate address listed above marked ATTENTION: SERVICE DEPARTMENT.
Manufacturer: SUZUKI MUSICAL INSTRUMENT MFG. CO., Ltd. 25-12, Ryoke 2 Chome Hamamatsu 430-0852 (Shizuoka) JAPAN
HAMMOND SUZUKI, LTD., Hamamatsu, Japan

Printed in Japan

00457-50023 V1.00-060825

Thank you, and congratulations on your choice of a Hammond XMc-2, Drawbar Controller. In order to get the most out of this instrument for many years to come, please take the time to read this manual in full.

Owners Manual

IMPORTANT SAFETY INSTRUCTIONS
Before using this unit, please carefully read this Safety Instructions and use it correctly. Please be sure to keep this manual at hand even after reading it once. This Safety Instructions section contains very important points for securing your safety. Strictly observe the instructions, please. In this manual, the degrees of dangers and damages are classified and explained as follows:
WARNING properly used as instructed.
This sign is for alerting the user there is a risk of death or severe injury if this unit is not

CAUTION

This sign is for alerting the user there is a risk of injury or material damage if this unit is not properly used as instructed. * Material damage here means a damage to the room, furniture or animals or pets.

WARNING

Do not open (or modify in any way) the unit.
In households with small children, an adult should provide supervision until the child is capable of following all the rules essential for the safe operation of the unit. Protect the unit from strong impact. (Do not drop it!)
Do not attempt to repair the unit, or replace parts in it (except when this manual provides specific instructions directing you to do so). Refer all servicing to your retailer, the nearest Hammond, or an authorized Hammond distributor, as listed on the Service page. Never use or store the unit in places that are: Subject to temperature extremes (e.g., direct sunlight in an enclosed vehicle, near a heating duct, on top of heatgenerating equipment); or are Damp (e.g., baths, washrooms, on wet floors); or are Humid; or are Exposed to rain; or are Dusty; or are Subject to high levels of vibration. Be sure to use only the connecting cord supplied with the unit.
Do not put anything that contains water (e.g., flower vases) on this unit. Also, avoid the use of insecticides, perfumes, alcohol, nail polish, spray cans, etc., near the unit. Swiftly wipe away any liquid that spills on the unit using a dry, soft cloth.
The unit should be located so their location or position does not interfere with their proper ventilation.
Always grasp only the plug on the AC adaptor cord when plugging into, or unplugging from, an outlet or this unit.
Do not excessively twist or bend the connecting cord, nor place heavy objects on it. Doing so can damage the cord, producing severed elements and short circuits. Damaged cords are fire and shock hazards! Do not allow any objects (e.g., flammable material, coins, pins); or liquids of any kind (water, soft drinks, etc.) to penetrate the unit. Immediately turn the power off, remove the AC adaptor from the outlet, and request servicing by your retailer, the nearest Hammond, or an authorized Hammond distributor, as listed on the Service page when: The AC adaptor, the power-supply cord, or the plug has been damaged; or If smoke or unusual odor occurs Objects have fallen into, or liquid has been spilled onto the unit; or The unit has been exposed to rain (or otherwise has become wet); or The unit does not appear to operate normally or exhibits a marked change in performance.

Try to prevent cords and cables from becoming entangled. Also, all cords and cables should be placed so they are out of the reach of children. Never climb on top of, nor place heavy objects on the unit.
Before moving the unit, disconnect the AC adaptor and all cords coming from external devices.
In case if in the future your instrument gets too old to play/use or malfunctions beyond repair, please observe the instructions of this mark, or, if any question, be sure to contact your dealer or your nearest town or municipal office for its proper disposal.

NAMES AND FUNCTIONS

TOP PANEL

1. DRAWBARS

VIBRATO & CHORUS Buttons
Switch the Vibrato and Chorus effects.

9. LESLIE Buttons

Controls harmonics of the part that is selected by the DRAWBAR Button (6). The setting of the Drawbars is called Registration.

2. OVERDRIVE Knob

Switch the Leslie effect.

REAR PANEL

10. MIDI IN Jack
Controls the Distortion of the Upper and Lower part.

3. O.D. ON Button

This is the Input Jack for the MIDI Keyboard.

11. TO XM-2 Jack

Switches ON/OFF the Overdrive effect.

4. REVERB Knob

This Jack is for connecting the XM-2 to this unit by the attached HMC-1 cable.
Controls the depth of the Reverb effect.

5. PERC Button

Switches the Percussion voice.

6. DRAWBAR Button

This button selects Registration Parts. Also activate Drawbars (1).

7. PRESET Buttons

Recalls the selected Patches.

HOOK-UP

The power for this unit is supplied from the XM-2. You can remote-control the XM-2 only by connecting this unit to the XM-2 with the attached connecting cable HMC-1.

BASIC HOOK-UP

HMC-1 TO XM-2 MIDI IN

MIDI Keyboard

MIDI OUT
CONNECTING MULTIPLE KEYBOARDS
You can play the MIDI Keyboards by connecting them to the MIDI terminals of this unit and that of the XM-2, assigning each keyboard to the UPPER, LOWER, and PEDAL part respectively. Set the MIDI templates of the XM-2 according to the purposes.

MIDI Keyboard (for Upper)
MIDI Keyboard (for Lower)

MIDI Pedalboard

PLACING THE XMc-2 ON A STAND
This unit can be placed on a standard cymbal stand, by mounting the Stand Adaptor SA-XMC2 onto this unit. To prevent this unit from tumbling down, do not place it on the stand at an abnomal angle or height.

OPERATION

DRAWBAR REGISTRATION
CHANGE THE REGISTRATION OF EACH PART
SELECT THE PART TO CONTROL
Touch the [DRAWBAR] button 3 or 4 times and select the parts to control the Registration. Every time you touch the button, the selected one of the 3 lights (UPPER, LOWER, PEDAL) goes on. There is no effect (NIL=invalid) when you touch the button one more time.

CONTROL THE DRAWBARS

The Registration of the UPPER and LOWER parts is controlled by all the 9 Drawbars, and the PEDAL part by 16' and 8' Drawbars. Only the length (footage) of the pulled-out Drawbars change in the Registration. The footage of the one not pulled-out now does not change (remains as already set).
MATCH THE REGISTRATION TO DRAWBARS
Touch the [DRAWBAR] button 3 or 4 times and select the part you want to match the Registration to the Drawbars. Hold down the button for a few seconds until the light blinks. Release it after the light is ON. Now the current physical Drawbar setting matches the actual Registration.

Touch and hold

OVERDRIVE

ON/OFF (of OVERDRIVE)

To activate the Overdrive effect, touch the [O.D. ON] button. The light turns on.
ADJUSTING THE AMOUNT OF OVERDRIVE
The amount of the Overdrive effect can be adjusted by means of the [OVERDRIVE] knob. Until you turn this knob, the internal value of the XM-2 is applied, regardless of the position of the knob. So, be careful of a quick change at the beginning of the knob operation.

REVERB

The amount of the Reverb effect can be adjusted by means of the [REVERB] knob. Until you turn the knob, the internal value of the XM-2 is applied, regardless of the position of the knob. So, be careful of a quick change at the beginning of the knob operation.

VIBRATO & CHORUS

The Vibrato and Chorus effects are set by the 3 buttons; [1], [2], and [CHORUS]. By combining these buttons, you can obtain the effects as follows:
Button 1 Off Off On Off On On Off On 2 Off Off Off On On Off On On CHORUS Off On Off Off Off On On On

Effect

Through V-1 V-2 V-3 C-1 C-2 C-3

LESLIE

The Leslie effects are set by the 2 buttons; [ON], and [FAST]. By combining these buttons, you can obtain the effects as follows:
Button OFF MODE *1 Brak Thru Brak Thru Brak Brak Thru Thru ON On On On On Off Off Off Off FAST On On Off Off On Off On Off

External Leslie Speaker Internal Leslie Effect
Fast Slow Brake Fast Slow Through Through
*1 OFF MODE is a parameter of the panel button on the XM-2.

PERC (PERCussion)

ADDING PERCUSSION
To add the Percussion sound, touch the [PERC] button several times and select your desired (Percussion) sound. Every time you touch the [PERC] button, the light of the selected sound turns on; 2nd, 3rd, 2nd + 3rd, NIL (no sound) in this order.
ADJUSTING THE PERCUSSION LEVEL
The Percussion level can be changed by holding down the [PERC] button and turning the [REVERB] knob at the same time. There are 2 Percussion Volumes (NORM and SOFT) in the XM-2. By this the level of the currently selected Volume is changed.

Touch and hold Turn

ADJUSTING THE PERCUSSION DECAY TIME
The Decay time of the Percussion sound can be changed by holding down the [PERC] button and turning the [OVERDRIVE] knob at the same time. There are two Decay types (SOFT and FAST) in the XM2. By this the time of the currently selected decay is changed.

PRESET

Each Preset button is used for recalling one of the 5 Patches. This button is also used to records the setting to the Patch you selected.
RECALL THE PATCH VIA PRESET BUTTON
Each Patch registered to the Preset buttons [1], [2], [3] is recalled by touching each button individually. To recall the Patches registered to the Presets 4 and 5, touch the Preset buttons [1] and [2]. [2] and [3] at the same time, respectively.
ASSIGNING THE PATCH NUMBERS TO PRESET BUTTONS
To assign a Patch number you want to recall to a Preset button, first call out the Patch you want on the XM-2 and touch the Preset button you want to assign it to on this unit. Holding down the [RECORD] button on the XM-2 at the same time. Recording Preset. is displayed on the XM-2 for a few seconds and the Preset-button light blinks on this unit for a short period of time.
RECORDING THE CURRENT SETTINGS TO PRESET BUTTONS
To record the present setting to a Preset button, hold down the Preset button until the light blinks, and then release it. The present settings are recorded to the Patches assigned to the Preset buttons. Recording Patch. is displayed on the XM-2 for a few seconds.

SPECIFICATION

Harmonic Drawbars

9 pitches 1 set

Accessory Dimension Weight
HMC-1 cable 182(W) x 47 (H) x 233 (D) mm

Controllers

Leslie
ON, FAST V1, V2, V3, C1, C2, C3 2nd, 3rd, 2dn+3rd
Vibrato & Chorus Percussion
O.D. On Drawbar Select Presets

1, 2, 3, 4, 5

UPPER, LOWER, PEDAL

Overdrive Reverb

SERVICE
Hammond maintains a policy of continuously improving and upgrading its instruments and therefore reserves the right to change specifications without notice. Although every attempt has been made to insure the accuracy of the descriptive contents of this Manual, total accuracy cannot be guaranteed. Should the owner require further assistance, inquiries should first be made to your Authorized Hammond Dealer. If you still need further assistance, contact Hammond at the following addresses:

In the United States contact: HAMMOND SUZUKI USA, Inc. 733 Annoreno Dr. Addison, IL 60101 UNITED STATES
In Europe contact: HAMMOND SUZUKI EUROPE B.V. IR. D.S. Tuynmanweg 4A 4131 PN Vianen THE NETHERLANDS E-mail: Info@hammondsuzuki.com Website: www.hammondsuzuki.com
All other countries contact: HAMMOND SUZUKI Ltd. 25-11, Ryoke 2 Chome Hamamatsu 430-0852 (Shizuoka) JAPAN Website: www.suzuki-music.co.jp
Website: www.hammondorganco.com
Technical materials are available and can be obtained by mailing a request to the appropriate address listed above marked ATTENTION: SERVICE DEPARTMENT.
Manufacturer: SUZUKI MUSICAL INSTRUMENT MFG. CO., Ltd. 25-12, Ryoke 2 Chome Hamamatsu 430-0852 (Shizuoka) JAPAN
HAMMOND SUZUKI, LTD., Hamamatsu, Japan

Printed in Japan

V1.00-060526