CATV or Antenna Grounding
If an outside antenna or cable system is connected to this product, be certain that it is grounded so as to provide some protection against voltage surges and static charges. Section 810 of the National Electrical Code, ANSI/NFPA No. 70-1984, provides information with respect to proper grounding of the mast and supporting structure, grounding of the lead-in wire to an antenna discharge unit, size of grounding conductors, location of antenna discharge unit, connection to grounding electrodes and requirements of the grounding electrode. NOTE TO CATV SYSTEM INSTALLER: This reminder is provided to call the CATV (cable TV) system installers attention to article 820-40 of the NEC, which provides guidelines for proper grounding and, in particular, specifies that the cable ground shall be connected to the grounding system of the building, as close to the point of cable entry as possible.

Installation Location

To ensure proper operation and to avoid the potential for safety hazards, place the unit on a firm and level surface. When placing the unit on a shelf, be certain that the shelf and any mounting hardware can support the weight of the product. Make certain that proper space is provided both above and below the unit for ventilation. If this product will be installed in a cabinet or other enclosed area, make certain that there is sufficient air movement within the cabinet. Under some circumstances, a fan may be required. Do not place the unit directly on a carpeted surface. Avoid installation in extremely hot or cold locations, or in an area that is exposed to direct sunlight or heating equipment. Avoid moist or humid locations. Do not obstruct the ventilation slots on the top of the unit, or place objects directly over them. Due to the weight of the AVR 154 and the heat generated by the amplifiers, there is the remote possibility that the rubber padding on the bottom of the

Unpacking

The carton and shipping materials used to protect your new receiver during shipment were specially designed to cushion it from shock and vibration. We suggest that you save the carton and packing materials for use in shipping if you move, or should the unit ever need repair. To minimize the size of the carton in storage, you may wish to flatten it. This is done by carefully slitting the tape seams on the bottom and collapsing the carton. Other cardboard inserts may be stored in the same manner. Packing materials that cannot be collapsed should be saved along with the carton in a plastic bag. If you do not wish to save the packaging materials, please note that the carton and other sections of the shipping protection are recyclable. Please respect the environment and discard those materials at a local recycling center. It is important that you remove the protective plastic film from the front-panel lens. Leaving the film in place will affect the performance of your remote control. 3

Surround Mode: Press this button to select a surround sound
(e.g., multichannel) mode group. Choose from the Dolby modes, DTS modes, Logic 7 modes, DSP modes or Stereo modes.
Surround Select: After you have selected the desired surround mode group, press this button to select a specific mode. Analog Audio, Video and Digital Audio Inputs: Connect a source component that will only be used temporarily, such as a camera or game console to these jacks. Use only one type of audio and one type of video connection. Speaker/Channel Input Indicators: The box icons indicate
which speaker positions you have configured (see the Initial Setup section), and the size (frequency range) of each speaker. When a digital audio input is used, letters will light inside the boxes to indicate which channels are present in the incoming signal.
Source Select: Press this button to select a source device, which
is a component where a playback signal originates, e.g., DVD, CD, cable TV, satellite or HDTV tuner. The sources name will appear in the Message Display.
Remote IR Sensor: This sensor receives infrared (IR) commands
from the remote control. It is important to ensure that it is not blocked. If covering the sensor is unavoidable, such as when the AVR 154 is placed inside a cabinet, you may use an optional Harman Kardon HE 1000, or other infrared receiver, with an IR emitter (blaster) placed directly over this sensor.
Volume Knob: Turn this knob to raise or lower the volume, which
will be shown in decibels (dB) in the Message Display.
Message Display: Various messages appear in this two-line display
in response to commands and changes in the incoming signal. In normal operation, the current source name and the analog or digital audio input assigned to it appear on the upper line, while the surround mode is displayed on the lower line. When the on-screen display menu system (OSD) is in use, the message OSD ON will appear to remind you to check the video display.
Message Display Speaker/Channel Input Indicators Volume Remote IR Sensor
Power Indicator Tuning Surround Select

Surround Mode

Preset Stations Tuner Band Source Select
Headphone Jack Tuning Mode

Component Video Monitor Outputs: If you are using either of the Component Video Inputs and your television or video display is component-video-capable, connect these jacks to the corresponding inputs on your video display. In addition, connect the composite and/or S-video monitor outputs to your video display to view the AVR 154s on-screen menu displays. HDMI Inputs and Output: HDMI (High-Definition Multimedia
Interface) is a newer type of connection for transmitting digital audio and video signals between devices. Although the AVR 154 is not capable of processing HDMI signals, if your video display is HDMI-capable, connect up to three HDMI sources here, and then connect the HDMI Output to your video display for improved video performance. Disable the HDMI audio function of your video display, and make a separate digital audio connection from the source device to one of the AVRs coaxial or optical digital audio inputs to benefit from the AVR 154s multichannel audio processing. NOTE: The AVR 154 does not convert other types of video to HDMI, and you will not be able to view the on-screen displays using the HDMI connection.
Video 1 Audio/Video Outputs: These jacks may be used to
connect your VCR or another recorder.
Composite and S-Video Monitor Outputs: If any of your
sources use composite or S-video connections, connect one or both of these monitor outputs to the corresponding inputs on your television or video display.
CD and Tape Audio Inputs: These jacks may be used to connect audio-only source components (e.g., CD player, tape deck). Do not connect a turntable to these jacks unless you are using it with a phono preamp. Tape Outputs: These jacks may be used to connect a CDR or another audio-only recorder. Coaxial and Optical Digital Audio Inputs: If your source
has a compatible digital audio output, connect it to one of these jacks for improved audio performance. Use only one type of digital audio connection for each source.
FM Antenna Video 1 A/V Outputs DVD A/V Inputs HDMI Monitor Output AC Power Cord AUX Input Component Video Inputs (1 and 2) Component Video Monitor Outputs

Tape Outputs

Video 2 A/V Inputs HDMI Inputs (1, 2 and 3)

Video 1 A/V Inputs

Typical Home Theater System
A home theater typically includes your audio/video receiver, which controls the system; a DVD player; a source component for television broadcasts, which may be a cable box, a satellite dish receiver, an HDTV tuner or simply an antenna connected to the TV; a video display (television); and loudspeakers. All of these components are connected by various types of cables for audio and video signals.

Multichannel Audio

The main benefit of a home theater system is that several loudspeakers are used in various locations around the room to produce surround sound. Surround sound immerses you in the musical or film presentation for increased realism. The AVR 154 may have up to five speakers connected directly to it (plus a subwoofer). Each main speaker is powered by its own amplifier channel inside the receiver. When more than two speakers are used, it is called a multichannel system. Front Left and Right The main speakers are used the same way as in a 2-channel system. However, you may notice that in many surround modes, these speakers are used more for ambient sound while the main action, especially dialogue, is moved to the center speaker. Center The center speaker is usually placed above or below the video screen, and is used mostly for dialogue in movies and television programs. This placement allows the dialogue to originate near the actors faces, for a more natural sound. Surround Left and Right The surround speakers are used to improve directionality of ambient sounds. In addition, by using more loudspeakers in the system, more dynamic soundtracks may be played without risk of overloading any one speaker. Many people expect the surround speakers to play as loud as the front speakers. Although all of the speakers in the system will be calibrated to sound equally loud at the listening position, most artists use the surround speakers for ambient effects only, and they program their materials to steer very little sound to these speakers. Subwoofer A subwoofer is a special-purpose speaker designed to play only the lowest frequencies (the bass). It may be used to augment smaller, limited-range satellite speakers used for the other channels. In addition, many digital-format programs, such as movies recorded in Dolby Digital, contain a special low-frequency effects

CONNECTIONS

Multichannel analog connections are used with some high-definition sources where the copy-protected digital content is decoded inside 17
The AVR 154 will not convert analog video signals to the HDMI format, and the on-screen displays are not visible when using an HDMI source. Connect the composite or S-video monitor output (or both, depending on which video connections your sources use) to your video display to view the on-screen menus. The physical HDMI connection is simple. The connector is shaped for easy plug-in (see Figure 9). If your video display has a DVI input, you may use an HDMI-to-DVI adapter (not included) to connect it to the AVRs HDMI Output, but the HDMI-to-DVI connection will not carry audio. In addition, your DVI-equipped display should be HDCP (HighDefinition Copy Protection)-compliant.

Component video cable

Figure 12 Component Video
If its available on your video display, HDMI is recommended as the best quality connection, followed by component video, S-video and then composite video. NOTES: A composite or S-video connection to your TV is required to view the AVRs on-screen displays. Copy-protected sources are not available at the Component Video Monitor Outputs.

Figure 9 HDMI Connection

Analog Video
There are three types of analog video connections: composite video, S-video and component video. Composite video is the basic connection most commonly available. The jack is usually color-coded yellow, and looks like an analog audio jack, although it is important never to confuse the two. Do not plug a composite video cable into an analog or coaxial digital audio jack, or vice versa. Both the chrominance (color) and luminance (intensity) components of the video signal are transmitted using a single cable. See Figure 10.

Composite video cable

Figure 10 Composite Video

Antennas

The AVR 154 uses separate terminals for the included FM and AM antennas that provide proper reception for the tuner. The FM antenna uses a 75-ohm F-connector. See Figure 13.

Figure 13 FM Antenna

The AM loop antenna needs to be assembled. Then connect the two leads to the push-type terminals on the receiver. Although the terminals are color-coded, you may connect either antenna lead to either terminal. See Figure 14.
S-video, or separate video, transmits the chrominance and luminance components using separate wires contained within a single cable. The plug on an S-video cable contains four metal pins, plus a plastic guide pin. Be careful to line up the plug correctly when you insert it into the jack on the receiver, source or video display. See Figure 11.

S-video cable

Figure 14 AM Antenna Figure 11 S-Video
Component video separates the video signal into three components one luminance (Y) and two subsampled color signals (Pb and Pr) that are transmitted using three separate cables. The Y cable is color-coded green, the Pb cable is colored blue and the Pr cable is colored red. See Figure 12.

SPEAKER PLACEMENT

Before you begin to connect cables, it is important to place your speakers in their correct locations in the room. Optimally, the speakers should be placed in a circle with the listening position at its center. The distance from the listening position to the video display forms the radius of the circle. See Figure 15. The speakers should be angled so that they directly face the listening position. The center speaker is placed either on top of, below or mounted on the wall above or below the video display screen. The front left and right speakers are placed along the circle, about 30 degrees from the center speaker and angled toward the listener. It is best to place the front left/right and center speakers as close to the same height as possible, preferably at about the same height as the listeners ears. In any event the center speaker should be no more than two feet above or below the left/right speakers. The side surround speakers should be placed 110 degrees from the center speaker, that is, slightly behind and angled toward the listener. If this isnt feasible, place them behind the listener, with each surround speaker facing the opposite-side front speaker. The surround speakers may be placed a little higher than the listeners ears. The subwoofers location is less critical, since low-frequency sounds are omnidirectional. Placing the subwoofer close to a wall or in a corner will reinforce the low frequencies, and may create a boomy sound. You may wish to experiment over time by placing the subwoofer where the listener normally sits and then walking around the room until the low frequencies sound best. Place the subwoofer in that spot. NOTE: Your receiver will sound its best when the same model loudspeaker is used for all positions (other than the subwoofer). If that isnt possible, try to use speakers made by the same manufacturer.
Video Display Center Front Left Speaker
Subwoofer Front Right Speaker

Surround Left Speaker

Surround Right Speaker
Alternate Placement for Surround Left Speaker
Figure 15 Speaker Placement
Alternate Placement for Surround Right Speaker

INSTALLATION

You are now ready to connect your various components to your receiver. Before beginning, turn off all components, including the AVR 154, and unplug their power cords. Dont plug any of the power cords back in until you have finished making all of your connections. Remember that your receiver generates heat while it is on. Select a location that leaves several inches of space on all sides of the receiver. Avoid completely enclosing the receiver inside an unventilated cabinet. It is preferable to place components on separate shelves rather than stacking them directly on top of the receiver. Some surface finishes are delicate. Try to select a location with a sturdy surface finish.

Step Three Connect the Antennas
Connect the FM and AM antennas to their terminals. See Figure 18.
Step One Connect the Speakers
If you have not yet done so, place your speakers in the listening room as described in the Speaker Placement section above. Connect the center, front left, front right, surround left and surround right loudspeakers to the corresponding speaker terminals on the AVR 154. See Figure 16. Maintain the proper polarity by always connecting the positive and negative terminals on each speaker to the positive and negative terminals on the receiver. Use the Connection Color Guide on page 16 as a reference.
Figure 18 Antenna Connections
Step Four Connect the Source Components
Use the Table A5 worksheet in the Appendix to note which connections you will use for each of your source devices. A source is a device where the audio and video signals originate. Some sources, such as CD players, only offer audio, while sources used for watching movies or broadcast-television programming deliver a video signal as well. Referring to the photograph of the AVR 154 remote control on page 13, there is a section of 12 buttons near the top of the remote designated Input Selectors: DVD, AM/FM, CD, AUX, TAPE, VID1, VID2, VID3, HDMI1, HDMI2, HDMI3 and 6CH. Each of these buttons corresponds to a set of input connectors on the AVR. The set of connectors is referred to as a source input. The goal of Step Four of the Installation is to match up each of your source devices, e.g., DVD player and cable television box, with the correct connectors on the AVR 154. We recommend that you refer to Table A1 in the appendix when making these connections. Although you may connect a source to any source input with the matching types of connectors, by selecting the source input dedicated to the same type of component, you will be able to program the AVRs universal remote to control it, simplifying operation. The precise connections to be made depend on the capabilities of the source device and your video display (TV). Select the best audio and video connections for each source. The types of connections are listed in order of preference:
Figure 16 Speaker Connections
Step Two Connect the Subwoofer
Connect the Subwoofer Output on the AVR 154 to the line-level input on your subwoofer. See Figure 17. Consult the manufacturers guide for the subwoofer for additional information.

There are several ways in which the AVR 154 may be turned on: a) Press the Standby/On Switch on the front panel. See Figure 38. b) Press the Source Select Button on the front panel. See Figure 39. c) Using the remote, press any one of these buttons: AVR, DVD, CD, TAPE, AUX, HDMI 1, HDMI 2, HDMI 3, VID1, VID2, VID3, AM/FM or 6CH. See page 13. NOTE: Any time you press one of the remotes Input Selectors, the remote will switch modes so that it will only operate that device. To control the receiver, press the AVR Button to return the remote to AVR mode. To turn the receiver off, press either the Standby/On Switch on the front panel, or press the AVR Button and the OFF Button on the remote. Unless the receiver will not be used for an extended period of time (for example, if you will be on vacation), it is not necessary to turn off the Master Power Switch. When the Master Power Switch is turned off, any settings you have programmed, including system configuration and preset radio stations, will be preserved for up to four weeks.
Figure 52 Volume Controls
The AVR 154 is designed to reproduce audio with a minimum amount of distortion, which may lead you to think that your hearing and the equipment can handle higher volumes. We urge caution with regard to volume levels.

Mute Function

To temporarily mute all speakers and the headphones, press the Mute Button on the remote. See Figure 53. Any recording in progress will not be affected. The MUTE message will flash in the display as a reminder. To restore normal audio, either press the Mute Button again, or adjust the volume. Turning off the AVR will also end muting.

Sleep Timer

You may program the AVR to play for up to 90 minutes and then turn off automatically using the sleep timer. Press the Sleep Button on the remote, and the time until turn-off will be displayed. See Figure 51. Each additional press of the Sleep Button will reduce the time until turn-off by 10 minutes, until the OFF setting is reached, which disables the sleep timer.

Figure 53 Mute Button

Tone Controls

Figure 51 Sleep Button

You may boost or cut either the treble or the bass frequencies by up to 10dB. Press the Tone Mode Button once. See Figure 54. This will indicate whether the tone controls are in or out of the circuitry. With the TONE IN message displayed, press the Tone Mode Button repeatedly to access TREBLE MODE and BASS MODE. Use the / Buttons to change the treble or bass settings, as desired.

Radio stations may be selected in one of four ways (see Figure 59): 1. If you know the frequency number, enter it directly by first pressing the Direct Button on the remote, and then using the Numeric Keys. 2. After you have programmed Preset stations (see below), either enter the Preset number (1 through 30) using the remote or use the Preset Stations Button (front-panel or remote), to scroll through the list of presets. 3. In Auto tuning mode, with each press of the Tuning Buttons (frontpanel or remote) the AVR 154 will scan in the chosen direction until a station with acceptable signal strength is detected. Press the Tuning Button again to stop scanning. 4. In Manual tuning mode, with each press of the Tuning Buttons the AVR 154 will tune the next frequency increment (0.1MHz for FM, or 10kHz for AM) in the selected direction. Press and hold the Tuning Button for faster scanning.
Figure 59 Tuning a Station
Press the Tuning Mode Button (TUN-M on the remote) to switch between Auto and Manual tuning modes. See Figure 60. When an FM station has been tuned, pressing the Tuning Mode Button will switch between stereo and mono tuning, which may improve reception of weaker stations.

AUX Input

Enjoy the full power and resolution of your Harman Kardon system, including a variety of analog surround modes, while listening to content stored on your portable device. The Auxiliary Audio Input mini jack is provided on the AVRs rear panel for convenient connection of portable players, such as CD players and the iPod (iPod and cable not included). Purchase a stereo cable with a 1/8" plug on at least one end for connection to the Auxiliary Audio Input. Plug the other end of the cable into the portable devices headphone output, and operate the device using its own controls. You may also use a cable with separate left and right audio plugs at one end for connection to any component equipped with analog audio outputs. No video connection is available with the AUX input. However, the AVR will use the last-selected analog video input when the AUX source is selected.

Figure 60 Tuning Mode

To store a station in one of the 30 presets (see Figure 61): 1. Tune the desired station. 2. Press the Memory Button on the remote. 3. Use the Numeric Keys to enter the desired preset number.
Selecting a Surround Mode
Surround mode selection can be as simple or sophisticated as your individual system and tastes. Feel free to experiment with the many available surround modes on the AVR 154, and you may find a few that become your favorites for certain sources or program types. Although more detailed information on surround modes may be found in the Advanced Functions section, it is easy to select any of the modes available at a given time: To select a surround mode using the front-panel controls, press the Surround Mode Button repeatedly until the desired group of modes is selected: Logic 7, Dolby, DTS, DSP or Stereo. Then press the Surround Select Button repeatedly to select the desired mode within the group. See Figure 62.
Figure 62 Select a Surround Mode (Front Panel)
To select a surround mode using the remote control, locate the button dedicated to the desired group of modes: Logic 7, Dolby Sur, DTS Sur, DTS Neo:6, Surr (DSP) or Stereo. Press that button repeatedly to select the desired mode. See Figure 63.
Figure 63 Select a Surround Mode (Remote)
To select a surround mode using the full-OSD menu system, press the OSD Button to display the Master Menu. Navigate to the SURROUND SELECT line and press the OK Button to view the Surround Select menu (see Figure 64 on page 40). Each of the major surround mode groups is listed here. Select a group to access the MODE setting for selection of an individual mode. As explained in the Advanced Functions section, there are also some additional settings that may be made. You are now ready to enjoy the best in home theater entertainment with your AVR 154. As you become more familiar with the receiver, you may wish to explore some of its advanced functions, which are described in the following section.

ADVANCED FUNCTIONS

Much of the AVR 154s performance is handled automatically, with little intervention required on your part. However, the AVR 154 is a sophisticated component, and is capable of being customized to suit your particular system and your tastes. In this section we describe some of the more advanced adjustments available on the AVR 154. You may save this section for later, when you have become more familiar with your receiver.

Digital Audio Signals

Digital audio signals offer the benefit of greater capacity, which allows recording artists to encode center and surround channel information directly into the signal. The result is improved sound quality and startling directionality, since each of these channels is reproduced discretely. Alternatively, the artist may encode only two channels, but the digital signal allows for a higher sampling rate that delivers greater detail. High-resolution recordings usually sound extraordinarily distortion-free at all frequencies, but especially at high frequencies. Multichannel digital recordings usually are found in the 5.1-, 6.1- or 7.1-channel formats. The channels included in a 5.1-channel recording are front left, front right, center, surround left, surround right and LFE. The LFE channel is denoted as.1 to represent the fact that it is not full-range, being limited to the low frequencies. 6.1-Channel recordings add a single surround back channel, and 7.1-channel recordings add surround back left and surround back right channels to the 5.1-channel configuration. The AVR 154 is unable to play the surround back channels in these recordings, and will use 5.1-channel (or fewer) surround modes. Digital formats include Dolby Digital 2.0 (two channels only), Dolby Digital 5.1, DTS 5.1, DTS 96/24 and 2-channel PCM modes up to 96kHz. When a digital signal is received, the AVR 154 detects the encoding method and the number of channels. The appropriate icon will light in the front panel for Dolby Digital and DTS signals. The number of channels encoded will scroll once across the front-panel display as three numbers, separated by slashes (e.g., 3/2/.1). The first number indicates the number of front channels in the signal: 1 represents a monophonic recording, usually an older program that has been digitally remastered or, more rarely, a modern program for which the director has chosen a special effect. 2 indicates the presence of the left and right channels, but no center channel. 3 indicates that all three front channels (left, right and center) are present. The second number indicates whether any surround channels are present: 0 indicates that no surround information is present. 1 indicates that a matrixed surround signal is present. 2 indicates discrete left and right surround channels.
The third number is used for the LFE channel: 0 indicates no LFE channel.1 indicates that an LFE channel is present.
Audio Processing and Surround Sound
Audio signals generated by sources are encoded in a variety of formats that can affect not only the quality of the sound but the number of speaker channels and the surround mode. You may also manually select a different surround mode, although for certain types of audio signals, the modes available will be limited in certain ways, as described below.

Analog Audio Signals

Analog audio signals usually consist of two channels left and right. While the AVR can handle 5.1-channel analog signals, their content generally is encoded with a proprietary surround scheme and it isnt possible to adjust the surround mode for the AVRs 6-Channel Inputs. The AVR 154 offers three basic options for playback of analog audio: 1. Analog Bypass Mode: In this mode, the 2-channel signal is passed directly to the volume control, without being digitized or undergoing any processing for bass management or surround sound. The requirements for selecting analog bypass mode are: a) The analog audio inputs for the source must be selected. If necessary, press the Digital Button on the remote and use the / Buttons to make the selection. b) The tone controls must be disabled by setting TONE MODE to OUT. Either use the Input Setup menu in the full-OSD system to make this change, or press the Tone Mode Button and use the / Buttons until the TONE OUT message appears. c) The Surround Off mode must be selected. The easiest way to select the Surround Off mode is to press the Stereo Button on the remote until the Surround Off icon is lit (and the DSP icon is not lit) in the front-panel display. 2. DSP Surround Off Mode: The DSP Surround Off mode digitizes the incoming signal and applies the bass management settings, including speaker configuration, delay times and output levels. This mode is desirable when your front speakers are small, limited-range satellites and you are using a subwoofer. Both the DSP and Surround Off icons will be lit when this mode is active. Press the Stereo Button on the remote repeatedly to select this mode. 3. Analog Surround Modes: One of the main benefits of a surround receiver such as the AVR 154 is its ability to process 2-channel audio signals to produce multichannel surround sound in a variety of modes, even when no surround sound has been encoded in the recording. Among the available modes are the Dolby Pro Logic II modes, the Dolby Virtual Speaker modes, the DTS Neo:6 modes, the Logic 7 modes, the Hall and Theater modes and the Stereo modes.

Default Modes

During initial use or after a processor reset, the AVR 154 defaults to the Logic 7 Music mode for all analog and PCM audio inputs. Subsequently, when a source input is selected and an analog or PCM signal is received, the AVR will switch to the last surround mode used for that source input/incoming signal combination.
Dolby Digital and DTS digital signals are handled slightly differently. Consult Table 2 for the alternate surround modes available when one of these digital signals is detected. For example, you may prefer Dolby Digital Stereo when a Dolby Digital 5.1 signal is present if only two speakers are connected to the AVR. By default, the AVR selects the mode encoded in the incoming bitstream, i.e., Dolby Digital 5.1 in the example. To change the AVRs default behavior so that it always selects the alternate mode when the digital bitstream is present: 1. Select the desired alternate mode when the digital mode is present. In this case, play a Dolby Digital 5.1 DVD and press the Dolby Surround Mode Button on the remote repeatedly to select Dolby Digital Stereo mode. 2. Change the DEFAULT SURR MODE setting in the System Setup menu to OFF. Table 2 provides descriptions of all surround modes available on the AVR 154, along with the incoming bitstreams or signals that the particular mode may be used with. Feel free to experiment and simply cycle through all of the available modes at any time; you cannot cause any problems for the AVR 154 by doing so.
Figure 65 Dolby Surround Menu Screen
CENTER WIDTH: This setting affects how vocals sound through the three front speakers. A higher number (up to 7) focuses the vocal information tightly on the center channel. Lower numbers broaden the vocal soundstage across the three speakers. DIMENSION: This setting affects the depth of the surround presentation, allowing you to move the sound toward the front or rear of the room. The setting of 0 is a neutral default. Setting F-3 moves the sound mostly toward the front of the room, while setting R-3 moves the sound mostly toward the rear. PANORAMA: With the Panorama mode turned ON, some of the sound from the front speakers is moved to the surround speakers, creating an enveloping wraparound type of effect. NIGHT MODE: Night mode is available with some Dolby Digital programs, if it has been encoded in the material. It compresses the peak sound levels, maintaining the intelligibility of the dialogue and quieter passages, while reducing the loudness of special effects and louder passages to avoid disturbing others. Three levels of compression are available: OFF: At this setting, there is no compression, as the Night mode is deactivated. MID: A mild compression is applied. MAX: More compression is applied. We suggest that you experiment with the modes to find a setting that meets your needs. The Night mode may also be adjusted without using the full-OSD menu system. With a Dolby Digital program encoded with Night mode playing, press the Night Button on the remote. Each press of the button will cycle through the three settings, with the selected setting being displayed on the front panel and in the semi-OSD display. UPSAMPLING: The last line of the Surround Select menu activates upsampling, only available with the Dolby Pro Logic II Movie, Dolby Pro Logic II Music and Dolby Pro Logic modes. Normally set to OFF, upsampling, when activated, processes digital sources at a higher resolution for improved sound quality. This feature can be useful to eliminate distortion in some low-resolution sources.

Table A6 Speaker/Channel Settings
Source Bass Manager: Global/Independent Left/Right Speaker Size Center Speaker Size Surround Speaker Size Subwoofer Left/Right Speaker Crossover Center Speaker Crossover Surround Speaker Crossover Subwoofer Crossover Left Channel Level Right Channel Level Center Channel Level Surround Left Channel Level

Video 1

Video 3

The Bridge/DMP

6-Channel N/A
N/A N/A N/A N/A N/A N/A N/A N/A N/A N/A N/A N/A N/A N/A
Surround Right Channel Level Subwoofer Channel Level
The 6-channel inputs are direct inputs, meaning their signals are passed directly to the volume control without any bass management processing. Thus, the speaker sizes are always full-range, and it isnt possible to adjust speaker size crossover. Channel levels vary by surround mode rather than source input.
Table A7 Remote Control Codes
Source Input Video 1 Video 2 Video 3 HDMI 1 HDMI 2 HDMI 3 DVD CD Tape Product Type (circle one) VCR, PVR, DMC Cable, Satellite TV DVD, VCR/PVR/DMC, Cable/Satellite DVD, VCR/PVR/DMC, Cable/Satellite DVD, VCR/PVR/DMC, Cable/Satellite DVD CD, CD-R Cassette Remote Control Code

Table A8 System Settings

Feature VFD Fade Time-Out Volume Default Default Vol Set Semi-OSD Time-Out Full-OSD Time-Out Default Surr Mode OSD Background Default Setting Off Off 25dB 5 Seconds 20 Seconds On Blue Your Setting
Refer to the numbered buttons in this image when using the Function List.
Figure 67 Remote Control Function List Reference
Table A9 Remote Control Function List
No. Button Name 1 Power On 2 Power Off 3 Mute 4 AVR 5 DVD 6 VID 1 (VCR) 7 HDMI AM/FM 9 CD 11 HDMI AUX 13 Tape 14 VID 3 (TV) 15 HDMI Sleep/CH+ 17 Test Tone 18 6CH 19 Vol Up 20 Surr/CH 21 OSD 22 T/V 23 Vol Down 24 CH./Guide 26
AVR Function Power On Power Off Mute AVR Select DVD Select Video 1 Select HDMI 1 Select Tuner Select CD Select HDMI 2 Select AUX Select Tape Select Video 3 Select HDMI 3 Select Sleep Test Tone 6 Ch. Input Select Volume Up
DVD Power On Power Off Mute AVR Select DVD Select VCR Select HDMI 1 Select Tuner Select CD Select CBL/SAT Select HDMI 2 Select AUX Select Tape Select TV Select HDMI 3 Select Audio 6 Ch. Input Select Volume Up
CD/CD-R Power On Power Off Mute AVR Select DVD Select VCR Select HDMI 1 Select Tuner Select CD Select HDMI 2 Select AUX Select Tape Select TV Select HDMI 3 Select