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ATTAX 100 Head ATTAX 100 Combo

Manual 1.2

italiano

ATTAX 100 Manual

ATTAX 100 Combo/Head Front

ATTAX 100 Combo Rear

ATTAX 100 Head Rear
Overview of Control Features and Connectors
ensure that the mains voltage matches the value indicated on the back panel of the ATTAX 100. Get in touch with your Hughes & Kettner dealer immediately if this is not the case or the included mains cords plug does not t into the wall outlet.
1.1 Selecting channels and effect parameters
Use buttons 1 to 4 to select the ATTAX 100s four channels, CLEAN, CRUNCH, LEAD and ULTRA. These buttons correspond to the buttons on the included footswitch. When the footswitch is connected, buttons 1 to 4 serve display purposes only, and the footswitch switches channels. Use knobs 5 to 8 to adjust the effect for the given channel. The FX MATRIX Autostore function automatically saves the edited effect settings for every channel. You do not need to store settings separately. Even if the amp is suddenly switched off or power fails, the FX MATRIX will recall your settings.

1.4 Speaker out

Use jack or jack pair 25, EXTERNAL SPEAKER or SPEAKERS, to connect speakers. All speakers are connected in parallel for both the combo and the head.

ATTAX 100 COMBO

english
EXTERNAL SPEAKER: Connect cabinets with 8 ohms minimum impedance to this jack. The impedance of connected speakers must never be lower than 8 ohms!

ATTAX 100 HEAD

1.2 Instrument inputs, channels and master volume
Connect your guitar to input 9. Please use high-quality shielded cords only. Use knobs 10 to 21 to shape the sound and determine the volume of individual channels. Youll nd a detailed description of the channels in section 2. Knob 22 determines the amps overall volume level. Always turn the MASTER knob all the way down that is, counterclockwise as far as it will go - before powering your amp up. Knobs 10 to 22 work in the same tried-and-true manner as the controls on a classic amp. These settings are not stored. This means that the actual position of the knob determines the amps sounds.
SPEAKERS: You can connect two cabinets to the head. The minimum impedance is 4 ohms; ensure your rigs impedance never drops below 4 ohms! If you plug cabs into both jacks, each cabinets impedance must be 8 ohms or higher. If you plug a cab into just one jack, its impedance must be 4 ohms or higher.

1.5 Headphones out

Connect standard stereo headphones to jack 26, HEADPHONES. Adjust the volume via the MASTER knob. Always plug in a stereo 1/4" jack when connecting headphones. The headphones output may be damaged if you insert a mono plug into the jack. The ATTAX 100 speaker output is deactivated when a plug is inserted into this jack.
1.6 LINE OUT 1.3 Mains switch and mains socket
Use switch 23 to turn the ATTAX 100 on and off. Make a habit of checking to make sure that the switch is set to the OFF position before you connect the power cable to a mains power supply. The ATTAX 100 ships with a separate power cord that connects to socket 24. Please Use jack 27, LINE OUT, (mono 1/4" jack) to patch out the amps signal, including all effects, to another power amp or a DI box (for example, the Hughes & Kettner RED BOX).

1.7 CD/LINE INPUT

Use jack 28, CD/LINE INPUT, to patch in any type of line signal. For example, you could plug in a CD player to play along with a recorded track. Use a cord equipped with stereo 1/4" jack plugs to do this. Adjust the level using knob 22, MASTER VOLUME.
switch 1: MOD+DLY+REV, switch 2 remains free (as global bypass when single footswitch is used) After switching-on, the ATTAX 100 conrms the selected conguration by making all four channel selecting switches blink on and off a corresponding number of times. For example, once for combination 1, and twice for combination 2, etc. As soon as the LEDs are ashing, you can let go of CLEAN and LEAD. ATTENTION: If CLEAN and ULTRA are kept pressed down at the same time, the entire AMP (all sounds and the FX-ON/OFF conguration) is reset to the factory presets.

1.8 FX SEND/RETURN

Connect an effect devices output to jack 29, FX RETURN; connect an effect devices input to jack 30, FX SEND. The effects loop is a serial circuit, so adjust the effect amount (or wet-to-dry balance) at the effect device. The entire preamp signal is routed through the inserted effector and processed there. Please note that your rigs sound quality depends to a considerable extent on the quality of the employed effect device. A poor-quality signal processor can have an adverse effect on the ATTAX 100s sound quality. Use high-quality patch cords only to prevent signal loss, background noise and drop-outs. Ensure that the effect device is not being overdriven. Be sure to keep an eye on whatever type of level meter, gain indicator or overload lamp the effects device is equipped with, and adjust its input and output controls accordingly. Fuzz boxes, overdrives and distortion units dont belong in an FX loop. Plug them into the amps input.
The ATTAX 100s four Channels

2.1 CLEAN

The Clean channel is tweaked to sound sweet when driven by singlecoil as well as humbucking pickups.
2.1.1 CLEAN VOL 1.9 FOOTSWITCH
Your ATTAX 100 comes with a four-way footswitch that plugs into jack 31. The buttons on the footswitch correspond to buttons 1 to 4 on the ATTAX 100s front panel. When the footswitch is plugged into the amp, buttons 1 to 4 serve display purposes only, and the footswitch switches channels. Adjusts the CLEAN channels volume level. Players who opt for this class of amp demand a clean channel with enough head-room to ensure it remains clean. This amp certainly does that. Depending on the pickups output power, you may also be able to dial in a touch of grit. For single-coils, we recommend that you turn the knob well up. Do this, and the amp will reward you with tight & punchy midrange response that is both crisp and fat. If your axe sports humbuckers, set this knob somewhere around the 12 oclock position for crystal-clear clean tone.

1.10 FX ON/OFF

Especially for live performances, the ATTAX 100 enables you to turn the internal effects on and off individually, in addition to the 4 switchable channels. To do this, you need to connect a footswitch to the stereo 32 FX ON/OFF jack. Using a simple footswitch (such as the Hughes & Kettner FS-1) will enable you to switch the modulation effects and DELAY at the same time, leaving REVERB unaffected. You can use a double footswitch (such as the Hughes & Kettner FS-2) to switch the modulation effects and DELAY, and REVERB seperately.
2.1.2 Clean Voicing Section: BASS, MID and TREBLE
knobs. MID and TREBLE controls inuence each other, as is standard and desirable in the tube amps that this voicing section is patterned on. If you boost the high end, mids are cut and vice versa. This sound-shaping feature lets you to dial in a wide variety of subtle tonal variations. We recommend that you go easy on the bass for the CLEAN channel. Generally, the more mids you dial in, the more assertive your clean tone in the bands soundscape. Note that the TREBLE knob shapes your guitar signals bell-like overtones.
1.11 FX-ON/OFF Programming
The switching function of the stereo socket FX-ON/OFF on the back of the ATTAX 100 can be programmed by turning the MOD FX knob and holding CLEAN and LEAD pressed down. The following congurations show which effects blocks are assigned in this way to switch 1 and switch 2 of the double foot switch: 1) MOD FX knob is in oclcok position switch 1: MOD+DLY, switch 2: REV (factory preset) 2) MOD FX knob is in oclcok position switch 1: MOD, switch 2: DLY (reverb is not connected) 3) MOD FX knob is in oclcok position switch 1: MOD, switch 2: DLY + REV 4) MOD FX knob is in oclcok position

2.2 CRUNCH

Overdriven sounds la carte! This channel covers a diverse tonal spectrum ranging from squeaky clean to gritty overdrive. It responds to every nuance in your picking attack, granting you precise control over the amount of overdrive via your guitars volume knob. Higher CRUNCH knob settings elicit warm sustain that is ideal for singing leads with breathy dynamics.

2.2.1 CRUNCH GAIN

Controls the CRUNCH channels input sensitivity and thus the amount of saturation. You can dial in anything from tone that is just sweet enough to pass for clean to throaty tones that are distinctly rough around the edges. Again, crank the knob for single-coils; back it off a bit for humbuckers.

2.2.2 CRUNCH VOL

Controls the CRUNCH channels level; use it to determine the balance between it and the other channels.
modulation effects rate. Modulation depth is adjusted automatically according to the rate setting so that every knob position yields a hip effect sound offering real-world utility.

3.1.1 CHORUS 2.3 LEAD

Yields hard-hitting, snarling British rock tone. Low CHORUS settings yield a slow throb for thick, underwater sounds that work great with ballads. Courtesy of automatic effect depth adjustment, higher CHORUS settings do not evoke that dreaded seasick tone.

2.3.1 LEAD/ULTRA GAIN

Controls the LEAD and ULTRA channels input sensitivity and thus the amount of saturation, with distortion option ranges from creamy smooth to British grit and chunky NuMetal thunder.

3.1.2 FLANGER

Slow FLANGER settings yield a stately sweeping whoosh effect, while faster settings give you swirly effects often heard in contemporary rock and pop tunes.

2.3.2 LEAD Vol

Controls the LEAD channels level; use it to determine the balance between it and the other channels.

3.1.3 TREMOLO

Though the classic TREMOLO effect is great for recreating the sounds of 60s, it also serves up some hip effects that work wonders for contemporary tunes.

2.4 ULTRA

Beware! The ATTAX 100s heart of darkness, this channel offers erce high-gain sounds of a avor favored by popular NuMetal bands. This brand of distortion is best described as an angry roar. Depending on this channels settings, you can dial monster NuMetal tone, grinding post-grunge and alternative sounds, and thunderous death and Gothic metal noise.

3.2 DELAY

DELAY is controlled via two knobs: TIME is an innitely variable knob that sweeps smoothly to the next repetition from 80 ms to 1400 ms. Feedback is adjusted accordingly and automatically. Short DELAYs with minimal feedback conjure great slap-back rockabilly sounds, while medium-length DELAYs are perfect for U2-style jangle. Long DELAY times let you come up with cascading, Queen-style licks. The VOLUME knob determines the level of repetitions, with a control range sweeping from off to as loud as the original signal.

2.4.1 ULTRA VOL

Controls the ULTRA channels level; use it to determine the balance between it and the other channels.
2.5 CRUNCH, LEAD, ULTRA Voicing Section
For handling ease, the ATTAX 100s three overdrive channels share common voicing controls. However, behind these tone controls are three different EQ circuits that are automatically switched along with the channel. This is why an EQ setting that you have dialed in for the LEAD channel works so well with the CRUNCH and ULTRA channels.

3.3 REVERB

The REVERB is an authentic-sounding emulation of a classic spring reverb. It handles and responds just like the original: Simply twist the REVERB knob to adjust the spring REVERBs volume.

The ATTAX 100s Effects

The ATTAX 100 features three independent effects - modulation, DELAY and REVERB. All three effect models may be used simultaneously and adjusted independently. The FX MATRIX automatically stores settings for each channel.

3.1 MOD FX

The ATTAX 100 puts at your disposal the three most sought-after modulation effects: A CHORUS, FLANGER and TREMOLO are all assigned to one knob. CHORUS is assigned to the rst third of the knobs control range, FLANGER to the second, and TREMOLO to the nal third. You can sweep the knob within each third to adjust the effects characteristics. We staked out the parameters so that you can swiftly and easily dial in settings that elicit good-sounding, useful variations of the desired effect. To switch off modulation effects, simply twist the knob to the far left. Twisting the knob clockwise adjust the

Technical Specications

Safety-related Data
Primary fuses: V 120 V 100 V T 2.5 A (2 each) 300 watts 100 watts 4 ohms -10C +35C T 1.25 A T 2.5 A T 3.15 A
Secondary fuses: Max. power consumption: Continuous power: Minimum impedance: Operational temperature range:

Inputs

INPUT: Jack type: Input impedance: Sensitivity: Max. input level: Jack type: Input impedance: Sensitivity: Max. input level: Jack type: Input impedance Sensitivity: Max. input level: 1/4" 1 Mohms - 16 dBV + 4 dBV 1/4" 6 Kohms + 3 dBV + 14 dBV 1/Kohms - 2 dBV + 14 dBV

FX Return:

CD INPUT:

Outputs

FX Send: Jack type: Output impedance: Output level: Max. output level: Jack type: Output impedance: Output level: Max. output level: Jack type: Circuit: Impedance: Jack type: Circuit: Impedance: Jack type: Output impedance: Output level: 1/4" 500 ohms 3 dBV + 10 dBV 1/4" 220 ohms 6 dBV + 20 dBV 1/4" parallel 8 to 16 ohms Two 1/4" parallel 1x4 to 2x16 ohms 1/4" stereo 550 ohms 100 mW an 4 - 600 ohms

zenTera Head

122252
Kytarov hlava 2x100 Watt, Dynamic Sector Modeling, 32 Bit DSP 11 Amp Types, 128 pamt, Effekt-procesor, EQ, 116 dB Highgrade koncov zesilova, Analog a Digital Out se Speaker Simulation, Stereo FX-Loop.

zenTera Combo

121212
Kytarov kombo 2x100 Watt, 2x12" Cesestion, Dynamic Sector Modeling, 32 Bit DSP 11 Amp Types, 128 pamt, Effekt-procesor, EQ, 116 dB Highgrade koncov zesilova, Analog a Digital Out se Speaker Simulation, Stereo FX-Loop.

zenTera stageboard

1005083
Remote Control pro "zenTera" a "ZenAmp" , Bank up +5, Bank down -5,Wah Wah Pedal, Volume Pedal, Display, 1/6 - 6/10 pepnae.
MusicData - Brno tel.: email: brno@musicdata.cz

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MusicData - Velk Mezi tel.: 370-1 email: info@musicdata.cz

Custom Cabinets

CC 412 WA 30

1005246

Kytarov box 4x12" Celestion Vintage 30, pika v kytarovch boxech - uslyte na novm CD Michala Pavlka ve spojen s Triamp a Dutone Hughes & Kettner. 280 W mono, 2 x 140 W stereo, zkosen (A), zvten objem, vlivem zdraznnch bas monost dosaen nekompromisnho "spodkovho" zvuku, ideln pro jakkoliv "heavy half stack",vha 46 kg. Doporuejeme k Triamp MK2 a Duotone Head

CC 412 V 30 A

1005244
Kytarov box 4x12" Celestion Vintage 30, 240 Watt / 4 nebo 16 Ohm, 2 x 120W pi 2 x 8 Ohm, Mono/Stereo, zkosen (A)

CC 412 V 30 B

1005245
Kytarov box 4x12" Celestion Vintage 30, 240 Watt / 4 nebo 16 Ohm, 2 x 120W pi 2 x 8 Ohm, Mono/Stereo, rovn (B)

CC 412 V 25 A

1005241
Kytarov box 4x12" Celestion "Greenbacks", 100 Watt / 4 nebo 16 Ohm, 2 x 50W pi 2 x 8 Ohm, Mono/Stereo, zkosen (A)

CC 412 V 25 B

1005240
Kytarov box 4x12" Celestion "Greenbacks", 100 Watt / 4 nebo 16 Ohm, 2 x 50W pi 2 x 8 Ohm, Mono/Stereo, rovn (B)

CC 212

1005242
Kytarov box 2x12" Celestion Vintage 25 Greenbacks, 50 watts /8 ohms mono 2x 25 watts/ 2x 16 ohms stereo. Je znmo, e boxy 2x12 maj konkrtnj zvuk ne 4x12. tento box je skutenou pikou. proto jej mimo jin majdete teba ve vbav skvlho kytaristy Tony Mc Alpine nebo u ns Kreyson, kde do nj hraje star osvden Roland Jazz chorus head z 80-tch let.

VC 412 A30

1005250
Kytarov box 4x12" Celestion Vintage 30s, 240 W, Impedance mono: 4/16 Ohms, Impedance stereo: 2x8 Ohms, vha 41 kg. Vnitn stavba boxu a zvolen reproduktory zajiuj hutn a pitom konkrtn kytarov zvuk. VC Cabinet - sprvn volba pro sprvn zvuk.

VC 412 B 25

1005253
Model VC 412 B 25, Headline Your Amps Voice, Speakers 4x12'' Celestion Greenbacks, Impedance Mono 4/ 16 Ohms, Impedance Stereo 2x 8 Ohms, Power Rating 100 Watts, Casters Yes, Dimensions 750 x 750 x 360 mm, Weight 39 kg/86 lbs.

VC 412 B 30

1005251
Model VC 412 B 30,Headline Your Amps Voice,Speakers 4x12'' Celestion ,intage 30,Impedance Mono 4/ 16 Ohms,Impedance Stereo 2x 8 Ohms,Power,Rating 240 Watts,Casters Yes,Dimensions 750 x 750 x 360 mm,Weight 43 kg/95 lbs.

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Players Class
ada kytarovch aparatur pro semi-profi kytaristy, lampov, s multiefektem nebo kompletn Stack. Vynikajc kvalita a pouit komponenty

Attax 100 Combo

1005178
Hughes & Kettner Attax 100, kytarov kombo, poweramp je vyvinut jako Current Feedback Technology pro tepl lampov zvuk a skuten i clean kanl se chov jako lampa. 100 Watt Transistor, 4 kanly (Clean, Crunch, Lead, Ultra, Multiefektov sekce (Reverb-Delay, Chorus, Flanger, Tremolo) s FXMemory - pamatuje si nastaven efektov sekce pro kad kanl zvl. Tm se dostv tm na rove externho multiefektu. V praxi pak mte nap. na clean kanlu chorus+reverb, na crunch efekt nen, na lead je delay. Pokud dokoupte non pepna FS-1, mete u kadho kanlu vypnat FX jednotku (delay+chorus, flanger, tremolo) a tm zskat jednou nap. clean bez chorusu, podruh s pednastavenm chorusem.Pokud dokoupte FS-2 mete ovldat navc jet reverb. 4-kanlov pepna piloen, 1x12" Rockdriver Ultra II Speaker, CD-vstup, vstup Headphone Out

SC 412 Cabinet

1005248
Kytarov box - as pro kompromis je nenvratn pry - ve co ekte od profesionlnho boxu 4 x 12", 400 Watt, Celestion RockDriver Ultra II. Hutn bas a pevn stedy - to jsou pednosti tohoto oblbenho boxu se skvlm pomrem kvalita cena. Reproduktory 4x 12'' Rockdriver Ultra II, Impedance Mono8 Ohms, Impedance Stereo 2x 4 Ohms, vkon 400 Watts, koleka, rozmry 750 x 750 x 360 mm, vha 31 kg

Attax 100 Head

1005188
Hughes & Kettner Attax 100 head, 100 W kytarov hlava solid state, poweramp je vyvinut jako Current Feedback Technology pro tepl lampov zvuk a skuten i clean kanl se chov jako lampa. 100 Watt Transistor, 4 kanly (Clean, Crunch, Lead, Ultra, Multiefektov sekce (Reverb-Delay, Chorus, Flanger, Tremolo) s FX-Memory - pamatuje si nastaven efektov sekce pro kad kanl zvl. Tm se dostv tm na rove externho multiefektu. V praxi pak mte nap. na clean kanlu chorus+reverb, na crunch efekt nen, na lead je delay. Pokud dokoupte non pepna FS-1, mete u kadho kanlu vypnat FX jednotku (delay+chorus, flanger, tremolo) a tm zskat jednou nap. clean bez chorusu, podruh s pednastavenm chorusem.Pokud dokoupte FS-2 mete ovldat navc jet reverb. 4-kanlov pepna piloen, CD-vstup, vstup Headphone Out

Edition Blue

Edition Blue 15

1005203

Kytarov kombo s mode svtcm ovldacm panelem, 2 kanly Clean-Overdrive, 3-psmov EQ, efektov smyka, CD-vstup, regulace Hall efektu, 15 Watt zesilova, 8" Celestion reproduktor

Edition Blue 15 DFX

1005199
Skvl zvuk ve sv td !!!!! Kytarov kombo s mode svtcm ovldacm panelem, 2 kanly Clean-Overdrive, 3-psmov EQ, efektov smyka, CD-vstup, regulace Hall efektu, 15 Watt zesilova, 8" Celestion reproduktor. Oproti Edition Blue 15 je vybaveno digitlnmi efekty : Chorus/Flanger/Delay & Digital Spring Reverb

Edition Blue 30

1005211
Kytarov kombo s mode svtcm ovldacm panelem, skvl zvuk ve sv td !!!! Kompaktn, jednoduch na ovldn, pehledn mode podsvcen ovldac panel a pedevm zvuk - tko nco obdobnho ve sv td naleznete. Tlust zvuk, kter inspiruje a umouje jakoukoliv techniku. 30 Watt, 2 kanly Clean-Overdrive, 3-psmov EQ, efektov smyka, CD-vstup, regulace Hall efektu, 10" Jensen reproduktor ady "Premium", kter vznikl za spoluprce dvou piek - Jensen a celestion.

Edition Blue 30 DFX

1005207
Kytarov kombo s mode svtcm ovldacm panelem, 30 Watt, 2 kanly Clean-Overdrive, 3-psmov EQ, efektov smyka, CD-vstup, regulace Hall efektu, 10" Jensen reproduktor. Oproti Edition Blue 30 je vybaveno digitlnmi efekty : Chorus/Flanger/Delay & Digital Spring Reverb

Edition Blue 60

1005219
Kytarov kombo s mode svtcm ovldacm panelem, 60 Watt, 2 kanly Clean-Overdrive, 3-psmov EQ, efektov smyka, CD-vstup, regulace Hall efektu, 12" Celestion reproduktor

Edition Blue 60 DFX

1005215
Kytarov kombo s mode svtcm ovldacm panelem, 60 Watt, 2 kanly Clean-Overdrive, 3-psmov EQ, efektov smyka, CD-vstup, regulace Hall efektu, 12" Celestion reproduktor. Oproti Edition Blue 60 je vybaveno digitlnmi efekty : Chorus/Flanger/Delay & Digital Spring Reverb

Bass Amplification

Profesionln basov hlavy pro nejvy nroky, lampov pedzesilova, Dyna-clip, Vari - parametric EQ, Notch filter, proveden 19"

QUANTUM series

Quantum QC421

131012

Basov kombo 2 x 10" Dual Cone Neodymium repro, 400Watt, DYNAVALVE technologie, 4-Band Pure Parallel EQ, Tube Growl Control, FX Loop, DI Out XLR, Line Out, vstup na extern box(serial/parallel), hmotnost 29 kg.

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Quantum QC412

131032

Basov kombo 1 x 12" DuraDome Neodymium repro, 400Watt, DYNAVALVE technologie, 4-Band Pure Parallel EQ, Tube Growl Control, FX Loop, DI Out XLR, Line Out, vstup na extern box(serial/parallel), hmotnost 19,5 kg.

Quantum QS 410

136123
Bass box 4 x 10", neodymium reproduktory, 900 Watts, Impedance: 8 Ohm, hmotnost: 32,2 kg WxHxD (cm): 67x60,5x40,5

Quantum QS 810

136143
Bass box 8x10", neodymium reproduktory, 1800Watt, 4 ohm, hmotnost 62kg

Quantum Trolley QC 310

192113

Pepravn obal na QC310

Quantum Trolley QC 412

192123

Pepravn obal na QC412

BassKick series

BassKick 100

1005414

Kombo pro baskytaru: 100 W, 15' Eminence speaker, HF Horn, 3-band Smooth Punch EQ, Tube Touch input circuit, 498 x 565 x 355 mm, 25 kg

BassKick 200

1005415
Kombo pro baskytaru: 200 W, 15' Eminence speaker, HF Horn (switchable), 4-band parallel EQ, Variable Compressor, vstup na extern reprobox, 552 x 604 x 385 mm, 32kg

BassKick 300

1005419
Kombo pro baskytaru: 300 W, 15' Eminence speaker, HF Horn (switchable), 4-band parallel EQ, Variable Compressor, vstup na extern reprobox, vstup pro pedl (Punch) 611 x 625 x 385 mm, 36 kg

Tube Tools

Tube Factor

1005276

Lampov zkreslova, 2 pepnateln mody ,True bypass

Tubeman

1005280
Profesionln celolampov (12AX7) pedzesilova, 3 kanly, clean, crunch, a lead sound, kter je navc vybaven jedinenou funkc Voicing pro super lead zvuk. Master 3-band EQ, vstupy s/bez Red Box Cabinet Simulatoru - pro pm propojen do mixnho pultu nebo do zesilovae, luxusn vzhled a odoln kovov konstrukce pro live pouit. Test zvuku na http://www.hughes-and-kettner.com/features.php?type=tubetools#.

Tube Rotosphere

1005268
Simultor leslie efektu, stereo, lampov pedzesilova, True bypass.

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