On the other hand, if the KnobMode is set to Jump, turning the knob will cause the parameters value to jump immediately to the actual position of the knob.
Returning a parameter to its original value. When editing, you can always return any edited parameter to its original value. Simply rotate the knob assigned to that parameter until the ORIGINAL VALUE LED remains steadily lit. If you select another program or re-select the same program while you are editing, all your edits will be lost, unless you first save any changes you have made. Changes you make to these settings will also be lost if you turn the power off, so you must Write them if you want to keep your changes.
Listening to only one timbre (Solo)
For a program that uses both timbres, you can use the Solo function to hear just one timbre. This is convenient when you want to hear just one timbre while you edit.
1 Hold down the [SHIFT] button and press the TIMBRE SELECT [TIMBRE 1] button. Your editing will apply to Timbre 1, and only Timbre 1 will sound.
2 If you want only Timbre 2 to sound, hold down the [SHIFT] button
once again and press the TIMBRE SELECT [TIMBRE 2] button. Your editing will apply to Timbre 2, and only Timbre 2 will sound.

Editing each timbre

A program can use up to two timbres. A timbre consists of the parameters in pages 1. Voice30. Ins FX2. In order to edit a parameter, you must first select the timbre that you want to edit (the [TIMBRE 1] or [TIMBRE 2] button will blink). The 1. Voice page parameters Mode apply to the entire program.
Using both timbres (Layer)
When using two timbres, you can select one of three modes according to your needs, but here well set Mode to Layer. Turn the [PAGE] dial to select the 1. Voice page, and turn knob [1] knob to select Layer.
Selecting the timbre to edit
If you are editing a program that uses both timbres, heres how to select the timbre to edit. Press the TIMBRE SELECT [TIMBRE1] button to select timbre 1 as the timbre that you want to edit. TIMBRE SELECT [TIMBRE1] button will light. Your editing will affect the selected timbre.
3 If you want to cancel the Solo function, hold down the [SHIFT] button

COMB (Comb Filter)

11. FILTER2-B
Here you can make settings for the filter 2 parameters.
Knob [1] EG1 Int2 (EG1 Intensity/Filter2) [63.63] This is the same as for FILTER 1 (p.34).
Knob [2] Key Trk2 (Keyboard Tracking/Filter2) [2.00.+2.00] This is the same as for FILTER 1 (p.34).
Knob [3] VelSens2 (Velocity Sensitivity/Filter2) [63+63] This is the same as for FILTER 1 (p.34).

12. AMP (Amplifier)

These parameters control the volume. The sound that is created by passing through the oscillator and filter is amplified by the amp.
Knob [1] Level [000.127] Adjusts the volume of the timbre.
Knob [2] Panpot [L63.CNT.R63] Adjusts the location of the sound in the stereo field. L63 is far left, CNT is center, and R63 is far right.
Knob [3] Key Trk (Keyboard Tracking) [63.63] Specifies how keyboard tracking will affect the volume. With positive (+) settings, the volume will increase as you play above the C4 note on the keyboard, and will decrease as you play below C4. With negative (-) settings, the volume will decrease as you play above the C4 note on the keyboard, and will increase as you play below C4. Keyboard Track operates according to the pitch that is controlled by pitch bend, and transpose. It is not affected by pitch changes produced by vibrato or Virtual Patch.
13. DRIVE/WS (Drive/Wave Shape)
In this page you can set the Drive or Wave Shape parameters. This lets you add distortion to the sound and give it a distinctive impact.
Knob [1] WS Type (Wave Shape Type) [Off, DriveLvl Boost] This switches wave shaping on/off, and selects the type. Wave shaping modifies the input waveform by applying a transformation of the type you specify here, and produces an output waveform that includes the components of both the input waveform and the transformation shape. WS Depth specifies the depth of this effect. Some settings may produce noise. Off: Wave Shape/Drive is off. Drive: Drive will be applied. The amount of distortion is adjusted by the output level of each oscillator in the 7. Mixer page (p.39 Figure 13-1). Only the Drive setting differs from the wave shape effect. Decimatr: Lowers the sampling frequency (p.39 Figure 13-2). HardClip: Flattens any portion of the waveform above the limit (p.39 Figure 13-3). ()
Knob [2] Position [PreFilt1, Pre Amp] Specifies the position at which the drive or wave shape functions will be applied. PreFilt1: Drive or wave shape will be applied before filter 1 (p.39 Figure 13-9). Pre Amp: Drive or wave shape will be applied after the filter and before the amp (p.39 Figure 13-10). Knob [1] () OctSaw: Cuts the portion of the waveform above the threshold level and inverts it to keep it within limits. (p.39 Figure 13-4). MultiTri: Sending a sawtooth wave through this will produce a triangle wave (p.39 Figure 13-5). MultiSin: Sending a sawtooth wave through this will produce a sine wave (p.39 Figure 13-6). SbOSCSaw, SbOSCSqu, SbOSCTri, SbOSCSin: The selected waveform will sound one octave below oscillator 1. Depth (knob [3]) adjusts the mix amount relative to oscillator 1. ()

Saw Square

Knob [2] Key Sync [Off, Timbre, Voice] Specifies how the LFO will be applied to a voice when note-on occurs. Off: The LFO phase will not be reset when note-on occurs (Figure 18-1). Timbre: The phase of the LFO will be reset by the first note-on that occurs from a condition of no keys being held; it will not be reset for subsequently played voices (Figure 18-2). Voice: The LFO phase will be reset at each note-on, and modulation of differing phases will apply to each voice (Figure 18-3).
Figure 18-2: Key Sync Timbre
Knob [3] BPM Sync [Off, On] Specifies whether the LFO cycle will be synchronized to the internal tempo or to an external MIDI Clock. Off: The LFO will not be synchronized. It will operate at the frequency specified by the Freq (knob [4]) parameter. On: The LFO will be synchronized to the [TEMPO] knob or to MIDI Clock messages from an external device. The 42. MIDI page Clock parameter determines the sync source. If BPM Sync is On, selecting LFO1Freq or LFO2Freq as Dest in PATCH 16 will have no effect.
Knob [4] Freq (Frequency) [0.01Hz.100.0Hz] Specifies the frequency of the LFO. Increasing this value will result in a faster frequency. This parameter will be displayed and can be set only if BPM Sync is Off. SYNC NOTE [8/1.1/64] Specifies the LFO frequency as a note value derived from the tempo specified by the [TEMPO] knob. This parameter is only available when BPM Sync is On. 8/1: One LFO cycle = 32 beats in length. 4/1: One LFO cycle = 16 beats in length. 1/1: One LFO cycle = 4 beats in length. 1/2: One LFO cycle = 2 beats in length. 1/4: One LFO cycle = 1 beat. 1/8: Two LFO cycles = 1 beat. 1/64: Sixteen LFO cycles = 1 beat.

Square+

S&H
Amplitude changes irregularly (Sample & Hold)

Random

Note all off
Figure 18-1: Key Sync off

Note on

Figure 18-3: Key Sync Voice

1VOICE

2VOICE
LFO (Low Frequency Oscillator) The LFO (Low Frequency Oscillator) is an oscillator that produces a relatively slow (lowfrequency) oscillation, and is used to apply cyclic modulation to various aspects of the sound. Some typical ways to use LFO are vibrato (use LFO to raise and lower the pitch), wah (use LFO to raise and lower the cutoff frequency), and tremolo (use LFO to raise and lower the volume). You can select LFO as a Virtual Patch source, select the desired parameter as the destination, and apply modulation to produce various effects. The R3 provides special parameters that let you use the LFO to apply modulation. For LFO1, this parameter is LFO1Int (knob [4] when the 5. OSC1 page OSC Mod (knob [2]) is set to Waveform. For LFO2, this is the 4. Pitch-B page VibrtInt parameter (knob [2]).

Knob [4] Value This specifies the value of the parameter you selected with Effect parameter (knob [3]). The sub-display will show the value directly (e.g., 0127). The available parameters will depend on the effect you choose for Type. For details, refer to the Effect Guide in the included CD-ROM. If Effect parameter (knob [3]) is set to IFx1 Knob or IFx2 Knob, you can select the effect parameters you'll control from knobs [1][4] in Play mode. ( p.80 SHIFT function Knob assignment)

31. MASTER FX

In this page you can adjust the master effect settings. There is one master effect. Youll see the same effect whether youre editing it from timbre 1 or 2. In other words if you edit the master effect from timbre 1, your changes will be reflected in the master effect settings you see from timbre 2.
Knob [1] [NoEffect, S.CompTalk Mod] Effect Type Selects the effect type used by the master effect. For details on the available types, refer to Effect guide in the included CDROM.
Knob [3] Effect parameter [MFx Knob] This selects the parameter to edit. The subdisplay will show the name of the selected parameter (e.g., Sens). When you use Effect parameter (knob [3]) to select a parameter, the display for knob [4] will switch to the value of that parameter. The available parameters will depend on the effect you choose for Type. For details on the available effect types, refer to the Effect Guide in the included CD-ROM. MFx Knob: Use knob [4] (Value) to select the effect parameter youll control from knobs [1][4] in Play mode. ( p.80 SHIFT function Knob assignment)
Knob [4] Value This specifies the value of the parameter you selected with Effect parameter (knob [3]). The sub-display will show the value directly (e.g., 0127). The available parameters will depend on the effect you choose for Type. For details, refer to the Effect Guide in the included CD-ROM. If Effect parameter (knob [3]) is set to MFx Knob, you can select the effect parameters you'll control from knobs [1][4] in Play mode. ( p.80 SHIFT function Knob assignment)

Arpeggio parameters

Front Panel Arpeggio Parameters
These are the parameters that can be set from the front panel ARPEGGIATOR section.
ARPEGGIATOR [TEMPO] knob Specifies the playback tempo of the arpeggiator. The speed of modulation sequences and LFOs for which BPM Sync is On will be synchronized to the tempo you specify here.
ARPEGGIATOR TEMPO LED This will blink at quarter-note intervals of the tempo specified by the [TEMPO] knob.

Knob [2] ArpSwing (Arpeggiator Swing) [100%.1+00%] Specifies the percentage (%) by which even-numbered notes of the arpeggio will be shifted in timing relative to the first note ( Figure 33-1). This can add a swing feel and make the arpeggiator sound a bit less mechanical.
Knob [3] Resolutn (Resolution) [1/32.1/1] Specifies the resolution (spacing of the notes) relative to the tempo specified by [TEMPO] knob. 1/32: The arpeggio will be played as 32nd notes at the specified tempo. 1/24: The arpeggio will be played as 16th note triplets at the specified tempo. 1/16: The arpeggio will be played as 16th notes at the specified tempo. 1/12: The arpeggio will be played as 8th note triplets at the specified tempo. 1/8: The arpeggio will be played as 8th notes at the specified tempo. 1/6: The arpeggio will be played as quarter note triplets at the specified tempo. 1/4: The arpeggio will be played as quarter notes at the specified tempo.
Knob [4] Key Sync [Off, On] Specifies whether the arpeggiator will be synchronized to the keyboard. If this is On, the arpeggiator will always start from the beginning of the arpeggio pattern when you play the keyboard. If you are performing together with other instruments, you can use this function to ensure that the arpeggio pattern is aligned with the beginning of the measure. Off: Sync off. The arpeggio pattern will not be reset when you play the keyboard. On: Sync on. The arpeggio pattern will be reset the moment you play the keyboard.
Figure 33-1: Arpeggiator Swing

When Resolution =1/8

1/3: The arpeggio will be played as half note triplets at the specified tempo. 1/2: The arpeggio will be played as half notes at the specified tempo.
The arpeggio will be played as whole 1/1: notes at the specified tempo.

Vocoder parameters

Front panel vocoder parameters
These are the parameters that can be set from the front panel Vocoder section.
[VOCODER] button This switches the Vocoder function on/off. Off (key unlit): Vocoder is off. The program will not use the vocoder. On (key lit): Vocoder on. The program will use the vocoder. EDIT (key blinking): The vocoder parameters can now be edited. When the vocoder is on or off, press the key once again to make it blink; vocoder parameters will be assigned to knobs [1][4], and you can control the vocoder parameters by operating these knobs while you play. Turn the [PAGE] dial to select the group of vocoder parameters you want to edit. ( p.5560 34. Carrier39. Lvl/Pan pages)

Knob [4] HPF Lvl (HPF Level) [000.127] This adjusts the output level from the HPF (High Pass Filter) that extracts the high-frequency components from the modulator input source; these high-frequency components are then mixed into the output of the vocoder. Increase this value if you want to emphasize the consonants of the vocal input source.

37. FILTER

Here you can adjust the settings for the carriers sixteen band-pass filters and modulators envelope filter. Youll be using these parameters frequently, since they play an important role in determining the character of the vocoder.
Knob [1] FrmntSft (Formant Shift) [2+2] Shifts the cutoff frequencies of each of the carriers band pass filters. This will significantly change the character of the vocoder output.
Knob [2] FcOffset (Fc Offset) [63.+63] This continuously shifts the cutoff frequency of each band-pass filter (Synthesis filter) of the carrier.
Knob [3] Vcd Reso (Vocoder Resonance) [000.127] Specifies the amount of resonance for each band-pass filter of the carrier. Increasing this value will emphasize the regions near each cutoff frequency.
Knob [4] E.F.Sens [000.126, Hold] Specifies the sensitivity of the modulators Envelope Followers. Lower settings of this value will allow the attacks of the input signal to be detected more rapidly. If you set this to Hold, the character of the signal that is being input at that moment will be held (Formant Freeze). Subsequently, the sound will retain that character regardless of whether there is any input. If you set this to Hold when there is no input signal present, there will be no output even if an audio signal is subsequently input. If you write the program with this value set to Hold, the program will memorize the response of the signal that was being held.
FrmntSft and FcOffset When FrmntSft=0 and FcOffset=0, the response of the carrier filters will match the cutoff frequency of the modulator filters. The filter response is shifted upward or downward in two discrete steps by the FrmntSft. This can be adjusted upward or downward a total of another two steps by using FcOffset, giving you a total of four steps of adjustment upward or downward.

Using the R3 with other MIDI devices (MIDI)
Controlling the R3s tone generator from an external MIDI device
When you wish to play or control the R3s tone generator from an external MIDI keyboard or sequencer etc., use a MIDI cable to connect the MIDI OUT connector of the external MIDI device to the MIDI IN connector of the R3.

MIDI keyboard

Controlling two or more external MIDI tone generators from the R3
You can use the MIDI THRU connector to simultaneously control multiple MIDI devices. (This type of connection should be used to connect no more than three devices. If you wish to connect a larger number of MIDI devices, we recommend that you use a MIDI patch bay (or MIDI thru-box) as shown in the second diagram below.)
Connecting MIDI devices/computers
Controlling an external MIDI tone generator from the R3
When you wish to use the R3s keyboard, controllers, and arpeggiator etc. to play an external MIDI tone generator, use a MIDI cable to connect the R3s MIDI OUT connector to the MIDI IN connector of the external MIDI tone generator.

MIDI THRU

MIDI keyboard MIDI tone generator

R3 MIDI OUT MIDI IN

You can also use a MIDI patch bay to control multiple MIDI devices.

MIDI tone generator

MIDI patch bay

MIDI OUT MIDI keyboard

Connecting an external MIDI sequencer or computer etc.
If you want to record your performance on the R3s keyboard into your external MIDI sequencer/computer (via a MIDI interface), or use the R3 as a combination of controller keyboard and MIDI sound module, or use the Editor/Librarian software included with the R3, then youll need to connect the R3s MIDI OUT and MIDI IN connectors to the MIDI IN and MIDI OUT connectors respectively of your external MIDI sequencer or computer. Some USB-MIDI interface devices may not be able to transmit/receive the R3s MIDI exclusive messages.
computer MIDI interface MIDI OUT

MIDI-related settings

MIDI channel setting
In order to exchange data with a connected external MIDI device, you must set the R3s MIDI channel to match the MIDI channel of the external MIDI device.

MIDI IN MIDI OUT MIDI IN

MIDI channel setting use the R3 as a multi-timbral sound module
You can specify separate MIDI channels for each of the two timbres, and use the R3 as a multi-timbral sound module that can be driven from your external MIDI sequencer or controller.

Synchronizing the arpeggiator
The 42. MIDI page Clock (knob [4]) setting specifies whether the R3s arpeggiator will be the master (the controlling device) or slave (the controlled device). For information on synchronization-related settings of your external MIDI device, refer to the manual of your device.
1. Using the R3 as master and the external MIDI device as slave
Connect the R3s MIDI OUT connector to the MIDI IN connector of your external MIDI device ( p.64). Use the [PAGE] dial to select the 42. MIDI page, and set Clock (knob [4]) to Internal; the R3 will be the master device, and will transmit MIDI timing clock messages. Set your external MIDI device so that it will receive incoming MIDI clock messages. Now your external MIDI device (sequencer, rhythm machine, etc.) will operate at the tempo specified by the R3s [TEMPO] knob.
2. Using the external MIDI device as master and the R3 as slave
Connect the R3s MIDI IN connector to the external MIDI devices MIDI OUT connector ( p.64). If you select the [PAGE] dial to the 42. MIDI page, and set 42. MIDI page Clock (knob [4]) to Ext MIDI, the R3 will be the slave. The R3s arpeggiator will operate at the tempo of the external MIDI device (sequencer, rhythm machine, etc.). If you set 42. MIDI page Clock (knob [4]) to Auto, the R3 will automatically function using the Ext MIDI setting if MIDI clock is being received from an external MIDI device connected to the MIDI IN connector. Otherwise, the R3 will function using the Internal setting. If the R3 is synchronized to the MIDI clock of an external MIDI device, its arpeggiator will reset when a MIDI Start message [FA] is received. This will also cause LFOs and modulation sequences to be reset if Key Sync is Off.

42. MIDI

Here you can make MIDI-related settings for the R3.
Knob [1] MIDI Ch (MIDI Channel) [01.16] Specifies the MIDI channel. When you wish to transmit program changes or system exclusive messages via MIDI, set the global MIDI channel to match the MIDI channel of the connected MIDI device.
Knob [2] Local [Off, On] Switches the local setting on and off Off: With this setting, controllers such as the keyboard and modulation wheel will be internally disconnected from the tone generator section. This setting prevents notes from being sounded in duplicate when the R3 is connected to a sequencer and the performance data is echoed back from the sequencer. (Echo back is when the performance data transmitted by playing the R3 is re-transmitted back to the R3 from the sequencer.) On: Select this setting when you are using the R3 by itself.

Knob [4] A.SwMode (Assignable Switch Mode) [UnLatch, Latch] Specifies the mode of on/off operation for the pedal switch connected to the ASSIGNABLE [SWITCH] jack. With the factory settings this is set to UnLatch. UnLatch(Momentary): Theassignedfunction will be on only while the pedal switch is held down. Latch(Toggle): Theassignedfunctionwill alternate between on and off each time the switch is pressed.

Saving Data

Saving your edited settings
If you have edited a program, your edited settings will be lost if you turn the power off or select another program before saving (writing). In order to preserve your edits, you must save (write) the edited program. Changes you make to the 40. Global-A 46. Pedal/Sw page, or SHIFT functions (described later in this manual) will also be lost if you turn off the power before saving (writing). In order to retain the modified settings, you must save (write) them. Never turn off the power while data is being written. Doing so may destroy the data.

Saving a program

Settings that will be saved
01. Voice 33. Arpeggiator-B page parameters, 34. Carrier 39. Lvl/Pan page parameters [TEMPO] knob setting ARPEGGIATOR [ON/OFF] switch setting OCTAVE [UP] [DOWN] button setting Shift function Program namesetting Shift function Knob assign setting Procedure
If the main display indicates WrtPrtct when you press the [WRITE] button again, write protect is turned on (i.e., you can't write programs). Press the [EXIT] button twice to cancel the Write operation, and turn off Write Protect (p.78).
Saving GLOBAL, MIDI settings Saving Formant Motion data
Settings that will be saved 40. Global-A 46. Pedal/Sw page parameters Shift function PROTECTsetting Settings that will be saved Formant motion data Procedure
1 Press the [WRITE] button. 2 Use the [PAGE] dial to select the des- Shift function CALIBRATION setting The main display will indicate Protination program number into which Formant motion data you want to save the program.
Procedure 3 Press the [WRITE] button once again to save (write) the program. 1 Press the [WRITE] button.
The main display will indicate Complete. The Write operation is completed, and youll return to Play mode.

Hold down the [SHIFT] button and press the PROGRAM SELECT [3] button. The [3] button will blink. The main display will show the copy-source program number and program name. Use the [PAGE] dial to select the copysource program. Press the [3] button. The upper line of the main display will show the copy-source timbre (SrcTmb>#), and the lower line will show the copy-destination timbre selected by TIMBRE SELECT. Use the [PAGE] dial to select the copysource timbre, and use the TIMBRE SELECT [TIMBRE1] [ TIMBRE2] buttons to select the copy-destination timbre. Press the [3] button. The main display will ask you to confirm the operation. The upper line will ask Copy OK? and the lower line will
To execute the copy, press the [3] button. The settings will be copied, and you'll return to Play mode. If you decide to cancel the copy operation, press the [EXIT] button.
3 When youve finished editing the program name, press the [1] button. The program name will be changed and youll return to Play mode. If you decide to discard your changes, press the [EXIT] button.
If youve edited the program name, your changes will be lost if you turn off the power or switch to a different program without writing the program. Be sure to write the program if you want to keep the edited program name.
Initializing Vocoder Copy Effect Parameters
4-1. SWAP TIMBRE Swapping the timbres Heres how to swap (exchange) the settings of timbre 1 and timbre 2 in the currently selected program. This operation is available if TIMBRE SELECT [TIMBRE 1] or [TIMBRE 2] is selected. You can execute this only if the program uses two timbres; i.e., you cant execute it for a program whose 1. Voice page Mode parameter is Single. Procedure
3-2. INIT VOCODER Initializing vocoder parameters This initializes the vocoder parameters of the currently selected program. This operation is available if [VOCODER] is selected for editing (i.e., when the [VOCODER] button is blinking).
This operation does not erase the formant motion data. Procedure
5-1. COPY EFFECT Copy effect setting Heres how to copy the effect settings from another program into a effect of the currently selected program. Procedure

of data dump that will be transmitted.
Restoring the factory settings

Write protect setting

7-1. PRELOAD
Restoring the factory settings This operation restores the R3s programs and global data settings to the factory-set condition. The factory-set settings are referred to as the preload data.
When you restore the Preload settings, the data within the R3 will be rewritten to the factory settings. Be sure that you dont mind losing your current data before you restore the factory settings.
Do not touch the R3s knobs or buttons while the Preload operation is being executed, and never turn the power off during this operation.
The Preload data cannot be restored/ reloaded if the SHIFT function PROTECT is on. You must turn WRITE PROTECT off beforehand. Procedure

8-1.PROTECT

1 Prog: Load only data for one program (1. Voice 39. Lvl/Pan page parameters, front panel button and knob settings.) AllProg: Load data for all 128 programs. Global: Load global data (40. Global -A 46. Pedal/Sw page parameters, foot pedal calibration setting.) AllData: Load data for all programs, global data, and formant motion data.
Write protect setting The R3 provides a write protect setting that disables writing to memory, letting you prevent data from being rewritten accidentally. If you want to save data that you have edited, you must first turn write protect off. Procedure
press the [8] button. The main display will show a screen where you can select protect on/off.
2 Turn the [PAGE] dial to switch write

protect on/off.

If you selected AllProg or Global in step 2, proceed to step 4. If you selected 1 Prog, press the [7] button. The main display will show a screen where you can select the program that you want to load. Use the [PAGE] dial to select a program.
When you load 1 Prog, the data will be loaded into the currently selected program.
3 When you have made the desired setting, press the lit [8] button or [SHIFT] button. The R3 will return to the Play mode. If you decide not to execute the operation, press the [EXIT] button.

press the [7] button. The main display will show a screen where you can select the type of preloaded data that will be loaded.
4 Press the blinking [7] button. The
Preload operation will be executed, and the R3 will return to the Play mode. If you decide not to execute the operation, press the [EXIT] button.
2 Turn the [PAGE] dial to select the data
that will be restored to its factory-set condition.
Other SHIFT key functions
DEMO Listening to the demo performance Hold down the [SHIFT] button and press the ARPEGGIATOR [ON/OFF] switch. The demo will begin playing. While the demo is playing, you can stop it by pressing the [EXIT] switch.
Refer to p.11 for details on how to select songs.
CALIBRATION Calibrating the foot pedal
TIMBRE1 SOLO, TIMBRE2 SOLO Soloing a timbre For a program that uses two timbres, this operation lets you listen to just one of the timbres. While editing, you can use this when you want to hear a single timbre by itself.
AUDIO IN THRU Audio In Thru This operation causes the audio signal from the input jacks to be sent directly to the OUTPUT [L/MONO] and [R] jacks. Hold down the [SHIFT] button and press the [VOCODER] button. When this function is on, the audio signal from the [AUDIO INPUT 1] (or [MIC]) and [AUDIO INPUT 2] jacks will be passed through and sent from the OUTPUT [L/MONO] and [R] jacks. This will turn on/off each time you press the button.
The 41. Global-B page Thru Src parameter specifies the input jack(s) to which the Thru function will apply.
Connect a foot pedal (p.8). Begin this operation with the pedal set all the way down. Hold down the [SHIFT] button and press the ARPEGGIATOR [LATCH] switch. The [LATCH] switch will blink. The main display will show the calibration setting screen. Advance the foot pedal all the way up, and then return it to the fully down position. Make sure that the lower line of the main display shows ********. To execute the calibration, press the [LATCH] switch. The calibration settings will be loaded, and youll return to Play mode. To save the settings, write the Global data (p.74 Saving GLOBAL and MIDI settings). If you decide to cancel the calibration operation, press the [EXIT] button.

All Demo Songs: 2006 KORG Inc. - All rights reserved.

Trouble shooting

Before you suspect a malfunction, please check the following points.

Power does not turn on

Is the AC adaptor connected to an AC outlet? p.8 Is the [POWER/STANDBY] switch turned on (pressed inward)? p.10

No sound

If your powered monitor system or headphones connected to the correct jack(s)? p.8 Is the connected monitor system powered-on, and is the volume raised? Is the MASTER VOLUME knob set to a position where sound will be output? p.10 Is the 42. MIDI page Local(knob [2]) setting turned ON? p.68 Were any volume-related parameters set to a value of 0? p.31, 37, 55, 59 Was the 8. Filt1-A page Cutoff1 (knob [1]) set to 0? p.32 Was the 37. Filter page E.F.Sens set to Hold (FORMANT HOLD) while there was no input to the [AUDIO INPUT 1] or [MIC] jack ? p.58
If you are unable to use the knobs [1][4] to edit vocoder parameters, is the [VOCODER] button blink for the vocoder you want to edit? p.21 If the changes you made to a program or to the global settings have not been remembered, did you turn the power off before executing the Write operation? In the case of a program, your edits will also be lost if you select a different program. Execute the Write operation to save your edits before you switch programs or turn off the power. p.74
Can't write programs or global settings
Is Shift function PROTECT turned Off? p.78 If an edited program or edited GLOBAL, MIDI settings you thought you had saved have not actually been saved, did you select Global when you attempted to save the program, or Program when you attempted to save the global data? p.74
Arpeggiator will not start
Is the arpeggiator turned on (ON/OFF button lit)? p.15 Is the 42. MIDI page Clock (knob [4]) setting correct? p.68

Cant input sound

Is the input source connected to the [AUDIO INPUT 1] jack, the [MIC] jack, or the [AUDIO INPUT 2] jack? p.10, 21, 34 If you are inputting to [MIC] jack, is the [MIC] switch set XLR p.10, 21, 34 If you are inputting to [AUDIO INPUT 1], is the [MIC] switch set REAR? p. Is the [AUDIO INPUT1] or [AUDIO INPUT2] knob turned up? p.10, 21, 34 If using a vocoder program, have you connected the modulator audio source to the [AUDIO INPUT 1] jack or to the [MIC] jack? p.10
No response to MIDI messages sent from an external device

KORG R3 MIDI Implementation
Revision 1.0 (2006.09.04)

1.TRANSMITTED DATA

1-1 CHANNEL MESSAGES [H]:Hex, [D]:Decimal +--------+---------+-------------+------------------------------------------------------------+---+ | Status | Second | Third | Description (Transmitted by. ) |ENA| | [Hex] | [H] [D] | [H] [D] | | | +--------+---------+-------------+------------------------------------------------------------+---+ | 8n | kk (kk) | 40 (64) | Note Off *1| A | | 9n | kk (kk) | vv (vv) | Note On vv=1~127 *1| A | | Bn | 00 (00) | mm (mm) | Bank Select(MSB) (Program) *6| P | | Bn | 01 (01) | vv (vv) | Modulation1 (Mod Wheel,A.P=ModWheel) | C | | Bn | 02 (02) | vv (vv) | Modulation2 (A.P=BrthCtrl) | C | | Bn | 04 (04) | vv (vv) | Foot Control (A.P=FootPedal) | C | | Bn | 06 (06) | vv (vv) | Data Entry (MSB) (Panel Control) *2| C | | Bn | 07 (07) | vv (vv) | Volume (A.P=Volume) | C | | Bn | 0A (10) | vv (vv) | Panpot (A.P=Pan) | C | | Bn | 0B (11) | vv (vv) | Expression (A.P=ExpPedal) | C | | Bn | 20 (32) | bb (bb) | Bank Select(LSB) (Program) *6| P | | Bn | 40 (64) |00/7F (0/127)| Sustain Off/On (A.S=Damper) | C | | Bn | 41 (65) |00/7F (0/127)| Portamento Off/On (A.S=PortSw) | C | | Bn | 52 (82) |00/7F (0/127)| Multi Purpose Ctrl17(as Foot Sw) (A.S=FootSw) | C | | Bn | 62 (98) | vv (vv) | NRPN (LSB) (P.C) *2| C | | Bn | 63 (99) | vv (vv) | NRPN (MSB) (P.C) *2| C | | Bn | cc (cc) | vv (vv) | Control Change cc=00~95,102~119 (P.C) *3| C | | Cn | pp (pp) | --| Program Change (Prog Change) | P | | Dn | vv (vv) | --| Channel Pressure (A.P=AftTouch) | C | | En | bb (bb) | bb (bb) | Pitch Bender Change (Bend Wheel) | B | +--------+---------+-------------+------------------------------------------------------------+---+ n : MIDI Channel = 0 ~ F vv : Value A.P: Assignable Pedal A.S: Assignable Switch P.C: Panel Control ENA = A C P B : : : : Always Enable Enabled when Global CtrlChg is enabled. Enabled when Global PROG Chg is enabled. Enabled when Global PitchBend is enabled. 12 ~ 120 (37Keys + OCT + Transpose)

*1 : kk =

*2 : Non Registered Parameter Number (NRPN) +---------+-----------------------------+------------------------+ | MSB LSB | Parameter | Data Entry(MSB) Value | | [H] [H] | | | +---------+-----------------------------+------------------------+ | | Arpeggio On/Off | 00/7F:OFF/ON | | | Arpeggio Latch On/Off | 00/7F:OFF/ON | | | Arpeggio Type | *2-1 | | 00 0A | Arpeggio Gate | *2-2 | | 00 0B | Arpeggio Select | *2-3 | | | | | | | Patch1 Source | *2-4 | | | Patch2 Source | *2-4 | | | Patch3 Source | *2-4 | | | Patch4 Source | *2-4 | | | Patch5 Source | *2-4 | | | Patch6 Source | *2-4 | | | Patch1 Destination | *2-5 | | | Patch2 Destination | *2-5 | | 04 0A | Patch3 Destination | *2-5 | | 04 0B | Patch4 Destination | *2-5 | | 04 0C | Patch5 Destination | *2-5 | | 04 0D | Patch6 Destination | *2-5 | | | | | | | Mod.SEQ1 Step[01] VALUE | *2-6 | | | Mod.SEQ1 Step[02] VALUE | *2-6 | | | Mod.SEQ1 Step[03] VALUE | *2-6 | | | Mod.SEQ1 Step[04] VALUE | *2-6 | | | Mod.SEQ1 Step[05] VALUE | *2-6 | | | Mod.SEQ1 Step[06] VALUE | *2-6 | | | Mod.SEQ1 Step[07] VALUE | *2-6 | | | Mod.SEQ1 Step[08] VALUE | *2-6 | | | Mod.SEQ1 Step[09] VALUE | *2-6 | | | Mod.SEQ1 Step[10] VALUE | *2-6 | | 04 1A | Mod.SEQ1 Step[11] VALUE | *2-6 | | 04 1B | Mod.SEQ1 Step[12] VALUE | *2-6 | | 04 1C | Mod.SEQ1 Step[13] VALUE | *2-6 | | 04 1D | Mod.SEQ1 Step[14] VALUE | *2-6 | | 04 1E | Mod.SEQ1 Step[15] VALUE | *2-6 | | 04 1F | Mod.SEQ1 Step[16] VALUE | *2-6 | | | | | | | Vocoder Band01 Level | 00~7F:0~127 | | | Vocoder Band02 Level | 00~7F:0~127 | | | Vocoder Band03 Level | 00~7F:0~127 | | | Vocoder Band04 Level | 00~7F:0~127 | | | Vocoder Band05 Level | 00~7F:0~127 | | | Vocoder Band06 Level | 00~7F:0~127 | | | Vocoder Band07 Level | 00~7F:0~127 | | | Vocoder Band08 Level | 00~7F:0~127 | | | Vocoder Band09 Level | 00~7F:0~127 | | | Vocoder Band10 Level | 00~7F:0~127 |
| 04 4A | Vocoder Band11 Level | 00~7F:0~127 | | 04 4B | Vocoder Band12 Level | 00~7F:0~127 | | 04 4C | Vocoder Band13 Level | 00~7F:0~127 | | 04 4D | Vocoder Band14 Level | 00~7F:0~127 | | 04 4E | Vocoder Band15 Level | 00~7F:0~127 | | 04 4F | Vocoder Band16 Level | 00~7F:0~127 | | | | | | | Vocoder Band01 Panpot | *2-9 | | | Vocoder Band02 Panpot | *2-9 | | | Vocoder Band03 Panpot | *2-9 | | | Vocoder Band04 Panpot | *2-9 | | | Vocoder Band05 Panpot | *2-9 | | | Vocoder Band06 Panpot | *2-9 | | | Vocoder Band07 Panpot | *2-9 | | | Vocoder Band08 Panpot | *2-9 | | | Vocoder Band09 Panpot | *2-9 | | | Vocoder Band10 Panpot | *2-9 | | 04 5A | Vocoder Band11 Panpot | *2-9 | | 04 5B | Vocoder Band12 Panpot | *2-9 | | 04 5C | Vocoder Band13 Panpot | *2-9 | | 04 5D | Vocoder Band14 Panpot | *2-9 | | 04 5E | Vocoder Band15 Panpot | *2-9 | | 04 5F | Vocoder Band16 Panpot | *2-9 | | | | | | | Vocoder Fc Mod.Source | *2-4 | | | | | | | Voice Mode | *2-12 | | | Vocoder SW | 00/7F:OFF/ON | +---------+-----------------------------+------------------------+ *2-1 :00~14 15~29 2A~3E 3F~53 54~68 69~7F *2-2 : 00~07 08~0F 10~17 18~1F 20~27 28~2F 30~37 38~3F 40~47 48~4F 50~57 58~5F 60~67 68~6F 70~77 78~7F : : : : : : : : : : : : : : : : : : : : : : Up Down Alt1 Alt2 Random Trigger 0, 6, 13, 19, 25, 31, 38, 44, 50, 57, 63, 69, 76, 82, 88, 95, 1, 7, 13, 20, 26, 32, 39, 45, 51, 57, 64, 70, 76, 83, 89, 95, 1, 8, 14, 20, 27, 33, 39, 46, 52, 58, 65, 71, 77, 84, 90, 96, 2, 9, 15, 21, 28, 34, 40, 46, 53, 59, 65, 72, 78, 84, 91, 97, 3, 9, 16, 22, 28, 35, 41, 47, 54, 60, 66, 72, 79, 85, 91, 98, 4, 10, 16, 23, 29, 35, 42, 48, 54, 61, 67, 73, 80, 86, 92, 99, 5, 5, 11, 12, 17, 18, 24, 24, 30, 31, 36, 37, 43, 43, 49, 50, 55, 56, 61, 62, 68, 69, 74, 75, 80, 81, 87, 87, 93, 94, 99, 100

| | Vocoder Band02 Panpot | *2-8 | | | Vocoder Band03 Panpot | *2-8 | | | Vocoder Band04 Panpot | *2-8 | | | Vocoder Band05 Panpot | *2-8 | | | Vocoder Band06 Panpot | *2-8 | | | Vocoder Band07 Panpot | *2-8 | | | Vocoder Band08 Panpot | *2-8 | | | Vocoder Band09 Panpot | *2-8 | | | Vocoder Band10 Panpot | *2-8 | | 04 5A | Vocoder Band11 Panpot | *2-8 | | 04 5B | Vocoder Band12 Panpot | *2-8 | | 04 5C | Vocoder Band13 Panpot | *2-8 | | 04 5D | Vocoder Band14 Panpot | *2-8 | | 04 5E | Vocoder Band15 Panpot | *2-8 | | 04 5F | Vocoder Band16 Panpot | *2-8 | | | | | | | Vocoder Fc Mod.Source | *2-4 | | | | | | | Voice Mode | *3-17 | | | Vocoder SW | 00~3F/40~7F:OFF/ON | +---------+-----------------------------+------------------------+ All these parameters can be changed by "Data Entry(MSB)". 2-2 SYSTEM REALTIME MESSAGES +-----------+----------------------------------------------+ | Status[H] | Description | +-----------+----------------------------------------------+ | F8 | Timing Clock *9 | | FA | Start *8 | | FC | Stop (Arpeggiator stop) *9 | | FE | Active Sensing | +-----------+----------------------------------------------+ *9 :This message is recognized when the "Clock" is set to "Ext-USB" or "Ext-MIDI" or "Auto". 2-3 UNIVERSAL SYSTEM EXCLUSIVE MESSAGE ( NON REALTIME ) DEVICE INQUIRY MESSAGE REQUEST +---------+------------------------------------------------+ | Byte[H] | Description | +---------+------------------------------------------------+ | F0 | Exclusive Status | | 7E | Non Realtime Message | | nn | MIDI Channel (Device ID) | | 06 | General Information | | 01 | Identity Request | | F7 | END OF EXCLUSIVE | +---------+------------------------------------------------+ nn : MIDI Channel = 0 ~ F :Global Channel = 7F :Any Channel 2-4 UNIVERSAL SYSTEM EXCLUSIVE MESSAGE ( REALTIME ) (1) MASTER VOLUME +---------+------------------------------------------------+ | Byte[H] | Description | +---------+------------------------------------------------+ | F0 | Exclusive Status | | 7F | Realtime Message | | nn | MIDI Channel (Device ID) | | 04 | Device Control | | 01 | Master Volume | | vv | Value (LSB) | | mm | Value (MSB) | | F7 | END OF EXCLUSIVE | +---------+------------------------------------------------+ nn : MIDI Channel = 0~F : Global Channel = 7F : Any Channel mm,vv : 00,00~7F,7F : Min~Max (2) MASTER FINE TUNE +---------+------------------------------------------------+ | Byte[H] | Description | +---------+------------------------------------------------+ | F0 | Exclusive Status | | 7F | Realtime Message | | nn | MIDI Channel (Device ID) | | 04 | Device Control | | 03 | Master Fine Tune | | vv | Value (LSB) | | mm | Value (MSB) | | F7 | END OF EXCLUSIVE | +---------+------------------------------------------------+ nn : MIDI Channel = 0~F : Global Channel = 7F : Any Channel mm,vv : 00,00~40,00~7F,7F : -100~0~+100
2-5 SYSTEM EXCLUSIVE MESSAGE +-------------+--------------------------------------------+ | Function ID | Function | | [Hex] | | +-------------+--------------------------------------------+ | 10 | CURRENT PROGRAM DATA DUMP REQUEST | | 1C | PROGRAM DATA DUMP REQUEST (1 PROG) | | 13 | CURRENT FORMANT MOTION DATA DUMP REQUEST | | 18 | FORMANT MOTION DATA DUMP REQUEST | | 0E | GLOBAL DATA DUMP REQUEST | | 11 | PROGRAM WRITE REQUEST | | 03 | FORMANT MOTION DATA WRITE REQUEST | | | | | 40 | CURRENT PROGRAM DATA DUMP | | 4C | PROGRAM DATA DUMP (1 PROG) | | 43 | CURRENT FORMANT MOTION DATA DUMP | | 48 | FORMANT MOTION DATA DUMP | | 51 | GLOBAL DATA DUMP | | | | | 41 | PARAMETER CHANGE | +-------------+--------------------------------------------+ When the "SystemEx" parameter is set to "ENA", these messages are recognized. MIDI EXCLUSIVE FORMAT (R:Receive, T:Transmit)

(1) CURRENT PROGRAM DATA DUMP REQUEST R +----------------+--------------------------------------------------+ | Byte | Description | +----------------+--------------------------------------------------+ | F0,42,3g,7D | EXCLUSIVE HEADER | | (10) | CURRENT PROGRAM DATA DUMP REQUEST 10H | | (F7) | EOX | +----------------+--------------------------------------------------+ Receive this message, and transmits Func=40 or Func=24 message. (2) PROGRAM DATA DUMP REQUEST (1 PROG) R +----------------+--------------------------------------------------+ | Byte | Description | +----------------+--------------------------------------------------+ | F0,42,3g,7D | EXCLUSIVE HEADER | | (1C) | PROGRAM DATA DUMP REQUEST 1CH | | 0ppp pppp (pp) | Source Program No.(LSB bit 6~0) | | 0000 000p (0p) | Source Program No.(MSB bit 13~7) | | (F7) | EOX | +----------------+--------------------------------------------------+ Receive this message, and transmits Func=4C or Func=24 message. (3) CURRENT FORMANT MOTION DATA DUMP REQUEST R +----------------+--------------------------------------------------+ | Byte | Description | +----------------+--------------------------------------------------+ | F0,42,3g,7D | EXCLUSIVE HEADER | | (13) | MOTION DATA DUMP REQUEST 13H | | (F7) | EOX | +----------------+--------------------------------------------------+ Receive this message, and transmits Func=43 or Func=13 message. (4) FORMANT MOTION DATA DUMP REQUEST R +----------------+--------------------------------------------------+ | Byte | Description | +----------------+--------------------------------------------------+ | F0,42,3g,7D | EXCLUSIVE HEADER | | (18) | MOTION DATA DUMP REQUEST 18H | | 0000 ffff (0f) | FORMANT MOTION No.(0~15) | | (00) | | | (F7) | EOX | +----------------+--------------------------------------------------+ Receive this message, and transmits Func=48 or Func=24 message. (5) GLOBAL DATA DUMP REQUEST R +----------------+--------------------------------------------------+ | Byte | Description | +----------------+--------------------------------------------------+ | F0,42,3g,7D | EXCLUSIVE HEADER | | (0E) | GLOBAL DATA DUMP REQUEST 0EH | | (F7) | EOX | +----------------+--------------------------------------------------+ Receive this message, and transmits Func=51 or Func=24 message. (6) PROGRAM WRITE REQUEST R +----------------+--------------------------------------------------+ | Byte | Description | +----------------+--------------------------------------------------+ | F0,42,3g,7D | EXCLUSIVE HEADER | | (11) | PROGRAM WRITE REQUEST 11H | | 0ppp pppp (pp) | Destination Program No.(LSB bit 6~0) | | 0000 000p (0p) | Destination Program No.(MSB bit 13~7) | | (F7) | EOX | +----------------+--------------------------------------------------+ Receive this message, and transmits Func=21 or Func=22 message.

| +56,57 | Band6 parameter | same as Band1 | 43:05 | +-----------+-------------------+-----------------------------------+----------+ | +58,59 | Band7 parameter | same as Band1 | 43:06 | +-----------+-------------------+-----------------------------------+----------+ | +60,61 | Band8 parameter | same as Band1 | 43:07 | +-----------+-------------------+-----------------------------------+----------+ | +62,63 | Band9 parameter | same as Band1 | 43:08 | +-----------+-------------------+-----------------------------------+----------+ | +64,65 | Band10 parameter | same as Band1 | 43:09 | +-----------+-------------------+-----------------------------------+----------+ | +66,67 | Band11 parameter | same as Band1 | 43:0A | +-----------+-------------------+-----------------------------------+----------+ | +68,69 | Band12 parameter | same as Band1 | 43:0B | +-----------+-------------------+-----------------------------------+----------+ | +70,71 | Band13 parameter | same as Band1 | 43:0C | +-----------+-------------------+-----------------------------------+----------+ | +72,73 | Band14 parameter | same as Band1 | 43:0D | +-----------+-------------------+-----------------------------------+----------+ | +74,75 | Band15 parameter | same as Band1 | 43:0E | +-----------+-------------------+-----------------------------------+----------+ | +76,77 | Band16 parameter | same as Band1 | 43:0F | +-----------+-------------------+-----------------------------------+----------+ TABLE 4 : MASTER EFFECT PARAMETER No. : No. in the PROGRAM DUMP DATA. Parameter ID & SUB ID [Hex]: for PARAMETER CHANGE. +-----------+-------------------+-----------------------------------+----------+ | No. (bit)| PARAMETER | VALUE DESCRIPTION | ID:SubID | +-----------+-------------------+-----------------------------------+----------+ | +0 B7 | not use | (0) | 50:-| | -------+-------------------+-----------------------------------+----------+ | B0~6 | Fx Type | 0~30=NoEffect~TalkingMod *T04-1 | 50:01 | +-----------+-------------------+-----------------------------------+----------+ | +1 B5~7| not use | (0,0,0) | 50:-| | -------+-------------------+-----------------------------------+----------+ | B0~4| Knob Assign | 0~19=param1~20 | 50:02 | +-----------+-------------------+-----------------------------------+----------+ | +2 | parameter 1 | *T04-2 | 51:00 | +-----------+-------------------+-----------------------------------+----------+ | +3 | parameter 2 | *T04-2 | 51:01 | +-----------+-------------------+-----------------------------------+----------+ | +4 | parameter 3 | *T04-2 | 51:02 | +-----------+-------------------+-----------------------------------+----------+ | +5 | parameter 4 | *T04-2 | 51:03 | +-----------+-------------------+-----------------------------------+----------+ | +6 | parameter 5 | *T04-2 | 51:04 | +-----------+-------------------+-----------------------------------+----------+ | +7 | parameter 6 | *T04-2 | 51:05 | +-----------+-------------------+-----------------------------------+----------+ | +8 | parameter 7 | *T04-2 | 51:06 | +-----------+-------------------+-----------------------------------+----------+ | +9 | parameter 8 | *T04-2 | 51:07 | +-----------+-------------------+-----------------------------------+----------+ | +10 | parameter 9 | *T04-2 | 51:08 | +-----------+-------------------+-----------------------------------+----------+ | +11 | parameter 10 | *T04-2 | 51:09 | +-----------+-------------------+-----------------------------------+----------+ | +12 | parameter 11 | *T04-2 | 51:0A | +-----------+-------------------+-----------------------------------+----------+ | +13 | parameter 12 | *T04-2 | 51:0B | +-----------+-------------------+-----------------------------------+----------+ | +14 | parameter 13 | *T04-2 | 51:0C | +-----------+-------------------+-----------------------------------+----------+ | +15 | parameter 14 | *T04-2 | 51:0D | +-----------+-------------------+-----------------------------------+----------+ | +16 | parameter 15 | *T04-2 | 51:0E | +-----------+-------------------+-----------------------------------+----------+ | +17 | parameter 16 | *T04-2 | 51:0F | +-----------+-------------------+-----------------------------------+----------+ | +18 | parameter 17 | *T04-2 | 51:10 | +-----------+-------------------+-----------------------------------+----------+ | +19 | parameter 18 | *T04-2 | 51:11 | +-----------+-------------------+-----------------------------------+----------+ | +20 | parameter 19 | *T04-2 | 51:12 | +-----------+-------------------+-----------------------------------+----------+ | +21 | parameter 20 | *T04-2 | 51:13 | +-----------+-------------------+-----------------------------------+----------+

TABLE 7 : INSERT FX PARAMETER No. : No. in the PROGRAM DUMP DATA. Parameter ID & SUB ID [Hex]: for PARAMETER CHANGE. +-----------+-------------------+-----------------------------------+----------+ | No. (bit)| PARAMETER | VALUE DESCRIPTION | ID:SubID | +-----------+-------------------+-----------------------------------+----------+ | Fx1 +-----------+-------------------+-----------------------------------+----------+ | +0 B7 | not use | (0) | x3:-| | -------+-------------------+-----------------------------------+----------+ | B0~6| Effect1 Type | 0~30=NoEffect~TalkingMod *T04-1 | x3:01 | +-----------+-------------------+-----------------------------------+----------+ | +1 | (dummy byte) | x3:-| +-----------+-------------------+-----------------------------------+----------+ | +2 B5~7| not use | (0,0,0) | x3:-| | -------+-------------------+-----------------------------------+----------+ | B0~4| Knob Assign | 0~19=param1~20 | x3:02 | +-----------+-------------------+-----------------------------------+----------+ | +3 | (dummy byte) | x3:-| +-----------+-------------------+-----------------------------------+----------+ | +4 | Fx1 Int param 1 | *T04-2 | x3:10 | +-----------+-------------------+-----------------------------------+----------+ | +5 | Fx1 Int param 2 | *T04-2 | x3:11 | +-----------+-------------------+-----------------------------------+----------+ | +6 | Fx1 Int param 3 | *T04-2 | x3:12 | +-----------+-------------------+-----------------------------------+----------+ | +7 | Fx1 Int param 4 | *T04-2 | x3:13 | +-----------+-------------------+-----------------------------------+----------+ | +8 | Fx1 Int param 5 | *T04-2 | x3:14 | +-----------+-------------------+-----------------------------------+----------+ | +9 | Fx1 Int param 6 | *T04-2 | x3:15 | +-----------+-------------------+-----------------------------------+----------+ | +10 | Fx1 Int param 7 | *T04-2 | x3:16 | +-----------+-------------------+-----------------------------------+----------+ | +11 | Fx1 Int param 8 | *T04-2 | x3:17 | +-----------+-------------------+-----------------------------------+----------+ | +12 | Fx1 Int param 9 | *T04-2 | x3:18 | +-----------+-------------------+-----------------------------------+----------+ | +13 | Fx1 Int param 10 | *T04-2 | x3:19 | +-----------+-------------------+-----------------------------------+----------+ | +14 | Fx1 Int param 11 | *T04-2 | x3:1A | +-----------+-------------------+-----------------------------------+----------+ | +15 | Fx1 Int param 12 | *T04-2 | x3:1B | +-----------+-------------------+-----------------------------------+----------+ | +16 | Fx1 Int param 13 | *T04-2 | x3:1C | +-----------+-------------------+-----------------------------------+----------+ | +17 | Fx1 Int param 14 | *T04-2 | x3:1D | +-----------+-------------------+-----------------------------------+----------+ | +18 | Fx1 Int param 15 | *T04-2 | x3:1E | +-----------+-------------------+-----------------------------------+----------+ | +19 | Fx1 Int param 16 | *T04-2 | x3:1F | +-----------+-------------------+-----------------------------------+----------+ | +20 | Fx1 Int param 17 | *T04-2 | x3:20 | +-----------+-------------------+-----------------------------------+----------+ | +21 | Fx1 Int param 18 | *T04-2 | x3:21 | +-----------+-------------------+-----------------------------------+----------+ | +22 | Fx1 Int param 19 | *T04-2 | x3:22 | +-----------+-------------------+-----------------------------------+----------+ | +23 | Fx1 Int param 20 | *T04-2 | x3:23 | +-----------+-------------------+-----------------------------------+----------+ | Fx2 +-----------+-------------------+-----------------------------------+----------+ | +24~47 | Effect2 parameter | same as Effect1 | x3:30~53 | +-----------+-------------------+-----------------------------------+----------+ | EQ +-----------+-------------------+-----------------------------------+----------+ | +48 | Low Freq | 0~33=20~1000 [Hz] *T07-1 | x3:60 | +-----------+-------------------+-----------------------------------+----------+ | +49 | Low Gain | 64+/-30=0+/-30 | x3:61 | +-----------+-------------------+-----------------------------------+----------+ | +50 | Hi Freq | 0~25=1.00~20.0 [KHz] *T07-2 | x3:62 | +-----------+-------------------+-----------------------------------+----------+ | +51 | Hi Gain | 64+/-30=0+/-30 | x3:63 | +-----------+-------------------+-----------------------------------+----------+ TABLE 8 : MOTION SEQ PARAMETER No. : No. in the PROGRAM DUMP DATA. Parameter ID & SUB ID [Hex]: for PARAMETER CHANGE. +-----------+-------------------+-----------------------------------+----------+ | No. (bit)| PARAMETER | VALUE DESCRIPTION | ID:SubID | +-----------+-------------------+-----------------------------------+----------+ | +0 B7 | SEQ On/Off | 0,1=Off,On | x4:00 | | -------+-------------------+-----------------------------------+----------+ | B6 | not use | (0) | x4:-| | -------+-------------------+-----------------------------------+----------+ | B4,5 | Seq Type | 0~4=Fowrd~OneShot | x4:02 | | -------+-------------------+-----------------------------------+----------+ | B0~3 | Last Step | 0~15=1~16 | x4:01 | +-----------+-------------------+-----------------------------------+----------+ | +1 B6,7 | not use | (0,0) | x4:-| | -------+-------------------+-----------------------------------+----------+ | B4,5 | Key Sync | 0~2=OFF,Timbre,Voice | x4:04 | | -------+-------------------+-----------------------------------+----------+ | B0~3 | Resolution | 0~15=1/48~1/1 *T08-1 | x4:05 | +-----------+-------------------+-----------------------------------+----------+ | +2 ~19 | SEQ1 parameter | SEQ parameter [18] (TABLE 9)| x5:00~ | +-----------+-------------------+-----------------------------------+----------+

TABLE 9: SEQ PARAMETER No. : No. in the PROGRAM DUMP DATA. Parameter ID & SUB ID [Hex]: for PARAMETER CHANGE. +-----------+-------------------+-----------------------------------+----------+ | No. (bit)| PARAMETER | VALUE DESCRIPTION | ID:SubID | +-----------+-------------------+-----------------------------------+----------+ | +0 | Knob | 0~41=None~Patch6Int *T09-1 | x5:10 | +-----------+-------------------+-----------------------------------+----------+ | +1 B7 | Motion Type | 0,1=Smooth,Step | x5:11 | | -------+-------------------+-----------------------------------+----------+ | B0~6 | not use | (0,0,0,0,0,0,0) | x5:-| +-----------+-------------------+-----------------------------------+----------+ | +2~17 | Step Value [0~15] | 64+/-63=0+/-63 | x5:00~0F | +-----------+-------------------+-----------------------------------+----------+ TABLE 10: GLOBAL PARAMETER No. : No. in the GLOBAL DUMP DATA. Parameter ID & SUB ID [Hex]: for PARAMETER CHANGE. +-----------+-------------------+-----------------------------------+----------+ | No. (bit)| PARAMETER | VALUE DESCRIPTION | ID:SubID | +-----------+-------------------+-----------------------------------+----------+ | 0 | Master Tune | 0+/-100=430~440~450 | 00:00 | +-----------+-------------------+-----------------------------------+----------+ | 1 | Transpose | 0+/-12 | 00:01 | +-----------+-------------------+-----------------------------------+----------+ | 2 B7 | Memory Protect | 0,1=Off,On | 00:05 | | -------+-------------------+-----------------------------------+----------+ | B4~6 | not use | (0,0,0) | 00:-| | -------+-------------------+-----------------------------------+----------+ | B3 | Knob Mode | 0,1=JUMP,CATCH | 00:04 | | -------+-------------------+-----------------------------------+----------+ | B2 | Position | 0,1=PostKBD,PreTG | 00:03 | | -------+-------------------+-----------------------------------+----------+ | B0,1 | Audio In Thru | 0,1=Off,Ext1+2 | 00:02 | +-----------+-------------------+-----------------------------------+----------+ | 3 B4~7 | not use | (0,0,0,0) | 00:-| | -------+-------------------+-----------------------------------+----------+ | B0~3 | Vel.Curve | 0~7,8=1~8,const127 | 00:06 | +-----------+-------------------+-----------------------------------+----------+ | 4 B4~7 | not use | (0,0,0,0) | 01:-| | -------+-------------------+-----------------------------------+----------+ | B0~3 | Global MIDI Ch. | 0~15=1~16 | 01:00 | +-----------+-------------------+-----------------------------------+----------+ | 5 B7 | Local Ctrl | 0,1=Off,On | 01:03 | | -------+-------------------+-----------------------------------+----------+ | B6 | not use | (0) | 01:-| | -------+-------------------+-----------------------------------+----------+ | B4,5 | System routing | 0~2=Both,USB,MIDI | 01:01 | | -------+-------------------+-----------------------------------+----------+ | B2,3 | Clock | 0~3=Auto,Internal,Ext(U),Ext(M) | 01:02 | | -------+-------------------+-----------------------------------+----------+ | B0,1 | not use | (0,0) | 01:-| +-----------+-------------------+-----------------------------------+----------+ | 6 | MIDI1 Ctrl No. | 0~115=P.Bend~CC#119 *T10-1 | 01:04 | +-----------+-------------------+-----------------------------------+----------+ | 7 | MIDI2 Ctrl No. | 0~115=P.Bend~CC#119 *T10-1 | 01:05 | +-----------+-------------------+-----------------------------------+----------+ | 8 | MIDI3 Ctrl No. | 0~115=P.Bend~CC#119 *T10-1 | 01:06 | +-----------+-------------------+-----------------------------------+----------+ | 9 B6,7 | not use | (0,0) | 01:-| | -------+-------------------+-----------------------------------+----------+ | B5 | SystemEx Filter | 0,1=Dis,Ena | 01:0A | | -------+-------------------+-----------------------------------+----------+ | B4 | P.Bend Filter | 0,1=Dis,Ena | 01:09 | | -------+-------------------+-----------------------------------+----------+ | B3 | CtrlChg Filter | 0,1=Dis,Ena | 01:08 | | -------+-------------------+-----------------------------------+----------+ | B1,2 | not use | (0,0) | 01:-| | -------+-------------------+-----------------------------------+----------+ | B0 | ProgChg Filter | 0,1=Dis,Ena | 01:07 | +-----------+-------------------+-----------------------------------+----------+ | 10 B4~7 | not use | (0,0,0,0) | 03:-| | -------+-------------------+-----------------------------------+----------+ | B0~3 | Ass.Pedal | 0~6=Volume~FootPdl *T10-2 | 03:00 | +-----------+-------------------+-----------------------------------+----------+ | 11 B7 | Ass.SW Polarity | 0,1= -,+ | 03:03 | | -------+-------------------+-----------------------------------+----------+ | B6 | Ass.SW Mode | 0,1=Unlatch,Latch | 03:02 | | -------+-------------------+-----------------------------------+----------+ | B4,5 | not use | (0,0) | 03:-| | -------+-------------------+-----------------------------------+----------+ | B0~3 | Ass.SW | 0~9=Damper~FootSW Off/On *T10-3 | 03:01 | +-----------+-------------------+-----------------------------------+----------+ | Knob & Switch Ctrl Change No. Map | +-----------+-------------------+-----------------------------------+----------+ | 12~78 | [0]~[66] | *T10-4 | 02:xx | | | Ctrl Change No. | -1,0~95,102~119 | | | | | =OFF,CC#00~95,#102~119 | | +-----------+-------------------+-----------------------------------+----------+ | 79 | (dummy byte) | --:-| +-----------+-------------------+-----------------------------------+----------+

11: 12: 13: 14: 15: 16: 17: 18: 19: 20:
Flt1Type Cutoff1 Reso1 EG1Int1 KeyTrkF1 Cutoff2 Reso2 EG1Int2 KeyTrkF2 AttackF
21: 22: 23: 24: 25: 26: 27: 28: 29: 30:
DecayF SustainF ReleaseF Level Pan DepthA AttackA DecayA SustainA ReleaseA
31: 32: 33: 34: 35: 36: 37: 38: 39: 40:
LF1Freq,LF1SyNot LF2Freq,LF2SyNot VPtc1Int VPtc2Int VPtc3Int VPtc4Int LoEqGain HiEqFreq IFx1Knob IFx2Knob
41: 42: 43: 44: 45: 46: 47: 48: 49: 50:
MFxKnob ArpGate BassLvl DrumLvl VocThre HPF Gate HPF Lvl DirectLv InputLvl Timb1Lvl

51: 52: 53: 54: 55: 56:

VocdrLvl FrmntSft FcOffset Resonanc FcModInt E.F.Sens
OFF Mod.Seq. Mod.Seq.&D.Kit Arp./Step Seq. Fc Mod Source, Patch1~6 Source EG1 4: LFO2 8: Key Track EG2 5: Velocity 9: MIDI1 EG3 6: Pitch Bend 10: MIDI2 LFO1 7: Mod Wheel 11: MIDI3 Fx Type No Effect St.Compressor St.Limiter St.Gate St.Filter St.Wah St.BandEQ Distortion CabinetSimltr TubePreampSim(IFX) / St.TubePreamp(MFX) St.Decimator Reverb Early Reflect L/C/R Delay St.Delay AutoPanDelay St.AutoPanDly Mod Delay St.Mod Delay Tape Echo St.Chorus Ensemble St.Flanger St.Phaser St.Tremolo St.Ring Mod Pitch Shifter(IFX) / St.PitchShift(MFX)

27: 28: 29: 30:

Grain Shifter(IFX) / St.GrainShift(MFX) St.Vibrato RotarySpeaker Talking Mod
*T04-2 : (See R3 Effect Parameter Structure) *T05-1 : 0: 1/32 1: 1/24 2: 1/16 *T05-2 : 0: 1: 2: 3: 4: 5: *T06-1 : 0: 1: 2: 3: *T06-2 : 0: 1: 2: 3: 4: *T06-3 : 0: 1: 2: 3: 4: 5: 6: 7: 8: 9: 10: 11: 12: 13: 14: 15: *T06-4 : 0: 1: 2: 3: *T07-1 : 0: 1: 2: 3: 4: 5: 6: 7: 8: 9: *T07-2 : 0: 1: 2: 3: 4: 5: 6: 7: 8: 9: *T08-1 : 0: 1: 2: 3:

3: 1/12 4: 1/8 5: 1/6

6: 1/4 7: 1/2 8: 1/1
Up Down Alt1 Alt2 Random Trigger

Saw Pulse Tri Sin(Cross)

4: 5: 6: 7:

Noise Formant DWGS PCM

8: Audio In
Patch1~6 Destination PITCH 5: NOISE LEVEL OSC2 PITCH 6: FLT1 TYPE OSC1 CNTL1 7: FLT1 CUTOFF OSC1 LEVEL 8: FLT1 RESONANCE OSC2 LEVEL 9: FLT2 CUTOFF [kHz] 0.01 0.02 0.03 0.04 0.05 0.06 0.07 0.08 0.09 0.10 0.11 0.12 0.13 0.14 0.15 0.16

10: 11: 12: 13: 14:

DRIVE/WS DEPTH AMP PAN LFO1 FREQ LFO2 FREQ
16: 17: 18: 19: 20: 21: 22: 23: 24: 25: 26: 27: 28: 29: 30: 31:
0.17 0.18 0.19 0.20 0.21 0.22 0.23 0.24 0.25 0.29 0.33 0.42 0.50 0.58 0.67 0.75
32: 33: 34: 35: 36: 37: 38: 39: 40: 41: 42: 43: 44: 45: 46: 47:
0.83 0.92 1.00 1.13 1.25 1.38 1.50 1.63 1.75 1.88 2.00 2.13 2.25 2.38 2.50 2.63
48: 49: 50: 51: 52: 53: 54: 55: 56: 57: 58: 59: 60: 61: 62: 63:
2.75 2.88 3.00 3.13 3.25 3.38 3.50 3.63 3.75 3.88 4.00 4.13 4.25 4.38 4.50 4.63
64: 65: 66: 67: 68: 69: 70: 71: 72: 73: 74: 75: 76: 77: 78: 79:
4.75 4.88 5.00 5.25 5.50 5.75 6.00 6.25 6.50 6.75 7.00 7.25 7.50 7.75 8.00 8.25
80: 81: 82: 83: 84: 85: 86: 87: 88: 89: 90: 91: 92: 93: 94: 95:
8.50 8.75 9.00 9.25 9.50 9.75 10.0 10.5 11.0 11.5 12.0 12.5 13.0 13.5 14.0 14.5

[+29]: [+30]: [+31]: [+32]: [+33]: [+34]: [+35]: [+36]: [+37]: [+38]: [+39]: [+40]: [+41]: [+42]: [+43]: [+44]: [+45]: [+46]: [+47]: [+48]: [+49]: [+50]: [+51]: [+52]: [+53]: [+54]: [+55]: [+56]: [+57]:
EG1 Sustain EG1 Release EG2 Attack EG2 Decay EG2 Sustain EG2 Release LFO1 Wave LFO1 Frequency LFO2 Wave LFO2 Frequency Patch1 Int. Patch2 Int. Patch3 Int. Patch4 Int. Patch5 Int. Patch6 Int. EQ Hi.Gain EQ Low.Gain Mod.Seq. SW FX1 Edit1 FX2 Edit1 MFX Edit FX1 Dry/Wet FX2 Dry/Wet MFX Dry/Wet Vcd Threshold Vcd HPF Level Vcd HPF Gate Vcd Mod Select
[+58]: [+59]: [+60]: [+61]: [+62]: [+63]: [+64]: [+65]: [+66]: [+67]:
Vcd Vcd Vcd Vcd Vcd Vcd Vcd Vcd Vcd Vcd
Direct Level In Src1 Level In Src2 Level Level Formant Shift FC Offset Resonance Fc Mod.Int E.F. Sens Formant Motion No.
R3 Effect Parameter Structure
TABLE 1 : INSERT EFFECT PARAMETER No. : No. in the PROGRAM DUMP DATA. Parameter ID & SUB ID [Hex]: for PARAMETER CHANGE. 1 St.Compressor +-----------+-------------------+------------------------------------+----------+ | No. (bit)| PARAMETER | VALUE DESCRIPTION | ID:SubID | +-----------+-------------------+------------------------------------+----------+ | +0 | Dry/Wet | 0,1~,99,100=Dry,1:99 ~ 99:1,Wet | x9:+00 | +-----------+-------------------+------------------------------------+----------+ | +1 | not use | | -| +-----------+-------------------+------------------------------------+----------+ | +2 | Sensitivity | 1~127=1~127 | x9:+02 | +-----------+-------------------+------------------------------------+----------+ | +3 | Attack | 0~127=0.1~500 msec *T01-01 | x9:+03 | +-----------+-------------------+------------------------------------+----------+ | +4 | Output Level | 0~127=0~127 | x9:+04 | +-----------+-------------------+------------------------------------+----------+ 2 St.Limiter +-----------+-------------------+------------------------------------+----------+ | No. (bit)| PARAMETER | VALUE DESCRIPTION | ID:SubID | +-----------+-------------------+------------------------------------+----------+ | +0 | Dry/Wet | 0,1~99,100=Dry,1:99 ~ 99:1,Wet | x9:+00 | +-----------+-------------------+------------------------------------+----------+ | +1 | not use | | -| +-----------+-------------------+------------------------------------+----------+ | +2 | Ratio | 0~68,69=1.0:1~50.0:1,Inf:1 *T01-02 | x9:+02 | +-----------+-------------------+------------------------------------+----------+ | +3 | Threshold | 24~64=-40~0 dB *T01-03 | x9:+03 | +-----------+-------------------+------------------------------------+----------+ | +4 | Attack | 0~127=0.1~500 msec *T01-01 | x9:+04 | +-----------+-------------------+------------------------------------+----------+ | +5 | Gain Adjust | 23,24~88=-Inf,-40~+24 dB *T01-04 | x9:+05 | +-----------+-------------------+------------------------------------+----------+ 3 St.Gate +-----------+-------------------+------------------------------------+----------+ | No. (bit)| PARAMETER | VALUE DESCRIPTION | ID:SubID | +-----------+-------------------+------------------------------------+----------+ | +0 | Dry/Wet | 0,1~99,100=Dry,1:99 ~ 99:1,Wet | x9:+00 | +-----------+-------------------+------------------------------------+----------+ | +1 | not use | | -| +-----------+-------------------+------------------------------------+----------+ | +2 | Threshold | 0~127=0~127 | x9:+02 | +-----------+-------------------+------------------------------------+----------+ | +3 | Attack | 0~127=0.1~500 msec *T01-01 | x9:+03 | +-----------+-------------------+------------------------------------+----------+ | +4 | Release | 0~127=0.3~1500 msec *T01-05 | x9:+04 | +-----------+-------------------+------------------------------------+----------+ | +5 | Gain Adjust | 23,24~88=-Inf,-40~+24 dB *T01-04 | x9:+05 | +-----------+-------------------+------------------------------------+----------+ 4 St.Filter +-----------+-------------------+------------------------------------+----------+ | No. (bit)| PARAMETER | VALUE DESCRIPTION | ID:SubID | +-----------+-------------------+------------------------------------+----------+ | +0 | Dry/Wet | 0,1~99,100=Dry,1:99 ~ 99:1,Wet | x9:+00 | +-----------+-------------------+------------------------------------+----------+ | +1 | Filter Type | 0~4=LPF24,LPF18,LPF12,HPF12,BPF12 | x9:+01 | +-----------+-------------------+------------------------------------+----------+ | +2 | Cutoff | 0~127=0~127 | x9:+02 | +-----------+-------------------+------------------------------------+----------+ | +3 | Resonance | 0~127=0~127 | x9:+03 | +-----------+-------------------+------------------------------------+----------+ | +4 | Trim | 0~127=0~127 | x9:+04 | +-----------+-------------------+------------------------------------+----------+ | +5 | Mod Source | 0,1=LFO,Ctrl | x9:+05 | +-----------+-------------------+------------------------------------+----------+ | +6 | Mod Intensity | 64+/-63=-63~+63 | x9:+06 | +-----------+-------------------+------------------------------------+----------+ | +7 | Mod Response | 0~127=0~127 | x9:+07 | +-----------+-------------------+------------------------------------+----------+ | +8 | LFO Tempo Sync | 0,1=Off,On | x9:+08 | +-----------+-------------------+------------------------------------+----------+ | +9 | LFO Frequency | 0~127=0.01~100.0 Hz *T03-01 | x9:+09 | +-----------+-------------------+------------------------------------+----------+ | +10 | LFO Sync Note | 0~16=8/1~1/64 *T03-02 | x9:+10 | +-----------+-------------------+------------------------------------+----------+ | +11 | LFO Waveform | 0~4=Saw,Squ,Tri,Sin,S&H | x9:+11 | +-----------+-------------------+------------------------------------+----------+ | +12 | LFO Shape | 64+/-63=-63~+63 | x9:+12 | +-----------+-------------------+------------------------------------+----------+ | +13 | LFO KeySync | 0,1=Off,Timbre | x9:+13 | +-----------+-------------------+------------------------------------+----------+ | +14 | LFO Init Phase | 0~18=0,10,20~180 [degree] | x9:+14 | +-----------+-------------------+------------------------------------+----------+ | +15 | Control Source | 0~13=Off~MIDI5 *T04-01 | x9:+15 | +-----------+-------------------+------------------------------------+----------+

7 Distortion +-----------+-------------------+------------------------------------+----------+ | No. (bit)| PARAMETER | VALUE DESCRIPTION | ID:SubID | +-----------+-------------------+------------------------------------+----------+ | +0 | Dry/Wet | 0,1~99,100=Dry,1:99 ~ 99:1,Wet | 61:00 | +-----------+-------------------+------------------------------------+----------+ | +1 | Gain | 0~127=0~127 | 61:01 | +-----------+-------------------+------------------------------------+----------+ | +2 | Pre EQ Frequency | 0~58=20~20 kHz *T01-07 | 61:02 | +-----------+-------------------+------------------------------------+----------+ | +3 | Pre EQ Q | 0~95=0.5,0.6~9.9,10 | 61:03 | +-----------+-------------------+------------------------------------+----------+ | +4 | Pre EQ Gain | 64+/-36=-18,-17.5~0~17.5,18 dB | 61:04 | +-----------+-------------------+------------------------------------+----------+ | +5 | B1 Frequency | 0~58=20~20 kHz *T01-07 | 61:05 | +-----------+-------------------+------------------------------------+----------+ | +6 | B1 Q | 0~95=0.5,0.6~9.9,10 | 61:06 | +-----------+-------------------+------------------------------------+----------+ | +7 | B1 Gain | 64+/-36=-18,-17.5~0~17.5,18 dB | 61:07 | +-----------+-------------------+------------------------------------+----------+ | +8 | B2 Frequency | 0~58=20~20 kHz *T01-07 | 61:08 | +-----------+-------------------+------------------------------------+----------+ | +9 | B2 Q | 0~95=0.5,0.6~9.9,10 | 61:09 | +-----------+-------------------+------------------------------------+----------+ | +10 | B2 Gain | 64+/-36=-18,-17.5~0~17.5,18 dB | 61:10 | +-----------+-------------------+------------------------------------+----------+ | +11 | B3 Frequency | 0~58=20~20 kHz *T01-07 | 61:11 | +-----------+-------------------+------------------------------------+----------+ | +12 | B3 Q | 0~95=0.5,0.6~9.9,10 | 61:12 | +-----------+-------------------+------------------------------------+----------+ | +13 | B3 Gain | 64+/-36=-18,-17.5~0~17.5,18 dB | 61:13 | +-----------+-------------------+------------------------------------+----------+ | +14 | Output Level | 0~127=0~127 | 61:14 | +-----------+-------------------+------------------------------------+----------+ 8 Cabinet Simulator +-----------+-------------------+------------------------------------+----------+ | No. (bit)| PARAMETER | VALUE DESCRIPTION | ID:SubID | +-----------+-------------------+------------------------------------+----------+ | +0 | Dry/Wet | 0,1~99,100=Dry,1:99 ~ 99:1,Wet | 61:00 | +-----------+-------------------+------------------------------------+----------+ | +1 | Cabinet Type | 0~10=Tweed1x8~US_V30 *T01-08 | 61:01 | +-----------+-------------------+------------------------------------+----------+ | +2 | Air | 0~127=0~127 | 61:02 | +-----------+-------------------+------------------------------------+----------+ | +3 | Trim | 0~127=0~127 | 61:03 | +-----------+-------------------+------------------------------------+----------+ 9 St.Tube Preamp Simulator +-----------+-------------------+------------------------------------+----------+ | No. (bit)| PARAMETER | VALUE DESCRIPTION | ID:SubID | +-----------+-------------------+------------------------------------+----------+ | +0 | Dry/Wet | 0,1~99,100=Dry,1:99 ~ 99:1,Wet | 61:00 | +-----------+-------------------+------------------------------------+----------+ | +1 | Tube1 Low Cut | 0~127=0~127 | 61:01 | +-----------+-------------------+------------------------------------+----------+ | +2 | Tube1 High Cut | 0~127=0~127 | 61:02 | +-----------+-------------------+------------------------------------+----------+ | +3 | Tube1 Gain | 23,24~64~88=-Inf,-40~0~+24dB | 61:03 | +-----------+-------------------+------------------------------------+----------+ | +4 | Tube1 Bias | 0~100=0~100 % | 61:04 | +-----------+-------------------+------------------------------------+----------+ | +5 | Tube1 Satulation | 0~100=0~100 % | 61:05 | +-----------+-------------------+------------------------------------+----------+ | +6 | Phase | 0,1=Normal,Inverted | 61:06 | +-----------+-------------------+------------------------------------+----------+ | +7 | Tube2 Low Cut | 0~127=0~127 | 61:07 | +-----------+-------------------+------------------------------------+----------+ | +8 | Tube2 High Cut | 0~127=0~127 | 61:08 | +-----------+-------------------+------------------------------------+----------+ | +9 | Tube2 Gain | 23,24~64~88=-Inf,-40,~0~+24dB | 61:09 | +-----------+-------------------+------------------------------------+----------+ | +10 | Tube2 Bias | 0~100=0~100 % | 61:10 | +-----------+-------------------+------------------------------------+----------+ | +11 | Tube2 Satulation | 0~100=0~100 % | 61:11 | +-----------+-------------------+------------------------------------+----------+ | +12 | Output Level | 0~127=0~127 | 61:12 | +-----------+-------------------+------------------------------------+----------+

10 St.Decimator +-----------+-------------------+------------------------------------+----------+ | No. (bit)| PARAMETER | VALUE DESCRIPTION | ID:SubID | +-----------+-------------------+------------------------------------+----------+ | +0 | Dry/Wet | 0,1~99,100=Dry,1:99 ~ 99:1,Wet | 61:00 | +-----------+-------------------+------------------------------------+----------+ | +1 | PreLPF | 0,1=Off,On | 61:01 | +-----------+-------------------+------------------------------------+----------+ | +2 | HighDamp | 0~100=0~100 % | 61:02 | +-----------+-------------------+------------------------------------+----------+ | +3 | Fs | 0~94=1.0,1.5,~47.5,48.0 kHz | 61:03 | +-----------+-------------------+------------------------------------+----------+ | +4 | Bit | 0~20=4~24 | 61:04 | +-----------+-------------------+------------------------------------+----------+ | +5 | Output Level | 0~127=0~127 | 61:05 | +-----------+-------------------+------------------------------------+----------+ | +6 | Fs Mod Intensity | 64+/-63=-63~+63 | 61:06 | +-----------+-------------------+------------------------------------+----------+ | +7 | LFO Tempo Sync | 0,1=Off,On | 61:07 | +-----------+-------------------+------------------------------------+----------+ | +8 | LFO Frequency | 0~127=0.01~100.0 Hz *T03-01 | 61:08 | +-----------+-------------------+------------------------------------+----------+ | +9 | LFO Sync Note | 0~16=8/1~1/64 *T03-02 | 61:09 | +-----------+-------------------+------------------------------------+----------+ | +10 | LFO Waveform | 0~4=Saw,Squ,Tri,Sin,S&H | 61:10 | +-----------+-------------------+------------------------------------+----------+ | +11 | LFO Shape | 64+/-63=-63~+63 | 61:11 | +-----------+-------------------+------------------------------------+----------+ | +12 | LFO KeySync | 0,1=Off,Timbre | 61:12 | +-----------+-------------------+------------------------------------+----------+ | +13 | LFO Init Phase | 0~18=0,10,20~180 [degree] | 61:13 | +-----------+-------------------+------------------------------------+----------+ 11 Reverb +-----------+-------------------+------------------------------------+----------+ | No. (bit)| PARAMETER | VALUE DESCRIPTION | ID:SubID | +-----------+-------------------+------------------------------------+----------+ | +0 | Dry/Wet | 0,1~99,100=Dry,1:99 ~ 99:1,Wet | 61:00 | +-----------+-------------------+------------------------------------+----------+ | +1 | Type | 0~5=Hall~BrightRoom *T05-03 | 61:01 | +-----------+-------------------+------------------------------------+----------+ | +2 | Reverb Time | 0~127=0.1~10.0sec *T05-01/02 | 61:02 | +-----------+-------------------+------------------------------------+----------+ | +3 | High Damp | 0~100=0~100 % | 61:03 | +-----------+-------------------+------------------------------------+----------+ | +4 | Pre Delay | 0~127=0~200 msec *T02-01 | 61:04 | +-----------+-------------------+------------------------------------+----------+ | +5 | Pre Delay Thru | 0~127=0~127 | 61:05 | +-----------+-------------------+------------------------------------+----------+ | +6 | Pre EQ Trim | 0~127=0~127 | 61:06 | +-----------+-------------------+------------------------------------+----------+ | +7 | Low EQ Gain | 64+/-30=-15,-14.5~0~14.5,15 dB | 61:07 | +-----------+-------------------+------------------------------------+----------+ | +8 | High EQ Gain | 64+/-30=-15,-14.5~0~14.5,15 dB | 61:08 | +-----------+-------------------+------------------------------------+----------+ | +9 | ER Level | 0~127=0~127 | 61:09 | +-----------+-------------------+------------------------------------+----------+ | +10 | Reverb Level | 0~127=0~127 | 61:10 | +-----------+-------------------+------------------------------------+----------+ 12 Early Reflections +-----------+-------------------+------------------------------------+----------+ | No. (bit)| PARAMETER | VALUE DESCRIPTION | ID:SubID | +-----------+-------------------+------------------------------------+----------+ | +0 | Dry/Wet | 0,1~99,100=Dry,1:99 ~ 99:1,Wet | 61:00 | +-----------+-------------------+------------------------------------+----------+ | +1 | Type | 0~3=Sharp,Loose,Mod,Reverse | 61:01 | +-----------+-------------------+------------------------------------+----------+ | +2 | ER Time | 0~127=10~800 msec *T01-09 | 61:02 | +-----------+-------------------+------------------------------------+----------+ | +3 | Pre Delay | 0~127=0~200 msec *T02-01 | 61:03 | +-----------+-------------------+------------------------------------+----------+ | +4 | Pre EQ Trim | 0~127=0~127 | 61:04 | +-----------+-------------------+------------------------------------+----------+ | +5 | Low EQ Gain | 64+/-30=-15,-14.5~0~14.5,15 dB | 61:05 | +-----------+-------------------+------------------------------------+----------+ | +6 | High EQ Gain | 64+/-30=-15,-14.5~0~14.5,15 dB | 61:06 | +-----------+-------------------+------------------------------------+----------+ | +7 | High Damp | 0~100=0~100 % | 61:07 | +-----------+-------------------+------------------------------------+----------+ | +8 | Low Damp | 0~100=0~100 % | 61:08 | +-----------+-------------------+------------------------------------+----------+

23 St.Phaser +-----------+-------------------+------------------------------------+----------+ | No. (bit)| PARAMETER | VALUE DESCRIPTION | ID:SubID | +-----------+-------------------+------------------------------------+----------+ | +0 | Dry/Wet | 0,1~99,100=Dry,1:99 ~ 99:1,Wet | 61:00 | +-----------+-------------------+------------------------------------+----------+ | +1 | Type | 0,1=Blue,U-VB | 61:01 | +-----------+-------------------+------------------------------------+----------+ | +2 | Manual | 0~127=0~127 | 61:02 | +-----------+-------------------+------------------------------------+----------+ | +3 | Mod Depth | 0~127=0~127 | 61:03 | +-----------+-------------------+------------------------------------+----------+ | +4 | Resonance | 0~127=0~127 | 61:04 | +-----------+-------------------+------------------------------------+----------+ | +5 | Phase | 0,1=+,| 61:05 | +-----------+-------------------+------------------------------------+----------+ | +6 | LFO Tempo Sync | 0,1=Off,On | 61:06 | +-----------+-------------------+------------------------------------+----------+ | +7 | LFO Frequency | 0~127=0.01~100.0 Hz *T03-01 | 61:07 | +-----------+-------------------+------------------------------------+----------+ | +8 | LFO Sync Note | 0~16=8/1~1/64 *T03-02 | 61:08 | +-----------+-------------------+------------------------------------+----------+ | +9 | LFO Waveform | 0~4=Saw,Squ,Tri,Sin,S&H | 61:09 | +-----------+-------------------+------------------------------------+----------+ | +10 | LFO Shape | 64+/-63=-63~+63 | 61:10 | +-----------+-------------------+------------------------------------+----------+ | +11 | LFO KeySync | 0,1=Off,Timbre | 61:11 | +-----------+-------------------+------------------------------------+----------+ | +12 | LFO Init Phase | 0~18=0,10,20~180 [degree] | 61:12 | +-----------+-------------------+------------------------------------+----------+ | +13 | LFO Spread | 64+/-18=-180~180 [degree] | 61:13 | +-----------+-------------------+------------------------------------+----------+ | +14 | High Damp | 0~100=0~100 % | 61:14 | +-----------+-------------------+------------------------------------+----------+ 24 St.Tremolo +-----------+-------------------+------------------------------------+----------+ | No. (bit)| PARAMETER | VALUE DESCRIPTION | ID:SubID | +-----------+-------------------+------------------------------------+----------+ | +0 | Dry/Wet | 0,1~99,100=Dry,1:99 ~ 99:1,Wet | 61:00 | +-----------+-------------------+------------------------------------+----------+ | +1 | Mod Depth | 0~127=0~127 | 61:01 | +-----------+-------------------+------------------------------------+----------+ | +2 | LFO Tempo Sync | 0,1=Off,On | 61:02 | +-----------+-------------------+-------------------------------------+----------+ | +3 | LFO Frequency | 0~127=0.01~100.0 Hz *T03-01 | 61:03 | +-----------+-------------------+------------------------------------+----------+ | +4 | LFO Sync Note | 0~16=8/1~1/64 *T03-02 | 61:04 | +-----------+-------------------+------------------------------------+----------+ | +5 | LFO Waveform | 0~4=Saw,Squ,Tri,Sin,S&H | 61:05 | +-----------+-------------------+------------------------------------+----------+ | +6 | LFO Shape | 64+/-63=-63~+63 | 61:06 | +-----------+-------------------+------------------------------------+----------+ | +7 | LFO KeySync | 0,1=Off,Timbre | 61:07 | +-----------+-------------------+------------------------------------+----------+ | +8 | LFO Init Phase | 0~18=0,10,20~180 [degree] | 61:08 | +-----------+-------------------+------------------------------------+----------+ | +9 | LFO Spread | 64+/-18=-180~180 [degree] | 61:09 | +-----------+-------------------+------------------------------------+----------+ 25 St.Ring Modulator +-----------+-------------------+------------------------------------+----------+ | No. (bit)| PARAMETER | VALUE DESCRIPTION | ID:SubID | +-----------+-------------------+------------------------------------+----------+ | +0 | Dry/Wet | 0,1~99,100=Dry,1:99 ~ 99:1,Wet | 61:00 | +-----------+-------------------+------------------------------------+----------+ | +1 | OSC Mode | 0,1=Fixed,Note | 61:01 | +-----------+-------------------+------------------------------------+----------+ | +2 | Frequency | 0~127=0~12.0 kHz *T03-03 | 61:02 | +-----------+-------------------+------------------------------------+----------+ | +3 | Offset | 64+/-48=-48~+48 | 61:03 | +-----------+-------------------+------------------------------------+----------+ | +4 | Fine | 64+/-50=-100,-98~0~98,100 cent | 61:04 | +-----------+-------------------+------------------------------------+----------+ | +5 | OSC Waveform | 0~2=Saw,Tri,Sine | 61:05 | +-----------+-------------------+------------------------------------+----------+ | +6 | LFO Intensity | 64+/-63=-63~+63 | 61:06 | +-----------+-------------------+------------------------------------+----------+ | +7 | LFO Tempo Sync | 0,1=Off,On | 61:07 | +-----------+-------------------+------------------------------------+----------+ | +8 | LFO Frequency | 0~127=0.01~100.0 Hz *T03-01 | 61:08 | +-----------+-------------------+------------------------------------+----------+ | +9 | LFO Sync Note | 0~16=8/1~1/64 *T03-02 | 61:09 | +-----------+-------------------+------------------------------------+----------+ | +10 | LFO Waveform | 0~4=Saw,Squ,Tri,Sin,S&H | 61:10 | +-----------+-------------------+------------------------------------+----------+ | +11 | LFO Shape | 64+/-63=-63~+63 | 61:11 | +-----------+-------------------+------------------------------------+----------+ | +12 | LFO KeySync | 0,1=Off,Timbre | 61:12 | +-----------+-------------------+------------------------------------+----------+ | +13 | LFO Init Phase | 0~18=0,10,20~180 [degree] | 61:13 | +-----------+-------------------+------------------------------------+----------+ | +14 | Pre LPF | 0~127=0~127 | 61:14 | +-----------+-------------------+------------------------------------+----------+

64: 65: 66: 67: 68: 69: 70: 71: 72: 73: 74: 75: 76: 77: 78: 79: 64: 65: 66: 67: 68: 69: 70: 71: 72: 73: 74: 75: 76: 77: 78: 79:
80: 81: 82: 83: 84: 85: 86: 87: 88: 89: 90: 91: 92: 93: 94: 95: 80: 81: 82: 83: 84: 85: 86: 87: 88: 89: 90: 91: 92: 93: 94: 95:
96: 97: 98: 99: 100: 101: 102: 103: 104: 105: 106: 107: 108: 109: 110: 111: 96: 97: 98: 99: 100: 101: 102: 103: 104: 105: 106: 107: 108: 109: 110: 111:
112: 113: 114: 115: 116: 117: 118: 119: 120: 121: 122: 123: 124: 125: 126: 127: 112: 113: 114: 115: 116: 117: 118: 119: 120: 121: 122: 123: 124: 125: 126: 127:
*T03-03 : 0: 1: 2: 3: 4: 5: 6: 7: 8: 9: 10: 11: 12: 13: 14: 15: *T04-01 : 0: 1: 2: 3: 4: 5: 6: 7: 8: 9: 10: 11: 12: 13: *T05-01 : 0: 1: 2: 3: 4: 5: 6: 7: 8: 9: 10: 11: 12: 13: 14: 15: *T05-02 : 0: 1: 2: 3: 4: 5: 6: 7: 8: 9: 10: 11: 12: 13: 14: 15: *T05-03 : 0: 1: 2: 3: 4: 5: *T06-01 : 0: 1: 2: 3: 4: 5: 6: 7: 8: 9: 10: 11: 12: 13: 14: 15:
[kHz] 0.000 0.002 0.004 0.006 0.008 0.010 0.015 0.020 0.025 0.03 0.04 0.05 0.06 0.07 0.08 0.09
0.10 0.11 0.12 0.13 0.14 0.15 0.17 0.19 0.21 0.23 0.25 0.27 0.29 0.31 0.33 0.35
0.37 0.39 0.41 0.43 0.45 0.50 0.55 0.60 0.65 0.70 0.75 0.80 0.85 0.90 0.95 1.00
1.05 1.10 1.15 1.20 1.25 1.30 1.35 1.40 1.45 1.50 1.55 1.60 1.65 1.70 1.80 1.90
2.00 2.10 2.20 2.30 2.40 2.50 2.60 2.70 2.80 2.90 3.00 3.10 3.20 3.30 3.40 3.50
3.60 3.70 3.80 3.90 4.00 4.10 4.20 4.30 4.40 4.50 4.60 4.80 5.00 5.20 5.40 5.60
5.80 6.00 6.20 6.40 6.60 6.80 7.00 7.20 7.40 7.60 7.80 8.00 8.20 8.40 8.60 8.80
9.00 9.20 9.40 9.60 9.80 10.0 10.2 10.4 10.6 10.8 11.0 11.2 11.4 11.6 11.8 12.0
Control Source Off Velocity AfterTouch PitchBend ModWheel Assignable Pedal Assignable SW Damper Env.Follower MIDI1 MIDI2 MIDI3 MIDI4 MIDI5 Reverb Time [sec] 0.1 16: 0.5 0.1 17: 0.5 0.1 18: 0.5 0.2 19: 0.5 0.2 20: 0.6 0.2 21: 0.6 0.2 22: 0.6 0.3 23: 0.6 0.3 24: 0.6 0.3 25: 0.7 0.3 26: 0.7 0.4 27: 0.7 0.4 28: 0.7 0.4 29: 0.8 0.4 30: 0.8 0.4 31: 0.8 *Type (Hall,SmthHall,WetPlate,DryPlate) 32: 0.8 48: 1.2 64: 1.6 33: 0.9 49: 1.2 65: 1.6 34: 0.9 50: 1.2 66: 1.6 35: 0.9 51: 1.3 67: 1.6 36: 0.9 52: 1.3 68: 1.7 37: 0.9 53: 1.3 69: 1.7 38: 1.0 54: 1.3 70: 1.7 39: 1.0 55: 1.4 71: 1.7 40: 1.0 56: 1.4 72: 1.7 41: 1.0 57: 1.4 73: 1.8 42: 1.1 58: 1.4 74: 1.8 43: 1.1 59: 1.4 75: 1.8 44: 1.1 60: 1.5 76: 1.8 45: 1.1 61: 1.5 77: 1.9 46: 1.2 62: 1.5 78: 1.9 47: 1.2 63: 1.5 79: 1.9 64: 65: 66: 67: 68: 69: 70: 71: 72: 73: 74: 75: 76: 77: 78: 79: 5.1 5.2 5.2 5.3 5.4 5.5 5.6 5.6 5.7 5.8 5.9 5.9 6.0 6.1 6.2 6.3 80: 81: 82: 83: 84: 85: 86: 87: 88: 89: 90: 91: 92: 93: 94: 95: 80: 81: 82: 83: 84: 85: 86: 87: 88: 89: 90: 91: 92: 93: 94: 95: 1.9 1.9 2.0 2.0 2.0 2.0 2.1 2.1 2.1 2.1 2.2 2.2 2.2 2.2 2.2 2.3 6.3 6.4 6.5 6.6 6.6 6.7 6.8 6.9 7.0 7.0 7.1 7.2 7.3 7.3 7.4 7.5 96: 97: 98: 99: 100: 101: 102: 103: 104: 105: 106: 107: 108: 109: 110: 111: 96: 97: 98: 99: 100: 101: 102: 103: 104: 105: 106: 107: 108: 109: 110: 111: 2.3 2.3 2.3 2.4 2.4 2.4 2.4 2.5 2.5 2.5 2.5 2.5 2.6 2.6 2.6 2.6 7.6 7.7 7.7 7.8 7.9 8.0 8.1 8.1 8.2 8.3 8.4 8.4 8.5 8.6 8.7 8.8 112: 113: 114: 115: 116: 117: 118: 119: 120: 121: 122: 123: 124: 125: 126: 127: 112: 113: 114: 115: 116: 117: 118: 119: 120: 121: 122: 123: 124: 125: 126: 127: 2.7 2.7 2.7 2.7 2.7 2.8 2.8 2.8 2.8 2.9 2.9 2.9 2.9 3.0 3.0 3.0 8.8 8.9 9.0 9.1 9.1 9.2 9.3 9.4 9.5 9.5 9.6 9.7 9.8 9.8 9.9 10.0