6th December 2010

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Because DirectLink configuration and operation varies slightly in different DAW applications, please refer to the DirectLink documentation for your qualified DAW for further details and installation instructions. Where applicable, this section provides an overview of these controls using DirectLink, as well as their default MIDI assignments.
Modulation Wheel This wheel changes the intensity of certain effects during performance. By default, most synthesizers assign this wheel to control vibrato (change in intonation) or tremolo (change in volume). Rolling it upward increases the modulation effect, while rolling downward reduces the effect. When this control is moved the LCD screen will display the assigned MIDI CC number (cc 1), the active keyboard Zone (for example z1), and the values sent. If the Control Mute function is active (See Additional Functions on page 12) the LCD will display the same information, with the addition of MUTE. This signifies that MIDI data will not be transmitted. The Modulation Wheel can be assigned to MIDI messages other than Modulation data (see Chapter 5, Advanced Programming Functions), and different assignments can be made for each of the 4 keyboard Zones. This means the type of messages sent is determined by the active Zones. See Chapter 6, Keyboard Zonesfor further details. For a list of supported assignments, see Appendix A, Standard MIDI Control Numbers (MIDI CCs) and Appendix B, Assignable MIDI CCs.
Pitch Bend Wheel This wheel raises and lowers pitch during performance. Rolling the Pitch Bend wheel upward raises the pitch. Rolling it downward lowers the pitch. The upper and lower pitch bend limit is determined by settings on your hardware or software synthesizer, not by the Pitch Bend wheel on Axiom. This wheel is spring-mounted and returns to the center position when released. When this control is moved the LCD screen will display the assigned message type (such as P.bENd), the active keyboard Zone (for example z1), and values sent. If the Control Mute function is active (See Additional Functions on page 12) the LCD will display the same information, with the addition of MUTE. This signifies that MIDI data will not be transmitted. This wheel can be assigned to MIDI messages other than Pitch Bend data, and different assignments can be made for each of the 4 keyboard Zone. This means the type of messages sent is determined by the active Zones. See Chapter 6, Keyboard Zonesfor further details. For a list of supported assignments, see Appendix A, Standard MIDI Control Numbers (MIDI CCs) and Appendix B, Assignable MIDI CCs.
Octave/Transpose Buttons These buttons shift the keyboard up or down in one octave increments to extend the range of playable notes. The Right button (+) shifts upward (for example, note F3 becomes F4), while the Left button () shifts downward (for example, note F3 becomes F2). The Transpose function is activated by pressing the Left ()and Right (+) buttons simultaneously. In this mode, pressing the Right button shifts the keyboard upward by one half-step (semi-tone). For example, note F3 becomes F#3. Pressing the Left button shifts the keyboard downward by one half-step (F3 becomes E3).

Global and Zone Shift Functions As described in Chapter 6, Keyboard Zones, keyboard Zones can have individual Octave and/or Transpose settings. The Global and Zone Octave/Transpose settings work in combination to shift the pitch of the entire keyboard while preserving relative pitch offsets between Zones. The Zone Octave and Transpose functions are useful when different Octave or Transpose shift settings are needed across multiple Zones.
Group F Button (Axiom 49 & 61 0nly)

DirectLink Operation

When this button is pressed, all nine Axiom Faders, and Fader buttons (F118) are released from their DirectLink assignments, and mapped according to the active Patch. A new Axiom Patch can be selected at any time by using the Recall function. See Additional Functions on page 12 Pressing the Group F button again, returns all controls to their DirectLink assignments. The button also illuminates confirming the group is in DirectLink mode.

Default Operation

The Group F button is used to enable or disable the control group when a Patch is stored or recalled. When the button is illuminated the group is enabled for the operation. For example, when storing a Patch, the group is enabled by default. Pressing the button disables and excludes the controls from the newly stored patch. When the patch is recalled, the state of the group is remembered as being disabled, and the Group F button will not illuminate. 5 Faders There are nine Faders (F1F9) on Axiom 49 and 61, and one Fader (F1) on Axiom 25. These faders function based on the type of operation, as follows:
In Mixer Mode (default), the first eight Faders (F1F8) automatically map to control the track volume for the currently selected bank of eight tracks in a qualified DAW application. The right-most Fader (F9) and the single Fader on Axiom 25 will map to the Master Volume in the application. When Instrument Mode is active, these faders generally map to parameters on the virtual instrument within the targeted DAW track. The operation of these Faders may vary slightly in different DAW applications. For more information about Instrument and Mixer modes, refer to the DirectLink User Guide for your qualified DAW.
All nine Faders (Axiom 49 & 61) send different types of standard MIDI CC messages, or advanced MIDI messages based on the parameter they are assigned to. See Appendix A, Standard MIDI Control Numbers (MIDI CCs) and Appendix B, Assignable MIDI CCs. When a fader is moved the LCD screen will display the assigned MIDI message (for example cc 74), its name (for example F1), and the values sent. If the Control Mute function (See Additional Functions on page 12) is active the LCD will display the same information, with the addition of MUTE. This signifies that MIDI data will not be transmitted, and the fader can be moved with affecting external software devices. All faders are fully assignable as described in Chapter 5, Advanced Programming Functions.

14 Mute Button In DirectLink mode, this button will mute and un-mute the targeted track in a qualified DAW. Pressing this button while holding down the Shift button will solo the keyboard's target track. If the Zone button is active, the Mute button activates and deactivates Zone 4. For more information, see section 17 Zone Buttons (1,2,3, & 4) in this chapter. 15 Track Buttons These buttons function based on the type of operation, as follows:
These buttons are used for selecting the target track or banks of 8 Tracks within qualified DAW applications. Track Selection The left Track button (<) targets the previous DAW Track. For example, if Track 2 is currently targeted, pressing this button will target Track 1. The right Track button (>) target the next Track. For example, if Track 2 is currently targeted, pressing this button will target Track 3. These buttons can also be used to target tracks outside the currently active bank of 8 tracks. For example, if track 8 is currently targeted and the > Track button is pressed, Track 9 will be targeted and Axiom will automatically bank to the next group of 8 tracks. Axiom Faders and their corresponding buttons will now control Tracks 916. If the target is an instrument track, it is automatically armed for recording, and Axiom will immediately play notes on the virtual instrument that is loaded. If Instrument Mode is active the controls will automatically map to the instrument within the target track. Bank Selection When the Shift button is held down the left Track button (<) selects the previous bank of 8 DAW Tracks. For example, if the bank of Tracks 916 is currently selected, pressing this button when Shift is held down will select the bank of Tracks 18. The right Track button (>) selects the next bank of 8 Tracks. For example, if the bank of Tracks 916 is currently selected, pressing this button when Shift is held down will select the bank of Tracks 1724.
The Track buttons (< and >) are used for activating and deactivating Zones 2 (<) and 3 (>) as described below in section 17 Zone Buttons (1,2,3, & 4) of this chapter. 16 Shift Button This button functions based on the type of operation, as follows:
DirectLink (Default) Operation
Holding down the Shift button allows you to access additional functions and mapping options performed by the Encoder knobs, Fader buttons, Track buttons, and Mute buttons, in qualified DAW applications. 17 Zone Buttons (1,2,3, & 4) These buttons activate and de-activate keyboard Zones 1 though 4 respectively. Zone 1 is the default Zone. Activating a Zone will cause its corresponding button to illuminate, and all other Zones will be deactivated. Multiple Zones can be activated by simultaneously pressing any combination of these buttons.
18 Zone Button This button is used for accessing the individual Zone buttons described above. Holding down the this button for at least one second, in both Performance and DirectLink Modes, will put Axiom into Zone Edit Mode. For more information, see Chapter 6, Keyboard Zones. 19 Patch Buttons These buttons function based on the type of operation, as follows:

The polarity of the Sustain Pedal is determined by Axiom upon startup. When powering up, it assumes the Pedal is in the up (off) position. It is important that the Sustain Pedal is not pressed down during startup, otherwise its operation will be reversed.
24 MIDI In Port This standard 5-pin MIDI connector receives data from any MIDI compatible device such as a synthesizer or drum machine. This port also allows you to use Axiom as a MIDI interface to send MIDI data from external hardware to your DAW. In this instance, the 3rd USB MIDI input should be selected from those available in the DAW preferences. Please refer to the documentation provided with your DAW for further information on MIDI configuration. 25 MIDI Out Port This standard 5-pin MIDI connector transmits data to any MIDI compatible device such as a synthesizer, sound module, or drum machine. In MIDI Out From USB Mode, data sent to the Axiom USB MIDI Output port (not the DirectLink port) will be streamed to the external MIDI Out port. Please refer to Chapter 4, Advanced Keyboard Functions for further information on MIDI Out from USB. 26 USB Port The USB 2.0 port (backward compatible with USB 1.1) delivers power to Axiom and transmits MIDI data to and from the host computer. 27 Power Supply Jack Connect an optional 9VDC power supply here when controlling external MIDI hardware in a live situation. This connection is not to be used while Axiom is connected to a host computer using the USB Port. 28 On/Off Switch Use this switch to power the device on or off whether Axiom is connected via USB or controlling external hardware.
Chapter 4: Advanced Keyboard Functions
Axiom includes extended programming capabilities through secondary functions of the keys. The available parameters are listed along the top edge of the keyboard, and accessed by pressing the Edit button. The LCD screen shows the numerical value of the parameter being edited.
Control Assign (Ctrl Assign), Data 1, Data 2, Data 3
The Control Assign function (Ctrl Assign) assigns a MIDI continuous control number (MIDI CC), or other MIDI parameter to any assignable Axiom control. The Data 1, Data 2, and Data 3 keys define various related aspects of the parameter or function assigned to a control. For lists of available MIDI continuous control numbers, see Appendix A, Standard MIDI Control Numbers (MIDI CCs) and Appendix B, Assignable MIDI CCs. For example, it is possible to configure a button to send MIDI note On/Off Data by assigning it to controller number 147. The Data 1 key is used to specify the pitch (note number) of the note played by the button (see Appendix C, Useful MIDI Data). The Data 2 key is used to set the Note Off velocity (Velocity Off). The Data 3 key is used to set the Note On velocity (Velocity On), determining how loud the note will sound. For more details and step-by-step control assignment examples, refer to Chapter 5, Advanced Programming Functions.

Control Select (Ctrl Select)
The Control Select function (CTRL SEL) is used to select a MIDI control (knob, button, fader, or pedal jack) for editing. This is useful when a control needs to be selected without sending unwanted MIDI data because the control was moved or pressed.
All Axiom controls are labeled with a unique number, such as F1, P2, etc. It is not necessary (or possible) to enter the letter when following the editing examples below.
To select an Axiom control for editing:
Press the Edit button. Press the group button that contains the control you want to select. Press the Control Select key. Enter the control's ID number using the number keys.
The Control is now selected for programming, and another advanced function can be selected for further programming of the control.
Alternatively, if unwanted MIDI transmission is not an issue, an Axiom control can be selected by moving or pressing it either before or after pressing the edit button.

Snapshot

This function sends the current values of all mapped Axiom knobs and faders on the external MIDI out port to a DAW or virtual instrument. This simultaneously adjusts multiple parameters. When the Edit button is pressed followed by the Snapshot key, the values are sent immediately, and the LCD screen will read SNAP as the MIDI data is transmitted.
When a patch is stored, the positional value of each control is saved within the patch as the 'Null' values. In other words, if you use Axiom controls to set up a virtual instrument or synth and save the settings to a patch, pressing snapshot after pressing the Edit button, will send the null values to the synth to set the sound up as programmed.

Bank LSB

The Bank LSB function sends bank change messages on the MIDI Channels for all active Zones. These messages are used to access additional banks of sound patches, if available, on virtual instruments or sound modules. Bank LSB messages may not have any effect until they are followed by a Program Change message. For more information on Bank LSB messages, see Chapter 8, MIDI Messages Defined. Refer to the documentation for the virtual instrument or synthesizer to confirm it will respond to these messages.
To set a Bank LSB number:
Press the Edit button. Press the Bank LSB key. The LCD screen will display the current function (LSB), the current active keyboard Zone (for example z1) and last sent Bank LSB number (for example, 0). Enter the new Bank LSB number using the number keys. Press the Enter key.

Bank MSB

The Bank MSB function sends bank change messages on the MIDI Channels for all active Zones. These messages are used to access additional banks of sound patches, if available, on virtual instruments or sound modules. Bank MSB messages may not have any effect until they are followed by a Program Change message. For more information on Bank MSB messages, see Chapter 8, MIDI Messages Defined. Refer to the documentation for the virtual instrument or synthesizer to confirm it will respond to these messages.

To select a Keyboard Velocity Curve:
Press the Edit button. Press the Curve key. The LCD screen will read V Crv and display the current velocity curve (for example, C2). Do one of the following: Type the Velocity Curve number (1 through 7) using the number keys. or Use the Patch Up and Down buttons to scroll through the Velocity Curves (C1 through F3).

Press the Enter key.

Trigger Pad Sensitivity Options:
1 = C1 is a sensitivity setting that generates lower velocity values for the same force. This setting is useful for playing more quietly, even if you tend to strike the Pads harder. 2 = C2 is the default setting, and is designed to be useful for most players with an average touch (people who play with an average amount of force). 3 = C3 is a sensitivity setting that generates higher velocity values for the same force. This setting is useful for playing more loudly, even if you tend to strike the Pads with less force. 4 = C4 is a sensitivity setting that generates an equal velocity value for a given amount of force, resulting in a linear (or neutral) Trigger Pad response. 5 = F1 is a setting that effectively disables sensitivity, meaning the Pads will generate a fixed velocity value of 64 (on a scale of 0 127) regardless of how hard or soft they are struck. 6 = F2 is a setting that effectively disables sensitivity, meaning the Pads will generate a fixed velocity value of 100 (on a scale of 0 127) regardless of how hard or soft they are struck. 7 = F3 is a setting that effectively disables sensitivity, meaning the Pads will generate a fixed velocity value of 127 (on a scale of 0 127) regardless of how hard or soft they are struck. 8 = S2 is a setting where the Pads will generate a fixed velocity value of either 64 or 127 (on a scale of 0 127) depending on how hard or soft they are struck. 9 = S3 is a setting where the Pads will generate a fixed velocity value of either 64, 100 or 127 (on a scale of 0 127) depending on how hard or soft they are struck. 10 = S4 is a setting where the Pads will generate a fixed velocity value of either 32, 64, 100 or 127 (on a scale of 0 127) depending on how hard or soft they are struck.
To select a Trigger Pad Velocity Curve:

In most Axiom factory presets, the pads are already programmed to transmit MIDI note data. In order to change the pitch of notes sent, you need only follow steps 6 to 9.
Setting Buttons or Sustain Pedals to Send Combined Program Change, Bank LSB and Bank MSB messages
The assignable buttons and the Sustain Pedals can be configured to send a multi-part message, consisting of a Program Change, Bank LSB and Bank MSB message when pressed. This is useful for specific patch/sound selection from a specific bank of a connected synthesizer or virtual instrument. This requires four values to be specified (values given are examples): Key Control Assign Data 1 (example) Data 2 (example) Data 3 (example) Parameter Program/Bank Preset select Program Change Number Bank LSB number Bank MSB number Value (GM Instrument Cello) See Appendix C, Useful MIDI Data. 8 32
The following example configures a button or Sustain Pedal to send a total of 3 MIDI messages each time it is pressed (Bank LSB, Bank MSB and Program Change), allowing you to recall any sound in any bank of a connected software or hardware synthesizer that supports this.
To configure buttons or Sustain Pedals to send combined Program Change, Bank LSB and Bank MSB Messages:
Select a button or Sustain Pedal as described earlier. Press the Edit button.
Press the Control Assign key. The LCD screen will read ASIGN and display the currently selected control (for example F10), and the current MIDI CC assignment (for example 146).
Enter 145 using the number keys. This configures the button or Sustain Pedal to send a combined Bank Select/Program Change message. Press the Enter key.
32 Chapter 5: Advanced Programming Functions
Press the Data 1 key. The LCD screen will display the currently assigned function (for example NOTE), the selected control (for example F10), and the current value.
Enter a Program Change number, such as 42. See General MIDI Instruments in Appendix C, Useful MIDI Data. Press the Enter key. Press the Edit button.
Press the Data 2 key. The LCD screen will display the current function assigned to the Data 2 key (in this case, LSb) and the current value. Enter a Bank LSB number, such as 8. Press the Enter key. Press the Edit button.

To configure a knob or fader to reverse Its operation:
Select a knob or fader as described earlier. Press the Edit button. Press the Data 2 key. The LCD screen will read MIN and display the currently selected control (for example F1), and the current value (for example 0). Enter 127 using the number keys. This configures the control to reach its maximum value when it is all the way down. Press the Enter key. Press the Edit button.
Press the Data 3 key. The LCD screen will read MAX and display the currently selected control (for example F1), and the current value (for example 127). Enter 0 using the number keys. This configures the control to reach its minimum value when it is all the way up. Press the Enter Key.
The knob or fader now operates in reverse. What was originally the maximum position is now the minimum position, and vice versa.
Limiting the Range of a Knob or Fader
The effective range of values transmitted by knobs and faders can be limited by entering values other than 0 and 127(the default minimum and maximum values) for the Data 2 and Data 3 parameters. For example, with the Data 2 parameter set to 38 and Data 3 set to 93, if a knob is set fully counter-clockwise, the minimum value transmitted is 38. If the knob is turned fully clockwise, the maximum value transmitted is 93. This can be useful in a variety of scenarios, like keeping a knob within the sweet spot of a synthesizer parameter (such as, filter cutoff), or to quickly recall a specific minimum or maximum volume setting for a track. Key Control Assign (example) Data 2 (example) Data 3 (example) Parameter MIDI CC number Minimum Value Maximum Value Value 07 (Volume) 38 93
The operation of knobs and faders can also be reversed, even if the range of operation is limited. This is achieved by entering a higher value for the Data 2 parameter and a lower value for the Data 3 parameter.
To configure a knob or fader to operate within a limited range:
Select a knob or fader as described earlier. Press the Edit button. Press the Control Assign key. The LCD screen will read ASIGN and display the currently selected control (for example F1), and the current MIDI CC assignment (for example 10). Type 7 using the number keys. This assigns MIDI CC number 7 (Volume) to the control. See Appendix A. Press the Enter key. Press the Edit button. Press the Data 2 key. The LCD screen will read MIN and display the currently selected control (for example F1), and the current value (for example 0). Type 38 using the number keys. Press the Enter key. Press the Edit button.
Press the Data 3 key. The LCD screen will read MAX and display the currently selected control (for example F1), and the current value (for example 127). Type 93 using the number keys. Press the Enter key.

15 Press the Data 3 key. The LCD screen will read MSb and display the currently selected control (for example E1), and the current value (for example 87). 16 17
Enter the value to be transmitted via MIDI CC 99 (MSB) using the number keys. Press the Enter key.
For an in-depth explanation of RPN/NRPN MIDI messages and their usage, refer to Chapter 7, MIDI Messages Defined.
Axiom factory preset 16 is already configured with NRPN controls for Yamaha XG and Roland GS synthesizers.
SysEx Messages and Device ID
When transmitting SysEx messages, the individual control channel number does not define a transmit channel, but a Device ID. This being the case, when the Channel Assign key is pressed, the LCD screen will display the Device ID. Device IDs range between 0 127. In most cases, the Device ID should be set to 127 so that all devices will receive the SysEx message. The Device ID for a SysEx message assigned to a control cannot be changed using the Device ID key. This key is used for changing the global Device ID of Axiom. For more information, refer to the SysEx section in Chapter 7, MIDI Messages Defined.

Non-Volatile Memory

Axiom features non-volatile memory, which automatically saves the current state of operation when the device is powering down. The current control and channel assignments are stored even if the Save function has not been used. The Program, Bank LSB and Bank MSB data, Global Channel settings, MIDI Out from USB, Velocity Lock, and the last Axiom preset used are also stored and recalled the next time Axiom is powered up.
Restoring the Factory Settings
Factory default settings can be restored by holding down the Patch Up and Down buttons during power-up. At this point all previously saved data will be erased.
Chapter 6: Keyboard Zones
The Zone feature allows you to layer or split sounds on a hardware or virtual instrument, by dividing the keyboard into a maximum of four programmable non-overlapping or overlapping sections. When active, each Zone will transmit MIDI notes on a separate MIDI channel. This makes it possible to play up to 4 different instrument sounds on a connected multi-timbral synthesizer, by playing notes in different sections (Zones) of the keyboard. If any of the Zones are configured to overlap partially or completely, multiple instrument sounds will be layered, and played simultaneously in those areas of the keyboard.
Zone Selection & Activation
Pressing the Zone button (Zone) changes the function of the Shift, Track Select and Mute buttons to Zone buttons one through four as indicated on each button. The Zone button will illuminate to indicate that Axiom is in Zone Mode. At this point pressing any of the four Zone buttons will activate the corresponding keyboard Zone, and all other Zones will be deactivated. To activate multiple Zones, simultaneously press their respective Zone buttons. In either case, each button will illuminate indicating that its corresponding Zone is active.

To set the Zone octave value:
Hold down the Zone button (Zone) for at least one second. The LCD screen will display the current range of notes used in the Zone.
Repeatedly press the Octave or + button to lower or raise the Octave shift value. The LCD screen will display the current value. Axiom will return to Performance one second after the last button press.
Repeat steps to set the Octave shift for the remaining Zones.
After setting the Octave shift value and exiting Edit mode, activate all desired Zones by simultaneously pressing their respective Zone buttons.

Zone Transpose

The Zone Transpose parameter lowers or raises the pitch of a Zone in one semi-tone (half-step) increments, to a maximum of 12 semi-tones. Zone Transpose shift settings work in combination with the Global Transpose shift setting (see Section 7, Octave/Transpose buttons). This can be useful when working with different Transpose or Octave shift settings across multiple Zones. The Global Transpose function shifts the entire keyboard up or down, while preserving relative pitch settings between Zones. For example, if a Zone is configured for a Transpose shift of +5, and a Global Transpose shift setting of +2 is applied, the effective Transpose shift for that Zone is +7.
To set the Zone Transposition value:
Hold down the Zone button (Zone) for at least one second. The LCD screen will display the current range of notes used in the Zone. Simultaneously press the Octave and + buttons. The LCD screen will display the current value.
Repeatedly press the Octave or + button to lower or raise the pitch. Axiom will return to Performance one second after the last button press. Repeat steps to set the Transpose value for the remaining Zones.
After setting the Transpose value and exiting Edit mode, activate all desired Zones by simultaneously pressing their respective Zone buttons.

Zone Channel

The Zone Channel parameter specifies which MIDI Channel a Zone will use when transmitting MIDI data. Assigning each Zone to its own channel will allow you to play up to 4 different sound patches on a connected synthesizer. This setting is saved as part of a user patch when stored to a Memory Location.

After setting the Bank MSB values and exiting Edit mode, activate all desired Zones by simultaneously pressing their respective Zone buttons.
Chapter 7: MIDI Messages Defined
Program and Bank Changes Messages Explained
When the MIDI standard was first established, it enabled the user to access only 128 different sounds using program change messages (0 127). As MIDI devices became more sophisticated and contained more sounds, bank change messages were included in an updated MIDI specification allowing access to more than 128 sounds. The language MIDI uses to communicate between musical instruments only allows program change commands 0 127, for a total of 128 possible programs (127 programs + program 0 = 128 programs total). Due to inherent limitations of the MIDI communication protocol, the number of directly accessible programs (using program change messages) cannot easily be expanded beyond 128. Thus, a system of banks, with 128 sounds in each, has been created that enables manufacturers to overcome the 128-sound MIDI limit.
Bank MSB Bank LSB Program
Program 0 Program 1 Program 2
128 banks with 128 sounds in each bank is the basic principle used to expand the number of accessible sounds. However, to avoid reaching the new limit of the resulting 16,384 possible sounds (128 banks x 128 programs) accessible using a bank change combined with a program change, another layer of banks was added. The result is a system of 128 banks that can contain 128 sub-banks in each of them, which, in turn, can contain 128 sounds (programs). Bank change messages are useful when calling up sounds from a large library that may exist in a particular sound module or software synthesizer. For example, devices that are built according to Rolands GS specification or Yamahas XG specification require you to specify a bank change in order to access the extra voices that these devices provide. MIDI CC 0 is the bank select MSB (Most Significant Byte) message. This MIDI message is 7-bit in size and can be used to select any of 128 banks. A list of Roland GS and Yamaha XG NRPN numbers can be found in Appendix F, Roland GS & Yamaha XG NRPN.
Bank LSB 0 Bank MSB 0 Bank LSB 1 Bank LSB 2
Program 127 Program 0 Program 1 Program 2 Program 127 Program 0 Program 1 Program 2 Program 127

Bank LSB 127

Bank LSB 0 Bank MSB 1 Bank LSB 1 Bank LSB 2
Bank LSB 0 Bank MSB 2 Bank LSB 1 Bank LSB 2 Bank MSB 127 Bank LSB 127
Program 127 Program 0 Program 1 Program 2 Program 127 Program 0 Program 1 Program 2
This message can be used in conjunction with MIDI Program 127 CC 32 which is bank select LSB (Least Significant Byte): a separate 7-bit message allowing additional selection of any of another 128 sub-banks. The combination of Bank MSB and LSB messages gives a 14-bit message that

Data 1 Value Value Value Value Program MIDI CC
Data 2 Min Min Min Min Min Min RPN LSB RPN LSB NRPN LSB NRPN LSB Min Min Min Min Min Min Min Min Min Bank LSB Pad Press Value (2nd)
Data 3 Max Max Max Max Max Max RPN MSB RPN MSB NRPN MSB NRPN MSB Max Max Max Max Max Max Max Max Max Bank MSB Pad Release Value (1st) Pressure On Velocity On -
Note (On/Off) Note (On/Off Toggle) MMC Command**

Note Note -

Pressure Off Velocity Off Command Select (Type) Type Time Type Start Start
Reverb Type GM2* Reverb Time GM2* Chorus Type GM2* MIDI CC decrement MIDI CC increment

MIDI CC MIDI CC

End End

MIDI CC 155 156

Description Program decrement Program increment

Data 1 -

Data 2 Start Start

Data 3 End End

Expression Pedal, After-Touch Strip, Pitch Bend and Modulation Wheels
These controls can have separate MIDI CC assignments for each of the 4 available keyboard Zones, so that specific control data can affect a specific Zone without affecting the others.

MIDI CC 0-119 120-255

Description Standard MIDI CC's (Appendix A) Channel Mode Messages (Appendix A) Pitch Bend Range Channel Fine Tune Channel Coarse Tune Channel Pressure RPN coarse RPN Fine NRPN Coarse NRPN Fine Master Volume GM* Master Pan GM* Master Coarse Tune GM* Master Fine Tune GM* Chorus Mod Rate GM2* Chorus Mod Depth GM2* Feedback GM2* Send to Reverb GM2* Pitch Bend* Controller Off
Data 2 Min Min Min Min Min Min RPN LSB RPN LSB NRPN LSB NRPN LSB Min Min Min Min Min Min Min Min Min Min
Data 3 Max Max Max Max Max Max RPN LSB RPN LSB NRPN LSB NRPN LSB Max Max Max Max Max Max Max Max Max Max
Appendix C: Useful MIDI Data

General MIDI Instruments

Axiom does not contain internal sounds. The following table is for reference when controlling General MIDI compatible software instruments or devices.
0 Acoustic Grand Piano 1 Bright Acoustic Piano 2 Electric grand Piano 3 Honky Tonk Piano 4 Electric Piano Electric Piano Harpsichord 7 Clavinet
32 Acoustic Bass 33 Fingered Bass 34 Electric Picked Bass 35 Fretless Bass 36 Slap Bass Slap Bass Syn Bass Syn Bass 2

Communication Statement

NOTE: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. Operation of this equipment in a residential area is likely to cause harmful interference in which case the user will be required to correct the interference at his own expense.

Warning

This product contains chemicals, including lead, known to the State of California to cause cancer and birth defects or other reproductive harm. Wash hands after handling.
Canadian Compliance Statement
This Class A digital apparatus complies with Canadian ICES-003.
Communications and Safety Regulation Information
Compliance Statement The models Axiiom 61, 49, 25 comply with the following standards regulating interference and EMC: FCC part 15, Class A EN 55024 (1998) EN 55022 (1994)/ CISPR 22 (1993), Class B
Cet appareil numrique de la classe A est conforme la norme NMB-003 du Canada.

Australian Compliance

Radio and Television Interference
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules.

European Compliance

Precautions On Use
Please read the following precautions on use before operating the system. Use the correct power cable for your local power supply.

For 240 V AC

For 220 V AC to 240 V AC
Handle With Care Never use the system during abnormal conditions. Do not operate if smoke is emitted, sound is frequently distorted, or if there are any conditions of malfunction. Do not place any liquids on or near the system. Ensure that nothing rests on the systems cables, that they do not come in to contact with water or excessive heat. Damage to a cable can cause fire or electric shock. They should be located where they cannot be stepped on or tripped over. When not using the system for extended periods make sure that all power cables are disconnected from the power source. Disconnect all external leads before shipping. Do not subject the system to damaging shocks during shipment. Never remove any covers unless in accordance with the manufacturers instructions. Do not place any foreign objects through ventilation holes. If a foreign object falls inside the system disconnect all power cables and contact customer support.