PORTABLE RECORDING PREAMP with 96kHz FIREWIRE INTERFACE O W N E R S M A N U A L

ONYX Satellite

Important Safety Instructions
1. Read these instructions. 2. Keep these instructions. 3. Heed all warnings. 4. Follow all instructions. 5. Do not use this apparatus near water. 6. Clean only with dry cloth. 7. Do not block any ventilation openings. Install in accordance with the manufacturers instructions. 8. Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat. 9. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding-type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet. 10.Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus. 11.Only use attachments/accessories specified by the manufacturer. 12.Use only with a cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.

PORTABLE CART WARNING

Carts and stands - The Component should be used only with a cart or stand that is recommended by the manufacturer. A Component and cart combination should be moved with care. Quick stops, excessive force, and uneven surfaces may cause the Component and cart combination to overturn.
13.Unplug this apparatus during lightning storms or when unused for long periods of time. 14.Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as powersupply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped. 15.This apparatus shall not be exposed to dripping or splashing, and no object filled with liquids, such as vases, shall be placed on the apparatus. 16.This apparatus does not exceed the Class A/Class B (whichever is applicable) limits for radio noise emissions from digital apparatus as set out in the radio interference regulations of the Canadian Department of Communications. ATTENTION Le prsent appareil numrique nmet pas de bruits radiolectriques dpassant las limites applicables aux appareils numriques de class A/de class B (selon le cas) prescrites dans le rglement sur le brouillage radiolectrique dict par les ministere des communications du Canada. 17.Exposure to extremely high noise levels may cause permanent hearing loss. Individuals vary considerably in susceptibility to noise-induced hearing loss, but nearly everyone will lose some hearing if exposed to sufficiently intense noise for a period of time. The U.S. Governments Occupational Safety and Health Administration (OSHA) has specified the permissible noise level exposures shown in the following chart. According to OSHA, any exposure in excess of these permissible limits could result in some hearing loss. To ensure against potentially dangerous exposure to high sound pressure levels, it is recommended that all persons exposed to equipment capable of producing high sound pressure levels use hearing protectors while the equipment is in operation. Ear plugs or protectors in the ear canals or over the ears must be worn when operating the equipment in order to prevent permanent hearing loss if exposure is in excess of the limits set forth here.

Duration Per Day In Hours

2 1.0.5 0.25 or less

Sound Level dBA, Slow Response

Typical Example

Duo in small club Subway Train Very loud classical music Tami screaming at Adrian about deadlines Loudest parts at a rock concert

CAUTION

RISK OF ELECTRIC SHOCK DO NOT OPEN RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK DO NOT REMOVE COVER (OR BACK) NO USER-SERVICEABLE PARTS INSIDE REFER SERVICING TO QUALIFIED PERSONNEL
ATTENTION: POUR EVITER LES RISQUES DE CHOC ELECTRIQUE, NE PAS ENLEVER LE COUVERCLE. AUCUN ENTRETIEN DE PIECES INTERIEURES PAR L'USAGER. CONFIER L'ENTRETIEN AU PERSONNEL QUALIFIE. AVIS: POUR EVITER LES RISQUES D'INCENDIE OU D'ELECTROCUTION, N'EXPOSEZ PAS CET ARTICLE A LA PLUIE OU A L'HUMIDITE
The lightning flash with arrowhead symbol within an equilateral triangle is intended to alert the user to the presence of uninsulated "dangerous voltage" within the product's enclosure, that may be of sufficient magnitude to constitute a risk of electric shock to persons. Le symbole clair avec point de flche l'intrieur d'un triangle quilatral est utilis pour alerter l'utilisateur de la prsence l'intrieur du coffret de "voltage dangereux" non isol d'ampleur suffisante pour constituer un risque d'lctrocution. The exclamation point within an equilateral triangle is intended to alert the user of the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance. Le point d'exclamation l'intrieur d'un triangle quilatral est employ pour alerter les utilisateurs de la prsence d'instructions importantes pour le fonctionnement et l'entretien (service) dans le livret d'instruction accompagnant l'appareil.
WARNING To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture.

Table of Contents

Introduction..... 5
Onyx Satellite Features.....6

Owners Manual

Getting Started....7
Computer Requirements.....7 Installing the Windows Drivers....7 Macintosh OS X Audio MIDI Setup.....7 Installing Tracktion 2.....8 Zero the Controls.....10 Connections......10 Set the Levels......11 Set the Sample Rate and Latency....11 Start Recording to DAW.....12
Hookup Diagrams....13 Onyx Satellite Features....17
Pod Front Panel......17 1. Channel GAIN.....17 2. Signal Level Indicators.....17 3. Instrument Switch......17 4. POWER Indicator.....17 5. FireWire Indicator......18 6. 48V Phantom Power Switch and Indicator....18 7. CTRL RM/PHONES 1 Level....18 8. PHONES 2 Level.....18 9. PHONES 1 and 2 Outputs.....18 Pod Rear Panel.....19 10. MIC/Line Inputs.....19 11. CR OUT......19 12. TO DOCK Connector.....19 13. FIREWIRE.....19 14. POWER Connector.....19 15. Kensington Security Slot.....19 Base Station Front Panel......20 16. MIC Input Select Switch.....20 17. Instrument Input Select Switch....20

5. The next window allows you to select the language you want to use with Tracktion 2 (English, French, German, or Spanish). Make your choice and click OK.
6. Youre ready to go with any Mac OS X Core Audio host application (i.e., Tracktion, Logic, Cubase, Nuendo, Live, Digital Performer, etc.). The Onyx Satellite should now appear as a 2x6 audio interface available for any DAW application that you have installed on your computer. Note: It is still necessary to select the Onyx Satellite as the audio device in the DAW software applications Settings window.
6. The Tracktion Setup Wizard opens. Click Next to continue.
9. Next you are asked to select the Start Menu Folder where you would like the Tracktion shortcuts installed. We recommend you use the default location used by the installer, but you can choose a different location if you want by clicking the Browse button. Then click Next.
7. Next you will see the Tracktion License Agreement. Read through the text and click I accept the agreement. Click Next to continue. 10. The next window gives you the options of creating a desktop icon and creating a Quick Launch icon. Select the additional icons you would like to install, and click Next to continue.
8. The next window lets you choose the Destination folder for installing the software files. We recommend you use the default location used by the installer, but you can choose a different location if you want by clicking the Browse button. Then click Next.
11. The next window gives you a summary of the installation options you have selected. Click Back if you want to make any changes. Click Install to proceed with the installation.
12. When the installer has completed copying the files into the destination folder, the Completing the Tracktion Setup Wizard window opens. If you want to launch Tracktion right away, click the Launch Tracktion box. Click Finish to complete the installation.

Authorizing Tracktion 2

There is an authorization code on the sleeve of the CD-ROM that came with your Onyx Satellite. You can authorize the software from within Tracktion or by going to http://my.mackie.com. From Tracktion 2: 1. Open Tracktion 2. 2. Tracktion detects that the software is unregistered and notifies you that it is running in Demo Mode. You can choose to continue or click the Unlock button to authorize the software. 3. Follow the instructions for unlocking Tracktion. From my.mackie.com: 1. Go to http://my.mackie.com 2. If you havent done so already, set up an account by entering your email address and clicking No, I want to create an account. Then click Continue.
13. Double-click the Tracktion.exe file in the destination folder to open Tracktion. (If you selected the option during the installation, you can double-click the Tracktion shortcut icon on your desktop.)
3. Enter the information to setup your profile. Then proceed to register Tracktion by clicking Mackie Product Registration. 4. Select Software and Tracktion v2 Music Production Software. 5. Click Click here to register Tracktion v2 online. 6. Enter the authorization code from the sleeve on your CD-ROM in the License Number box. Then click Authorize. Once youve installed and authorized the software, proceed as follows:

You can connect the analog outputs from any line-level source to the LINE INPUTS on the Onyx Satellite and use its high-quality analog-to-digital converters to get your analog signals to your digital recorder(s). When the Pod is docked, the CTRL RM/PHONES 1 knob on the Pod adjusts only the Phones 1 output (not the Control Room outputs). The CONTROL ROOM LEVEL knob on the Base Station adjusts the Control Room outputs. Use this control as close to the MAX (fully clockwise) position as possible to experience the best audio quality. Turn down the input sensitivity control on your active monitors or your passive monitors power amplifier in order to turn up the CONTROL ROOM LEVEL knob as far as possible. Always turn off the Onyx Satellite before removing or connecting the Pod to the Base Station. When you shut down your equipment, turn off the amplifiers first. When powering up, turn on the amplifiers last. Never listen to loud music for prolonged periods. Please see the Safety Instructions on page 2 for information on hearing protection. Save the shipping box! You may need it someday, and you dont want to have to pay for another one. Thats it for the Getting Started section. Next comes the Hookup section that shows you some typical ways that you might use the Onyx Satellite in real applications. After that, you can take the grand tour of the Onyx Satellite, with descriptions of every knob, button, input, and output. We encourage you to take the time to read all of the feature descriptions, but at least you know its there if you have any questions.

Start Recording to DAW

1. Select the Onyx Satellite as the sound device in your DAW application. Each DAW application has its own method of doing this, so refer to your DAW applications manual if you are not sure. In Tracktion 2, this is done in the Audio window under the Settings tab. 2. Assign the inputs from the Onyx Satellite to tracks in your DAW. 3. You should now see the signals from the Onyx Satellite appearing on the meters in your DAW. Start recording the guitar onto a track in the DAW. 4. Playback the recorded audio and assign the DAW outputs to the Control Room Outputs (1 and 2) on the Onyx Satellite. 5. Listen to the guitar playback on the headphones while recording the vocal part. Make sure the Control Room Source Select switch on the Satellite is out (DAW). 6. You can continue adding tracks to the arrangement, and listen back over the Control Room monitors (or headphones) when you are done.

Hookup Diagrams

Home Studio Recording
Powered Studio Monitors (Main)
Headphones For Musicians (From Pod)

Onyx Satellite Pod Remote Direct-to-2 Track Recording
Left and Right Powered Speakers L/R Audio Out

Television

L/R Audio Out

Dock MP3 Player

For some just starting out with their own home studio, it may be necessary to use the home stereo speakers for monitors. But what happens when the engineer in the family is off somewhere with his laptop? The Satellite can be used as a preamp for a living room or bedroom stereo system. No laptop required! Simply connect the signal sources (i.e., the outputs from an MP3 player or the stereo audio output from your television tuner) to the Satellite inputs, and connect the Control Room outputs to a pair of powered speakers (or to the inputs of an amplifier with speakers connected). Push in the Control Room Source button (Inputs) and the selected inputs are routed to the Control Room outputs. Use the Control Room knob to adjust the volume.
Onyx Satellite As Stereo Preamp

Pod Front Panel

The Onyx Satellite is uniquely designed to be set up in your studio with all the inputs and outputs connected, and allows you to remove the pod from the base station for portable use in the field. The pod provides two Neutrik combination Mic/Line inputs with independent Gain controls, a global 48V phantom power switch, stereo line-level control room outputs, two stereo headphone jacks with independent level controls (one shared with the control room outputs), and a FireWire connector. Each input channel also has an instrument switch that converts the 1/4" line input into a high-impedance instrument input so you can connect electric instruments directly to the Onyx Satellite without a direct box. If youve followed the Set the Levels procedure on page 11, the 20 and 10 LEDs should light frequently, and the OL (Overload) LED should not light at all. If the OL LED is blinking frequently, the signal is probably distorted from overdriving the input. Either turn down the GAIN control or turn down the signal at its source.

3. Instrument Switch

Channels 1 and 2 have a button for switching the 1/4" line input to an instrument input. When the button is out, the 1/4" input accepts normal line-level signals from low-impedance sources. When the button is pushed in, the 1/4" input accepts high-impedance signals from instruments with electric pickups, which you would normally run through a DI box. Plugging a guitar straight into a typical line input can result in the loss of high frequencies, causing an unnatural and dull sound. Normally, you must use a direct box between a guitar and a mixers or preamplifiers input, which serves to convert the impedance of the guitar from high to low. The Instrument inputs on channels 1 and 2 make the need for a direct box unnecessary. HOWEVER: The Instrument inputs are unbalanced, so if you are running a long cord between the instrument and the Onyx Satellite (say over 20 feet), it is best to use a direct box with a balanced output to avoid picking up noise over the length of the cord.

1. Channel GAIN

The GAIN controls adjust the input sensitivity of the mic and line inputs on channels 1-2. This allows the signal from the outside world to be adjusted to optimal internal operating levels. If a mic-level signal is plugged into the XLR combo jack, there is 0 dB of gain (unity gain) with the knob turned all the way down, ramping up to 60 dB of gain fully up. When using the balanced line input of the combo jack (1/4" TRS connector), there is 20 dB of attenuation all the way down, and 40 dB of gain fully up, with a U (unity gain) mark at about 10:00.

4. POWER Indicator

When power is applied to the pod, either through the FireWire connection or with the AC adapter, the POWER LED lights to let you know the unit is operational.
2. Signal Level Indicators
These LEDs indicate the channels signal level after the GAIN control and just after the analog-to-digital converter.

OL -10 -20

CTRL RM/ PHONES 1

PHONES 2

5. FireWire Indicator
This LED illuminates when a valid FireWire connection is made between the Onyx Satellite and a computer.

8. PHONES 2 Level

This knob adjusts the signal level at the PHONES 2 jack [9] on the front panel. It ranges from off () to maximum gain (MAX). Having independent level control for each headphone output means that in an overdub situation, for example, the musician and the engineer can each adjust their own headphone volume to taste.
6. 48V Phantom Power Switch and Indicator
Most professional condenser microphones require phantom power, which is a low-current DC voltage delivered to the microphone on pins 2 and 3 of the XLR microphone connector. Push in the 48V button if your microphone requires phantom power. An LED lights next to the button to indicate that phantom power is active. This is a global phantom power switch and applies 48V to the XLR input connectors on channels 1 and 2. Dynamic microphones, like Shures SM57 and SM58, do not require phantom power. However, phantom power will not harm most dynamic microphones should you accidentally plug one in while the phantom power is turned on. Be careful with older ribbon microphones. Check the manual for your microphone to find out for sure whether or not phantom power can damage it.

11. CR OUT

These 1/4" TRS jacks provide a balanced or unbalanced line-level signal that can be used to provide a monitor mix to a pair of powered studio monitors, or an additional headphone mix to a headphone amplifier. The signal at the CR OUTs is the same signal that appears at the PHONES 1 and 2 Out [9].

12. TO DOCK Connector

This multipin connector mates with the base station docking connector and allows the pod and the base station to share their circuits.
15. Kensington Security Slot
To help prevent theft, this security slot is designed to fit the popular Kensington security locks. A variety of models are available from their website at www.kensington.com.

13. FIREWIRE

FireWire (a.k.a. IEEE 1394) is a high-speed serial I/O interface for connecting digital devices, with more than 30 times the bandwidth of USB 1.1.

Base Station Front Panel

When the pod is connected to the base station, some additional features become available above and beyond those that are present when using the pod by itself. More inputs are available to select for each channel (Mic, Instrument, Line 1, and Line 2) An insert jack (send/return) is available for each channel An additional stereo control room output is available (A and B) Four more line-level outputs are available (for a total of six, including the control room outputs) A separate control room level control can operate on just the A/B outputs, or on all six outputs as a master level control The control room source can be switched between the Core Audio/ASIO streams 1 and 2 from the DAW software application, and the inputs from the Onyx Satellite A built-in Talkback Mic is available for routing to the phones and to the DAW application Note: The base station does not function when the pod is removed. The pod is the brains and the base station simply provides more connections and controls than the pod does by itself.
16. MIC Input Select Switch
Press this button to select the XLR Mic input as the input source for the channel.
17. Instrument Input Select Switch
Press this button to select the Instrument input ( as the input source for the channel. Note: The instrument switch on the pod must also be pushed in to select the instrument input. )

18. Line Input 1 Select Switch
Press this button to select LINE 1 as the input source for the channel.
19. Line Input 2 Select Switch
Press this button to select LINE 2 as the input source for the channel. Note: You can select and combine the Mic, Instrument, Line 1, and Line 2 inputs for each channel from the base station. However, the base station has no provision for matching the impedances or the input level of the combined signals, so it is best only to combine similar signals (for example, line-level signals connected to Input 1 and Input 2), or to select only one input at a time.

MIC MIC 1 2

TO PHONES

TALKBACK

TO DAW DAW INPUTS

CONTROL ROOM

A B 1-2 1-6

SOURCE

20. Built-in Talkback Mic
This is where the built-in talkback microphone is located. This is an omni-directional dynamic microphone, so it will pick up your voice from anywhere in front of the unit. In addition, the talkback signal is routed through a compressor, which allows the talkback signal to maintain a constant volume regardless of how far you are from the Onyx Satellite (within reason).
mentary switch and is only active as long as you hold the button down. This allows you to slate takes as you record to the DAW. Note: When you press either of the Talkback switches, the control room outputs are attenuated momentarily so the engineer can hear himself or herself talk.
24. CONTROL ROOM LEVEL Control
Use this knob to adjust the signal level at the CR OUT [36] jacks on the rear panel. It adjusts the signal for both the left and right Control Room A/B outputs, ranging from off () to maximum gain (MAX).
21. TALKBACK LEVEL Control
Use this knob to adjust the level of the talkback signal. You should start with the TALKBACK LEVEL control turned down, and then slowly turn it up until you get confirmation from whoever is listening to the headphones that they can hear you. Once you have set the level, you can leave it there for the duration of the session. If you are using the talkback mic to slate takes in your DAW, use the meters in your DAW to adjust the TALKBACK LEVEL control.

25. SOURCE Select Switch

Use this switch to select the signal source for the control room outputs. When the switch is up (DAW), the Core Audio/ASIO streams 1 and 2 from the DAW application are routed to the control room outputs. Use this to monitor tracks already recorded and to overdub additional tracks. When the switch is down (INPUTS), channels 1 and 2 from the Onyx Satellite are routed to the control room outputs. This allows you to listen to whatever is connected to the Onyx Satellite without having a computer connected. Maybe you have a CD player or iPod connected to the Onyx Satellite and you want to listen to it through your control room monitor speakers. Voila! This is particularly useful when you have a home studio setup that does double-duty as a home stereo system.

22. TO PHONES Switch

Press this button to route the talkback signal to both PHONES outputs on the pod. This is a momentary switch and is only active as long as you hold the button down. This allows you to talk to the talent without them having to remove their headphones.

23. TO DAW Switch

Press this button to route the talkback signal to channels 1 and 2 being fed to the DAW. This is a mo-

26. A/B Select Switch

This switch determines which pair of control room outputs is currently active. Only one pair of control room outputs provides an output signal at any one time. This allows you to have two sets of monitors connected to the Onyx Satellite so you can make quick A/B comparisons between them to make sure your mix sounds good on both pairs of monitor speakers.

28. Power Switch

This switch turns the power on and off to the Onyx Satellite. When the power switch is on and power is supplied to the Onxy Satellite, either through the FireWire connector or the DC power supply, the POWER LED [4] on the pod lights up.

29. Base Station Dock

The pod plugs into the base station here. Align the TO DOCK [12] connector on the pod with the connector in the base station dock and push firmly to insure a secure connection.
27. 1-2/1-6 Select Switch
When this switch is up (1-2), the CONTROL ROOM LEVEL control [24] adjusts the level at the CR OUTS (1-2) on the rear panel of the base station. When the switch is down (1-6), the CONTROL ROOM LEVEL control adjusts the level at all six outputs. This is useful when mixing in surround sound to provide a master level control for all the surround stems. Note: When the select switch is up (1-2), outputs 3-6 are not adjustable from the Onyx Satellite, but remain fixed. This is useful for: Dialing up some alternate headphone mixes with aux sends from the DAW, and then sending them to the line-level inputs of a headphone amplifier Sending a recorded track to an outboard analog processor, like a compressor or EQ Transferring a mix to an analog recorder for flavor (like an old reel-to-reel recorder!)

Base Station Rear Panel

30. MIC Input
This is a female XLR connector, which accept balanced microphone inputs from almost any type of microphone. The microphone preamps feature our new Onyx design, with higher fidelity and headroom rivaling any standalone mic preamp on the market today. The XLR inputs are wired as follows: Pin 1 = Shield or ground Pin 2 = Positive (+ or hot) Pin 3 = Negative ( or cold)

33. Instrument Input

This is a 1/4" TS connector that accepts an unbalanced instrument-level input signal from a high-impedance instrument like a guitar.

34. INSERT Jacks

These 1/4" TRS jacks provide a send and return point for channels 1-2. Use the INSERT jacks to connect serial effects devices such as compressors, equalizers, de-essers, or filters to each individual channel. The INSERT points are after the GAIN controls, and just before the analog-to-digital converters. The send (tip) is low-impedance, capable of driving any device. The return (ring) is high-impedance and can be driven by almost any device. Tip: Since the inserts are before the A/D converters, its a good place to strap a compressor on an unruly singer to avoid overloading the A/D converter without having to turn down the GAIN control a whole bunch. Special insert cables are available, specially designed for this kind of insert jack. They are wired as follows:

Troubleshooting

No Power If you are using the FireWire connection to power the Onyx Satellite, make sure it is a six-pin connector (the smaller 4-pin connectors do not provide power). If you are using the AC adapter, make sure the power cord is securely seated in the POWER socket [14/38] in the pod or the base station, and plugged all the way into the AC outlet. Make sure the AC outlet is live (check with a tester or lamp). Is the POWER [28] switch on? Make sure the POWER switch on the front panel of the base station is in the ON position (up). Note: If you are using the pod by itself, it does not have a power switch and is powered up whenever the FireWire or the AC adapter connection is made. Is the POWER LED on the pod illuminated? If not, make sure the AC outlet is live (when using the AC adapter) or the FireWire connection is good. Try using another FireWire connection, if available. If there are no LEDs illuminated on the front panel, and you are certain that the AC outlet is live (if using the AC adapter) or the FireWire connection is good, it will be necessary to have your Onyx Satellite serviced. There are no user serviceable parts inside. Refer to Repair at the end of this section to find out how to proceed. Bad Channel Is the input GAIN control [1] for the channel turned up?
In Tracktion, be sure the correct inputs are selected and the tracks are armed. Restart your Onyx Satellite and computer. Reinstall the drivers from the CD (PC only). Glitchy/Distorted Audio into your Computer Increase the buffer size. This can be done in the Onyx Satellite Control Panel or in your DAW application.
4. Pack the Onyx Satellite in its original package, including endcaps and box. This is VERY IMPORTANT. When you call for the Service Request Number, please let Tech Support know if you need new packaging. Mackie is not responsible for any damage that occurs due to non-factory packaging. 5. Include a legible note stating your name, shipping address (no P.O. boxes), daytime phone number, Service Request Number, and a detailed description of the problem, including how we can duplicate it. 6. Write the Service Request Number in BIG PRINT on top of the box. Units sent without the Service Request Number will be refused. 7. Tech Support will tell you where to ship the Onyx Satellite for repair. We suggest insurance for all forms of cartage. 8. You will need to contact the authorized service center for their latest turn-around times. The Onyx Satellite must be packaged in its original packing box, and must have the Service Request Number on the box. Once its repaired, the authorized service center will ship it back, pre-paid (if it was a warranty repair). Note: Under the terms of the warranty, you must ship or drop-off the unit to an authorized service center. The return ground shipment is covered for those units deemed by us to be under warranty. Note: You must have a sales receipt from an Authorized Mackie Dealer to qualify for a warranty repair.

Using the Send Only on an Insert Jack
If you insert a 1/4" TS (mono) plug only partially (to the first click) into a Mackie insert jack, the plug will not activate the jack switch and will not open the insert loop in the circuit (thereby allowing the channel signal to continue on its merry way through the preamp). This allows you to tap out the channels signal at that point in the circuit without interrupting normal operation. Note: Do not overload or short-circuit the signal you are tapping from the preamp. That will affect the internal signal.

Y-Cord Splitter

FireWire Connection
The Onyx Satellite is equipped with a 6-pin FireWire connector and comes with a 6-pin to 6-pin FireWire cable. This works with Macintosh laptops and desktops, and most PC desktops with a built-in FireWire connector or with a PCI or PCMCIA FireWire card added. Many laptop PCs have a 4-pin FireWire connector. If this is the case, you will need to use the 6-pin to 4-pin FireWire adapter included with your Onyx Satellite. Remember, the 4-pin connector does not provide power to the Onyx Satellite, so you will need to use the AC adapter to power the unit.

6-pin Male FireWire

4-pin Male FireWire
6-pin FireWire Wiring: Pin 1 = Power Pin 2 = Ground Pin 3 = TPB Pin 4 = TPB+ Pin 5 = TPA Pin 6 = TPA+
4-pin FireWire Wiring: Pin 1 = TPB Pin 2 = TPB+ Pin 3 = TPA Pin 4 = TPA+
Appendix C: Technical Info
Onyx Satellite Specifications

Frequency Response

Mic Input to Line Output (Gain @ unity): @48 kHz 20 Hz to 20 kHz, 1 dB @96 kHz 20 Hz to 40 kHz, 1 dB
Sample Frequency Selections
44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz

Analog Input Connectors

Pod: Two balanced XLR/TRS combination mic/line inputs Base Station: Two balanced XLR mic inputs Four balanced 1/4" TRS line inputs Two 1/4" TS high-impedance instrument inputs
Distortion (THD & IMD)
Mic Input to Line Output (@ +4 dBu output): THD+N: < 0.02%, 20 Hz to 20 kHz BW, 1 kHz input @ +4 dBu, preamp at unity gain

5.3 in/ 135 mm

4.4 in/ 112 mm

WEIGHT 7.9 lb/ 3.6 kg

10.8 in/274 mm

7.1 in/ 180 mm

CHANNEL 1 CHANNEL 2 METER METER OL OL -10 -10 -20 -20 -40 -40 Mic/Line Instrument

Phantom

Channel 1 Gain
+ Mic: 0 to +60 dB Line: 20 to +40 dB
Onyx Satellite Block Diagram

Left Control Room Out

ADC DIGITAL BRAIN CTRL RM/ PHONES 1 Level
Internal switches. Down when dock is detected.

Phones 1

Mic/Line Instrument

Channel 2 Gain

PHONES 2 Level
Digital Volume Control for Ctrl Rm Out A/B and Outputs 3-6

Phones 2

Line Firewire I/O

Pod Base Station

Ch 2 Insert Firewire I/O

Channel 1 Ch 1 Insert

Output 3

Output 4

Line 1 Talkback TO DAW

Talkback TO PHONES

Output 5
Line 2 Talkback Level HPF Compressor

Output 6

Talkback switches Dim signal to DAW or to Phones when active

Instrument

Control Room Select

Talkback Mic

DAW INPUTS

Left Control Room Out A

Channel 2
1-2 1-6 CONTROL ROOM LEVEL
Left Control Room Out B Right

Line 1

Line 2

Control Logic Signal

Onyx Satellite Limited Warranty
Please keep your sales receipt in a safe place.
A. LOUD Technologies Inc. warrants all materials, workmanship and proper operation of this product for a period of one year from the original date of purchase. If any defects are found in the materials or workmanship or if the product fails to function properly during the applicable warranty period, LOUD Technologies, at its option, will repair or replace the product. This warranty applies only to equipment sold and delivered within the U.S. by LOUD Technologies Inc. or its authorized dealers. B. Failure to register online or return the product registration card will not void the one-year warranty. C. Service and repairs of Mackie products are to be performed only at a factory-authorized facility (see D below). Unauthorized service, repairs, or modification will void this warranty. To obtain repairs under warranty, you must have a copy of your sales receipt from the authorized Mackie dealer where you purchased the product. It is necessary to establish purchase date and determine whether your Mackie product is within the warranty period. D. To obtain factory-authorized service: 1. Call Mackie Technical Support at 800/898-3211, 7 AM to 5 PM Monday through Friday (Pacific Time) to get a Service Request Number. Products returned without a Service Request Number will be refused. 2. Pack the product in its original shipping carton. Also include a note explaining exactly how to duplicate the problem, a copy of the sales receipt with price and date showing, and your return street address (no P.O. boxes or route numbers, please!). If we cannot duplicate the problem or establish the starting date of your Limited Warranty, we may, at our option, charge for service time. 3. Ship the product in its original shipping carton, freight prepaid to the authorized service center. The address of your closest authorized service center will be given to you by Technical Support. IMPORTANT: Make sure that the Service Request Number is plainly written on the shipping carton. E. LOUD Technologies reserves the right to inspect any products that may be the subject of any warranty claims before repair or replacement is carried out. LOUD Technologies may, at our option, require proof of the original date of purchase in the form of a dated copy of the original dealers invoice or sales receipt. Final determination of warranty coverage lies solely with LOUD Technologies. F. Any products returned to one of the LOUD Technologies factory-authorized service centers and deemed eligible for repair or replacement under the terms of this warranty will be repaired or replaced within thirty days of receipt. LOUD Technologies and its authorized service centers may use refurbished parts for repair or replacement of any product. Products returned to LOUD Technologies that do not meet the terms of this Warranty will not be repaired unless payment is received for labor, materials, return freight, and insurance. Products repaired under warranty will be returned freight prepaid by LOUD Technologies to any location within the boundaries of the USA. G. LOUD Technologies warrants all repairs performed for 90 days or for the remainder of the warranty period. This warranty does not extend to damage resulting from improper installation, misuse, neglect or abuse, or to exterior appearance. This warranty is recognized only if the inspection seals and serial number on the unit have not been defaced or removed. H. LOUD Technologies assumes no responsibility for the quality or timeliness of repairs performed by an authorized service center. I. This warranty is extended to the original purchaser and to anyone who may subsequently purchase this product within the applicable warranty period. A copy of the original sales receipt is required to obtain warranty repairs. J. This is your sole warranty. LOUD Technologies does not authorize any third party, including any dealer or sales representative, to assume any liability on behalf of LOUD Technologies or to make any warranty for LOUD Technologies Inc. K. THE WARRANTY GIVEN ON THIS PAGE IS THE SOLE WARRANTY GIVEN BY LOUD TECHNOLOGIES INC. AND IS IN LIEU OF ALL OTHER WARRANTIES, EXPRESS AND IMPLIED, INCLUDING THE WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE. THE WARRANTY GIVEN ON THIS PAGE SHALL BE STRICTLY LIMITED IN DURATION TO ONE YEAR FROM THE DATE OF ORIGINAL PURCHASE FROM AN AUTHORIZED MACKIE DEALER. UPON EXPIRATION OF THE APPLICABLE WARRANTY PERIOD, LOUD TECHNOLOGIES INC. SHALL HAVE NO FURTHER WARRANTY OBLIGATION OF ANY KIND. LOUD TECHNOLOGIES INC. SHALL NOT BE LIABLE FOR ANY INCIDENTAL, SPECIAL, OR CONSEQUENTIAL DAMAGES THAT MAY RESULT FROM ANY DEFECT IN THE MACKIE PRODUCT OR ANY WARRANTY CLAIM. Some states do not allow exclusion or limitation of incidental, special, or consequential damages or a limitation on how long warranties last, so some of the above limitations and exclusions may not apply to you. This warranty provides specific legal rights and you may have other rights which vary from state to state.

16220 Wood-Red Road NE Woodinville, WA 98072 USA United States and Canada: 800.898.3211 Europe, Asia, Central and South America: 425.487.4333 Middle East and Africa: 31.20.654.4000 Fax: 425.487.4337 www.mackie.com E-mail: sales@mackie.com

Onyx Satellite Specifications

Frequency Response

Mic Input to Line Output (Gain @ unity): @48 kHz 20 Hz to 20 kHz, 1 dB @96 kHz 20 Hz to 40 kHz, 1 dB
Sample Frequency Selections
44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz

Analog Input Connectors

Pod: Two balanced XLR/TRS combination mic/line inputs Base Station: Two balanced XLR mic inputs Four balanced 1/4" TRS line inputs Two 1/4" TS high-impedance instrument inputs
Distortion (THD & IMD)
Mic Input to Line Output (@ +4 dBu output): THD+N: < 0.02%, 20 Hz to 20 kHz BW, 1 kHz input @ +4 dBu, preamp at unity gain

Analog Output Connectors

Pod: Two balanced 1/4" TRS line-level outputs Base Station: Eight balanced 1/4" TRS line-level outputs
Dynamic Range (A-weighted, typical)
103 dB (Mic In to Line Out)
Signal-to-Noise (A-weighted, typical): >103 dB (ref. +0 dBu, Mic In to Line Out, Gain @ unity) Equivalent Input Noise (E.I.N.), 20 Hz to 20 kHz Bandwidth, 150 source impedance, typical: 110 dBu @ +60 dB gain

Analog Insert Connectors

Base Station: Two unbalanced 1/4" TRS line-level inputs/outputs
Digital Input/Output Connectors
Pod: One 6-pin FireWire input/output
Common Mode Rejection Ratio (CMRR)
Mic In: >40 dB @ 1 kHz, Gain @ maximum, typical

Crosstalk

Mic Input to Line Output: < 80 dB @ 1 kHz, +10 dBu signal on adjacent input, 150 source impedance
Base Station: One 6-pin FireWire input/output

Power Requirements

Both units can be powered by the 6-pin FireWire connection or by the DC Power Supply included. In the U.S.: 120 VAC/60 Hz In 12V DC Out Outside the U.S.: 100 VAC-240 VAC/50-60 Hz In 12V DC Out

Input Gain Control Range

Mic In: 0 dB to +60 dB, 1 dB Line In: 20 dB to + 40 dB, 1 dB

Phantom Power

+48 VDC (20%)
Physical Dimensions and Weight
Pod Height: Width: Depth: Weight: 2.1 in/53 mm 8.0 in/203 mm 4.1 in/104 mm (including front knobs and rear jacks) 1.8 lb/0.8 kg 4.4 in/112 mm (4.6 in/117 mm with feet) 10.8 in/274 mm 7.1 in/180 mm 6.1 lb/2.8 kg

Rated Output

Line: +4 dBu nominal Maximum Rated Output: +18 dBu @ Balanced Line-Level Outputs

Input Impedance

Mic Input: Inst Input: Line: 2.4 k balanced 1 M 20 k balanced, 10 k unbalanced

Output Impedance

Line: 100 balanced
Base Station Height: Width: Depth: Weight:

Signal Level LEDs

40 dB, 20 dB, 10 dB (normal operating level), OL = 0 dB FS
LOUD Technologies Inc. is always striving to improve our products by incorporating new and improved materials, components, and manufacturing methods. Therefore, we reserve the right to change these specifications at any time without notice. Mackie., Onyx, and the Running Man are registered trademarks of LOUD Technologies Inc. All other brand names mentioned are trademarks or registered trademarks of their respective holders, and are hereby acknowledged. 2006 LOUD Technologies Inc. All Rights Reserved.
Onyx Satellite Dimensions
8.0 in/203 mm 2.1 in/ 53 mm

OL -10 -20

CTRL RM/ PHONES 1

PHONES 2

2.1 in/ 53 mm

WEIGHT 1.8 lb/ 0.8 kg

4.1 in/ 104 mm

3.2 in/ 81 mm

5.3 in/ 135 mm

CR OUT

OUTPUTS

(BAL/UNBAL)

LINE LINE

YX MIC PR E ON

4.4 in/ 112 mm

WEIGHT 7.9 lb/ 3.6 kg

INSERT

(TIP=SEND RING=RETURN)

10.8 in/274 mm

7.1 in/ 180 mm

1-2 1-6

MIC MIC 1 2

TO PHONES

TALKBACK

TO DAW DAW INPUTS

CONTROL ROOM

SOURCE

Phantom

Channel 1

Mic/Line Instrument

CHANNEL 1 CHANNEL 2 METER METER OL OL -10 -10 -20 -20 -40 -40

Mic Gain

+ Mic: 0 to +60 dB Line: 20 to +40 dB
ADC DAC ADC CTRL RM/ PHONES 1 Level DIGITAL BRAIN
Left Control Room Out Right
Internal switches. Down when dock is detected.

Phones 1

Channel 2 Gain

PHONES 2 Level

Digital Volume Control for Ctrl Rm Out A/B and Outputs 3-6

Phones 2

Line Firewire I/O
Onyx Satellite Block Diagram

Pod Base Station

Ch 2 Insert

Channel 1 Ch 1 Insert

Firewire I/O

Output 3

Output 4

Line 1 Talkback TO DAW

Talkback TO PHONES

Output 5

Line 2 Talkback Level HPF Compressor

Output 6

Talkback switches Dim signal to DAW or to Phones when active

Instrument

Control Room Select

Talkback Mic

DAW INPUTS

Left Control Room Out A

Channel 2
1-2 1-6 CONTROL ROOM LEVEL
Left Control Room Out B Right

Line 1

Line 2

Control Logic Signal

CTRL RM L

YX MIC PRE

T59052

DATE CODE

TO DOCK

A B 1-2 1-6

YX MIC PR