READ ME FIRST The camera is shipped with the light shield curtain in the open position. Therefore you cannot remove the body cap unless you close the curtain first. Please read page 10 of the instruction book first. The camera will not function without a battery. Please read pages 8 and 9 next. You will want to practice with the camera without film. This can be done in two ways. Either leave the back cover open or set the Multi Exposure Lever to Multi. The instruction book was written for the black finished camera. Subsequently a silver model was added. The white index marks and dots on the black model appear in black on the silver model.

Introduction

Congratulations on your purchase of the Mamiya 7II and welcome to the world-wide family of happy Mamiya camera owners ! Mamiya pioneered the 6x7cm medium format SLR system camera when it introduced the first Mamiya RB67 in 1970. In 1982 an additional model followed, the Mamiya RZ67 with electronic features. Both cameras soon became the market leaders and the preferred tool of trade for portrait, commercial and magazine photographers all over the world and established the 6x7 rectangular image as the "ideal format". Now we are proud to present the Mamiya 7II, 6 x 7cm rangefinder camera. Reflecting Mamiya's traditional quality workmanship plus modern design, the Mamiya 7II is compact and lightweight. It offers the handling ease of a 35mm camera, while yielding far superior 4.5 times larger images. Featuring interchangeable, rangefinder coupled lenses and AE metering, it also permits taking 24 x 65mm panoramic images on 35mm film, by means of an optional adapter kit. The Mamiya 7II lens program includes a standard 80mm lens, a 50mm and 65mm wide angle lens, an ultra-wide 43mm lens and a 150mm telephoto lens. The Mamiya 7II and its lenses have undergone extensive quality controls at every step of manufacture. Please read this instruction manual thoroughly before you use the camera. A proper understanding of all its features and functions will eliminate potential misuse and ensure a long service life.

Contents

Mamiya 7II, the ultimate 6x7 rangefinder camera..3 Nomenclature Parts..4 Camera Body..4 Lens...6 Viewfinder display..7 Inserting Battery..8 Power ON/OFF and Shutter Release Button.8 Battery Check..9 Mounting/Removing Lenses.10 Closing the light shield curtain.10 Removing camera body cap..10 Mounting lens..11 Removing lens..12 Precaution for mounting/ removing lenses..13 Camera Functional Test.14 Before Loading the Film..15 Setting the film speed..15 Opening/closing the back cover.15 Setting the film type..16 Memo clip..16 Loading the Film..17 Taking Photographs..20 AE (Automatic Exposure) Photography 20 Manual Photography..22 Focusing the Lens..24 Photographic area covered.25 Unloading the film..27 Photographing to conform to purposes...28 AE Lock(AEL) Photography.28 Self-Timer..29 Time Exposures..30 Flash Photography..31 Multiple exposure mechanism.32 Infrared Photography..32 Exposure Compensation..33 Diopter Correction Lenses.34 Depth-of-Field..34 How to Hold the Camera..35 Neck strap.35 Troubleshooting..36 Lenses..37 Accessories..39 System chart..40 Specifications..41 Common Sense Camera Care and Practice...42
Mamiya 7II, the ultimate 6x7 rangefinder camera
The Mamiya 7II is the only camera in the world that has these exclusive features:

Viewfinder display

Bright field of view frame with 80mm F4 standard lens
Long time exposure (under-exposure [Blinks]) Bulb
Double-image superimposing range finder zone
Red warning lamp The red lamp illuminates when the shutter is not cocked the light shield curtain is closed the film is not loaded the lens is not attached the battery power is weakening : The lamp blinks.

Over-exposure indicator

Inserting Battery
The camera will not function without a battery. 1. Remove the battery cover. Remove the battery chamber cover on the bottom of the camera with a coin or screwdriver. 2. Insert the battery. The + terminal is indicated on the inside of the battery chamber cover. Insert the battery as shown in the Illustration, being sure to properly place the battery with the + side up, facing the cover. * Batteries The Mamiya 7II uses one of 4SR44 silver oxide battery, 4LR44 alkaline battery or 2CR1/3 lithium battery. CAUTION : Insert the direction of battery polarities ("+" and "-") correctly.

Power ON/OFF

Power ON To turn the Power ON, align dot A on the power switch lever with the B on the camera body. Power OFF To turn the Power OFF, align dot A on the power switch lever with the dot C on the camera body. Shutter release button The shutter release button is designed so that pressure can be applied in two stages. When it is lightly touched, correct metering data is displayed on the bottom of the view finder. When it is depressed all the way, the shutter is released and an exposure is made. The LED's are located at the bottom of the finder in order not to interfere with the field of view of the wide angle lens.

Battery Check

1. Set the shutter speed dial at 15. Turn shutter speed dial and set the figure 15 at the dot A *When the shutter speed was already set at the position A AEL, the lock mechanism is functioning. Therefore, turn the dial while pressing the AE lock button B located at the center of the shutter speed dial.
2. Half-pressing the shutter button. When the shutter button is touched gently, the figure 15 lights in the red color at the bottom part in the viewfinder, which indicates that the battery power is normal. If the figure 15 blinks, it indicates drop of the battery power below the allowable level, when prepare for the new battery. When the battery power drops further, the figure 15 will not blink, and warning LED blinks. Replace the battery with a new one. Other than set figure 15, blinks and warning LED lights, but check and confirm only set figure 15.

Removing lens

1. Cock the shutter and close the light shield curtain. After cocking the shutter, close the light shield curtain just as same as mounting the lens. 2. Remove the lens. While pressing the lens releasing button A, turn the lens in the arrow direction until the lens alignment dot B lined up with the alignment dot C on the camera body, and pull out the lens. Never touch the light shield curtain. If touched, light leakage or a malfunction may result.
When removing a lens from the camera in which the film is loaded, do not move the light shield releasing lever. If this lever is moved, the film will be exposed to the light. When the light shield curtain is open the lens cannot be removed. Close the curtain to remove the lens. When the lens has been removed and film remains in the camera body avoid exposure to direct sunlight as film fogging may result. Put the front and rear lens cap on the lens when the lens is removed.
Precaution for mounting/removing lenses
1) As the rangefinder coupling roller is precisely adjusted, be sure not to touch with your hand or move it with finger. 2) Gold plated electronic contacts are located inside the bayonet mount and at the rear of each lens. If oil, dirt, or other foreign matter collects on the contacts, poor electronic information transfer may result. When soiled, use a clean cloth to wipe them.
3) Be careful not to damage the rangefinder coupling lever and the shutter cocking lever at the rear of each lens.
4) When mounting the 43mm, 50mm and 65mm wide angle lenses make sure that the rear lens rims do not touch the rangefinder coupling roller.
Position the front face of the lens which has been removed as shown in the left illustration.

Camera Functional Test

Before using the camera, it is advisable to understand how it works.
x Power on/off lever.. Set to ON. (See page 8) y Film advance lever.. Wind the lever to cock the shutter. z Light shield curtain.. Open.(See page 11) { Back cover... Open.(See page 15)
(The shutter can be released without opening the back cover while the Multi-exposure lever is being shifted to MULTI position. Be sure to return the Multi-exposure lever to original position after completion of the test.).. (See page 32) | Release the shutter.. (See page 26) Note: If the shutter is not released, red warning lamp in the viewfinder will light; repeat steps y to { again. Tip: To observe the function of the shutter release and the interaction between the light shield curtain shutter and lenses, you need not load film in the camera. Just leave the back cover open.

Before Loading the Film

Setting the film speed
Set the film speed of the film being used by lifting up the outer rim of the shutter speed dial and rotate it until the correct ISO value appears in the window. *Be sure to set the exact film speed, as otherwise incorrect exposure will result.

Prevention of Light Leaks Due To Loose Film Winding * Use your left thumb to press lightly on the paper leader while advancing winding lever slowly to assure smooth and tight film take-up on the empty spool. Advance the film and align the printed arrow start mark with the small triangle start mark on the camera. Then close the camera back.
For preventing the film loose winding When any other numeral than "S" appears in the exposure counter window, it is an indicted that the film is loaded. So do not open back cover. If the film is not properly aligned with the M indicator, the film may be improperly loaded and cause spacing problems. When a 6EX roll film (5 exposures) is used, the procedure of loading the film is the same as with 120 roll film. Make sure backing paper advances evenly between the spool flanges and does not begin to slant. If it advances unevenly, remove the backing paper from the take-up spool and start over again. Do not pull excessively on the backing paper, and do not load/unload the film in direct sunlight: bright light may fog the film. Before loading the film into the camera, be careful of the film looseness. When photographing with the 135 Panoramic Adapter, see its instructions.

Taking Photographs

AE (Automatic Exposure) Photography
The aperture priority metering device is incorporated into the rangefinder system. The correct shutter speed for the preselected aperture will automatically be determined. 1. Align "A" on the shutter speed dial. Align "A" on the shutter speed dial with the white line index mark on the camera body. 2. Setting the film speed. Set the film speed by lifting up the outer rim of the shutter speed dial and rotate it until the correct ISO value appears in the window.
3. Set the aperture. To set the diaphragm to a desired aperture, rotate the aperture ring A until the appropriate figure is aligned with the central red index line B. * Click stops are provided at each engraved aperture number but the diaphragm can be set also for intermediate stops. * At A or AEL, the dial is locked. The lock can be released by pressing the AE lock release button in the center of dial.
4. Half-pressing the shutter button. When the shutter release button is slightly touched, an LED indicating proper exposure will automatically light in the viewfinder. When it is depressed all the way, the shutter is released and an exposure is made.

When M LED blinks, it indicates overexposure. Rotate the aperture ring to stop down to a smaller f/stop until an LED indicates proper exposure.
Blinking "LT" indicates under-exposure: rotate the aperture ring until the LED stops blinking to increase exposure.
Illuminating "LT" indicates that the shutter is set for a relatively long exposure from between 1 to 4 seconds. When taking pictures at such slow speeds you must be able to hold the camera very steady, or increase aperture to obtain higher shutter speeds, or best of all, use a sturdy tripod. Under AE (automatic exposure) or AEL (AE lock), the LED display in the viewfinder will continue to operate as long as the shutter release button is touched slightly. When you take your finger off the button, the LEDs will go out.

Manual Photography

You may override the AE mode and select the aperture and shutter speed manually. Simply set the shutter speed against the white line index mark and also set the lens aperture to the desired " f " stop. 1. Release A-AEL. For releasing, depress AE lock releasing button A located in the center of the shutter speed dial. 2. Set the shutter speed. Rotate the shutter speed dial and align with index line of the camera body. While rotating the shutter speed dial click-stop functions at each step of engraved number but the intermediate shutter speed cannot be used.
When using built-in exposure meter
1. Half-pressing the shutter button. When the shutter release button is touched gently, the selected shutter speed LED only will be continuously illuminated or another LED may also flash. 2. In the case where one shutter speed is lighting. When the pre-selected shutter speed LED only illuminates, it indicates the shutter speed for correct exposure.
3. In the case where two shutter speeds (one is blinking) are displayed. When the preselected shutter LED illuminates and one other LED blinks the blinking LED indicates the shutter speed for correct exposure. Turn the shutter speed dial and/or aperture ring to align the two LEDs until merged. The single LED indicates correct shutter speed.
When on manual, 10 seconds after activation, the LED indicators will go out, to save battery power. If they do so during metering, press the Shutter Release Button half way again.
Please note: The LED indicators will disappear 10 seconds after you remove your finger from the shutter release button in the following situations: 1) When the film advance lever is not advanced. 2) When the light shield curtain is closed.

Focusing the Lens

When the lens has been focused, the double image superimposing rangefinder produces two superimposed images with in the square of the viewfinder. Focusing method within the double image coincidence zone Position the subject within the central square of the viewfinder. As on the top left the subject will appear as double images. Rotate the focusing ring until the two images converge and are superimposed as on the figure on the left. The lens is now focused.

Focusing method at the edge of double image coincidence zone Look at the object through the rangefinder and rotate the focus ring so as to make two images into one without any imaginal slippage at the edge of the central double image coincidence zone. As this method improves the focusing preciseness, this is especially effective for N150 mm f/4.5 L lens.
Photographic area covered
Within the viewfinder the subject area covered is indicated by the visible bright frame. Parallax is automatically compensated for according to the subject-to-lens distance. The composition will be within in the lines of the bright frame A for 6 x 7 format and B for 135 panoramic format. 83% of the field of view is visible at infinity, and 100% is visible at the minimum focusing distance. The appropriate bright frame area is automatically indexed upon lens interchange. However, for 43 mm, 50 mm lens, an exclusive viewfinder must be used. Also, for composition check purpose, an exclusive viewfinder for 150 mm lens is sold separately.
1. Pressing the shutter button.
Press the shutter release button when you have focused and determined composition. Wind the advance lever until it stops. (Otherwise, a red warning Lamp in the viewfinder will signal that it is impossible to press the shutter release button.)
Remove the front lens cap. Do not advance the film too quickly, as this might adversely affect film flatness, or frame spacing. While the shutter is functioning do not try to cock the film advance lever, because the film will be moved during exposure.
2. After completing the last exposure.
After completing the last exposure, wind the advance lever several times until the film with its backing paper is completely wound onto the take-up spool. The advance lever will become easier to actuate when the film has been completely wound on the spool.

Unloading the film

1. The back cover open. While pressing the back cover lock button, push the back cover open/close button, then the back cover will open. 2. Unloading the film. Push the spool stud releases lever A to the right in order to disengage the spool from the stud. Simply push the upper rim of the spool with your index finger as shown to lift up the other end of the spool.
To prepare for another roll, remove the empty spool from the film chamber, and place it in the take-up chamber. To remove the film before exposing the entire roll, cap the lens and press the shutter release button and wind the film onto the take-up spool frame by frame. For unloading method of Panoramic photographing with 135 mm film, refer to Instruction Manual for 135 Panorama Adapter Kit AD701 (sold separately).
3. Seal the unloaded film. Be careful not to let the roll of exposed film unwind. Be sure to seal it immediately.

Handling of Exposed Film DO NOT remove exposed film from the camera under direct sunlight. Find a shaded area or turn your back to the sun and shade the camera before you open it.
Immediately place exposed film in your camera case or a bag, away from sunlight.
Photographing to conform to purposes
AE Lock (AEL) Photography
The AEL position is very useful when making selective exposure measurements of important subject areas which are not in the center of the finder image when faced with difficult lighting conditions. 1. Align "AEL" on the shutter speed dial. Rotate the shutter speed dial until "AEL" aligns with the white index mark on the camera body.
2. Half-pressing the shutter button. Position the important part of your subject in the central square of the viewfinder -this will establish the correct exposure. Then touch the shutter release button slightly and an LED will light indicating the correct exposure. 3. When changing composition. In above state, the exposure reading will be memorized. After adjusting for composition as desired, release the shutter.
If you cannot get close enough to your subject for another meter reading make substitute measurements by pointing the camera to light and dark areas and calculate a mean exposure value or try taking a reading off your palm.

Self-Timer

The shutter is released about 10 seconds after pressing the self-timer button. The LED on the front of the camera illuminates for about 8 seconds, then blinks for about 2 seconds and then the shutter is released.
1. Fix the camera to a tripod. 2. Press the self-timer button. Cock the wind-up lever and press the self-timer button The self-timer mode cancels itself automatically.
When the shutter is set to "B" (bulb), the self-timer does not operate. To override the self-timer, after having pressed the release, press the self-timer button again. Then the self-timer lamp will go out and then the self-timer mode will be canceled. When using the self-timer the camera must rest on a steady support.
Precaution when Self-timer Photographing When battery check, the self-timer sometimes does not function because of the fact that the amount of the battery to be consumed for shutter release function is different from that of the self - timer functioning. In such a case, replace the battery with a new one.

Time Exposures

When taking an exposure longer than 4 seconds, set shutter to "B" (bulb). At "B" the shutter will remain open as long as the release is pressed down. In order to prevent camera movement it is best to use a cable release and tripod.
Cable Release Attachment The cable release can be screwed in the release socket on the lower left side of the body as pictured.

Precautions for Bulb Photographing When bulb photographing, the battery is consumed. A new alkaline manganese battery is durable for about 3 hours, silver oxide battery and lithium battery for about 7 hours. When the battery is fully consumed, the shutter will be closed automatically.
[Using a tripod] When using the camera with a large tripod head, the head may interfere with the spool stud, preventing film from being loaded. To prevent this, use the optional tripod adapter N. The threaded tripod screw hole is 5.5mm deep and the use of a longer tripod screw might result in damaging the camera. So be careful not to apply unnecessary pressure when mounting the camera.

Flash Photography

The Mamiya 7II features an X synchro flash terminal and its lens shutter system permits flash synchronization at all shutter speeds. Shoe-mounted flash units can be attached directly to the hot-shoe, while flash brackets can be attached to the tripod socket for larger flash guns. Remove safety cover "A" to attach sync cord to PC terminal on front left bottom of camera.
[Determining the aperture] When using automatic flash units, refer to the instructions on the flash unit for correct aperture settings. When using a manual electronic flash the guide number divided by subject distance gives the correct aperture.
'X contact of this camera is an exclusive contact for strobe. Charged electronic flash units sometimes fire when they are attached to the camera. This does not indicate a defective circuit. When using electronic flash, be sure to read its manual carefully. Be careful, if electronic flash is used at the "A" (Auto exposure) mode, overexposure may occur.
CAUTION When an electronic flash is connected to the hot-shoe, currant moves through the X contact. So be sure to put the safety cover supplied with the camera on the X contact so that you will not receive an electric shock. When using strobe, never bring the camera close to human eyes (including all living things) especially little children, because if it is flashed near the eyes, it can cause serious visual trouble.
Multiple exposure mechanism
While pressing the lock release button A, move the lever in the arrow direction to the multiple exposure position. It does not matter if the changeover to multiple exposure is made before or after the first exposure. Once changed, the shutter is released and wind-up lever is cocked, but the film counter does not advance. When taking multiple exposures of subjects with the same brightness, exposure compensation is necessary. When taking multiple exposures of subjects with different brightness, take an exposure of the darker subject first. Then follow with an exposure of the lighter subject.

After finishing multiple exposure photographing, be sure to return the lever to normal position.

Infrared Photography

When using infrared film, it is necessary to make a focusing adjustment in order to achieve accurate focus. This is because the focus position of the image deviates from normal since the infrared ray wavelength is longer. After focusing in the usual manner, check the distance on the distance scale that is aligned with the center reference mark A of the lens. Make the focusing adjustment by turning the focusing ring in the direction of the arrow in the accompanying photograph so that the distance just observed is aligned with the infrared mark.
*When using infrared film, be sure to read the instructions with the film.

Exposure Compensation

The exposure compensator functions in a number of important ways. It can be used to correct exposure values (EVs) or the differences in brightness between a primary subject and its background -especially when over or under-exposures occur. It can also be used when filters are employed or when engaged in available light photography -or under high contrast conditions (i.e. low or high key). To set, press the compensator lock release button A, and select the desired EV: graduations are 1/3 EV.
[When a filter is used] Whether using the AE or manual mode simply compensate for the filter exposure factor as indicated in the table below.
*After using exposure compensation, be sure to reset to "0".
Precautions for Using Polarized Light Filter (PL)
As this camera is the rangefinder type, it is impossible to check polarized light effect in the viewfinder. However, it becomes possible to use the filter by means of following procedures. Be sure to make prior test and check the effect beforehand. 1. Check the polarized light effect position. Before fitting the PL filter to the lens, apply your eye to the filter and remember the position (a letter or mark mentioned on the filter) or put a mask is on the filter front frame. 2. Fit to the lens. Fit the filter so that the mark and the like put on the filter front frame will become to the same position.
As the transmitting amount of light differs according to rotating angle of the PL filter, exposure compensation is necessary. Make test photographing and calculate the compensation value. You may use either a circular type or linear type polarized light filter.
Diopter Correction Lenses
Six types of diopter correcting lenses are available for near/farsighted people. Mount as indicated above. Powers available are: +3, +2, +1, -1, -2, and -3. +: Far-Sighted -: Near-Sighted

Depth-of-Field

The depth-of-field varies according to the aperture. The smaller the aperture (f/8, f/11, f/16.) the greater the depth-of-field; the larger the aperture (f/8, f/5.6,.) the smaller the depth-of-field. To take pictures which are sharp from foreground to infinity or when taking snapshots, the focusing range is extended or depth increased by using a smaller aperture. When the subject is to stand out, with the background out of focus, a larger aperture is appropriate. The depth-of-field scale on the lens indicates depth-of-field in terms of the distance between subjects on both sides of the scale. For example, when a 80mm lens is stopped down to f/22, respectively, all objects located within the ranges shown in the illustrations above will be sharp. * Refer to the instructions attached to individual lenses for specific depth-of-field tables.

How to Hold the Camera

Because most out of focus pictures are the result of camera movement, make sure not to move when pressing the shutter button. Hold the camera with your elbows close to your body: pressing part of the camera on your forehead will help stabilize it. Then gently release the shutter. When making exposures longer than 1/30 sec., it is advisable to use a tripod with a cable release.

Neck strap

Pass the neck strap through the carrying strap lugs, and fasten it as shown. TIP: Be sure to focus the lenses by spanning the lower part of the focusing collar with your fingers, in order not to block the rangefinder window.

Trouble shooting

Uniquely designed to prevent errors. the Mamiya 7II incorporates numerous safety features. If the shutter will not function, it is very likely due to user error rather than camera malfunction. Should there be problems, be sure to review the following points. When the shutter wilt not function.
x Is the battery good? y Is the power on/off lever set to the white dot "ON" position? z Has the film been completely advanced to the next frame?
Have all the exposures already been made (10 with 120, 20 with 220)?
{ Has the film advance lever been moved until it stops? | Is the light shield curtain closed? (In the case of examples z ~ |, the red warning Lamp will flash a warning on the lower left hand

comer of the viewfinder.

When the lens cannot be removed: Is the light shield curtain open? The light shield curtain must be closed, and the film advance lever must be advanced and shutter cocked to remove the lens. When the film cannot be advanced: Isn't the multi-exposure lever shifted to "MULTI" position? Film will not advance if the multi-exposure lever is shifted to "MULTI" position.

Lenses

N43mm f/4.5L
Lens construction : 10 elements in 6 groups Angle of view : 92 Minimum aperture : 22 35mm equivalent : 21mm Minimum focusing distance : 1m Magnification at minimum distance : 0.049 Area covered : 1145 x 1421 mm Filter size : 67mm Hood : Bayonet type Dimensions : 42 (L) x 72 (D)mm : 390g Weight

N50mm f/4.5L

Lens construction : 10 elements in 6 groups Angle of view : 84 Minimum aperture : 22 35mm equivalent : 25mm Minimum focusing distance : 1m Magnification at minimum distance : 0.063 Area covered : 895 x 1111 mm Filter size : 67mm Hood : Bayonet type Dimensions : 55 (L) x 70 (D)mm : 456g Weight

N65mm f/4L

Lens construction : 9 elements in 5 groups Angle of view : 69 Minimum aperture : 22 35mm equivalent : 32mm Minimum focusing distance : 1m Magnification at minimum distance : 0.078 Area covered : 719 x 892mm Filter size : 58mm Hood : Bayonet type Dimensions : 65 (L) x 67 (D)mm : 380g Weight

Lenses N80mm f/4L

Lens construction Angle of view Minimum aperture 35mm equivalent Minimum focusing distance Magnification at minimum distance Area covered Filter size Hood Dimensions Weight : 6 elements in 4 groups : 58 : 22 : 39mm : 1m : 0.097 : 580 x 719mm : 58mm : Bayonet type : 56 (L) x 67 (D)mm : 290g

N150mm f/4.5L

Lens construction Angle of view Minimum aperture 35mm equivalent Minimum focusing distance Magnification at minimum distance Area covered Filter size Hood Dimensions Weight : 6 elements in 5 groups : 34 : 32 : 71mm :1.8m : 0.096 : 581 x 721mm : 67mm : Bayonet type : 96 (L) x 70 (D)mm : 520g

Accessories

Lens hood
For 43mm f/4.5: Bayonet type For 50mm f/4: Bayonet type For 65mm f/4: Bayonet type For 80mm f/4: Bayonet type For 150mm f/4.5: Bayonet type All are supplied with the lenses.

Lens case Type A

The lens case is made of special material which is very soft but tough and fits 43mm, 50mm, 65mm, 80mm and 150mm lenses. Dimension: bottom diameter is 90mm and it is 160mm in length.
External Battery Case PE702
Cold temperatures can affect battery power. Permits camera battery to be worn conveniently inside clothing and connected to battery chamber by wire.
Diopter correcting Lenses
Focusing accuracy diminishes when the eye diopter is incorrect. So, it is advisable that near and far sighted people use diopter correcting lenses. Fit the proper diopter correcting lens to the eyepiece. 6 types are available: +3, +2, +1, -1, -2, and -3.
Viewfinder FV701 for 43mm f/4.5 lens
See lens instructions booklet.

Tripod adapter N

This is used to mount the camera to tripod head. Even when the tripod has a large head, the adapter allows film to be loaded, while the camera is attached to the tripod.
Viewfinder FV703 for 50mm f/4.5 lens
Viewfinder FV702 for 150mm f/4.5 lens
Panoramic Adapter Kit AD701
When using the Panoramic Adapter, a wide panoramic photograph can be taken by using 35mm film. The 135 panoramic Adapter Kit is composed of the following: x 135 Panoramic Mask y Take-up Spool z Cassette Holder { Rewind Crank Unit (Unit Weight: 110g) 135 Panoramic Picture Area and the Number of Exposures. Picture area: 24mm x 65mm Number of exposures: 135 Film 36EXP.Film 24EXP.10 The picture area (24 x 65mm) provided by the Mamiya 7II panoramic format is 3.3 x larger than the 35mm panoramic format (13 x 36mm) Note: A panoramic paper slide mount 24 x 65mm, is also available.

System chart

Specifications
: 6 x 7cm format interchangeable lenses, rangefinder camera, dou ble formats (6 x 7 and 35mm panorama) Film Used : 120 Roll Film (10 exposures), 220 Roll Film (20 exposures), 135 Roll Film (16 exposures with 36 exp. film) Actual Image Size : 56 x 69.5mm with 120/220 film, 24 x 65mm with 135 film, using Panoramic Adapter Kit Film winding : A single 185 stroke Lens Mount : Exclusive Bayonet Mount Lenses Ultra wide angle : 43mm f/4.5 L with Optical Viewfinder Wide angle : 50mm f/4.5 L with Optical Viewfinder, 65mm f/4 L Standard : 80mm f/4 L Telephoto : 150mm f/4.5 L Shutter : #00 electronic leaf shutter, B, 4 -1/500sec. ,electro-magnetic shut ter release, X-contact synchronizing at all shutter speeds with hot shoe and PC Terminal; Electronic Self Timer (10 sec. delayed, automatic turn-off ) Multiple exposure : Possible by means of multi-exposure lever. Exposure Control : Aperture priority AE, SPD receptor in viewfinder metering range: EV3 - EV18 ( with 80mm f/4 lens ISO 100 ), Exposure compensa tion: +2 - -2EV ( in 1/3EV steps ) Film speed range: ISO 25 - 1600 Rangefinder : Lens declination, double image super imposing system: base length 60mm ( effective base length 34.2mm) Viewfinder : Coupled with rangefinder: automatic bright line frame indexing (65, 80 and 150mm): parallax compensation: Magnification ratio: 0.57X: 83%* of the field of view visible at infinity: built - in shutter speed and exposure display, safety interlock warning L.E.D. *This information is based on a linear (horizontal/vertical) mea surement. Internal "Dark Slide" Curtain : To permit changing lenses with loaded camera Safety Mechanism : 1. Double exposure prevention 2. Shutter release is locked when internal dark slide curtain is engaged. 3. Shutter release button lock lever : one 6V (4SR44, 4LR44 or 2CR1/3 lithium) battery Power Supply Dimensions : Camera body: 159(L) x 112(H) x 66(D)mm Body with 80mm lens: 159(L) x 112(H) x 120(D)mm Weight : Camera body: 920g Body with 80mm lens: 1,210g *Specifications and features are subject to change without notice. Type of Camera

Common Sense Camera Care and Practice
The Mamiya 7II is a precision optical/mechanical instrument, built for heavy professional use and a long service life, if properly treated and maintained. Please observe these basic caveats:
Read instructions before using camera. Protect camera against shocks and falls. Use neck strap supplied with it, whenever possible. Check the battery frequently and always carry spares. The sealed battery supplied with the camera may have been subject to storage conditions which have reduced its service life. Be sure to wipe battery contacts before installation and watch correct polarity. Battery life differs, depending on frequency of use, type, age, storage condition, ambient temperature (use External Battery Case in very cold weather), etc. Always remove the battery (and film) when camera is not used for a period of time. Always keep covers on lenses and camera body. Do not store the camera at temperatures exceeding 40C (105F) and -10C (15F). Also avoid humid or sea air environment. Prolonged disuse shortens camera life. Periodically exercise the shutter (at different speeds, lens diaphragms and focusing mounts. Protect camera against rain and moisture. Do not touch lens surfaces. Use blower or lens tissue to remove dust particles.
Specific Suggestions: Operate the film advance lever with easy strokes. If moved too rapidly it may affect spacing. Hold lens focusing mounts on bottom in order not to block range finder window. Always test your equipment before going on important assignments.
The Importance of Proper Maintenance Your camera has mechanisms like film transport, shutter and diaphragm blades, rangefinder couplings, etc. They are controlled by gears, levers, springs, and so on. All require special lubrication from time to time. Ambient conditions can also affect these mechanisms, as well as the electronic components and the optical glass of your lenses. We therefore suggest that you have your camera and lenses checked, and if necessary serviced, periodically.
Batteries Care 1. The sealed, new battery which is supplied with this camera may have been subject to storage conditions which have reduced its service life. Therefore it is desirable to replace it with a fresh battery as soon as possible. 2. Carefully wipe the battery contacts before inserting into the chamber. Failure to do so may result in poor electrical contact and consequent malfunctioning of the camera. 3. Always remove battery when camera is not used for a while. Always carry spare batteries. 4. Battery life differs, depending on type, age, storage condition, ambient temperature, frequency of use etc. 5. Be sure to match the poles of the battery with those shown in the diagram in the chamber. 6 Always keep batteries out of the reach of children and never throw used batteries into a fire or expose to excessive heat. 7. When going on trips be sure to carry spare batteries to ensure that the camera will function. Also, as batteries tend to temporarily malfunction at temperatures below freezing, when photographing in extremely cold climates, carry the External Battery Case. 8. When you carry spare batteries, leave them in the original factory packaging. If they are "unpackaged", be sure to wrap them carefully in order to prevent them touching each other or any metal objects which can cause them to short circuit and become useless.

The original Mamiya 7 set a new standard for medium format photography when it first hit the market in 1995. Soon the Mamiya 7 was firmly established as the interchangeable lens format rangefinder camera with outstanding image findelity. Its compact design made it the smallest, lightest camera in its class, bringing easy portability and 35mm handling convenience to the format. A separately available adapter also made professional-level 35mm panorama photography a reality, and opened up a new world of photographic potential.
The new Mamiya 7 II packs all the features and functions of the original Mamiya 7 into a new design that enhances both operation and portability. Features include an easier-on-the-eyes bright frame viewfinder, multiple-exposure capability, and much, much more. The Mamiya 7 II comes in a choice of body colors: champagne gold or black. A selection of six lenses are available, including a new medium-telephoto 210mm f/8, in addition to the existing popular lineup of 43mm, 50mm and 65mm wide-angle lenses, 80mm standard lens and 150mm telephoto lens. Experience the true joy of photography with the new Mamiya 7 II.
With an actual image area of 56 69.5mm, the format captures stunning nuances of light and shade, color, shape, space, and scale. Its Mamiya world-class lenses are designed and engineered for outstanding resolution, contrast, and color balance, virtually guaranteeing photographs of breathtaking quality. With an image area that
is 4.5 times lager than 35mm film, the film size provides the photographer with a format that can be viewed without magnifier and that is easier to retouch and can be blown up to mural size ; a format that enlarges to standard photographic and industrial paper sizes without cropping and without wasting film.

65mm f /4

150mm f /4.5

80mm f /4

An optionally available adapter converts the actual image area of the Mamiya 7 II to a 35mm film size 24 65mm for full-size panoramas. This panorama feature, which provides an aspect ratio of 1:2.7, used to meet the panorama photography needs of professionals the world over. The multiple exposure lever of the Mamiya 7 II allows exposure of multiple images on a single frame of film. An 80mm lens close-up kit enables magnifications to one-third life size, for reproduction of images as close as 27.5cm (11") from the lens surface. All this helps the Mamiya 7 II put total artistic versatility into the hands of the serious modern photographer.
A wide selection of lenses lets you choose the one best suited to the theme and subject, and create exactly the photographic effect desired. The versatile lineup of six Mamiya 7 II lenses includes a 43mm 92 ultra-wide, 50mm 84 wide-angle, 65mm 69 wide-angle, 80mm 58 standard, 150mm 34 and 210mm 24 medium-telephoto all designed for photo characteristics and quality that set them apart from the rest.

50mm f /4.5

43mm f /4.5

210mm f /8

The split-image rangefinder of the Mamiya 7 II uses a pentaprism for unmatched accuracy. A wide 60mm base distance between rangefinder points enables decisive, precision focusing. *The 210mm lens is not linked to the rangefinder mechanism.
The bright frame viewfinder adjusts automatically to the correct field of view for 65mm, 80mm, and 150mm lenses. The tint provides clear contrast for easy rangefinder imaging. The 43mm 92 ultra-wide lens, 50mm 84 lens and 210mm 24 lens come with auxiliary viewfinders. An optional viewfinder is available for the 210mm lens.

Viewfinder Display for 80mm Lens. Bright field of view frame with panoramic markings. Bright RF area in center. Bottom shows red warning light on left, shutter speeds in center and over-exposure signal on right.
The rangefinder is designed to provide a clear image, even under dim lighting and when photographing low-contrast subjects. LEDs at the bottom of the viewfinder provide information on shutter speed during apeture-priority AE shutter operation, as well as warnings about under exposure, and over exposure, low battery power, and operation errors.
For illustrative purposes only, this diagram shows the frame lines of the various lenses in color: 65mm-green. 80mm-orange. 150mm-blue. The viewfinder shows only one automatically indexed frame line at a time, in white.
The camera uses a precision silicon photodiode (SPD)aperture-priority exposure system for highly accurate center-weighted metering. The diagram shows the metering pattern for an 80mm f/4 lens. Changing to a wider-angle lens automatically shifts the system to spot metering, while a telephoto lens initiates an averaging system that also takes surrounding light into consideration. In the AE Mode, priority goes to the most accurate exposure for the lens in uses. The result is highly accurate AE Mode settings under virtually any type of conditions imaginable, from standard lighting to conditions where there is a wide range of illumination. Of course, AE lock is also provided to give the photographer the versatility needed when faced with backlit subjects and other conditions where there is strong contrast between subjedt and background lighting. Mamiya's original electronic lens shutter ensures accurate speed control with minimal lag time. Electronic flash is synchronized with the shutter at all speeds for simple daylight fill-flash even at a shutter speed of 1/500.
Exposure compensation lets you adjust for special photographic effects, backlighting, weather, snow, and other factors that make proper exposure difficult. Exposure can be adjusted in 1/3EV clickstop settings within a range +2EV to -2EV, to provide exactly the feeling desired. A switching lever with built-in lock lets you change settings with one finger.

A soft-touch electromagnetic shutter release virtually eliminates operation noise. Portrait subjects are not distracted by camera operation, which contributes to more normal expressions.
When using manual exposure, LEDs in the viewfinder show current shutter speed, along with a flashing indication of the optimum shutter speed calculated by the camera. You then have the option of adjusting shutter speed or exposure settings accordingly.
The Mamiya 7 II is the perfect format camera for the professional on the go, eliminating the heavy mirror box of SLR cameras, so it can go along anywhere, any time you need it.
Dials, levers, buttons and other controls are located to optimize shutter release operation with the right hand and lens operation with the left. The lens release button, electronic self-timer and synchro socket are deliberately located to prevent accidental activation, which contributes to safe operation and overall portability. The palm grip is designed to fit comfortably in the hand during both shooting and transport. The surfaces of all parts of the camera that are subject to frequent handling are covered with non-slip rubber. The basic material used in the camera body is lightweight, high-strength silumin-aliminum alloy. Micron-tolerance high-precision metal molding creates a body that can deliver outstanding reliability under the toughest conditions imaginable.
A single lever action winds the 75mm of film required by each frame. Quick and easy winding helps when taking consecutive shots.
The strap can be connected to keep the camera in a horizontal orientation where it is always ready to shoot, or a vertical orientation for easy carrying.
The distinctive Mamiya 7 II logo is embossed in the left-hand grip, giving added protection against slips and a distinctive look.
A built-in dark slide curtain be interposed between the lens and film when changing lenses to keep light from accidentally exposing film in the camera when the lens is removed. A safety interlock prevents removal of lenses unless dark slide curtain is employed. The curtain can be opened and closed using controls on the bottom of the camera.
Any of the following conditions activates the camera's safety mechanism, locking the shutter. A LED in the viewfinder alerts you to the problem and indicates what you need to do to correct the situation. An easy-grip knob allows easy activation, even while wearing gloves. Once a lens is attached, the dark slide can be removed simply by sliding the release.
Multiple-exposure lets you overlay two, three, four, or even more images on a single film frame. The multiple-exposure lever of the Mamiya 7 II makes this highly creative photographic technique simple and easy.
Lens not attached Film not loaded Film not fully advanced Dark slide in place Low battery power

(flashing LED)

Shutter lock
LED indicator flashes in finder

Photo by LARS THULIN

A significant advantage of rangefinder camera design for the optical engineer is the elimination of the mirror box and the resulting shorter flange focal distance which permits placing the rear lens element close to the film plane. Various other restraints on lens design are also removed, providing far more versatility in coming up with a lens composition that approaches ideal optical theory. For just one example, lens groups can be positioned in near perfect opposition, doing away with almost all problems of spherical or chromatic aberration. The six interchangeable lenses provided for the Mamiya 7 not only enjoy the benefits of superior design, they also yield the highest quality of pictorial impact thanks to cutting-edge optical technologies, manufacturing technologies of unmatched precision and the world's most rigorous, exacting quality tests. The ultra-wide 43mm lens is the first of its kind for medium-format rangefinder photography. It offers superb contrast and is unrivaled in its near total freedom from optical distortion. Mamiya optical systems enjoy an enviable reputation among professional and serious amateur photographers the world over. Their secret is comprehensive design and production of the entire optical system, from the camera-lens mount to the individual elements, from glass selection to polishing, from multi-coating to final assembly. At every stage of production, Mamiya follows a single principle: The lens is the life force of the image.
Lens Lens Design Angle of view Minimum aperture 35mm equivalent Minimum focusing distance
43mm f/4.groups/10elements 21mm 1m(3.25ft.)
50mm f/4.5 6/22 24mm 1m(3.25ft.) 0.063X 895 1111mm (35.2 43.7") 67mm bayonet 55 70mm[88mm] (3.16 2.83", 3.46") 456g(16.2 oz.)
65mm f/4 5/22 32mm 1m(3.25ft.) 0.078X 719 892mm (28.3 35.1") 58mm bayonet 65 67mm[86mm] (2.56 2.64", 3.38") 380g(13.4oz.)
80mm f/4 4/22 39mm 1m(3.25ft.) 0.097X 580 719mm (22.8 28.4") 58mm bayonet 56 67mm[66mm] (2.20 2.64", 2.60") 290g(10.2oz.)
150mm f/4.5 5/32 71mm 1,8m(5.9ft.) 0.096X 581 721mm (22.9 28.4") 67mm bayonet 96 70mm[106mm] (3.78 2.75", 4.17") 520g(18.3oz.)
210mm f/8 5/32 100mm 7m(22.89ft.) 0.032X 170 2172mm (68.6 84.7") 58mm bayonet 125 70mm[135mm] (4.88 2.73", 5.27") 480g(16.9oz.)

Magnification ratio at minimum distance 0.049X Area covered 1145 1421mm at minimum distance (45 55.9") Filter diameter 67mm Lens hood (supplied with lens) Dimensions (length diameter) Weight bayonet 42 72mm[81mm] (1.65 2.83", 3.46") 390g(13.8oz.)
1. Weight of 390g (13.8oz.) and filter diameter of 67mm. 2. A 92 ultra-wide angle of view and the perspective of a 35mm format 21mm lens. 3. A true ultra-wide-angle design produces a maximum of 0.04 corners. 4. Chromatic aberration is reduced to unnoticeable levels. 5. Though maximum fidelity is achieved at f/8 and f/11 apertures, the entire range of aperture settings provides high contrast and outstanding reproduction. 6. Even at close-focusing distances, this lens outperforms the trofocus type SLR system for natural image with minimal distortion and critical sharpness. 7. It's the one lens you need to give full rein to your creativity both indoors and out. 8. Lens comes with external Viewfinder for framing and composition of the ultra-wide image.The built-in Spirit Level and Diopter correction make composition a snap.
1. Weight of 456g (16.2oz.) and filter diameter of 67mm. 2. An 84 angle of view is equivalent to the easy-to-use 24mm lens of the 35mm format. 3. The same type lens design as the 43mm lens provides high performance in a compact configuration. 4. Chromatic aberration is eliminated; stable, high contrast and resolution are reality even at fully open apertures. 5. A frontbadk asymmetrical design produces natural, critically sharp images for spectacular reproduction. 6. Even at close-focusing distances, this lens outperforms the retrofocus type SLR system for images with minimal distortion and critical sharpness for natural, crisp images. 7. Lens comes with external Viewfinder for framing and composition of the extra-wide image. The built-in Spirit Level and Diopter correction make composition a snap.
1. Weight of 380g (13.4oz.) and Filter diameter of 58mm. 2. Very compact, with outsyanding portability, it's a general purpose wide-angle lens with a 69 angle of view and equivalent to the 32mm lens of the 35mm format. 3. The wide-angle design has a maximum of 0.08% distortion at corners. 4. Though maximum fidelity is achieved at f/8 and f/11 apertures, the entire range of apertures provide high contrast and outstanding reproduction. 5. There is no distortion even at close-focusing distances, and the lens is effective for critical sharpness and natural, crisp images. 6. This lens is suitable for indoor and outdoor work, and even for photographing subjects in darker situations.

1. Compact design weighs only 290g (10.2oz) and filter diameter of 58mm. 2. Shatters the standard conventions for format camera optics. 3. Provides consistent contrast and sharpnes over entire aperture range. 4. Maintains crisp tonality while rendering high-resolution detail. 5.Virtually all aberration is eliminated, making this an outstanding lens for virtually any photographic job imaginable.
1. Weight of 520g (18.3oz.) and fitler diameter of 67mm. 2. Ultra-low dispersion glass is used to eliminate aberrations usually associated with telephoto lenses. 3. High contrast and criticaly sharp images are assured for virtually any type of subject. 4. An optional viewfinder FV704 (can be used with the 210mm lens) provides an image area larger than that produced by the viewfinder bright lines. Parallax can be corrected by setting the focusing distance gauge. FV704 includes built-in viewing angle adjustment.
1. Weight of 480g (16.9oz.) and filter diameter of 58mm. 2. Lens elements of low-dispersion glass assure maximum correction of chromatic aberration for exceptional image fidelity. 3. This telephoto lens is a compact companion to the 150mm, designed for aerial or landscape photography and other applications. 4. The extended reach, coupled with its compact, lightweight design, provides particular versatility and superior performance.

43mm f/4.5

80mm f/4

50mm f/4.5

150mm f/4.5

65mm f/4

The lever can be moved to the desired setting while holding down the button in its center. Releasing the button locks the lever in its current position.
Hold down the lock button and set the multipleexposure lever to the mark either before or after shooting an image. Now when you operate the film advance lever, the camera is prepared for another exposure without advancing the film. To cancel multiple-exposure, hold down the release button and return the muliple-exposure lever to its original position.
The dial locks automatically whenever it is set to the AE or AE-L positions, to guard against accidental movement. Hold down the release button to rotate the dial and change to the Manual Mode.

Type: Image Size:

Films:

Lenses:

format rangefinder with interchangeable lenses 6 7cm, medium format (dimensions of actual image 56 69.5mm) 35mm panorama (dimensions of actual image 24 65mm) 120(10 exposures) 220(20 exposures) 135(16 with 36-exposure film, 10 with 24-exposure film) (when using 135 Panorama Kit) Ultra-Wide-Angle 43mm f/4.5 with Special Viewfinder, featuring Spirit Level and Diopter Adjustment Wide-Angle 50mm f/4.5 with Special Viewfinder, featuring Spirit Level and Diopter Adjustment Wide-Angle 65mm f/4 Standard 80mm f/4 Telephoto 150mm f/4.5 Medium Telephoto 210mm f/8 with Special Viewfinder, featuring Parallax correction and Diopter Adjustment

Focus: Rangefinder: Film Advance: Shutter:

Exposure Control:

Helicoid-type Split-image, 60mm baseline Single-action lever, 185 stroke #00 Lens shutter (electronic control) B, 4sec. 1/500sec., electromagnetic release, X synchronization at all speeds hot shoe and synch-socket, 10sec, electronic self-timer(automatic reset) Aperture-priority AE SPD sensor incorporated in finder Metering range EV3(f/4,2sec.) EV18 (f/22, 1/500sec.)with 80mm f/4 at ISO 100 Film settings ISO Exposure correction 2EV(1/3EV steps)
Pressing the shutter release button while holding down the self-timer button provides delay of 10 seconds before the shutter is released. A red LED on the front of the camera remains lit for the first eight seconds and flashes for the final two seconds of the timer operation. You can interrupt a self-timer operation at any time before the shutter is released. Self-timer operation is cancelled automatically after each shot; to help ensure it is not left on accidentally.
Electronic circuits diagram

View Finder:

Safety Interlocks:
Battery: Dimensions: Weight: Body Color:
Coupled rangefinder for all lenses with auto indexed bright-line frames (65mm, 80mm, 150mm), Auto parallax compensation, magnification 0.57x, 83% image coverage* at infinity, LED readout shutter speed indicator. Seperate ultra-wide optical finder supplied with 43mm lens. Built-in Dark Slide Curtain enables instant lens changes. 1. Double Exposure Prevention. 2. Shutter Release is blocked when built-in dark slide curtain is closed. One 6V (4SR44, 4LR44 or 2CR1/3 Lithium) Battery Body 66mm (6.3 4.4 2.6") w/80mm 120mm (6.3 4.4 4.7") Body 920g (32.4oz.) w/80mm 1.210g (42.7oz.) Champagne Gold, Black
Exposure SPD Compensation Film speed

Aperture signal

Brightness measuring IC
Temperature compensation circuit Voltage stabilizing circuit Shutter second counting dial Light shield curtain switch Back cover switch Winding stop switch Exposure meter measuring switch shutter release switch Battery capacity check circuit
Release magnet Shutter magnet Trigger switch

Power supply

Self-timer LED Warning LED Winding stop magnet Self-timer switch Shutter speed Display LED

Power supply switch

* This information is based on a linear (horizontal/vertical) measurement. Specifications and features are subject to change without notice.

A foldable Close-up Adapter Kit is available for the 80mm f/4 lens. It has a magnification ration of 1:0.32 at a fixed distance of 27.5cm (11").
This adapter kit includes a panorama film mask, cassette holder, film take-up spool, and rewind crank set. The kit is designed for easy installation and removal. Film loading, shooting, and rewinding procedures are all similar to the operation of a 35mm SLR camera. The film pressure plate on the back cover of the body can be rotated to a 35mm film position that keeps the film flat.

AW701 AW702

The perfect choice for the Mamiya Carbon Tripod or Carbon Monopod. Made of lightweight yet highly rigid magnesium alloy. The 2-handle, 3-way pan head features a large grip. The Ball head has a separate screw for mounting the camera to ensure secure locking. Both items are designed for minimum weight and maximum performance.
A one-touch auto lock provides quick attachment, with a double-lock release lever to prevent accidental release. Lens, flim, and batteries can be replaced without detaching the camera from the shoe.

AY701/AY702 AX701

Multi-layer carbon construction provides outstanding strength and lightness. Innovative Quick-set, non-slip stoppers keep legs securely in position.
The PL Filter ZE702, especially designed for adjustment and verification of light polarization effects, makes AEL (Automatic exposure) or Manual modes much easier and free of exposure compensation. The filter shifts vertically from the shooting position in front of the lens without changing its polarization rotation to cover the small square window which contains the metering cell above the lens mount. The polarization effect is observed by looking directly through the filter over the thop of the camera (not through the camera's rangefinder eyepiece). After determining the polarization effect and metering, the filter is returned to the down position in front of the lens. The filter fits all lenses with 67mm front diamter and is also supplied with a reducing adapter for lenses with 58mm front diameter.

Lens Hood

Lenses

Close-up Kit NK701

Viewfinder FV701

PL Filterr ZE702

Eyepiece Diopter Lenses N

Viewfinder FV703

diopter
Paper Slide Mount 24 x 65

Cassette Magazine

135 Panoramic Adapter Kit AD701
Panoramic Mask Take-up Spool

Rewind Crank Unit

150mm f/4.5 Tripod Adapter N

Quick-Shoe AQ702

External Battey Case PE702
210mm f/8 Viewfinder FV704 for N 210mm f/8L

Mamiya Carbon Tripod

Neck strap
Mamiya Magnesium Pan head AW701
Mamiya Wide Strap Type A (Green)
Mamiya Magnesium Ball head AW702

Carbon Monopod AX701

Soft Lens Case Type A
Mamiya Tripod Case Mamiya Aluminum Trunk Carbon Poripods AY701 1,445mm 599mm 3 steps 27mm 1,580g AY702 1,486mm AY703 1,944mm Carbon Monopod AX701 1,500mm 500mm 4 steps 27mm 370g Specifications Type Camera plate Base plate Diameter of ball Height Weight Magnesium Pan Head AWhandle 3 way 86 55mm 51mm 110mm 620g Magnesium Ball Head AW702 Ball and socket head 63 35mm 44mm 30mm 81mm 160g Outside: W D Inside: W D KM371 KM371 KM350 H mm Weight kg H mm 160 3.183 4.183 5.7 115

Specifications

Length extended

(25 degree leg spread)

Model No.
Length folded Sections Segment diameter (Top leg) Leg spread angles Weight Platform screws
490mm 660mm 4 steps 4 steps 27mm 31mm 80 * 1,490g 2,120g 1/4-inch and 3/8-inch
*Optional Short Center Pole is required for 80 leg spread Specifications and features subject to change without notice.
MAMIYA AMERICA CORPORATION 8 Westchester Plaza, Elmsford, NY 10523 914-347-3300
For fast information FAX your request to 914-347-3309 E-mail:info @mamiya.com Web site:www.mamiya.com
Specification and features are subject to change without notice.