Marantz SR5200
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Marantz SR5200
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PRE OUT
OUT DIGITAL IN/OUT TAPE MONITOR
OUT FRONT MONI TOR
ANTENNA
SURR. OUT DIG-4 IN SURR. CENTER DIG-3 IN SUB WOOFER SUB WOOFER DIG.OUT COAX DSS/ VCR2 DIG-2 IN
TAPE OUT
VCR1 OUT
CDR /MD CDR /MD DSS/ VCR2 OUT DSS/ VCR2 OUT SURROUND
SR5200
CENTER AM
CENTER
SURR. CENTER
DSS/ VCR2
DSS/ VCR2 SWITCHED 100W MAX
FM (75)
SURR. IN DIG-1 IN OUT
FRONT 7CH INPUT
DIG.OUT OPT
SURR.CENTER
REMOTE CONTROL
S-VIDEO
SPEAKER SYSTEMS
AC OUTLET (230V 50Hz)
VCR1 DSS/VCR2 DVD CD TAPE CDR/MD
Attenuate
FM stereo Tuned Surround mode
Encoded channel status
Auto tuning mode RDS mode
AMP MAIN VOL.
TV VOL.
v b n m ,
Night mode
PRO LOGIC VIRTUAL DTS SOUND
STEREO TUNED DIRECT
DTS DIGITAL AUTO DIGITAL ANALOG
AUTO PTY RT SL SC SR MEMORY PRESET SW LFE
ATT DISPLAY OFF
SETUP/ T.TONE S-DIRECT AUTO
MENU OFF DTS
MUTE SLEEP
NIGHT CS5.1
DIMMER 6-STEREO
7CH-DIR
CLEAR MEMO
P.SCAN
CHANNEL/SKIP
Preset channel Display off Input indicator Memory Direct mode Sleep timer Mute
TREBLE
TUNE/SEARCH
DISP./RDS
F.DIRECT
+/A /ANT
/B /VCR
DISC/DECK
!2 e y
!3 u i
!6 !7 !0 r !1
SYSTEM REMOTE CONTROLLER RC5200SR
AV SURROUND RECEIVER SR5200
SURROUND
VOLUME
NIGHT ATT DISPLAY OFF
VIDEO SET THX DOLBY PRO LOGIC TAPE 2 MON STEREO DTS DIGITAL VIRTUAL DTS SOUND TUNED RF AUTO LOCK CIRCLE SURROUND EX MPEG DIRECT DIGITAL ANALOG MLP PCM
RDS EON TP CT
AUTO PTY TA RT SL SC SR MEMORY PRESET SW LFE A B MUTE SLEEP
DOWN UP
MEMORY
TUNING/PRESET
7CH INPUT
S-DIRECT
DIMMER
STANDBY AUX INPUT POWER ON/OFF PHONES TV DVD VCR1 DSS/VCR2 AUX CDR/MD TAPE CD TUNER S-VIDEO VIDEO L AUDIO R
VIDEO SYSTEM CONNECTIONS FOR VIDEO COMPONENTS (FRONT AUX CONNECTIONS)
AUX INPUT
S-VIDEO VIDEO L AUDIO R
DVD PLAYER S-VIDEO IN L R VCR L R
VIDEO IN
AUDIO OUT
AUDIO VIDEO S-VIDEO IN OUT IN OUT IN
DIGITAL AUDIO VIDEO S-VIDEO OUT OUT OUT OUT MONITOR TV VIDEO AUDIO OUT OUT L R
VIDEO CAMERA
DIGITAL IN/OUT FRONT TAPE MONITOR MONI TOR FRONT
To household power outlet
SURR. OUT DIG-4 IN
CENTER DIG-3 IN
CDR /MD
DSS/ VCR2 OUT DSS/ VCR2 OUT
SUB WOOFER VCR1 VCR1 DIG.OUT COAX VCR1 VCR1
SUB WOOFER
CENTER SURR. CENTER DIG-2 IN SWITCHED 100W MAX TV TV IN DIG-1 IN OUT TV
DSS/ VCR2 DSS/ VCR2
FM (75) SURR.
FRONT DVD
IN IN IN
R REMOTE CONTROL VIDEO AUDIO S-VIDEO SPEAKER SYSTEMS
AUDIO OUT L R
AUDIO VIDEO S-VIDEO IN OUT IN OUT IN L R SATELLITE TUNER or VCR2
DIGITAL OUT
AUDIO VIDEO S-VIDEO OUT OUT OUT
AUDIO SYSTEM CONNECTIONS FOR AUDIO COMPONENTS
CD RECORDER SPEAKER SYSTEM
SURROUND SPEAKER
NORMAL INPUT INVERT OUTPUT
CD PLAYER
MD PLAYER
OUTPUT DIGITAL OUTPUT L R
SUB WOOFER (R)
CENTER SPEAKER
DIGITAL INPUT L
OUT IN
(R) (L)
DIGITAL INPUT
DIGITAL OUTPUT
SUBWOOFER AMPLIFIER (MA6100)
AM LOOP ANTENNA
AM EXTERNAL ANTENNA
CENTER SURR. CENTER DIG-2 IN SWITCHED 100W MAX TV TV TV IN DIG-1 IN OUT
R REMOTE CONTROL AUDIO VIDEO S-VIDEO SPEAKER SYSTEMS
FM FEEDER ANTENNA
FM EXTERNAL ANTENNA
Assemble the AM loop antenna as shown in the figure before use
FM antenna converter plug (attached) When using the FM antenna attach to this apparatus
OUT IN L R L R
To a component with REMOTE (Marantz RC-5 D-BUS) jacks Refer to "CONNECTION FOR A SUBWOOFER" (Page 6)
TAPE DECK
FOREWORD...... 2
PRECAUTIONS....... 2
INTRODUCTION..... 3 DESCRIPTION...... 3 FEATURES...... 3 FRONT PANEL FEATURES..... 4 REAR PANEL CONNECTIONS..... 5 REMOTE CONTROL OPERATION.... 7
OPERATION....... 7 FUNCTION AND OPERATION...... 7 PROGRAMMING THE REMOTE CONTROLLER..... 8 OPERATION OF REMOTE CONTROL UNIT..... 9
SET-UP..... 10
ON SCREEN DISPLAY MENU SYSTEM...... 10 OSD MAIN MENU...... 11 SYSTEM SETUP...... 11 SPEAKERS SETUP...... 12 SURROUND MODE...... 13 CHANNEL LEVEL CONTROL...... 13
BASIC OPERATION..... 14
LISTENING TO THE TUNER...... 14 RDS OPERATION...... 15 PLAYBACK OPERATION...... 16 TV AUTO ON/OFF FUNCTION...... 16 SETTING THE SLEEP TIMER..... 16
ON SCREEN DISPLAY INFOMATION.... 17 SURROUND MODES..... 19 TROUBLE SHOOTING..... 21
TABLE OF CONTENTS
FOREWORD
This section must be read before any connection is made to the mains supply. WARNINGS Do not expose the equipment to rain or moisture. Do not remove the cover from the equipment. Do not push anything inside the equipment through the ventilation holes. Do not handle the mains lead with wet hands.
PRECAUTIONS
The following precautions should be taken when operating the equipment.
GENERAL PRECAUTIONS
When siting the equipment ensure that: the ventilation holes are not covered; air is allowed to circulate freely around the equipment it is on a vibration free-surface; it will not be exposed to interference from an external source; it will not be exposed to excessive heat, cold, moisture or dust; it will not be exposed to direct sunlight; it will not be exposed to electrostatic discharges Never place heavy objects on the equipment. If a foreign body or water does enter the equipment, contact your nearest dealer or service centre. Do not pull out the plug by pulling on the mains lead, hold the plug. It is advisable when leaving the house, or during a thunderstorm, to disconnect the equipment from the mains supply.
EQUIPMENT MAINS WORKING SETTING
Your Marantz product has been prepared to comply with the household power and safety requirements that exist in your area. SR5200 can be powered by 230 V AC only.
IMPORTANT: (FOR UK VERSION)
This apparatus is fitted with an approved moulded 13 Amp plug. To change a fuse in this type of plug proceed as follows: 1. Remove fuse cover and fuse. 2. Fix new fuse which should be a BS1362 13A, A.S.T.A. or BSI approved type. 3. Refit the fuse cover. If the fitted plug is not suitable for your socket outlets, it should be cut off and an appropriate plug fitted in its place. If the mains plug contains a fuse, this should have a value of 13A. If a plug without a fuse is used, the fuse at the distribution board should not be greater than 5A. Note: The severed plug must be destroyed to avoid a possible shock hazard should it be inserted into a 13A socket elsewhere.
r VOLUME control knob
Adjusts the over all sound level. Turning the control clockwise increases the sound level.
!5 FREQUENCY / PRESET button
During reception of AM (MW/LW) or FM, you can change the function of the UP/DOWN buttons for scanning frequencies or selecting preset stations by pressing this button.
t FUNCTION SELECTOR buttons (AUDIO/ VIDEO)
These buttons are used to select the sources. The video function selector, such as TV, DVD , VCR1, DSS/VCR2, and AUX, selects video and audio simultaneously. Audio function sources such as CD, TAPE , CDR/MD ,and TUNER may be selected in conjunction with a Video source. This feature (Sound Injection) combines a sound from one source with a picture from another. Choose the video source first, and then choose a different audio source to activate this function.
!6 FM MODE button
Press this button to select the auto stereo mode or mono mode when the FM band is selected. The AUTO indicator lights in the auto stereo mode.
!7 INFRARED SENSOR window
This window receives infrared signals from the remote control unit.
y 7CH INPUT button
Press this button to select the output of an external multi channel decoder.
!8 AUX input jacks
These auxiliary video/audio input jacks accept the connection of a camcorder, portable VCR, etc.
u A/D (Analog/Digital) SELECTOR button
This is used to select between the analog and digital inputs. Note: This button is not used for an input source that is not connected to a digital input.
Optical and Coaxial Connect digital input of your digital recording equipment.
All connections to the rear panel should be made with the entire system powered off. To avoid errors, it is advisable to connect one cable at a time between the various components.
1 DIGITAL inputs
Dig.1,2 (Optical) and Dig. 3, 4 (Coaxial) Connect each input to the digital output of your source equipment. Use the system setup menu to assign digital input to appropriate source. (see page. 11) Note : The coaxial connections are not for AC-3 RF from the LD player, If you want to decode this type of signal, an external demodulator must be used.
Numeric buttons These buttons are used to enter figures in the selection of a tuner preset station and station name preset or to set select a CD track number, etc. The functions of these buttons are dependent on the function button selected. Surround mode buttons (when AMP mode is selected) These buttons are used to select the surround mode. Note: The CS5.1 button is unavailable for SR5200.
0 P.SCAN (preset scan) button (when TUNER
mode is selected) This button is used to start preset scan when SR5200 is selected TUNER mode.
FUNCTION AND OPERATION z Transmitting indicator
Lights up during a button is pressed and an infrared signal is sending.
/ A/D button
0 button This button is used to enter the number 0 A/D button (when AMP mode is selected) This is used to switch between the analog and digital inputs.
x Main POWER buttons
Press to switch the power of the SR5200 ON or OFF after pressing the AMP button c.
2 CONTROL buttons
These buttons are used when operating the CD player, TAPE deck, etc. The function of these buttons are dependent on the function button selected. For the controllable functions of each input function, please refer to following table.
CHANNEL/SKIP CHANNEL/SKIP TUNE/SERCH TUNE/SERCH
c Input selector buttons/ FUNCTION SELECTOR buttons (AUDIO/VIDEO INPUT)
Press one of these buttons once or twice to select a particular source component. For example, to set the receiver to the DVD input, press the DVD button twice within 2 seconds. Note: CDR/MD button is set CDR function at initial. To switch MD function, press and hold down CDR/MD button and press 2 button. To return CDR function, press and hold down CDR/MD button and press 1 button.
VCR PREV NEXT REWIND FF REC
DVD PREV NEXT REWIND FF
DSS TUNER CH CH+ CH CH+
CH CH+
PREV PREV NEXT NEXT
PREV PREV NEXT NEXT REWIND REWIND FF REC FF REC
TUNING REWIND REWIND TUNING+ FF FF REC MODE DIRECTION
v MAIN VOLUME UP ( ) /DOWN ( ) buttons
Main volume control of the SR5200. The front, surround, center and subwoofer channel volumes controlled by these buttons simultaneously.
MODE DISP./RDS F.DIRECT +/A/ANT /B/VCR PTY
CH CH RDS DISPLAY PAUSE PAUSE DISPLAY DISPLAY PAUSE PAUSE PAUSE PAUSE FRQ. PLAY PLAY PLAY PLAY PLAY PLAY DIRECT VIDEO TV/VCR VIDEO TV/VCR STOP DISC + DISC + STOP DSS/VCR DSS/VCR RDS PTY DISC + DISC STOP DECK A DECK B STOP STOP STOP
b MUTE button
Muting button of the SR5200. Press this button decrease the sound temporarily. Press this button again to return to the previous sound.
ON SCREEN DISPLAY INFOMATION
2. FUCTION SELECT & SURROUND MODE
When a function selector button or surround mode button is pressed VIDEO: Displays the current video source. When TV,DSS, DVD, VCR1 or AUX is selected with the function selector, both AUDIO and VIDEO shows the same name. AUDIO: Displays the current analog audio input source. DIGITAL: Displays the current digital input source. SURR-MODE: Displays the current Surround mode as follows; VIRTUAL STEREO 6CH STEREO MATRIX AUTO
5.SLEEP TIMER
When the SLEEP button o / 3 is pressed, the setting on or off and the remaining time of the sleep timer function are displayed. You can change the mode between on, off and the amount of time to elapse before the unit will shut itself off by cycling the SLEEP button o/3.
6. OSD OFF
When OSD button 2 is pressed, OSD system will be bypassed after 3 seconds. Then there is no indication on the TV display. Press the OSD button 2 again to activate the OSD.
The SR5200 incorporates digital signal processors (DSP) which can reproduce various surround effects you experience in concert halls and movie theaters, etc. These Surround Modes, are provided to reproduce a variety of surround sound effects, according to the content of the source to be played. Surroud mode 1. AUTO FEATURES When this mode is selected, the receiver determines whether the digital input signal is Dolby Digital, PCM-audio or DTS. Note: When a Dolby Digital or DTS signal is input, the number of channels for which the corresponding signal is encoded will be played. Inputting a Dolby Digital two channel signal with Dolby surround status automatically subjects that signal to Pro Logic II processing before play. 96 kHz source material can be playback in this mode. This mode bypasses all surround processing. Stereo program sources the left and right channels play normaly when PCM-audio or analog stereo is input. With Dolby Digital and DTS sources, the 5.1 multi-channels are converted to two channel stereo. 96 kHz source material can be playback in stereo mode. This mode is used with source materials encoded in Dolby Digital and Dolby Surround. Dolby Pro Logic II brings the excitement of surround sound to any stereo mix, while making existing Dolby Surround mixes sound more like discrete 5.1 channels Surround sound. Dolby Pro Logic II has below 3 modes. This mode provides 5.1 channel surround sound from Dolby Surround encoded stereo movie sound tracks. This mode provides 5.1 channel surround sound from conventional stereo sources, analog or digital, such as CD, tape, FM, TV, stereo VCR, etc. This mode emulated original Dolby Pro Logic decoding (3/1 surround) suit for Dolby Surround encoded stereo movie soundtracks. Note: PCM-audio signals can be subjected to Pro Logic processing when the sampling frequency is 32 kHz, 44.1 kHz or 48 kHz. When a signal in another format is input, output will be muted. 4. DTS This mode is for DTS encoded source materials such as LASER DISC, CD, and DVD. The DTS mode cannot be used when an Analog input has been selected. When the signal in another digital format is input, output will be muted. This mode reproduces 6.1 channel sound field by extracting the surround center information from surround left and surround right channels. This mode is suited for 6.1 channel encoded material such as Dolby Digital Surround EX and DTS-ES. Note: Dolby Digital 5.1ch and DTS source material can be playback in this mode. These modes provide surround effect processing from each input source material. They will produce theater, concert hall and stadium like atmospheres. Select as your taste desires. Note: PCM-audio (32 kHz, 44.1 kHz or 48 kHz) and analog source material can playback in this mode. This mode create the virtual surround sound with the front right and left speakers. Note: The 96 kHz sampling frequency and DTS source material mute output. This mode is used to create a wider, deeper and more natural soundstage from two channel source material. This is done by feeding the left channel signal to both left front and left surround speaker and the right channel signal to both right front and right surround speaker. Additionally, the center channel reproduces a mix of the right and left channel. Note: The 96 kHz sampling frequency mutes output.
2. STEREO
MOVIE MUSIC PRO LOGIC
5. 6.1CH Surround
6. MOVIE HALL STADIUN MATRIX 7. VIRTUAL
8. 6CH STEREO
Caution for DTS signal: This signal can be played when the connected DVD-player, laserdisc player or CD-player is capable of DTS-digital output. For details, refer to the player's operation manual. Depending on the player used, DTS play may produce noise. If that happens, set the Surround mode to DTS. Playing a DTS-CD or DTS laser disc causes the players analog output terminal to output noise. Before playing DTS sources, be sure to connect the players digital output to the SR5200s digital input. Be careful when connecting the output of these players to analog audio input. Note that the SR5200 has the following restrictive functions built in to reduce noise emission as much as possible. If DTS is selected while in the Surround mode, digital input cannot be switched to analog input. When the analog input function has been selected, Surround mode cannot be switched to DTS. While signals from DTS-laser disc or CD are playing in another Surround mode, you cannot switch to digital input or from digital input to analog input.
Caution for 96kHz PCM-audio signal: This signal can be played when a DVD-player or DAT-player connected to the SR5200 is capable of 96 kHz PCM output. For details, refer to the players operation manual. The signal can be played when STEREO or AUTO has been selected for the Surround mode. Some DVD formatted discs featured copy protect. When use such disc, 96 kHz PCM signal is not output from the DVD player. For details, refer to the player's operation manual.
SURROUND MODES
The relation between the selected surround mode and the input signal
The surround mode is selected with the surround mode selector knob of the SR5200 or the remote control unit. However, the sound from the speakers depend upon the relationship between the selected surround mode and the input signal. They are as follows;
Surround Input Signal Mode Auto Dolby Digital (5.1ch) Dolby Digital (2ch) Dolby Digital (2ch:Lt/Rt) 96kHz PCM PCM(Audio) Analog DTS (5.1ch) Stereo Dolby Digital (5.1ch) Dolby Digital (2ch) Dolby Digital (2ch:Lt/Rt) 96kHz PCM PCM(Audio) Analog DTS (5.1ch) 2 Dolby Digital (5.1ch) Movie Dolby Digital (2ch) Dolby Digital (2ch:Lt/Rt) 96kHz PCM PCM(Audio) Analog DTS (5.1ch) 2 Dolby Digital (5.1ch) Music Dolby Digital (2ch) Dolby Digital (2ch:Lt/Rt) 96kHz PCM PCM(Audio) Analog DTS (5.1ch) 2 Dolby Digital (5.1ch) Pro Logic Dolby Digital (2ch) Dolby Digital (2ch:Lt/Rt) 96kHz PCM PCM(Audio) Analog DTS (5.1ch) DTS Dolby Digital (5.1ch) Dolby Digital (2ch) Dolby Digital (2ch:Lt/Rt) 96kHz PCM PCM(Audio) Analog DTS (5.1ch) 6.1Ch Dolby Digital (5.1ch) Surround Dolby Digital (2ch) Dolby Digital (2ch:Lt/Rt) 96kHz PCM PCM(Audio) Analog DTS (5.1ch) Movie Dolby Digital (5.1ch) Hall Dolby Digital (2ch) Stadium Dolby Digital (2ch:Lt/Rt) Matrix 96kHz PCM PCM(Audio) Analog DTS (5.1ch) Virtual Dolby Digital (5.1ch) Dolby Digital (2ch) Dolby Digital (2ch:Lt/Rt) 96kHz PCM PCM(Audio) Analog DTS (5.1ch) 6CH Dolby Digital (5.1ch) Stereo Dolby Digital (2ch) Dolby Digital (2ch:Lt/Rt) 96kHz PCM PCM(Audio) Analog DTS (5.1ch) L/R SL/SR O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O Output C SC O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O SW Input Indicator O DIGITAL O DIGITAL O DIGITAL DIGITAL O DIGITAL O ANALOG O DIGITAL O DIGITAL O DIGITAL O DIGITAL DIGITAL O DIGITAL O ANALOG O DIGITAL O DIGITAL O DIGITAL O DIGITAL DIGITAL O DIGITAL O ANALOG DIGITAL O DIGITAL O DIGITAL O DIGITAL DIGITAL O DIGITAL O ANALOG DIGITAL O DIGITAL O DIGITAL O DIGITAL DIGITAL O DIGITAL O ANALOG DIGITAL DIGITAL DIGITAL DIGITAL DIGITAL DIGITAL (ANALOG) O DIGITAL O DIGITAL DIGITAL DIGITAL DIGITAL DIGITAL (ANALOG) O DIGITAL DIGITAL DIGITAL DIGITAL DIGITAL O DIGITAL O ANALOG DIGITAL DIGITAL DIGITAL DIGITAL DIGITAL DIGITAL ANALOG DIGITAL O DIGITAL O DIGITAL O DIGITAL DIGITAL O DIGITAL O ANALOG O DIGITAL Fluorescent Indicator Format Status & Surround Mode Temporary Display Status DOLBY, DIGITAL, AUTO >AUTO> DOLBY, DIGITAL, AUTO >AUTO> DOLBY, DIGITAL, PRO LOGIC, AUTO >AUTO> PCM, STEREO, AUTO >AUTO>96kHz> PCM, STEREO, AUTO >AUTO> STEREO, AUTO >AUTO> DTS, AUTO >AUTO> DOLBY, DIGITAL, STEREO >STEREO> DOLBY. DIGITAL, STEREO >STEREO> DOLBY, DIGITAL, STEREO >STEREO> PCM, STEREO >STEREO>96kHz> PCM, STEREO >STEREO> STEREO >STEREO> DTS, STEREO >STEREO> DOLBY, DIGITAL >DOLBY D> DOLBY, DIGITAL, PRO LOGIC >PLII MOVIE> DOLBY, DIGITAL, PRO LOGIC >PLII MOVIE> (PCM), DOLBY, PRO LOGIC >PLII MOVIE>96kHz> PCM, DOLBY, PRO LOGIC >PLII MOVIE> DOLBY, PRO LOGIC >PLII MOVIE> (DTS), DOLBY, PRO LOGIC >PLII MOVIE> DOLBY, DIGITAL >DOLBY D> DOLBY, DIGITAL, PRO LOGIC >PLII MUSIC> DOLBY, DIGITAL, PRO LOGIC >PLII MUSIC> (PCM), DOLBY, PRO LOGIC >PLII MUSIC>96kHz> PCM, DOLBY, PRO LOGIC >PLII MUSIC> DOLBY, PRO LOGIC >PLII MUSIC> (DTS), DOLBY, PRO LOGIC >PLII MUSIC> DOLBY, DIGITAL >DOLBY D> DOLBY, DIGITAL, PRO LOGIC >PRO LOGIC> DOLBY, DIGITAL, PRO LOGIC >PRO LOGIC> (PCM), DOLBY, PRO LOGIC >PRO LOGIC>96kHz> PCM, DOLBY, PRO LOGIC >PRO LOGIC> DOLBY, PRO LOGIC >PRO LOGIC> (DTS), DOLBY, PRO LOGIC >PRO LOGIC> (DOLBY, DIGITAL), DTS >DTS> (DOLBY, DIGITAL), DTS >DTS> (DOLBY, DIGITAL), DTS >DTS> (PCM), DTS >DTS> (PCM), DTS >DTS> DTS >DTS> DTS >DTS> DOLBY, DIGITAL >6.1 CH SURROUND> (DOLBY, DIGITAL) >6.1 CH SURROUND> (DOLBY, DIGITAL) >6.1 CH SURROUND> (PCM) >6.1 CH SURROUND> (PCM) >6.1 CH SURROUND> >6.1 CH SURROUND> DTS >6.1 CH SURROUND> (DOLBY, DIGITAL), DSP SOUND >MOVIE/HALL/ STADIUM/MATRIX> (DOLBY, DIGITAL), DSP SOUND >MOVIE/HALL/ STADIUM/MATRIX> (DOLBY, DIGITAL), DSP SOUND >MOVIE/HALL/ STADIUM/MATRIX> (PCM), DSP SOUND >MOVIE/HALL/ STADIUM/MATRIX> PCM, DSP SOUND >MOVIE/HALL/ STADIUM/MATRIX> DSP SOUND >MOVIE/HALL/ STADIUM/MATRIX> (DTS), DSP SOUND >MOVIE/HALL/ STADIUM/MATRIX> DOLBY, DIGITAL, VIRTUAL >VIRTUAL> DOLBY, DIGITAL, PROLOGIC, VIRTUAL >VIRTUAL> DOLBY, DIGITAL, PROLOGIC, VIRTUAL >VIRTUAL> (PCM) >VIRTUAL>96kHz> PCM, DOLBY, PROLOGIC, VIRTUAL >VIRTUAL> DOLBY, PROLOGIC, VIRTUAL >VIRTUAL> (DTS), DOLBY, VIRTUAL >VIRTUAL> DOLBY, DIGITAL >6CH STEREO> DOLBY, DIGITAL >6CH STEREO> DOLBY, DIGITAL >6CH STEREO> (PCM) >6CH STEREO>96kHz PCM >6CH STEREO> >6CH STEREO> DTS >6CH STEREO> Ch. Status L,C,R,SL,SR,LFE L,R L,R, SC L,R L,R L,C,R,SL,SR,LFE L,C,R,SL,SR,LFE L,R L,R, SC L,R L,R L,C,R,SL,SR,LFE L,C,R,SL,SR,LFE L,R L,R,SC L,R L,C,R,SL,SR,LFE L,R L,R,SC L,R L,C,R,SL,SR,LFE L,R L,R,SC L,R L,C,R,SL,SR,LFE L,C,R,SL,SR,LFE L,C,R,SL,SR,LFE L,R L,C,R,SL,SR,LFE L,R L,R, SC L,R L,C,R,SL,SR,LFE L,R L,R, SC L,R L,C,R,SL,SR,LFE
L/R SL/SR C SC SW
: Front speaker : Surround speaker : Center speaker : Surround center speaker : Sub woofer speaker
( ): The indicator blinks
L R C SL SR SC LFE
: Left : Right : Center : Surround Left : Surround Right : Mono Surround : Low Frequency Effect
Note: Dolby Digital (2 ch: Lt/Rt): signal with Dolby Surround flag Speakers are full set. When DOLBY DIGITAL, DTS, PCM or ANALOG is blinking, the selected surround mode is unavailable for input signal. Select the other appropriate surround mode to playback. No sound outputs from the surround speaker, center speaker and subwoofer if the DVD disc has no surround data.
In case of trouble, check the following before calling for service: 1. Are the connections made properly ? 2. Are you operating the unit properly following users guide ? 3. Are the power amplifiers and speaker working properly ?
SYMPTOM SR5200 cannot be turned up.
CAUSE The power plug is not connected.
REMEDY Connect the power plug to the outlet. Cancel mute using the remote control unit. See the connection diagram and connect the cables correctly. Adjust the master volume. Select correct position. Disconnect the headphones. (Speakers will not output sound when headphones are connected.) Connect the cable correctly by referring to the connection diagram.
No sound and picture are output Mute is on. The input cable is not connected correctly. even when power is on. The master volume control is turned all the way down. The function selector position is wrong. Speaker does not outputting any The headphones are connected to the headphone jack. sound. Sound and pictures from other Input cable connected incorrectly. than equipment selected with the function selector. Sound from the wrong channel is Speaker cable connected incorrectly. output from the speaker. No sound is output from the center The center speaker cable connection is incomplete. STEREO has been selected for Surround mode. speaker. Center = NONE has been selected in SETUP mode. No sound is output from the The surround speaker cable connection is incomplete. STEREO has been selected for Surround mode. surround speakers. Surround = NONE has been selected in SETUP mode. No output to Sub Woofer Out. Sub-woofer = NO has been selected in SETUP mode.
Connect the cable correctly by referring to the connection diagram. Connect the cable correctly. When STEREO is selected for Surround mode, no sound will be output from the center speaker. Set another Surround mode. Make the correct setting. Connect the cable correctly. When STEREO has been selected for Surround mode, no sound will be output from the surround speaker. Set another Surround mode. Make the correct setting. Select Sub-woofer = YES. Disconnect the headphones. (When headphones are connected, Surround mode will be fixed to STEREO.) Be sure to perform digital connection, select digital input, then play. Select other mode. Use a player which responds to DTS-digital out. Set Surround mode to DTS. Use a player that responds to 96kHz PCM digital out. Set Surround mode to STEREO or AUTO. Select other mode. Select other mode. Check the encoded channel on the source side. Correctly connect the indoor FM and AM antennas to FM and AM antenna outlets. Try changing location where the AM indoor antenna is set up. Install an FM outdoor antenna. Disconnecting power plug for long periods of time will erase preset data. If that happens, input the preset data again. Replace all the batteries with new ones.
Surround mode cannot be changed. The headphones are connected to the jack. Noise is produced during DTS- Analog has been selected for input. encoded CD or laser disc play. DTS sources cannot be played. Surround mode is set to DOLBY. The DVD or LD player is not DTS digital out capable.
Player skips during play of a DTS Data error occurred during player skip. source and produces noise. A 96kHz PCM signal cannot be The disc player is not 96kHz PCM digital out capable. Surround mode is set to other than STEREO and AUTO. played. A normal PCM signal (CD or laser Surround mode is set to DTS. disc) cannot be played. A Dolby Digital signal cannot be Surround mode is set to DTS played. A s p e c i f i c c h a n n e l d o e s n o t Nothing recorded on source. produce output. FM or AM reception fails. Antenna connection is incomplete.
Noise is heard during AM reception. Reception is affected by other electrical fields. Noise is heard during FM reception. The radio waves from the broadcasting station are weak. Cannot get programmed station Preset data has been erased. when the PRESET button is pressed. Nothing appears on the remote Batteries are consumed. commander display.
Control with the remote control unit Batteries are consumed. Replace all the batteries with new ones. Remote controller's function-key setting is wrong. fails. Select different position from which equipment will be controlled. The distance between this SR5200 and the remote Move closer to this SR5200. commander is too far. S o m e t h i n g i s b l o c k i n g SR00 a n d t h e r e m o t e Remove offending object. commander.
TROUBLE SHOOTING
If the unit does not operate properly, check items shown in the following table. If your trouble cannot be recovered with the remedy actions listed in the following table, malfunction of the internal circuitry is suspected; immediately unplug the power cable and contact your dealer, nearest Marantz distributor or the Marantz Service Center in your country.
GENERAL MALFUNCTION
If the equipment malfunctions, this may be because an electrostatic discharge or AC line interference has corrupted the information in the equipment memory circuits. Therefore: - disconnect the plug from the AC line supply - after waiting at least three minutes, reconnect the plug to the AC line supply - re-attempt to operate the equipment
Memory backup In case a power outage occurs or the power cord is accidentally unplugged, the SR5200 is equipped with a backup function to prevent memory data such as the preset memory from being erased. The memory functions are backed up for up to about one week. NOTE: First of all keep SR5200 Standby or Powered-on more than 6 hours, to sufficient time for memory back up.
AOC.. 0046, 0057 Admiral... 0120, 0490 Aiko... 0119 Akai... 0057 Alaron... 0206 Ambassador... 0204 America Action... 0207 Anam... 0207 Audiovox.. 0119, 0207, 0478, 0650 Baysonic... 0207 Belcor... 0046 Bell & Howell... 0043, 0181 Bradford... 0207 Brockwood.. 0046 Broksonic... 0263, 0490 CXC... 0207 Candle... 0057, 0083 Carnivale... 0057 Carver... 0081 Celebrity... 0027 Cineral... 0119, 0478 Citizen.. 0057, 0083, 0087, 0119 Concerto... 0083 Contec... 0207 Craig.... 0207 Crosley... 0081 Crown... 0207 Curtis Mathes. 0043, 0057, 0074, 0078, 0081, 0083, 0087, 0120, 0172, 0181, 0193, 0478, 1174, 1374 Daewoo.. 0046, 0119, 0478, 0650, 0651 Daytron... 0046 Denon... 0172 Dumont... 0044, 0046 Dwin.. 0747, 0801 Electroband... 0027 Emerson.. 0046, 0181, 0204, 0205, 0206, 0207, 0263, 0490, 0650, 0651 Envision.... 0057 Fisher... 0181 Fujitsu... 0206, 0710 Funai... 0206, 0207 Futuretech... 0207 GE.. 0074, 0078, 0120, 0205, 0478, 1174, 1374 Gibralter... 0044, 0046, 0057 GoldStar... 0046, 0057, 0083, 0205 Gradiente... 0080, 0083 Grunpy... 0206, 0207 Hallmark... 0205 Harley Davidson... 0206 Harman/Kardon... 0081 Harvard.... 0207 Hitachi... 0043, 0083, 0172 Infinity... 0081 Inteq.... 0044 JBL... 0081 JCB... 0027 JVC... 0080 KEC... 0207 KTV... 0057, 0207 Kenwood... 0046, 0057 LG... 0083 LXI.. 0074, 0081, 0181, 0183, 0205 Logik.... 0043 Luxman.... 0083 MGA.. 0046, 0057, 0177, 0205 MTC.. 0046, 0057, 0083, 0087 Magnavox.. 0057, 0081, 0206, 1281
Majestic.... 0043 Marantz.. 0057, 0081, 1581 Matsushita... 0277 Megatron... 0172, 0205 Memorex.. 0043, 0083, 0177, 0181, 0205, 0206, 0277, 0490 Midland... 0044, 0074, 0078 Mitsubishi.. 0046, 0120, 0177, 0205 Motorola... 0120 Multitech... 0207 NAD... 0183, 0193, 0205 NEC... 0046, 0057, 0083 NTC... 0119 Nikko... 0057, 0119, 0205 Onwa... 0207 Optimus.. 0181, 0193, 0277 Optonica... 0120, 0192 Orion... 0206, 0263, 0490 Panasonic... 0078, 0277 Penney. 0046, 0057, 0074, 0078, 0083, 0087, 0183, 0205, 1374 Philco.. 0046, 0057, 0081, 0172, 0490 Philips... 0081 Pilot... 0046, 0057 Pioneer... 0193, 0706 Portland.. 0046, 0119 Prism... 0078 Proscan.... 0074 Proton... 0205 Pulsar... 0044, 0046 Quasar... 0078, 0192, 0277 RCA. 0046, 0074, 0078, 0117, 0120, 0706, 1074, 1174, 1274, 1374, 1474 Radio Shack. 0046, 0057, 0074, 0083, 0181, 0192, 0205, 0207 Realistic.. 0046, 0057, 0083, 0181, 0192, 0205, 0207 Runco.. 0044, 0057, 0630 SSS... 0046, 0207 Sampo... 0057 Samsung.. 0046, 0057, 0083, 0087, 0205 Sansei... 0478 Sansui... 0490 Sanyo... 0181 Scimitsu.... 0046 Scotch... 0205 Scott.. 0046, 0205, 0206, 0207, 0263 Sears. 0074, 0081, 0083, 0181, 0183, 0205, 0206 Semivox... 0207 Semp... 0183 Sharp... 0120, 0192, 0715 Shogun... 0046 Signature... 0043 Sony.... 0027 Soundesign... 0205, 0206, 0207 Starlite... 0207 Supreme... 0027 Sylvania.. 0057, 0081 TMK... 0083, 0204, 0205 TNCi.... 0044 Tandy... 0120 Technics... 0078, 0277 Technol Ace... 0206 Techwood... 0078, 0083 Teknika. 0043, 0046, 0081, 0083, 0087, 0119, 0177, 0206, 0207 Telefunken.. 0083 Toshiba.. 0087, 0181, 0183, 1283 Vector Research... 0057 Victor... 0080 Vidikron.... 0081 Vidtech... 0046, 0205 Wards.. 0043, 0046, 0057, 0081, 0083, 0192, 0205, 0206 White Westinghouse.. 0490, 0650, 0651 Yamaha.. 0046, 0057 Zenith.. 0043, 0044, 0119, 0490, 0651
COMPANY Azur 2000 NGYIG Ltd. Jamo Australia Pty. Ltd., Huber & Prohaska GmbH Ambassador Stores Target Van der Heyden Audio N.V. Ariescommerce GmbH Lenbrook Industries Limited Guang Chang Audio International Co., Ltd. Empire Hifi systems Ltd. Audio International Audio Nord V.V.& SONS Solimco HiFi Club Estonia T.P. KODI Audio Nord Marantz France Marantz Deutschland Adamco S.A. Marantz Europe B.V. Marantz Asia Ltd. Infovox Ltd. ID Electronics Ltd. NOVA Audio Private Home Co. Marantz Ireland Elmor Ltd. Marantz Italy Hifivoir Marantz Japan Inc. Mk Enterprises Ltd. alAlamiah Electronics Intl. Ace Ltd. AZ Electronics S.A., 1, Accapella Ltd. Wo Kee Hong Electronics Sdn. Bhd. Doneo Co Ltd. SKR Electronics Ltd. PASCO GmbH Marantz Domestic Sales Wildash Audio Systems Audio Nord Mustafa & Jawad Trading CO. Philips Polska Sp. z.o.o. Corel2 Marantz Professional Products Marantz Professional Products Almana & Partners W.W.L. Vision + Nova Music Entertainment Absolute Audio Adawlia Univ. Electr. Apl Wo Kee Hong Distribution PTE Ltd. Bis Audio s.r.o. Bofex Coherent Imports (PTY) Ltd. Marantz Spain The listening Room Audio Nord Sound Company AG Hamzeh & Partners Covecolor Pai-Yuing Co. Ltd. MRZ Standard Co. Ltd. Societe EDEVIG Trk Philips Ticaret A.S. Marantz Hifi UK Ltd. Marantz America Inc. ITM Company Marantz Domestic Sales
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Manufactured under license from Dolby Laboratories. Dolby, Pro Logic, and the double-D symbol are trademarks of Dolby Laboratories. Confidential unpublished works. Copyright 1992-1997 Dolby Laboratories. All rights reserved. DTS, ES and DTS Digital Surround are trademarks of Digital Theater Systems, Inc.
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01/06 MITi 320W851310
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Adapting Home Surround Sound Systems for Teaching Purposes ABSTRACT Many of us have chosen to incorporate a surround sound system into our home entertainment centers. Unfortunately, many schools do not yet have the capability to mix in a multi-speaker environment. A working solution is to adapt a home surround system for teaching. The demonstration features a home surround system with a Digi 001 interface to produce an environment that allows surround sound mixes. The system is also portable enough to bring into the classroom occasionally for demonstrations. Also featured will be demonstrations of pieces produced for surround sound, in both electroacoustic and popular styles, discussions of how to achieve some of the surround effects both for live performance and recorded pieces, and anecdotes of experiences of using the technology to demonstrate surround sound to students.
Adapting Home Surround Sound Systems for Teaching Purposes
Many of us have chosen to incorporate a surround sound system into our home entertainment centers. The advantages are obviousmore directional controls with speakers behind the listener and a subwoofer for low frequency effects. Unfortunately, many schools do not yet have the capability to mix in a multi-speaker environment. Even in schools that possess a recording studio, the cost of adding three new monitors matched to the studio's near fields (speakers) plus a subwoofer, power amps, EQ for the new channels, and software and hardware upgrades, may not be justified by the teaching potential of the new equipment. Add to that the space that a surround system would entail and the amount of available space in the average classroom and we find that a permanent surround capable studio is not an option in most schools. A working solution is to adapt a home surround system for teaching. In this demonstration, I will show how I adapted my home surround system to work with my Digi 001 (Digidesign) interface to produce an environment which, although not as elegant as a dedicated professional studio, does allow me to produce surround mixes in the comfort of my own home. The system is also portable enough to bring into the classroom occasionally for demonstrations. The first piece to the puzzle is a surround receiver capable of interfacing with the hardware used for mixing. In order to patch the analog signal into a consumer receiver, the unit must be equipped with discreet analog inputs. I will discuss some affordable choices for amplifiers and speakers. The next challenge is connecting the receiver to the mixing interface. I will talk about the different connectors used by home and professional gear, and how the two can be interfaced.
Cultural Crossroads: Miami 2003 ATMI/CMS/SEM Joint Meeting October 1-5, 2003
Adapting Home Surround Sound Systems for Teaching Purposes The next challenge is software settings. I will talk about the way I adapted two common software packages, Pro Tools LE and Digital Performer 3, for use with my system. I will also discuss encoding schemes for Dolby and DTS formats to produce portable media such as DVDs. Finally, I will demonstrate some pieces I have produced for surround sound, in both electro-acoustic and popular styles. I will also show how I achieve some of the surround effects both for live performance and recorded pieces. I will also share my experiences of using the technology to demonstrate surround sound to students. The system will include computer, Digi 001 interface, Marantz SR5200 Surround Amplifier, six Tannoy Protg Nearfield Monitors (90 wats ea.), and an RCA Subwoofer (200 watts). If the venue allows, I would like to space the speakers around the audience for best surround results.
Adapting Surround Sound Systems for Teaching Purposes
Factors
Cost Adding speakers, etc Software and hardware upgrades Amount of use
Richard Repp, Ph.D. Georgia Southern University
Adapting home systems
Bring into class Bring students home
Components
Computer Mulitchannel Audio Interface
Digidesgn Digi 002 or better MOTU 828 or better Others
Surround capable receiver
Multiple inputs and outputs Marantz SR 5200, SR 880 Pro Tools
Software
Digital Performer Others with multichannel capability
Speakers and subwoofer
Producing media
Bounce to multichannel format Dolby or DTS
Expensive, ($795 Protools HD) not real time Macintosh DVD Studio Pro ($495)
Dolby DVD
DVD-Audio
Uncompressed PCM Multichannel 24 bit 96 kHz
DTS Cds
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