MARSHALL MG15CDR Hind: 2260kr
Marshall MG15CDR guitar combo - 15watts, 1x 8" speaker, 2 channels with tone control, headphone output, CD input, emulated output and reverb.

Tootekood: 159884

MARSHALL MG30DFX Hind: 3770kr Marshall MG30DFX guitar combo - 30W, 10" speaker, 2 channels, bass/middle/treble controls on each channel, emulated output, CD input, headphone out, digital FX (chorus, delay, flanger). Dimensions: 476 x 408 x 240mm. Weight: 9.6kg. Footswitch not included. Tootekood: 153753
HUGHES+KETTNER Edition Blue 60 DFX Hind: 6080kr HUGHES+KETTNER Edition Blue 60 DFX, Guitar Combo, 60 Watt, 2-Channel ( Clean+Overdrive) , 3-Band EQ, CD-Input, 122 Celestion Speaker; Reverb, Chorus/Flanger/Delay, Reverb and DFX separate, FX-Loop. 185381 Tootekood: 185381
MARSHALL MG50DFX Hind: 6400kr Marshall MG50DFX guitar combo - 50W, 12" speaker, 2 channels, bass/mid/treble controls per channel, contour control (overdrive channel), CD input, emulated output, headphone out, digital FX (chorus, delay, flanger, reverb). Includes footswitch. Tootekood: 153755
MARSHALL MG100DFX Hind: 7300kr Marshall MG100DFX guitar combo - 100watts, 12" speaker, 2 channel with Bass/Mid/High controls. Overdrive channel includes contour control. CD input, speaker emulated and headphone output. Digital effects include chorus, delay, flanger and reverb, includes footswitch, Dimensions: 590 x 558 x 277mm, Weight: 22,4kg. Tootekood: 153757
MARSHALL MG250DFX Hind: 8450kr Marshall MG250DFX guitar combo amp - 2x 50watts, 2x 12" speakers, 2x channels, bass, middle and treble controls, contour control on overdrive channel, CD input, emulated output, headphone output. Digital effects: chorus, delay, flanger and reverb. Includes foot switch.

Tootekood: 153756

Suggested Settings
Configuraciones que sugerimos Soundvorschlge Exemples de Rglages
Here follows four sample settings to act as starting points from which to develop your own sounds. N.B. Volume should be adjusted to taste.

Bright Clean

Clean Channel

Overdrive Channel

MIDDLE

TREBLE

CHANNEL

SELECT

CONTOUR

VOLUME

Classic Crunch

MG50DFX

SERIES

MG250DFX

Marshall Amplification plc
Denbigh Road, Bletchley, Milton Keynes, MK1 1DQ, England Tel : [01908] 375411 Fax : [01908] 376118

www.marshallamps.com

Whilst the information contained herein is correct at the time of publication, due to our policy of constant improvement and development, Marshall Amplification plc reserve the right to alter specifications without prior notice. 230V

Owners Manual

WARNING! - Important safety instructions
WARNING: This apparatus must be earthed!
A. PLEASE read this instruction manual carefully before switching on. B. ALWAYS use the supplied mains lead, if a replacement is required please contact your authorised Marshall Dealer. C. NEVER attempt to by-pass the fuses or fit ones of the incorrect value. D. DO NOT attempt to remove the amplifier chassis, there are no user serviceable parts.

From Jim Marshall

ENGLISH I would like to personally thank you for selecting one of my new MG range of combos the MG50DFX 1x12" or the stereo MG250DFX 2x12". As a musician myself, I fully understand what it takes to perform live in a band situation. In addition to talent, dedication and a lot of hard work, you also need equipment that will help you deliver the goods in each and every playing situation you find yourself in. With this goal firmly in mind, I set my experienced R&D team the task of designing a new range of affordable MG amplifiers that will deliver the tone youre looking for at all volume levels from quiet late night practice to a full-blown live gig and all points in-between in the way only a Marshall can. Utilising groundbreaking new technologies, some of which were developed for our critically acclaimed AVT range, the new MG Series raises the standard for what can be expected from a value-for-money range of guitar amplifiers and defines a new benchmark. For example, the power amp section of your new combo boasts FDD (Frequency Dependent Damping) a radical new feature that is exclusive to Marshall Amplification and accurately mimics the way our all-valve amplifiers interact with a loudspeaker. As a direct result of FDD, your new MG50DFX/MG250DFX will give you a sound and feel never before thought possible in such an affordable, non-valve amp. The DFX (Digital Effects) featured in both the MG50DFX and MG250DFX have been custom voiced by our in-house digital effects experts. Each one of the five effect types on offer (Chorus/Delay, Delay, Chorus, Flange and Reverb) have been designed to emulate the much sought after warmth and feel of analogue effects, but in a highly flexible digital format. Furthermore, a wide range of variations for each effect are quite literally at your fingertips merely tweaking the three DFX controls (Preset/Adjust & FX Level controls for the Chorus/Delay, Delay, Chorus and Flange options; and a separate Level control for the Reverb) on the front panel, will give rise to sounds that range from subtle to radical, while always remaining both natural and musical. Like all the amplifiers in the new MG range, state-of-the-art manufacturing and stringent quality control procedures ensure that these combos meet the high standard of build you have come to expect from all Marshall products. The MG50DFX and MG250DFX were completely designed and engineered at my Headquarters in Milton Keynes, England. Whether the MG50DFX or MG250DFX is your first ever Marshall, or is the latest addition to your arsenal of amps, the tone, flexibility and feel of these compact, rugged combos is guaranteed to deliver the goods from bedroom to backstage to onstage! I wish you every success with your new Marshall. Welcome to the family. Yours Sincerely,

E. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as when the power supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally or has been dropped. F. NEVER use an amplifier in damp or wet conditions. No objects filled with liquids should be placed on the apparatus. G. ALWAYS unplug this apparatus during lightning storms or if unused for long periods of time. H. PROTECT the power cord from being walked on or pinched particularly at plugs, convenience receptacles and at the point where they exit from the apparatus. I. DO NOT switch the amplifier on without the loudspeaker(s) connected.

ENGLISH

Note: This equipment has been tested and found to comply with the requirements of the EMC directive (Environments E1, E2 and E3 EN 55103-1/2) and the Low Voltage directive in the E.U. EUROPE ONLY - Note: The Peak Inrush current for the MG50DFX is 9.6 amps. The Peak Inrush
current for the MG250DFX is 19.8 amps.
CAUTION: Any changes or modifications not expressly approved by the party responsible for
compliance may void the users authority to operate the equipment.
Note: It is recommended that all audio cables, with the exception of the speaker lead, used to
connect to the MG50DFX and MG250DFX are of a high quality screened type. These should not exceed 10 metres in length. Always use a non-screened Marshall approved speaker lead when connecting an extension cabinet to these units.
WARNING: Always ensure free movement of air around the amplifier!
USA ONLY - DO NOT defeat the purpose of the polarised or grounding type plug. A polarised plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. When the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.

Follow all instructions and heed all warnings KEEP THESE INSTRUCTIONS !
MG50DFX & MG250DFX Front Panel Features

1 1. INPUT jack

Use a good quality guitar cable (i.e. one thats screened/shielded) to plug your guitar in here.
Note: When the Overdrive Channel is selected, the OD LED (7) will light up red.
12. Overdrive Channel VOLUME control
This control adjusts the volume of the Overdrive Channel. The louder you turn-up this channel, the looser your amp will sound and feel especially with the FDD switch (17) engaged. This behaviour is exactly what a good all-valve amplifier does and is a result of our proprietary FDD circuitry.

7. OD LED

When illuminated, this LED indicates that the Overdrive Channel has been selected by either the Channel Select switch (6) or the supplied two-way footswitch.
2. Clean Channel GAIN control
When the Clean Channel is selected, this control adjusts its volume. At low settings the sound will be very clean with a pleasing, bell-like ring. Turning this control above half way will introduce a desirable, bluesy distortion as the power amplifier stage is driven into crunch mode.
13. Digital FX PRESET / ADJUST control
This control serves a dual purpose. Not only does it allow you to select one of the four types of effects on offer (Chorus / Delay (CHR/DLY), Delay (DLY), Chorus (CHR) or Flange (FLG)), it also allows you to adjust a parameter as you sweep it through each of the four effect segments. The parameter you can adjust for each of the four effect segments is shown below:
8. Overdrive Channel GAIN control
Turning up the Gain control will increase the amount of preamp distortion generated in the Overdrive Channel. Low Gain control settings will produce classic rock and blues tones. Crank this control for fat and aggressive sounds that are perfect for soloing or hard rock and nu-metal riffing.
3. Clean Channel BASS control
Turning up the Bass control will add warmth and low-end depth to your clean sound. The Bass control can be used in conjunction with the FDD switch (17) to produce deep sounding, valve-like clean tones that are well defined yet still full and round.

Effect

Chorus and Delay (CHR/DLY)

Adjustable Parameter

Delay Time (from short to long as you turn the Preset/Adjust control clockwise through the CHR/DLY segment) Delay Time (from short to long as you turn the Preset/Adjust control clockwise through the DLY segment) Speed (from slow to fast as you turn the Preset/Adjust control clockwise through the CHR segment) Speed (from slow to fast as you turn the Preset/Adjust control clockwise through the FLG segment)

Description

This multi-effect combines a lush, fixed speed Chorus with a variable time Delay.
9. Overdrive Channel BASS control
Turning up this control will add extra low-end thump to high gain riffs and a warm, natural sounding depth to lower gain crunch tones. Using the Bass control in conjunction with the FDD switch (17) will allow you to dial in the exact amount of low-end thump and tightness you are looking for.

4. Clean Channel MIDDLE control
Adjusting the middle frequencies in your clean channel will vary the amount of body to your sound. Attenuating (decreasing) the middle by turning this control anticlockwise will yield a more hollow sound with the bass and treble frequencies appearing to be more accentuated. Conversely, increasing the middle will add body to the Clean Channels sound.

Delay (DLY)

10. Overdrive Channel CONTOUR control
This highly effective tone control works by radically modifying the mid-range (body) of your sound. The tone can vary from traditional and woody sounding (control set at 0), to balls-to-thewall (control set midway), to aggressive, scooped and modern (turned up to 10) and all points inbetween. Chorus (CHR)
Short Delay Times will have less repeats for groovy surf and rockabilly tones. Increasing the Delay Time increases the number of repeats for a much more atmospheric, stadium effect.
5. Clean Channel TREBLE control
Increasing the Treble will make your clean sounds brighter and more cutting, turning it down will decrease your tones edge and make it sound softer as a result.
At slow Speeds a mellow, Phase-like sweep occurs. As the Speed is increased a more traditional chorus effect is heard. At maximum Speed, a psychedelic vibrato results.

6. CHANNEL SELECT switch

This push switch allows you to change between the amps two channels, Clean and Overdrive, via the front panel. When this switch is out the Clean channel is engaged, pushing it in switches to the Overdrive Channel. Channel switching can also be done via the included two-way footswitch (when the footswitch is connected the CHANNEL SELECT switch is not functional).
11. Overdrive Channel TREBLE control
This important knob controls the aggressive topend sizzle you have on high gain sounds and the cut and definition of lower gain crunch tones. Experimenting with this control will help you to dial in your own signature tones on your amp.

Flange (FLG)

At slow Speed settings the amount of regeneration is increased for huge jet enginelike sweeps. As the speed is increased the regeneration decreases to produce a lush, natural sounding Flange effect. When the Speed is maxed out, a fast vibrato results.
14. Digital FX LEVEL control
This controls how much of the chosen effect gets mixed in with your unaffected (dry) guitar tone. Want to hear more of the DFX youve just selected? Then simply turn this control up! Important Footswitch Note: Using the supplied two-way footswitch, you can switch the selected DFX on/off.

18. EMULATED LINE OUT & HEADPHONES jack
This jack can be used as either an Emulated Line Out or as a Headphone output. This means you can use this socket to connect your amp directly to your multi-track recording machine and youll get a great, speaker emulated guitar sound direct to disk or tape. Alternatively you can plug your headphones in here for a killer, speaker-emulated sound! TIP: How to practise or record in silence: The Clean Channel GAIN control (2) and the Overdrive Channel VOLUME control (12) will control the level of the headphone and line out. The speaker output can be adjusted independently using the Master VOLUME control(16). Setting the Master VOLUME control(16) to zero will allow silent recording or practice.
MG50DFX Rear Panel Features

15. REVERB LEVEL control

This control lets you add a lush Reverb to your sound from a subtle hint to cavernous and all points in-between. Designed by our in-house digital experts, this custom designed Marshall Reverb is highly musical and always sounds natural it never gets harsh or fake sounding. Important Footswitch Note: The supplied footswitch does NOT switch the Reverb on/off.
MG250DFX Rear Panel Features
16. MASTER VOLUME control
As its name suggests, the Master Volume control determines the overall volume of your amplifier. So after setting-up the relative volume of Channels 1 & 2 the overall level can be adjusted without affecting your all-important Clean/Overdrive balance.
19. POWER Switch & LED
The power switch turns your amplifier on and off. The LED will be lit when your amplifier is on and will not be lit when the amplifier is switched off. Note: Before connecting to the mains electricity supply, always ensure that your amplifier is compatible with your electricity supply, as detailed on the rear panel. Please ensure the amplifier is switched off and unplugged from the mains electricity supply before being moved.
1 1. MAINS INPUT Connector
The MG amplifier is provided with a detachable mains (power) lead which is connected here. The specific mains input voltage rating that your amplifier requires is clearly indicated on the back panel. Before connecting to the mains for the first time please make sure that your amplifier is compatible with your electricity supply.

17. FDD (Frequency Dependent Damping) switch
Marshalls proprietary FDD circuit accurately mimics the way an all-valve amplifier interacts with the loudspeaker(s) and adds a width and depth to your sound which has been unachievable in an affordable solid-state amplifier. until now! To engage FDD simply press this switch in.

4. FX RETURN(s)

This is where you connect the output of the effects processor you are using in the effects loop. As the MG250DFX is a stereo amplifier it offers two FX Return jacks LEFT and RIGHT. This allows you to take full advantage of a stereo effects processor. If, however, the effects unit you are using only has a single, mono output then use the LEFT (MONO) FX Return.

2. LOUDSPEAKER Output(s)

The internal loudspeaker(s) connect here one in the case of the MG50DFX and two in the case of the MG250DFX. Always use a non-screened Marshall approved speaker lead when connecting an extension cabinet to these units.

5. FX SEND

If you want to use an external effects processor in your amps built-in Series effects loop, this is the jack you connect to the INPUT of the unit you are using. For optimum performance, the FX loop is best suited for use with a rack or multi-effects processor which has a manual adjustment for INPUT SIGNAL LEVEL.

3. CD IN jack

If you want to jam to your favourite CD or tape, merely connect the headphone output of your CD or tape player here, adjust the CD /tape players volume to match that of your guitar and youve got the perfect play-along practice system.

6. FOOTSWITCH

Connect the supplied two-way footswitch here. Its left button (marked Channel) enables you to change channels and its right button (marked DFX) allows you to switch the DFX Section on/off. Important Footswitch Note: The supplied footswitch does NOT switch the Reverb on/off.
Technical Specification Especificaciones tcnicas Technische Daten Caractristiques techniques

Technical

Power Output Potencia de salida Ausgangsleistung Puissance de sortie Main Guitar Input Impedance
50W RMS into 8 50W RMS sobre 8 50W RMS an 8 50W RMS sous 8 ohms 50W RMS / 8 1M 1M 1M 1M 1M 5.6k 5.6k 5.6k 5.6k 5.6k +4dBV Nom. +4dBV Nom. +4dBV Nom. +4dBV Nom. +4dBV Nom. 16kg 16kg 16kg 16kg 16kg 518mm x 498mm x 275mm 518mm x 498mm x 275mm 518mm x 498mm x 275mm 518mm x 498mm x 275mm 518mm x 498mm x 275mm