Must-have gear for your next adventure.
Full featured and ready to go anywhere.
You live for the thrill of nailing a tough shot and the challenge of capturing photos rich in color, clarity and detail. Thats why youll love the Olympus E-520 a DSLR for people who take photography seriously. This light, highly portable camera is packed with technology to help you take your skills to the next level. Its In-body Image Stabilization works with every Four Thirds lens to ensure crisp, clear photos. An Autofocus Live View feature ensures youll never miss a shot, while our industry-leading Dust Reduction System eliminates spots from your photos once and for all. Of course, the E-520 has dozens of features to help you shoot anything, anywhere, anytime.
Olympus ZUIKO DIGITAL 14-54mm f2.8-3.5 [f3 1/5 sec.]
Olympus ZUIKO DIGITAL 11-22mm f2.8-3.5 [f2.8 1/60 sec.]
In-body Image Stabilization for tack-sharp images at any focal length.
The E-520s In-body Image Stabilization ensures youll always capture clear images. Thanks to our camera shake correction technology, you can shoot up to four shutter speeds lower. The E-520 features three image stabilization modes. IS-1 helps to take clear shots at slow shutter speeds great for a candlelight scene or an evening campfire. IS-2 lets you pan while holding the camera horizontally perfect for shooting a moving object like a speeding race car. IS-3 lets you pan while shooting vertically ideal for taking shots of a basketball player charging up a court. You can manually adjust the focal length of any non-Four Thirds lens in any IS mode for effective stabilization. Even OM lenses can be stabilized using an optional adapter. The E-520s In-body Image Stabilization gives you more lenses to choose from. Every Four Thirds lens is stabilized from the widest to the most telephoto making the system amazingly cost efficient. You pay for Image Stabilization once instead of every time you buy a lens.
Live View. Advanced features to help you capture more.
Autofocus Live View now with Face Detection expands your shooting possibilities.
Shooting through an LCD instead of a viewfinder gives you more flexibility and creativity. View and take easier overhead shots. Take better macro shots with unique viewing angles. Quickly capture candid shots. The E-520s Live View offers real-time live viewing of your subject on a high-contrast, high-definition 2.7-inch HyperCrystal II LCD thats clearly seen even in bright sunlight. The E-520 uses a high-speed Imager AF for easy 11-point multi-area autofocusing with Live View simply press the shutter button halfway. Use a preview feature to check the effects of white balance, exposure and Shadow Adjustment Technology on the LCD before shooting. Face Detection works with Live View to automatically detect up to eight faces in a frame and focus appropriately.

Magnify your image.

Enlarge an image on the LCD up to 10 times for more precise focusing especially helpful for macro photography. You can autofocus after the image is magnified.

10x magnification

Preview your creativity.
Perfect Shot Preview lets you instantly compare the effects of up to four different exposures or white balance settings. Choose your settings by selecting an image on the LCD.
The selected setting is applied.

Check your composition.

Framing-assist patterns like a golden grid or a histogram can be displayed on the LCD while shooting in Live View. Check your composition and exposure before shooting.
HyperCrystal II LCD for effortless viewing.
The generous 2.7-inch HyperCrystal II LCD features 230,000-dot resolution, exceptional contrast ratio and stunning color reproduction. Compose more creatively and see more clearly, thanks to a wide viewing angle of 176.

Grid line

Histogram
Olympus ZUIKO DIGITAL 40-150mm f4.0-5.6 [f11 1/500 sec.]

You demand amazing images. The E-520 delivers.
Brighter, detail-rich photos.
When you select Gradation Auto, Shadow Adjustment Technology captures detail in bright areas of a frame and brings out details hidden in shadow. Youll get images especially faces and backgrounds with well-balanced brightness.
The camera that puts you in control.
ISO Sensitivity can be set to Auto (ISO 100 to 800) or manually from 100 to as high as 1600. High-speed Sequential Shooting up to 3.5 frames per second. 49-point Multi-pattern Metering is available plus center-weighted average and three spot metering modes. White Balance features Auto, Preset, Custom and One-touch WB. FN Button can be customized to one of five functions or turned off. Bracketing functions for exposure, flash power and white balance in different steps.
Example of Exposure Bracketing
Capture spectacular color.
The E-520 uses an advanced 10-megapixel Live MOS Sensor with wider dynamic range for natural color reproduction. Our TruePic III image processor gives photos true-to-life color with exceptionally fine detail and minimal noise even at high ISO settings.
Take dust out of the picture.
Once dust gets on the image sensor, it shows up in the same spot on every picture. Our revolutionary, proven Dust Reduction System features a Supersonic Wave Filter (SSWF) located in front of the image sensor that vibrates an astounding 30,000 times per second. Dust is shaken off so youll always get spotfree photos.
With Dust Reduction System
Without Dust Reduction System
Four Shooting Modes, five scene program modes and 20 sceneselect modes. Dual Slots work with CompactFlash Type I/II, Microdrive and xD Picture Cards. Light Box Function simultaneously displays two images on the monitor.
No wires mean more creativity.
The E-520s built-in flash uses a commander function for wireless flash operation with the FL-36R or FL-50R. Through the Super Control Panel, the camera can run up to three groups of flashes and execute a wide range of creative lighting set-ups.

Zuiko Digital Lenses

Combining spectacular image quality with superior portability.
Designed exclusively for digital cameras, Zuiko Digital lenses deliver amazing picture quality in a portable size. In fact, many of our lenses give you the same imaging power as other lenses that are twice the size. Photos taken with Zuiko Digital lenses are brighter with unmatched sharpness throughout the image. The E-520s In-body Image Stabilization gives you the freedom to use all Four Thirds lenses for crisp, sharp photos.

Zuiko Digital ED 14-42mm f3.5-5.6 (28-84mm*) Covers the range from wide to short telephoto zoom. Great for a wide range of everyday shots.
Closest focusing distance: 9.84" | Dimensions: 2.58" x 2.40" Weight: 6.7 oz. | Filter size: 58mm
Zuiko Digital ED 40-150mm f4.0-5.6 (80-300mm*) Astonishing telephoto zoom in a compact size thats perfect for travel.
Closest focusing distance: 35.43" | Dimensions: 2.58" x 2.83" Weight: 7.8 oz. | Filter size: 58mm
Zuiko Digital 35mm f3.5 Macro (70mm*) Capture small objects with 1x magnification (2x: 35mm camera equivalent)
Closest focusing distance: 5.75" | Dimensions: 2.80" x 2.09" Weight: 5.8 oz. | Filter size: 52mm
Zuiko Digital ED 25mm f2.8 (50mm*) Highly portable lens perfect for snapshots and portraits.
Closest focusing distance: 7.87" | Dimensions: 2.50" x 0.92" Weight: 10.6 oz. | Filter size: 43mm
Zuiko Digital ED 70-300mm f4.0-5.6 (140-600mm*) Super-telephoto lens captures spectacular images from a distance. In-body Image Stabilization lets you comfortably hold a 600mm equivalent lens for nature or sports photography. Close focusing down to 38.80" makes this lens tele-macro compatible.
Closest focusing distance: 38.80" (MF); 47.24" (AF) Dimensions: 3.15" x 5.02" | Weight: 21.70 oz. | Filter size: 58mm
* 35mm camera equivalent Specifications are subject to change.
Zuiko Digital ED 9-18mm f4.0-5.6 (18-36mm*) (Release planned for 2008) Compact and lightweight ultra-wide angle lens. Shoot a sweeping landscape in a single shot or take a photo of a large family gathering.
Closest focusing distance: 9.84" | Dimensions: 3.12" x 2.87" Weight: 9.87 oz. | Filter size: 72mm
Photo management made easy.
Image Management/Editing Software OLYMPUS Master 2 (Included) OLYMPUS Master 2 not only makes it easy to sort your data and organize your photos in folders or albums, it provides easy-to-use editing functions and high-quality RAW data processing.
System Requirements: Compatible OS: Windows Vista/XP/2000, Mac OS X (v10.3 or later) CPU: [Windows] Pentium III 500 MHz or higher, [Macintosh] PowerPC GMHz or higher, Intel Core Solo/Duo 1.5 GHz or more RAM: 256 MB or more (512 MB or more recommended) HDD: 500 MB or more Monitor: 1024 x 768 pixel or higher [Windows: 65,536 colors or more (16.77 million colors or more recommended)], [Macintosh: 32,000 colors or more (16.77 million colors or more recommended)] Other: CD-ROM drive (Required for installation)

Digital Workflow Software OLYMPUS Studio 2 (Trial Edition included*) OLYMPUS Studio 2 assures a smooth, high-speed digital workflow with features like an image select function, advanced RAW data processing, PC camera control capability and image editing functions.
*The Trial Edition can only be used for 30 days after installation. After the trial period has expired, online purchase of a license key is required for further use. (Requires Internet connection.) System Requirements: Compatible OS: Windows Vista/XP/2000, Mac OS X (v10.3 or later) CPU: [Windows] Pentium III 500 MHz or higher, [Macintosh] PowerPC GMHz or higher, Intel Core Solo/Duo 1.5 GHz or more RAM: 512 MB or more recommended HDD: 500 MB or more Monitor: 1024 x 768 pixel or higher [Windows: 65,536 colors or more (16.77 million colors or more recommended)], [Macintosh: 32,000 colors or more (16.77 million colors or more recommended)] Other: CD-ROM drive (Required for installation)

System Chart

Specifications
Product Type Memory Screen size Lens mount Effective Pixels Number Image Pickup Unit Product type Total no. of effective pixels Aspect ratio Filter array LPF IR cut filter Dust reduction Recording Recording format File format Recording image size Viewfinder Product type Field of view Viewfinder magnification Eye point Diopter adjustment range Focusing screen Eyepiece shutter Live View
Single-lens reflex Live View digital camera with interchangeable lens system CompactFlash Type I/II, Microdrive, xD-Picture Card (Dual-Slot) 17.3mm (H) x 13.0mm (V) Four Thirds mount 10 million pixels Live MOS Sensor Approx. 11.8 million pixels 1.33 (4:3) Primary color filter (RGB) Fixed type Hybrid type Supersonic Wave Filter (dust reduction system for image sensor) DCF, DPOF compatible/Exif, PRINT Image Matching III RAW (12-bit), JPEG, RAW+JPEG [RAW] 3648 x 2736 pixels [JPEG] 3648 x 2736, 3200 x 2400, 2560 x 1920, 1600 x 1200, 1200 x 960, 1024 x 768, 640 x 480 pixels Eye-level single-lens reflex viewfinder Approx. 95% Approx. 0.92x (1m-1, 50mm lens, infinity) Approx. 14mm (-1m-1) -3.0 - +1m-1 Fixed (Neo Lumi-Micro Mat screen) Eyepiece cap EP-4 supplied Live MOS Sensor for still picture shooting is used, 100% field of view, Exposure adjustment pre-view, White balance adjustment pre-view, Gradation setting pre-view, Face detection pre-view, Perfect shot pre-view, Grid line displayable, 7x/10x magnification possible, MF/S-AF, AF frame display, AF point display, Shooting information, Histogram, IS activation mode High-speed imager AF, Phase-difference detection AF Built in (Imager shift image stabilizer) 3 modes, (2-dimensional activation, 1-dimensional activation in landscape frame to vertical direction moving, 1-dimensional activation in portrait frame to horizontal direction moving) Approx. 4EV steps (in maximum effect) HyperCrystal II LCD (semi-transmissive TFT color LCD) 2.7 inches Approx. 230,000 dots 100% 15 levels 15 levels TTL phase-difference detection system, Contrast detection system (with 25mm f2.8, 14-42mm f3.5-5.6, 40-150mm f4.0-5.6) Single AF (S-AF) / Continuous AF (C-AF) / Manual Focus (MF) / S-AF + MF / C-AF + MF *C-AF mode is not available with the contrast detection system 3-point multiple AF with the phase-difference detection system (Auto, selectable in option), 11-point multiple AF with the contrast detection system (Auto, selectable in option) Auto/Option selectable EV 0 to 19 (at 20C , ISO 100) Built-in flash (external flash available. Inactivation is available to set.) Locked at first position of Shutter button in Single AF mode / AEL button (customizable) Interlocked with Continuous AF mode Available TTL open-aperture metering system (1) Digital ESP metering (49-point multi-pattern metering) (2) Center-weighted average metering (3) Spot metering (approx. 2% for the viewfinder screen) (4) Spot with Highlight control (5) Spot with Shadow control EV 1 - 20 (Digital ESP metering, Center-weighted average metering, Spot metering) (At normal temperature, 50mm f2, ISO 100) (1) Auto (2) P: Program AE (Program shift can be performed) (3) A: Aperture priority AE (4) S: Shutter priority AE (5) M: Manual (6) Scene program AE (7) Scene select AE Portrait, Landscape, Macro, Sport, Night + Portrait Portrait, Landscape, Landscape + Portrait, Night Scene, Night + Portrait, Children, Sport, Low Key, High Key, DIS mode, Macro, Nature Macro, Candle, Sunset, Fireworks, Documents, Panorama* (*Available with the Olympus xD-Picture Card), Beach & Snow, Underwater Wide, Underwater Macro AUTO (ISO 100 - 1600) / Manual (ISO 100 - 1600), 1 EV steps 5 EV in 1/3, 1/2, 1 EV steps selectable Locked by first position of Shutter button / AEL button (customizable) 3 frames in 0.3, 0.7, 1EV steps selectable

White Balance Auto WB system Preset white balance
White balance compensation Custom white balance One-touch white balance White balance bracketing
Advanced detection system with Live MOS Sensor 8 settings (3000K - 7500K), Lamp (3000K), Fluorescent 1 (4000K), Fluorescent 2 (4500K), Fluorescent 3 (6600K), Daylight (5300K), Flash (5500K), Cloudy (6000K), Shade (7500K) 7 steps in each A-B/G-M axis (in Auto WB/Preset WB/One touch WB mode) 1 setting can be registered at Kelvin temperature (2000K - 14000K) 1 custom setting can be registered 3 frames in 2, 4, 6 steps selectable in each A-G/G-M axis sRGB, Adobe RGB Vivid, Natural, Muted, Portrait, Monotone (default setting Natural), Custom (one setting from basic 5 settings is available) Contrast, Sharpness and Saturation level available in 5 steps for Vivid, Natural, Muted and Portrait Contrast and Sharpness level available in 5 steps for Monotone Yellow, Orange, Red or Green filter available for Monotone Sepia, Blue, Purple or Green tone available for Monotone 4 levels (Auto, High key, Normal, Low key) Computerized focal-plane shutter Auto mode: 2 - 1/4000 sec. (depends on settings), P(Ps), S, A, M mode: 60 - 1/4000 sec. (Bulb: up to 30 min. with limiter), Scene program/Scene select mode: 4 - 1/4000 sec. (depends on settings) 1/3, 1/2 or 1EV steps selectable Operation time: 12 sec., 2 sec. (cancel available) Available (with optional RM-UC1 Remote cable) Operation time: 2 sec., 0 sec., bulb control available (with optional RM-1 remote control) Available (1 to 30 sec. selectable) Single-frame shooting, Sequential shooting, Self-timer, Remote control Approx. 3.5 frames/sec. RAW mode: Max. 8 frames. JPEG mode: Depends on compression ratio and no. of pixels (LN mode: approx. up to card capacity with SanDisk Extreme III 1GB) Retractable flash (Auto pop-up type), GN=12 (ISO 100m) FL-50R, FL-36R, FL-50, FL-36, FL-20 TTL Auto (TTL pre-flash mode), Auto, Manual Auto, Red-eye reduction, Red-eye reduction slow sync., Slow sync at 1st curtain, Slow sync at 2nd curtain, Fill-in, Manual (1/4, 1/16, 1/64), Off 1/180 sec. or less, Super FP up to 1/4000 sec. Up to 3 EV in 1/3, 1/2 or 1EV steps selectable FL-50R, FL-36R Triggered and controlled by built-in flash light TTL Auto (TTL pre-flash mode), Auto, Manual, FP TTL Auto, FP Manual 4 channels 3 groups Single-frame, Index (4/9/16/25/49/100 frames), Calendar, Close-up (2-14X), Slideshow, Picture rotation (auto mode available), Light box Histogram (independent luminance/RGB available), Highlight/Shadow point warning, AF frame, Shooting information English, French, Spanish, Portuguese Single frame, All frames, Selected frames (with protect function) Single frame, Selected frames, Release protect (Single/All selected) Single frame, All frames, Selected frames RAW development Shadow adjustment, Red-eye fix, Trimming, Monotone, Sepia, Saturation (color depth), Resize (producing another file) Print reservation (DPOF), Direct print (PictBridge compatible) High-speed USB for storage and camera control (MTP mode is available) Dedicated multi-connector (Video: NTSC/PAL selectable, Optional Remote cable RM-UC1 is available) Hot shoe BLM-1 Li-ion battery (included) Available (1, 3, 5, 10 min., off selectable) 5.35 in. (W) x 3.6 in. (H) x 2.67 in. (D) (excluding protrusions) 16.75 oz. (body only) 32-104 F (operation) / -4-140 F (storage) 30-90% (operation) / 10-90% (storage)

Color Mode Color space Picture Mode Mode
Adjustment parameter Filter effect Picture tone Gradation
Shutter Product type Shutter speed
Self-timer Remote cable release Optical remote control Anti-shock mode
AF Image Stabilizer System Mode Effective compensation range
Drive Drive mode Sequential shooting speed Max. recordable pictures on sequential shooting Integrated Flash Built-in flash Compatible external flash Flash control mode Flash mode
Synchronization speed Flash intensity control Wireless Flash Control Compatible external flash Control method Flash control mode Number of channels Group setting Playback Playback modes
LCD Monitor Product type Size Total no. of pixels Playback field of view Brightness control Color balance Focusing AF system
Focus mode Focusing point Focusing point selection AF luminance range (phase-difference detection system) AF illuminator (phase-difference detection system) AF lock Focus tracking (phase-difference detection system) Focus aid
Information Display Menu Languages Image Editing Erasing function Protect function Copy between media RAW picture editing JPEG editing Print Print function Input/Output PC interface USB/Video connector
Flash attachment Power Requirements Battery Sleep mode Dimensions/Weight Dimensions Weight Operating Environment Temperature Humidity
Exposure Control Metering system
Metering range Exposure mode Scene program AE Scene select AE
ISO sensitivity Exposure compensation AE lock Exposure bracketing
When a lens other than the ZUIKO DIGITAL ED 14-42mm f3.5-5.6, ED 40-150mm f4.0-5.6 or 25mm f2.8 is used, the number of AF focusing points changes to 3 and AF is executed again when the shutter button is pressed all the way. With the ED 14-42mm f3.5-5.6 or ED 40-150mm f4.0-5.6 lens, the firmware needs to be updated to Ver.1.1 or later. Specifications and appearances are subject to change without any notice or obligation on the part of the manufacturer. Windows is a registered trademark of Microsoft Corporation in the United States and/or other countries. Macintosh and Mac OS are trademarks of Apple Inc. All other company and product names are registered trademarks and/or trademarks of their respective owners. Shadow Adjustment Technology function contains patented technologies from Apical Limited. The pictures in this catalog of the LCD monitors are simulated. The strap and the camera case shown in this catalog are optional.

Number of recordable pictures (in main record modes)
Record mode Compression type Record type RAW Super Fine Fine Large Normal Basic Super Fine Fine Middle Normal Basic Super Fine Fine Small Normal Basic Image size (pixels) 3648 x x 2736 Compression rate (Lossless) 1/2.7 1/4 1/8 1/12 1/2.7 1/4 1/8 1/12 1/2.7 1/4 1/8 1/12 File format ORF File size (MB) Approx. 11 Approx. 6.8 Approx. 4.7 Approx. 2.2 Approx. 1.5 Approx. 3.6 Approx. 2.2 Approx. 1.1 Approx. 0.7 Approx. 0.8 Approx. 0.5 Approx. 0.3 Approx. 0.2 Recordable images (with 1 GB card) 4473

E-520 (Body) includes:

BLM-1 Li-ion Battery BCM-2 Li-ion Battery Charger OLYMPUS Master 2 CD-ROM USB Cable Video Cable EP-4 Eyepiece Cover Shoulder Strap
E-520 14-42mm Lens Kit includes:
E-520 (Body) ZUIKO DIGITAL ED 14-42mm f3.5-5.6

2560 x 1920

Camera package may differ depending on the sales area.
Middle selectable from 3200 x 2400, 2560 x 1920 or 1600 x 1200. Small selectable from 1280 x 960, 1024 x 768 or 640 x 480. The figures in the table are typical values. File sizes and the number of recordable pictures vary depending on the settings and subjects. The number of recordable pictures displayed on the camera shows the value assuming the lowest compression rate.

1280 x 960

Olympus Imaging America Inc. getolympus.com/dslr
"Green printing" logo here

900351-0708

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Unpack the box contents

The following items are included with the camera. If anything is missing or damaged, contact the dealer from whom you purchased the camera.

Body cap

BLM-1 Lithium ion battery
BCM-2 Lithium ion charger

USB cable

Video cable

OLYMPUS Master 2 CD-ROM

Instruction manual

Warranty card

Eyepiece cover

Attaching the strap

Thread the strap as indicated by the arrows (1, 2).
Lastly, pull the strap tight making sure that it is fastened securely (3).
Attach the other end of the strap to the other eyelet in the same way.
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Preparing the battery

Basic guide 1

Charging the battery

Charging indicator Red light: Charging in progress Green light: Charging completed (Charging time: Approx. 5 hours)
Remove the protection cap from the battery.
BCM-2 Lithium ion charger AC cable Align the battery with the arrow. AC wall outlet

Loading the battery

Battery compartment lock
Direction indicating mark
Preparations for shooting
Battery compartment cover
Close the battery compartment cover and slide the battery compartment lock in the direction of E

Battery lock

Unloading the battery
Press the battery lock to unlock the battery.
It is recommended to set aside a backup battery for prolonged shooting in case the battery in use drains.
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Attaching a lens to the camera
Remove the body cap from the camera and the rear cap from the lens

Rear cap

Body cap Lens attachment mark (Red)
Attach a lens to the camera

Alignment mark (Red)

Align the lens attachment mark (red) on the camera with the alignment mark (red) on the lens, then insert the lens into the cameras body (1). Rotate the lens in the direction indicated by the arrow until you hear it click (2). Make sure the power switch is set to OFF. Do not press the lens release button.

Using the menu

Press the MENU button.
The menu is displayed on the LCD monitor.

i button

Operation guide is displayed at the bottom of the screen. CANCEL MENU : Press the MENU button to cancel the setting.
: Press dac on the arrow pad to move the cursor and select an item. The symbols displayed on the LCD monitor correspond to the arrow pad shown below. t: a u: c 8: d 7: b : Press the i button to confirm your settings.
Use ac to select a tab and d to set an item.
METERING RC MODE AF MODE AF AREA ANTI-SHOCK z CANCEL SELECT OFF 0.0 S-AF AUTO OFF GO
Use ac to select a function and d to go to the setting screen.
METERING RC MODE AF MODE AF AREA ANTI-SHOCK z OFF 0.0 S-AF AUTO OFF GO METERING METERING RC MODE AF MODE AF AREA ANTI-SHOCK CANCEL SELECT GO
The current setting is displayed

Function

Types of tabs W (Shooting menu 1) Sets shooting functions. X (Shooting menu 2) Sets shooting functions. q (Playback menu) Sets playback functions. Y (Custom menu 1) Customizes shooting functions. Depending on the function being customized, the function is further separated into 9 tabs (A to I). Z (Custom menu 2) Sets the basic functions of the camera.
Screenshot of menu with the Y tab selected
AF/MF BUTTON/DIAL RELEASE/ DISP/8/PC EXP/e/ISO #CUSTOM CANCEL
Press the i button to confirm your settings.
Press the i button repeatedly to exit the menu.
For details on the functions that can be set with the menu, refer to Menu directory (gP. 130).
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Resetting to the factory default settings
Normally, current camera settings (including any changes you have made) are retained when the power is turned off. To reset the camera to the factory default settings, set [RESET]. You can register settings in advance to [RESET1] and [RESET2]. The camera settings at that time are registered in [RESET1] and [RESET2]. For details on the registered functions, refer to Functions that can be registered with My Mode and Custom Reset Setting (gP. 129).
Registering [RESET1]/[RESET2] Menu MENU [W] [CUSTOM RESET]

The proper method for taking pictures of flowers differs depending on whether you want to capture, for example, a single flower, a field of blooming flowers, a deep red rose, or the light color of a sweet pea. Changing white balance There are many colors of flowers ranging from light to vivid ones. Depending on the colors of the flowers, subtle color shades may not be captured as seen. In this case, you can check the light conditions and change the white balance setting. At [AUTO], the camera automatically determines the type of light and shoots using the proper white balance. However, you can bring out subtle color shades more effectively by changing the setting according to shooting conditions, such as by using [55300K] for sunny days and [27500K] for outdoor shaded areas on sunny days. Using exposure compensation When shooting flowers against a background, select as simple a background as possible to bring out the shape and color of the flower. When shooting bright and whitish flowers, adjust the exposure compensation to (minus) so that the flower stands out from the darker background.
Changing shooting mode The proper shooting method when taking pictures of flowers differs depending on whether you want to emphasize a single flower or capture a field of flowers. To change the focus area, set the camera to A (aperture priority shooting) mode and select the aperture value. When you open the aperture (decrease the aperture value), the camera focuses within a shorter range (with a shallow depth of field), emphasizing the subject against a blurred background. When you close the aperture (increase the aperture value), the camera focuses over a wider range (with more depth of field), producing a picture with both the foreground and background in focus. You can use the preview function to confirm the changes in the depth of field when the aperture is changed. Using live view When using a conventional digital single-lens reflex camera with interchangeable lens system, it was necessary to wait until after taking the picture to check the results of the exposure compensation and white balance settings. With the live view function of this camera, however, you can use the monitor to display and check the subject you want to capture.

In order to use the < button, [Fn FACE DETECT] needs to be set up in the menu in advance. g; FUNCTION (P. 91) After setting [g FACE DETECT] to [ON] while using the < button, the following functions are automatically set to the best settings for taking pictures of people.
Function METERING GRADATION LIVE VIEW AF MODE AF MODE Setting e AUTO IMAGER AF S-AF (B) Ref. page P. 47 P. 68 P. 37 P. 52
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If the camera detects a face, a frame will be displayed in that location.
When you press the shutter button, the camera will focus on the position of the face detection frame (however, if a single AF target is selected with [AF AREA], the camera will focus on the AF target selected). With [AF SENSOR] or [HYBRID AF], the camera will focus on the AF target that is closest to the face detection frame.
During sequential shooting, face detection will work only at the first shot. Depending on the subject, the camera may not be able to correctly detect the face.
Taking a picture using manual focus
During live view, you can take a picture focusing manually while checking the focus on the LCD monitor.
Set the AF mode to [S-AF+MF] or [MF]. gAF mode selection (P. 52) Adjust the focus by rotating the focus ring.
In [S-AF+MF] mode, after pressing the shutter button halfway or pressing the AEL/AFL button, you can rotate the focus ring to finely adjust the focus before taking the picture. Using the enlarged display can be very convenient when adjusting the focus manually. gEnlarged display operation (P. 41)
Switching the information display
You can switch the information displayed on the monitor by pressing INFO button repeatedly.

Information display on

Information display on + Histogram
Enlarged display (gP. 41)

+1.0 GO

Information display on + Ruled lines display (gP. 94)

Information display off

Comparison screen (gP. 41)
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Taking a picture while comparing the effect
You can check the effect of exposure compensation or white balance on a 4-split screen.

j Adjust white balance manually, then use the WB bracketing feature. WB bracketing is applied to the white balance you have adjusted.
During WB bracketing, the camera cannot shoot the pictures if there is not enough memory in the camera and card for storing at least the selected number of frames.

Picture mode

You can select image tone to create unique image effects. You can also fine-adjust image parameters such as contrast and sharpness for each mode. The adjusted parameters are recorded in each picture effect mode. [hVIVID] : Produces vivid colors. [iNATURAL] : Produces natural colors. [jMUTED] : Produces flat tones. [ZPORTRAIT] : Produces beautiful skin tones. [MONOTONE] : Produces black and white tone. [CUSTOM] : Select one picture mode, set the parameters, and register the setting. You can also register the gradation to [CUSTOM]. This setting is set separately from [GRADATION] in the menu. gGradation (P. 68) Super control panel Menu i p: [PICTURE MODE]
PICTURE MODE CARD SETUP h CUSTOM RESET VIVID iNATURAL PICTURE MODE GRADATION jMUTED ZPORTRAIT WB CANCEL MONOTONE SELECT GO

MENU [W] [PICTURE MODE]

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The adjustable parameters are classified according to the picture modes. The individual parameters are as follows. [CONTRAST] : Distinction between light and dark [SHARPNESS] : Sharpness of the image [SATURATION] : Vividness of the color [B&W FILTER] : Creates a black and white image. The filter color is brightened and the complementary color is darkened.
[N: NEUTRAL] [Ye: YELLOW] [Or: ORANGE] [R: RED] [G: GREEN] : Creates a normal black and white image. : Reproduces clearly defined white cloud with natural blue sky. : Slightly emphasizes colors in blue skies and sunsets. : Strongly emphasizes colors in blue skies and brightness of crimson foliage. : Strongly emphasizes colors in red lips and green leaves. : : : : :
iNATURAL CONTRAST SHARPNESS SATURATION J0 N 0 T 0
iNATURAL CONTRAST CONTRAST SHARPNESS SATURATION

Lo Lo Lo

Hi 0 Lo

+1 Hi 0 Hi -1 -2

[PICT. TONE]
: Colors the black and white image.
Creates a normal black and white image. Sepia Bluish Purplish Greenish
[N: NEUTRAL] [S: SEPIA] [B: BLUE] [P: PURPLE] [G: GREEN]

Gradation

In addition to the [NORMAL] gradation setting, you can select from 3 other gradation settings. [HIGH KEY] : Gradation for a bright subject. [LOW KEY] : Gradation for a dark subject. [AUTO] : Divides the image into detailed regions and adjusts the brightness separately for each region. This is effective for images with areas of large contrast in which the whites appear too bright or the blacks appear too dark. [NORMAL] : Use [NORMAL] mode for general uses.

(Close-up frame-by-frame playback) Press bd to view frameby-frame close-ups. When [g FACE DETECT] is set to [ON], press ac to move to another face in close-up position. Press the INFO button to return to close-up playback.
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Light box display

You can view the playback image and another image together on the left and right sides of the monitor. This is useful if you want to compare images you recorded using bracketing.
Press the P button during single-frame playback.
The frame being viewed is displayed on the left side of the monitor, and the next frame is displayed on the right side. The image is displayed at the same magnification of the image being viewed. The image on the left is the benchmark image.

MENU button < button

Press p to select the image on the right.
You can protect, erase or copy the image on the right.

Press the P button.

The camera returns to single-frame playback of the image on the left at the magnification being viewed.
INFO button i button P button

Benchmark image

Operations during light box display Pressing the i button replaces the image on the left with the image on the right and becomes the new benchmark image. You can use the control dial to change the magnification of both images at the same time. Pressing the < button or INFO button allows you to move the position of the image on the right with the p button. Pressing the < button or INFO button again allows you to move the positions of both images with the p button.
p : Selects the right image
p : Scrolls the right image
p : Scrolls both images in synchronization
* You can also use the INFO button in the same way for this procedure.
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Index display/Calendar display
This function lets you show several images on the monitor at the same time. This is useful when you want to quickly search a number of pictures to find a particular image. During single-frame playback, each time you turn the dial toward G, the number of images shown changes between 4, 9, 16, 25, 49 and 100 pictures. b : Moves to the previous frame d : Moves to the next frame a : Moves to the upper frame c : Moves to the lower frame To return to single-frame playback, turn the control dial to U.

(4-frame index display)

(9-frame index display)

(16-frame index display)

(Calendar display) (100-frame index display) (49-frame index display) (25-frame index display)
Calendar display With the calendar, you can display images recorded on the card by date. If more than one image was taken on a single date, the image shot first on that date is displayed. Use p to select a date and press the i button to play back images for the selected date in single-frame display.
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Information display

This allows you to display detailed information about the image. Luminance information can also be displayed with histogram and highlight graphs. Press the INFO button repeatedly until the desired information is displayed. This setting is stored and will be shown the next time the information display is called up.

Image only

Information 1

Information 2

100-0015

08.12.16 21:56 100-0015

Displays the frame number, print reservation, protect, record mode and file number
Displays the frame number, print reservation, protect, record mode, number of pixels, compression rate, date and time and file number Shooting information

Shadow/Highlight display

*Histogram
If the bars in the histogram are higher on the right, the image may be too bright. If the bars are higher on the left, the image may be too dark. Compensate the exposure or shoot again. Histogram*

Overall information

SHADOW HILIGHT
Shadow/Highlight display Under- or overexposed parts of the recorded image are displayed. Shadows (underexposed) parts will be shown in blue. Highlights (overexposed) parts will be shown in red.
Histogram display Distribution of the brightness of the recorded image is displayed in a histogram (brightness component graph).
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Slideshow

This function displays images stored on the card one after another. Images are displayed one by one for about 5 seconds starting from the currently displayed image. Slideshow can be performed using index display. You can select the number of frames displayed during slideshow from 1, 4, 9, 16, 25, 49 or 100.
MENU [q] [m] Use p to set.
[K] (1-frame display)/[L] (4-frame display)/[M] (9-frame display)/[N] (16-frame display)/[O] (25-frame display)/[h] (49-frame display)/[i] (100-frame display)
Press the i button to start the slideshow. Press the i button to stop the slideshow.

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[CONTROL] Allows you to control the camera from a PC using the optional OLYMPUS Studio. [<EASY] Can be set when connecting the camera to a PictBridge-compatible printer. Pictures can be printed directly without using a PC. gConnecting the camera to a printer (P. 103) [<CUSTOM] Can be set when connecting the camera to a PictBridge-compatible printer. You can print out pictures with set number of prints, print paper and other settings. gConnecting the camera to a printer (P. 103) LIVE VIEW BOOST During live view shooting, you can brighten the monitor for easier confirmation on the subject. [OFF] The subject is displayed on the monitor with the brightness level that is adjusted according to the exposure being set. You can shoot while confirming through the monitor in advance to get a picture that is to your liking. [ON] The camera automatically adjusts the brightness level and displays the subject on the monitor for easier confirmation. The effect of the exposure compensation adjustments will not be reflected on the monitor. g FACE DETECT When set to [ON], the camera will detect peoples faces and automatically adjust the focus there. gUsing the face detection function (P. 39) You can play back close-up images focusing on the subjects face. gSingle-frame/Closeup playback (P. 79) FRAME ASSIST (Ruled lines display) During live view, you can display the ruled lines on the LCD monitor as a guide when confirming the composition. Press the INFO button repeatedly to display the ruled lines. gSwitching the information display (P. 40)

e EXP/e/ISO

EV STEP You can select the EV step for exposure parameter setting, such as shutter speed, aperture value, or exposure compensation value, from [1/3EV], [1/2EV], or [1EV]. ISO-AUTO SET You can set the upper limit when ISO is set to [AUTO]. This sets the upper limit of the ISO value that automatically changes. The upper limit can be set from 100 to 1600. ISO-AUTO You can set the shooting mode in which the ISO [AUTO] setting is activated. [P/A/S] The [AUTO] setting is activated in all shooting modes except M mode. When [AUTO] is selected in M mode, ISO 100 is set. [ALL] The [AUTO] setting is activated for all shooting modes. The ISO is automatically selected to obtain the optimal ISO even in M mode.
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AELMetering You can set the metering mode when pressing the AEL/AFL button to lock the exposure. [AUTO] performs metering in the mode selected under [METERING]. BULB TIMER You can select the maximum time (in minutes) for bulb shooting.

#X-SYNC.

f # CUSTOM
You can set the shutter speed that will be used when the flash fires. The speed can be set from 1/60 to 1/180 in 1/3 EV increments. For details on the synchronization speed of commercially available flashes, refer to their manuals. #SLOW LIMIT You can set the slow limit of the shutter speed that will be used when the flash fires. The speed can be set from 1/30 to 1/180 in 1/3 EV increments. w+F When set to [ON], it will be added to the exposure compensation value and flash intensity control will be performed. AUTO POP UP In AUTO or scene mode, the built-in flash pops up automatically in low light or backlight conditions. When set to [OFF], the built-in flash will not pop up automatically.

ALL >

g K/COLOR/WB
You can apply the same compensation value to all the white balance modes at once. [ALL SET] The same compensation value applies to all WB modes. [ALL RESET] The WB compensation value settings applied to each WB mode are all cleared at once. If you select [ALL SET] 1) Use bd to select the color direction. Toward A: Amber-Blue/Toward G: Green-Magenta 2) Use ac to set the compensation value. gWB compensation (P. 65) Releasing the AEL/AFL button takes a sample image. You can check the white balance you have adjusted. If you select [ALL RESET] 1) Use ac to select [YES].
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COLOR SPACE You can select how colors are reproduced on the monitor or printer. The first character in image file names indicates the current color space. gFILE NAME (P. 97)
Pmdd0000.jpg P : sRGB _ : Adobe RGB

SHADING COMP.

[sRGB] [Adobe RGB]
Standardized color space for Windows. Color space that can be set with Adobe Photoshop.
In some cases, the edges of the image may be shadowed due to the properties of the lens. The shading compensation function compensates by increasing brightness at the dark edge of the image. This function is especially useful when a wide-angle lens is used.
This function is not available when a teleconverter or an extension tube is attached to the camera. At higher ISO settings, noise in image edges may be conspicuous.
K SET You can combine 3 image sizes and 4 compression rates and register 4 combinations. Select the registered setting with [K]. gSelecting the record mode (P. 62)
Register 4 different combinations of image settings.
Set the number of pixels.
Y SF X F PIXEL COUNT CANCEL

W SF Yarge GO

Set the compression rate.
PIXEL COUNT You can set the pixel size for the image size [X], [W]. [Xiddle] Select [3200 2400], [2560 1920], or [1600 1200]. [Wmall] Select [1280 960], [1024 768], or [640 480].

QUICK ERASE

h RECORD/ERASE
You can erase the picture you have just taken immediately using the S button. [OFF] When the S button is pressed, the confirmation screen appears, asking you if you want to erase the picture. [ON] Pressing the S button erases the picture immediately.
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RAW+JPEG ERASE You can select the method to erase images recorded in RAW+JPEG. This function can only be used to erase one frame. [JPEG] Erases all JPEG image files, leaving only the RAW image files. [RAW] Erases all RAW image files, leaving only the JPEG image files. [RAW+JPEG] Erases both image file types.
This function is effective only if deleting one frame. For all-frame erase or erasing selected frames, both RAW and JPEG will be erased regardless of this setting.

STANDARD

[PICS/SHEET] Selects the number of pictures per sheet. Displayed when you have selected [MULTI PRINT].
PRINTPAPER SIZE STANDARD PICS/SHEET 16
Selecting pictures you want to print
Select pictures you want to print. The selected pictures can be printed later (single-frame reservation) or the picture you are displaying can be printed right away. [PRINT] (f) Prints the currently displayed picture. If there is a picture that [SINGLE PRINT] reservation has already been applied to, only that reserved picture will be printed. [SINGLE PRINT] (t) Applies print reservation to the currently displayed picture. If you want to apply reservation to other PRINT SELECT pictures after applying [SINGLE SINGLEPRINT MORE PRINT], use bd to select them. [MORE] (u) Sets the number of prints and other items for the currently displayed picture, and whether or not to print it. For operation, refer to Setting printing data (gP. 105) in the next section.
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Setting printing data

Select whether to print printing data such as the date and time or file name on the picture when printing. [<] Sets the number of prints. PRINT INFO [DATE] Prints the date and time recorded on the picture. 1 [FILE NAME] Prints the file name recorded on the picture. DATE WITHOUT [P] Trims the picture for printing. Set the FILE NAME WITHOUT trimming size with the control dial and the trimming position with the arrow pad.
Once you have set the pictures for printing and printing data, select [PRINT], then press the i button.
[PRINT] [CANCEL] Transfers images you print to the printer. Resets the settings. All print reservation data will be lost. If you want to keep the print reservation data and make other settings, press b. This returns you to the previous setting.

PRINT CANCEL

To stop and cancel printing, press the i button. [CONTINUE] Continues printing. [CANCEL] Cancels printing. All print reservation data will be lost.

CONTINUE CANCEL

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Using the OLYMPUS Master software

Flowchart

Just connect the camera to a computer with the USB cable and you can easily transfer images stored on the card to the computer with the provided OLYMPUS Master software. Things to prepare OLYMPUS Master 2 CD-ROM USB cable Computer that fulfills the operating environment (For the required operating environment, refer to the OLYMPUS Master installation guide.)

How to read the histogram 1 If the graph has many peaks around here, the image will appear mostly black. 2 If the graph has many peaks around here, the image will appear mostly white. 3 The part indicated in green in the histogram shows the luminance distribution within the spot metering area. gSwitching the information display (P. 40)
Leaving set functions in the camera so that they can be used later You can register up to two current camera settings in [MY MODE SETUP]. To shoot using My Mode settings, [; FUNCTION] must be set to [MY MODE]. After setting, shoot while pressing the < button. g; FUNCTION (P. 91), MY MODE SETUP (P. 92)

Playback tips

Understanding the settings and other information of pictures taken Play back a picture, and press the INFO button. Press the button repeatedly to change the amount of information displayed. gInformation display (P. 82)
Viewing pictures on a computer
Viewing the entire picture on a computer screen The size of the picture displayed on a computer screen changes depending on the computer settings. When the monitor setting is and you are using Internet Explorer to view a picture with an image size of at 100%, the entire picture cannot be viewed without scrolling. There are several ways you can view the entire picture on the computer screen. View the picture using image browsing software
Install the OLYMPUS Master software from the provided CD-ROM.
Change the monitor setting
The icons on the computer desktop may be rearranged. For details of changing the settings on your computer, refer to the computers manual.
To view recorded images in RAW Install the OLYMPUS Master software from the provided CD-ROM. You can use the RAW development function in OLYMPUS Master to develop the RAW image in the camera setting used during shooting, as well as change detailed settings such as white balance and contrast.
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Error codes

Viewfinder indications Normal indication NO CARD Monitor indication Possible cause The card is not inserted, or it cannot be recognized. There is a problem with the card. CARD ERROR Writing to the card is prohibited. WRITE PROTECT The card is full. No more pictures can be taken or no more information such as print reservation can be recorded. CARD FULL There is no space in the card and print reservation or new images cannot be recorded. xD-Picture Cards cannot be read or is not formatted. Corrective action Insert a card or insert a different card.

Using your charger abroad
The charger can be used in most home electrical sources within the range of 100 V to 240 V AC (50/60Hz) around the world. However, depending on the country or area you are in, the AC wall outlet may be shaped differently and the charger may require a plug adapter to match the wall outlet. For details, ask at your local electrical shop or travel agent. Do not use commercially available travel adaptors as the charger may malfunction.

Interchangeable lenses

Select the lens that you want to shoot with. Use a specified Four Thirds lens (Four Thirds mount). When a non-specified lens is used, auto focus and light metering will not function correctly. In some cases, other functions may not work either. Four Thirds mount Developed by Olympus as the lens mount standard for the Four Thirds system. These all-new interchangeable lenses featuring the Four Thirds mount were developed from the ground up based on optic engineering exclusively for digital cameras.
ZUIKO DIGITAL interchangeable lens
Four Thirds system interchangeable lens are designed to withstand rigorous professional use. The Four Thirds system makes it possible for a fast lens to be compact and lightweight as well. Focal length and depth of field of Four Thirds system lenses When compared to 35-mm cameras, Four Thirds system cameras achieve different effects at the same focal length and aperture. Information
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Focal length At the same focal length of a 35-mm camera, a Four Thirds system camera can achieve a focal length equivalent to twice that of a 35-mm camera. This enables the design of compact telephoto lenses. A 14-50 mm Four Thirds system lens, for example, is equivalent to a 28100 mm lens for a 35-mm camera. When the image angle of Four Thirds system lens is converted to that of a 35-mm camera, the perspective is the same as that of a 35-mm camera. Depth of Field A Four Thirds system camera can achieve a depth of field equivalent to two times deeper than that of a 35-mm camera. This enables more light to enter through the aperture. A Four Thirds system lens with f2.0 brightness, for example, is equivalent to f4.0 when converted to the aperture of a 35-mm camera. You can achieve the same amount of background blur as if you were using a 35-mm camera.

X (Middle)..62, 115 MACRO J..5 Manual flash..72 Manual focus (MF)..40, 53 Manual shooting M..45 Menu..29 METERING...47, 92 MF...91 MF (manual focus)...53 Microdrive...13, 121 Monitor adjustment s..98 MONOTONE..67 MTP..93, 110 My mode...91 MY MODE SETUP..92
F (Fine).. 62, 115 FACE DETECT g.. 39, 94 FILE NAME... 97 Fill-in flash #.. 71 FIREWORKS (.. 5 FIRMWARE... 99 FL BKT... 74 Flash bracketing.. 74 Flash intensity control w.. 74 Flash mode #.. 70 Flash off $... 71 Fn FACE DETECT.. 39, 91 Focus lock... 56 FOCUS RING.. 89 FORMAT... 121 Four Thirds system lenses. 122 FRAME ASSIST.. 94
N (Normal)..62, 115 NATURE MACRO r..5 NIGHT SCENE G..5 NIGHT+PORTRAIT U..5 NOISE FILTER...69 NOISE REDUCT..69 NTSC...99 Number of pixels..62

GRADATION.. 68

HIGH KEY... 68 Histogram.. 40, 82, 116 Home position p... 55 HYBRID AF o.. 37
OLYMPUS Master..106 Olympus wireless RC flash system..76 One-touch white balance V.64, 66, 91
PAL...99 PANORAMA s..5, 42 PICT. TONE..68 PictBridge..102 PICTURE MODE..67 Pixel count..62, 96 PIXEL MAPPING...120 PORTRAIT I..5 Preset white balance.64, 65 Preview..47, 91 Print mode <...104 Print reservation..100 PRIORITY SET...97 Program shift %..43 Program shooting P..43 Protecting 0..87
IMAGE STABILIZER o.. 60 IMAGER AF p.. 37 Index display G.. 81 Information display.. 40, 82 ISO... 51, 92 ISO-AUTO... 94 ISO-AUTO SET.. 94

JPEG EDIT.. 84

Y (Large)... 62, 115 LANDSCAPE L.. 5 LANDSCAPE+PORTRAIT K.. 5 Lens.. 12, 122 Light box display.. 80 Lithium ion battery.. 11, 122 Lithium ion charger.. 11, 122

QUICK ERASE...96

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RAW.. 62 RAW DATA EDIT.. 84 RAW+JPEG ERASE.. 97 RAWK... 91 REC VIEW... 99 Record mode K.. 62, 63, 128 REDEYE FIX.. 85 Red-eye reduction flash !.. 70 Remote control <.. 58 RESET LENS.. 89 RESET PROTECT.. 87 Resizing Q.. 85 RLS PRIORITY C.. 93 RLS PRIORITY S.. 93 Rotating images y.. 83
UNDERWATER MACRO H. 5, 98 UNDERWATER WIDE I.. 5, 98 USB MODE... 93
VIDEO OUT.. 99 Viewfinder.. 6, 14, 16
WB... 65, 92 WB BKT... 67 WB compensation... 65 White balance bracketing.. 67 White balance WB.. 64

xD-Picture Card. 13, 121

W (Small).. 62, 115 S-AF (single AF).. 52 S-AF+MF.. 53 SATURATION... 68, 85 Scene mode g... 4 Self-timer Y.. 58 SEPIA.. 85 Sequential shooting j.. 57 SF (Super Fine).. 62, 115 SHADING COMP... 96 SHADOW ADJ... 85 SHARPNESS.. 68 Shutter priority shooting S.. 44 Shutter speed.. 43 Single AF (S-AF).. 52 Single-frame copy... 86 Single-frame erase S.. 88 Single-frame playback.. 79 Single-frame protect.. 87 Single-frame shooting o.. 57 SLEEP... 93 Slideshow m.. 83 Slow synchronization #SLOW. 70 Slow synchronization #SLOW2/2nd CURTAIN.. 71 SPORT J.. 5 Spot metering 5.. 48 Spot metering - highlight control 5HI.. 48 Spot metering - shadow control 5SH. 48 sRGB... 96 STORAGE.. 93, 107 Strap.. 10 SUNSET *.. 5 Super control panel.. 7, 28 Super FP flash.. 76