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Roland AC-90Roland AC-90 45Wx2 Acoustic Chorus Guitar Combo Amp Black
AC90 Acoustic Chorus Guitar Amplifier Portable Carrying Case Included Amplifiers & Cabinets The Roland AC90 Acoustic Chorus Guitar Amplifier comes loaded with high-performance neodymium speakers and 90W of power. The 2-way stereo speaker system delivers transparent highs and kicking lows. The AC-90 comes with a long history of Roland excellence at its back. This amp is the latest addition to a legacy of quality products designed to give performers that reliable boost they need. The new anti-... Read more

Details
Brand: ROLAND
Part Numbers: AC-90, AC90, ac-90
UPC: 0761294404843, 761294404843
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Manual

Preview of first few manual pages (at low quality). Check before download. Click to enlarge.
Manual - 1 page  Manual - 2 page  Manual - 3 page 

Download (English)
Roland AC-90, size: 10.6 MB

 

Roland AC-90

 

 

Video review

Roland AC 90 Acoustic Amp at NAMM Show

 

User reviews and opinions

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Comments to date: 2. Page 1 of 1. Average Rating:
theguyfromsaturn 5:47pm on Monday, May 31st, 2010 
i wrote a review when i first had it and there were no problems but six months on have started to notice a lot of things.
jevan 6:53pm on Sunday, April 11th, 2010 
For me, The Peugeot 206 is the perfect first car. I am an 18 year old male but not what many people would call a "boy racer".

Comments posted on www.ps2netdrivers.net are solely the views and opinions of the people posting them and do not necessarily reflect the views or opinions of us.

 

Documents

doc0

AC-90_egfispd.book Page 1 Tuesday, May 15, 2007 2:37 PM
Owners Manual Bedienungsanleitung Guide dutilisation Manuale dell'utente Manual del usuario Manual do proprietrio Gebruikershandleiding
Thank you, and congratulations on your choice of the Roland AC-90 Acoustic Chorus.
Before using this unit, carefully read the sections entitled: IMPORTANT SAFETY INSTRUCTIONS (page 2) USING THE UNIT SAFELY (page 34) IMPORTANT NOTES (page 5)
These sections provide important information concerning the proper operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, Owners manual should be read in its entirety. The manual should be saved and kept on hand as a convenient reference.
Copyright 2007 ROLAND CORPORATION All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION.
AC-90_egfispd.book Page 2 Tuesday, May 15, 2007 2:37 PM
WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture.

CAUTION

RISK OF ELECTRIC SHOCK DO NOT OPEN
ATTENTION: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert the user to the presence of uninsulated dangerous voltage within the products enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons. The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.
INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS.
IMPORTANT SAFETY INSTRUCTIONS SAVE THESE INSTRUCTIONS
WARNING - When using electric products, basic precautions should always be followed, including the following: 1. 2. 3. 4. 5. 6. 7. 8. Read these instructions. Keep these instructions. Heed all warnings. Follow all instructions. Do not use this apparatus near water. Clean only with a dry cloth. Do not block any of the ventilation openings. Install in accordance with the manufacturers instructions. Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet. 10. Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus. 11. Only use attachments/accessories specified by the manufacturer. 12. Use only with the cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over. 13. Unplug this apparatus during lightning storms or when unused for long periods of time. 14. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.
For the U.K. IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE. BLUE: NEUTRAL BROWN: LIVE As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows: The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug.

Noise may be produced if wireless communications devices, such as cell phones, are operated in the vicinity of this unit. Such noise could occur when receiving or initiating a call, or while conversing. Should you experience such problems, you should relocate such wireless devices so they are at a greater distance from this unit, or switch them off.
When you need to transport the unit, package it in the box (including padding) that it came in, if possible. Otherwise, you will need to use equivalent packaging materials.
Do not expose the unit to direct sunlight, place it near devices that radiate heat, leave it inside an enclosed vehicle, or otherwise subject it to temperature extremes. Also, do not allow lighting devices that normally are used while their light source is very close to the unit (such as a piano light), or powerful spotlights to shine upon the same area of the unit for extended periods of time. Excessive heat can deform or discolor the unit.
Some connection cables contain resistors. Do not use cables that incorporate resistors for connecting to this unit. The use of such cables can cause the sound level to be extremely low, or impossible to hear. For information on cable specifications, contact the manufacturer of the cable.
To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn off the power on all devices before making any connections.
When moved from one location to another where the temperature and/or humidity is very different, water droplets (condensation) may form inside the unit. Damage or malfunction may result if you attempt to use the unit in this condition. Therefore, before using the unit, you must allow it to stand for several hours, until the condensation has completely evaporated.
This instrument is equipped with balanced XLR/TRS type jacks. Wiring diagrams for these jacks are shown below. Make connections after first checking the wiring diagrams of other equipment you intend to connect.

fig.XLR/TRSJack.eps

Do not allow rubber, vinyl, or similar materials to remain on the unit for long periods of time. Such objects can discolor or otherwise harmfully affect the finish.

Do not paste stickers, decals, or the like to this instrument. Peeling such matter off the instrument may damage the exterior finish.
Once the connections have been completed (p. 11), turn on power to your various devices in the order specified. By turning on devices in the wrong order, you risk causing malfunction and/or damage to speakers and other devices. When powering up: Turn on the power to the AC-90 last. When powering down: Turn off the power to the AC-90 first.
Depending on the material and temperature of the surface on which you place the unit, its rubber feet may discolor or mar the surface. You can place a piece of felt or cloth under the rubber feet to prevent this from happening. If you do so, please make sure that the unit will not slip or move accidentally.
Wrap the AC cord around the cord hook when trans-porting or storing the unit.
AC-90_egfispd.book Page 6 Tuesday, May 15, 2007 2:37 PM

Contents

USING THE UNIT SAFELY..3 IMPORTANT NOTES..5 Contents...6

Espaol

Principales caractersticas..47 Nombres de componentes y sus funciones.48 Panel de control..48 Panel trasero...52 Ejemplo de uso de dos canales combinados.54 Cmo utilizar el soporte plegable.55 Utilizacin de un soporte de altavoz.56

English

Main Features..7 Names of Things and What They Do..8 Control Panel..8 Rear Panel..12 Example of Using Two Channels Combined.14 How to Use the Folding Stand..15 Using a Speaker Stand..16

Portugus

Principais caractersticas..57 Nomes das partes e suas funes..58 Painel de controle..58 Painel traseiro..62 Exemplo de uso de dois canais combinados.64 Como utilizar o suporte dobrvel.65 Utilizando um suporte para alto-falante..66

Deutsch

Hauptmerkmale...17 Bezeichnungen und Funktionen der Bedienelemente..18 Bedienfeld..18 Rckseite..22 Beispiel fr die kombinierte Verwendung zweier Kanle..24 Verwendung des ausklappbaren Bgels..25 Verwenden eines Lautsprecherstativs.26

Nederlands

Belangrijkste kenmerken..67 Namen van onderdelen en hun functies..68 Voorpaneel..68 Achterpaneel..72 Voorbeeld van gecombineerd gebruik van twee kanalen..74 De vouwstandaard gebruiken..75 Een luidsprekerstandaard gebruiken..76 Block Diagram...77 How to Use the Carrying Case..77 Specifications..78

Franais

Caractristiques principales.27 Noms et fonctions des lments.28 Panneau de commande..28 Panneau arrire...32 Exemple dutilisation de deux canaux ensemble...34 Utilisation du pied pliant.35 Utilisation dun pied pour haut-parleur..36

Italiano

Caratteristiche principali.37 Denominazione e utilizzo delle funzioni.38 Pannello di controllo..38 Pannello posteriore..42 Esempio di utilizzo di due canali combinati.44 Modalit di utilizzo del supporto pieghevole.45 Utilizzo di un supporto casse..46

AC-90_egfispd.book Page 7 Tuesday, May 15, 2007 2:37 PM

Main Features

The AC-90 is a high-performance monitor amp developed exclusively for use with acoustic instruments. It is capable of faithfully expressing all the harmonic richness of an acoustic instruments sound.
Compact, High-Performance Stereo Amp
The finely tuned design of the cabinet is meant to enhance the sound of acoustic instruments. Within this cabinet, there are two 8 inch woofers, two tweeters, and a 45 W + 45 W stereo ampall of which were newly designed just for the AC-90. As a result, the unit is capable of delivering a more natural, acoustic instrument sound across a broad range of frequencies. Thanks to a power amp that was designed to be as light as possible, and the use of new materials for the woofers, an overall reduction in the weight of the unit has been achieved.

Mute Function

The provided Mute switch makes it easy for you to mute the sounds for the AC-90s own speakers as well as the sounds from LINE OUT. By using the Mute function, you can plug in and out noiselessly at the guitar. Furthermore, when you have a tuner connected to TUNER OUT, the Mute function lets you tune your instrument without outputting any sound. You can connect an optional foot switch and use your foot to turn this on and off.
External Input Jacks (AUX IN)
Includes external input jacks, allowing you to connect a CD player, backing machine, or other device in stereo. These include both RCA phono jacks and 1/4 phone jacks, making it possible to connect just about any kind of device.
Features Two Independent Channels, GUITAR and MIC/LINE
Each channel includes a 3-band equalizer. GUITAR channel handles both piezo and magnetic pickups. The MIC/LINE channel offers phantom power, produced by highly reliable, dedicated 48 V output phantom circuitry. Using the MIC/LINE channel for LINE input allows you to connect guitars with magnetic pickups. You can also use a piezo pickup (GUITAR channel) and a magnetic pickup (MIC/LINE channel) at the same time, and mix (blend) the sounds together.
Multiple Output Connectors
Features DI Out, which allow you to directly output the signals input from connected instruments and mics. You can also connect a tuner. TRS balanced output is supported. Line outs feature 1/4 phone mono-output jacks in addition to XLR connectors for stereo output. You can use a single AC-90 for all applications. It also features a Subwoofer Out. Connecting a powered subwoofer allows you to play with an even punchier, more powerful low end. The amp also provides a headphones jack, which you can use when playing during nighttime hours and when making sound checks.

10. CHORUS Buttons

Switch chorus on and off. When on, the indicator is lit.

6. VOLUME Knobs

Adjusts the volume of the GUITAR channel. * To accommodate the lower output of piezo pickups, the volume level when the VOLUME knob is between the 7 and 10 positions is set somewhat higher when the PICKUP button is set to PIEZO in comparison with the MAGNETIC setting. You can use a foot switch (the optional BOSS FS-5U) to switch chorus on and off. Turning chorus on and off with the foot switch works on both channels.

11. CHORUS Knob

Turn this knob to select among the three types of chorus (SPACE, RICH, and WIDE). You can adjust the amount of effect applied by changing the position of the knob. * This is enabled when the CHORUS button is in the ON position. * The markings indicating the SPACE and RICH positions are approximate. Listen to the sound to confirm the effect as you make adjustments.
Adjusts the volume of the MIC/LINE channel. * When using the AC-90 with the GUITAR channel and MIC/ LINE channel mixed, adjust the volume balance between the two channels with the VOLUME knob.

7. BASS Knobs

Adjust the level of the low-frequency range.
This is a spacially synthesized chorus. With spacially synthesized chorus, a method available only in stereo, the chorus effect is created by taking the sound from the right speaker (from which the effect sound is output), and the sound from the left speaker (which outputs the direct sound), and then mixing them in the actual space. This creates a greater lateral spread than that produced when the sounds are mixed electronically, providing a more natural sense of breadth.

8. MIDDLE Knobs

Adjust the level of the midrange.
AC-90_egfispd.book Page 10 Tuesday, May 15, 2007 2:37 PM
This is a stereo chorus that is divided into three frequency ranges. Here, the effect is separated into three bands, low-frequency, midrange, and high-frequency, and by applying the most suitable amount of chorus effect in each range, it provides a sense of fullness and breadth that is perfectly suited to the acoustic guitar. The low end is firmly in the center, and sound spreads out more and more as the sound rises from the midrange up through the higher frequencies.

fig.031

MANUAL
* Turn the knob to OFF if you are not using anti-feedback.

14. START Button

This is used for Auto settings (p. 11). Pressing the button performs automatic detection of feedback-whine frequencies. The indicators show the operating status of the automatic detection function. Standby: Flashes slowly During Detection: Flashes rapidly After Detection: Remains lit * Holding down the START button for one second or longer returns the unit to standby for automatic detection.
While also relying on the division of sound into separate bands, this chorus offers even greater expansiveness than RICH. The sound image spreads beyond the AC-90s speakers, producing an effect that seems to envelope the listener in sound.

12. REVERB/DELAY Knob

You can adjust this knob to switch between the reverb and delay effects. You can adjust the amount of effect applied by changing the position of the knob. * Turn the knob to OFF if you are not using the reverb or delay effect. * The markings indicating the reverb and delay positions are approximate. Listen to the sound to confirm the effect as you make adjustments.

How to Use ANTI-FEEDBACK

fig.32
Anti-feedback is a function that controls feedback that arises between the guitar or mic and the amp. The feedback is suppressed by attenuating the frequency at which the feedback occurs. * This is not designed to work with respect to the high-frequency feedback that can occur when using microphones. Anti-feedback can be used in two different ways; you can make use of either the Auto settings or the Manual settings. * Use either when feedback whine occurs. Feedback This is a phenomenon whereby signals output from the speakers are picked up again by the mic or pickup, and the sound is further amplified and output from the speakers, resulting in an unpleasant oscillating sound. * If the anti-feedback alone does not control the feedback, adjust your settings, for example by lowering the volume or cutting the low frequencies. * To prevent feedback during a performance, we recommend making the anti-feedback setting before the performance.

REVERB

This stereo reverb, developed especially for acoustic instruments, gives a sense of spaciousness and natural sonic quality. Turn the knob to adjust the volume of the reverb effect.
This delay, developed especially for acoustic instruments, adds soft reflections to the original sound. Turn the knob to change the delay time. * You can use a foot switch (the optional BOSS FS-5U) to switch the reverb and delay on and off.

13. FREQUENCY Knob

This selects the frequency at which the anti-feedback function operates. Also, the position of the knob determines whether Auto or Manual settings are selected.
AC-90_egfispd.book Page 11 Tuesday, May 15, 2007 2:37 PM
Setting the Feedback Point Automatically
This automatically detects the frequency at which feedback occurs and suppresses feedback. * Use in conditions where feedback occurs. 1. Cause feedback whine to occur. 2. Turn the FREQUENCY knob to the AUTO position.

fig.033

15. MUTE Button
When you press the button, the MUTE indicator flashes, muting is turned on, and the speaker output and sounds from SUB WOOFER OUT and LINE OUT are muted. With the mute function activated, you do not need to turn down the VOLUME knob or MASTER knob to mute the noise when plugging into, or unplugging from your guitar. * Sounds from the DI OUT/TUNER OUT and PHONES jacks are not muted.

Drum Machine Mute On/Off Anti-Feedback
CD Player Powered Sub Woofer White
Mixer Tuner Recorder 926a * When connection cables with resistors are used, the volume level of equipment connected to the inputs may be low. If this happens, use connection cables that do not contain resistors.

Chorus On/Off

Reverb/Delay On/Off

1. LINE OUT Jacks

You can connect a mixer, recording device, or other device here. The output level is +4 dBu. Included here are XLR connectors (L/R: stereo output) and a 1/4 phone jack (mono output).

fig.090

2. SUB WOOFER OUT Jack
You can connect a powered subwoofer to play back sounds with an even punchier, more powerful low end. The volume is adjusted with the MASTER knob.

3. AUX IN Jacks

You can connect a CD player, drum machine, or other device and play back sounds in stereo. Both RCA phono jacks and 1/4 phone jacks are provided. When connected to only the left 1/4 phone jack, playback is in mono. Although the input from AUX IN is output from the speakers, PHONES, and SUB WOOFER OUT, it is not output from LINE OUT. The volume is adjusted with the MASTER knob, and muting on/off for these sounds is controlled with
* You cannot adjust the volume for LINE OUT with the MASTER knob. * The chorus effects are designed so they exhibit the greatest effectiveness when you use the units built-in speakers. Effectiveness may differ when LINE OUT is used instead of the built-in speakers.
AC-90_egfispd.book Page 13 Tuesday, May 15, 2007 2:37 PM
the MUTE button. If devices are connected to both the RCA phono jacks and the 1/4 phone jacks, the two inputs are mixed.

(MUTE, ANTI-FEEDBACK)

Connecting a foot switch pedal (optional BOSS FS-5L, FS-5U, or FS-6) using a connection cable (the optional PCS-31) makes it possible to use a latch-type foot switch (the FS-5L or FS-6) to switch muting on and off, or to use a momentary-type foot switch (the FS-5U or FS-6) to control the anti-feedback feature. * For information on the settings for the FS-6, refer to the owners manual for the FS-6.

fig.050

4. DI OUT/TUNER OUT Jack
The direct sound of the device or instrument connected to the GUITAR or MIC/LINE channel is output here. This is a 1/4 phone TRS jack with balanced output. You can also use this jack to connect a tuner.

fig.070

* If balanced output is not required, use a 1/4 phone (mono) plug to connect to this jack.

If balanced output is not required, you can use the special connection cable (the optional PCS-31) to use the DI OUT and TUNER OUT simultaneously.

fig.080

* The MUTE button should be set to off when a foot switch is connected for muting. You cannot switch the muting off by pressing the foot switch when the MUTE button is on (when the MUTE indicator is lit). * When using an FS-5U (momentary type) to switch muting on and off, the muting is switched on only while the switch is held down. For anti-feedback, a foot switch will function as follows: When the FREQUENCY knob is positioned in the range from L to H, the switch turns the anti-feedback function on and off. When the FREQUENCY knob is positioned at AUTO, the switch functions as the START switch for the automatic detection. Holding the foot switch down for one second or longer returns the automatic detection function to standby mode.

Tuner Recoreder

A phase-inverted signal is output from the COLD side (the red side of the PCS-31). Connect the recording device to the HOT side (the white side of the PCS-31)

5. FOOT SW Jacks

The AC-90 accepts the BOSS FS-5L (latch type), BOSS FS-5U (momentary type), and BOSS FS-6 foot switch pedals. * Set the polarity switch as shown below.

fig.071

Using a special connection cable (the optional PCS-31) to connect two foot switches (the optional BOSS FS-5U), you can use one FS-5U to switch the chorus on and off, and use the other FS-5U to switch the delay or reverb on and off.

fig.060

When a 1/4 phone (mono) plug is used to connect only one foot switch, only the chorus on/off function is enabled. * The chorus on/off function works on both channels. * You cannot switch the chorus on and off by pressing the foot switch when the CHORUS button is off.

(CHORUS, DELAY/REVERB)

When a 1/4 phone (mono) plug is used to connect only one foot switch, only the Mute on/off function is enabled. In such cases, you should use a latch-type foot switch pedal (such as the BOSS FS-5L)
AC-90_egfispd.book Page 14 Tuesday, May 15, 2007 2:37 PM
Example of Using Two Channels Combined
When Using a Mic and a Pickup
GUITAR CHANNEL: Piezo or Magnetic Pickup MIC/LINE CHANNEL: Condenser or Dynamic mic (SELECT button = MIC) This allows you to blend the fat midrange of the pickup with the mics delicate high end. Set the PHANTOM switch to ON if using a condenser mic.

PIEZO or MAGNETIC

Condenser mic or Dynamic mic

When Using Two Guitars

GUITAR CHANNEL: Guitar 1 Guitar 2 Piezo or Magnetic Pickup Magnetic Pickup (SELECT button = LINE)

Guitar 1

MIC/LINE CHANNEL: You can switch guitars without having to readjust the volume and tone.

FEDERAL COMMUNICATIONS COMMISSION RADIO FREQUENCY INTERFERENCE STATEMENT
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures: Reorient or relocate the receiving antenna. Increase the separation between the equipment and receiver. Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. Consult the dealer or an experienced radio/TV technician for help. This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) This device may not cause harmful interference, and (2) This device must accept any interference received, including interference that may cause undesired operation. Unauthorized changes or modification to this system can void the users authority to operate this equipment. This equipment requires shielded interface cables in order to meet FCC class B Limit.

For Canada

NOTICE
This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.
Cet appareil numrique de la classe B respecte toutes les exigences du Rglement sur le matriel brouilleur du Canada.
AC-90_egfispd.book Page 80 Tuesday, May 15, 2007 2:37 PM

Information

AFRICA
Al Fanny Trading Office 9, EBN Hagar Al Askalany Street, ARD E1 Golf, Heliopolis, Cairo 11341, EGYPT TEL: 20-2-417-1828

When you need repair service, call your nearest Roland Service Center or authorized Roland distributor in your country as shown below.

PHILIPPINES

G.A. Yupangco & Co. Inc. 339 Gil J. Puyat Avenue Makati, Metro Manila 1200, PHILIPPINES TEL: (02) 899 9801

CURACAO

Zeelandia Music Center Inc. Orionweg 30 Curacao, Netherland Antilles TEL:(305)5926866

URUGUAY

Todo Musica S.A. Francisco Acuna de Figueroa 1771 C.P.: 11.800 Montevideo, URUGUAY TEL: (02) 924-2335

NORWAY

Roland Scandinavia Avd. Kontor Norge Lilleakerveien 2 Postboks 95 Lilleaker N-0216 Oslo NORWAY TEL: 2273 0074

JORDAN

MUSIC HOUSE CO. LTD. FREDDY FOR MUSIC P. O. Box 922846 Amman 11192 JORDAN TEL: (06) 5692696

DOMINICAN REPUBLIC

Instrumentos Fernando Giraldez Calle Proyecto Central No.3 Ens.La Esperilla Santo Domingo, Dominican Republic TEL:(809) 683 0305

SINGAPORE

SWEE LEE MUSIC COMPANY PTE. LTD. 150 Sims Drive, SINGAPORE 387381 TEL: 6846-3676

VENEZUELA

Instrumentos Musicales Allegro,C.A. Av.las industrias edf.Guitar import #7 zona Industrial de Turumo Caracas, Venezuela TEL: (212) 244-1122

POLAND

ROLAND POLSKA SP. Z O.O. UL. Gibraltarska 4. PL-Warszawa POLAND TEL: (022) 679 4419

KUWAIT

EASA HUSAIN AL-YOUSIFI & SONS CO. Abdullah Salem Street, Safat, KUWAIT TEL: 243-6399

REUNION

Maison FO - YAM Marcel 25 Rue Jules Hermann, Chaudron - BP491 Ste Clotilde Cedex, REUNION ISLAND TEL: (0262) 218-429

TAIWAN

ROLAND TAIWAN ENTERPRISE CO., LTD. Room 5, 9fl. No. 112 Chung Shan N.Road Sec.2, Taipei, TAIWAN, R.O.C. TEL: (02) 2561 3339

ECUADOR

Mas Musika Rumichaca 822 y Zaruma Guayaquil - Ecuador TEL:(593-4)2302364

PORTUGAL

Roland Iberia, S.L. Portugal Office Cais das Pedras, 8/9-1 Dto 4050-465, Porto, PORTUGAL TEL: 00 60

LEBANON

Chahine S.A.L. George Zeidan St., Chahine Bldg., Achrafieh, P.O.Box: 165857 Beirut, LEBANON TEL: (01) 20-1441

SOUTH AFRICA

T.O.M.S. Sound & Music (Pty)Ltd. 2 ASTRON ROAD DENVER JOHANNESBURG ZA 2195, SOUTH AFRICA TEL: (011)Paul Bothner(PTY)Ltd. Royal Cape Park, Unit 24 Londonderry Road, Ottery 7800 Cape Town, SOUTH AFRICA TEL: (021) 799 4900

EUROPE

AUSTRIA
Roland Elektronische Musikinstrumente HmbH. Austrian Office Eduard-Bodem-Gasse 8, A-6020 Innsbruck, AUSTRIA TEL: (0512) 260

EL SALVADOR

OMNI MUSIC 75 Avenida Norte y Final Alameda Juan Pablo II, Edificio No.4010 San Salvador, EL SALVADOR TEL: 262-0788

THAILAND

Theera Music Co. , Ltd. 330 Soi Verng NakornKasem, New Road, Sumpantawongse, Bangkok 10100, THAILAND TEL: (02) 224-8821

ROMANIA

FBS LINES Piata Libertatii 1, 535500 Gheorgheni, ROMANIA TEL: (266) 364 609
TALENTZ CENTRE L.L.C. Malatan House No.1 Al Noor Street, Ruwi SULTANATE OF OMAN TEL: 2478 3443

GUATEMALA

Casa Instrumental Calzada Roosevelt 34-01,zona 11 Ciudad de Guatemala Guatemala TEL:(502) 599-2888

AUSTRALIA/ NEW ZEALAND

AUSTRALIA/ NEW ZEALAND Roland Corporation Australia Pty.,Ltd.
38 Campbell Avenue Dee Why West. NSW 2099 AUSTRALIA For Australia Tel: (02) For New Zealand Tel: (09) 3098 715
BELGIUM/FRANCE/ HOLLAND/ LUXEMBOURG
Roland Central Europe N.V. Houtstraat 3, B-2260, Oevel (Westerlo) BELGIUM TEL: (014) 575811

RUSSIA

MuTek Dorozhnaya ul.3,korp.545 Moscow, RUSSIA TEL: (095) 981-4967
Al Emadi Co. (Badie Studio & Stores) P.O. Box 62, Doha, QATAR TEL: 4423-554
Roland Shanghai Electronics Co.,Ltd. 5F. No.1500 Pingliang Road Shanghai 200090, CHINA TEL: (021) 5580-0800 Roland Shanghai Electronics Co.,Ltd. (BEIJING OFFICE) 10F. No.Section Anhuaxili Chaoyang District Beijing 100011 CHINA TEL: (010) 6426-5050

HONDURAS

Almacen Pajaro Azul S.A. de C.V. BO.Paz Barahona 3 Ave.11 Calle S.O San Pedro Sula, Honduras TEL: (504) 553-2029

SLOVAKIA

DAN Acoustic s.r.o. Povazsk 18. SK - Nov Zmky TEL: (035) 6424 330

SAUDI ARABIA

aDawliah Universal Electronics APL Corniche Road, Aldossary Bldg., 1st Floor, Alkhobar, 31952 SAUDI ARABIA P.O.Box 2154, Alkhobar 31952 SAUDI ARABIA TEL: (03) 898 2081

CROATIA

ART-CENTAR Degenova 3. HR - 10000 Zagreb TEL: (1) 466 8493
Roland Iberia, S.L. Paseo Garca Faria, 33-Barcelona SPAIN TEL: 91 00

MARTINIQUE

Musique & Son Z.I.Les Mangle 97232 Le Lamantin Martinique F.W.I. TEL: 426860 Gigamusic SARL 10 Rte De La Folie 97200 Fort De France Martinique F.W.I. TEL: 715222

CZECH REP.

CZECH REPUBLIC DISTRIBUTOR s.r.o Voctrova 247/16 CZ - PRAHA 8, CZECH REP. TEL: (2) 830 20270

SWEDEN

Roland Scandinavia A/S SWEDISH SALES OFFICE Danvik Center 28, 2 tr. S-Nacka SWEDEN TEL: (0)00 20

Technical Light & Sound Center Rawda, Abdul Qader Jazairi St. Bldg. No. 21, P.O.BOX 13520, Damascus, SYRIA TEL: (011) 223-5384

HONG KONG

Tom Lee Music Co., Ltd. Service Division 22-32 Pun Shan Street, Tsuen Wan, New Territories, HONG KONG TEL: Parsons Music Ltd. 8th Floor, Railway Plaza, 39 Chatham Road South, T.S.T, Kowloon, HONG KONG TEL: 2333 1863

CENTRAL/LATIN AMERICA

ARGENTINA
Instrumentos Musicales S.A. Av.Santa Fe 2055 (1123) Buenos Aires ARGENTINA TEL: (011) 4508-2700

DENMARK

Roland Scandinavia A/S Nordhavnsvej 7, Postbox 880, DK-2100 Copenhagen DENMARK TEL: 3916 6200

SWITZERLAND

Roland (Switzerland) AG Landstrasse 5, Postfach, CH-4452 Itingen, SWITZERLAND TEL: (061) 927-8383

MEXICO

Casa Veerkamp, s.a. de c.v. Av. Toluca No. 323, Col. Olivar de los Padres 01780 Mexico D.F. MEXICO TEL: (55) 5668-6699

TURKEY

ZUHAL DIS TICARET A.S. Galip Dede Cad. No.37 Beyoglu - Istanbul / TURKEY TEL: (0212) 10

FINLAND

Roland Scandinavia As, Filial Finland Elannontie 5 FIN-01510 Vantaa, FINLAND TEL: (0)24 020

BARBADOS

A&B Music Supplies LTD 12 Webster Industrial Park Wildey, St.Michael, Barbados TEL: (246)430-1100

UKRAINE

EURHYTHMICS Ltd. P.O.Box: 37-a. Nedecey Str. 30 UA - 89600 Mukachevo, UKRAINE TEL: (03131) 414-40

U.A.E.

Zak Electronics & Musical Instruments Co. L.L.C. Zabeel Road, Al Sherooq Bldg., No. 14, Ground Floor, Dubai, U.A.E. TEL: (04) 3360715

NICARAGUA

Bansbach Instrumentos Musicales Nicaragua Altamira D'Este Calle Principal de la Farmacia 5ta.Avenida 1 Cuadra al Lago.#503 Managua, Nicaragua TEL: (505)277-2557
Rivera Digitec (India) Pvt. Ltd. 411, Nirman Kendra Mahalaxmi Flats Compound Off. Dr. Edwin Moses Road, Mumbai-400011, INDIA TEL: (022) 2493 9051

GERMANY

Roland Elektronische Musikinstrumente HmbH. Oststrasse 96, 22844 Norderstedt, GERMANY TEL: (040) 52 60090

BRAZIL

Roland Brasil Ltda. Rua San Jose, 780 Sala B Parque Industrial San Jose Cotia - Sao Paulo - SP, BRAZIL TEL: (011) 4615 5666

UNITED KINGDOM

Roland (U.K.) Ltd. Atlantic Close, Swansea Enterprise Park, SWANSEA SA7 9FJ, UNITED KINGDOM TEL: (01792) 702701

PANAMA

SUPRO MUNDIAL, S.A. Boulevard Andrews, Albrook, Panama City, REP. DE PANAMA TEL: 315-0101

NORTH AMERICA

CANADA
Roland Canada Ltd. (Head Office) 5480 Parkwood Way Richmond B. C., V6V 2M4 CANADA TEL: (604) Roland Canada Ltd. (Toronto Office) 170 Admiral Boulevard Mississauga On L5T 2N6 CANADA TEL: (905) 362 9707

GREECE/CYPRUS

STOLLAS S.A. Music Sound Light 155, New National Road Patras 26442, GREECE TEL: 2610 435400

INDONESIA

PT Citra IntiRama Jl. Cideng Timur No. 15J-15O Jakarta Pusat INDONESIA TEL: (021) 6324170

Comercial Fancy II S.A. Rut.: 96.919.420-1 Nataniel Cox #739, 4th Floor Santiago - Centro, CHILE TEL: (02) 688-9540

PARAGUAY

Distribuidora De Instrumentos Musicales J.E. Olear y ESQ. Manduvira Asuncion PARAGUAY TEL: (595) 21 492147
Cosmos Corporation 1461-9, Seocho-Dong, Seocho Ku, Seoul, KOREA TEL: (02) 3486-8855

HUNGARY

Roland East Europe Ltd. Warehouse Area DEPO Pf.83 H-2046 Torokbalint, HUNGARY TEL: (23) 511011

MIDDLE EAST

BAHRAIN
Moon Stores No.1231&1249 Rumaytha Building Road 3931, Manama 339 BAHRAIN TEL: 942

COLOMBIA

Centro Musical Ltda. Cra 43 B No 25 A 41 Bododega 9 Medellin, Colombia TEL: (574)3812529
Audionet Distribuciones Musicales SAC Juan Fanning 530 Miraflores Lima - Peru TEL: (511) 4461388

MALAYSIA

Roland Asia Pacific Sdn. Bhd. 45-1, Block C2, Jalan PJU 1/39, Dataran Prima, 47301 Petaling Jaya, Selangor, MALAYSIA TEL: (03) 7805-3263

COSTA RICA

JUAN Bansbach Instrumentos Musicales Ave.1. Calle 11, Apartado 10237, San Jose, COSTA RICA TEL: 258-0211

IRELAND

Roland Ireland G2 Calmount Park, Calmount Avenue, Dublin 12 Republic of IRELAND TEL: (01) 4294444
MOCO INC. No.41 Nike St., Dr.Shariyati Ave., Roberoye Cerahe Mirdamad Tehran, IRAN TEL: (021) 285-4169

U. S. A.

Roland Corporation U.S. 5100 S. Eastern Avenue Los Angeles, CA 90040-2938, U. S. A. TEL: (323) 890 3700

VIET NAM

Suoi Nhac Company, Ltd 370 Cach Mang Thang Tam St. Dist.3, Ho Chi Minh City, VIET NAM TEL: 9316540

TRINIDAD

AMR Ltd Ground Floor Maritime Plaza Barataria Trinidad W.I. TEL: (868) 638 6385
Roland Italy S. p. A. Viale delle Industrie 8, 20020 Arese, Milano, ITALY TEL: (02) 937-78300

ISRAEL

Halilit P. Greenspoon & Sons Ltd. 8 Retzif Ha'alia Hashnia St. Tel-Aviv-Yafo ISRAEL TEL: (03) 6823666
As of May 1, 2007 (ROLAND)

SD000994

doc1

SUMMER NAMM 2007 RELEASE Contact: Tara Callahan (323) 890-3700 x3718 tarac@rolandus.com
ROLAND ANNOUNCES AC-90 ACOUSTIC GUITAR PERFORMANCE AMP
Austin, TX, July 27, 2007Building on the popularity of the AC-60 Acoustic Guitar Amp, Roland announces the AC-90 Acoustic Guitar Amp. With 8-inch Neodymium speakers and a two-way speaker system for crystal clear highs and a punchy low-range, the AC-90 provides a powerful acoustic sound in a lightweight, easy to carry package. Roland Division Manager Peter Swiadon relates, The AC-90 is perfect for the solo artist or the guitarist in an ensemble act where acoustic guitar sounds often get lost or overpowered by other instruments. This new amp punches up the acoustic guitar presence on a small stage, or in an arena. Additional features include an impressive automatic Anti-feedback function, two independent channels-one with an XLR input and phantom power, Reverb/Delay for each channel, stereo multi-band chorus, a convenient on-board tilt stand and a durable carrying bag. The new AC-90 mounts easily onto any standard speaker stand.
Roland is a world leader in the design, manufacture, and distribution of electronic musical instruments, professional audio equipment, multimedia products, and music accessories. For more information, please visit us online at http://www.Roland.com/products/en/ or website of Roland nearest to you.

 

Technical specifications

Full description

AC90 Acoustic Chorus Guitar Amplifier Portable Carrying Case Included Amplifiers & Cabinets The Roland AC90 Acoustic Chorus Guitar Amplifier comes loaded with high-performance neodymium speakers and 90W of power. The 2-way stereo speaker system delivers transparent highs and kicking lows. The AC-90 comes with a long history of Roland excellence at its back. This amp is the latest addition to a legacy of quality products designed to give performers that reliable boost they need. The new anti-feedback feature lets you roam the stage and never worry about that awful squawk. The on-board stereo effects provide amazing spatial depth and the lush sound of a stereo multi-band chorus; there is also a new WIDE mode.Traveling musicians will really love it as it's still very lightweight and comes with its own carrying case. It also can function as a portable PA system with the inclusion of a phantom powered microphone input; sing and play guitar with one amplifier.

 

Tags

PM635I Audiobahn AEQ8 28PT800B LQ-1070 3010IX Manual MC2404 DRA-297 Adventure 2 IVA-D106R PM-G700 DVP3350 Venture 1999 Bassman 60 DS25204 MZ-EP11 3000-514 Device ADV-1000 SPH-R Craigslist SUB-zero 532 Samsung 204B Dynax 3XI MC1751E-A EOG21300X DPP-F700 KNA-G421 HD 2 42PX3RVB 500-S Fujica Z450 Elna 9500 XM-5040X RAR232 Model 102 CS5000 TX-P42g10E G273V HWR06XC6 DS-3XXX Captiva SLR GDR-8161B SDM-S74 PI 3650 Aspire 9300 2300DTN VSX-D712-K 26LB76 GA-M61sme-s2 C-2000 Zoom SRU8008 10 Explorist XL Ergocoach All-IN-ONE AWH65 MAX-ZS990 Edition LP1000 EX-Z700 EMX860ST L206WTQ-BF 8550N PCG-FR215H 20LS5R ROC 250 Media LG 7000 EW501T Sho-2008 Z 103 Super Hdmi Plus ZWF1231W Coolpix 3100 MIM 2060 DCR-HC18E SF505 VSX-D510 Drive XS 600 PRO AVR 525 VGN-A117S Microtower Projector RRM320P SDM-S75F Picturetel 210 Cabinet PRO XAV-77 Specs 12070 W AX4BS LD-14AT3 XV-DV424 RL39thcts AMW466 KDR-C500 Inspire T10 OT-802A VP-DX1000 Cavalier 1996

 

manuel d'instructions, Guide de l'utilisateur | Manual de instrucciones, Instrucciones de uso | Bedienungsanleitung, Bedienungsanleitung | Manual de Instruções, guia do usuário | инструкция | návod na použitie, Užívateľská príručka, návod k použití | bruksanvisningen | instrukcja, podręcznik użytkownika | kullanım kılavuzu, Kullanım | kézikönyv, használati útmutató | manuale di istruzioni, istruzioni d'uso | handleiding, gebruikershandleiding

 

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