Other Functions.. 29 Appendices.. 31
Troubleshooting...31 Tone List....32 Drum Set List...37 Music Style List...43 Specifying Chords...44 MIDI Implementation Chart...46 Specifications...47

Index... 48

Performing with an Accompaniment (Arranger)..13
Using the Arranger...13 Changing the Arranger Ensemble..13 Changing the Volume Balance of the Arranger Playback and the Keyboard Performance...13 Changing the Tempo of the Arranger.13 Arranger Sync Start...13 Stopping the Arranger..13 Selecting a Music Style...14 Music Style Functions...14 One-Touch....14 Melody Intelligence...14
Performance Functions and Effects.15
Performance Functions...15 Keyboard Touch..15 Pitch Bend and Modulation...15 Foot Switch...15 Music Assistant...15 User Program....16 Effects....16 Reverb....16 Chorus...17 Multi-Effects (MFX)...17

Song Functions..19

Recording Your Own Performance..19 All Recording Mode...19 Keyboard Recording Mode...19 Single Recording Mode..20 Punch-In/Out Recording Mode..20 Playing the Song...21 Changing the Playback Location of the Song..21 Minus-One Playback...21

E-09_e.book 6

Introduction

Top and Rear Panels

Top Panel
Power Button Turns the power on/off. (p. 8) Bender/Modulation Lever Moving this lever to left or right changes the pitch of the sound. Pushing the lever away from yourself adds modulation (normally vibrato) to the sound. (p. 15) PHONES 1/2 Jacks You can connect two sets of headphones (sold separately) to these jacks. The internal speakers will be turned off if you connect headphones.
BAND ORCHESTRATOR Section Press these buttons if you want to change the ensemble of the arranger (accompaniment) or if you want to use the minus-one function. (p. 13, p. 21)
10. KEYBOARD MODE Section ARRANGER Button Press this button when you want to use the arranger function (automatic accompaniment). PIANO Button If you press this button, youll be able to play a piano sound using the entire keyboard. 11. ARRANGER & SONG CONTROLS Section Press these buttons to play back the arranger or songs. (p. 13, p. 19)
The headphone volume may decrease if you connect two sets of headphones. 4. VOLUME Knob Adjusts the overall volume of the E-09. BALANCE (ARRANGER and KEYBOARD) Buttons These buttons adjust the volume balance between the accompaniment (or song) and the part youre playing on the keyboard. (p. 13) TAP TEMPO Button You can use this button to adjust the tempo. (p. 13) STYLE Section Here you can select music styles for the displayed group. METRONOME Button Switches the metronome on/off. If you hold down this button, a screen will appear in which you can make settings, such as the time signature and volume of the metronome. (p. 11)

E-09_e.book 7

12. MUSIC ASSISTANT Button Selects music assistants. (p. 15) 13. ONE TOUCH Button Selects one-touch settings. This will recall settings that are appropriate for the selected music style. (p. 14) 14. STYLE Button Selects music styles. (p. 14) 15. TONE Button Selects tones. (p. 10) 16. FUNCTION Button Accesses a screen where you can edit various parameters. (p. 22) 17. USER PROGRAM Button Selects user programs. (p. 16) 18. FAMILY (REC MODE) [ SELECT (REC TRACK) [ ][ ][ ] ]

E-09_e.book 12

Transposing
You can shift the pitch of your performance without changing the position at which youre playing the keyboard. For example, if a song is in a difficult key containing numerous sharps or flats, you can transpose it so that its easier to play. You can also use this function to transpose the playback of a song. If youre accompanying a singer, you can transpose the pitch to a comfortable range for the singer without having to change your keyboard fingering.

Octave Setting

You can raise or lower the pitch of the tone for each keyboard part (main, split, dual) in steps of an octave, over a range of four octaves upward or downward.

Main Part

Hold down [TONE] and use TEMPO [ octave of the main part. (-)][ (+)] to change the

Split Part

Transpose is not applied to drum sets. 1. 2. Press [TRANSPOSE] so its lit. Hold down [TRANSPOSE] for a while until the Transpose screen appears. Use TEMPO [ Range: -12+12 (-)][ (+)] to adjust the transposition. Hold down [SPLIT] and use TEMPO [ octave of the split part. (-)][ (+)] to change the

Dual Part

Hold down [DUAL] and use TEMPO [ octave of the dual part. (-)][ (+)] to change the
If you set this to 0, the transpose function will be off. 4. To turn the transpose function off, press [TRANSPOSE] so it goes out. Example: The song is in the key of E major, but you want to play it using the keyboard fingering of the key of C The note E is four semitones (keys including the black keys) above the note C, so you would set the transposition value to +4.

When you play C, E, G

Changing the Keyboard Scale
As an alternative to the equal tempered scale used in most Western music, you can adjust the pitch of each note to the scales used by other musical cultures or tuning systems. You can independently adjust the pitch of each note in the octave (C, C#, D, Eb, E, F, F#, G, Ab, A, Bb, B). For example, if you adjust the pitch of the C note, this adjustment will apply to the C note of each octave. 1. Hold down [FUNCTION] and press the key whose note pitch you want to adjust. The pitch will be lowered by 1/4 tone. The keyboard in the center of the screen will indicate the notes whose pitch has been lowered.

fig.transpose

it sounds as E G# B
To check the notes for which the pitch has been lowered, press and hold [FUNCTION]. While you continue holding down [FUNCTION], the keyboard in the center of the screen will indicate the state of the pitch. You can save this setting in a user program. (p. 16) To return a note to its original pitch, hold down [FUNCTION] and press the same key you pressed in step 1.
You can also specify where the transpose setting is to be applied. Refer to Trans Mode (p. 22).

E-09_e.book 13

Performing with an Accompaniment (Arranger)

Using the Arranger

1. Press [ARRANGER] so its lit. The keyboard will be divided into left and right parts; split and main. In the left-hand side, hold down notes to specify a chord. In the right-hand side, play along with the accompaniment. DRUMS & BASS COMBO FULL Simple accompaniment patterns containing only drums and a bass line. Accompaniment patterns containing several instruments (a band). Accompaniment patterns with a lavish arrangement (multiple instruments).
The C4 key (note number 60) is assigned as the split point. 2. Press [START/STOP] so its blinking. The arranger begins playing. The button begins blinking in time with the arrangers time signature.
Changing the Volume Balance of the Arranger Playback and the Keyboard Performance
To Increase the Volume of the Arranger (or Song Part)
Press BALANCE [ ] (ARRANGER).
If you play the left-hand area of the keyboard while [ARRANGER] is lit and the arranger playback is stopped, a stereo strings sound will play. You can also add a monophonic bass sound (-> Auto Bass, p. 23). If you dont want the strings sound or bass sound to be heard, turn off Educational (p. 24).
To Increase the Volume of Your Keyboard Performance
Press BALANCE [ ] (KEYBOARD).
If you press [START/STOP] while [ARRANGER] is not lighted, only the drums will play, allowing you to add a rhythm accompaniment to your keyboard performance. The drums will be based on the currently selected music style. If you want to select a different music style, refer to p. 14. 3. 4. 5. With your left hand, play a chord (or a single note). When you play a different chord (or single note), the arranger will also switch to a different chord. Use the following buttons to select other patterns within the currently selected music style. [INTRO] [ORIGINAL] [FILL] An accompaniment pattern used for the introduction. A simple accompaniment pattern. An accompaniment pattern used to transition between ORIGINAL and VARIATION. A more complex accompaniment pattern, thats ideal for a break or similar section in the song. If you press this button instead of [START/ STOP], an ending will play and then the arranger will stop playing.

If MFX (p. 17) is set to anything other than Off, you can apply that MFX and reverb simultaneously to the tone of the main part.

Press TEMPO [

Applying Reverb
1. 2. Press [FUNCTION] so its lit. Use FAMILY [ Use SELECT [ Use TEMPO [ Off Room 13 Hall 1, 2 ][ ][ (-)][ ] to select EFFECTS. ] to select REVERB. (+)] to select the type of reverb.
The screen will show Complete, and the settings will be saved.
We recommend that you frequently store your settings to a user program even while youre in the process of editing.
If the KEYBOARD MODE [ARRANGER] or [PIANO] button is lit, the state of that button will also be saved in the user program.
The most recently selected music style is also saved in the user program.

Selecting a User Program

1. Press [USER PROGRAM] so its lit. [NUMERIC] will automatically light. The display will indicate the number of the most recently selected user program, or 1 if you have not selected a user program since turning on the power.

Delay PanDelay

Reverb will not be applied. These simulate the reverberation of a room. Higher numbers simulate larger rooms. These simulate the reverberation of a concert hall. Higher numbers simulate a larger hall. These produce deeper reverberation than the Room settings. This is a digital simulation of a metal plate reverb unit. It is particularly suitable for percussion sounds. This is a delay effect (without reverb) which produces echo-like repeats. This repeats the sound while making it alternate between left and right.

E-09_e.book 17

Play the keyboard to hear the effect. Press [FUNCTION] so it goes out. 5. 6.

S-Delay S-DelayFb

This delays the sound to create an echo effect. This repeats the sound at short intervals.
Adjusting the Amount of Reverb Applied to the Keyboard Parts
1. 2. 3. Press [FUNCTION] so its lit. Use FAMILY [ Use SELECT [ parameters. Parameter Rev MAIN Rev DUAL Rev SPLIT ][ ][ Value 0127 ] to select EFFECTS. ] to select one of the following

10. When you stop recording, the screen prompts Save Song?, asking you whether you want to save your performance. To save your performance, press TEMPO [ [ (NO)]. (YES)]. If you dont want to save your performance, press TEMPO

Track 10

Part name Dual Accomp 4 Accomp 5 Accomp 6 Arranger drums Split Auto Bass Melody Intell. (Main)

Single Recording Mode

In this mode you can layer a new performance onto the previously recorded notes, and record each track separately.
Description This is the Dual part. Since track 10 is restricted to the drum part, you can select a drum set for this track. This is the Split part. For details, refer to Auto Bass (p. 23). Melody intelligence (p. 14) If you select a drum set for the tone of the Main part, it will be recorded on track 16.
You cant use this mode if no song has been recorded. 1. 2. 3. Press [SONG] so its lit. Press [ REC] so its blinking. Use REC MODE [ recording mode. ][ ] to select Rec Single as the
Punch-In/Out Recording Mode
This lets you punch-in/out to re-record a specified portion of a single track. The data before and after the newly recorded portion will not be erased.
Use REC TRACK [ ][ ] to select the track you want to record. If you select a track that has already been recorded, the new recording will overwrite the existing recording. Select the tone that you want to use in the right-hand side of the keyboard. Press [TONE] so its lit, and use the FAMILY and SELECT [ ][ ] buttons, the numeric keys, or the TONE category buttons to make your selection. For details, refer to pp. 1011.
You cant use this if no song has been recorded.

fig.punchIO

Original track
Only this portion is overwritten by the new recording
Press [ ] to start recording. [ REC] lights. After a one-measure count-in, all previously recorded parts begin playing. Perform. Press [ ] to stop recording. [ ] and [ REC] go out. If you want to record additional parts, return to step 2. When you stop recording, the screen prompts Save Song?, asking you whether you want to save your performance. To save your performance, press TEMPO [ [ (NO)]. (YES)]. If you dont want to save your performance, press TEMPO

Changing the Playback Location of the Song
You can use the following buttons to change the playback location within the song. [ ] Moves to the beginning of the song. [ ] Moves to the preceding measure. [ ] Moves to the next measure.
Repeat Playback of a Specified Region
You can specify a region (AB) and play it repeatedly. You can do this while the song is playing or while it is stopped.

fig.repeat

Use [ ][ ] to move to the measure at which you want to start repeating. Press [MARKER A-B] to set marker A to the current location.

E-09_e.book 22

Function Menu
The Function menu lets you make a variety of different settings. Parameters marked by * can be saved in a user program. (p. 16)
Setting a Function Menu Parameter
Heres the basic procedure for setting a parameter of the Function menu. 1. 2. Press [FUNCTION] so its lit. Use FAMILY [ ][ ] to select the function group that includes the parameter you want to set.
KBD SET: KBD Touch, MasterTune, Transpose, Trans Mode, PB Range, Split Point, Split Hold, Split Int, FSW METRONOME: Metro TS, Metro Vol OCTAVE: Main Oct, Dual Oct, Split Oct VOLUME: Main Vol, Dual Vol, Split Vol, Auto Bass, Acc Drum, Acc Bass, Accomp ARR SET: ChordInt, Arr Hold, Educational, Bass Inv, MI EFFECTS: REVERB, CHORUS, MFX, Tone MFX, Rev MAIN, Chr MAIN, Pan MAIN, Rev DUAL, Chr DUAL, Pan DUAL, Rev SPLIT, Chr SPLIT, Pan SPLIT KBD SCALE: Scale C/C#/D/Eb/E/F/F#/G/Ab/A/Bb/B, Scale Mode MIDI: Local, MIDI TxRx, Sync Rx, Style PC, NTA Rx14, Pitch Bend, Modulation, Prog Change, Velo Rx, Clock Tx, Start Stop UTILITY: LCD Contrast, Factory Reset, Bulk Dump Use SELECT [ Use TEMPO [ ][ (-)][ ] to select the parameter you want to adjust. (+)] to adjust the selected parameter.
To reset the parameter to its default value, press TEMPO [ 5. If you want to adjust another parameter, return to step 2.

(-)] and [

(+)] simultaneously.

KBD SET Parameters

Parameter KBD Touch * Value 1127 (default: 110) 427.4452.6 (default: 440.0) Explanation Adjusts the strength of the notes when Keyboard Touch is turned off ([KEYBOARD TOUCH] unlit). For details, refer to p. 15. This screen will also appear if you hold down [KEYBOARD TOUCH] for a few moments. Adjusts the reference pitch. The reference pitch is usually expressed as the pitch of the middle A note. When playing together with other instruments, you must ensure that all instruments are set to the same reference pitch so that they will be in tune. The setting that adjusts the reference pitch is called Master Tune. Specifies the transposition that will occur when Transpose is turned on ([TRANSPOSE] lit), in units of semitones. For details, refer to p. 12. This screen will also appear if you hold down [TRANSPOSE] for a few moments. Specifies the part(s) that will be affected by the Transpose setting. INT: The keyboard parts and arranger parts will be transposed. Notes received from the MIDI IN connector will play at their original pitch. MIDI: Only the notes received from the MIDI IN connector will be transposed. I+M: The keyboard parts, the arranger parts, and all notes received from the MIDI IN connector will be transposed. Specifies the amount of change that will occur when you move the BENDER/MODULATION lever all the way to left or right. You can set this in semitone steps over a range of 24 semitones (2 octaves). Pitch bend can be used only with the Main part and Dual part. (p. 15) Specifies the split point (the key forming the boundary between tones) for the Arranger and the Split part. This specifies the lowest key that will play the Main part. 60 corresponds to C4. This screen will also appear if you hold down [ARRANGER] for a few moments. Makes the Split part continue sounding. A note you play on the Split part will continue sounding until you play the next note on that part. Lets you produce a chord by holding down one key in the Split part. For example, to produce a C chord, you would normally need to hold down the three keys C, E, and G. However, the Split Int function lets you produce the C chord simply by holding down the C key alone.

Arr Hold *

OFF, ON (default: ON)

Educational

Bass Inv *

OFF, ON (default: OFF)

-> p. 14 (default: Traditional)

EFFECTS Parameters

Parameter REVERB * CHORUS * MFX * Tone MFX Value 8 types -> p. 16 (default: Hall 2) 8 types -> p. 17 (default: Chorus 3) 47 types -> p. 17 (default: Rotary) OFF, ON (default: ON) Explanation Selects the type of reverb. (p. 16) Selects the type of chorus. (p. 17) Selects the type of multi-effects. (p. 17) This lets you specify whether the MFX type will be automatically selected according to the Main part tone you select. For example, a distortion/overdrive effect will be selected for rock guitar tones, and a rotary effect will be selected for organ tones. OFF: The MFX will not change when you switch the tone of the Main part. ON: The MFX will change when you switch the tone of the Main part. Adjusts the amount of reverb applied to the tone of the Main part. With a setting of 0 there will be no reverb. Adjusts the amount of chorus applied to the tone of the Main part. With a setting of 0 there will be no chorus. * You cant apply chorus if MFX is set to anything other than Off. Adjusts the stereo location (the position between the left and right speakers) of the Main part. If you select RND, the stereo location will change randomly for each note you play. Values beginning with L position the sound toward the left speaker, a value of 0 is the center, and values beginning with R position the sound toward the right speaker. Adjusts the amount of reverb applied to the tone of the Dual part. With a setting of 0 there will be no reverb. Adjusts the amount of chorus applied to the tone of the Dual part. With a setting of 0 there will be no chorus.

Rev MAIN * Chr MAIN *

0127 (default: 100) 0127 (default: 100) RND, L630R63 (default: 0)

Pan MAIN *

Rev DUAL * Chr DUAL *
0127 (default: 100) 0127 (default: 100)

E-09_e.book 25

Parameter Pan DUAL *
Value RND, L630R63 (default: 0)
Rev SPLIT * Chr SPLIT * Pan SPLIT *

Explanation Adjusts the stereo location (the position between the left and right speakers) of the Dual part. If you select RND, the stereo location will change randomly for each note you play. Values beginning with L position the sound toward the left speaker, a value of 0 is the center, and values beginning with R position the sound toward the right speaker. Adjusts the amount of reverb applied to the tone of the Split part. With a setting of 0 there will be no reverb. Adjusts the amount of chorus applied to the tone of the Split part. With a setting of 0 there will be no chorus. Adjusts the stereo location (the position between the left and right speakers) of the Split part. If you select RND, the stereo location will change randomly for each note you play. Values beginning with L position the sound toward the left speaker, a value of 0 is the center, and values beginning with R position the sound toward the right speaker.

KBD SCALE Parameters

Parameter Scale CB * Value -6463 (default: 0) Explanation As an alternative to the equal tempered scale used in most Western music, you can adjust the pitch of each note to the scales used by other musical cultures or tuning systems (such as oriental or baroque music). You can independently adjust the pitch of each note in the octave (C, C#, D, Eb, E, F, F#, G, Ab, A, Bb, B). For example, if you adjust the pitch of the C note, this adjustment will apply to the C note of each octave. In most cases, a quarter tone upward or downward will be appropriate, so you should try settings of 50 or 50. Specifies the part(s) to which the above scale setting will apply. Main: Only the tone of the Main part All: The tones of all parts

Scale Mode *

Main, All (default: Main)

MIDI Parameters

Refer to p. 27.

UTILITY Parameters

For details on LCD Contrast and Factory Reset, refer to p. 9.
For details on Bulk Dump, refer to p. 28.

E-09_e.book 26

MIDI Functions
You can connect the E-09 to an external MIDI device and control each device from the other by transmitting and receiving performance data. For example, you can use one device to select or play sounds on the other device. The E-09 has MIDI connectors which allow it to transmit and receive performance data. By using these connectors to connect external devices to the E-09, you can enjoy an even wider range of possibilities.

E-09_e.book 28

Bulk Dump
You can use this procedure to transmit user programs and song data from the E-09 via MIDI to a sequencer or other external MIDI device, and save the data on that device. Prepare your external sequencer to record a conventional performance, and perform the following procedure on the E-09. 1. 2. 3. 4. Use a separately available MIDI cable to connect the E-09s MIDI OUT connector to the MIDI IN connector of your external sequencer. Press [FUNCTION] so its lit. Use FAMILY [ Use SELECT [ ][ ][ ] to access the UTILITY screen. ] to access the Bulk Dump? screen.
Yes begins blinking in the screen. 5. Press TEMPO [ (YES)].
The screen prompts Sure? 6. Press TEMPO [ (YES)] once again.

Bulk Load

You can use this procedure to receive user programs and song data (previously saved as described above) from a sequencer or other external MIDI device back into the E-09 to restore (overwrite) the data via MIDI.
Once you carry out the Bulk Load procedure, the user programs and song data in the E-09 will be overwritten. If there is any data in the E-09 that you want to keep, make sure to save it to an external MIDI device before you proceed. 1. Switch on the E-09s power. (p. 8) If the power is already turned on, switch it off, then turn it on again. Use a separately available MIDI cable to connect the E-09s MIDI IN connector to the MIDI OUT of your external MIDI sequencer. Transmit the bulk data from your external MIDI sequencer to the E-09.

E-09_e.book 29

Other Functions

Transpose Lock

Hold down [NUMERIC] and press [TRANSPOSE]. Once locked this way, the set transposition will remain in effect no matter what you do on the instrument. * To release the lock, once again hold down [NUMERIC] and press [TRANSPOSE].

Tempo Lock

Hold down [NUMERIC] and press [MELODY INTELLIGENCE]. Once locked this way, the set tempo will remain in effect no matter what you do on the instrument. * To release the lock, once again hold down [NUMERIC] and press [MELODY INTELLIGENCE].

Style Lock

Hold down [NUMERIC] and press [SPLIT]. Thereafter, the style setting will be preserved even if you switch music assistants or user programs. * To release the lock, once again hold down [NUMERIC] and press [SPLIT].

Tone Lock

Hold down [NUMERIC] and press [DUAL]. Thereafter, the tone setting will be preserved even if you switch music assistants or user programs. * To release the lock, once again hold down [NUMERIC] and press [DUAL].

To determine whether a function is locked or not, hold down [NUMERIC] and note the buttons that are lighted (lit = locked).

E-09_e.book 30

E-09_e.book 31

Appendices

Troubleshooting
This page contains items for you to check if you experience problems, and the appropriate action to take. Refer to the section that corresponds to the problem youre having. Problem Power does not turn on No sound from the E-09 Check/Action Are the supplied AC adaptor and power cable correctly connected to the E-09 and to an electrical outlet? (p. 8) -> Use only the supplied AC adaptor and power cable. Use of any other adaptor or cable may cause malfunctions. Could the VOLUME knob be turned down? Could headphones be connected? -> If headphones are connected, there will be no sound from the E-09s speakers. If there is no sound when you play the keyboard, could Local Control be turned OFF? -> Turn Local ON. (p. 27) Could pedal operations or MIDI messages (Expression or Volume) received from an external MIDI device have lowered the volume? Could the volume of the part be turned down? -> Adjust the volume parameters (Main Vol, Dual Vol, Split Vol, Auto Bass, Acc Drum, Acc Bass, Accomp). (p. 23) Could you have used the Minus-One function to mute (silence) a specific part? (p. 21) Does the MIDI receive channel of the part match the MIDI transmit channel of the connected MIDI device? -> Set the MIDI channel of the connected external MIDI device to match the E-09s receive channel. (p. 26) Is the instrument set to send MIDI messages? -> Set MIDI TxRx to an appropriate setting, something other than OFF. (p. 27) Does the MIDI transmit channel of the E-09s keyboard controller section match the MIDI receive channel of the connected MIDI device? -> Set the MIDI channel of the connected external device to match the E-09. (p. 26) Some tones such as drum sets or bass sounds have a limited range.
No Sound from a Specific Part
No sound from a connected MIDI device
No sound from a specific region of the keyboard Effect not applied
Effect sounds wrong Pitch does not change when you move the Pitch Bend lever Sound is moved (panned) to left or right each time you play a note Sound is distorted
If reverb or chorus are set to an amount of 0 for the keyboard part, there will be no effect. -> Set Rev MAIN, Chr MAIN, Rev DUAL, Chr DUAL, Rev SPLIT, Chr SPLIT to values above 0. (p. 24) If MFX is set to anything other than OFF, chorus cannot be applied to the tone of the Main part. If Tone MFX is OFF, some combinations of tone and effect may sound strange in comparison to other tones. -> Turn Tone MFX ON. Alternatively, switch MFX to a different type. (p. 24) Could the pitch bend range be set to 0? -> Change the PB Range to a value other than 0. (p. 22) Some tones are randomly panned between left and right each time you play a note. -> You cant change the setting of such tones. If Pan MAIN, Pan DUAL, or Pan SPLIT is set to RND, the sound will randomly move between left and right each time you play a note. (p. 24) The sound may be distorted depending on the effect or part volume settings. Try adjusting the following parameters. Volume parameters: Main Vol, Dual Vol, Split Vol, Auto Bass, Acc Drum, Acc Bass, Accomp (p. 23) Amount of reverb or chorus applied to the keyboard parts: Rev MAIN, Chr MAIN, Rev DUAL, Chr DUAL, Rev SPLIT, Chr SPLIT (p. 24) Overall volume or volume balance Could an effect such as overdrive or distortion (which intentionally distorts the sound) be applied? If [FUNCTION] is lit, pressing TEMPO [ (-)][ (+)] will not change the tempo. Some tones may seem to have a different pitch in certain regions when compared to other tones. Could the E-09s tuning be incorrect? -> Check the MasterTune setting. (p. 22) Could the pitch have been modified by pedal operations or pitch bend messages received from an external MIDI device? If more than 64 notes are played simultaneously, currently-sounding notes may be cut off. Is the foot switch connected correctly?

PC 128 128

Button DRUMS No. 675 Rhythm Standard 1 Jazz Kit 1 New TR-909 Hip Hop R&B Tech&House DrumnBss Latin Perc India Perc GamelanPrc OrientPerc China Perc India Kit Std Latin Jazz Latin TR909Latin HipHopLatn R&B Latin TechnoLatn DnB Latn Std Asia Jazz Asia TR909 Asia HipHopAsia R&B Asia TechnoAsia DnB Asia Std OR2 Jazz OR2 TR-909 OR2 HipHop OR2 R&B OR2 Techno OR2 DnB OR2 Std OR1 Jazz OR1 TR-909 OR1 HipHop OR1 R&B OR1 Techno OR1 DnB OR1 OR Kit 1 OR Kit 2 MxKit&Latn MxKt&India MxKit&OR2 MxKit&OR1 MxKit&Chin Standard 2 Standard 3 Room Power Jazz Kit 2 Brush Kit Orchestra Ethnic Electronic TR-808&909 Dance Kick&Snare SFX Category DRUMS DRUMS DRUMS DRUMS DRUMS DRUMS DRUMS DRUMS DRUMS DRUMS DRUMS DRUMS DRUMS DRUMS DRUMS DRUMS DRUMS DRUMS DRUMS DRUMS DRUMS DRUMS DRUMS DRUMS DRUMS DRUMS DRUMS DRUMS DRUMS DRUMS DRUMS DRUMS DRUMS DRUMS DRUMS DRUMS DRUMS DRUMS DRUMS DRUMS DRUMS DRUMS DRUMS DRUMS DRUMS DRUMS DRUMS DRUMS DRUMS DRUMS DRUMS DRUMS DRUMS DRUMS DRUMS DRUMS DRUMS DRUMS DRUMS DRUMS DRUMS PC 57 CC CC 2 2

E-09_e.book 37

Drum Set List
11 CC35 C47 C59 C71 C83 C95 C107 CPC: 1 [CC32: 2] Standard 1 --------------------------------------------------------------------------------------------------------------------------------------------------------------------------------Snare Roll Finger Snap High-Q Slap ScratchPush ScratchPull Sticks SquareClick Mtrnm.Click Mtrnm. Bell Kick 1 Kick 2 Side Stick Snare 2 909Clap Snare 1 Real Tom 6 Close HiHat Real Tom 6 Pedal HiHat Real Tom 4 Open HiHat Real Tom 4 Real Tom 1 Crash Cym.1 Real Tom 1 Ride Cymbal China Cymbal Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica Mute Triangle Open Triangle Shaker Jingle Bell Bar Chimes Castanets Mute Surdo Open Surdo -----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------PC: 33 [CC32: 2] Jazz Kit 1 --------------------------------------------------------------------------------------------------------------------------------------------------------------------------------Snare Roll Finger Snap High-Q Slap ScratchPush ScratchPull Sticks SquareClick Mtrnm.Click Mtrnm. Bell Jazz Kick 2 Jazz Kick 1 Side Stick Jazz Snare 1 Hand Clap2 Jazz Snare Real Tom 6 Jazz Clsd.HH Real Tom 6 Jazz Pedl.HH Real Tom 4 Jazz Open HH Real Tom 4 Real Tom 1 Crash Cym.1 Real Tom 1 Ride Cymbal China Cymbal Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica Mute Triangle Open Triangle Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo -----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------PC: 31 [CC32: 2] New TR-909 -----------909 Kick 3 House Kick TR-808 Kick HipHop Kick SimpleKick TR-909 OHHsh TR-909 OHH Ah Ha ShutHa ShutHi One Two Three Four Snare Roll Snap High-Q Slap Scrtch Push2 Scrtch Pull2 Sticks SquareClick Mtrnm.Click Mtrnm. Bell 909 Kick 909 Kick2 Side Stick 909 Snare 909Clap 909SnareTom 2 TR-909 CHH 808 Tom 2 TR-909 CHH 808 Tom 2 TR-909 OHH 808 Tom Tom Crash 808 Tom 2 Ride Cymbal China Cymbal Ride Bell Tambourine Splash Cym. 808cowbe Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo 808 Conga 808 Conga 808 Conga High Timbale Low Timbale Agogo Agogo Cabasa 808marac ShrtWhistle LongWhistle Short Guiro Long Guiro 808clave Woodblock Woodblock Mute Cuica Open Cuica Mute Triangle Open Triangle Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo -----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------PC: 10 [CC32: 2] Hip Hop -----------909 Kick 3 House Kick TR-808 Kick 909 Kick 909 Kick2 TR-909 OHHsh TR-909 OHH Ah Ha ShutHa ShutHi One Two Three Four Snare Roll Snap High-Q Slap Scrtch Push2 Scrtch Pull2 Sticks SquareClick Mtrnm.Click Mtrnm. Bell HipHop Kick SimpleKick Side Stick HipHop Snare FunkClap HipHopSnare2 Real Tom 6 HipHopCHH Real Tom 6 HipHopCHH Real Tom 4 HipHopOHH Real Tom 4 Real Tom 1 Crash Cym.1 Real Tom 1 Ride Cymbal ReverseCymbl Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Hoo Hoo Mute Triangle Open Triangle Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo -----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------PC: 14 [CC32: 2] R&B -----------909 Kick House Kick TR-808 Kick HipHop Kick 909 Kick2 R&B OHHsh R&B OHH Ah Ha ShutHa ShutHi One Two Three Four Snare Roll Snap High-Q Slap Scrtch Push2 Scrtch Pull2 Sticks SquareClick Mtrnm.Click Mtrnm. Bell 909 Kick 3 SimpleKick Side Stick R&B Snare R&B Clap 909Snare2 Real Tom 6 R&B CHH Real Tom 6 R&B CHH Real Tom 4 R&B OHH Real Tom 4 Real Tom Crash Real Tom 1 Ride Cymbal ReverseCymbl Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Hoo Hoo Mute Triangle Open Triangle Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo -----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------PC: 12 [CC32: 2] Tech&House -----------909 Kick Kick2 TR-808 Kick HipHop Kick SimpleKick TR-909 OHHsh TR-909 OHH Ah Ha ShutHa ShutHi One Two Three Four Snare Roll Snap High-Q Slap Scrtch Push2 Scrtch Pull2 Sticks SquareClick Mtrnm.Click Mtrnm. Bell 909 Kick House Kick Side Stick Techno Snare 909Clap House Snare Synth Drum 2 TR-909 CHH Synth Drum 2 TR-909 CHH Synth Drum 2 TR-909 OHH Synth Drum 2 Synth Drum Crash Synth Drum 2 Ride Cymbal ReverseCymbl Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Hoo Hoo Mute Triangle Open Triangle Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo -----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------PC: 11 [CC32: 2] Drum'n'Bss -----------909 Kick 3 House Kick 909 Kick HipHop Kick SimpleKick TR-909 OHHsh TR-909 OHH Ah Ha ShutHa ShutHi One Two Three Four Snare Roll Snap High-Q Slap Scrtch Push2 Scrtch Pull2 Sticks SquareClick Mtrnm.Click Mtrnm. Bell TR-808 Kick 909 Kick2 Side Stick Jungle Snare 909Clap Ps Snare 808 Tom 2 R&B CHH 808 Tom 2 R&B CHH 808 Tom 2 HipHopOHH 808 Tom Tom Crash 808 Tom 2 Ride Cymbal China Cymbal Ride Bell Tambourine Splash Cym. 808cowbe Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo 808 Conga 808 Conga 808 Conga High Timbale Low Timbale Agogo Agogo Cabasa 808marac ShrtWhistle LongWhistle Short Guiro Long Guiro 808clave Woodblock Woodblock Mute Cuica Open Cuica Mute Triangle Open Triangle Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo -----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------PC: 47 [CC32: 4] Latin Perc ---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------Voice 1 Voice 2 Bongo Lo1 Bongo Lo2 Bongo Hi Conga Lo Conga Hi Conga Timbles Lo Timbles Hi Timbles Claves Cuica Lo Cuica Hi Surdo 1 Surdo 2 Caixa Repinique 1 Repinique 2 Repinique Quide Guiro RecoReco Mtl Guiro Maracas Shaker Cabasa Caxixi Ganza Agogo 1 Agogo 2 Bongo Bell Mambo Bell Cowbell 1 Cowbell 2 Pandeiro 1 Pandeiro 2 Tambourim 1 Tambourim 2 Tambourine Apito Quijada Chekere Cajon Lo Cajon Hi Hand Clap Castanets Mute Triangle Open Triangle Bombo 1 Bombo 2 Bombo 3 Bombo 4 Bombo 5 -------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------PC: 45 [CC32: 4] India Perc ----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------Tabla Ge Tabla Ge Tabla Te Tabla Ge Hi Hand Clap2 Tabla Na Tabla Tun Tambourine1 Conga Slap Tambourine2 Udo Slap Ceng Ceng Udo Short Udo Long Xiao Bo Timbl Paila Kwaengwari p Gamelan Gong Ride Bell Ceng Ceng Splash Cym. Nao Bo Crash Cym.1 Vibraslap Ride Bell Conga MtLow Cga Mute Hi Cga Mute Lo Dholak 1 Dholak 2 Dhol 1 Wadon 6 Wadon 1 Wadon 5 Wadon 7 Wadon 3 Wadon 4 Wadon 2 Wadaiko Rim DJembe Djembe rim Open Surdo Mute Surdo Tamborim Talking Drum Bend Tlk Drm Mut Pandiero Opn Pandiero Req Dum Req Tik Sitar 3 Sitar 3 Sitar 3 Sitar 3 Sitar 3 Sitar 3 Sitar 3 Sitar 3 Sitar 3 Sitar 3 Sitar 3 Sitar 3 Real Tom 6 Real Tom 4 Real Tom 4 Real Tom 1 Real Tom 1 909Clap High Timbale Mute Triangle Open Triangle Maracas Shaker Tambourine Jingle Bell Bar Chimes Kane -----------PC: 46 [CC32: 4] GamelanPrc ----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------Wadon 6 Wadon 6 Wadon 3 Wadon 2 Wadon 5 Wadon 7 Wadon 4 Kane Side Wadon 1 Kane Dhol KwaengwariMt Tabla Ge Dholak 1 Kwaengwari f Tabla Te Rama Cymbal Gamelan Gong Kwaengwari f Ceng Ceng Kopyak Op Saron Kopyak Mt Saron Gamelan Gong Bonang Bonang Bonang Bonang Bonang Bonang Bonang Bonang Bonang Bonang Bonang Bonang Gender Gender Gender Gender Gender Gender Gender Gender Gender Gender Gender Gender Saron Saron Saron Saron Saron Saron Saron Saron Saron Saron Saron Saron Saron --------------------------------------------------------------------------------------------------------------------------------------------------------------------------------PC: 95 [CC32: 4] OrientPerc ---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------Merjaf dom Merjaf sak Merjaf tak TarMag dom TarMag sak TarMag tak Tar1 dom Tar1 sak Tar1 tak Tar2 dom Tar2 sak Tar2 tak Duff dom1 Duff dom2 Duff sak 1 Duff sak 2 Duff tak Duff dish Doholla dom Doholla sak Doholla tak Kasoor dom1 Kasoor dom2 Kasoor sak Tabel1 dom Tabel1 sak Tabel1 tak Tabel2 dom Tabel2 sak Tabel2 tak Merwas dom Merwas sak1 Merwas sak2 Merwas tak Nagroos1 dom Nagroos1 tak Nagroos1 roll Nagroos2 dom Nagroos2 side Nagroos2 roll Twesat 1 Twesat 2 Twesat 3 Yehal dom Yehal tak Or Clap Yebab ZaghrutaStop OR Conga Lo OR Conga LoMt OR Conga FX OR Conga Hi OR Bongo Lo1 OR Bongo Lo2 OR Bongo Hi Tabla Ge 1 Tabla Ge 2 Tabla Dom Tabla Ge Hi Tabla Roll Tabla Tak Tabla Flam Tabla Rim1 Tabla Rim2 Tabla Rim3 Tabla Te Tabla Na Tabla Tun ----------------------------------------------------------------------------------------------------

REC... 1920 Rec All... 19 Rec Keyboard... 19 REC MODE.. 1920 Rec PunchI/O... 20 Rec Single... 20 REC TRACK.. 20 Recording... 19 REPEAT A-B.. 21 Repeat Playback.. 21
User Program... 16 UTILITY... 9, 28
VARIATION... 13, Velo Rx... Volume... 10, Volume Balance.. 23 13

E-09_e.book 50

E-09_e.book 51
For EU Countries This product complies with the requirements of European Directive 89/336/EEC.

For the USA

FEDERAL COMMUNICATIONS COMMISSION RADIO FREQUENCY INTERFERENCE STATEMENT
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures: Reorient or relocate the receiving antenna. Increase the separation between the equipment and receiver. Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. Consult the dealer or an experienced radio/TV technician for help. This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) This device may not cause harmful interference, and (2) This device must accept any interference received, including interference that may cause undesired operation. Unauthorized changes or modification to this system can void the users authority to operate this equipment. This equipment requires shielded interface cables in order to meet FCC class B Limit.

For Canada

NOTICE
This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.
Cet appareil numrique de la classe B respecte toutes les exigences du Rglement sur le matriel brouilleur du Canada.

E-09_e.book 52

Information

AFRICA

Al Fanny Trading Office 9, EBN Hagar A1 Askalany Street, ARD E1 Golf, Heliopolis, Cairo 11341, EGYPT TEL: 20-2-417-1828
When you need repair service, call your nearest Roland Service Center or authorized Roland distributor in your country as shown below.

Theera Music Co. , Ltd. 330 Soi Verng NakornKasem, New Road, Sumpantawongse, Bangkok 10100, THAILAND TEL: (02) 224-8821

ROMANIA

FBS LINES Piata Libertatii 1, 535500 Gheorgheni, ROMANIA TEL: (266) 364 609
TALENTZ CENTRE L.L.C. Malatan House No.1 Al Noor Street, Ruwi SULTANATE OF OMAN TEL: 2478 3443

GUATEMALA

Casa Instrumental Calzada Roosevelt 34-01,zona 11 Ciudad de Guatemala Guatemala TEL:(502) 599-2888

AUSTRALIA/ NEW ZEALAND

AUSTRALIA/ NEW ZEALAND Roland Corporation Australia Pty.,Ltd.
38 Campbell Avenue Dee Why West. NSW 2099 AUSTRALIA For Australia Tel: (02) For New Zealand Tel: (09) 3098 715
BELGIUM/FRANCE/ HOLLAND/ LUXEMBOURG
Roland Central Europe N.V. Houtstraat 3, B-2260, Oevel (Westerlo) BELGIUM TEL: (014) 575811

RUSSIA

MuTek Dorozhnaya ul.3,korp.545 Moscow, RUSSIA TEL: (095) 981-4967
Al Emadi Co. (Badie Studio & Stores) P.O. Box 62, Doha, QATAR TEL: 4423-554
Roland Shanghai Electronics Co.,Ltd. 5F. No.1500 Pingliang Road Shanghai 200090, CHINA TEL: (021) 5580-0800 Roland Shanghai Electronics Co.,Ltd. (BEIJING OFFICE) 10F. No.Section Anhuaxili Chaoyang District Beijing 100011 CHINA TEL: (010) 6426-5050

HONDURAS

Almacen Pajaro Azul S.A. de C.V. BO.Paz Barahona 3 Ave.11 Calle S.O San Pedro Sula, Honduras TEL: (504) 553-2029

SLOVAKIA

DAN Acoustic s.r.o. Povazsk 18. SK - Nov Zmky TEL: (035) 6424 330

SAUDI ARABIA

aDawliah Universal Electronics APL Corniche Road, Aldossary Bldg., 1st Floor, Alkhobar, SAUDI ARABIA P.O.Box 2154, Alkhobar 31952 SAUDI ARABIA TEL: (03) 898 2081

CROATIA

ART-CENTAR Degenova 3. HR - 10000 Zagreb TEL: (1) 466 8493
Roland Iberia, S.L. Paseo Garca Faria, 33-Barcelona SPAIN TEL: 91 00

MARTINIQUE

Musique & Son Z.I.Les Mangle 97232 Le Lamantin Martinique F.W.I. TEL: 426860 Gigamusic SARL 10 Rte De La Folie 97200 Fort De France Martinique F.W.I. TEL: 715222

CZECH REP.

CZECH REPUBLIC DISTRIBUTOR s.r.o Voctrova 247/16 CZ - PRAHA 8, CZECH REP. TEL: (2) 830 20270

SWEDEN

Roland Scandinavia A/S SWEDISH SALES OFFICE Danvik Center 28, 2 tr. S-Nacka SWEDEN TEL: (0)00 20
Technical Light & Sound Center Rawda, Abdul Qader Jazairi St. Bldg. No. 21, P.O.BOX 13520, Damascus, SYRIA TEL: (011) 223-5384

HONG KONG

Tom Lee Music Co., Ltd. Service Division 22-32 Pun Shan Street, Tsuen Wan, New Territories, HONG KONG TEL: Parsons Music Ltd. 8th Floor, Railway Plaza, 39 Chatham Road South, T.S.T, Kowloon, HONG KONG TEL: 2333 1863

Winter NAMM 2006 Release Contact: Tara Callahan (323) 890-3700 x3718 tarac@rolandus.com
ROLAND E-09 INTERACTIVE ARRANGER Price-Defying Performance
Los Angeles, CA, January 17, 2006Its price might say low end, but the E-09s sounds and styles are nothing but first class. Building on the success of Rolands popular E-series arranger keyboards, the E-09 ushers in a brand-new look, feel, and sound for the family. With its new high-quality sound engine, pro-style appearance, and powerful specifications including a newly designed library of sounds and interactive styles the E-09 raises the quality standard for entry-level arrangers. With a global array of interactive musical accompaniments onboard, the E-09 puts a world of colorful and authentic music under the players fingertips. Master programmers from around the world have created special Styles for the E-09, spotlighting the Western, Middle Eastern, and Asian cultures. As Rolands technology continues to expand and improve, so too does the userfriendliness of its instruments. The E-09 is no exception, as it provides a clearly labeled lineup of large, friendly buttons across its front panel, logically organized into task types. There are one-touch Tone and Style locator buttons to help find the sound and style quickly, plus an array of helpful, dedicated controls to make navigating and playing the instrument a breeze. The E-09 introduces a new professional-grade industrial design to the E family. Its black metallic finish, coupled with a slim, streamlined chassis design, makes the E-09 eye catching and easy to transport. Despite its slim physique, the E-09 outputs an
impressively big sound from its built-in stereo speaker system. To further enhance the sound, the built-in effects processor can add space, depth, and other special effects. There are 47 types of multi-effects to choose from, plus eight varieties of reverbs and choruses. ------Roland is a world leader in the design, manufacture, and distribution of electronic musical instruments, professional audio equipment, multimedia products, and music accessories. For more information, contact Roland Corporation U.S., 5100 S. Eastern Ave., P.O. Box 910921, Los Angeles, CA 90091-0921, (323) 890-3700 (x3718 - for media use only), www.RolandUS.com. ###